0:00:15 > 0:00:18WOMAN CHUCKLES
0:00:18 > 0:00:22- ON TV:- Look, I don't want to make this a big deal...
0:00:22 > 0:00:25You all ready for your big day tomorrow?
0:00:25 > 0:00:26It's only a trial.
0:00:26 > 0:00:30Right. So, you won't be needing these then?
0:00:33 > 0:00:36This farce has gone on quite long enough.
0:00:36 > 0:00:39I need those bloody people out and I mean now!
0:00:39 > 0:00:41Listen to me. Have you any idea
0:00:41 > 0:00:44how much it's going to cost to have the contractors stand down again?
0:00:44 > 0:00:47If we go to another appeal, we're screwed.
0:00:47 > 0:00:50I have investors, for Christ's sake!
0:00:50 > 0:00:51No!
0:00:51 > 0:00:53I'll deal with it.
0:01:31 > 0:01:36GLASS SHATTERS, FIRE ROARS
0:01:36 > 0:01:39SHOUTING IN THE DISTANCE, SCREAMS
0:01:39 > 0:01:42FIRE ROARS
0:02:12 > 0:02:16SIREN WAILS
0:02:31 > 0:02:34CLASSICAL MUSIC PLAYS
0:02:38 > 0:02:40HE SWITCHS MUSIC OFF
0:02:55 > 0:02:59MOBILE PHONE BEEPS
0:02:59 > 0:03:02- ON RADIO:- '..reports of a large fire in a tower block in East London.
0:03:02 > 0:03:04'Emergency services are on the scene...'
0:03:04 > 0:03:06PHONE RINGS
0:03:06 > 0:03:09'..causing severe traffic delays...'
0:03:09 > 0:03:11- PHONE RINGS - Hello.
0:03:11 > 0:03:13A warrant? What for?
0:03:18 > 0:03:20TYRES SCREECH TO A HALT
0:03:20 > 0:03:22Um...
0:03:30 > 0:03:33TWO SEPARATE PHONES RING
0:03:42 > 0:03:45LIFT BELL DINGS
0:03:53 > 0:03:55PHONE RINGS
0:04:05 > 0:04:07STOP!
0:04:12 > 0:04:14Oi! Police! Stop!
0:04:27 > 0:04:28Granger, stop!
0:04:31 > 0:04:33Get out of the way!
0:04:33 > 0:04:35Move!
0:04:35 > 0:04:39I'm Phillip Granger, get me Luis Velasquez now! Get him now!
0:04:39 > 0:04:40Phillip Granger,
0:04:40 > 0:04:43- I'm arresting you on suspicion of conspiracy to commit murder.- Luis!
0:04:43 > 0:04:48- Phillip!- You do not have to say anything...- Luis! I am claiming political asylum.
0:04:48 > 0:04:51..but it may harm your defence if you do not mention when questioned
0:04:51 > 0:04:54- something which you later rely on in court.- Luis!
0:04:54 > 0:04:57This man is now under the protection of the Colombian government.
0:04:57 > 0:05:00I am the Colombian ambassador and you are now on Colombian soil.
0:05:00 > 0:05:03So, unless you want to spark a major diplomatic incident
0:05:03 > 0:05:05between our respective governments,
0:05:05 > 0:05:09I suggest you remove those handcuffs and leave. Immediately.
0:05:16 > 0:05:18Thank you.
0:05:19 > 0:05:21Go on.
0:05:48 > 0:05:51Turned out nice again.
0:05:51 > 0:05:54No time for sunbathing. You're going to have your work cut out.
0:05:54 > 0:05:58Phillip Granger - Eton and Oxford educated,
0:05:58 > 0:06:01property tycoon, extremely well connected.
0:06:01 > 0:06:06Recently, he was appointed as a government housing adviser.
0:06:06 > 0:06:08He's been very vocal on his vision for quality,
0:06:08 > 0:06:10affordable housing for all.
0:06:10 > 0:06:12But away from the glare of the cameras,
0:06:12 > 0:06:15it appears he adopts a more elitist approach.
0:06:17 > 0:06:19He bought this place on the cheap
0:06:19 > 0:06:21to make way for one of his luxury developments.
0:06:21 > 0:06:24Served eviction notices on all of the tenants.
0:06:24 > 0:06:28They wouldn't budge and lodged a series of appeals.
0:06:28 > 0:06:30What, so he did this?
0:06:30 > 0:06:34- 18 people died.- And how sure are you that he was behind it?
0:06:34 > 0:06:38No doubt. We've got full confessions from all those involved.
0:06:38 > 0:06:41It didn't take the police long to pull everyone in.
0:06:41 > 0:06:42They established a trail
0:06:42 > 0:06:45that led all the way to the kid who started the blaze.
0:06:49 > 0:06:53That trail leads all the way up to Granger.
0:06:53 > 0:06:55So, why hasn't he been arrested?
0:06:56 > 0:06:58Political asylum?
0:06:58 > 0:07:02Old boys' network - he and the ambassador went to school together.
0:07:02 > 0:07:04Oh, pass me the sick bag.
0:07:04 > 0:07:06It's a government thing though, isn't it?
0:07:06 > 0:07:09Diplomatic channels, our man in Colombia, all that jazz.
0:07:09 > 0:07:13- Well, they're backing their ambassador.- And our lot are just accepting that, are they?
0:07:13 > 0:07:16- They don't have any choice. - If we go in there all guns blazing, that opens up every
0:07:16 > 0:07:18British Embassy around the world to the same treatment.
0:07:18 > 0:07:21- So, the police can't touch him? - No-one can.
0:07:21 > 0:07:25As long as he's inside that embassy building, he's on foreign soil, no-one can go near him.
0:07:25 > 0:07:26Officially.
0:07:26 > 0:07:29First things first, we need to know what's going on in there.
0:07:29 > 0:07:32We need surveillance - eyes and ears inside the embassy.
0:07:32 > 0:07:34On it.
0:07:37 > 0:07:41TomTom, find out what's on either side of the embassy building,
0:07:41 > 0:07:43and if there's any way we can gain access.
0:07:43 > 0:07:46OK, so, looking at the buildings around the embassy,
0:07:46 > 0:07:49we have the Iranian Embassy behind.
0:07:53 > 0:07:55Hmm, not sure how co-operative they'll be.
0:07:55 > 0:07:56There's a bank to the right.
0:07:56 > 0:08:01Here we go, there's a residential address next door to the left.
0:08:01 > 0:08:06- And it's registered to a Mrs Celia Butler. - DOOR BELL RINGS
0:08:11 > 0:08:14- Mrs Butler?- Yes.
0:08:14 > 0:08:16- Jack Reed, Environmental Health.- Oh?
0:08:16 > 0:08:19We've had reports of rats in the adjoining buildings
0:08:19 > 0:08:22- and we're trying to find the source. - Ooh, I hate rats. Dirty creatures.
0:08:22 > 0:08:24The thing is we need to check your property.
0:08:24 > 0:08:29I have an old rifle up in the attic, I'd be happy to help.
0:08:29 > 0:08:33Well, actually we tend to use more humane methods these days.
0:08:33 > 0:08:37Political correctness gone mad - spoils all the fun.
0:08:37 > 0:08:41- Shoot the little buggers, I say. - I couldn't agree more.
0:08:41 > 0:08:43If it was up to me, I'd shoot the lot of them
0:08:43 > 0:08:45but this one's a stickler for procedure.
