0:00:02 > 0:00:04This programme contains prolonged violent scenes
0:00:04 > 0:00:07and scenes which some viewers may find upsetting.
0:00:07 > 0:00:09What's the story here, Francis?
0:00:09 > 0:00:10None of your business.
0:00:10 > 0:00:11I shouldn't have told your mum
0:00:11 > 0:00:13that we're trying to have a baby.
0:00:13 > 0:00:14I'm sorry.
0:00:14 > 0:00:15Speaking of which, shouldn't we know something?
0:00:15 > 0:00:17No. I found out a couple days ago.
0:00:17 > 0:00:20My wife has bipolar disorder.
0:00:20 > 0:00:23Our thief is staking out these stores.
0:00:23 > 0:00:25He follows his targets home with their new stuff,
0:00:25 > 0:00:27then he hits their house later.
0:00:27 > 0:00:28Melissa and Douglas London.
0:00:28 > 0:00:31Their son, Keith, was supposed to arrive home last night
0:00:31 > 0:00:32and never turned up.
0:00:32 > 0:00:34He has his next victim.
0:00:34 > 0:00:36This is Edie's show now.
0:00:36 > 0:00:38I know she doesn't look like much,
0:00:38 > 0:00:39but she's ready.
0:00:39 > 0:00:40GUNSHOT
0:00:42 > 0:00:44I made him bleed.
0:00:44 > 0:00:45For you.
0:00:52 > 0:00:57# We took a walk to the summit at night, you and I
0:00:57 > 0:01:05# To burn a hole in the old grip of the familiar, you and I
0:01:06 > 0:01:11# And the dark was opening wide, do or die. #
0:01:20 > 0:01:21That is something you,
0:01:21 > 0:01:23you learn very early on,
0:01:23 > 0:01:26not to, ah, judge by volume.
0:01:26 > 0:01:28That...
0:01:28 > 0:01:30that could be a laptop,
0:01:30 > 0:01:32or maybe it's just a blender.
0:01:34 > 0:01:36Yeah, oh, it's funny, you know, people,
0:01:36 > 0:01:37they ask me that all the time.
0:01:37 > 0:01:39They do. Everybody wants to know
0:01:39 > 0:01:41how you stayed in the game for so long?
0:01:41 > 0:01:42Well, I don't mind answering.
0:01:42 > 0:01:44It's a good question. People think it's a lot of ducking around
0:01:44 > 0:01:46and diving and all that stuff but it's not.
0:01:46 > 0:01:49It's-it's waiting.
0:01:49 > 0:01:51And now,
0:01:51 > 0:01:52do we really believe that
0:01:52 > 0:01:55White Trash Johnny's got that boutique guitar?
0:02:14 > 0:02:15Man, that is like a sieve.
0:02:15 > 0:02:18I could get in and out of there so fast.
0:02:23 > 0:02:27Nobody is watching this.
0:03:01 > 0:03:03ECHOING: Where's Keith?
0:03:06 > 0:03:08Where's Keith?
0:03:13 > 0:03:14Where's Keith?
0:03:41 > 0:03:43- Hey.- Hey.
0:03:44 > 0:03:47I can't stay. I'm on my way in.
0:03:47 > 0:03:48John.
0:03:50 > 0:03:53You didn't say that you found Katie Pine.
0:03:54 > 0:03:55Who told you about that?
0:03:55 > 0:03:57You shouldn't be thinking about that.
0:03:57 > 0:03:58Hey.
0:03:58 > 0:04:00All right, come here.
0:04:45 > 0:04:46PHONES RING
0:04:49 > 0:04:51Well, that looks fun.
0:04:51 > 0:04:52Yeah, all hands on deck.
0:04:54 > 0:04:56Yeah, word got out the killer's got another victim.
0:04:56 > 0:04:58Phones have been ringing off the hook.
0:04:58 > 0:05:00Now we've got press coming from all over.
0:05:10 > 0:05:11Commanda?
0:05:11 > 0:05:12Hold up.
0:05:14 > 0:05:16Hey.
0:05:17 > 0:05:19Question for you.
0:05:19 > 0:05:20Do you have any reason to believe
0:05:20 > 0:05:21there is money being laundered
0:05:21 > 0:05:23through Thunderbird Casino?
0:05:23 > 0:05:25Well, nothing organized, just small stuff.
0:05:27 > 0:05:28You know who's doing it?
0:05:29 > 0:05:31Point you in a direction.
0:05:32 > 0:05:34Is this a factor in the killings?
0:05:34 > 0:05:37A loose end from when I was at Financial.
0:05:37 > 0:05:39My old sergeant's leaning on me,
0:05:39 > 0:05:40which is why I was hoping
0:05:40 > 0:05:41I could ask a favour.
0:05:41 > 0:05:43My suspect cashed in chips four nights ago.
0:05:45 > 0:05:46Knowing that do you think you could
0:05:46 > 0:05:48get your hands on some of the money
0:05:48 > 0:05:49he used to buy them?
0:05:49 > 0:05:50Get my hands on it.
0:05:52 > 0:05:53Just some serial numbers.
0:05:54 > 0:05:55A sample.
0:05:55 > 0:05:57If I can trace the money back to its source,
0:05:57 > 0:05:58it could help me.
