0:01:14 > 0:01:17CHEERING
0:01:17 > 0:01:20TYPING
0:01:20 > 0:01:23STRIPTEASE MUSIC
0:01:23 > 0:01:26Happy birthday!
0:01:47 > 0:01:49Mercy!
0:01:49 > 0:01:53You old dog, you! She could teach you a few new tricks!
0:01:53 > 0:01:56You probably forget what to do!
0:01:56 > 0:01:59I may be a year older, but I'm not dead yet!
0:01:59 > 0:02:04If you need a refresher course, I'm the Professor of Love!
0:02:04 > 0:02:07Those who can, do... Those who can't, teach!
0:02:10 > 0:02:12You missed the best part!
0:02:12 > 0:02:15Well, it makes me uncomfortable.
0:02:15 > 0:02:17Really? Why?
0:02:18 > 0:02:24Come on, Mary Beth! It's fun. She wasn't upset. Why should you be?
0:02:24 > 0:02:26You're missing something significant.
0:02:26 > 0:02:31There's nothing significant about a girl stripping!
0:02:31 > 0:02:36It's sad and degrading. She didn't find it degrading, Mary Beth!
0:02:36 > 0:02:41A year ago, they wouldn't have invited us to anything,
0:02:41 > 0:02:43much less a striptease.
0:02:43 > 0:02:46Today, they did. They're accepting us as one of them.
0:02:46 > 0:02:51Never one of my major goals! You two know a lady cop?
0:02:51 > 0:02:54Two! She's in the interview room.
0:02:54 > 0:02:59Carole Mitchell, 32. A little hostile. Insists on a female cop.
0:02:59 > 0:03:00There you go.
0:03:04 > 0:03:07Sit down... Please.
0:03:11 > 0:03:13Well, you two SEEM human enough.
0:03:13 > 0:03:19Pardon? I don't want to start off on the wrong foot, but this is hard.
0:03:19 > 0:03:21We understand, believe me.
0:03:21 > 0:03:25Sit down, take a deep breath and start at the beginning.
0:03:25 > 0:03:27All right.
0:03:29 > 0:03:30I was raped.
0:03:30 > 0:03:35I'm sorry. Can you tell us where it happened?
0:03:35 > 0:03:38In my apartment. He broke in?
0:03:38 > 0:03:40No. I was...
0:03:40 > 0:03:43I was... You let him in?
0:03:43 > 0:03:45I was on a date with him.
0:03:45 > 0:03:47Oh.
0:03:48 > 0:03:52How did I know that you would say, "Oh..."?
0:03:52 > 0:03:56I didn't mean anything by it. It's OK. It gets worse.
0:03:56 > 0:04:00I met him at a singles bar, had a drink with him.
0:04:00 > 0:04:01I even ordered a second round.
0:04:01 > 0:04:07Back to my apartment, had another drink, even let him kiss me...
0:04:07 > 0:04:09What do you think about that?
0:04:09 > 0:04:12We don't think anything.
0:04:12 > 0:04:16Tell us what happened then. He wanted to go to bed,
0:04:16 > 0:04:19only -I don't know,
0:04:19 > 0:04:23there was just something weird... He was creepy. I told him no.
0:04:23 > 0:04:27I asked him to leave and he got crazy. How do you mean?
0:04:27 > 0:04:33Shouting, screaming... "You can't say no after getting me all worked up!"
0:04:33 > 0:04:36Then he just...
0:04:36 > 0:04:38he...
0:04:38 > 0:04:42he beat me up very badly, then he raped me. He beat you?
0:04:42 > 0:04:45My face, my arms, my neck...
0:04:47 > 0:04:50It's all faded now. How long ago was this? Two weeks.
0:04:51 > 0:04:55Why did you wait so long to report it?
0:04:55 > 0:04:59Why? Mmm. Because I heard how insensitive cops are.
0:04:59 > 0:05:05This is not my favourite thing! We understand that, Miss Mitchell.
0:05:05 > 0:05:10I tried! At first, I told myself to forget about it... And now?
0:05:10 > 0:05:15The guy called me again yesterday! Like nothing happened!
0:05:15 > 0:05:19I told him to leave me alone, he screams, like before.
0:05:19 > 0:05:22He's a lunatic and I'm scared.
0:05:22 > 0:05:26He's going to hurt me again! Can you stop him, arrest him?
0:05:26 > 0:05:28Yes, if you sign a complaint.
0:05:28 > 0:05:33His name is Ed Ravenswood. He sings at the New World City Opera.
0:05:33 > 0:05:36He said he's a baritone. He told me.
0:05:36 > 0:05:41I got a bet with Isbecki. I say rape, he says battered wife.
0:05:41 > 0:05:44Can I see that?
0:05:44 > 0:05:46What kind of case is it?
0:05:46 > 0:05:51She was raped. I'll check his name. She knows his name?
0:05:51 > 0:05:54They went on a date. Took him home?
0:05:54 > 0:05:58This smells like a one-night stand that never called back!
0:05:58 > 0:06:02Chick gets upset, turns him in!
0:06:02 > 0:06:04Woman scorned and all that!
0:06:04 > 0:06:07Paul, the woman was raped!
0:06:07 > 0:06:10Read your penal code. Sexual intercourse without consent.
0:06:10 > 0:06:14We're not mind-readers! What do you mean?