0:08:45 > 0:08:47- One of those? - HE MOUTHS
0:08:47 > 0:08:49Thought so.
0:08:49 > 0:08:54Right, well, I'll put the kettle on. Where do you want to start?
0:08:54 > 0:08:56Uh, well, we think they might be in the cavity walls.
0:08:56 > 0:09:00So, what's upstairs on this side of the house?
0:09:00 > 0:09:03- Spare room. - Good, we'll start there.
0:09:07 > 0:09:11So, the ambassador's office should be directly behind that wall.
0:09:39 > 0:09:40Oh!?
0:09:40 > 0:09:42Nice one, genius.
0:09:42 > 0:09:44Yeah, my bad.
0:09:46 > 0:09:50- Looks like it's going to be next door.- Next door.- Sorry.
0:09:54 > 0:09:57- Wrong room.- What!
0:10:19 > 0:10:22Earl Grey or builder's tea?
0:10:22 > 0:10:25Oh, builder's, please, strong as you like.
0:10:31 > 0:10:34Dope, right? The boy's on fire.
0:10:34 > 0:10:37- There's Granger. - That looks like the ambassador.
0:10:40 > 0:10:43- Hola!- Who's the girl?
0:10:43 > 0:10:46That must be Vanessa Velasquez. She's the ambassador's daughter.
0:10:46 > 0:10:49- I'm calling shotgun.- No, you can't call shotgun on a girl.
0:10:49 > 0:10:50I saw her first.
0:10:50 > 0:10:54Hello? Shall I bring your tea in? >
0:10:54 > 0:10:56Just a minute, Mrs Butler.
0:10:58 > 0:11:00What the... Where did you get that?
0:11:00 > 0:11:02I have my sources.
0:11:02 > 0:11:04That's just weird.
0:11:09 > 0:11:13Infested, I'm afraid. We're going to have to fumigate.
0:11:13 > 0:11:15We've got a direct feed into the ambassador's study,
0:11:15 > 0:11:17but I've hacked into the CCTV DVR
0:11:17 > 0:11:20so we can pretty much see anything they can.
0:11:20 > 0:11:24I understand, but there are extenuating circumstances.
0:11:24 > 0:11:28Yes, Mr President, I take full responsibility for the situation.
0:11:28 > 0:11:30Thank you, sir.
0:11:32 > 0:11:35Luis, I'm not causing you any trouble, am I?
0:11:35 > 0:11:39- Whatever gave you that idea? - I'll only be here a few days.
0:11:39 > 0:11:41Well, I think it's great you're here, Uncle Phillip.
0:11:41 > 0:11:43You see, someone's pleased to see me.
0:11:43 > 0:11:47The British Government is asking that you surrender yourself.
0:11:47 > 0:11:49You can't stay here indefinitely.
0:11:49 > 0:11:51Luis, this is all going to blow over.
0:11:51 > 0:11:53I've had friends in very high places.
0:11:53 > 0:11:56You know what it's like, it's just wheels within wheels.
0:11:56 > 0:11:59And seeing as you're here, you can stay for the party.
0:11:59 > 0:12:00Ooh, hello, what party?
0:12:07 > 0:12:10It looks like every year, they invite the great and the good
0:12:10 > 0:12:12for an informal lunch to mark the President's birthday.
0:12:12 > 0:12:14Lucky for us, it happens to be this week.
0:12:14 > 0:12:16Now, the guest list is pretty exclusive,
0:12:16 > 0:12:18but it might be our best chance to get inside.
0:12:18 > 0:12:21OK. So, we get inside, then what?
0:12:21 > 0:12:24There's only two ways we're going to Granger out of there -
0:12:24 > 0:12:27either he leaves of his own accord or we drag him out.
0:12:27 > 0:12:29Hmm, past all that security.
0:12:29 > 0:12:31Well, this lunch sounds like a pretty big deal, so there will be
0:12:31 > 0:12:34outside contractors, things we can use as a distraction.
0:12:34 > 0:12:35Deliveries going in and out.
0:12:35 > 0:12:38Flowers, extra food, wine merchants.
0:12:38 > 0:12:40Maybe we could get him into one of those vans.
0:12:40 > 0:12:41We'll need all these details.
0:12:41 > 0:12:44TomTom will get what he can on surveillance.
0:12:44 > 0:12:46- What we really need is someone on the inside.- Hmm.
0:12:46 > 0:12:48Yeah? How are we going to do that?
0:13:01 > 0:13:04Target in sight. Moving in.
0:13:08 > 0:13:11Where are you going?! Ow!
0:13:13 > 0:13:17- Where are you going?! Give her back!- Stop kicking me!
0:13:17 > 0:13:20Give her back!
0:13:20 > 0:13:22Help! Somebody!
0:13:22 > 0:13:23Somebody help!
0:13:23 > 0:13:25She's a tough one. Right, your turn.
0:13:25 > 0:13:29Coming your way in three, two, one!
0:13:34 > 0:13:38Getting beaten up by a girl. Loving your work.
0:13:38 > 0:13:42Try and make this look convincing. All right? Yeah?
0:13:42 > 0:13:44Yeah. Good enough?
0:13:47 > 0:13:48Oh, thank you! Are you OK?
0:13:48 > 0:13:51Yeah, sorry, lucky punch, he got away. There you go.
0:13:51 > 0:13:54Oh, I got my Lucy back, that's all that matters.
0:13:55 > 0:13:57Oh, my God, your lip, you're bleeding.
0:13:57 > 0:13:59Really? No, it's fine.
0:13:59 > 0:14:01Really.
0:14:01 > 0:14:05- So, uh, must have been pretty scary? Are you all right?- I'm fine.
0:14:05 > 0:14:09You do look a bit shaken up, though. I mean, anything I can do?
0:14:09 > 0:14:12Can I, uh, walk you home? I can walk you home.
0:14:13 > 0:14:14There's really no need.
0:14:14 > 0:14:18No, please, I insist. It's in the superhero's job description.
0:14:18 > 0:14:21I have to make sure that the damsel in distress gets home safely.
0:14:23 > 0:14:24Please. If you wouldn't mind?
0:14:26 > 0:14:27- This way.- OK.
0:14:29 > 0:14:33- TomTom, how are we doing? - Cupid has landed.
0:14:33 > 0:14:34Good.
0:14:34 > 0:14:37Jess has done her bit, so it's up to you to get Charlie into the embassy.
0:14:37 > 0:14:39On it.
0:14:39 > 0:14:42- I'll meet you back at Celia's when you're done.- Right, soon as.
0:14:51 > 0:14:56So, I jacked in my job and just went travelling around South America.
0:14:57 > 0:15:00I never made it as far as Colombia.
0:15:00 > 0:15:03But, uh, I did trek Macchu Picchu, so...
0:15:03 > 0:15:06No! That is my favourite place on earth.
0:15:06 > 0:15:09- Really?- That's so amazing. I can't believe you've been there, too.
0:15:09 > 0:15:13Ah, the power of social networks and very predictable passwords.
0:15:15 > 0:15:18It's so peaceful there, like nothing in the world can touch you.
0:15:18 > 0:15:20You know, you're on top of the world
0:15:20 > 0:15:23and you could just hold out your arms and fly.
0:15:23 > 0:15:24Did you feel that?
0:15:24 > 0:15:27Did you feel it, Charlie? 'Spiritual, yeah?'
0:15:29 > 0:15:32Yeah. Yeah, I, uh, thought it was just me.
0:15:32 > 0:15:33I loved it.
