0:00:09 > 0:00:21This programme contains some violent scenes and some scenes which some viewers may find upsetting
0:00:21 > 0:00:24MUSIC: "Music Sounds Better With You" by Stardust
0:00:58 > 0:01:02All right? Andy?
0:01:02 > 0:01:04You better remember that name, darling,
0:01:04 > 0:01:07cos you'll be screaming it later.
0:01:08 > 0:01:12Well, maybe we should just get to know each other first?
0:01:12 > 0:01:15I can do that. What d'ya want to know?
0:01:17 > 0:01:18You can ask me anything.
0:01:19 > 0:01:21Anything? Straight up.
0:01:21 > 0:01:24And I don't lie either, so what I tell you is the truth,
0:01:24 > 0:01:29the whole truth and nothing but the truth.
0:01:29 > 0:01:33Oh. OK, let me think.
0:01:33 > 0:01:36What do I want to know first?
0:01:37 > 0:01:41Um, I know. How about...
0:01:41 > 0:01:42why did you skip bail?
0:01:47 > 0:01:50You were due back in court on the eighth of last month to face
0:01:50 > 0:01:52charges of aggravated assault.
0:01:52 > 0:01:55Took a while to find you, but here you are.
0:01:55 > 0:01:59Oh, I get it. Oh, he gets it.
0:01:59 > 0:02:01You're filth.
0:02:01 > 0:02:03Yeah, and you're going to prison.
0:02:06 > 0:02:07Well, I hope you brought some help.
0:02:09 > 0:02:11Oh, really, why's that? TKD.
0:02:11 > 0:02:13That's a drink, isn't it?
0:02:13 > 0:02:17Taekwondo. Second dan
0:02:17 > 0:02:21which means I'll snap you in half, boy. All of ya.
0:02:21 > 0:02:23You can't do that. Oh, and why's that?
0:02:23 > 0:02:25TomTom, show him the warrant. Oh!
0:02:30 > 0:02:35Last paragraph. Last line.
0:02:35 > 0:02:36Ugh!
0:02:38 > 0:02:39Ah.
0:02:39 > 0:02:42Oh, that small print. It's a killer.
0:02:51 > 0:02:54Here we are, TKD.
0:03:46 > 0:03:47See ya.
0:04:12 > 0:04:13I've spoken to Mrs Robson and...
0:05:17 > 0:05:19Mr Krays.
0:05:21 > 0:05:25You need to see this and think about their future.
0:05:35 > 0:05:38DOOR UNLOCKS
0:05:38 > 0:05:42DOOR CREAKS
0:05:47 > 0:05:49How the hell did they find the witness?
0:05:49 > 0:05:50Don't know.
0:05:50 > 0:05:53Well, I want him arrested and charged!
0:05:53 > 0:05:54For what exactly?
0:05:54 > 0:05:57Perjury! Wasting police... Well, wasting my bloody time!
0:05:57 > 0:06:00The simple truth is he's far more frightened of Caine than
0:06:00 > 0:06:01he is of us.
0:06:01 > 0:06:05He's retracted his statement. We no longer have a witness.
0:06:05 > 0:06:07I thought you were supposed to be protecting him! We were.
0:06:07 > 0:06:12There was a close protection unit there for seven weeks without incident.
0:06:12 > 0:06:17There was an armed robbery three miles away, they were redeployed.
0:06:17 > 0:06:19Oh, shit! Quite.
0:06:24 > 0:06:27Someone high up the food chain must be feeding Caine information,
0:06:27 > 0:06:28there's no other explanation.
0:06:28 > 0:06:31Whatever happened, his legal team were crawling all over us,
0:06:31 > 0:06:33we had no option but to let him go.
0:06:34 > 0:06:37I'm sorry, Helen, I know how much work went into this,
0:06:37 > 0:06:38but my hands are tied.
0:06:40 > 0:06:42Well, mine aren't.
0:06:42 > 0:06:46Ah. I'm afraid we have to let this one go for the time being.
0:06:46 > 0:06:47What?! Orders from on high.
0:06:47 > 0:06:49The case is to be reviewed by the board
0:06:49 > 0:06:52which means that we can't have Quinn anywhere near it.
0:06:52 > 0:06:54They will take nine months to write a meaningless report
0:06:54 > 0:06:58and achieve nothing. Jack Quinn will get him off the streets in a week.
0:06:58 > 0:07:01No. I forbid it.
0:07:01 > 0:07:04You will put the whole department at risk,
0:07:04 > 0:07:06you have enough enemies as it is.
0:07:06 > 0:07:10Stay well away, at the very least until after the review.
0:07:10 > 0:07:13And the 2C-9 that's he's about to bring into the country?
0:07:13 > 0:07:15We have no evidence to suggest that will...
0:07:15 > 0:07:18You know that's not true! No evidence we can use.
0:07:18 > 0:07:22I mean it, Helen, however much it pains you.
0:07:22 > 0:07:26You're to toe the line on this one.
0:07:26 > 0:07:27Stand down.
0:07:28 > 0:07:29Yes, sir.
0:07:33 > 0:07:36BUZZER
0:08:29 > 0:08:30Boom!
0:08:31 > 0:08:35Letter from the NIB. Nib?
0:08:36 > 0:08:38National Inheritance Bureau.
0:08:38 > 0:08:42Informing the recipient that a second cousin has recently died,
0:08:42 > 0:08:44leaving them ?9,000 in a cash ISA.
0:08:44 > 0:08:47Why nine? Ten just felt like a lie.
0:08:47 > 0:08:48Why not eight?
0:08:48 > 0:08:50What's wrong with nine?
0:08:50 > 0:08:52Just trying to see where your train of thought's going.
0:08:52 > 0:08:55Nobody wants to get on that train.
0:08:55 > 0:08:57So does the National Inheritance Bureau actually exist?
0:08:57 > 0:08:58It does now.
0:08:58 > 0:09:05OK, we have nine bail jumpers and three court no-shows.
0:09:05 > 0:09:09MOBILE RINGS Well, let's give them the good news then.
0:09:09 > 0:09:10Hello?
0:09:10 > 0:09:12Hey. It's me.
0:09:20 > 0:09:24We've recruited two new cargo handlers at Gatwick Airport.
0:09:27 > 0:09:31CLEARS THROAT (Telly.)
0:09:38 > 0:09:40Just waiting on a date and flight number.
0:09:40 > 0:09:43Transport? Soon as we've swerved border control,
0:09:43 > 0:09:47I've got a clean van to do the pick-up, take it wherever you want.
0:09:48 > 0:09:50Dealers?
0:09:50 > 0:09:53Primed, ready to rock'n'roll as soon as you press the button.
0:09:55 > 0:09:58We got any heat?
0:09:58 > 0:10:00No. No heat.
0:10:06 > 0:10:07Do you ski, Jack?
0:10:07 > 0:10:10Now and again. Good.
0:10:10 > 0:10:12You're going off piste.
0:10:12 > 0:10:15Jamie Caine? I thought he was banged up for murder.
0:10:15 > 0:10:17Don't tell me he's back on the streets again.
0:10:17 > 0:10:19The case fell apart. How come?
0:10:19 > 0:10:22Someone leaked the identity of the witness.
0:10:22 > 0:10:25One of Caine's foot soldiers threatened his family,
0:10:25 > 0:10:29he retracted his statement and CPS won't proceed without him.