0:06:14 > 0:06:21Women always say no! Sometimes, they mean yes. Usually, they mean maybe. Am I wrong?
0:06:21 > 0:06:25You're overgeneralising. He knows what he's talking about.
0:06:25 > 0:06:30Thelma's hero of all time is Rhett Butler - so romantic!
0:06:30 > 0:06:38Why, if Rhett Butler throws Scarlet on the bed, that's romance, but when some poor slob does it, it's rape?
0:06:38 > 0:06:45With respect, if you don't know the difference between rape and romance, you got a serious problem!
0:06:48 > 0:06:51Her time of the month or what?
0:07:00 > 0:07:02Two camels, one elephant
0:07:02 > 0:07:07and a sufficiency of the usual chazerai.
0:07:07 > 0:07:10Perfecto. On the 30th, then.
0:07:10 > 0:07:13Hasta luego. Ciao. Sayonara.
0:07:13 > 0:07:16And all that jazz!
0:07:16 > 0:07:22We're doing Aida - molto boring. The hoi polloi...
0:07:22 > 0:07:25Uh-uh!
0:07:25 > 0:07:27Sorry to keep you hanging, Officer.
0:07:27 > 0:07:35Detective. Lacey. I'm investigating a rape charge. Our favourite diva is molesting the tenors again?
0:07:35 > 0:07:39Or knowing her tastes, perhaps something a bit more outre?
0:07:40 > 0:07:45Mr Richards, I'm sorry if you find this funny. I do not.
0:07:45 > 0:07:51A woman was raped by one of your performers - Ed Ravenswood. Ed Ravenswood?
0:07:51 > 0:07:55My dear, Ed Ravenswood does not work here,
0:07:55 > 0:07:57has NEVER worked here.
0:07:59 > 0:08:03But I do know where you can find him.
0:08:19 > 0:08:21How do you like the cologne?
0:08:21 > 0:08:23On someone else.
0:08:23 > 0:08:29Sorry, you set me up! Wait... What about basses and tenors?
0:08:30 > 0:08:37OK, thanks for your help. He's not a member of any of the performers' unions. Forget it.
0:08:37 > 0:08:43City Opera never heard of him? They heard of him. Edgar Ravenswood. He sings there?
0:08:43 > 0:08:48No, they sing him. He's the hero of Lucia Di Lammermoor.
0:08:48 > 0:08:51It's a married guy! Has to be!
0:08:51 > 0:08:55All married men on the make use an alias, eh, Petrie?
0:08:55 > 0:08:58Don't look at me! I wouldn't know...
0:08:58 > 0:09:04Just being hypothetical. Not unreasonable in light of the new report on male sexuality!
0:09:04 > 0:09:07It's a flaky case!
0:09:07 > 0:09:11You still think you got a crime? Dunno. Haven't heard him sing!
0:09:13 > 0:09:16Would you knock it off?!
0:09:16 > 0:09:18OK?
0:09:18 > 0:09:23I'm going home. I'll see you tomorrow. Oh...
0:09:23 > 0:09:25Excuse me.
0:09:36 > 0:09:38Mary Beth?
0:09:38 > 0:09:42A woman's hurt - or are you so busy with the guys that you forgot?
0:09:42 > 0:09:45I remember. I was wondering.
0:09:45 > 0:09:49Is it possible you could lighten up a little? Yeah, sure.
0:09:49 > 0:09:52Heard any good rape jokes lately?
0:09:54 > 0:09:58Mary Beth, I know people get hurt every day.
0:09:58 > 0:10:00Some of the stuff we see...
0:10:00 > 0:10:05if we took it in without a filter, it would make us crazy,
0:10:05 > 0:10:09so I laugh... There's things I don't laugh. Fine.
0:10:09 > 0:10:12That's my way - that's what I do! OK?
0:10:12 > 0:10:18I don't know. I'll think it over. Have you got any hand lotion?
0:10:18 > 0:10:20Yeah.
0:10:23 > 0:10:25Ladies?
0:10:25 > 0:10:29La Guardia's niece is here. You don't want to miss this!
0:10:29 > 0:10:32La Guardia's niece? Oh, yeah...
0:10:34 > 0:10:38I just hope it works. Never fails.
0:10:38 > 0:10:41You're serious? Yeah.
0:10:42 > 0:10:44What do you think, ladies, huh?
0:10:44 > 0:10:49Is he irresistible to females? Why - you got a date?
0:10:49 > 0:10:53La Guardia traded me three nights to show his niece round.
0:10:53 > 0:10:57Ronni is going to love you. You do look good.
0:10:57 > 0:11:00I hate blind dates.
0:11:00 > 0:11:03Tell me again - she's a distant relative?
0:11:03 > 0:11:08I promise you - Ronni doesn't look anything like me!
0:11:08 > 0:11:10No! Trust me! I've seen her.
0:11:10 > 0:11:12Uncle Paul!
0:11:12 > 0:11:14Ronni!
0:11:15 > 0:11:18You look lovely!
0:11:18 > 0:11:23Mary Beth Lacey... Hello. Chris Cagney. Hi, Ronni.
0:11:23 > 0:11:28Mark Petrie. You know the lieutenant. And Victor Isbecki.
0:11:30 > 0:11:35How do you do, Victor? Uncle Paul told me so much about you!
