0:00:02 > 0:00:03- CORONER LEN TORRES:- Some of this was frenzy violence
0:00:03 > 0:00:04but some of it was purposeful.
0:00:04 > 0:00:07He was experimenting.
0:00:07 > 0:00:08Audio tape.
0:00:08 > 0:00:10- DELORME:- If you were taking off for good,
0:00:10 > 0:00:11you'd bring your laptop.
0:00:11 > 0:00:13I'm telling you this kid didn't run away.
0:00:13 > 0:00:15He went to do something.
0:00:15 > 0:00:16CARDINAL: Or meet someone.
0:00:16 > 0:00:19'My wife has bipolar disorder.'
0:00:19 > 0:00:21I'm sorry. I had no idea that...
0:00:22 > 0:00:24Yeah, why did my mom bring us a teddy bear?
0:00:24 > 0:00:26JOSH: I might have let it slip, we're trying.
0:00:26 > 0:00:30This isn't your thing, Josh. You don't make the decisions on your own.
0:00:30 > 0:00:33- MUSGRAVE:- 'Find the link between Cardinal and Corbett.'
0:00:33 > 0:00:34CARDINAL: What happened to your truck?
0:00:34 > 0:00:36- FRANCIS:- I hit a squirrel.
0:00:36 > 0:00:38Why so much this time?
0:00:38 > 0:00:40- DELORME:- He buys black market chips, cashes them in.
0:00:40 > 0:00:43It shows how Cardinal launders his rat money.
0:00:43 > 0:00:47CARDINAL: He won't stop, not until we stop him.
0:00:47 > 0:00:48Nothing else matters.
0:00:48 > 0:00:50Could you walk me home?
0:00:50 > 0:00:52ERIC: We can still drive away.
0:00:53 > 0:00:56We're doing this.
0:00:56 > 0:00:58MUSIC: Familiar by Agnes Obel
0:00:58 > 0:01:00This programme contains prolonged violent scenes
0:01:00 > 0:01:02and scenes which some viewers may find upsetting.
0:01:02 > 0:01:05# Took a walk to the summit at night
0:01:05 > 0:01:08# You and I
0:01:08 > 0:01:12# To burn a hole in the old grip of the familiar
0:01:12 > 0:01:15# You and I
0:01:15 > 0:01:18# And the dark was opening wide
0:01:18 > 0:01:22# Do or die. #
0:01:31 > 0:01:35ETHEREAL MUSIC
0:01:38 > 0:01:42DEEP BREATHING
0:01:47 > 0:01:49ERIC: "This journey has taught me more than I could imagine'
0:01:49 > 0:01:53"but why must we travel so far to find what's within."
0:01:53 > 0:01:55It's not that bad.
0:01:55 > 0:01:56It's terrible.
0:01:56 > 0:01:57It's fake.
0:01:59 > 0:02:00Bend your knees.
0:02:00 > 0:02:03- Keep loose. - I am.
0:02:03 > 0:02:04BANG
0:02:05 > 0:02:08You're still looking at the bottles. Just look at the sight.
0:02:09 > 0:02:10Focus on the sight.
0:02:11 > 0:02:12BANG
0:02:12 > 0:02:14He's thinking,
0:02:14 > 0:02:18"I'm a guy in love so I better act like a guy in love."
0:02:18 > 0:02:19"And guys in love
0:02:19 > 0:02:21"ask questions about what's within".
0:02:24 > 0:02:26BANG
0:02:26 > 0:02:27It's just all a big show.
0:02:27 > 0:02:29What does she say back?
0:02:29 > 0:02:30A picture of a heart.
0:02:32 > 0:02:34- EDIE:- He's making an effort.
0:02:34 > 0:02:35I think it's sweet.
0:02:38 > 0:02:40TINKLING AND CLICKING
0:02:40 > 0:02:42- EDIE:- Are you sending that to her?
0:02:42 > 0:02:43ERIC: Huh?
0:02:43 > 0:02:45Eric, why would you do that?
0:02:45 > 0:02:48I don't know, sometimes I surprise myself.
0:02:48 > 0:02:53TRAIN WHISTLE
0:02:53 > 0:02:54CLANGING
0:02:54 > 0:02:56All right. Time to go.
0:02:59 > 0:03:01BANG
0:03:01 > 0:03:16CLANGING
0:03:19 > 0:03:22- WOMAN'S VOICE ON TV: - 'One moment of peace
0:03:22 > 0:03:22'you have with her.
0:03:22 > 0:03:26'She said, "I was never in peace. I hated".
0:03:26 > 0:03:28'She said, "I was driven by hate".'
0:03:28 > 0:03:29- EDIE:- Gran?
0:03:29 > 0:03:31- TV:- 'Not towards you but towards other people.'
0:03:31 > 0:03:33- EDIE:- Gran?
0:03:33 > 0:03:35- TV:- 'Yeah... That's why she silenced you.
0:03:35 > 0:03:36'That's why she-she was like...'
0:03:36 > 0:03:38If you're sleeping let's turn this off.
0:03:38 > 0:03:41- TV:- 'She too had been through abuse.'
0:03:41 > 0:03:43Did you go to Pozzies?
0:03:45 > 0:03:47Eric and I had something to do.
0:03:47 > 0:03:50- Uh, is he here? - Hello, you old yam.
0:03:50 > 0:03:53Oh, he should pay rent,
0:03:53 > 0:03:54he's here so much.
0:03:55 > 0:03:57God, you smell disgusting.
0:03:59 > 0:04:00I made a list.
0:04:00 > 0:04:03- SHE COUGHS - Sooner rather than later, Edie, huh?
