0:00:03 > 0:00:04- I've been offered a job.- What?
0:00:04 > 0:00:08- New Zealand. - Marlee's staying with me. - Don't be ridiculous!
0:00:08 > 0:00:11You can hardly take care of yourself, never mind her.
0:00:11 > 0:00:13I'm going to allow you to buy me dinner.
0:00:13 > 0:00:15I thought I was persona non grata.
0:00:15 > 0:00:18You do look very good in a suit, Mr Brodie.
0:00:18 > 0:00:23You begged me to spend quality time with your daughter, then you take her to work and put her in danger.
0:00:23 > 0:00:25You blew it.
0:00:27 > 0:00:33Happy birthday, love.
0:01:11 > 0:01:17# There's a long and winding river
0:01:17 > 0:01:24# From the darkness to the dawn
0:01:24 > 0:01:30# It will carry and deliver you
0:01:31 > 0:01:35# When you walk on
0:01:38 > 0:01:43# No-one here can say for certain
0:01:43 > 0:01:48# What lies in the great beyond
0:01:50 > 0:01:54# You'll pass through that parted curtain... #
0:02:11 > 0:02:13Niamh!
0:02:13 > 0:02:15Niamh!
0:02:22 > 0:02:23Niamh!
0:02:52 > 0:02:54No! Jackson, no!
0:03:29 > 0:03:30Oh, DC Stewart, welcome.
0:03:30 > 0:03:33Call me Marcus, ma'am.
0:03:33 > 0:03:35Only if you don't call me ma'am.
0:03:35 > 0:03:39- What you got there?- Your... mother.
0:03:39 > 0:03:42The funeral director was leaving her at the front desk.
0:03:42 > 0:03:45- He said that he'd tried calling. - Right.
0:03:45 > 0:03:48I'm very sorry for your loss.
0:03:48 > 0:03:51- My own mum... - Are you labouring on the side?
0:03:51 > 0:03:55No, no. I've just moved into a new house on the Kinloch Estates.
0:03:55 > 0:03:58- Hatter Homes? - Ah, "real homes for real people."
0:03:58 > 0:04:02Part of the bathroom ceiling came down on Holly, my fiancee, this morning.
0:04:02 > 0:04:04- God. Is she hurt? - No, no.
0:04:04 > 0:04:06PHONE RINGS
0:04:06 > 0:04:08Sorry. Munroe.
0:04:08 > 0:04:11Jackson Brodie? Where?
0:04:22 > 0:04:26- What have we got?- Female, early 20s.
0:04:26 > 0:04:305'5", 5'6", 120 lbs.
0:04:30 > 0:04:33Earrings in the shape of a crucifix.
0:04:33 > 0:04:37I couldn't get a really good look but no sign of injury.
0:04:37 > 0:04:38This is Mr Brodie.
0:04:38 > 0:04:41He used to be in the police force until we got rid of him.
0:04:41 > 0:04:45- This is DC Marcus Stewart. - Has anyone reported a girl missing?
0:04:47 > 0:04:50- You OK?- Maybe she was drunk, fell in, but why would she come down here?
0:04:50 > 0:04:53Well, maybe... she probably topped herself.
0:04:53 > 0:04:58Or killer pushes her in, waits for the tide to carry her out, but I get here too soon.
0:04:58 > 0:05:02- We don't know she was killed. - We need the RNLI, RAF, divers.
0:05:02 > 0:05:04No, I can't just whistle up resources just like that. You know the score.
0:05:04 > 0:05:06You can, it's a phone call.
0:05:06 > 0:05:09No, I can't justify calling in hardware on the basis of one sighting.
0:05:09 > 0:05:12- One sighting!- If they find something suspicious on the beach,
0:05:12 > 0:05:15or if a description of that missing girl comes up, fair enough.
0:05:15 > 0:05:17Hey, she's out there. Why did you bother coming down?
0:05:17 > 0:05:19I'm freezing my arse off. There's a girl out there who
0:05:19 > 0:05:23needs our help, and you come down here telling me I'm making it up.
0:05:23 > 0:05:26- It's unbelievable.- Why are you being so bloody unreasonable? I'll do what I can.
0:05:36 > 0:05:38Have you seen my watch, Richard?
0:05:38 > 0:05:40What?