0:11:35 > 0:11:38It's really good meeting you.
0:11:38 > 0:11:42He never said how good-looking you were. You are, too!
0:11:42 > 0:11:46This is going to be an evening to remember!
0:11:46 > 0:11:51Let's get out of here. It's nice to have met you, Ronni!
0:11:51 > 0:11:56You like French food? Enjoy yourselves.
0:12:01 > 0:12:02What?
0:12:02 > 0:12:06What? You see the look on his face?
0:12:06 > 0:12:10The man is in love! He's in lust!
0:12:10 > 0:12:12She seemed like a nice girl!
0:12:15 > 0:12:20You should see his Raquel Welch impersonation! What?
0:12:20 > 0:12:24Ronni is Ronald! He's a female impersonator!
0:12:36 > 0:12:40Yeah, I'll hold. So, Victor, how was your date?
0:12:40 > 0:12:43I'll get you for this, La Guardia, I promise!
0:12:43 > 0:12:47Don't be mad at me! It was the lieutenant's idea!
0:12:47 > 0:12:49Samuels, huh?
0:12:49 > 0:12:52Well, I guess I owe him one!
0:12:54 > 0:12:59When did you find out, Isbecki? I don't want to talk about it!
0:12:59 > 0:13:06When did you find out? When he invited me home to meet his wife and kids!
0:13:06 > 0:13:10Do you show a listing of members by physical type?
0:13:10 > 0:13:14Height, weight, age, colouring?
0:13:14 > 0:13:16Yes.
0:13:16 > 0:13:18A directory, yes. Yes.
0:13:18 > 0:13:21Thank you. Good morning. Morning.
0:13:21 > 0:13:27Isbecki, you and Ronni make a perfectly beautiful couple.
0:13:27 > 0:13:31Thanks, Cagney. Actually, she reminded me a lot of you,
0:13:31 > 0:13:34but you make the better man!
0:13:34 > 0:13:35Good one, Isbecki!
0:13:35 > 0:13:39Thank you, Victor, but you give me too much credit!
0:13:39 > 0:13:43Around here, I don't have that much competition!
0:13:45 > 0:13:50Come on, Victor! Don't be mad! We're just kidding!
0:13:50 > 0:13:52Me? Why would I be mad?
0:13:52 > 0:13:54Oops!
0:13:56 > 0:13:59Morning, Mary Beth. Morning.
0:14:00 > 0:14:03Oh, can I talk to you?
0:14:03 > 0:14:06In the john? I'm waiting on a call.
0:14:09 > 0:14:11OK...
0:14:11 > 0:14:14I went by Carole Mitchell's bar last night. And?
0:14:14 > 0:14:19And the bartender doesn't remember a Mr Ravenswood...
0:14:19 > 0:14:24Isbecki, go away! I'm getting some coffee. How long could it take?
0:14:24 > 0:14:31He doesn't remember... You want to hear this? Well, come on! How about all of you?
0:14:31 > 0:14:38The bartender doesn't remember our guy, but he does remember Carole Mitchell. She goes in a lot.
0:14:38 > 0:14:45Sometimes, she takes a guy home. And here, I thought she was a vestal virgin(!)
0:14:45 > 0:14:48We called them roundheels in school.
0:14:48 > 0:14:51We had one with a moustache!
0:14:51 > 0:14:54So? All cats are grey in the dark!
0:14:54 > 0:14:59Thank you, gentlemen, for the view from the gutter!
0:14:59 > 0:15:01Excuse me. You see?
0:15:01 > 0:15:05That's why I wanted to talk to you in the bathroom.
0:15:05 > 0:15:08Sensitive of you, Christine.
0:15:11 > 0:15:14Perfect, you got it! You got it!
0:15:14 > 0:15:17Tell the truth, Harv.
0:15:17 > 0:15:19Do you think I'm making a big deal?
0:15:19 > 0:15:24No, I understand. The guys sound like jerks. And Christine?
0:15:24 > 0:15:28Oh... You do? You think I'm making a big deal?!
0:15:28 > 0:15:30Come on! A little humour!
0:15:30 > 0:15:34Maybe not in good taste, but it cuts the tension!
0:15:34 > 0:15:42How does it hurt anybody? I don't know. It makes us all less...less to each other.
0:15:42 > 0:15:44Maybe you have to be sometimes.
0:15:44 > 0:15:48It's a tough job! You're saying what Christine said to me.
0:15:48 > 0:15:50Call it a difference of opinion and live with it. I don't know! I have to say what I believe in!
0:15:50 > 0:15:55Call it a difference of opinion and live with it. I don't know! I have to say what I believe in!
0:15:55 > 0:15:59I can't just bite my tongue if something bothers me.
0:15:59 > 0:16:06Sure, but don't make everybody else the bad guy cos they don't see things the same.
0:16:06 > 0:16:11How come when I ask you to tell the truth, you do? You never take my side.
0:16:11 > 0:16:14I will from now on!
0:16:14 > 0:16:16Fine! All right!
0:16:16 > 0:16:20I'll take this side here! Cut it out! Then this side!
0:16:20 > 0:16:24Don't tickle me if you don't mean it! I mean it!
0:16:38 > 0:16:44Croissants! Oh! From Michel's! I'm sorry if I've been a pain.
0:16:44 > 0:16:49No big deal. You want some of these? No, I got doughnuts.