0:04:03 > 0:04:06PULSING MUSIC
0:04:14 > 0:04:18CREAKING AND FOOTSTEPS
0:04:22 > 0:04:26LOCK CLICKING
0:04:28 > 0:04:32OMINOUS MUSIC
0:04:43 > 0:04:44Keith?
0:04:45 > 0:04:46Wake up, Keith.
0:04:50 > 0:04:51He's still out.
0:04:57 > 0:04:58- DELORME:- What time did you get home?
0:04:58 > 0:05:00GROANS
0:05:00 > 0:05:01Maybe midnight.
0:05:01 > 0:05:03I didn't want to wake you.
0:05:03 > 0:05:04Hm.
0:05:06 > 0:05:09Everybody was asking about you.
0:05:09 > 0:05:10I thought you were gonna join us.
0:05:10 > 0:05:11I was beat.
0:05:14 > 0:05:16Hey, are you smoking again?
0:05:16 > 0:05:17No, why?
0:05:18 > 0:05:21Uh, I just thought I smelled it in the car.
0:05:25 > 0:05:27I shouldn't have told your mom that we're trying to have a baby.
0:05:30 > 0:05:31I'm sorry.
0:05:32 > 0:05:33It's OK.
0:05:34 > 0:05:37RHYTHMIC MUSIC
0:06:11 > 0:06:18SNORING
0:06:23 > 0:06:25CARDINAL: 'The techs have uncovered'
0:06:25 > 0:06:29an encrypted e-mail exchange on Todd Curry's computer,
0:06:29 > 0:06:31something either Curry or the person Curry was communicating with
0:06:31 > 0:06:33didn't want seen.
0:06:33 > 0:06:37They're working to crack it. So, did Curry meet the killer online?
0:06:37 > 0:06:39Let's be open to that idea.
0:06:39 > 0:06:41We do know he photographed Katie Pine.
0:06:41 > 0:06:43We can hear it on the audiotape.
0:06:43 > 0:06:45So, does he share them? Does he post them?
0:06:45 > 0:06:48CES is scouring the internet but,
0:06:48 > 0:06:51if you hear of any snuff photos, bondage, underage stuff,
0:06:51 > 0:06:52run it down.
0:06:52 > 0:06:53Cellphone trace?
0:06:53 > 0:06:54Sarge?
0:06:54 > 0:06:57A couple of days after Curry arrived here
0:06:57 > 0:06:59he travelled due south about 80 kilometres
0:06:59 > 0:07:03and spent several hours just outside of Dorset.
0:07:03 > 0:07:05McLeod, I want you down there to have a look around.
0:07:05 > 0:07:10Hannam, the seeing impaired traffic signals are mapped.
0:07:10 > 0:07:11You'll run that canvass.
0:07:11 > 0:07:14Take ah, Fox and Leddy with ya, knock on every door.
0:07:14 > 0:07:15Any questions?
0:07:15 > 0:07:16Good. Go.
0:07:18 > 0:07:20So am I with you today?
0:07:20 > 0:07:22Oh, one last thing.
0:07:22 > 0:07:24Ah, tips are coming in from the public by the truckload.
0:07:24 > 0:07:25Anything comes your way,
0:07:25 > 0:07:28pass it along to Detective Delorme.
0:07:28 > 0:07:29I want a written tip sheet on every one.
0:07:35 > 0:07:36Yes, sir.
0:07:39 > 0:07:40- DYSON:- Does he know?
0:07:42 > 0:07:44Yesterday he was your biggest fan,
0:07:44 > 0:07:46today he's burying you in sups.
0:07:46 > 0:07:47Is that so you don't have enough time
0:07:47 > 0:07:49to follow your own investigation?
0:07:51 > 0:07:53Can I run something by you?
0:07:53 > 0:07:54I was going over the dates and...
0:07:54 > 0:07:57Yep. Hello? Hello?
0:07:59 > 0:08:01Uh, the dates.
0:08:01 > 0:08:02Yeah.
0:08:02 > 0:08:05Billy LaBelle to Katie Pine was five months.
0:08:05 > 0:08:07Katie Pine to Todd Curry, three months.
0:08:07 > 0:08:08Todd Curry to now...
0:08:08 > 0:08:10The answer is yes.
0:08:10 > 0:08:11He might have already struck again.
0:08:13 > 0:08:16CREAKING
0:08:16 > 0:08:19EERIE MUSIC
0:08:22 > 0:08:23Maybe I gave him too much.
0:08:36 > 0:08:37I know how we can wake him.
0:08:49 > 0:08:50Should I?
0:08:51 > 0:08:53The thing about the pinky
0:08:53 > 0:08:54is that there's a nerve
0:08:54 > 0:08:55that runs all the way up the arm.
0:08:55 > 0:08:57It's called the ulnar nerve.
0:08:58 > 0:09:01If I cut it, he'll jolt up like he's on fire.
0:09:04 > 0:09:05What do you say?
0:09:11 > 0:09:13Edie,
0:09:13 > 0:09:14talk.
0:09:14 > 0:09:16I have to go to work.
0:09:17 > 0:09:18HE SIGHS
0:09:20 > 0:09:21SCRAPING
0:09:24 > 0:09:25I thought we were waiting.
0:09:26 > 0:09:28I thought that's what you wanted.
0:09:28 > 0:09:30So you just stand there like a dumb animal?
0:09:30 > 0:09:32I thought we were waiting.
0:09:38 > 0:09:39Go to work.
0:09:42 > 0:09:43Eric.
0:09:43 > 0:09:44It's not enough,
0:09:44 > 0:09:46you know,
0:09:46 > 0:09:47to get a little thrill out of this?