0:10:30 > 0:10:34It happened here. An argument over a parking space.
0:10:34 > 0:10:39A young boy on his way home from his shift at a fast food restaurant.
0:10:41 > 0:10:45Caine cracked open his skull with a tyre wrench.
0:10:45 > 0:10:47It's the third time he's been implicated in an act
0:10:47 > 0:10:49of extreme violence in as many years.
0:10:58 > 0:11:01His reputation's true then, he's a nasty bastard.
0:11:01 > 0:11:04According to our profiling team, he's a sociopath.
0:11:04 > 0:11:06"With narcissistic tendencies."
0:11:06 > 0:11:08Why is he not in Broadmoor wearing a straitjacket?
0:11:08 > 0:11:10He operates with impunity,
0:11:10 > 0:11:12because no-one's ever had the courage to testify against him.
0:11:12 > 0:11:15So he can beat someone to death and walk away with it?
0:11:15 > 0:11:17It gets worse. Go on.
0:11:18 > 0:11:21When he killed that poor boy, he was under police surveillance.
0:11:21 > 0:11:23What?! Had been for a month.
0:11:23 > 0:11:26Did they not notice he was beating someone to death?
0:11:26 > 0:11:27They were on the ground floor.
0:11:27 > 0:11:30They said they thought he was just parking his car.
0:11:30 > 0:11:34Yeah. But then his car came out, so they picked up surveillance
0:11:34 > 0:11:37and followed him as normal, the boy's body wasn't found
0:11:37 > 0:11:38until the following morning.
0:11:38 > 0:11:41That's how they placed Caine at the murder scene, but that's all they could do.
0:11:41 > 0:11:43By the time he was arrested,
0:11:43 > 0:11:45any forensic evidence had disappeared, clothes burnt,
0:11:45 > 0:11:51the murder weapon was gone. They had no real evidence and he knew it.
0:11:51 > 0:11:53Why the surveillance in the first place?
0:11:53 > 0:11:57We got intelligence he was about to import a new synthetic drug
0:11:57 > 0:12:00called 2C-9 or cocoa dust.
0:12:00 > 0:12:03It's a hallucinogen aimed at children.
0:12:03 > 0:12:06The manufacturers created a market by convincing kids it would
0:12:06 > 0:12:08enhance their gaming experience.
0:12:08 > 0:12:12It's a powder you need to mix with something to ingest,
0:12:12 > 0:12:13so users mix it with chocolate.
0:12:13 > 0:12:15Cocoa dust.
0:12:15 > 0:12:18It's like playing Russian roulette. If the chemical compound is
0:12:18 > 0:12:21compromised, users start to hyperventilate,
0:12:21 > 0:12:25blood pressure goes through the roof and then there's massive heart failure.
0:12:25 > 0:12:26If the police know about this,
0:12:26 > 0:12:28why can't they pick up with Caine where they left off?
0:12:28 > 0:12:30The police would never get
0:12:30 > 0:12:33a request for further surveillance approved until after the case review.
0:12:33 > 0:12:35Even if they did, it will be too late.
0:12:35 > 0:12:38There's a huge shipment of 2C-9 about to flood the country,
0:12:38 > 0:12:40just waiting for Caine's say-so.
0:12:40 > 0:12:42We can't let that happen.
0:12:42 > 0:12:45So when you say "off piste"...?
0:12:45 > 0:12:47If it goes wrong, I can't help you.
0:12:48 > 0:12:52We didn't even have this conversation. OK.
0:12:52 > 0:12:55I need you to find a way to stop him, Jack.
0:13:03 > 0:13:07So we're undercover undercover? Seems so.
0:13:07 > 0:13:09How does that work?
0:13:09 > 0:13:10No help.
0:13:10 > 0:13:13But the only way to stop this 2C-9 coming into the country is
0:13:13 > 0:13:15if we get Caine off the street, and fast.
0:13:15 > 0:13:16And if it goes tits up?
0:13:16 > 0:13:19We're screwed. Sounds like fun. I'm in.
0:13:19 > 0:13:22No, there's nothing fun about Jamie Caine.
0:13:22 > 0:13:25Charlie's right, we can't take liberties with this one.
0:13:25 > 0:13:27He's too dangerous.
0:13:27 > 0:13:29All right, so who's closest to him?
0:13:29 > 0:13:34Paul Banks AKA Banksy. Ex-cage fighter, enforcer.
0:13:34 > 0:13:36All-round nasty piece of work.
0:13:36 > 0:13:39So he'll know where all the bodies are buried.
0:13:39 > 0:13:43Great, let's pick him up, torture him, a bit of water-boarding.
0:13:43 > 0:13:44Put his todger in a vice.
0:13:44 > 0:13:47Whoa! I think we're probably going to draw the line at putting someone's
0:13:47 > 0:13:49todger in a vice, Jess.
0:13:49 > 0:13:50Lightweight.
0:13:50 > 0:13:52So if you rule out the whole todger in a vice thing,
0:13:52 > 0:13:54which I think we should by the way, cos it's just weird.
0:13:54 > 0:13:56How are we going to get to him?
0:13:56 > 0:14:00Well, catching Caine with his grubby paws all over a shipment as it
0:14:00 > 0:14:01comes in would be nice.
0:14:01 > 0:14:03Hmm, neat as well. Agreed.
0:14:03 > 0:14:05Setting him up for anything else would take too long,
0:14:05 > 0:14:07so catching him with this shipment is our best bet.
0:14:07 > 0:14:10Trouble is, we don't know when or where it's coming into the country.
0:14:10 > 0:14:12OK. Let's break it down.
0:14:12 > 0:14:14You're expecting a shipment of a brand-new drug,
0:14:14 > 0:14:15what's the first thing you do?
0:14:15 > 0:14:17Tell your dealers to start spreading the word.
0:14:17 > 0:14:18Which might just give us the when.
0:14:18 > 0:14:20There's a couple of dealers on my old estate.
0:14:20 > 0:14:23At least one of them works for Jamie Caine.
0:14:23 > 0:14:25OK, let's start there. Low profile.
0:14:25 > 0:14:26Only way I know.
0:14:36 > 0:14:38Charlie, stop moaning.
0:14:38 > 0:14:39I'm not moaning,
0:14:39 > 0:14:43I'm just, I'm asking if there's not a better way, that's all.
0:14:43 > 0:14:44Such as?
0:14:44 > 0:14:48Well, I don't know exactly. But, some sort of progression?
0:14:48 > 0:14:49I'm not with you.
0:14:49 > 0:14:50Like the whole DEFCON thing.
0:14:50 > 0:14:53You know you have DEFCON 1, then DEFCON 2.
0:14:53 > 0:14:55You don't just start on DEFCON 5, do you?
0:14:55 > 0:14:58Yeah, actually you do, you start on DEFCON 5 and work your way up to 1.
0:14:58 > 0:15:00Really? Yeah.
0:15:00 > 0:15:03Oh? All right, traffic lights.
0:15:03 > 0:15:05You have a sequence, so you know what's coming, all right.
0:15:05 > 0:15:10A progression from stop to go. You go red, you go amber, you go green.
0:15:10 > 0:15:13You know, you build up to these things. That's all I'm saying.
0:15:13 > 0:15:16I'll tell you what, if he doesn't talk, you can do the next one?
0:15:16 > 0:15:17Agreed.
0:15:17 > 0:15:21All the blood's rushing to me head.