0:16:49 > 0:16:54Today's the day! It's all set up. What?
0:16:54 > 0:16:56I completely forgot!
0:16:56 > 0:17:00I've got appointments all afternoon. Find a way!
0:17:00 > 0:17:03We're all counting on you!
0:17:04 > 0:17:07Excuse me, sir.
0:17:07 > 0:17:09Lt Berwick wants to meet with you.
0:17:09 > 0:17:13He suggested lunch at Luigi's. 12.30?
0:17:13 > 0:17:16Internal Affairs? What did I do?!
0:17:16 > 0:17:20What you got there, Cagney? Croissants.
0:17:20 > 0:17:23Jelly doughnut? Give me one.
0:17:25 > 0:17:28They're sticky. Why don't you get fresh ones?
0:17:34 > 0:17:38OK. 12.45. Do not forget. What is going on?
0:17:38 > 0:17:43May I see you in the conference room?
0:17:49 > 0:17:53Isbecki's getting back at Samuels for the Ronni joke. How?
0:17:53 > 0:17:56The Berwick thing's a set-up.
0:17:56 > 0:18:00I call the restaurant and say the meeting's cancelled.
0:18:00 > 0:18:08That's a dumb joke. Except Isbecki has a lady who's going to put some moves on Samuels. An actress?
0:18:08 > 0:18:10You mean a hooker?
0:18:12 > 0:18:16Well... she doesn't look like a hooker!
0:18:16 > 0:18:20This is a morale builder for the lieutenant.
0:18:20 > 0:18:22He'll really think he's hot stuff.
0:18:22 > 0:18:25You're upset again.
0:18:25 > 0:18:30It's a practical joke! I get it. Nothing will happen.
0:18:30 > 0:18:35The lieutenant can spot a hooker a mile away. He'll enjoy it!
0:18:35 > 0:18:38Sure. Lacey? Phone. Yeah.
0:18:45 > 0:18:48OK, we're on our way.
0:18:48 > 0:18:52The 53rd has a guy in custody confessing to a string of rapes.
0:18:52 > 0:18:57Think he's involved with Carole Mitchell? Let's go find out!
0:18:57 > 0:19:00Is something the matter?
0:19:00 > 0:19:04Er...no. No, it's OK. Let's go check it out.
0:19:06 > 0:19:14Take the mug shot to show your victim, but I don't think he's your boy. Description sounded close.
0:19:14 > 0:19:18Not the MO. Parker does it in alleys, humiliates his victims.
0:19:18 > 0:19:23I see. As opposed to in their homes, which is not humiliating?
0:19:23 > 0:19:27I thought you were a cop, not some Gloria Steinem!
0:19:27 > 0:19:29Hey, can I use your phone?
0:19:29 > 0:19:31Go ahead.
0:19:43 > 0:19:47Hi. Would you page Lieutenant Samuels?
0:19:47 > 0:19:49I just want to leave a message.
0:19:49 > 0:19:55Tell him the meeting is cancelled. No reschedule - the matter's been resolved.
0:19:55 > 0:19:58Yeah. That's it. OK, thank you.
0:20:00 > 0:20:06Thank you. We'll see the victim today, see what she makes of it.
0:20:06 > 0:20:08Regards to the wife.
0:20:12 > 0:20:20What? I want to ask the lieutenant. No, what you want is for him to tell us to get off this case!
0:20:20 > 0:20:26What is with you? I want to run it by him. Find out what you can, OK? What?
0:20:26 > 0:20:29He came back from lunch, whistling! All right.
0:20:29 > 0:20:33The theme from Gone With The Wind. Good.
0:20:35 > 0:20:41Mary Beth, you want to listen? OK. As long as you don't poison the well.
0:20:43 > 0:20:45HE WHISTLES
0:20:47 > 0:20:51Excuse me, Lieutenant? Can we talk to you for a minute?
0:20:51 > 0:20:56We need your opinion about a case. Hey! I must be living right! Sir?
0:20:56 > 0:21:01I meet a charming lady in a restaurant, dodge a bullet from IAD,
0:21:01 > 0:21:05and now my two favourite detectives want my opinion! Sit down.
0:21:05 > 0:21:09Thank you. It's about Carole Mitchell. The date rape?
0:21:09 > 0:21:13Yes, sir. I think we're up against a dead end.
0:21:13 > 0:21:16What should we do next, sir?
0:21:16 > 0:21:21You want my advice? Don't knock yourselves out. Sir?
0:21:21 > 0:21:26Even if you got a case here, it's a waste of time looking for the perp.
0:21:26 > 0:21:31There is no conviction percentage. No jury will buy her story.
0:21:31 > 0:21:35A jury of her peers might! You mean women?
0:21:35 > 0:21:42Be realistic, Lacey! In my experience, women are even harder than men! Anything else?
0:21:42 > 0:21:44No, sir.
0:21:44 > 0:21:48You don't get a lead quick, put it on the back burner.
0:21:48 > 0:21:53You got other, more pressing things you could be pursuing.
0:21:53 > 0:21:55I did not influence him. No!
0:21:55 > 0:21:58I just wanted to check some things,
0:21:58 > 0:22:03find out how far off base I was. You don't think it was rape.
0:22:03 > 0:22:06TOOT! Hey!