0:06:00 > 0:06:02I don't suppose you're going to tell me who your suspect is.
0:06:02 > 0:06:05I don't want to implicate anyone if this doesn't prove out.
0:06:05 > 0:06:07If it does you'll hear all about it.
0:06:08 > 0:06:12Delorme? Keith London came by bus.
0:06:12 > 0:06:13His parents confirmed it.
0:06:15 > 0:06:18Does he know you're working two jobs?
0:06:18 > 0:06:20He'd kill me.
0:06:20 > 0:06:21Keep it to yourself?
0:06:23 > 0:06:24I'll see what I can do.
0:06:32 > 0:06:34So what was that all about?
0:06:35 > 0:06:36You and Commanda?
0:06:37 > 0:06:39I worked with him on the Latraverse case.
0:06:39 > 0:06:41He was our point man on the reserve.
0:06:42 > 0:06:44Just catching up.
0:06:44 > 0:06:45PHONE BUZZES
0:06:45 > 0:06:46I'm sorry, I gotta take this.
0:06:48 > 0:06:49Yeah?
0:06:51 > 0:06:53OK.
0:06:54 > 0:06:56Yeah, I will.
0:06:56 > 0:06:58..No, Josh, I will.
0:07:00 > 0:07:01Sorry.
0:07:01 > 0:07:03It's fine.
0:07:08 > 0:07:10Hasn't been easy for him,
0:07:10 > 0:07:12my transfer from Financial.
0:07:12 > 0:07:14The different pace.
0:07:14 > 0:07:15Yeah, well, it's...
0:07:15 > 0:07:17it's not always this way.
0:07:19 > 0:07:20But this is what I always wanted...
0:07:22 > 0:07:23..to be homicide.
0:07:26 > 0:07:29I mean, no one grows up hoping to investigate real estate fraud.
0:07:30 > 0:07:31So how'd you end up there?
0:07:33 > 0:07:34I was good at it.
0:07:37 > 0:07:38Doors kept opening.
0:07:41 > 0:07:43I was there. It was easy.
0:07:47 > 0:07:49Do you know anything about audio-visual equipment?
0:07:50 > 0:07:52I can't get it to play.
0:07:53 > 0:07:55I know it works. I've played it before.
0:07:57 > 0:07:59Edie, uh, she still has this manual.
0:08:01 > 0:08:03It's sort of classic Edie when you think about it,
0:08:03 > 0:08:04keeping this filed away.
0:08:05 > 0:08:08I think it has like some sort of sentimental value to it,
0:08:08 > 0:08:10Cos her mum bought it in some sort of
0:08:10 > 0:08:13rare spasm of sobriety.
0:08:13 > 0:08:17Some friend bought them a VHS tape about a skin thing,
0:08:17 > 0:08:19some sort of
0:08:19 > 0:08:21new abrasion laser thing for the eczema
0:08:21 > 0:08:24and it just sat there for months
0:08:24 > 0:08:27unwatched like some sort of beacon.
0:08:27 > 0:08:29That's how Edie puts it, like a beacon of hope.
0:08:29 > 0:08:31But also if you think about it,
0:08:31 > 0:08:33it was like a beacon of neglect, right?
0:08:33 > 0:08:34Like by her mum,
0:08:34 > 0:08:36to just let it sit there?
0:08:36 > 0:08:39And, anyways, through the right combination of
0:08:39 > 0:08:40Edie's begging
0:08:40 > 0:08:44and, ah, some sort of uptick in maternal hormones,
0:08:44 > 0:08:46she stepped up
0:08:46 > 0:08:49and bought this very VCR
0:08:49 > 0:08:51so they could watch it together and, uh,
0:08:51 > 0:08:52that's what they did.
0:08:54 > 0:08:56And what happened?
0:08:56 > 0:08:58What do you mean? That's the end of the story.
0:09:03 > 0:09:056.30 from Sudbury two nights ago.
0:09:05 > 0:09:08Yeah, to be honest, so many people come through.
0:09:08 > 0:09:09Does that camera work?
0:09:10 > 0:09:13- Imagine so. - Call your boss,
0:09:13 > 0:09:15tell him we need tapes from every camera
0:09:15 > 0:09:18in the station, all right? Tell him if the system erases on a loop
0:09:18 > 0:09:21that it needs to be stopped instantly.
0:09:21 > 0:09:23Do I need to say any of that again?
0:09:23 > 0:09:24I'll call my boss.
0:09:24 > 0:09:26And we need to know if there is any unclaimed luggage
0:09:26 > 0:09:27from that bus.
0:09:34 > 0:09:37They're checking surrounding businesses for CCTV.
0:09:37 > 0:09:39Yeah, well, there's nothing in here to indicate he was
0:09:39 > 0:09:41meeting anyone.
0:09:41 > 0:09:42Guitar supplies but
0:09:42 > 0:09:44no guitar.
0:09:44 > 0:09:45No, he'd take it with him.
0:09:45 > 0:09:47If he has a guitar, he wouldn't check it.
0:09:50 > 0:09:51Have you never dated a musician?
0:09:51 > 0:09:53No. You?
0:09:53 > 0:09:55One or two.