0:15:25 > 0:15:27You've got a batch of cocoa dust coming in.
0:15:27 > 0:15:29When? I don't know.
0:15:29 > 0:15:31But you are expecting it?
0:15:31 > 0:15:33Look. Who are you?
0:15:34 > 0:15:38Mums Against Crime(!) Tell us about Jamie Caine.
0:15:38 > 0:15:41Listen, I ain't telling you nothing. They'll kill me.
0:15:41 > 0:15:43That's tomorrow's problem, mate.
0:15:43 > 0:15:46If I were you, I'd worry about making it through the rest of today.
0:15:50 > 0:15:52So what part of that was low profile?
0:15:52 > 0:15:55The part where I got him to promise not to say anything to anyone,
0:15:55 > 0:15:59about our little chat. But he peed himself.
0:15:59 > 0:16:00Yeah, and what's your point?
0:16:00 > 0:16:04And he was hanging upside down. Gravity.
0:16:04 > 0:16:08He's a drug dealer which means he fails the empathy test.
0:16:08 > 0:16:11Yeah, I guess. I still think you could have untied him though.
0:16:13 > 0:16:15Caine's smart.
0:16:15 > 0:16:17He's got just enough legitimate business activity to
0:16:17 > 0:16:19justify his lifestyle.
0:16:19 > 0:16:20What sort of businesses?
0:16:20 > 0:16:24Bars, clubs, party boats, holiday apartment in Ibiza, Paphos.
0:16:24 > 0:16:26All of which attract teenagers who then buy his drugs?
0:16:26 > 0:16:29Mm-hmm, it's like he's got his own little ecosystem going on,
0:16:29 > 0:16:31all he needs now is his own airline.
0:16:31 > 0:16:34You know with a drug trolley coming round,
0:16:34 > 0:16:35get everyone high before they take off.
0:16:35 > 0:16:38Crack Air. We take you higher.
0:16:38 > 0:16:41Finished? Sorry. We need traction.
0:16:41 > 0:16:44Ten police investigations with four different departments
0:16:44 > 0:16:48in seven years, all coming up with zilch, nada, no end result,
0:16:48 > 0:16:49not even an ASBO.
0:16:49 > 0:16:52I mean, looking at the police records,
0:16:52 > 0:16:55every time he's under investigation, he suddenly goes whiter than white.
0:16:55 > 0:16:57So he's being tipped off?
0:16:57 > 0:17:01Either that or he's psychic, or lucky, or a lucky psychic.
0:17:01 > 0:17:03Like a happy medium.
0:17:05 > 0:17:07Look, even if he doesn't know about us,
0:17:07 > 0:17:09he's just come off the back of a huge police case.
0:17:09 > 0:17:13He's already tidied up, battened down the hatches. MOBILE RINGS
0:17:13 > 0:17:15I'm not sure we can get to him if I'm honest.
0:17:15 > 0:17:19Jess. 'We're outside one of Caine's pill factories.
0:17:19 > 0:17:22'Barnes Road industrial estate, by the river.'
0:17:22 > 0:17:24It's all we could get out of the dealer.
0:17:24 > 0:17:27It's where he picks up his gear.
0:17:27 > 0:17:29I'll meet you there. Cool.
0:17:31 > 0:17:34It's not very high-end, the dealer covers the clubs,
0:17:34 > 0:17:36so we think it's just ecstasy pills.
0:17:36 > 0:17:38It's definitely one of Caine's?
0:17:38 > 0:17:41Yeah. Do we know who's in there?
0:17:41 > 0:17:43No idea. That's comforting(!)
0:17:50 > 0:17:52DOOR UNLOCKS
0:17:59 > 0:18:01HE WHISTLES
0:18:01 > 0:18:03Let's not make a mess, shall we?
0:18:03 > 0:18:07OK, good news. You've all won yourselves the rest of the day off.
0:18:10 > 0:18:14Mam dobra wiadomosc. Wszyscy macie do konca dnia wolne.
0:18:18 > 0:18:20Nice.
0:18:29 > 0:18:31What are we looking for exactly?
0:18:31 > 0:18:32I'm hoping we'll know when we see it.
0:18:32 > 0:18:34Something with a date on it.
0:18:34 > 0:18:36You muppets have no idea what you're doing.
0:18:36 > 0:18:37No? Why don't you tell us?
0:18:39 > 0:18:41Do you know whose place this is?
0:18:41 > 0:18:44I'm really hoping it's Jamie Caine's otherwise we've made
0:18:44 > 0:18:45a terrible mistake.
0:18:45 > 0:18:49Why do you always do that? Do what?
0:18:49 > 0:18:52You always do this. You don't listen to people. I mean, you're
0:18:52 > 0:18:55listening to them but you don't actually hear what they're saying.
0:18:55 > 0:18:57This poor man, he's trying to threaten you,
0:18:57 > 0:19:00at least have the common decency to hear him out.
0:19:00 > 0:19:03Sorry. Go on.
0:19:03 > 0:19:04Mr Caine will be very angry...
0:19:04 > 0:19:07Look, I'm trying to help him. It's like bloody pulling teeth.
0:19:07 > 0:19:10Oh, hello. More phones.
0:19:10 > 0:19:13One, two, three, four, five.
0:19:13 > 0:19:16Oh, yeah, they give those to their new dealers,
0:19:16 > 0:19:18with a customer base already loaded.
0:19:18 > 0:19:19It's a start.
0:19:19 > 0:19:22Get them, get the post as well, then let's go.
0:19:25 > 0:19:26Phone.
0:19:30 > 0:19:31OK, flower, we're going to go now.
0:19:31 > 0:19:33You might hear a little bit of noise
0:19:33 > 0:19:36when we trash all your shit on the way out, then it'll go quiet,
0:19:36 > 0:19:38then you can come out and try and find a new phone.
0:19:38 > 0:19:41If you come out before then, I'll shoot you in the face.
0:19:42 > 0:19:44OK?
0:19:45 > 0:19:47THAT'S a threat. See you later.
0:20:52 > 0:20:55Did you see a warrant card? No, boss.
0:20:55 > 0:20:57Did they say who they were?
0:20:58 > 0:20:59Not exactly.
0:21:03 > 0:21:06"Not exactly"?
0:21:06 > 0:21:08No.
0:21:08 > 0:21:11We've been turned over and we've no idea by who?
0:21:11 > 0:21:12Oh, this is marvellous!
0:21:14 > 0:21:16The leader, the one with a gun,
0:21:16 > 0:21:19he's a Northerner. Northerner?
0:21:19 > 0:21:22Do you think you could narrow that down a little bit?
0:21:22 > 0:21:24Scouse? Geordie? Er, he's...
0:21:26 > 0:21:28He's more Manc. Manc?
0:21:30 > 0:21:32And that's it?
0:21:33 > 0:21:34Get out.
0:21:38 > 0:21:40What did we lose?
0:21:40 > 0:21:43It weren't that bad. It was just "E"s for the clubs,
0:21:43 > 0:21:45with set-up costs, 20k?
0:21:46 > 0:21:48Yeah, still a piss-take.
0:21:48 > 0:21:54See if anyone's seen a bird and two arseholes with a gun humming Oasis.
0:21:56 > 0:21:57All right.
0:22:02 > 0:22:04Go and put some clothes on.
0:22:14 > 0:22:17So nice of him to lead us straight to his boss.