0:22:06 > 0:22:12Mary Beth, listen to me... this is not something I could say in front of the guys.
0:22:12 > 0:22:15I go out a lot. You know that.
0:22:15 > 0:22:18I also say no a lot.
0:22:18 > 0:22:22Oh, yeah? Well, my goodness(!)
0:22:22 > 0:22:26The point is - when I say no, they get that I mean no!
0:22:26 > 0:22:28I can't believe you said that!
0:22:28 > 0:22:35What? You've never been raped, so Carole Mitchell couldn't have been! That's not what I meant!
0:22:35 > 0:22:40You've never been murdered. I could show you people who have! Please!
0:22:40 > 0:22:42Mary Beth, I won't fight with you.
0:22:42 > 0:22:48We'll show Carole Mitchell the pictures and take it from there.
0:22:50 > 0:22:52No...
0:22:52 > 0:22:56It's not this guy. You sure? Yes, I'm sure.
0:22:56 > 0:22:59He's never bothered you again? Uh-uh.
0:22:59 > 0:23:07These are resume photos and publicity stills from the opera. Can you look at them and call us?
0:23:07 > 0:23:11What if he isn't in here? Then, we'll keep looking.
0:23:11 > 0:23:17Where? Well, the chances would be slim... Breaks your heart, doesn't it?
0:23:17 > 0:23:22If we find him, we'll have a hell of a time convicting him. PHONE RINGS
0:23:22 > 0:23:27'Leave a message. I'm looking forward to talking to you.'
0:23:27 > 0:23:32Hi, baby! It's Marty! Last night was great. Let's do it again...
0:23:32 > 0:23:34soon!
0:23:37 > 0:23:39Look at you two!
0:23:39 > 0:23:44So busy judging me, huh? Because I pick up guys in a bar?
0:23:44 > 0:23:48No, ma'am. Where else do I meet them? I work with three women!
0:23:48 > 0:23:52Am I supposed to sit at home waiting for Prince Charming?
0:23:52 > 0:24:00I think you could be more careful. No, you think I'm a tramp and I don't have the right to say no!
0:24:00 > 0:24:06That's not true. I thought women cops would be different - pigs in dresses!
0:24:06 > 0:24:13Wait one damn minute! We're trying to help. Don't! I don't need this garbage! You think this is garbage?
0:24:13 > 0:24:20Wait till you hear a defence attorney! I won't give him the chance! Just forget it!
0:24:20 > 0:24:26We want to find this man as much as you do. No, you don't. Get out!
0:24:26 > 0:24:30Just leave me alone. Go on! Get out!
0:24:32 > 0:24:34Go on! Ma'am.
0:24:45 > 0:24:48That's one tough cookie.
0:24:48 > 0:24:51You're right - she should be more careful.
0:24:53 > 0:24:57Do you think she was giving that guy mixed signals?
0:24:57 > 0:25:02Whatever happened, it seems to be over. She'll be OK.
0:25:02 > 0:25:04Yeah.
0:25:09 > 0:25:14So we close it out? Victim's unwilling to press charges. Yeah.
0:25:14 > 0:25:18Wouldn't screw up our conviction record, either. Right.
0:25:25 > 0:25:29Closing out the date rape? More date than rape?
0:25:29 > 0:25:32No. She's leaving town.
0:25:32 > 0:25:35Traumatised.
0:25:35 > 0:25:37Oh...
0:25:38 > 0:25:42Why give them another cheap laugh? Right.
0:25:45 > 0:25:49Sorry, sir. No doughnuts. That's all right. I'm on a diet.
0:25:49 > 0:25:53Hope you're not going for that high-protein propaganda.
0:25:53 > 0:25:57Lipid levels and triglycerides - it's the worst.
0:25:57 > 0:26:02Unrefined carbohydrates and vegetables - that's the way.
0:26:02 > 0:26:07You look nice this morning, sir, very dressed up. Oh, yeah?
0:26:07 > 0:26:10I and Lois, the woman I met the other day,
0:26:10 > 0:26:13we're going out again tonight.
0:26:13 > 0:26:18Oh? Lacey... do you think she'd like the opera?
0:26:18 > 0:26:20The opera, sir?
0:26:20 > 0:26:25I don't like it much, but it would make a good impression.
0:26:25 > 0:26:32You think you could call the guy you spoke to over there and get me some good seats?
0:26:32 > 0:26:39Well, I don't know that it's a good idea. I don't mean that I want any freebies or anything.
0:26:39 > 0:26:43I'll pay whatever it takes. I just want to get good seats.
0:26:43 > 0:26:46I would appreciate it.
0:26:46 > 0:26:52La Guardia? Talk to me about the diet. Should I cut out toast?
0:26:52 > 0:26:55No, toast is fine. Cut out sugars and fats.
0:26:55 > 0:26:57Sugar and fat?
0:26:59 > 0:27:01Can you believe this?
0:27:01 > 0:27:07He's taking a hooker to the opera. As long as she doesn't charge by the act!
0:27:07 > 0:27:11I don't think it's funny! The joke should be called off.
0:27:11 > 0:27:18Sure, Mary Beth. You want to tell the lieutenant he's fallen for a prostitute?
0:27:18 > 0:27:20LAUGHTER Somebody should!
0:27:20 > 0:27:23Call for you, Mary Beth.