0:09:56 > 0:09:58So he, um,
0:09:58 > 0:10:00takes his guitar
0:10:00 > 0:10:01into the night...
0:10:02 > 0:10:06..planning to be back for the ten o'clock to Toronto.
0:10:06 > 0:10:08- Yeah.- Where do you go
0:10:08 > 0:10:10in Algonquin Bay to kill three hours?
0:10:14 > 0:10:16Let's do Willow Street, work our way downtown.
0:10:16 > 0:10:17Yeah.
0:10:19 > 0:10:22The killer had Katie Pine for over a week,
0:10:22 > 0:10:23finished off Curry in just four days.
0:10:27 > 0:10:28Might be nothing.
0:10:28 > 0:10:30Might be situational.
0:10:30 > 0:10:32Or he's accelerating.
0:10:32 > 0:10:34Isn't that how these guys work?
0:10:34 > 0:10:36It takes more and more to get them excited so
0:10:36 > 0:10:38they speed up through their routines.
0:10:40 > 0:10:42He might be tired of Keith already.
0:11:02 > 0:11:04Drink.
0:11:14 > 0:11:16OK, Keith,
0:11:16 > 0:11:19this is going to be very hard to watch
0:11:19 > 0:11:20but I need you to watch it.
0:11:23 > 0:11:25So if you can't keep your eyes open...
0:11:27 > 0:11:28..I can help you.
0:11:42 > 0:11:44Let me know what you think.
0:12:03 > 0:12:07'Hey, hey, hey, wake up.
0:12:07 > 0:12:09'Wake up, come on.
0:12:09 > 0:12:12'Hey, it's OK. It's OK.
0:12:12 > 0:12:14'It's OK. It's OK.'
0:12:45 > 0:12:46Here we are, we are,
0:12:46 > 0:12:47the people of Babel.
0:12:47 > 0:12:49We're just, you know, around,
0:12:49 > 0:12:50going about our business.
0:12:50 > 0:12:51Oh, no.
0:12:51 > 0:12:53It's God
0:12:53 > 0:12:56and God is not happy.
0:12:56 > 0:12:57Na-ha.
0:12:57 > 0:12:59- Nah-ha. I'm not happy. - Hello, boys.
0:12:59 > 0:13:01Not happy at all.
0:13:02 > 0:13:04- Hi. - Hi. Nooo!
0:13:04 > 0:13:05You have smitten us down.
0:13:05 > 0:13:07- Whatcha doin'? - I'm just, uh,
0:13:07 > 0:13:11teaching Aiden the fine art of smiting the people.
0:13:13 > 0:13:14So I, uh,
0:13:14 > 0:13:16I ran into Don today.
0:13:17 > 0:13:19He said that you should come by.
0:13:19 > 0:13:20Hey.
0:13:22 > 0:13:24OK. Right.
0:13:24 > 0:13:26Yeah, today at four. He said that he's had some turnover lately
0:13:26 > 0:13:28and he could probably get you some shifts.
0:13:28 > 0:13:29Hi!
0:13:30 > 0:13:32Jesus Christ.
0:13:32 > 0:13:33Oh, just go by.
0:13:33 > 0:13:35See what he has to say.
0:13:35 > 0:13:36Ahh!
0:13:36 > 0:13:39Did you run into him or did you call him?
0:13:40 > 0:13:42Did you call him?
0:13:42 > 0:13:44The police were at our door, Woody.
0:13:44 > 0:13:46Listen, it is a real job
0:13:46 > 0:13:48with a real wage and a regular shift.
0:13:48 > 0:13:50Yeah, and all I have to do is
0:13:50 > 0:13:51kiss your brother's ass.
0:13:51 > 0:13:52He's trying to help.
0:13:52 > 0:13:54He doesn't have to help.
0:13:54 > 0:13:56Why does he think he needs to help us?
0:13:56 > 0:13:58Perhaps because you undermine me in front of him.
0:13:58 > 0:14:00Is that what I'm doing? I'm undermining you?
0:14:00 > 0:14:03Baby, I just need you to have faith in me, OK?
0:14:03 > 0:14:05This is who I am.
0:14:05 > 0:14:07You knew that when you met me.
0:14:08 > 0:14:10Yeah, well, things change.
0:14:13 > 0:14:14Oh.
0:14:14 > 0:14:16Today at four.
0:14:16 > 0:14:18I'll know if you don't turn up.
0:14:23 > 0:14:25Yeah, the kid with a guitar.
0:14:25 > 0:14:27He was here?
0:14:28 > 0:14:29Are you sure?
0:14:29 > 0:14:30He got sick.
0:14:30 > 0:14:32I remember people who get sick.
0:14:32 > 0:14:33What? He threw up?
0:14:33 > 0:14:35Two beers in.
0:14:35 > 0:14:37So either he got started before he got here or
0:14:37 > 0:14:40I don't know, maybe he had some sort of stomach thing.
0:14:40 > 0:14:41Did he come alone?
0:14:42 > 0:14:43It was a busy night.
0:14:43 > 0:14:45Did he talk with anyone?
0:14:45 > 0:14:46Leave with anyone?
0:14:46 > 0:14:48Look, I'm sorry.
0:14:48 > 0:14:50Your staff that night.