0:05:41 > 0:05:44It's a gift from my agent, it's quite a nice one.
0:05:44 > 0:05:45PHONE RINGS
0:05:49 > 0:05:54Ah, that'll be the twat from the venue looking to have a moan.
0:05:54 > 0:05:56Reviews!
0:05:56 > 0:05:58That's why I don't read 'em.
0:05:58 > 0:06:00Yeah, good idea. I never do.
0:06:00 > 0:06:03"Richard Moat's humour creaks with banality these days.
0:06:03 > 0:06:05"He hashes up the same..."
0:06:05 > 0:06:09Hashes up? Hashes up?! You prick.
0:06:09 > 0:06:15"He rehashes the same tired old material that he was using ten years ago." Hmm?
0:06:17 > 0:06:22- Bloody Scotsman, got it wrong. Again.- Er, we said not in the house.
0:06:23 > 0:06:25Your mate Dave Bell,
0:06:25 > 0:06:29- he said that you were a good bloke. - Well, I don't know how he could remember.
0:06:29 > 0:06:32I've only spoken to him a couple of times since we sat our O levels.
0:06:32 > 0:06:36He said, and I quote, "Your time with Martin will be chilled out."
0:06:36 > 0:06:39Yeah, and a good deal cheaper than a motel.
0:06:39 > 0:06:42What, you want some rent?
0:06:43 > 0:06:49Nah, course you don't, eh? Because you're not that pathetic, are you?
0:06:49 > 0:06:51Just joking.
0:06:55 > 0:06:59- Er, are you wearing my trousers? - Yeah. Oh, yeah. Well, I pissed me own, didn't I?
0:06:59 > 0:07:04Listen mate, you ain't got anything else besides beige chinos?
0:07:04 > 0:07:06They're light chestnut, actually.
0:07:06 > 0:07:10You see, the reason they're all like this, is because me, I'm just too sexy for them.
0:07:10 > 0:07:14I attack the puritanical element.
0:07:14 > 0:07:17That's the problem with this city of yours, mate.
0:07:17 > 0:07:20It's got no libido.
0:07:20 > 0:07:23- Personally I blame Knox. - You blame John Knox?
0:07:23 > 0:07:24Yeah. I mean, think about it.
0:07:24 > 0:07:29If this was Rio De Janeiro or San Paulo, well, it'd be totally different, wouldn't it?
0:07:29 > 0:07:32Are you likely to play Rio?
0:07:34 > 0:07:36I'm loving your book.
0:07:36 > 0:07:40It'd be great if you could clean up some of this "stuff"
0:07:40 > 0:07:42before you go to bed.
0:07:42 > 0:07:47Here you are, look. "Something's up, Bertie," she... oh, she whispered,
0:07:47 > 0:07:52as she balanced on Bertie's shoulders to get a good view
0:07:52 > 0:07:56of Lord Carstairs in the palm-filled conservatory of Dunwrath Castle.
0:08:00 > 0:08:03You're shit
0:08:03 > 0:08:05and you know you are.
0:08:05 > 0:08:07You're shit
0:08:07 > 0:08:09and you know you are.
0:08:17 > 0:08:19Nice towel.
0:08:19 > 0:08:21It's Marlee's.
0:08:21 > 0:08:23How is she? Still going to New Zealand?
0:08:24 > 0:08:27And how's your actress? Never had you down as the arty type.
0:08:27 > 0:08:30- I've hidden depths.- Serious?
0:08:31 > 0:08:34- What do you care.- What's she like?
0:08:35 > 0:08:37- You've met her.- Briefly.
0:08:41 > 0:08:42She's an actress.
0:08:42 > 0:08:45Wow, you gave a better description of the dead girl.
0:08:45 > 0:08:47I'll phone in a statement.
0:08:47 > 0:08:50If she turns up, let me know.
0:09:04 > 0:09:07But I'm working outside of the house today. Yeah.
0:09:08 > 0:09:12Because I've got a friend of an old school friend staying, and it's not a very good place to be.
0:09:12 > 0:09:17Yeah. Well, barring a few tweaks, I'll have it for you by the weekend.
0:09:23 > 0:09:25That's fine, that's fine.
0:09:29 > 0:09:31CAR HORN BEEPS
0:09:41 > 0:09:44- Shit.- Yer swine, yer.