0:27:23 > 0:27:26On 2. Thank you.
0:27:26 > 0:27:28Detective Lacey. Go on.
0:27:28 > 0:27:30No.
0:27:33 > 0:27:35Oh, my God!
0:27:38 > 0:27:40Neighbour found her. She's lucky she's alive.
0:27:40 > 0:27:42What's the prognosis?
0:27:42 > 0:27:45You mean, will she survive?
0:27:45 > 0:27:49I think so. Will she come out of the coma? I hope so.
0:27:49 > 0:27:52When? In her own good time.
0:27:52 > 0:27:56That's the best you can do? Ain't medical science wonderful(?)
0:27:56 > 0:27:59One last question, Doctor.
0:27:59 > 0:28:05Is there any sign of sexual assault? She was raped, no doubt about it.
0:28:17 > 0:28:22It was the same guy! I know it was. What is happening to us?
0:28:22 > 0:28:27What do you mean? The woman told us she was scared - we didn't listen.
0:28:27 > 0:28:31We listened to smutty jokes and worried about our conviction rate!
0:28:35 > 0:28:38You don't mean us - you mean me! I mean us!
0:28:38 > 0:28:43I let that nonsense get to me, keep me from doing my job.
0:28:43 > 0:28:47I'm not wasting time feeling guilty. I'm going to find that bastard and nail him!
0:28:49 > 0:28:50Do you want me to drive?
0:28:50 > 0:28:52No. I'm...
0:28:52 > 0:28:53I'm fine.
0:29:00 > 0:29:05Cagney? Can I see you, please, through here?
0:29:11 > 0:29:18We're getting the file up on Carole Mitchell and going to her apartment. Good. Find that scum!
0:29:18 > 0:29:21Yes, sir. Close the door.
0:29:25 > 0:29:30This is...more of a personal kind of matter.
0:29:30 > 0:29:32Yes, sir? Go ahead. Sit down.
0:29:34 > 0:29:37I didn't know how to ask one of the guys...
0:29:37 > 0:29:42I guess I thought you would know a lot about this stuff.
0:29:42 > 0:29:47It's something that, er, Lacey said about romance...
0:29:47 > 0:29:50the Rhett Butler thing.
0:29:50 > 0:29:52Oh, yes...
0:29:52 > 0:29:55Yeah, well, Thelma was right.
0:29:55 > 0:29:57Yeah...
0:29:57 > 0:30:00there should have been more romance.
0:30:00 > 0:30:03I always thought there was...
0:30:05 > 0:30:07After a while...
0:30:07 > 0:30:10You know it's...
0:30:10 > 0:30:13What I...what I really want is...
0:30:13 > 0:30:15now, for it to be better...
0:30:15 > 0:30:18Do you know what I mean? Sure.
0:30:18 > 0:30:23I...I don't know why... I feel like such a klutz!
0:30:23 > 0:30:25You know, er...
0:30:25 > 0:30:28you see, with Lois, it's...
0:30:28 > 0:30:32she's the first since, er, Thelma and I... Mmm...
0:30:32 > 0:30:35And, er...
0:30:35 > 0:30:37dating!
0:30:37 > 0:30:39Whoo!
0:30:42 > 0:30:44Kids with pimples date.
0:30:44 > 0:30:47It's awkward, I know - dating.
0:30:47 > 0:30:52So much has changed since I was a kid going around with girls!
0:30:54 > 0:30:56I mean, what?
0:30:56 > 0:31:00Candy? Flowers? Cagney, do you like that kind of stuff?
0:31:02 > 0:31:04From the right guy...
0:31:04 > 0:31:07When I was a kid...
0:31:07 > 0:31:11in my time, you were lucky... if you got a kiss on a third date.
0:31:11 > 0:31:14But, last night...
0:31:17 > 0:31:21..Lois seemed interested in me and I...
0:31:21 > 0:31:24but I was afraid...
0:31:24 > 0:31:26I didn't know...I wasn't sure...
0:31:26 > 0:31:29Maybe it was...
0:31:29 > 0:31:32too soon, you know?
0:31:32 > 0:31:34I want it to be right this time.
0:31:36 > 0:31:40Does this make any sense to you at all?
0:31:40 > 0:31:42Sure.
0:31:46 > 0:31:48Hey, this is stupid! I...
0:31:48 > 0:31:53you know...who do I think you are? A Dear Abby?
0:31:53 > 0:31:59OK... Thank you. Thank you for listening to this over-the-hill 15-year-old.
0:31:59 > 0:32:02Cagney... Yes, sir?
0:32:02 > 0:32:04Er...
0:32:04 > 0:32:08just forget everything that I said, OK? Yes, sir.
0:32:11 > 0:32:14He really likes her. Who?
0:32:14 > 0:32:17The lieutenant!
0:32:17 > 0:32:23The hooker? Hmm. A lot? Hmm. He wants me to tell him how to get her to like him.
0:32:23 > 0:32:25Oh, that poor man!
0:32:25 > 0:32:29That lonely man! He's going to be so hurt!
0:32:29 > 0:32:33He's going to be so humiliated. Ladies?
0:32:33 > 0:32:37Someone ordered up a file? We'll think of something.
0:32:41 > 0:32:44Come on! We gotta get to Carole Mitchell's place.
0:32:58 > 0:33:02Don't hold your breath. He smudged his prints with a cloth.