0:14:50 > 0:14:51Names and numbers.
0:14:51 > 0:14:53Write 'em down, please.
0:14:53 > 0:14:54And any customers you recall, any regulars.
0:14:54 > 0:14:57- Are you serious? - Yeah, write those down too.
0:14:57 > 0:14:58And then we'll be out of your hair.
0:14:58 > 0:15:01Toxicology says Todd Curry had a,
0:15:01 > 0:15:03a cocktail of drugs in his system,
0:15:03 > 0:15:05prescription stuff, stuff a doctor wouldn't mix.
0:15:05 > 0:15:07No, cos it will make you sick.
0:15:08 > 0:15:10You see Keith at the bar.
0:15:10 > 0:15:12At the bus station, either way.
0:15:12 > 0:15:14You follow him. You see he's alone.
0:15:14 > 0:15:15You spike his drink.
0:15:15 > 0:15:18He gets sick, he gets weak.
0:15:18 > 0:15:19You scoop him up.
0:15:19 > 0:15:21- Let's put together a canvass. - Yeah.
0:15:21 > 0:15:23Clinics, pharmacies, veterinarians.
0:15:23 > 0:15:25Anyone who might stock this stuff.
0:15:25 > 0:15:27Find out if there's been any, uh,
0:15:27 > 0:15:29thefts or any break-ins.
0:15:36 > 0:15:37Someone you know?
0:15:40 > 0:15:41No.
0:15:59 > 0:16:00Ah, come on.
0:16:00 > 0:16:02Can I come in?
0:16:02 > 0:16:03I got nothing to say to you.
0:16:03 > 0:16:05That's OK, I'll do the talking.
0:16:07 > 0:16:09I wanted to talk about a client of yours.
0:16:09 > 0:16:11I don't have clients, A,
0:16:11 > 0:16:14and, B, it's not against the law to have poker chips.
0:16:14 > 0:16:16We went through that just last visit.
0:16:17 > 0:16:19Is there coffee I smell?
0:16:19 > 0:16:21It's old.
0:16:21 > 0:16:22Hours or days?
0:16:22 > 0:16:23This morning.
0:16:23 > 0:16:25May I?
0:16:25 > 0:16:26Knock yourself out.
0:16:34 > 0:16:36So, uh,
0:16:36 > 0:16:38a few nights ago
0:16:38 > 0:16:40a client of yours cashed out,
0:16:40 > 0:16:43which means that you probably sold him some chips recently.
0:16:45 > 0:16:47Would you happen to have any of that
0:16:47 > 0:16:48money left that he paid?
0:16:51 > 0:16:52Is this a shakedown?
0:16:52 > 0:16:53No.
0:16:53 > 0:16:54Because look around,
0:16:54 > 0:16:57there's not a lot you can pull out of me here.
0:16:57 > 0:16:59This is not a shakedown, Francis.
0:16:59 > 0:17:00If you'd open your eyes,
0:17:00 > 0:17:03you'd see that something positive was happening here.
0:17:03 > 0:17:04How's that?
0:17:04 > 0:17:07Well I'm coming for your help, which means I'm not coming for you.
0:17:07 > 0:17:08If I had a client
0:17:08 > 0:17:10and if I sold him chips,
0:17:10 > 0:17:13which I didn't, you'll never get him.
0:17:13 > 0:17:14Hm.
0:17:19 > 0:17:20So what tells you that?
0:17:22 > 0:17:23All of history.
0:17:24 > 0:17:27Some types you just don't catch,
0:17:27 > 0:17:28let's put it that way.
0:17:28 > 0:17:31Well, maybe we need to change that.
0:17:35 > 0:17:37I scheduled a press conference this evening.
0:17:37 > 0:17:39- I want you there. - To say what?
0:17:39 > 0:17:40That we're nowhere?
0:17:40 > 0:17:42It comes from above.
0:17:42 > 0:17:44People need to know that action is being taken.
0:17:44 > 0:17:45People do?
0:17:45 > 0:17:47Or management does?
0:17:55 > 0:17:56Mr and Mrs London,
0:17:56 > 0:17:59I'm Detective Sergeant Noelle Dyson.
0:18:01 > 0:18:04The police in Toronto have shared with us that Keith
0:18:04 > 0:18:08was in constant contact with his girlfriend, Claire,
0:18:08 > 0:18:11but that you haven't spoken to him in over a week?
0:18:11 > 0:18:12That's right.
0:18:12 > 0:18:14Well, the last message
0:18:14 > 0:18:15sent from Keith's phone...
0:18:17 > 0:18:19..was this picture.
0:18:21 > 0:18:23Does that seem
0:18:23 > 0:18:24out of character for your son?
0:18:24 > 0:18:26Well, yes.
0:18:26 > 0:18:28Why would he send that?
0:18:28 > 0:18:30It's possible he didn't.
0:18:30 > 0:18:33That's what we're trying to find out.
0:18:33 > 0:18:35We know when the message was sent.
0:18:35 > 0:18:37What we're trying to work out is from where.
0:18:37 > 0:18:41This man has been in your town for months,
0:18:41 > 0:18:43hunting.
0:18:43 > 0:18:44Is that true?
0:18:47 > 0:18:49Yes.