0:09:46 > 0:09:47Sorry man, my fault.
0:09:47 > 0:09:50We don't need to make a big thing out of it.
0:09:50 > 0:09:53- Yer stupid ballbag, yer...- I'll hold.
0:09:53 > 0:09:54Eh?
0:09:54 > 0:09:56Eh? Eh?
0:09:56 > 0:09:58No, no, no...
0:09:58 > 0:10:02- How you going to drive now, yer posh faggot?- No!
0:10:05 > 0:10:07Hey, that's enough!
0:10:23 > 0:10:25Here. Just relax.
0:10:25 > 0:10:27- I'm fine.- Don't move, all right?
0:10:27 > 0:10:30Don't move your head. You've been hit. Give us that. What's that?
0:10:30 > 0:10:33- Cigarettes, keys. Is he alright? - Push it on there.
0:10:33 > 0:10:36- Press it as hard as you can. Don't be shy. Can you breathe?- Yeah.
0:10:36 > 0:10:39All right. Well, keep calm until help gets here.
0:10:39 > 0:10:41Call an ambulance and the police.
0:10:43 > 0:10:45Are you all right?
0:10:47 > 0:10:49You OK?
0:10:49 > 0:10:51You OK?
0:10:51 > 0:10:53Yeah, yeah...
0:10:53 > 0:10:58He was going at him with a bat, and I threw my laptop at him and he stopped.
0:10:58 > 0:11:02Yeah, I saw. It was very brave. Not a lot of people would have done that.
0:11:02 > 0:11:05I didn't mean to do it.
0:11:05 > 0:11:07What happens now?
0:11:07 > 0:11:12You tell the police everything you saw when they get here, and they'll take care of it.
0:11:12 > 0:11:15But no, the guy, he looked at me. Suppose he comes after me?
0:11:15 > 0:11:19No, no, you'll be fine. Look. You see? Have a look. Down there.
0:11:19 > 0:11:22See that? It's a red Honda, that's the number plate, all right?
0:11:22 > 0:11:25You tell them that and everything you saw, and they'll take care of it, they'll catch him for you.
0:11:25 > 0:11:27- Wait. You're a detective?- Yeah.
0:11:27 > 0:11:28Then you can protect me.
0:11:28 > 0:11:31You don't need protecting. You should get yourself checked out.
0:11:31 > 0:11:34No, no, no, look, I'm a writer. I'm a writer. I write crime fiction.
0:11:34 > 0:11:36You can be like a consultant.
0:11:36 > 0:11:38- One second...- You could advise me. - That's not really what I do.
0:11:38 > 0:11:42You should go to hospital with him and get yourself checked out. You're in a bit of shock.
0:11:42 > 0:11:43No, no, I'll pay you.
0:11:43 > 0:11:45We'll see.
0:11:45 > 0:11:47Well done.
0:11:47 > 0:11:49Tony. Thanks for calling me back.
0:11:49 > 0:11:50Listen, I need your help.
0:11:50 > 0:11:56Tidal movements. Low tide was at 0440.
0:11:56 > 0:12:01My question is this, if a body washed up at Cramond at 0700, then where might it have entered
0:12:01 > 0:12:04the water, and where and when might it wash up again?
0:12:04 > 0:12:06Yeah, that's all right. Don't call me back, I'll...
0:12:08 > 0:12:10Where were you this morning?
0:12:10 > 0:12:14- That nine o'clock waited for over an hour.- I found a dead woman.
0:12:14 > 0:12:17Oh, that's terrible. Is she paying cash or credit card?
0:12:17 > 0:12:19Your sympathy does you great credit, Deborah.
0:12:19 > 0:12:23I'll remember that when I find you floating upside down in the Firth of Forth.
0:12:23 > 0:12:26You will not find me floating upside down in the Firth of Forth.
0:12:26 > 0:12:29That's right, you've got an art history degree. Nothing bad'll ever happen to you.
0:12:29 > 0:12:32If she's dead, she's not a client, it's a job for the police.
0:12:32 > 0:12:34- It's the living you need to worry about.- You're all heart.
0:12:34 > 0:12:37- Hi.- Hey.
0:12:37 > 0:12:39No school?