0:33:02 > 0:33:05Did you dust this phone? Yeah, I did.
0:33:05 > 0:33:08OK, I'll call in.
0:33:08 > 0:33:10Chris?
0:33:10 > 0:33:14There, by you! By you! Is this clean here?
0:33:14 > 0:33:16Yeah, it's clean...
0:33:21 > 0:33:24TAPE REWINDS
0:33:28 > 0:33:31'It's Evelyn. Can you come in half an hour early?
0:33:31 > 0:33:35'Phone me if you get in at a decent hour.
0:33:37 > 0:33:40'This is... Forget it.
0:33:40 > 0:33:42'I don't talk to machines.
0:33:42 > 0:33:47' # Arrivederci, Carole...! # '
0:33:47 > 0:33:51Got anything for us? What's the address? Quiet!
0:33:51 > 0:33:54I'll play it back.
0:33:54 > 0:33:57Wait. ..Quiet!
0:33:58 > 0:34:02'This is Ed Ravenswood. I want to see you.
0:34:02 > 0:34:05'Call me at 373...' MESSAGE ENDS
0:34:05 > 0:34:07Damn! 373... Got it.
0:34:07 > 0:34:13'This is Carole. I want you to leave me alone. No, I don't think so.
0:34:13 > 0:34:17'I have a picture of you. Sure! From the opera!
0:34:17 > 0:34:22'If you don't leave me alone, I'll go to the police. OK! You got it!'
0:34:22 > 0:34:25DIALLING TONE You guys...
0:34:25 > 0:34:32you seen a cardboard box with a bunch of 8x10 glossies? No, I didn't.
0:34:41 > 0:34:43Here we go.
0:34:58 > 0:35:00Look at that.
0:35:04 > 0:35:07I'm afraid I wouldn't know his name. He's a super.
0:35:07 > 0:35:10Go shave. What - a janitor?
0:35:10 > 0:35:16A supernumerary. They appear in crowd scenes, for $5 an hour.
0:35:16 > 0:35:22I make it a rule not to know the name of anyone who works for that!
0:35:22 > 0:35:28Don't you keep records? They leave glossies and resumes - hope springs eternal.
0:35:28 > 0:35:36Why didn't you give us them before? My dear, in opera, the rapist is usually a principal singer.
0:35:36 > 0:35:44If I'd know you were interested in the ambience... We are. He means extras. There are hundreds. Fine.
0:35:44 > 0:35:48You are more than welcome to rummage through the photos.
0:35:48 > 0:35:53In fact, it should be quite a little challenge for you two, I think!
0:35:53 > 0:35:55Lead the way!
0:36:06 > 0:36:08Chris? No luck.
0:36:08 > 0:36:16I can't believe all these people want to be opera singers. There's an elephant out there. From Aida.
0:36:16 > 0:36:18I slept through it twice.
0:36:19 > 0:36:23Mary Beth... It's my turn. Where's the ladies?
0:36:23 > 0:36:28Round the corner, past the camel. Which stack? Here to there.
0:36:33 > 0:36:36Christine! Chris!
0:36:36 > 0:36:38Huh?
0:36:38 > 0:36:40Look here.
0:36:44 > 0:36:46Bingo!
0:36:46 > 0:36:53We're looking for this man and your name is listed on the back as his agent.
0:36:54 > 0:36:58I haven't represented Taylor Bowen for three years now.
0:36:58 > 0:37:03Still, perhaps you can help. You have a file? Probably not.
0:37:03 > 0:37:06I'd a fire in my old office two years ago. Great!
0:37:06 > 0:37:11I have lunch... I'm sorry, but it's very important we find him.
0:37:11 > 0:37:15We believe he raped and brutally assaulted a woman.
0:37:17 > 0:37:20Oh, my God!
0:37:20 > 0:37:25I didn't mean to upset you. You're the only lead that we have.
0:37:29 > 0:37:33He attacked me, too... Three years ago.
0:37:38 > 0:37:41He was a perfectly good singer...
0:37:41 > 0:37:45but, then, there are many perfectly good singers.
0:37:47 > 0:37:50I just couldn't get him work...
0:37:51 > 0:37:54In the end, I felt sorry for him...
0:37:56 > 0:38:00..so I asked him out to dinner... to cheer him up a bit.
0:38:03 > 0:38:05He called for me at my apartment...
0:38:05 > 0:38:07we had a drink...
0:38:09 > 0:38:12..and then he made a pass at me...
0:38:13 > 0:38:15And when I said no...
0:38:15 > 0:38:18he went berserk...
0:38:20 > 0:38:23He beat me up...
0:38:26 > 0:38:29..and raped me.
0:38:29 > 0:38:31Did you report this?
0:38:33 > 0:38:36I kept going over it in my mind...
0:38:36 > 0:38:38I mean, wondering...
0:38:38 > 0:38:41was it something that I'd done?
0:38:41 > 0:38:44Had I led him on?
0:38:45 > 0:38:50Finally, it was just easier to try and forget it...
0:38:50 > 0:38:52pretend it never happened.
0:39:01 > 0:39:04I dropped him as a client.
0:39:04 > 0:39:07I never saw him again.
0:39:08 > 0:39:10Oh, but that other woman...
0:39:13 > 0:39:17..and it's all my fault... It's a lot of people's faults.