0:22:17 > 0:22:19He's not having a good day is he?
0:22:19 > 0:22:22'OK, I've run searches on the names in all these phones.'
0:22:22 > 0:22:25They all seem to be kids. 14, 15.
0:22:25 > 0:22:2614, 16.
0:22:26 > 0:22:29'They'll be dealers. Caine's way of getting 2C-9 in schools.'
0:22:29 > 0:22:31Liking him more and more.
0:22:31 > 0:22:33'They're all talking to each other.'
0:22:33 > 0:22:36Social network sites - Twitter, Facebook, gaming blogs.
0:22:36 > 0:22:38They're marketing it like the launch of a new game.
0:22:38 > 0:22:39'Does it say when?'
0:22:39 > 0:22:43No. Just says, "watch this space".
0:22:43 > 0:22:45Heads up.
0:22:49 > 0:22:51Banks.
0:22:51 > 0:22:54Probably off to find out who we are. Mm.
0:22:54 > 0:22:55Anything?
0:22:55 > 0:23:00No, it's just utility bills and invoices for new lab equipment.
0:23:00 > 0:23:02Nothing about when the shipment's coming in or where?
0:23:02 > 0:23:04Not even to link Caine to the factory.
0:23:05 > 0:23:08Someone's got to know when and where it's coming in.
0:23:08 > 0:23:11We had to hang one of his dealers off a balcony
0:23:11 > 0:23:13just to find out where he collects his gear.
0:23:13 > 0:23:15He still wouldn't implicate Caine.
0:23:15 > 0:23:17No-one's going to inform on him, Jack.
0:23:17 > 0:23:19If we don't know how the stuff's getting in the country
0:23:19 > 0:23:22or who's picking it up, then we've got nothing to track.
0:23:22 > 0:23:24We need someone on the inside.
0:23:24 > 0:23:27Too dangerous. Well, then we at least need surveillance.
0:23:27 > 0:23:28TomTom?
0:23:28 > 0:23:31Problem is, you're waiting for one sentence of where and when.
0:23:31 > 0:23:33You couldn't miss a thing.
0:23:33 > 0:23:35You'd have to have every room in his house done.
0:23:35 > 0:23:37His lift, his car.
0:23:37 > 0:23:38Everywhere he goes.
0:23:38 > 0:23:40'No time.'
0:23:40 > 0:23:43All I could do quick, is maybe hack his smartphone,
0:23:43 > 0:23:44tell you who he calls and when.
0:23:44 > 0:23:47OK. Do that until I think of something else.
0:23:49 > 0:23:50There he is!
0:23:51 > 0:23:53Who's that he's with?
0:23:53 > 0:23:54She's young.
0:23:58 > 0:23:59I know her.
0:24:02 > 0:24:04That's Robin Tyler.
0:24:05 > 0:24:07My ex-girlfriend's little sister.
0:24:11 > 0:24:14ENGINE STARTS
0:24:14 > 0:24:16No. She's just a kid.
0:24:16 > 0:24:18The point is, can you get her on-side or not?
0:24:18 > 0:24:20No, it's not, Jack.
0:24:20 > 0:24:23The point is that she shouldn't be with someone like that, all right?
0:24:23 > 0:24:25She's only 17!
0:24:25 > 0:24:28Then we're probably her best chance of getting away from him.
0:24:28 > 0:24:29Jess is right.
0:24:31 > 0:24:33Charlie, will she help us or not?
0:24:33 > 0:24:35Mate, I'm not the bad guy here.
0:24:40 > 0:24:42Do you know how to get to her?
0:24:42 > 0:24:43Maybe, yeah.
0:24:55 > 0:24:57Hi.
0:24:57 > 0:24:58Charlie?
0:24:59 > 0:25:01You here to see my sister?
0:25:01 > 0:25:03Oh, no, no.
0:25:03 > 0:25:05Good, cos that would have been awkward.
0:25:05 > 0:25:08She's all loved up with some bloke from the Pound Shop.
0:25:08 > 0:25:12They're in there now watching Bargain Hunt. So...
0:25:12 > 0:25:13So, what you doing here now?
0:25:13 > 0:25:16Just hanging around. Where are you going?
0:25:16 > 0:25:19I'm just going to go shopping. OK. Walk you to the bus stop?
0:25:19 > 0:25:22Yeah. Cool.
0:25:22 > 0:25:25So, how you been? OK.
0:25:25 > 0:25:27Got a boyfriend?
0:25:27 > 0:25:30Er...sort of.
0:25:30 > 0:25:31Anyone I know?
0:25:31 > 0:25:34No, I doubt it. So, are you still a cop?
0:25:34 > 0:25:35Yeah.
0:25:35 > 0:25:37So, how comes I don't see you about any more?
0:25:38 > 0:25:42I got transferred, actually, to a special unit.
0:25:42 > 0:25:44Yeah? What like a detective?
0:25:44 > 0:25:46Hmm, well kind of.
0:25:46 > 0:25:48We go after the really bad guys.
0:25:48 > 0:25:50Ooh, that sounds exciting. Yeah, well...
0:25:50 > 0:25:53I'll have to let my mum know, she'll be chuffed.
0:25:53 > 0:25:55She always liked you for some reason.
0:25:55 > 0:25:58So this boyfriend of yours. Who is he?
0:25:58 > 0:26:00Why are you so interested? Just curious.
0:26:00 > 0:26:04Yeah, well I don't want you grassing me up cos Mum don't know about him.
0:26:04 > 0:26:05Why?
0:26:05 > 0:26:07I just don't think she'd approve somehow. Why not?
0:26:07 > 0:26:11He's a bit older than me that's all. You know what mums are like.
0:26:11 > 0:26:14How much older? He ain't a perv, if that's what you're thinking.
0:26:14 > 0:26:16What is he then? Just a bloke.
0:26:16 > 0:26:17Jamie Caine.
0:26:19 > 0:26:22Yeah, I get it. Oh, God, I am so stupid.
0:26:22 > 0:26:26Whatever it is you're after, Charlie, it's really not happening.
0:26:26 > 0:26:28Look, just hear me out, all right? Give me ten minutes.
0:26:28 > 0:26:30What if I don't?
0:26:30 > 0:26:31Ten minutes, Robin.
0:26:33 > 0:26:35I've got some friends I'd like you to meet.
0:26:46 > 0:26:49I'm not stupid, I know what he is. No, I don't think you do.
0:26:49 > 0:26:51He's not just another dealer on the estate.
0:26:51 > 0:26:53We can help you.
0:26:53 > 0:26:56And what makes you think I need your help?
0:26:56 > 0:26:57He's a murderer.
0:26:57 > 0:26:58The bloke in the car park?
0:26:58 > 0:27:01No, that was just a fight, OK, and Jamie won, that's all.
0:27:01 > 0:27:03He wasn't just a bloke, he was a kid.
0:27:03 > 0:27:05It wasn't a fight either.
0:27:05 > 0:27:07He was beaten to death with a tyre wrench.
0:27:07 > 0:27:09Well, you would say that, wouldn't you?
0:27:10 > 0:27:12What are you doing with him?
0:27:13 > 0:27:16He looks after me.
0:27:16 > 0:27:17How?
0:27:17 > 0:27:19How do you think?
0:27:23 > 0:27:25Give us a minute, guys, yeah?
0:27:25 > 0:27:26We'll wait in the car.