0:12:39 > 0:12:43No. We are going shopping for summer clothes, aren't we?
0:12:43 > 0:12:45Oh. I went to New Zealand on my gap year.
0:12:45 > 0:12:47It's amazing, you're going to love it.
0:12:47 > 0:12:50Work, work.
0:12:50 > 0:12:54Er, since we were already in town, I thought I'd get you to sign the form.
0:12:57 > 0:13:00I've got a copy, thanks.
0:13:00 > 0:13:02Yeah, I know, but...
0:13:02 > 0:13:06it'd be really helpful if you could just sign it now. It'll only take a minute.
0:13:06 > 0:13:08Well, I'm busy, and...
0:13:08 > 0:13:10I don't think it's the best time to talk about it, do you?
0:13:13 > 0:13:14I'll pop round tonight.
0:13:14 > 0:13:17We're packing tonight.
0:13:17 > 0:13:21Jackson, I've bought the tickets.
0:13:21 > 0:13:24The house is rented. We're going.
0:13:24 > 0:13:26Look, all I need is your parental consent.
0:13:26 > 0:13:28I know what you want.
0:13:28 > 0:13:31You have to sign this.
0:13:31 > 0:13:34I don't, actually.
0:13:34 > 0:13:38- No, I don't have to sign it. - For Christ's sake. What you doing?
0:13:38 > 0:13:43We knew that this was going to happen at some point, whether it was New Zealand or Newcastle.
0:13:43 > 0:13:46I can get to Newcastle in a couple of hours. I can take care of her.
0:13:46 > 0:13:49You don't take care of her, I do.
0:13:49 > 0:13:51Dad. I could help if you're busy.
0:13:59 > 0:14:01It's OK, I've got boring stuff to do.
0:14:01 > 0:14:06- Why don't you go out shopping with your mum? You'll have more fun, all right.- OK.
0:14:12 > 0:14:14Tonight!
0:14:18 > 0:14:20Come on, let's go.
0:14:28 > 0:14:31Can I get you something?
0:14:54 > 0:14:57- Hello?- Hiya, you OK? School OK?
0:14:57 > 0:14:59- Awesome, as ever. - What have you been up to?
0:14:59 > 0:15:01Dunno. Er, my history essay.
0:15:01 > 0:15:03- On?- What the Nazis did for us.
0:15:03 > 0:15:07I think you've got that wrong! Look, I'm sorry, you're probably
0:15:07 > 0:15:11going to have to heat up last night's pie tonight, it's going to be a late one here.
0:15:11 > 0:15:14- I'm a neglected child, you know that? - And I'm a neglected mum.
0:15:16 > 0:15:18I love you.
0:15:18 > 0:15:20Yeah.
0:15:23 > 0:15:26Nina looked up at the old house.
0:15:26 > 0:15:28I say, Nina.
0:15:28 > 0:15:32You're not seriously going to break in there?
0:15:38 > 0:15:43There's been a road-rage incident. A guy's been attacked with a baseball bat and taken to hospital.
0:15:43 > 0:15:46- Nasty head injury, apparently. - The assailant?- Escaped.- Great.
0:15:46 > 0:15:52All right, in the meantime, make sure we've distributed the description of Jackson's girl as widely as possible.
0:15:52 > 0:15:55- Some of the guys... - What about some of the guys?
0:15:56 > 0:15:59They say that Jackson bloke's a bit of a nutter.
0:15:59 > 0:16:04Yeah, that Jackson bloke is THE most irritating man north of Hadrian's Wall.
0:16:04 > 0:16:06- That's what they said. - And a better copper than any of them.
0:16:06 > 0:16:09- Distribute the description of the girl. - Ma'am... Boss.
0:16:26 > 0:16:29Hello? Gloria Hatter speaking.
0:16:31 > 0:16:33No. Sorry, there's been some mistake...
0:16:33 > 0:16:35Graham's away at a work thing.
0:16:35 > 0:16:38He's due back...
0:16:38 > 0:16:41Oh, I see.
0:16:41 > 0:16:43I'll be right there.
0:16:51 > 0:16:55- Feeling better? - Er, still a bit shaky.
0:16:55 > 0:16:57That's adrenaline for you.
0:16:57 > 0:17:00I hear you're a bit of a hero.