0:18:49 > 0:18:50How do you let that happen?
0:18:52 > 0:18:55Keith never should have been here.
0:18:55 > 0:18:57It's my fault.
0:18:57 > 0:18:58What do you mean?
0:18:58 > 0:19:01We told him after high school he could travel.
0:19:01 > 0:19:03We thought he'd go overseas.
0:19:04 > 0:19:05He wanted to go out west
0:19:05 > 0:19:07and see his friends...
0:19:08 > 0:19:09..and write music.
0:19:10 > 0:19:12I fought him.
0:19:13 > 0:19:15Told him it was a waste of time...
0:19:17 > 0:19:18..insisted he come home.
0:19:21 > 0:19:24He refused so I cut off his credit card...
0:19:25 > 0:19:27..to force him back.
0:19:29 > 0:19:32He was on that bus because of me.
0:19:44 > 0:19:45Hey.
0:19:47 > 0:19:49You were right. We need to have a press conference.
0:19:49 > 0:19:51Well, thank you.
0:19:51 > 0:19:52It's not up for debate.
0:19:52 > 0:19:54Why the change of heart?
0:19:54 > 0:19:56We need to get the word out,
0:19:56 > 0:19:57what we know.
0:20:13 > 0:20:15Stop.
0:20:16 > 0:20:17What's with you?
0:20:19 > 0:20:21Don't talk about my mother.
0:20:23 > 0:20:25This is the VCR thing?
0:20:26 > 0:20:28It's not his business.
0:20:28 > 0:20:31Yeah, well, it's not like he's going to tell anybody.
0:20:33 > 0:20:34Well,
0:20:34 > 0:20:35I don't like it, Eric,
0:20:35 > 0:20:36so don't do it.
0:20:36 > 0:20:38Hey.
0:20:38 > 0:20:39Hey.
0:20:40 > 0:20:42Your mother is nothing, Edie.
0:20:42 > 0:20:44She's a hole in the air.
0:20:48 > 0:20:49I want you to think about
0:20:49 > 0:20:52how you're going to finish Keith off, OK?
0:20:52 > 0:20:54Picture it.
0:20:54 > 0:20:56Cos once you do it,
0:20:56 > 0:20:58no one's going to hurt you again.
0:21:01 > 0:21:03Hey.
0:21:04 > 0:21:07Tonight you say goodbye to the little girl
0:21:07 > 0:21:09who your mum shat on
0:21:09 > 0:21:10and say hello
0:21:10 > 0:21:12to whoever you want to be.
0:21:16 > 0:21:17I can't wait.
0:21:57 > 0:21:59I got a truck with a busted transmission
0:21:59 > 0:22:01and I'm down a driver to the flu, so...
0:22:03 > 0:22:04..clients calling left and right.
0:22:10 > 0:22:12Heavy is the head that wears the crown, eh?
0:22:13 > 0:22:15Have a seat.
0:22:17 > 0:22:19So, I ran into my sister.
0:22:19 > 0:22:22That's OK, Don. I know she called you, you don't have to pretend.
0:22:24 > 0:22:25Well, look,
0:22:25 > 0:22:28I do have some hours if this is something you're interested in.
0:22:28 > 0:22:30You comfortable with a plough rig?
0:22:30 > 0:22:31You know,
0:22:31 > 0:22:33got a steering wheel, I can drive it.
0:22:33 > 0:22:35And you're OK with the early mornings?
0:22:36 > 0:22:38If I haven't smoked too much meth the night before.
0:22:42 > 0:22:44Woody, look,
0:22:44 > 0:22:46I know you got it in your head that...
0:22:47 > 0:22:49I don't know...
0:22:49 > 0:22:50I may not think highly of you.
0:22:52 > 0:22:54But I'm telling you this,
0:22:54 > 0:22:56I just want to help my sister.
0:22:56 > 0:22:58Now, do you want this or not?
0:23:03 > 0:23:06I do.
0:23:06 > 0:23:07OK.
0:23:07 > 0:23:09You start tomorrow, 5am.
0:23:09 > 0:23:10Great.
0:23:10 > 0:23:11There is the issue
0:23:11 > 0:23:13of the other stuff,
0:23:13 > 0:23:14the way of life.
0:23:14 > 0:23:17That's going to have to end, Woody, 100%.
0:23:19 > 0:23:22I'm sorry. I-I don't know what you're talking about.
0:23:22 > 0:23:23I have a reputation in this community
0:23:23 > 0:23:25and I can't have one of my guys
0:23:25 > 0:23:26caught up in that.
0:23:26 > 0:23:28It has to stop.
0:23:30 > 0:23:32That's why I'm here.
0:23:32 > 0:23:33Good.
0:23:33 > 0:23:35I'm relieved.
0:23:35 > 0:23:36I know Kristen's relieved
0:23:36 > 0:23:37and, hey,
0:23:37 > 0:23:39we all have to grow up eventually, right?
0:23:51 > 0:23:53Good evening.
0:23:53 > 0:23:55This will be a brief statement
0:23:55 > 0:23:57and we aren't taking any questions at this time.
0:23:57 > 0:23:58'Seven days ago,
0:23:58 > 0:24:00'the body of Katie Pine, 13,
0:24:00 > 0:24:03'of the Nipissing First Nations,
0:24:03 > 0:24:05'was found on Windigo Island.