0:15:33 > 0:15:36I used to just sit there for hours and read poetry.
0:15:36 > 0:15:39OK, this is getting really weird.
0:15:39 > 0:15:42- You like poetry, too? - Love it, absolutely love it.
0:15:42 > 0:15:44Who is your favourite poet?
0:15:44 > 0:15:47Yeah, Charlie, who is your favourite poet?
0:15:48 > 0:15:50My favourite poet?
0:15:50 > 0:15:52- Mm-hm.- Oh, wow, uh, that's a...
0:15:52 > 0:15:55- 'Yes?'- ..that's a tough one.
0:15:55 > 0:15:58Yeah, but she's still waiting for an answer.
0:15:58 > 0:16:01You see, this is why Jack should have sent me instead of you.
0:16:01 > 0:16:07Uh, so many to choose from, you know, so many poets.
0:16:07 > 0:16:10- WHISPERS: TomTom?! - No? Drawing a blank?
0:16:13 > 0:16:15- T.S. Eliot.- T.S. Eliot.
0:16:16 > 0:16:21- Really?- Yeah. Why do you... Do you like him too?
0:16:21 > 0:16:23He's the best!
0:16:23 > 0:16:26Well, this is me.
0:16:26 > 0:16:31Wow. Uh, you live here?
0:16:31 > 0:16:36- Yes. My father is the ambassador. - Oh, right.
0:16:36 > 0:16:37Does that bother you?
0:16:37 > 0:16:40It's just a different world to what I'm used to, that's all.
0:16:40 > 0:16:43And what kind of world are you used to?
0:16:43 > 0:16:46Dirty kitchens, mostly.
0:16:46 > 0:16:50I'm a sous chef. Well, no, actually scratch that.
0:16:50 > 0:16:54I'm, I'm an unemployed, well, I'm a broke, unemployed sous chef.
0:16:54 > 0:16:58- Well, then, today might just be your lucky day.- Why?
0:16:58 > 0:17:02We need someone in the kitchen, one of our chefs has food poisoning.
0:17:02 > 0:17:04Not a great advertisement for his cooking but...
0:17:04 > 0:17:06It was a local restaurant.
0:17:08 > 0:17:11RETCHING
0:17:12 > 0:17:14I could ask, if you're interested?
0:17:17 > 0:17:20But you don't know anything about him.
0:17:20 > 0:17:22You're embarrassing me!
0:17:22 > 0:17:24HE SIGHS
0:17:24 > 0:17:26We'll need references.
0:17:27 > 0:17:30- When can you start? - KNOCK AT THE DOOR
0:17:30 > 0:17:32Come.
0:17:34 > 0:17:36I can come back later.
0:17:36 > 0:17:39No, no, we have a meeting. Security for the President's lunch.
0:17:39 > 0:17:41Yes, sir.
0:17:41 > 0:17:45Oh, and I'll need you to do a security check on Mr Rollins here.
0:17:45 > 0:17:47He'll be working in our kitchens.
0:17:47 > 0:17:49Yes, sir.
0:17:55 > 0:17:56Nice to meet you.
0:17:56 > 0:17:58Thanks.
0:18:03 > 0:18:06He's a bit scary, isn't he? Who is he?
0:18:06 > 0:18:09Head of embassy security and very boring.
0:18:09 > 0:18:12Come on, I'll show you the kitchens.
0:18:26 > 0:18:29Hello, would you like some more tea?
0:18:29 > 0:18:31Celia, sorry, you can't go in there.
0:18:31 > 0:18:35I thought the weird one might like a cup of tea.
0:18:35 > 0:18:37Oh, I'll take it in. It's too dangerous.
0:18:37 > 0:18:39- Fumes?- Yeah, exactly.
0:18:45 > 0:18:48Charlie's in.
0:18:48 > 0:18:49Great.
0:18:49 > 0:18:52- That for me?- No.
0:18:52 > 0:18:55The guy on the left could be a problem.
0:18:55 > 0:18:58- See what you can find out about him. - OK. Right.
0:18:58 > 0:19:03- Uh, can I ask you a question? - Yeah?
0:19:03 > 0:19:05Why does Charlie get to seduce a girl and not me?
0:19:07 > 0:19:10What, just cos he's got the square jaw and possibly got a six pack -
0:19:10 > 0:19:13that makes him instant candidate for Lothario duty, does it?
0:19:13 > 0:19:16- Kind of, yeah. - Never heard of Geek chic?
0:19:16 > 0:19:20- Well, I'll bear that in mind next time.- Yes. Very good.
0:19:20 > 0:19:22Right, I should get back to base,
0:19:22 > 0:19:25set up his profile before they do security checks.
0:19:25 > 0:19:29OK, it's probably time we got out of here anyway, the old girl's getting a bit nosey.
0:19:29 > 0:19:32- Jack, I was going to say... - Hang on a second, what's this?
0:19:38 > 0:19:41- What were you expecting? A knighthood?- It's my reputation!
0:19:41 > 0:19:46How the hell can I make this damn thing go away if the bloody press are saying I'm already guilty?
0:19:46 > 0:19:48You made yourself a target as soon as you came in here.
0:19:48 > 0:19:51So you'd rather I just let them arrest me, would you? Would you!?
0:19:51 > 0:19:54'Your Government is trying to swing public opinion against you,
0:19:54 > 0:19:57- 'this is all getting very messy!' - They might be old school friends,
0:19:57 > 0:20:00but it doesn't look like the Ambassador wants him there any more than we do.
0:20:00 > 0:20:03Yes, well, two can play at that game.
0:20:03 > 0:20:04Phillip.
0:20:04 > 0:20:07- Michael. Yes...- Phillip!
0:20:07 > 0:20:10He's clearly got one hell of an ego, could be useful.
0:20:10 > 0:20:13Sorry, you were going to say something?
0:20:13 > 0:20:16Oh...doesn't matter.
0:20:16 > 0:20:18Right, we good to go then?
0:20:18 > 0:20:21Yeah. I can set up a remote feed for all this stuff.
0:20:23 > 0:20:26We're all done, so we'll leave you in peace.
0:20:26 > 0:20:28Rats all gone, have they?
0:20:28 > 0:20:30- Absolutely. - I hope you get your man.
0:20:30 > 0:20:34I worked with the codebreakers at Bletchley during the war.
0:20:34 > 0:20:38And if you're a rat catcher, I'm Mata Hari.
0:20:38 > 0:20:42This all to do with that little bugger holed up next door?
0:20:42 > 0:20:44Well, I couldn't possibly say.
0:20:44 > 0:20:46- Of course not.- Sorry...
0:20:46 > 0:20:48What? For deceiving me?
0:20:48 > 0:20:52For drilling lots of bloody little holes in my wall?
0:20:52 > 0:20:55I haven't had so much fun in years.
0:20:55 > 0:20:59Give the little blighter a kick or two from me, will you?
0:20:59 > 0:21:02- When you get him. - Will do. Goodbye, Mrs Butler.
0:21:02 > 0:21:04Goodbye, Jack.
0:21:09 > 0:21:10Charlie boy!
0:21:12 > 0:21:14References.
0:21:14 > 0:21:18You know, er, you didn't have to hit me quite so hard.
0:21:19 > 0:21:21Make it realistic, that's what you said.
0:21:21 > 0:21:24Hey, you can swap, if you want.
0:21:24 > 0:21:26You can sit here all day tapping away at a keyboard
0:21:26 > 0:21:28and I'll go and seduce the fit South American girl.