0:17:00 > 0:17:04I don't know what came over me. I've never tried to save anybody in my life.
0:17:04 > 0:17:05How's he doing?
0:17:05 > 0:17:09He's still a little groggy, but he wants to be discharged.
0:17:09 > 0:17:10I've got his bag.
0:17:10 > 0:17:13It's really heavy, like it's got a brick in it or something.
0:17:13 > 0:17:15You seem familiar, Mr Canning.
0:17:15 > 0:17:18Are you famous or something?
0:17:18 > 0:17:20Um... Not really.
0:17:20 > 0:17:25I'm a writer, a novelist. I do...
0:17:25 > 0:17:27what they call soft-boiled crime.
0:17:27 > 0:17:30- Alex Blake. - I've always wondered about writers.
0:17:30 > 0:17:33Where do you get your ideas from?
0:17:42 > 0:17:45Excuse me, you can't smoke in here.
0:17:45 > 0:17:47This is waiting room.
0:17:47 > 0:17:49When I wait, I smoke.
0:17:49 > 0:17:52Then you'll have to do both outside.
0:17:52 > 0:17:56- Money or I scream.- Yeah, I'm going to go to the hotel lobby and get...
0:18:20 > 0:18:22PHONE RINGS
0:18:22 > 0:18:25Jackson Brodie. Hold on. Where?
0:18:27 > 0:18:29Yeah. What time?
0:18:31 > 0:18:33Can't you be more precise than that?
0:18:33 > 0:18:36All right, no, thanks a lot.
0:18:39 > 0:18:42- Jackson?- What? - You said to remind you.
0:18:42 > 0:18:44You're having lunch with Julia.
0:18:44 > 0:18:45Oh, shit.
0:19:05 > 0:19:08Er, right. Do you mind?
0:19:08 > 0:19:10Ah.
0:19:10 > 0:19:14It's by a Czech writer. Or maybe he's Slovakian.
0:19:14 > 0:19:18Anyway, it's an existentialist, abstract piece.
0:19:18 > 0:19:22Oh right, that means there won't be anything about Greenland or the equator on it then.
0:19:22 > 0:19:26I'm just keeping my fingers crossed that it speaks to an audience.
0:19:26 > 0:19:29Oh right, you care about audiences, do you?
0:19:29 > 0:19:31Well, you shouldn't, because they're all bastards.
0:19:31 > 0:19:33My first night, right, I'm on stage.
0:19:33 > 0:19:35Belter, absolute belter.
0:19:35 > 0:19:38Door opens, fat bastard wanders - waddles in, right?
0:19:38 > 0:19:40You could hear the shockwaves in Leith.
0:19:40 > 0:19:43Anyway, he's wandering down the side of the theatre like this.
0:19:43 > 0:19:45I said "Oi, you corpulent pig,
0:19:45 > 0:19:49"do you mind walking down the middle? There's a bit of a tilt on the building."
0:19:50 > 0:19:54I'm sorry I haven't had chance to come and see it. How were the reviews?
0:19:54 > 0:19:57Pff, I don't know. Don't read them, do I?
0:19:57 > 0:20:00Mind you, having said that, if I did, and if I ever caught hold
0:20:00 > 0:20:05of that bastard from the Scotsman, he's going to regret the moment that he learnt to spell banality.
0:20:05 > 0:20:08- You're late. - I'm sorry, I got caught up.
0:20:08 > 0:20:10- Jackson Brodie.- Hi, how are you?
0:20:10 > 0:20:13- Richard. Richard Moat.- Yeah...
0:20:13 > 0:20:15Comic viagra for the mind, eh?
0:20:15 > 0:20:17Right, I'm off.
0:20:17 > 0:20:19Get my head down, bit knackered.
0:20:19 > 0:20:22Last night, first night with my new Thai bride.
0:20:22 > 0:20:26Anyway, lying in bed there, you know, very intensive foreplay,
0:20:26 > 0:20:29just giving her a lovely blow job and I thought, hang on a minute!
0:20:29 > 0:20:33Right. So maybe see you both tomorrow.
0:20:37 > 0:20:40- Hilarious. It's a wonder he's still not on telly!- Don't be cruel.
0:20:40 > 0:20:42Where are you taking me?