0:24:05 > 0:24:07'Two days later, on March 8th,
0:24:07 > 0:24:10'we discovered the body of Todd Curry, 17,
0:24:10 > 0:24:11'of Sudbury.
0:24:11 > 0:24:15'We have reason to suspect foul play in both instances'
0:24:15 > 0:24:17and we have reason to believe that they are connected.
0:24:17 > 0:24:19We also believe that a third person
0:24:19 > 0:24:21may be in jeopardy.
0:24:21 > 0:24:23Detective John Cardinal
0:24:23 > 0:24:24is the chief investigator.
0:24:30 > 0:24:32'We are appealing to the public
0:24:32 > 0:24:35'for information about Keith Russell London.
0:24:35 > 0:24:37'He's 19,
0:24:37 > 0:24:38'from Toronto.
0:24:38 > 0:24:40'He's six foot tall,
0:24:40 > 0:24:42'brown hair, hazel eyes
0:24:42 > 0:24:43'and he may
0:24:43 > 0:24:46'be in possession of a guitar.
0:24:47 > 0:24:50'He travelled to Algonquin Bay by bus.
0:24:50 > 0:24:52'He arrived the night before last.'
0:24:52 > 0:24:53How do they know about him?
0:24:53 > 0:24:54Shhh.
0:24:54 > 0:24:56'Anyone who might have spoken to,
0:24:56 > 0:24:58'might have seen Keith Russell London
0:24:58 > 0:25:00'is urged to come forward
0:25:00 > 0:25:01'and contact us.'
0:25:07 > 0:25:08Keith's mother,
0:25:08 > 0:25:10Melissa London,
0:25:10 > 0:25:11would now like to say a few words.
0:25:20 > 0:25:22'I am Keith's mum...
0:25:23 > 0:25:24'and I, uh...
0:25:26 > 0:25:27'Tell them about your son,
0:25:27 > 0:25:28'Mrs London.
0:25:32 > 0:25:34'He's a good young man.
0:25:35 > 0:25:37'He's a bright...
0:25:38 > 0:25:40'..loving young man
0:25:42 > 0:25:43'and we, we...
0:25:43 > 0:25:45'Tell them how you wanted him to come home.
0:25:49 > 0:25:51'He wanted to travel more.
0:25:56 > 0:25:59'But I just wanted my boy to come home.'
0:26:02 > 0:26:03We have no further comment.
0:26:07 > 0:26:09What the hell is wrong with you?
0:26:09 > 0:26:11You don't think this woman is going through enough?
0:26:11 > 0:26:12The killer gets off on his victim's pain.
0:26:12 > 0:26:15Now he gets to toy with the family too.
0:26:15 > 0:26:16Well, how good of you
0:26:16 > 0:26:18to provide him with that opportunity.
0:26:19 > 0:26:21- Did you know about this? - No. It was my call.
0:26:21 > 0:26:22This is new ground for him.
0:26:22 > 0:26:25He'll savour it. It buys us time
0:26:25 > 0:26:28and if I'd asked you wouldn't have let me bring her on stage.
0:26:28 > 0:26:29You're damn right I wouldn't have.
0:26:29 > 0:26:32Because you just might have given this guy the climax
0:26:32 > 0:26:34that he was after
0:26:34 > 0:26:36and now he's going to finish the kid off.
0:26:49 > 0:26:50We can share this.
0:26:53 > 0:26:54You don't have to carry the whole thing.
0:27:03 > 0:27:04Your parents are in town.
0:27:04 > 0:27:06How do you know that?
0:27:07 > 0:27:09I saw your mum on TV just now.
0:27:09 > 0:27:11Uh, she's not holding up very well.
0:27:13 > 0:27:14What did she say?
0:27:14 > 0:27:16Kind of hard to make out the words.
0:27:23 > 0:27:25Just please tell me why you're doing this.
0:27:28 > 0:27:29Tell him, Edie.
0:27:34 > 0:27:36We don't ask why.
0:27:40 > 0:27:42Is there anything you want to tell your parents?
0:27:45 > 0:27:46What do you mean?
0:27:46 > 0:27:48Like if you,
0:27:48 > 0:27:50like if you could talk to them.
0:27:50 > 0:27:51What would you say?
0:27:55 > 0:27:57Would you say you love them?
0:28:07 > 0:28:08WHAT ELSE?
0:28:09 > 0:28:11We're going to give them something!
0:28:12 > 0:28:13We're going to give them a message.
0:28:15 > 0:28:16Give it some thought.
0:28:18 > 0:28:20I'm not going to let you torture them.
0:28:20 > 0:28:21It's too late for that.
0:28:21 > 0:28:23Well, I'm not going to help you make them suffer.
0:28:26 > 0:28:28We're either going to send them a message
0:28:28 > 0:28:29or we're going to send them a piece.
0:28:29 > 0:28:32What would be better, huh?
0:28:32 > 0:28:34A chunk of Keith?
0:28:34 > 0:28:36KEITH SCREAMS
0:28:38 > 0:28:39Keith?
0:28:59 > 0:29:01So, just come up
0:29:01 > 0:29:03with those thoughtful little words of yours.