0:09:49 > 0:09:51A little
0:09:51 > 0:09:52tingle in your loins.
0:09:55 > 0:09:57Cos guess what? Anybody does.
0:09:57 > 0:09:59You put this in front of anybody
0:09:59 > 0:10:00and they'll watch.
0:10:01 > 0:10:03So don't think that makes you special.
0:10:07 > 0:10:10- Why are you being like this? - Because.
0:10:10 > 0:10:13Ha... Because...
0:10:13 > 0:10:16it's not enough to be a spectator.
0:10:17 > 0:10:18It's boring.
0:10:20 > 0:10:22I thought you were more.
0:10:22 > 0:10:23I am.
0:10:25 > 0:10:26Go to work.
0:10:26 > 0:10:29EERIE MUSIC
0:10:41 > 0:10:43- DETECTIVE HANNAM: - Know where you're going?
0:10:43 > 0:10:47OK, so just get 'em talking, see how they feel about having a cop at their door.
0:10:47 > 0:10:49Anyone seem especially nervous, make a note.
0:10:49 > 0:10:50Too confident, make a note.
0:10:50 > 0:10:53SEEING IMPAIRED TRAFFIC SIGNAL BEEPING
0:10:53 > 0:10:55- HANNAM:- Questions?- No.
0:10:55 > 0:10:57- HANNAM:- Report back to me. Move out.
0:10:58 > 0:10:59PHONE RINGING
0:10:59 > 0:11:01Cardinal.
0:11:01 > 0:11:02- MCLEOD:- 'Hey, John,'
0:11:02 > 0:11:04that location where Todd Curry travelled,
0:11:04 > 0:11:06there's nothing here.
0:11:06 > 0:11:08What do you mean nothing? Describe it to me.
0:11:08 > 0:11:10I'm telling ya - road, lake,
0:11:10 > 0:11:12trees, pipe,
0:11:12 > 0:11:14railroad tracks and power lines to the west.
0:11:14 > 0:11:16He spent five hours there.
0:11:16 > 0:11:17There has to be something. A shed?
0:11:17 > 0:11:18Something.
0:11:18 > 0:11:19Maybe he was hitchhiking.
0:11:19 > 0:11:21Got this far, ran out of luck
0:11:21 > 0:11:22so he headed back to town.
0:11:22 > 0:11:24All right. Uh, you went all that way,
0:11:24 > 0:11:27just do me a favour and dig around a bit, will ya?
0:11:27 > 0:11:28Will do.
0:11:31 > 0:11:32And I'm done.
0:11:37 > 0:11:41ETHEREAL MUSIC
0:11:52 > 0:11:53CARDINAL: You recognize this.
0:11:54 > 0:11:58It was Katie's. Where did you find it?
0:11:58 > 0:12:00On Windigo Island,
0:12:00 > 0:12:01near the mineshaft.
0:12:01 > 0:12:02- DOROTHY:- Is that helpful?
0:12:03 > 0:12:05Sometimes a predator will use gifts
0:12:05 > 0:12:07to lure a victim.
0:12:07 > 0:12:08If that were the case,
0:12:08 > 0:12:11then this might point us in his direction.
0:12:11 > 0:12:13No. It was Katie's.
0:12:13 > 0:12:15She bought it over a year ago.
0:12:16 > 0:12:18That boy they found,
0:12:18 > 0:12:20was he killed by the same man?
0:12:20 > 0:12:22We have reason to believe so, yes.
0:12:22 > 0:12:24Katie have a...
0:12:24 > 0:12:25an online friend?
0:12:25 > 0:12:26Someone she might have
0:12:26 > 0:12:27met on the Internet?
0:12:29 > 0:12:30You checked her computer.
0:12:30 > 0:12:32Maybe she used one at school?
0:12:34 > 0:12:35Like a secret friend?
0:12:37 > 0:12:38I knew her friends.
0:12:38 > 0:12:39She would have told me.
0:12:41 > 0:12:43So,
0:12:43 > 0:12:45the killer maybe used a bracelet.
0:12:46 > 0:12:47Or maybe a computer.
0:12:48 > 0:12:50Or maybe none of those things?
0:12:54 > 0:12:57We are making progress, Dorothy.
0:12:57 > 0:12:58So is he.
0:13:06 > 0:13:10EERIE MUSIC AND GUITAR STRUMMING
0:13:15 > 0:13:17ERIC: My goodness.
0:13:17 > 0:13:18It lives.
0:13:21 > 0:13:22ERIC CHUCKLES
0:13:25 > 0:13:26Hey.
0:13:27 > 0:13:29I'm so sorry about last night.
0:13:29 > 0:13:30That's on me.
0:13:30 > 0:13:31I'm sorry.
0:13:31 > 0:13:33I get a little...
0:13:33 > 0:13:34chippy when I drink.
0:13:35 > 0:13:37No hard feelings?
0:13:38 > 0:13:40DEEP BREATHING
0:13:40 > 0:13:41Where am I?
0:13:41 > 0:13:44You're at Edie's house. HE SIGHS
0:13:44 > 0:13:46You remember Edie, with the face?
0:13:46 > 0:13:49HE SIGHS
0:13:49 > 0:13:50You must have had a few too many
0:13:50 > 0:13:52because you got pretty sick.
0:13:52 > 0:13:54They were gonna bounce you to the curb,
0:13:54 > 0:13:55so we brought you here.
0:13:58 > 0:14:00- HE SIGHS - What time is it?
0:14:00 > 0:14:03It's, um, eczema by the way.
0:14:03 > 0:14:06Uh, you were too polite to ask, but I'm
0:14:06 > 0:14:08pretty sure that you were wondering.