0:27:33 > 0:27:34Stop it!
0:27:39 > 0:27:40Don't.
0:27:40 > 0:27:43What are you on? Nothing.
0:27:43 > 0:27:45Robin, what are you on?!
0:27:45 > 0:27:47Just some, just some pills.
0:27:47 > 0:27:49What pills?
0:27:49 > 0:27:53I don't know. Jamie...Jamie gets them.
0:27:53 > 0:27:55All right, listen to me.
0:27:55 > 0:27:57If you want to be with this guy,
0:27:57 > 0:27:59if you love him and he's good to you
0:27:59 > 0:28:01and he doesn't hurt you,
0:28:01 > 0:28:05then drug dealer or not, I will walk away, I swear.
0:28:05 > 0:28:06But if that's not the case?
0:28:10 > 0:28:13Look, we can help to get him away from you.
0:28:14 > 0:28:15Look at me!
0:28:15 > 0:28:16All right?
0:28:18 > 0:28:20I can't!
0:28:20 > 0:28:22You really don't know what he's like.
0:28:22 > 0:28:25I know exactly what he's like. I do! You don't.
0:28:25 > 0:28:26Listen!
0:28:28 > 0:28:33If you help us, he won't ever hurt you or anyone else again.
0:28:33 > 0:28:34I promise you.
0:28:36 > 0:28:38Come here.
0:28:40 > 0:28:42'She'll be safe, right?'
0:28:42 > 0:28:45We'll be right outside the whole time she's in there, front and back.
0:28:45 > 0:28:48The first hint of a problem and we move in.
0:28:49 > 0:28:52We're not sending her somewhere she hasn't been before.
0:28:52 > 0:28:54It's like all the other times she's been with Caine.
0:28:54 > 0:28:57Except she'll be pumping him for information.
0:28:57 > 0:29:00No, she's just our ears inside the apartment, nothing else.
0:29:00 > 0:29:04But we haven't got any back-up, Jack, at all. No police.
0:29:04 > 0:29:05You've got me.
0:29:07 > 0:29:09I know, I know and I trust you.
0:29:09 > 0:29:11100%, I do.
0:29:11 > 0:29:12But?
0:29:12 > 0:29:15She feels safe because she thinks we're the police,
0:29:15 > 0:29:17but we're not, are we, Jack?
0:29:19 > 0:29:21Don't tell me it's a grey area.
0:29:21 > 0:29:24I need to know that she's going to be OK.
0:29:24 > 0:29:26I promise you.
0:29:26 > 0:29:27Is that good enough?
0:29:35 > 0:29:36HE SIGHS
0:29:36 > 0:29:37We just need a time and a place, OK?
0:29:37 > 0:29:41But we don't want you to do or say anything you wouldn't normally.
0:29:41 > 0:29:42You're just there.
0:29:42 > 0:29:45And if you hear something that's great and if you don't,
0:29:45 > 0:29:46that's fine too.
0:29:46 > 0:29:48We don't want you to push it.
0:29:48 > 0:29:50The important thing is that you stay safe.
0:29:50 > 0:29:52You all right? I think so.
0:29:52 > 0:29:55You're clear what we're after?
0:29:55 > 0:29:57Yeah, er, a time and a place.
0:29:57 > 0:30:01Anything to do with a shipment and something called 2C-9.
0:30:01 > 0:30:02Yeah, and that's it.
0:30:02 > 0:30:04You get us that then make your excuses,
0:30:04 > 0:30:06get out of there.
0:30:06 > 0:30:08Just relax and be yourself. And if anything happens,
0:30:08 > 0:30:11we're all going to be right outside the whole time.
0:30:11 > 0:30:12OK?
0:30:12 > 0:30:13OK.
0:30:23 > 0:30:25Banks.
0:30:25 > 0:30:26Got him.
0:30:40 > 0:30:41OK, nice and easy.
0:30:45 > 0:30:48I'm patched in to the CCTV.
0:30:48 > 0:30:50OK, looks like they're heading to the apartment,
0:30:50 > 0:30:52so you can back off a little.
0:31:18 > 0:31:21All right, guys, I'm on the rear service road -
0:31:21 > 0:31:22'behind the apartment.'
0:31:22 > 0:31:24We're in position at the front.
0:31:24 > 0:31:26'Banks and Robin are entering now.'
0:31:32 > 0:31:35My guy says the heat is off.
0:31:35 > 0:31:37Oh, I'm not going to be holding anything.
0:31:37 > 0:31:41Once it comes in, it goes straight out to the dealers.
0:31:41 > 0:31:44I might move a little bit up North, if I get a wholesale deal,
0:31:44 > 0:31:47but the same applies - once it lands, it goes out. End of.
0:31:49 > 0:31:53Yeah, I'll let you know the time and the place.
0:31:53 > 0:31:54Hey!
0:31:56 > 0:31:58How was your mum? Yeah, OK.
0:31:58 > 0:32:01So when are you going to take me home to meet your family?
0:32:01 > 0:32:04HE CHUCKLES Imagine that!
0:32:04 > 0:32:05Make us a drink.
0:32:07 > 0:32:09Have you had any luck with these Northerners?
0:32:09 > 0:32:11Not yet.
0:32:13 > 0:32:15It's got to be someone trying to muscle in.
0:32:15 > 0:32:16They didn't take any gear.
0:32:16 > 0:32:17Jimmy, they just trashed the place -
0:32:17 > 0:32:19it's got to be the coppers. No.
0:32:19 > 0:32:23I told you, no-one's looking at us.
0:32:23 > 0:32:24If you're sure.
0:32:24 > 0:32:25Horse's mouth.
0:32:26 > 0:32:28No, it's...it's amateurs,
0:32:28 > 0:32:31just trying their luck, hoping to find a bit of cash.
0:32:33 > 0:32:34I don't care who it is,
0:32:34 > 0:32:35I want them strung up.
0:32:35 > 0:32:37We'll find them.
0:32:37 > 0:32:40Look, the boys from Gatwick have been on the phone -
0:32:40 > 0:32:43their shifts change again at the end of the week.
0:32:43 > 0:32:45They come off nights on Saturday, they get a day off on Sunday
0:32:45 > 0:32:48and then the new shifts are handed out on Monday morning.
0:32:48 > 0:32:50Jimmy? Jimmy!
0:32:51 > 0:32:53If we miss this window,
0:32:53 > 0:32:56they might not be back on cargo for months, you understand?
0:32:56 > 0:32:57Point taken.
0:33:06 > 0:33:07So, we on or not?
0:33:08 > 0:33:12Yeah, horse's mouth says we're fireproof till the end of the month,
0:33:12 > 0:33:14while they have their little inquiry.
0:33:14 > 0:33:16So now's as good a time as any.
0:33:17 > 0:33:19We bring it in tomorrow.
0:33:22 > 0:33:23I'll let 'em know.
0:33:29 > 0:33:31Where's yours?
0:33:31 > 0:33:32I'm all right.
0:33:32 > 0:33:34I didn't ask you how you were,
0:33:34 > 0:33:36I asked you where your drink was.
0:33:36 > 0:33:38Yeah I'm...I'm going to have one later. Have mine.
0:33:42 > 0:33:44I'm fine, Jamie, seriously.
0:33:57 > 0:33:58That's better.
0:34:01 > 0:34:03Jimmy, we're on.