0:21:28 > 0:21:30- Fair point.- Yeah.
0:21:32 > 0:21:35This is your identity, so try and remember it.
0:21:35 > 0:21:39Oh, nice(!) What are we going to do without you, eh?
0:21:39 > 0:21:43You're going to find out soon. Crash and burn, that's my guess.
0:21:43 > 0:21:46Has Jack still not said anything about what happens
0:21:46 > 0:21:48when your community service finishes?
0:21:48 > 0:21:52No. I was going to talk to him, but he's kinda got a lot on his hands.
0:21:52 > 0:21:54How many hours have you got left?
0:21:54 > 0:21:5514...and counting.
0:21:57 > 0:21:59Then I'm a free man.
0:21:59 > 0:22:01Well, you should ask him if you can stay.
0:22:01 > 0:22:04Are you kidding? Like I want to work with you guys!
0:22:04 > 0:22:07All right, let's go over this one more time.
0:22:08 > 0:22:13So, we've got Charlie in the embassy, TomTom's in their CCTV
0:22:13 > 0:22:16and we've got a camera in the ambassador's study.
0:22:16 > 0:22:17Pretty good start.
0:22:17 > 0:22:20The plan is to use the president's lunch as cover. Once we're in,
0:22:20 > 0:22:22we grab Phillip Granger and drag him out
0:22:22 > 0:22:24and into a catering truck.
0:22:24 > 0:22:25Sounds easy when you say it quickly.
0:22:25 > 0:22:27TomTom, security.
0:22:27 > 0:22:29Security is headed up by a David Ortega.
0:22:29 > 0:22:32I've looked into him. Ex-Colombian Special Forces.
0:22:32 > 0:22:33Very dangerous dude.
0:22:33 > 0:22:34David Ortega.
0:22:34 > 0:22:36I met him.
0:22:36 > 0:22:39Any psychological profiling on him?
0:22:39 > 0:22:41Yeah. He's a big bastard with a gun.
0:22:42 > 0:22:44- Enlightening.- Anything else?
0:22:44 > 0:22:46Yeah, he's got a team of 12 embassy guards.
0:22:46 > 0:22:47And they are all armed.
0:22:47 > 0:22:51One thing to remember, we're going to be on foreign soil, so, if we get caught
0:22:51 > 0:22:53there's no back up, we're on our own.
0:22:55 > 0:22:57Now, there's a guard on every exit at all times.
0:22:57 > 0:23:01And judging by the surveillance, they do a full sweep of the building on the hour, every hour.
0:23:01 > 0:23:04Added to that, there's panic buttons on all floors.
0:23:04 > 0:23:06CCTV in all the corridors,
0:23:06 > 0:23:08all the rooms, apart from the private living quarters.
0:23:08 > 0:23:10Place is like Fort Knox.
0:23:10 > 0:23:12What about the outside?
0:23:12 > 0:23:14There's vehicle access at the side of the building.
0:23:14 > 0:23:16That's where they get their deliveries.
0:23:16 > 0:23:18And all vehicles are checked coming in and going out,
0:23:18 > 0:23:20except the ambassador's car.
0:23:20 > 0:23:24But there's going to be loads more traffic through the gate on the day of the party.
0:23:24 > 0:23:26So hiding him in a catering truck is still our best bet.
0:23:26 > 0:23:29Getting Granger from the party can be relatively straightforward.
0:23:29 > 0:23:33If the guards ain't doing their sweep, I can disable the CCTV.
0:23:33 > 0:23:36Getting him from the lifts down to the kitchen, that's doable.
0:23:36 > 0:23:41You might even get him to the truck. But getting him out? It's a whole different ball game.
0:23:41 > 0:23:45I'll think of something. How are we getting on with the invites?
0:23:45 > 0:23:47We're still trying to locate the guest list.
0:23:47 > 0:23:49Yeah, it's not on any of the embassy databases.
0:23:49 > 0:23:51- Guys, come on, the clock is ticking. - We'll find it.
0:23:51 > 0:23:54We'd better had, or we won't even get past the front door.
0:23:56 > 0:23:57You ready?
0:23:57 > 0:23:59Right, come on, let's do this.
0:24:02 > 0:24:04Honestly, Miles, it's so stupid.
0:24:06 > 0:24:07No...
0:24:07 > 0:24:11It turns out none of the smoke alarms actually worked.
0:24:11 > 0:24:15Well, it's not that difficult to change a battery, is it?
0:24:15 > 0:24:16Even for the great unwashed.
0:24:18 > 0:24:22No, you know what the press are like, they're just looking for a scapegoat.
0:24:24 > 0:24:27Well, I haven't got where I am today by being a soft touch!
0:24:27 > 0:24:28Goodbye.
0:24:29 > 0:24:32- Here you are.- Cheers, mate.
0:24:32 > 0:24:35- Charlie's got his security pass, he's in.- Great.
0:24:39 > 0:24:42You still don't know how to get the truck out, do you?
0:24:43 > 0:24:46We'll only get one shot at this, if we screw up, it's over.
0:24:46 > 0:24:49TomTom's right - the plan is still not watertight.
0:24:49 > 0:24:53Can't let the arrogant piece of shit get away with it though, can we?
0:24:53 > 0:24:55I grew up on an estate like the one he torched.
0:24:55 > 0:24:59Landlords like him making a killing while their tenants
0:24:59 > 0:25:01live in squalor and everyone's too scared to complain.
0:25:03 > 0:25:04Except for my mum.
0:25:06 > 0:25:09She told the landlord EXACTLY what she thought of him.
0:25:09 > 0:25:10I was so proud of her.
0:25:13 > 0:25:15Phillip Granger.
0:25:15 > 0:25:21He uses normal, hard-working people as cannon fodder to help him get what he wants.
0:25:21 > 0:25:25You don't have to tell me, kid. There's loads of them out there,
0:25:25 > 0:25:28scratching each other's backs, greasing the wheels,
0:25:28 > 0:25:30looking the other way, playing the system.
0:25:30 > 0:25:33It's the old boy's network - look after their own.
0:25:33 > 0:25:38- Yeah, well...we look after our own, too, right?- Yes, we do.
0:25:38 > 0:25:42Jack, I read every police report on everyone who died in that fire.
0:25:43 > 0:25:46There was a kid, he had trials for West Ham the next day.
0:25:46 > 0:25:49His whole life, just starting to take shape.
0:25:49 > 0:25:52Granger needs to know what he's done. He needs to pay for it.
0:25:52 > 0:25:53He will.
0:26:24 > 0:26:26Hey!
0:26:28 > 0:26:32- What's wrong? - No, nothing, nothing. Um...
0:26:32 > 0:26:34should you really be down here, now?
0:26:34 > 0:26:38Oh, right. Well, um, that's easily resolved.
0:26:40 > 0:26:44I would like dinner served in my room, please, Chef.
0:26:47 > 0:26:51Oh, and I would like my favourite, please.
0:26:52 > 0:26:54Bouillabaisse.
0:27:01 > 0:27:02What the hell is a bouillabaisse?
0:27:02 > 0:27:03Um...
0:27:05 > 0:27:09A bouillabaisse is a type of French toilet.
0:27:09 > 0:27:11TomTom!
0:27:11 > 0:27:14Relax, Heston.
0:27:14 > 0:27:16A bouillabaisse is a type of French fish stew.
0:27:16 > 0:27:21Widely regarded as one of the most technically difficult dishes to make,
0:27:21 > 0:27:25- says "taking hours in preparation" here.- Hmm, fantastic.