0:14:09 > 0:14:11Where are my clothes?
0:14:11 > 0:14:13Uh, you puked all over them, so
0:14:13 > 0:14:14I put them in the wash.
0:14:15 > 0:14:17I should probably make a call. Do you know where my phone is?
0:14:17 > 0:14:19Uh, no sorry, I didn't find a phone,
0:14:19 > 0:14:22but you can use the one upstairs if you want.
0:14:22 > 0:14:23Ugh.
0:14:23 > 0:14:24Ah. Yeah.
0:14:24 > 0:14:27You're probably pretty dehydrated.
0:14:27 > 0:14:29You puked up a lot of fluids.
0:14:30 > 0:14:31Here.
0:14:35 > 0:14:36Take your time.
0:14:37 > 0:14:39There you go.
0:14:40 > 0:14:43I'd bring you the phone but it's mounted to the wall.
0:14:43 > 0:14:44It's old school.
0:14:46 > 0:14:47Is it, uh...
0:14:48 > 0:14:50..Claire you wanted to speak to?
0:14:50 > 0:14:52Girlfriend?
0:14:52 > 0:14:53Did I tell you about her?
0:14:55 > 0:14:56You told me a lot of things.
0:14:56 > 0:14:59DEEP BREATHING
0:14:59 > 0:15:01Oh. Oh.
0:15:01 > 0:15:03Looks like we're gonna lose you again.
0:15:03 > 0:15:05Wait, before you go,
0:15:05 > 0:15:06I do want to show you something.
0:15:08 > 0:15:11SCRAPING
0:15:13 > 0:15:14Hey.
0:15:14 > 0:15:16A little preparation in this area
0:15:16 > 0:15:18saves everyone a lot of trouble.
0:15:18 > 0:15:19I learnt that the hard way.
0:15:21 > 0:15:22Do you know what this is?
0:15:24 > 0:15:25It's for you, Keith.
0:15:27 > 0:15:28So you don't make a mess.
0:15:30 > 0:15:34SOLEMN MUSIC
0:16:06 > 0:16:10ELEVATOR MUSIC
0:16:13 > 0:16:19BACKGROUND CHATTER
0:16:21 > 0:16:22It's twenty past, Margo.
0:16:22 > 0:16:24I know. I'm sorry. My ride fell through.
0:16:24 > 0:16:26Happens way too much.
0:16:26 > 0:16:28Last time. Promise.
0:16:30 > 0:16:33Thanks a lot for punching me in.
0:16:33 > 0:16:34You didn't ask.
0:16:34 > 0:16:36I asked last week.
0:16:36 > 0:16:39Consider it a standing request, Edie.
0:16:39 > 0:16:41I'll do the same for you.
0:16:41 > 0:16:42I'm never late.
0:16:42 > 0:16:45Well, that is part of a larger conversation.
0:16:45 > 0:16:46Do you have any gum?
0:16:49 > 0:16:52You work a shit job, in a shit mall.
0:16:52 > 0:16:53All you ever do is,
0:16:53 > 0:16:54do what you're told.
0:16:54 > 0:16:56Time to reassess, son.
0:17:03 > 0:17:05Do you want one?
0:17:05 > 0:17:06No, thanks.
0:17:10 > 0:17:11It looks really red today.
0:17:12 > 0:17:13Does it hurt?
0:17:18 > 0:17:19It's just the cold.
0:17:20 > 0:17:23Yes, but let me just back up, Mrs Talbot.
0:17:23 > 0:17:24So you're 100% sure
0:17:24 > 0:17:27that what your neighbour was carrying was a machete.
0:17:28 > 0:17:30Yes, but you could tell from that distance?
0:17:31 > 0:17:33Yes. OK. Well, I have your number so
0:17:33 > 0:17:36I'll call you if we need to follow up.
0:17:36 > 0:17:37Thank you.
0:17:38 > 0:17:40So?
0:17:40 > 0:17:42What do the good people of Algonquin Bay have to say?
0:17:43 > 0:17:45Not all tips are useless.
0:17:45 > 0:17:47Some are useless and racist.
0:17:48 > 0:17:50I thought you were number two on this.
0:17:51 > 0:17:53I'm paying my dues.
0:17:53 > 0:17:55Well, don't take it personally.
0:17:55 > 0:17:57We're lucky to have a Toronto UC big shot
0:17:57 > 0:17:58showing us how it's done.
0:18:00 > 0:18:01Cardinal worked UC?
0:18:03 > 0:18:05I didn't see that in his history.
0:18:05 > 0:18:07Uh, deep cover.
0:18:07 > 0:18:08I mean, the kind of stuff
0:18:08 > 0:18:09that doesn't end up on your CV.
0:18:15 > 0:18:17Hey, Paul, it's Lise, how are you?
0:18:17 > 0:18:19Good. Uh, listen,
0:18:19 > 0:18:21my new Sergeant's got me organizing a roast for this, uh,
0:18:21 > 0:18:24detective who's coming up on 20 years.
0:18:24 > 0:18:26I want to track down his old partners
0:18:26 > 0:18:28but his case history seems to be buried.
0:18:28 > 0:18:31You think you could get that for me?
0:18:31 > 0:18:32Great.
0:18:32 > 0:18:34Yeah, his name is John Cardinal.
0:18:37 > 0:18:40EERIE MUSIC
0:18:49 > 0:18:50Hello beautiful.
0:18:58 > 0:18:59I saw Kelly.
0:19:03 > 0:19:04She sends her love.
0:19:05 > 0:19:06Oh.
0:19:11 > 0:19:13Hey, listen,
0:19:13 > 0:19:15what do you need these days to
0:19:15 > 0:19:16process 35 mil film?