0:34:03 > 0:34:06Switch is on Preston Road, under the motorway, first thing.
0:34:06 > 0:34:08You tell every dealer we've got
0:34:08 > 0:34:10to cancel what they're doing this weekend.
0:34:10 > 0:34:12I want every ounce of that stuff out!
0:34:20 > 0:34:22All sounds a bit serious.
0:34:22 > 0:34:24Nothing for you to worry about.
0:34:24 > 0:34:27Yeah, no, I know. I was just making conversation.
0:34:27 > 0:34:30Conversation? No offence, love, but...
0:34:33 > 0:34:35..conversation ain't why you're here.
0:34:50 > 0:34:53Wait, Jamie.
0:34:53 > 0:34:55Wait. What if Banksy comes back?
0:34:55 > 0:34:57Oh, it'll give him a little thrill.
0:34:57 > 0:35:00No, listen... Jamie, can we...
0:35:00 > 0:35:03Listen - let's go in the bedroom, yeah?
0:35:03 > 0:35:05It'll be better, I promise.
0:35:05 > 0:35:08Just give me two minutes, OK? I'm just going to freshen up.
0:35:42 > 0:35:44PHONE RINGS
0:35:44 > 0:35:45Robin. Charlie?
0:35:45 > 0:35:48All right, listen - it's tomorrow, Preston Road, under the motorway.
0:35:48 > 0:35:49That's fantastic. All right.
0:35:49 > 0:35:52Now, you need to get out of there so just hang up the phone.
0:35:52 > 0:35:55OK. I think I'm going to be a while cos I'm going to need an excuse.
0:35:55 > 0:35:56All right, well done.
0:35:56 > 0:35:59Just don't worry, all right? You've been brilliant, Robin.
0:35:59 > 0:36:01You just need to make your excuses and get out of there.
0:36:01 > 0:36:04But don't rush. Just be subtle, do it like normal...
0:36:04 > 0:36:05Robin?
0:36:06 > 0:36:07Robin?!
0:36:13 > 0:36:14Shit!
0:36:17 > 0:36:18Guys, Robin just called me
0:36:18 > 0:36:20'and then the line went dead.
0:36:20 > 0:36:22'She said she's coming out but I'm worried.'
0:36:22 > 0:36:25Give it a couple of minutes.
0:36:25 > 0:36:26Jack, I think we should go in.
0:36:26 > 0:36:30That might put her in more danger. Just two minutes, Charlie, yeah?
0:36:30 > 0:36:31Sit tight.
0:36:55 > 0:36:56Charlie?
0:36:58 > 0:37:00Charlie, what's happening?
0:37:07 > 0:37:10MACHINE BEEPS I've lost Charlie.
0:37:10 > 0:37:13What do you mean you've lost him? Charlie?
0:37:13 > 0:37:15No, there's no signal. His audio's down.
0:37:27 > 0:37:29Something's wrong,
0:37:29 > 0:37:31Check on him, I'm going in. Yeah.
0:37:41 > 0:37:42He's gone.
0:37:44 > 0:37:46CRUNCHING
0:37:50 > 0:37:52I've just found Charlie's ear piece.
0:37:58 > 0:37:59I think they're on to us.
0:38:06 > 0:38:07Careful up there, Jack.
0:38:13 > 0:38:14They're gone.
0:38:26 > 0:38:28Naughty.
0:38:30 > 0:38:31Who is he?
0:38:31 > 0:38:33He's a friend, I know him from the estate.
0:38:33 > 0:38:36A friend who just happened to be parked outside
0:38:36 > 0:38:38with a microphone and an ear piece?
0:38:38 > 0:38:40WHIMPERING: OK, he's a cop.
0:38:49 > 0:38:50Was he on his own?
0:38:52 > 0:38:54Tom, come on, mate. Give me something.
0:38:56 > 0:39:01I'm...I'm trying to find his car.
0:39:01 > 0:39:02Yeah, well try harder. Come on, TomTom.
0:39:02 > 0:39:05That is really not helping.
0:39:05 > 0:39:07(Come on. Come on.)
0:39:07 > 0:39:10CAINE: Don't lie. Was he on his own?
0:39:12 > 0:39:13How many?
0:39:16 > 0:39:18Four.
0:39:19 > 0:39:22And the one in charge, the boss,
0:39:22 > 0:39:23was he a Northerner?
0:39:26 > 0:39:28This one of them?
0:39:28 > 0:39:29Yeah.
0:39:37 > 0:39:39Got you! JESS: Where?
0:39:39 > 0:39:40'Heading East. 15 minutes ago.'
0:39:40 > 0:39:43Tracking him through, now. HURRIED TYPING
0:39:43 > 0:39:45'He drove over the river then turned into Barnes Road.'
0:39:45 > 0:39:46'Caine's pill factory?'
0:39:46 > 0:39:47Yeah.
0:39:53 > 0:39:55CAINE: Name, rank and serial number.
0:39:56 > 0:39:58Just your name.
0:39:58 > 0:39:59Mr...
0:40:01 > 0:40:02..Plod?
0:40:03 > 0:40:05Well?!
0:40:07 > 0:40:09Stop, please! His name's Charlie, all right?
0:40:09 > 0:40:11It's Charlie O'Brien.
0:40:11 > 0:40:12Just stop!
0:40:12 > 0:40:14Charlie?
0:40:16 > 0:40:17Tough guy.
0:40:17 > 0:40:20I recognise that look.
0:40:20 > 0:40:22Let me tell you, Charlie, before I leave,
0:40:22 > 0:40:25you will have told me absolutely everything I need to know.
0:40:26 > 0:40:28You want to know why?
0:40:29 > 0:40:32Because in our world it's not about being tough.
0:40:32 > 0:40:34Lots of tough nuts out there,
0:40:34 > 0:40:36on the dole.
0:40:37 > 0:40:42lots of muscle-bound Herberts without a pot to piss in.
0:40:42 > 0:40:45It's not about how tough you are,
0:40:45 > 0:40:48it's about how far you're prepared to go
0:40:48 > 0:40:50to get what you want.
0:40:51 > 0:40:53You punch me, I'll stab you.
0:40:53 > 0:40:54You stab me, I'll shoot you.
0:40:54 > 0:40:57You shoot me, I'll kill every member of your family.
0:41:00 > 0:41:02However far you go...
0:41:03 > 0:41:04..I'll go further.
0:41:05 > 0:41:11Gets to the point where nobody wants to play with you any more.
0:41:11 > 0:41:15So, tough boy Charlie, I want to know...
0:41:17 > 0:41:19..what department you work for... Don't touch her!
0:41:19 > 0:41:20..what evidence you have
0:41:20 > 0:41:24and what you know about my business.
0:41:24 > 0:41:25Now, I'm going to count to three.
0:41:26 > 0:41:27One...
0:41:27 > 0:41:29No!
0:41:32 > 0:41:33Whoops.
0:41:37 > 0:41:39Your turn.
0:42:02 > 0:42:04No, no, no, no, no, no!
0:42:06 > 0:42:08Charlie? Charlie, mate?
0:42:08 > 0:42:11She's dead. Jesus Christ, Charlie, what have they done to you? Charlie!
0:42:11 > 0:42:13Charlie! Oh, TomTom, call an ambulance!
0:42:13 > 0:42:14Right now!
0:42:14 > 0:42:15It's on its way.
0:42:20 > 0:42:22Can you hear me? OK, OK... Stay awake.