0:39:20 > 0:39:24Yeah. Taylor Bowen's!
0:39:27 > 0:39:29We will find him.
0:39:37 > 0:39:40Yeah. Thanks, anyway.
0:39:40 > 0:39:44Taylor Bowen! The only address they show for him is his agent.
0:39:44 > 0:39:47Great! Where do we go from here?
0:39:47 > 0:39:50Carole Mitchell's bar? Lieutenant?
0:39:50 > 0:39:53Going out with Lois again? Yes.
0:39:53 > 0:39:56Touched tongues yet?
0:39:57 > 0:40:01You, can the wise guy stuff! You're talking about a lady!
0:40:01 > 0:40:04Got it?! I got it.
0:40:10 > 0:40:14The rate he's moving, we ought to ask her for a refund!
0:40:14 > 0:40:18I didn't bargain for this. It's costing a fortune.
0:40:18 > 0:40:20I just want to see his face!
0:40:32 > 0:40:36Let him down easy - say it's another guy.
0:40:36 > 0:40:43A husband. You were separated, but you made up. You went back for the kid. Two kids -
0:40:43 > 0:40:48you're moving to Jersey. Montana. Montana is good. You got that?
0:40:48 > 0:40:53A husband, two kids, Montana? Got it.
0:40:53 > 0:40:57We've gotta go. Er...ladies?
0:40:57 > 0:41:00I may be cheap, but I'm not free!
0:41:00 > 0:41:04Pardon? That'll be $150, s'il vous plait!
0:41:08 > 0:41:11A lot of guys through here.
0:41:11 > 0:41:13I don't remember him.
0:41:13 > 0:41:18Is there anyone here who would? Benny talks to a lot of people.
0:41:18 > 0:41:23And tell him if he plays My Way once more, he's dead! Just kidding!
0:41:26 > 0:41:30Sorry. Don't know him. He's an opera singer.
0:41:30 > 0:41:34Strictly easy listening. You want opera, go down the street.
0:41:34 > 0:41:40What do you mean? Firenze. Italian joint. Waiters'll sing you an aria.
0:41:45 > 0:41:50Makes sense. He goes there after work and meets Carole Mitchell.
0:41:50 > 0:41:53Here! Here...
0:41:59 > 0:42:02OPERATIC SINGING
0:42:02 > 0:42:08Detectives Cagney and Lacey. Does Taylor Bowen work here? The jester.
0:42:14 > 0:42:18There is no Taylor Bowen here. Maybe known by another name.
0:42:18 > 0:42:23That's the man! Yes. Donald Greenblatt! That's him with the wig.
0:42:23 > 0:42:28Let's go! Hey, Chris! Let him finish.
0:42:48 > 0:42:50Bravo! Bravo!
0:42:50 > 0:42:53See? I told you it was him!
0:42:53 > 0:43:01Ladies, did you enjoy the performance? Can I get your autograph? Sure. You have a pen?
0:43:01 > 0:43:05Right here. This is exciting. You look different in your costume.
0:43:05 > 0:43:11What's your name? Mary Beth. Don't move. You're under arrest.
0:43:17 > 0:43:20You all right, Chris?
0:43:20 > 0:43:24Yeah, but I'm bleeding. I told you not to move!
0:43:24 > 0:43:28I promise, I don't need much of an excuse!
0:43:30 > 0:43:35Isbecki! Follow me! I'll follow you anywhere!
0:43:37 > 0:43:42What's this - some kind of a joke? No joke. May I? Certainly.
0:43:42 > 0:43:45Thank you. Move in, guys.
0:43:45 > 0:43:49It's simple - the lieutenant and Lois are finished.
0:43:49 > 0:43:54He will never - never - find out that she was pro! What?
0:43:54 > 0:43:57When did you become goody two-shoes, Cagney?
0:43:57 > 0:44:02We got an investment. This is a joke without a punchline.
0:44:02 > 0:44:06You want a punchline? Procuring a prostitute,
0:44:06 > 0:44:10which is a crime. You'd turn us in to Internal Affairs?
0:44:10 > 0:44:15In a minute. In a second, if he ever finds out she was a pro,
0:44:15 > 0:44:20which will never happen. What are you so hot about? It's just a joke.
0:44:20 > 0:44:24No more to discuss. Meeting is adjourned.
0:44:24 > 0:44:29What? Are you perverts, hanging around the women's john?
0:44:29 > 0:44:32Gentlemen, excuse me. Woman!
0:44:32 > 0:44:36Even Claudia - you get her on a bad day, I tell you!
0:44:36 > 0:44:44No sense of humour. Hormones! Studies have shown that mood swings are related to progesterone...
0:44:47 > 0:44:49Thank you.
0:44:49 > 0:44:52My pleasure.
0:44:56 > 0:44:59Yeah? We just got a call.
0:44:59 > 0:45:05Carole Mitchell's coming out of the coma. They think she'll be OK.
0:45:05 > 0:45:09Isbecki wanted to tell you, but we thought we all should.
0:45:10 > 0:45:13Wow! Thank you.
0:45:13 > 0:45:15Come here!
0:45:15 > 0:45:18Come on! Come on! Come here!
0:45:18 > 0:45:20Yeah! Yeah! Oh, wow!
0:45:50 > 0:45:53Subtitles by Red Bee Media Ltd