0:19:18 > 0:19:20To do it all yourself?
0:19:20 > 0:19:22Yeah. Say you're taking pictures that are private.
0:19:24 > 0:19:27Well, you need some space, for starters.
0:19:27 > 0:19:29For a darkroom.
0:19:29 > 0:19:31I haven't done it in years.
0:19:31 > 0:19:33Chemicals, papers, trays.
0:19:33 > 0:19:34Huh.
0:19:34 > 0:19:36Who carries that stuff?
0:19:36 > 0:19:38Are you working right now?
0:19:40 > 0:19:41It could help me.
0:19:42 > 0:19:43SHE CHUCKLES
0:19:46 > 0:19:47I'm tired.
0:19:50 > 0:19:54SOLEMN PIANO CHORDS
0:20:07 > 0:20:14LENS SHUTTER CLICKING
0:20:14 > 0:20:16HE GROANS
0:20:16 > 0:20:17ERIC: Keith.
0:20:17 > 0:20:18Keith.
0:20:18 > 0:20:20GRUNTING
0:20:20 > 0:20:21It's a long exposure,
0:20:21 > 0:20:23if you move it's gonna be blurry.
0:20:23 > 0:20:26DEEP BREATHING
0:20:26 > 0:20:27Oh, Jesus.
0:20:27 > 0:20:29GRUNTING
0:20:29 > 0:20:31Not that I want you to be still,
0:20:31 > 0:20:33I just want you to do what's natural.
0:20:33 > 0:20:37GRUNTING
0:20:37 > 0:20:39OK. Look.
0:20:39 > 0:20:42HEAVY BREATHING
0:20:42 > 0:20:43What did you say your name was?
0:20:43 > 0:20:44I didn't say.
0:20:44 > 0:20:48HEAVY BREATHING
0:20:48 > 0:20:49OK.
0:20:49 > 0:20:51OK, I don't know if you got the wrong impression,
0:20:51 > 0:20:53but this is not my sort of thing.
0:20:53 > 0:20:54Oh, no?
0:20:54 > 0:20:56DEEP BREATHING
0:20:56 > 0:21:00I don't know if I did something to piss you off.
0:21:00 > 0:21:01Like what?
0:21:01 > 0:21:03CRYING
0:21:03 > 0:21:04I don't know if I said something.
0:21:04 > 0:21:05If we got into it.
0:21:05 > 0:21:07Does this feel like a spat to you?
0:21:07 > 0:21:10Is this how spats are settled in your house?
0:21:10 > 0:21:12I just don't know what you want from me.
0:21:12 > 0:21:13LENS SHUTTER CLICKS
0:21:15 > 0:21:16Hey, hey.
0:21:18 > 0:21:19You might.
0:21:19 > 0:21:20Look at me. Look at me.
0:21:22 > 0:21:24Hey, hey, shh, shh.
0:21:24 > 0:21:25You might know.
0:21:25 > 0:21:28If you're honest with yourself,
0:21:28 > 0:21:30you might actually know.
0:21:31 > 0:21:32Ah!
0:21:33 > 0:21:36HEAVY BREATHING
0:21:36 > 0:21:37LENS SHUTTER CLICKS
0:21:38 > 0:21:39KNOCKING
0:21:39 > 0:21:41- MAN:- Hello! Anybody home?
0:21:41 > 0:21:44SUSPENSEFUL MUSIC
0:21:55 > 0:21:56- FOX:- Hi, ma'am.
0:21:56 > 0:21:57I'm Constable Fox.
0:21:57 > 0:21:59How are ya this afternoon?
0:21:59 > 0:22:00What's this about?
0:22:00 > 0:22:02Well, we're just out canvassing the area,
0:22:02 > 0:22:03making sure everybody's feeling safe
0:22:03 > 0:22:06with everything going on in the news these days.
0:22:06 > 0:22:07Down here!
0:22:07 > 0:22:09Down here!
0:22:09 > 0:22:10Your husband, uh...
0:22:10 > 0:22:11My husband?
0:22:11 > 0:22:12What?
0:22:12 > 0:22:14Is your husband here?
0:22:14 > 0:22:15My husband is dead.
0:22:18 > 0:22:20GASPING
0:22:20 > 0:22:22I will slice you wide open.
0:22:22 > 0:22:24Just you, then, in the house?
0:22:24 > 0:22:25Oh, with my granddaughter.
0:22:25 > 0:22:28- Oh, OK. - Oh, she's not in trouble?
0:22:28 > 0:22:29HE GRUNTS
0:22:29 > 0:22:30Shh.
0:22:31 > 0:22:32What is it you want?
0:22:37 > 0:22:38Ah, thanks for your time, ma'am.
0:22:42 > 0:22:43Sorry to bother you.
0:22:55 > 0:22:56Please. Please.
0:22:56 > 0:22:58Hey, you're wasting your energy.
0:22:58 > 0:23:01WHIMPERING
0:23:01 > 0:23:02It's out of my hands.
0:23:02 > 0:23:11GRUNTING
0:23:11 > 0:23:12This is Edie's show now.
0:23:16 > 0:23:18I know she doesn't look like much,
0:23:18 > 0:23:19but she's ready.
0:23:20 > 0:23:21You'll see.
0:23:31 > 0:23:32She just needs a little nudge.
0:23:43 > 0:23:44CREAKING
0:23:44 > 0:23:47WHIMPERING
0:23:47 > 0:23:55TINKLING
0:23:55 > 0:23:58AIRY MUSIC
0:24:03 > 0:24:04- TIM:- See that?
0:24:04 > 0:24:06Do you see the impact?
0:24:06 > 0:24:08The whole side there is caved in.