0:27:25 > 0:27:27Sure you'll manage.
0:27:27 > 0:27:29Oh, whilst you're getting cosy with Vanessa, try and find out
0:27:29 > 0:27:32some info about the guest list. We're still drawing a blank.
0:27:32 > 0:27:34All right, I'll do my best.
0:27:43 > 0:27:44Oh, yeah!
0:27:44 > 0:27:46What is this?
0:27:46 > 0:27:48It's baked beans on toast.
0:27:48 > 0:27:50And what happened to the bouillabaisse?
0:27:50 > 0:27:53Look, any idiot can make a bouillabaisse,
0:27:53 > 0:27:54but it takes too long.
0:27:54 > 0:27:55All that fish and stuff.
0:27:55 > 0:27:59And the whole French stew thing, you don't want that.
0:27:59 > 0:28:03And, to be honest, I didn't want to wait that long to see you.
0:28:04 > 0:28:08So I've made you my speciality instead.
0:28:08 > 0:28:10Beans on toast?
0:28:10 > 0:28:12Yeah, baked beans on toast.
0:28:12 > 0:28:15What, is that not good enough for an ambassador's daughter, or...?
0:28:17 > 0:28:18More than good enough.
0:28:30 > 0:28:32If you like it that much,
0:28:32 > 0:28:37why don't we put it on the menu for the president's lunch?
0:28:37 > 0:28:39My dad would have a heart attack.
0:28:39 > 0:28:40Come on, he'd love it.
0:28:40 > 0:28:42I doubt it.
0:28:42 > 0:28:44Why, who's coming to this thing?
0:28:44 > 0:28:48Oh, just some people my dad thinks are important.
0:28:48 > 0:28:52- And are they?- Some. It starts off slow,
0:28:52 > 0:28:55but usually it's fun by the time the tequila starts flowing.
0:28:55 > 0:29:00Oh, tequila, sounds awesome. So, um, how do I get an invite?
0:29:00 > 0:29:02My dad does them personally.
0:29:02 > 0:29:06What, he's got some kind of secret list somewhere?
0:29:06 > 0:29:08Kind of. He does it all on his laptop.
0:29:08 > 0:29:11- Right.- Anyway, you'll be working!
0:29:11 > 0:29:14I could sneak up. Be fine.
0:29:14 > 0:29:16I wish you would.
0:29:16 > 0:29:19Just so I don't have to talk to those ridiculous people who
0:29:19 > 0:29:21think they can please my dad by being nice to me.
0:29:21 > 0:29:23Oh, being nice to you! That is a killer.
0:29:23 > 0:29:28Yes, it is! You know, even with boyfriends,
0:29:28 > 0:29:31I just get the feeling that they were put up to it by their parents.
0:29:33 > 0:29:35You know, people can be so...crap.
0:29:35 > 0:29:37Yeah, they can.
0:29:38 > 0:29:40That's why you are special.
0:29:40 > 0:29:42What, that I'm not nice to you?
0:29:42 > 0:29:45No. That you're just being yourself.
0:29:45 > 0:29:48I mean, when we first met, you didn't know who I was.
0:29:48 > 0:29:50Just a girl with a dog.
0:29:50 > 0:29:52- Well, without a dog, actually. - I'm being serious.
0:29:54 > 0:29:59It means a lot to me. You know, to be with someone who doesn't
0:29:59 > 0:30:01have to lie to me.
0:30:01 > 0:30:05For someone to just like me, for me.
0:30:18 > 0:30:21- CAMERAS CLICK - And so I am forced to stand here,
0:30:21 > 0:30:24under the protection of the Colombian government,
0:30:24 > 0:30:28denied the freedom to step back down there onto British soil
0:30:28 > 0:30:31for fear of being arrested for a crime I did not commit.
0:30:31 > 0:30:34Bastard. He's lying through his teeth.
0:30:34 > 0:30:36'A freedom denied by prejudicial press reporting...'
0:30:36 > 0:30:39- He's unbelievable.- '..that has rendered the possibility...'
0:30:39 > 0:30:43- You were right about the ego. He's loving the attention.- '..of a fair trial completely impossible.
0:30:43 > 0:30:47'I shall stay here for as long as it takes to clear my good name.'
0:30:50 > 0:30:53'No, Mr President, I did not sanction it.'
0:30:53 > 0:30:57- Yes, sir, as quickly as I ca... - LINE GOES DEAD
0:30:57 > 0:31:01Well, that went rather well. Ought to ruffle a few feathers.
0:31:01 > 0:31:02Have you lost your mind?
0:31:02 > 0:31:05Oh, don't get your knickers in a twist, Luis.
0:31:05 > 0:31:06It's the first step on the long road back.
0:31:06 > 0:31:08This is an embassy!
0:31:08 > 0:31:11- That is rather the point, isn't it? - You cannot stay here.
0:31:11 > 0:31:15What, just cos I gave one stupid press conference?
0:31:15 > 0:31:18No, because you are embarrassing me and my president.
0:31:20 > 0:31:21Luis.
0:31:22 > 0:31:26"Qui tacet consentit."
0:31:30 > 0:31:32Remember?
0:31:33 > 0:31:37I was silent and so were you.
0:31:37 > 0:31:39Our oath.
0:31:40 > 0:31:42We were students.
0:31:42 > 0:31:45So it meant nothing, what I did for you back then? Is that it?
0:31:45 > 0:31:47- No!- What then?
0:31:47 > 0:31:50- 'I...'- 'What?!'
0:31:50 > 0:31:52You bullied me then.
0:31:52 > 0:31:54And you're bullying me now!
0:31:54 > 0:31:56So, what, you're just going to feed me to the wolves
0:31:56 > 0:31:58with no chance of a fair trial?
0:31:58 > 0:32:01If you are innocent, as you say you are,
0:32:01 > 0:32:02then you've got nothing to fear.
0:32:04 > 0:32:07You are innocent, aren't you, Phillip?
0:32:10 > 0:32:12Answer me!
0:32:17 > 0:32:19No-one was supposed to...
0:32:20 > 0:32:22..die.
0:32:22 > 0:32:24What kind of a defence is that?
0:32:24 > 0:32:25That's it, we've got to get him.
0:32:27 > 0:32:30'Luis? Luis!'
0:32:30 > 0:32:34Qui tacet consentit.
0:32:36 > 0:32:39What if I could get you out of the country? To Colombia?
0:32:40 > 0:32:42How?
0:32:42 > 0:32:45There is a diplomatic plane leaving at four o'clock tomorrow,
0:32:45 > 0:32:50during the president's lunch. I can get you to the airfield in my car.
0:32:50 > 0:32:53And...they wouldn't be able to touch me?
0:32:53 > 0:32:57No. It's classified as diplomatic territory.
0:32:57 > 0:32:59It would be just the same as if you were still here.
0:32:59 > 0:33:01No, no, this isn't part of the plan.
0:33:07 > 0:33:09No.
0:33:10 > 0:33:13'No. I was thinking I could turn this round.'
0:33:13 > 0:33:15Relax, we're back on track.
0:33:15 > 0:33:17'Buy me some more time.'
0:33:17 > 0:33:19If he was on the road, it would be easier.
0:33:20 > 0:33:22Are we ready?
0:33:22 > 0:33:24As we'll ever be.
0:33:25 > 0:33:27OK, Charlie, they've left the room.
0:33:27 > 0:33:32CCTV is disabled...three, two...