0:29:05 > 0:29:07You should be happy.
0:29:08 > 0:29:10You were going to die tonight.
0:29:23 > 0:29:24What about the police?
0:29:24 > 0:29:26You saw them.
0:29:26 > 0:29:28They're nowhere.
0:29:30 > 0:29:32If Detective John Cardinal had the first clue about us,
0:29:32 > 0:29:34he would have knocked down our door already.
0:29:37 > 0:29:38Do you think he liked being on TV?
0:29:38 > 0:29:39What, the detective?
0:29:39 > 0:29:41Yeah, most of them like it,
0:29:41 > 0:29:43even when they pretend they don't.
0:29:44 > 0:29:45I couldn't tell with him.
0:30:01 > 0:30:02What are you doing?
0:30:04 > 0:30:06Come on.
0:30:06 > 0:30:07Take up some space with me.
0:30:10 > 0:30:12- You're ridiculous. - Oh, yeah?
0:30:12 > 0:30:13You ever tried it?
0:30:16 > 0:30:18Come on.
0:30:18 > 0:30:19Come out here.
0:30:32 > 0:30:33Spread your legs.
0:30:35 > 0:30:37Put your arms out.
0:30:39 > 0:30:40Take a deep breath.
0:30:59 > 0:31:02Yeah. Serial numbers from six different bills,
0:31:02 > 0:31:03all fifties.
0:31:03 > 0:31:04I'll get you back.
0:31:08 > 0:31:10Be careful.
0:31:14 > 0:31:15What does that mean?
0:31:17 > 0:31:20You're young and hungry
0:31:20 > 0:31:21and you're good.
0:31:23 > 0:31:24Sometimes the reward for that
0:31:24 > 0:31:26can be cases you can't win.
0:31:30 > 0:31:33If this is nothing,
0:31:33 > 0:31:35no one will be more relieved than me.
0:31:49 > 0:31:50Who's there?
0:31:52 > 0:31:54Josh?
0:31:54 > 0:31:57Ha, John Cardinal.
0:31:59 > 0:32:00Can we talk? We need to talk.
0:32:02 > 0:32:03We had a thing tonight.
0:32:06 > 0:32:08I cooked.
0:32:08 > 0:32:09And she promised she'd be there
0:32:09 > 0:32:11and then she didn't turn up.
0:32:12 > 0:32:14She has a lot going on.
0:32:14 > 0:32:16Oh, I know.
0:32:16 > 0:32:18No one's work is as important as yours,
0:32:18 > 0:32:19God knows.
0:32:20 > 0:32:23Which is sort of the point. Why did she promise to come?
0:32:25 > 0:32:27- To your dinner? - To my dinner.
0:32:28 > 0:32:31Knowing how busy she is. It's like she set it up to fail.
0:32:37 > 0:32:39We're trying to have a kid.
0:32:39 > 0:32:40She tell you that?
0:32:40 > 0:32:42That's none of my business.
0:32:42 > 0:32:44Yeah, well,
0:32:44 > 0:32:46here's something detective-y for ya.
0:32:46 > 0:32:49I was searching for her cigarette stash, I know she's smoking again,
0:32:49 > 0:32:52which I'm thinking it's not cool, right,
0:32:52 > 0:32:54for the baby but, the joke's on me because
0:32:54 > 0:32:56I didn't find any cigarettes, I found these.
0:32:59 > 0:33:00You're drunk.
0:33:00 > 0:33:02You want to think about what you're doing.
0:33:02 > 0:33:03Are you two having an affair?
0:33:07 > 0:33:09No. Right.
0:33:13 > 0:33:15To be honest, I half hoped you were
0:33:15 > 0:33:17because if this isn't about another guy,
0:33:17 > 0:33:20I don't know what to make of it.
0:33:20 > 0:33:22She says things will return to normal when she's back in Financial,
0:33:22 > 0:33:24but I don't know how you come back from this.
0:33:25 > 0:33:28What do you mean when she's back in Financial?
0:33:28 > 0:33:30The transfer to CIS, it's temporary.
0:33:30 > 0:33:32It's some assignment. You didn't know that?
0:33:33 > 0:33:35Where is she, anyway?
0:33:35 > 0:33:36If her case is so full on,
0:33:36 > 0:33:38why aren't you with her?
0:33:42 > 0:33:43Ugh. I don't feel very good.
0:33:45 > 0:33:46- Hannam?- Yeah.
0:33:47 > 0:33:49Can you run some bills for me?
0:33:49 > 0:33:50On Katie Pine?
0:33:50 > 0:33:52Nah, it's a different thing.
0:33:52 > 0:33:53I need to know if this money
0:33:53 > 0:33:56is associated with any criminal activity.
0:34:05 > 0:34:06Nope. These are new bills.
0:34:07 > 0:34:09But they can't be.
0:34:09 > 0:34:10Look at the issue dates.
0:34:10 > 0:34:13That's fresh money, straight from the bank.
0:34:13 > 0:34:15Someone laundered this money.
0:34:15 > 0:34:17Why would you launder new bills?
0:34:27 > 0:34:29Hey.
0:34:29 > 0:34:31Hey.
0:34:31 > 0:34:33I ran into Josh.