0:24:08 > 0:24:09Direct hit.
0:24:09 > 0:24:11That's a sturdy animal.
0:24:11 > 0:24:13Would have blown their airbags for sure.
0:24:13 > 0:24:16Then off they went. Didn't call it in.
0:24:16 > 0:24:18Just let her die in the cold.
0:24:19 > 0:24:20I'll look into it.
0:24:33 > 0:24:37PULSING MUSIC
0:24:57 > 0:24:58MUSGRAVE: What the hell are you doing here?
0:24:58 > 0:25:00- DELORME:- A raid on Corbett's operation.
0:25:00 > 0:25:01An officer died.
0:25:01 > 0:25:03You and Cardinal worked it.
0:25:06 > 0:25:07Look, what am I missing here?
0:25:07 > 0:25:09I can't do my job if you keep me in the dark.
0:25:20 > 0:25:21The raid went bad
0:25:21 > 0:25:23because of Cardinal.
0:25:24 > 0:25:25How?
0:25:27 > 0:25:30Corbett was setting up a new supply line in Toronto.
0:25:30 > 0:25:31My team covered this side.
0:25:31 > 0:25:32Cardinal was part of a
0:25:32 > 0:25:34crew down there, undercover.
0:25:34 > 0:25:36We worked it for months. Set up a
0:25:36 > 0:25:38sting based on what Cardinal was feeding us.
0:25:38 > 0:25:39We were gonna get Corbett,
0:25:39 > 0:25:41his new supplier,
0:25:41 > 0:25:43a big shipment, all in one go.
0:25:46 > 0:25:47Cardinal's intel was bad?
0:25:47 > 0:25:49Yeah. I guess you could say that.
0:25:50 > 0:25:51When we arrived,
0:25:51 > 0:25:52no Corbett,
0:25:52 > 0:25:53no drugs,
0:25:53 > 0:25:55nothing,
0:25:55 > 0:25:58except a half pound of C-4 rigged to a wire.
0:26:00 > 0:26:02Officer's name was Julian Burwell,
0:26:02 > 0:26:0327 years old.
0:26:03 > 0:26:05He died instantly.
0:26:05 > 0:26:07- So Cardinal got burned.- No. - It happens.
0:26:07 > 0:26:09No. He warned them we were coming.
0:26:11 > 0:26:13Cardinal was using disposable phones.
0:26:13 > 0:26:15We couldn't get the wires up fast enough so he was
0:26:15 > 0:26:16taping them with a portable.
0:26:16 > 0:26:18You know him now, you know how thorough he is,
0:26:18 > 0:26:23he had a file for every call, except one.
0:26:23 > 0:26:24Day before the raid he talks to his inside guy
0:26:24 > 0:26:26for six minutes.
0:26:26 > 0:26:27Phone records show it.
0:26:29 > 0:26:30There's no tape of the call.
0:26:33 > 0:26:35He tipped them off, Delorme,
0:26:35 > 0:26:37and he erased the evidence.
0:26:40 > 0:26:41And what did SIU say?
0:26:41 > 0:26:44Oh, Cardinal said the recorder malfunctioned.
0:26:45 > 0:26:47They couldn't prove otherwise so they dropped it.
0:26:51 > 0:26:53He was living a double life, Delorme.
0:26:54 > 0:26:56Sick wife at home, kid at a fancy school,
0:26:56 > 0:26:57bills piling up, OK?
0:26:57 > 0:26:58He lost his way.
0:27:00 > 0:27:02He took a payoff.
0:27:02 > 0:27:05SUSPENSEFUL MUSIC
0:27:14 > 0:27:16You're not authorized to go after him.
0:27:18 > 0:27:20I have broad discretion.
0:27:20 > 0:27:22Yeah, to get Corbett.
0:27:22 > 0:27:23- Cardinal was cleared. - He did it.
0:27:23 > 0:27:25- No, he was cleared. - He did it.
0:27:27 > 0:27:29You can't just re-open it.
0:27:29 > 0:27:30Not without cause.
0:27:32 > 0:27:33Then find me some.
0:27:35 > 0:27:38That's why there is no paper on this.
0:27:38 > 0:27:39It's not even supposed to be happening.
0:27:41 > 0:27:42Well, I was told you had good instincts.
0:27:45 > 0:27:46It's why I brought you on.
0:27:48 > 0:27:49If you think
0:27:49 > 0:27:51Cardinal is clean then you should just...
0:27:51 > 0:27:53walk away.
0:27:53 > 0:27:55Go back to Financial.
0:27:56 > 0:27:58No hard feelings, I promise.
0:28:00 > 0:28:01'But I am telling you,
0:28:01 > 0:28:03'he is in the middle of all this
0:28:03 > 0:28:05'and I think you know it.'
0:28:05 > 0:28:10HAUNTING INSTRUMENTAL
0:28:33 > 0:28:34DOOR CLOSES
0:28:39 > 0:28:40Francis Kestejoo?
0:28:43 > 0:28:44Aw, come on, man.
0:28:44 > 0:28:45Where you gonna run to?
0:28:45 > 0:28:46THUMP
0:28:48 > 0:28:49Idiot.
0:28:53 > 0:28:57SOFT GRUNTING
0:28:59 > 0:29:00Ugh.
0:29:02 > 0:29:04What's the story here, Francis?
0:29:04 > 0:29:05None of your business.
0:29:06 > 0:29:08I'm unconvinced.
0:29:12 > 0:29:13- MARGO:- An SLR and a guitar.
0:29:13 > 0:29:14You're like,
0:29:14 > 0:29:17the coolest guy from 1993.