0:42:22 > 0:42:24You've got to stay with us, mate. CHARLIE GROANS
0:42:24 > 0:42:26Charlie? That's it. Yeah, I'm here.
0:42:26 > 0:42:27I'm here. Can you open your eyes for me?
0:42:27 > 0:42:30It's all right. Charlie, can you open your eyes? Stay awake.
0:42:30 > 0:42:33Charlie, don't speak. It's all right. Just hold on.
0:42:33 > 0:42:34Just hold on, you've got to stay awake.
0:42:34 > 0:42:35Charlie, I'm here, mate.
0:42:35 > 0:42:38Me and Jess are here, yeah? We've got you. OK.
0:42:38 > 0:42:41Ambulance is on its way, pal, yeah? We're going to get you fixed up.
0:42:52 > 0:42:54Charlie? Stay awake for me, Charlie.
0:42:54 > 0:42:56Charlie! Charlie, open your eyes.
0:42:56 > 0:42:58That's it.
0:42:58 > 0:43:00That's it. You're going to be OK, pal.
0:43:00 > 0:43:03That's the ambulance now, Charlie. Can you hear that?
0:43:22 > 0:43:24Preston...
0:43:24 > 0:43:26Preston Road.
0:43:26 > 0:43:28OK, mate. CHARLIE BEGINS COUGHING
0:43:28 > 0:43:29Oh, God. OK, mate, OK.
0:43:29 > 0:43:32Don't speak now, just relax. OK. All right, all right, all right.
0:43:32 > 0:43:34Preston Road motorway...
0:43:34 > 0:43:35tomorrow morning.
0:43:35 > 0:43:37It's all right, mate, I've got you.
0:43:37 > 0:43:38Yeah? Ambulance is here.
0:43:38 > 0:43:41We're going to get you fixed up. Where's Robin?
0:43:41 > 0:43:44Where's Robin? Where's Robin?
0:43:44 > 0:43:45She's here, mate. She's OK.
0:43:45 > 0:43:47Get them for me, Jack.
0:43:47 > 0:43:49Yeah. Hold on, hold on, we'll all get 'em, yeah?
0:43:49 > 0:43:52Me, you, Jess, TomTom - we'll all get them, yeah?
0:43:52 > 0:43:53Promise me.
0:43:53 > 0:43:54I promise you, mate. I promise you.
0:43:54 > 0:43:56Over here, quickly! OK...
0:43:56 > 0:43:58Jack!
0:44:08 > 0:44:11BACKGROUND MUSIC DROWNS SPEECH
0:44:33 > 0:44:36Don't. Let them do what they need to.
0:44:36 > 0:44:38He's a kid. He wouldn't have been here if it wasn't for me.
0:44:38 > 0:44:40None of us would be here if it wasn't for you, Jack.
0:44:40 > 0:44:42I shouldn't have dragged him into this. Jack,
0:44:42 > 0:44:44we're all here because we want to be,
0:44:44 > 0:44:47because we believe in what we do - Charlie as much as everybody else.
0:44:47 > 0:44:49This isn't your fault.
0:44:49 > 0:44:50I left him on his own.
0:44:50 > 0:44:52We all did. How is he?
0:44:54 > 0:44:56Hey.
0:44:56 > 0:44:58Can we place Caine at the scene?
0:45:01 > 0:45:04Give me something so we can pick him up - anything.
0:45:04 > 0:45:07Charlie was on a stakeout and he...disappeared.
0:45:07 > 0:45:10We found him like that, there was no-one else here.
0:45:12 > 0:45:13What a mess.
0:45:25 > 0:45:27I'm sorry about young Charlie,
0:45:27 > 0:45:28truly I am.
0:45:30 > 0:45:33There will be other ramifications.
0:45:33 > 0:45:34Like what?
0:45:35 > 0:45:37I can't lie to the inquiry
0:45:37 > 0:45:41about what Charlie was doing outside Caine's apartment.
0:45:41 > 0:45:43Which means everything will have to come out,
0:45:43 > 0:45:46including the involvement of you and the rest of your team.
0:45:46 > 0:45:47And ultimately...
0:45:49 > 0:45:53..that we disobeyed a direct order to stay away from Caine
0:45:53 > 0:45:57which means we will lose every friend we had with any influence.
0:45:59 > 0:46:00We'll be finished.
0:46:03 > 0:46:05It's over, Jack. I'm sorry.
0:46:16 > 0:46:17So what's going on, Helen? Tell me everything.
0:46:41 > 0:46:43We're on for the morning.
0:46:43 > 0:46:44We clear or not?
0:46:58 > 0:47:00All right. Well, you've got this number.
0:47:01 > 0:47:03If you could, thank you.
0:47:07 > 0:47:08He's still in theatre.
0:47:10 > 0:47:12Am I the only one who thinks this is really wrong?
0:47:14 > 0:47:18I mean Caine murders that girl and then he leaves Charlie for dead
0:47:18 > 0:47:21and instead of sending us after him, they're just closing us down?
0:47:21 > 0:47:23We knew the risks when we went after Caine.
0:47:26 > 0:47:27So he wins? What do you want us to do, TomTom?
0:47:27 > 0:47:29What are we supposed to do!?
0:47:29 > 0:47:30Something!
0:47:32 > 0:47:33Something.
0:47:35 > 0:47:36She was 17 years old.
0:47:38 > 0:47:41No-one said anything about giving up.
0:47:41 > 0:47:42What do you mean?
0:47:42 > 0:47:45I made Charlie two promises today -
0:47:45 > 0:47:47that Robin would be safe and that we'd get Caine.
0:47:47 > 0:47:49Now, I've broken one of those promises
0:47:49 > 0:47:51and I don't intend to break the other.
0:47:53 > 0:47:54The last thing Charlie did
0:47:54 > 0:47:57was tell us where Caine's 2C-9 would be tomorrow morning.
0:47:57 > 0:47:58So I guess we should phone that in.
0:47:58 > 0:48:01What, and risk him getting tipped off again?
0:48:02 > 0:48:05Jess? Yeah. Yeah, I'm in.
0:48:06 > 0:48:07Me too.
0:48:08 > 0:48:10For Charlie, right?
0:48:12 > 0:48:14COMPUTER BEEPS
0:48:18 > 0:48:20Caine's made a call on his smartphone.
0:48:20 > 0:48:21I've got a number.
0:48:21 > 0:48:23Arrangements for tomorrow?
0:48:30 > 0:48:32Must be.
0:48:32 > 0:48:34Well, at least we know it's still going ahead.
0:49:13 > 0:49:15So, it's just two guys.
0:49:15 > 0:49:19Unless there's anyone else inside.
0:49:19 > 0:49:20Do you think they're armed?
0:49:20 > 0:49:22No, they're just delivery boys.
0:49:22 > 0:49:25ENGINE NOISE APPROACHES
0:49:33 > 0:49:34Here we go.
0:49:39 > 0:49:43SPEECH NOT AUDIBLE
0:49:50 > 0:49:51That's a lot of merchandise.
0:49:51 > 0:49:53Yeah, and how many people would it kill?
0:49:59 > 0:50:01Where's Caine?
0:50:10 > 0:50:11He's here.
0:50:12 > 0:50:15Why's he not coming over?
0:50:15 > 0:50:16He will.
0:50:19 > 0:50:20He's moving.
0:50:30 > 0:50:32Caine's here.