0:20:42 > 0:20:45- Nerves make me ravenous.- I'm really sorry, I've got to duck out.
0:20:45 > 0:20:48I found a girl drowned this morning.
0:20:48 > 0:20:50I've got stuff to do.
0:20:50 > 0:20:52I should probably rehearse some more anyway.
0:20:52 > 0:20:56The journey through the birthing canal just isn't resonating for me.
0:20:56 > 0:20:58Yeah, I hate it when that happens.
0:21:03 > 0:21:07Nerves also make me very frisky, Mr Brodie!
0:21:07 > 0:21:09- Ten minutes?- I really can't.
0:21:09 > 0:21:12Sorry. I've got...
0:21:12 > 0:21:13PHONE RINGS
0:21:13 > 0:21:15I'll call you later.
0:21:15 > 0:21:17- Jackson Brodie.- Mr Brodie,
0:21:17 > 0:21:20it's Martin Canning. The road rage incident?
0:21:20 > 0:21:24Yeah, Martin. How are you? They're going to catch that bloke?
0:21:24 > 0:21:27Er, probably. I, er...
0:21:27 > 0:21:29Listen, I need your advice.
0:21:29 > 0:21:32The man who was attacked, they're about to discharge him and they want
0:21:32 > 0:21:35me to go with him and watch him for the next 24 hours.
0:21:35 > 0:21:38It's a head injury. They want to see if he's got brain damage.
0:21:38 > 0:21:40Yeah, but I don't even know him!
0:21:40 > 0:21:42Well, don't go then.
0:21:42 > 0:21:44But I can't...
0:21:44 > 0:21:46I don't...
0:21:46 > 0:21:51The thing is, I write about a detective, an amateur sleuth...
0:21:51 > 0:21:56and I think I'm feeling sort of empathetic,
0:21:56 > 0:21:59you know, because you're a detective.
0:21:59 > 0:22:03Well, as a detective, Martin, you've got to learn to follow your nose, you know.
0:22:03 > 0:22:06So maybe go with him and, er, see where it takes you.
0:22:11 > 0:22:13Ah, there you are, Martin. Your friend's been discharged.
0:22:13 > 0:22:15He's ready to go.
0:22:21 > 0:22:23Myocardial infarction.
0:22:23 > 0:22:26Massive heart attack. I'm very sorry.
0:22:28 > 0:22:31It doesn't seem like it's really Graham.
0:22:31 > 0:22:33Graham's always talking.
0:22:33 > 0:22:36Who found him?
0:22:36 > 0:22:39- Has no one told you?- Obviously not.
0:22:39 > 0:22:43Perhaps we should move out of the room. Graham may be able to hear.
0:22:43 > 0:22:47I don't suppose you're telling him anything he doesn't know already.
0:22:47 > 0:22:50A woman called Jojo, I believe.
0:22:50 > 0:22:53- Jojo?- A call girl.
0:22:53 > 0:22:57- She did try to resuscitate him. - A prostitute?
0:22:57 > 0:23:02He might have revived quicker if he hadn't been... tied up.
0:23:04 > 0:23:06Have you been married long?
0:23:06 > 0:23:0839 years.
0:23:08 > 0:23:13Sometimes I feel I went straight from being young to being old.
0:23:13 > 0:23:16Missed out the good bits.
0:23:16 > 0:23:19Och, they're all tossers, if you ask me.
0:23:19 > 0:23:21Will he pull through?
0:23:21 > 0:23:24I'm afraid I can't say at this stage. We'll have to wait for the results of the scans.
0:23:24 > 0:23:25PAGER BEEPS
0:23:25 > 0:23:27Sorry.
0:23:34 > 0:23:36What profiteth it a man
0:23:36 > 0:23:40if he gaineth the whole world
0:23:40 > 0:23:42but loseth his soul?
0:23:42 > 0:23:45Answer me that one, Graham.
0:23:48 > 0:23:49Tosser.
0:24:03 > 0:24:07Hi. You're a girl, Deborah.
0:24:07 > 0:24:10- I think "woman" is the term you're looking for.- Right.
0:24:10 > 0:24:12She's wearing distinctive earrings.
0:24:12 > 0:24:18Crucifixes with three bars across them. Eastern orthodox, I think. Where would she get them from?