0:29:17 > 0:29:19ERIC: I think the '90s are a really
0:29:19 > 0:29:20underrated decade.
0:29:21 > 0:29:22The last analogue era.
0:29:24 > 0:29:26- MARGO:- So do you play that thing or
0:29:26 > 0:29:27is it just a prop?
0:29:27 > 0:29:28LAUGHS
0:29:28 > 0:29:29That's a mean question.
0:29:29 > 0:29:30Oh, so you don't play.
0:29:30 > 0:29:31HE CHUCKLES
0:29:31 > 0:29:32I didn't say that.
0:29:32 > 0:29:33I'm all right but, uh,
0:29:33 > 0:29:36this is my instrument.
0:29:36 > 0:29:37I play people.
0:29:38 > 0:29:39You really didn't just say that.
0:29:39 > 0:29:41I did.
0:29:41 > 0:29:43I capture people at their most honest.
0:29:45 > 0:29:47That's rare today.
0:29:47 > 0:29:48Don't you think?
0:29:49 > 0:29:51People living in the moment,
0:29:51 > 0:29:52being raw,
0:29:52 > 0:29:53not performing.
0:29:54 > 0:29:55I capture that.
0:29:56 > 0:29:58- MARGO:- So is this the part
0:29:58 > 0:30:00when you ask to take pictures of me?
0:30:02 > 0:30:03Would you like that?
0:30:08 > 0:30:10You work at the music store, right?
0:30:10 > 0:30:13You should come by sometime and bring your pictures.
0:30:13 > 0:30:14I'll take a look.
0:30:18 > 0:30:20Never mind.
0:30:20 > 0:30:21You wouldn't like them.
0:30:23 > 0:30:29CLACKING
0:30:29 > 0:30:30I wasn't freezing you out today, Delorme.
0:30:32 > 0:30:33If this case breaks,
0:30:33 > 0:30:34it'll be something out of left field,
0:30:34 > 0:30:38some fragment that tumbles off the pile.
0:30:38 > 0:30:40That first wave of tips is key.
0:30:41 > 0:30:42Yeah, well, nothing came of it.
0:30:42 > 0:30:43Maybe not.
0:30:43 > 0:30:46But because it's you, I didn't have to double-check.
0:30:46 > 0:30:47- HANNAM:- Detectives, uh,
0:30:47 > 0:30:49I just got a call from Major Crimes in Toronto.
0:30:49 > 0:30:51Melissa and Douglas London.
0:30:51 > 0:30:52Their son, Keith,
0:30:52 > 0:30:53was supposed to arrive home last night,
0:30:53 > 0:30:55never turned up.
0:30:55 > 0:30:56Coming from here?
0:30:56 > 0:30:57No. Uh, well, yeah,
0:30:57 > 0:30:58he passed through but,
0:30:58 > 0:30:59he's not here now.
0:30:59 > 0:31:01- He passed through? - Coming from out west.
0:31:01 > 0:31:02Ah, they ran his cell.
0:31:02 > 0:31:04He got here last night,
0:31:04 > 0:31:05left this morning and he went east
0:31:05 > 0:31:07to a spot outside Deux Rivieres,
0:31:07 > 0:31:10then his signal died and nothing since.
0:31:11 > 0:31:13Who did you talk to in Toronto? Get them back on the line.
0:31:13 > 0:31:16McLeod, that place Curry went,
0:31:16 > 0:31:17there were train tracks, right?
0:31:17 > 0:31:19Yeah, there's a little spur line there off the 11.
0:31:19 > 0:31:21- Lise. Lise. - Yeah?
0:31:23 > 0:31:24Curry's phone...
0:31:26 > 0:31:28..went out in the middle of nowhere
0:31:30 > 0:31:33and there it sat for five hours until it died.
0:31:33 > 0:31:34Keith London's phone
0:31:34 > 0:31:36went east also
0:31:36 > 0:31:38along the rail line
0:31:38 > 0:31:40until it died.
0:31:40 > 0:31:43But then Curry turns up back here.
0:31:43 > 0:31:46No, he never left. His phone did.
0:31:46 > 0:31:47The killer puts phones
0:31:47 > 0:31:49on trains to throw us off.
0:31:49 > 0:31:52MUTED CLANGING
0:31:52 > 0:31:53He has his next victim.
0:32:13 > 0:32:19UNLOCKING
0:32:23 > 0:32:38PANTING
0:32:40 > 0:32:42CREAKING
0:32:47 > 0:32:52MUFFLED GARBLING
0:32:52 > 0:32:54- Be quiet. - MUFFLED GARBLING
0:32:54 > 0:32:55Be quiet!
0:33:03 > 0:33:11PANTING
0:33:12 > 0:33:18DEEP BREATHING
0:33:18 > 0:33:19Thank you.
0:33:19 > 0:33:26DEEP BREATHING
0:33:26 > 0:33:28It's Edie, right?
0:33:28 > 0:33:34DEEP BREATHING
0:33:34 > 0:33:35Why am I here?
0:33:38 > 0:33:39Bad luck.
0:33:41 > 0:33:43The cops were here before,
0:33:43 > 0:33:44at the door.
0:33:44 > 0:33:45Your friend heard them too.
0:33:47 > 0:33:49- How? - I don't know.
0:33:49 > 0:33:50But they were here.
0:33:51 > 0:33:53That means they're watching. They'll be back.
0:33:57 > 0:34:00Look, you can let me go, OK?
0:34:00 > 0:34:03We can put all of this behind us.
0:34:03 > 0:34:04You think I'm stupid?
0:34:06 > 0:34:09No. But sometimes
0:34:09 > 0:34:11people get into things and they don't know how to get out.