0:50:32 > 0:50:34Thank you. We're on.
0:50:41 > 0:50:44INDISTINCT SPEECH
0:50:47 > 0:50:49Helen, what's going on?
0:50:54 > 0:50:55Ready?
0:50:55 > 0:50:56As I'll ever be.
0:50:58 > 0:51:00Go.
0:51:00 > 0:51:02TYRES SCREECH
0:51:07 > 0:51:08Nobody move.
0:51:08 > 0:51:09Whoa, whoa, OK. Stop.
0:51:11 > 0:51:12Hey!
0:51:12 > 0:51:13Don't...
0:51:15 > 0:51:16Run!
0:51:20 > 0:51:23GRUNTING AND MOANING
0:51:37 > 0:51:38Jess!
0:51:42 > 0:51:43Get his hands.
0:51:43 > 0:51:45HE WAILS IN PAIN
0:51:45 > 0:51:46I would have had him, you know.
0:51:46 > 0:51:48I don't doubt it, my friend.
0:51:50 > 0:51:51Ow.
0:51:59 > 0:52:01I'll have your job for this.
0:52:01 > 0:52:04I should have known it was you, the moment you warned me off.
0:52:04 > 0:52:06What the hell are you talking about, woman?
0:52:07 > 0:52:09Jamie Caine made a call last night...
0:52:09 > 0:52:13We're on for tomorrow morning. We clear, or not?
0:52:13 > 0:52:15Caine's made a call on his smartphone.
0:52:15 > 0:52:17Arrangements for tomorrow? Must be.
0:52:22 > 0:52:24..you'll never guess who to.
0:52:24 > 0:52:26Thank you, Damien.
0:52:27 > 0:52:30You told him it would be all clear, didn't you?
0:52:30 > 0:52:33We'll be finished. There's no way we can continue.
0:52:33 > 0:52:35It's over, Jack.
0:52:35 > 0:52:37So what's going on, Helen? Tell me everything.
0:52:39 > 0:52:41We've already searched your office.
0:52:48 > 0:52:51How long has Caine been supplying you?
0:52:55 > 0:52:57Stay there.
0:53:00 > 0:53:02Hey, you all right?
0:53:02 > 0:53:03Yeah.
0:53:05 > 0:53:06So where's Jack?
0:53:33 > 0:53:36You looking for me, boy? Eh? You looking for me?!
0:53:44 > 0:53:48You want to ask me a couple of questions, do you, boy?
0:53:48 > 0:53:49Eh?
0:54:25 > 0:54:26You must be Jack Quinn.
0:54:27 > 0:54:28That's right.
0:54:30 > 0:54:32A very good friend told me about you.
0:54:34 > 0:54:37Said I could serve you up and no-one would bat an eye...
0:54:38 > 0:54:41..being as you don't exist.
0:54:43 > 0:54:45Oh, I'm real enough to take care of you.
0:54:45 > 0:54:47Oh, yeah...
0:54:47 > 0:54:50your boy told me what a hard nut you are.
0:54:50 > 0:54:52Course, he didn't want to say anything at first -
0:54:52 > 0:54:54strong silent type.
0:54:54 > 0:54:56Then I prized off his kneecap.
0:54:58 > 0:55:03I'm always amazed at the sound a human being can make
0:55:03 > 0:55:05when they're in pain like that.
0:55:05 > 0:55:10If you'd have seen him writhing about, making this noise -
0:55:10 > 0:55:11he wasn't like a man,
0:55:11 > 0:55:13he was more like an animal.
0:55:15 > 0:55:17But then I suppose that's all we are, Jack,
0:55:17 > 0:55:19at the end of the day.
0:55:19 > 0:55:21Animals.
0:55:21 > 0:55:22Why did you have to kill the girl?
0:55:22 > 0:55:24Oh, that sounds dramatic.
0:55:26 > 0:55:28She was a little drug addict, that's all she'd ever have been.
0:55:32 > 0:55:33Come on then...
0:55:35 > 0:55:36..let's get on with it.
0:55:37 > 0:55:39Get what on with what?
0:55:39 > 0:55:40The dance.
0:55:41 > 0:55:43You want me to talk you through it?
0:55:43 > 0:55:46You take me in for 36 hours.
0:55:46 > 0:55:49You make me dinner, you make me tea, you call me "Sir".
0:55:49 > 0:55:51I call my brief, he tells you
0:55:51 > 0:55:53you don't have a shred of evidence
0:55:53 > 0:55:54and I'm sprung.
0:55:56 > 0:55:57Not this time.
0:55:57 > 0:56:00I was just going for a walk along the canal, you've got nothing on me!
0:56:00 > 0:56:03We'll find forensics to put you at the murder scene.
0:56:03 > 0:56:06I go there every week. Charlie will testify. Charlie won't make it.
0:56:06 > 0:56:08And if he does, I'll have what's left of him rubbed out.
0:56:10 > 0:56:13I might even get someone to confess to that murder.
0:56:13 > 0:56:16Say they put my DNA there to fit me up.
0:56:16 > 0:56:19Why would anyone do that for me? Eh, Jack?
0:56:20 > 0:56:21Because if they don't,
0:56:21 > 0:56:25their kids will get their throats cut in their sleep.
0:56:25 > 0:56:27Their mum will end up at the bottom of the canal.
0:56:27 > 0:56:29Their missus...well.
0:56:32 > 0:56:34You see that's why the likes of you
0:56:34 > 0:56:37can never beat the likes of me.
0:56:37 > 0:56:40Because you have to stop with the law...
0:56:41 > 0:56:43..where I can go as far as I need to.
0:56:45 > 0:56:47And there's nothing you can do about it.
0:56:49 > 0:56:50I wouldn't count on that.
0:56:52 > 0:56:55Oh, come on, sweetheart,
0:56:55 > 0:56:57we both know you're not going to pull the trigger.
0:56:57 > 0:57:00You're a cop, aren't you?
0:57:01 > 0:57:04Yeah, well, like I told a very good friend of mine once,
0:57:04 > 0:57:06the world's changed a bit.
0:57:06 > 0:57:08It had to
0:57:08 > 0:57:09because of scum like you.
0:57:11 > 0:57:13So, yeah, you might be right about your 36 hours
0:57:13 > 0:57:15and your brief getting you off.
0:57:15 > 0:57:19But you're wrong about how far I'll go to stop you hurting people.
0:57:19 > 0:57:22You see, it all comes down to the fact that in this world,
0:57:22 > 0:57:24there's good guys and bad guys.
0:57:24 > 0:57:27White hats and black hats - just like the movies.
0:57:27 > 0:57:30That good friend of mine's name is Charlie O'Brien.
0:57:31 > 0:57:35And what me and Charlie do is we go after bad guys just like you
0:57:35 > 0:57:37and we get them off the streets -
0:57:37 > 0:57:39by any means, whatever it takes.
0:57:39 > 0:57:41So whatever you did to him last night,
0:57:41 > 0:57:44he's standing here right now, pointing this gun at your head.
0:57:48 > 0:57:50Like I said, you can't use that. You're a policeman.
0:57:55 > 0:57:56You are a cop...
0:57:58 > 0:57:59..aren't you?
0:58:04 > 0:58:05It's a grey area.
0:58:08 > 0:58:10GUN FIRES
0:58:29 > 0:58:33Subtitles by Red Bee Media Ltd