0:33:33 > 0:33:34..one.
0:33:41 > 0:33:43Find out what's going on, I'll do a sweep.
0:33:54 > 0:33:57'You need to get on that guest list, Charlie.'
0:34:09 > 0:34:11DOOR CREAKS
0:34:27 > 0:34:29DOOR CLOSES
0:35:05 > 0:35:07Charlie!
0:35:07 > 0:35:08What are you doing up here?
0:35:10 > 0:35:11Oh...
0:35:13 > 0:35:14..I was looking for you.
0:35:16 > 0:35:19- Aren't you supposed to be working? - No, no, I've got a break.
0:35:21 > 0:35:22Come on.
0:35:34 > 0:35:37OK, the van will be in the service area.
0:35:37 > 0:35:41Charlie gets the trolley to the library, brings Granger to the van.
0:35:45 > 0:35:46Still worried?
0:35:48 > 0:35:51It's this catering truck, we're leaving too much to chance.
0:35:51 > 0:35:54We're counting on them not opening all the catering trollies,
0:35:54 > 0:35:56yet no two vehicle searches have been the same.
0:35:56 > 0:35:59They've opened the back doors, but only to look inside. Why do it any different?
0:35:59 > 0:36:02I'm not saying the odds aren't in our favour I'm just saying...
0:36:02 > 0:36:04- there's no guarantee. - It's all we've got.
0:36:04 > 0:36:07Like you said, we've got two choices,
0:36:07 > 0:36:09either he leaves of his own free will or we drag him out.
0:36:09 > 0:36:11I say we go.
0:36:16 > 0:36:18You shall go to the ball, Cinderella.
0:36:18 > 0:36:21- Very good.- Lovely work, Buttons.
0:36:23 > 0:36:25One, two.
0:36:43 > 0:36:44There. You'll do. Good!
0:36:44 > 0:36:47Right, let's run it again. Jess?
0:36:47 > 0:36:50I shall use my amazing powers of seduction
0:36:50 > 0:36:52to lure Granger into the library.
0:36:52 > 0:36:54Where I'll be waiting with something to put him to sleep.
0:36:54 > 0:36:57- Charlie.- I'm going to grab an empty catering trolley from the kitchen,
0:36:57 > 0:37:00head upstairs through the ballroom and take it to the library.
0:37:00 > 0:37:02You need to be there by 2.45,
0:37:02 > 0:37:04before the guards do their scheduled sweep at three.
0:37:04 > 0:37:07- We bundle Granger into the catering trolley.- I wheel him out,
0:37:07 > 0:37:09head to the lifts, get back down to the kitchen.
0:37:09 > 0:37:11Good, let's do it.
0:37:11 > 0:37:13Right.
0:37:13 > 0:37:17Er, I've got my tux on stand-by, so?
0:37:17 > 0:37:19Sorry, Cinders, you're staying here.
0:37:19 > 0:37:21We're going to need that CCTV out again
0:37:21 > 0:37:23- otherwise security will rumble us. - Fine.
0:37:25 > 0:37:27- You'll miss me.- Let's go.
0:37:29 > 0:37:31You know his time's nearly up?
0:37:31 > 0:37:33This is going to be his last job.
0:37:33 > 0:37:36Oh, we should do something. I'll bake a cake.
0:37:36 > 0:37:38- Really? - All right, I'll buy a cake.
0:37:38 > 0:37:42Let's just concentrate on what we're doing. We can worry about TomTom later.
0:37:42 > 0:37:44- You set?- Yeah, yeah.
0:37:44 > 0:37:46Problem?
0:37:46 > 0:37:48It's just Vanessa.
0:37:48 > 0:37:50She's a nice girl, you know.
0:37:50 > 0:37:52Uh-oh. Bambi's in love.
0:37:52 > 0:37:55No. I... I just don't think I should be lying to her, that's all.
0:37:55 > 0:37:56Force yourself.
0:38:12 > 0:38:14Can I have your invites, please?
0:38:14 > 0:38:17And your ID?
0:38:27 > 0:38:29Can I have everyone here together?
0:38:29 > 0:38:32Sir, where is Phillip Granger?
0:38:40 > 0:38:42Thanks very much. Thank you.
0:38:42 > 0:38:44Can I see your invites, please? Thank you.
0:38:44 > 0:38:47Some ID, please?
0:38:47 > 0:38:49Thank you.
0:38:54 > 0:38:57- Thank you very much. Thank you. - Gracias.
0:38:58 > 0:39:00DETECTOR BEEPS
0:39:06 > 0:39:08Yes, thank you.
0:39:12 > 0:39:13Round that way.
0:39:18 > 0:39:20- OK, you are allowed to go through. - Thank you.
0:39:20 > 0:39:22Enjoy your evening.
0:39:23 > 0:39:26SHE SINGS IN SPANISH
0:39:50 > 0:39:53Hello. Hello, nice to meet you.
0:39:53 > 0:39:55Hello, nice to see you.
0:39:55 > 0:39:58Hello, how are you?
0:39:59 > 0:40:00Hello.
0:40:00 > 0:40:02Ah, look at that.
0:40:05 > 0:40:06Mmm, very good champagne.
0:40:06 > 0:40:10Perhaps it would have better for you to stay in your quarters.
0:40:10 > 0:40:11Oh, will you stop whinging.
0:40:11 > 0:40:13Hello.
0:40:13 > 0:40:16I'm Phillip Granger. But I think you know that already, eh?
0:40:17 > 0:40:19Look at him, the smug bastard.
0:40:19 > 0:40:21At least he's here, that's something.
0:40:23 > 0:40:26There's police outside, maybe we should grab him by the scruff of the neck,
0:40:26 > 0:40:29drop him off the balcony and let them arrest what's left.
0:40:29 > 0:40:30Hmm, yeah.
0:40:30 > 0:40:32Or we could just stick to the plan.
0:40:35 > 0:40:37Oh, you're up.
0:40:56 > 0:40:58Champagne, please.
0:41:01 > 0:41:03Thank you.
0:41:07 > 0:41:09You have to hand it to Luis,
0:41:09 > 0:41:12he certainly knows how to throw a party.
0:41:13 > 0:41:16- You're a regular at these things, are you?- Oh, yes.
0:41:17 > 0:41:19Jessica Smythe.
0:41:19 > 0:41:20Phillip...
0:41:20 > 0:41:22Granger.
0:41:22 > 0:41:24Of course. You're the talk of the town.
0:41:25 > 0:41:28I think it's disgraceful...
0:41:28 > 0:41:30the way the press have treated you.
0:41:31 > 0:41:33What happened to "innocent till proven guilty"?
0:41:39 > 0:41:43JACK: 'That's Jess on target. Charlie, It's trolley time.'
0:42:06 > 0:42:08Wow. You look amazing.
0:42:08 > 0:42:10Why thank you, sweet prince.
0:42:10 > 0:42:12But shouldn't you be upstairs though?
0:42:12 > 0:42:15No, I'd rather be down here with you.
0:42:19 > 0:42:22Well, actually, that's not strictly true.
0:42:23 > 0:42:25I'd rather be in my room with you.
0:42:26 > 0:42:30Hmm, no, I have to take this trolley upstairs.
0:42:30 > 0:42:32OK.
0:42:32 > 0:42:34Meet me in my room in ten minutes.
0:42:34 > 0:42:35No, no, I can't.
0:42:35 > 0:42:37The trolley, sorry.