0:34:33 > 0:34:34He's had a bit to drink.
0:34:36 > 0:34:38Managed to get him in the door before the
0:34:38 > 0:34:40barfing started.
0:34:41 > 0:34:42But he's fine now.
0:34:46 > 0:34:48You cleaned up.
0:34:48 > 0:34:49It's done. It was nothing.
0:34:50 > 0:34:52It was fluids mostly.
0:34:55 > 0:34:56Where did you run into him?
0:34:58 > 0:34:59In a bar.
0:35:01 > 0:35:03You could have called me. I would have...
0:35:03 > 0:35:05I didn't want to
0:35:05 > 0:35:07interrupt whatever you were doing.
0:35:12 > 0:35:14I-I was just catching up on paperwork.
0:35:21 > 0:35:22Thank you.
0:35:22 > 0:35:24Yeah.
0:35:33 > 0:35:35I know a lot of people,
0:35:35 > 0:35:37they don't approve of what I do.
0:35:38 > 0:35:40You can't listen to that, though, I mean,
0:35:40 > 0:35:42you can't do this job without a thick skin, right?
0:35:42 > 0:35:45And you know what? Those people are just...
0:35:46 > 0:35:47..you know, they're envious of me.
0:35:47 > 0:35:49They, um...
0:36:16 > 0:36:18TV ON
0:36:32 > 0:36:33Hello?
0:36:35 > 0:36:37Hel-lo!
0:37:07 > 0:37:08Bingo.
0:37:32 > 0:37:33OK, OK, OK, OK.
0:37:33 > 0:37:35OK. OK. OK.
0:37:35 > 0:37:36Shh-shh-shh.
0:37:40 > 0:37:41Please be quiet.
0:37:41 > 0:37:43Let's be quiet now.
0:37:43 > 0:37:44- Shh-shh-shh. - Untie me! Untie me!
0:37:44 > 0:37:46- OK. - Oh, my God. Before they come.
0:37:46 > 0:37:47There's a woman upstairs sleeping upstairs.
0:37:47 > 0:37:49- Unite me. Untie me. - Be quiet.
0:37:52 > 0:37:55- Please! Please! Please! - You gotta be quiet now.
0:37:55 > 0:37:56DOOR SHUTS
0:37:56 > 0:37:58Please hurry!
0:37:58 > 0:38:00Please hurry. Hurry.
0:38:04 > 0:38:05Oh! Ah!
0:38:05 > 0:38:07Shut up. Or I'm out.
0:38:07 > 0:38:10FOOTSTEPS ABOVE
0:38:18 > 0:38:19Shh-shh.
0:38:19 > 0:38:20FOOTSTEPS ON STAIRS
0:38:26 > 0:38:29OK, so, let's, uh...
0:38:30 > 0:38:32..let's just be calm.
0:38:32 > 0:38:34ERIC!
0:38:36 > 0:38:38No need-no need for anybody to
0:38:38 > 0:38:39freak out here.
0:38:41 > 0:38:42Stop.
0:38:42 > 0:38:44OK.
0:38:44 > 0:38:45Who are you?
0:38:45 > 0:38:48- How'd you find us? - I didn't, uh,
0:38:48 > 0:38:49I didn't find you, uh...
0:38:51 > 0:38:53Let's just take a breath here, OK?
0:38:53 > 0:38:54Shoot him.
0:38:54 > 0:38:56No, no. No, no. I-I...
0:38:57 > 0:38:59I picked the wrong house.
0:38:59 > 0:39:00OK? That's what's happening here.
0:39:00 > 0:39:02I-I came for the guitar.
0:39:02 > 0:39:03Eric, you have to shoot him!
0:39:05 > 0:39:06You're a burglar?
0:39:11 > 0:39:12Well done, burglar.
0:39:12 > 0:39:14- Jackpot.- Shoot him!
0:39:14 > 0:39:16I got a lookout waiting outside in the car.
0:39:20 > 0:39:22He's waiting for me.
0:39:22 > 0:39:23If you fire the gun,
0:39:23 > 0:39:24he hears it.
0:39:25 > 0:39:28You're lying. What's his name?
0:39:28 > 0:39:29Aiden.
0:39:29 > 0:39:30It's Aiden.
0:39:30 > 0:39:32You know how I know you're not telling the truth?
0:39:32 > 0:39:33Ah!
0:39:48 > 0:39:50HE LAUGHS
0:39:52 > 0:39:53I swear I will kill her.
0:39:54 > 0:39:57There's no one outside, Keith.
0:39:57 > 0:39:59You know how I know?
0:39:59 > 0:40:01"I picked the wrong house"
0:40:01 > 0:40:02and then he switched.
0:40:02 > 0:40:03Then he switched to "we".
0:40:03 > 0:40:05But there is no "we" Keith, so I can shoot
0:40:05 > 0:40:07and no one will hear.
0:40:07 > 0:40:09I swear.
0:40:09 > 0:40:11Move back or I'll kill her.
0:40:11 > 0:40:13I wonder if you've got the strength to do that, Keith.
0:40:13 > 0:40:15In your state?
0:40:15 > 0:40:18To push that screwdriver through her neck?
0:40:18 > 0:40:20It's tougher than you think, flesh is.