0:34:14 > 0:34:15Is he making you do this?
0:34:17 > 0:34:19Cos if he is, it's not your fault.
0:34:20 > 0:34:21You'll be forgiven.
0:34:21 > 0:34:27PANTING
0:34:41 > 0:34:43All you had to do
0:34:44 > 0:34:45was walk me home.
0:34:49 > 0:34:51None of this would be happening.
0:35:01 > 0:35:03Please.
0:35:05 > 0:35:06Please.
0:35:06 > 0:35:08Please, Edie, please.
0:35:08 > 0:35:09I can't help you.
0:35:10 > 0:35:22PANTING
0:35:22 > 0:35:24I'm gonna make you some food.
0:35:24 > 0:35:25You have to eat.
0:35:26 > 0:35:27House rules.
0:35:29 > 0:35:35PANTING
0:35:35 > 0:35:38CLICKING
0:35:40 > 0:35:41John?
0:35:41 > 0:35:43Todd Curry's e-mail. We got it.
0:35:43 > 0:35:45IP says west side.
0:35:45 > 0:35:46Warrant's in process for the address.
0:35:48 > 0:35:49She's 19.
0:35:49 > 0:35:51First correspondence,
0:35:51 > 0:35:54was this summer and last correspondence
0:35:54 > 0:35:56was January 6th.
0:35:56 > 0:35:58Hm. Three days before he was killed.
0:36:00 > 0:36:03Too many I's. Too many me's.
0:36:03 > 0:36:05What?
0:36:05 > 0:36:06In Financial,
0:36:06 > 0:36:08we see honey trap fraud like this all the time.
0:36:09 > 0:36:11Guys pretending to be girls.
0:36:13 > 0:36:15Should I run a gender analysis?
0:36:15 > 0:36:17So the program is looking for certain words,
0:36:17 > 0:36:18punctuation styles.
0:36:18 > 0:36:21And, how long does this take?
0:36:21 > 0:36:23Sometimes upwards of five seconds.
0:36:25 > 0:36:26It's a guy.
0:36:26 > 0:36:28Todd Curry was corresponding with a guy.
0:36:28 > 0:36:32- HANNAM:- Sarge? Got the address. 42 Copeland Drive.
0:36:32 > 0:36:34OK. Go.
0:36:34 > 0:36:36TINKLING
0:36:41 > 0:36:47GRUNTING
0:36:47 > 0:36:50CLOCK TICKING
0:36:50 > 0:36:52CARDINAL: He's smart. The guy is smart.
0:36:52 > 0:36:55He knew if he kept hunting locally we'd spot his pattern.
0:36:55 > 0:36:57So he starts picking guys from out of town.
0:36:57 > 0:36:58First Todd Curry,
0:36:58 > 0:36:59now Keith London.
0:37:01 > 0:37:02CREAKING
0:37:04 > 0:37:07GRUNTING
0:37:07 > 0:37:08BANG
0:37:08 > 0:37:09SUSPENSEFUL MUSIC
0:37:37 > 0:37:40HEAVY BREATHING
0:37:40 > 0:37:44DRAMATIC MUSIC
0:37:58 > 0:38:00BANGING
0:38:03 > 0:38:04BANGING
0:38:04 > 0:38:07SUSPENSEFUL MUSIC
0:38:10 > 0:38:11Yes?
0:38:13 > 0:38:15Ugh!
0:38:15 > 0:38:16Idiot!
0:38:19 > 0:38:20SPITS
0:38:22 > 0:38:23SPITS
0:38:23 > 0:38:28MOANING
0:38:32 > 0:38:33CARDINAL: He's not our guy.
0:38:33 > 0:38:35You're absolutely sure?
0:38:35 > 0:38:36Yeah, he pretends to be a woman online,
0:38:36 > 0:38:39strikes up relationships with young men.
0:38:39 > 0:38:40And this one blew up on him
0:38:40 > 0:38:42when Curry came to meet in person.
0:38:42 > 0:38:44And he went. What was he expecting?
0:38:44 > 0:38:46They had been chatting for months.
0:38:46 > 0:38:49He'd convinced himself that Curry knew that they were
0:38:49 > 0:38:51role-playing together.
0:38:51 > 0:38:53Yeah, imagine Curry's reaction.
0:38:53 > 0:38:55Expects a 19-year-old girl.
0:38:55 > 0:38:57Finds that guy instead.
0:38:57 > 0:38:59Well, maybe he went after Curry
0:38:59 > 0:39:00out of shame or
0:39:00 > 0:39:02fear that he might be exposed.
0:39:02 > 0:39:04No. He and his wife left for Bangor, Maine,
0:39:04 > 0:39:05the next day.
0:39:05 > 0:39:08He wasn't here when Curry died.
0:39:08 > 0:39:09So this is the guy who lured him to town,
0:39:09 > 0:39:11but not the one who killed him.
0:39:11 > 0:39:12Looks like it.
0:39:12 > 0:39:16EERIE MUSIC
0:39:45 > 0:39:59GUITAR CHORDS STRUMMING
0:40:03 > 0:40:05You know not to come here.
0:40:05 > 0:40:06I have to talk to you.
0:40:08 > 0:40:09We shouldn't be seen together.
0:40:10 > 0:40:12Are you embarrassed by me?
0:40:12 > 0:40:13No.
0:40:14 > 0:40:15Edie.
0:40:16 > 0:40:17No.
0:40:19 > 0:40:21We just have to be cautious, OK?
0:40:22 > 0:40:23Now, come on, let's go.
0:40:25 > 0:40:29CREEPY MUSIC
0:40:42 > 0:40:43I made him bleed.
0:40:44 > 0:40:45For you.