0:42:37 > 0:42:41Don't be such a baby, just dump it somewhere, no-one will know.
0:42:42 > 0:42:44You won't regret it.
0:42:46 > 0:42:48Vanessa, I...
0:42:48 > 0:42:49- Ten minutes!- OK.
0:42:49 > 0:42:53JACK: 'Charlie, you've got to get that trolley upstairs by 2.45.
0:42:53 > 0:42:54'You need to move.'
0:43:11 > 0:43:13It's so typical of this country
0:43:13 > 0:43:17to try and knock those in power off their perches.
0:43:17 > 0:43:21You know it's terribly refreshing to find someone so open minded.
0:43:22 > 0:43:26Well, I find if one opens one's mind,
0:43:26 > 0:43:27the rest follows.
0:43:29 > 0:43:30Hmm.
0:43:30 > 0:43:32How we getting on with that CCTV, TomTom?
0:43:32 > 0:43:36- Er, yeah, slight problem. - What kind of problem?
0:43:36 > 0:43:38Looks like they've ramped up their security protocols
0:43:38 > 0:43:41since my last little intervention.
0:43:41 > 0:43:43- I'm having trouble getting in. - Can you do it or not?
0:43:43 > 0:43:45Yeah, of course I can do it!
0:43:45 > 0:43:47I'm just going to need a bit more time.
0:43:47 > 0:43:49'How much time?'
0:43:49 > 0:43:5110...15 minutes?
0:43:53 > 0:43:56Why don't we take this somewhere more private?
0:43:56 > 0:43:58That'll be too late.
0:43:58 > 0:44:00I'll have to try and do something this end.
0:44:00 > 0:44:02Come on.
0:44:02 > 0:44:05You know Luis keeps an excellent brandy in the library.
0:44:07 > 0:44:08So I've heard.
0:44:15 > 0:44:17HE MOUTHS
0:44:18 > 0:44:20BAND STARTS TO PLAY
0:44:22 > 0:44:26But I thought we were going to go to the um...
0:44:26 > 0:44:27I don't dance.
0:44:27 > 0:44:29..with you tonight.
0:44:45 > 0:44:48- TOMTOM:- 'OK, the guards' room is the third door on your right.
0:44:48 > 0:44:50'There's one guard in there.'
0:45:08 > 0:45:11Er, TV Licensing. We've come to disconnect you.
0:45:22 > 0:45:25Right, we've got about ten minutes before he wakes up,
0:45:25 > 0:45:28- how are we getting on?- 'Guards do their rounds in seven minutes.'
0:46:03 > 0:46:05Come on, let's go and get that drink.
0:46:07 > 0:46:08- Luis, Luis!- Yes? - How nice to see you.
0:46:08 > 0:46:10- It's lovely to see you. - Long time no see.
0:46:10 > 0:46:13I assume things are all well at the office, yes?
0:46:20 > 0:46:23- This brandy had better be worth it. - Oh, it is.
0:46:23 > 0:46:24Make mine a double.
0:46:28 > 0:46:31I'm terribly sorry old chap, could you may yourself scarce?
0:46:32 > 0:46:34I'm on a bit of a promise.
0:46:34 > 0:46:36That's funny, so am I.
0:46:36 > 0:46:39You see, I promised somebody that I'd get you
0:46:39 > 0:46:41out of here and banged up where you belong.
0:46:44 > 0:46:45Who the hell are you?
0:46:45 > 0:46:48We're your ticket out of here.
0:46:56 > 0:46:57Your carriage awaits.
0:47:00 > 0:47:04Whoever you are, you can't be here. This is foreign soil.
0:47:04 > 0:47:07There are ramifications. Serious ramifications.
0:47:09 > 0:47:11This is a violation of diplomatic territory.
0:47:11 > 0:47:14Ah, you can write a letter of complaint from prison then.
0:47:14 > 0:47:15You're not going to get away with this.
0:47:15 > 0:47:18I have friends in very high places.
0:47:18 > 0:47:20People who can make your life very uncomfortable.
0:47:20 > 0:47:23And I know some horrible bastards I might just send to visit you
0:47:23 > 0:47:25in the nick and trust me, they'll really spoil your day.
0:47:27 > 0:47:28Get out of my way.
0:47:28 > 0:47:30Jess.
0:47:35 > 0:47:36Let's go!
0:47:47 > 0:47:49Venga, venga, venga, amigos, amigos.
0:47:49 > 0:47:51Una copa, por favor...
0:47:59 > 0:48:00Wait.
0:48:02 > 0:48:04- What are you doing up here? - Delivering food, sir.
0:48:04 > 0:48:06You should not be here at this time.
0:48:06 > 0:48:08All the food should have been served by now.
0:48:08 > 0:48:11No, I know but it's, er, total chaos downstairs.
0:48:11 > 0:48:14- Don't worry, we're back on track now.- Charlie!
0:48:14 > 0:48:16- Where have you been? - Sorry, I got held up.
0:48:16 > 0:48:18Thank you, David.
0:48:18 > 0:48:20Yes, Miss Velasquez.
0:48:24 > 0:48:27Look, I really need to get this food downstairs.
0:48:27 > 0:48:29OK, I'll come with you.
0:48:29 > 0:48:32Then maybe we can go in my room.
0:48:32 > 0:48:35No. I've really got to get on, Vanessa.
0:48:35 > 0:48:39- What's wrong?- Look I've got to get this trolley downstairs, now!
0:48:39 > 0:48:41- Charlie, I... - Vanessa, you need to go!
0:48:41 > 0:48:42Now.
0:48:42 > 0:48:45Not till you tell me what's going on.
0:48:45 > 0:48:47SIRENS BLARE
0:48:48 > 0:48:50They're on to us. Time to go, Charlie.
0:48:50 > 0:48:52- But...- Let's go.
0:48:52 > 0:48:56- Leave Granger!- I'm sorry. I'm really, really sorry.
0:48:58 > 0:49:01David! Over here!
0:49:06 > 0:49:08This way.
0:49:08 > 0:49:10Come on, Charlie!
0:49:18 > 0:49:21They must have been special forces, MI5.
0:49:22 > 0:49:24How the hell did they get in? You were supposed to protect me!
0:49:24 > 0:49:27You need to calm down, Phillip. You're safe now.
0:49:27 > 0:49:29Safe? I'm not safe, you moron!
0:49:29 > 0:49:31They got in here once, they can get in again!
0:49:31 > 0:49:33- What time is it? - Just after three.
0:49:33 > 0:49:36- Well, can I still catch your plane? - If you hurry.
0:49:36 > 0:49:39- You're sure? - Of course I'm bloody well sure!
0:49:39 > 0:49:40Have my car ready.
0:49:44 > 0:49:45They didn't use the front entrance,
0:49:45 > 0:49:47they must be heading for the kitchen.
0:50:09 > 0:50:10Shut the gates!
0:50:49 > 0:50:51Excuse me?
0:50:53 > 0:50:55Excuse me!?
0:50:55 > 0:50:57Airporto!
0:50:57 > 0:50:58The airport!
0:51:00 > 0:51:01Excuse...
0:51:03 > 0:51:05Excuse me, the airport's that way.
0:51:05 > 0:51:07Por favor!
0:51:12 > 0:51:13Airporto!
0:51:13 > 0:51:15Muppet!
0:51:22 > 0:51:24- Oh, dear, he doesn't look very happy.- No.
0:51:28 > 0:51:29You can't do this!
0:51:29 > 0:51:31I can do whatever I want, "old chap".
0:51:36 > 0:51:38We only get one shot at this.
0:51:38 > 0:51:39You'll think of something.
0:51:39 > 0:51:42All vehicles are checked coming in and going out,
0:51:42 > 0:51:43except the Ambassador's car.
0:51:43 > 0:51:46There is a diplomatic plane leaving at four o'clock tomorrow,
0:51:46 > 0:51:48during the President's lunch.
0:51:48 > 0:51:50If he was on the road, it might be easier.
0:51:50 > 0:51:53Added to that, there are panic buttons on every floor.
0:51:53 > 0:51:56I'm not saying the odds aren't in our favour I'm just,
0:51:56 > 0:51:58there's no guarantees.
0:51:58 > 0:52:01Well, it's all we've got. Like you said we've got two choices,
0:52:01 > 0:52:04either he leaves of his own free will or we drag him out.
0:52:04 > 0:52:05Wait.
0:52:05 > 0:52:06That's it!
0:52:06 > 0:52:08What is?
0:52:08 > 0:52:09We had it all along.
0:52:09 > 0:52:12The only way to guarantee he leaves that Embassy
0:52:12 > 0:52:14is if he does it of his own free will.
0:52:15 > 0:52:18- And how do we do that?- By scaring the living daylights out of him.
0:52:18 > 0:52:21- Same question. How? - By getting caught.
0:52:21 > 0:52:22- What's wrong?- Nothing's wrong.
0:52:22 > 0:52:24I've really got to get this trolley...
0:52:24 > 0:52:28We do everything we're planning, right up to the last minute when we get in the lift.
0:52:28 > 0:52:29How much did you give him?
0:52:29 > 0:52:31Don't worry, he'll have come round by now.
0:52:31 > 0:52:33SIRENS BLARE
0:52:38 > 0:52:41They're on to us. Time to go, Charlie.
0:52:41 > 0:52:42- But...- Right now. Let's go.
0:52:42 > 0:52:45Can I still get your plane?
0:52:45 > 0:52:46If you hurry.
0:52:47 > 0:52:48You're sure?
0:52:48 > 0:52:50Of course I'm bloody well sure!
0:52:50 > 0:52:52Yes!
0:52:52 > 0:52:55OK, he went for it.
0:52:55 > 0:52:56Bloody genius!
0:53:00 > 0:53:02Hello, mate.
0:53:02 > 0:53:04Don't suppose I could borrow your car?
0:53:14 > 0:53:15Shut the gate!
0:53:18 > 0:53:20GUNSHOT
0:53:26 > 0:53:28Get out of the car.
0:53:28 > 0:53:29I don't think so, actually.
0:53:29 > 0:53:32This car is still classed as diplomatic territory.
0:53:32 > 0:53:35And whilst I'm in it, you can't touch me.
0:53:35 > 0:53:36Do you know what, he's got a point.
0:53:36 > 0:53:38Could cause a diplomatic incident.
0:53:39 > 0:53:41Questions could be asked in the House.
0:53:41 > 0:53:42Hmm, I'll take the risk.
0:53:44 > 0:53:46Ah! Ah! Ah!
0:53:46 > 0:53:48Oh, it's not nice that, is it?
0:53:48 > 0:53:51All right! All right!
0:53:51 > 0:53:53Welcome back to Great Britain, Mr Granger.
0:53:53 > 0:53:55We trust you'll have a pleasant stay
0:53:55 > 0:53:56at Her Majesty's pleasure.
0:53:58 > 0:54:00Have you any idea who I am, you cretin?
0:54:00 > 0:54:02Jack, we've called upstairs.
0:54:02 > 0:54:03We need to go.
0:54:03 > 0:54:05Do you want to talk about who people are?
0:54:05 > 0:54:07I tell you what, I'll do you a deal.
0:54:07 > 0:54:09You tell me the name of just one of the people
0:54:09 > 0:54:12who died in that fire and I'll let you go.
0:54:14 > 0:54:15Hmm?
0:54:17 > 0:54:20Now we both know who you are.
0:54:51 > 0:54:53Ha!
0:55:01 > 0:55:04Of course the official line is that he gave in to public pressure
0:55:04 > 0:55:06and surrendered himself to the police.
0:55:06 > 0:55:08It does seem to save face on all sides.
0:55:08 > 0:55:12Yes, yes, it does.
0:55:13 > 0:55:14Thank you very much.
0:55:21 > 0:55:22All good?
0:55:22 > 0:55:25It seems Mr Granger is haemorrhaging friends by the second.
0:55:25 > 0:55:27Good work, Jack.
0:55:27 > 0:55:29Ah, it was a team effort.
0:55:29 > 0:55:30As always.
0:55:30 > 0:55:32They're a good bunch, aren't they?
0:55:32 > 0:55:34Yeah, they're all right.
0:55:34 > 0:55:35How's the new lad working out?
0:55:35 > 0:55:38- Charlie? Yeah, he's getting there. - That's good.
0:55:38 > 0:55:41So that just leaves the small matter of Mr Tomkins'
0:55:41 > 0:55:43continued employment with you.
0:55:43 > 0:55:44TomTom, yeah?
0:55:44 > 0:55:46Well, he's served his dues. He's free to go.
0:55:46 > 0:55:48- Of course. - Unless you want to keep him?
0:55:48 > 0:55:50On what grounds?
0:55:52 > 0:55:54I'm sure you'll think of something.
0:56:04 > 0:56:06- Everything all right?- All good.
0:56:10 > 0:56:13- You want to go and talk to her?- No.
0:56:15 > 0:56:18Right, who's for pizza?
0:56:18 > 0:56:20Actually, TomTom, I could do with a word.
0:56:29 > 0:56:32So you know that your community service is finished?
0:56:32 > 0:56:34MUSIC DROWNS SPEECH
0:56:37 > 0:56:39It's up to you.
0:56:45 > 0:56:47What?
0:56:47 > 0:56:49Jack?
0:56:55 > 0:56:57- BOTH:- Oi!
0:57:07 > 0:57:09We find the case proven.
0:57:09 > 0:57:12We do, of course, offer our full and unreserved apologies.
0:57:12 > 0:57:14So, unless any new information comes to light,
0:57:14 > 0:57:17the investigation into Mr and Mrs Walker should now be closed.
0:57:17 > 0:57:19To the justice system.
0:57:19 > 0:57:22The justice system.
0:57:22 > 0:57:25Honest, hardworking people donated their money and you stole it.
0:57:25 > 0:57:27So you want us to find this new evidence. How?
0:57:27 > 0:57:29Find the money.
0:57:29 > 0:57:31If he says it's extreme, it's extreme.
0:57:31 > 0:57:34- Is it extreme?- It's extreme.
0:57:34 > 0:57:37Wait, please, just tell me what you want to do.
0:57:37 > 0:57:38You're going to talk to her wife.
0:57:38 > 0:57:40You're going to tell her you don't want to die.
0:57:40 > 0:57:42I think we've underestimated her.
0:57:42 > 0:57:44They haven't got you beat, have they, Jack?
0:57:44 > 0:57:46You won't get away with this!
0:57:46 > 0:57:48I fought against a lot of people to set up your team -
0:57:48 > 0:57:51very important people who weren't convinced
0:57:51 > 0:57:53it was possible to run an operation like this.
0:57:53 > 0:57:54Well, congratulations, Jack...
0:57:58 > 0:58:00..you've just proved them right.
0:58:12 > 0:58:16Subtitles by Red Bee Media Ltd