0:24:18 > 0:24:19Well, they sound a bit tacky.
0:24:19 > 0:24:22I'm not interested if you would buy them, Deborah.
0:24:22 > 0:24:26Get us a list of jewellers that specialise in religious memorabilia.
0:24:26 > 0:24:29I'm going to check out the Russian cafes.
0:24:29 > 0:24:32OK, will do. Oh, Jackson, how was lunch?
0:24:34 > 0:24:36Jackson?
0:25:00 > 0:25:03I'm Gloria, the wife.
0:25:03 > 0:25:04I know.
0:25:04 > 0:25:07Graham talk about you.
0:25:07 > 0:25:10Before, during or after?
0:25:10 > 0:25:13Not during.
0:25:13 > 0:25:14Gag.
0:25:18 > 0:25:20PHONE RINGS
0:25:27 > 0:25:29What?
0:25:29 > 0:25:31Mr Canning?
0:25:31 > 0:25:34Hang on.
0:25:34 > 0:25:36Mr Canning?
0:25:36 > 0:25:40Yeah, hang on. I told you I was not to be disturbed.
0:25:40 > 0:25:44Yeah, I'm a police officer. DI Louise Munroe.
0:25:44 > 0:25:47Well, in that case, my dear,
0:25:47 > 0:25:49I am not Mr Canning.
0:25:49 > 0:25:52My name is Richard Moat. Comedy Viagra.
0:25:52 > 0:25:55Well, I need to speak to him. He's an important witness.
0:25:55 > 0:25:58Do you know where he is?
0:25:58 > 0:26:00Er, no.
0:26:00 > 0:26:04Well, when you see him, can you get him to phone me at the station?
0:26:04 > 0:26:06Urgently.
0:26:06 > 0:26:08I certainly will...
0:26:08 > 0:26:10Miss Piggy.
0:26:12 > 0:26:14I don't have sex with him.
0:26:14 > 0:26:16I am a lucky one.
0:26:16 > 0:26:19I'm not a whore.
0:26:19 > 0:26:22Last time Graham and I had sex was in the Maldives.
0:26:22 > 0:26:25There's not a lot to do in the Maldives.
0:26:27 > 0:26:30What does he pay you for, exactly?
0:26:32 > 0:26:34Slapped hard, tied up,
0:26:34 > 0:26:37made to do things.
0:26:37 > 0:26:38What sort of things?
0:26:38 > 0:26:41Lick my boots,
0:26:41 > 0:26:44crawl on floor.
0:26:44 > 0:26:47Nothing useful, like hoovering?
0:26:51 > 0:26:54He likes to be submissive.
0:26:54 > 0:26:57Powerful men, they're all the same.
0:26:57 > 0:27:01Graham and his... friends.
0:27:01 > 0:27:03The board of Hatter's Homes.
0:27:03 > 0:27:06They're all at it?
0:27:06 > 0:27:07The entire board?
0:27:07 > 0:27:09Real homes for...
0:27:09 > 0:27:12...Real people.
0:27:12 > 0:27:13Idiots.
0:27:15 > 0:27:17Where's your accent from?
0:27:17 > 0:27:20Russia.
0:27:20 > 0:27:24My proper name is Tatiana.
0:27:27 > 0:27:29I love your earrings.
0:27:32 > 0:27:35Are you religious?
0:27:35 > 0:27:37Faith?
0:27:37 > 0:27:40You take it where you can.
0:27:40 > 0:27:43This is not how I saw my life.
0:27:43 > 0:27:45Me neither.
0:27:47 > 0:27:49This was a surprise for you.
0:27:49 > 0:27:54Well, yes, you could say that.
0:27:54 > 0:27:57I always imagined him going on the golf course.
0:27:57 > 0:28:00Well, not that he's actually gone yet.
0:28:00 > 0:28:04- Don't worry, Gloria. He will soon.- You think?
0:28:04 > 0:28:06Trust me.
0:28:06 > 0:28:08Goodbye.
0:28:30 > 0:28:31Hey!
0:28:33 > 0:28:35Hey wait!
0:28:54 > 0:28:56Any luck?
0:28:56 > 0:28:59Yeah, yeah. I saw the dead girl in the street,
0:28:59 > 0:29:04which is obviously impossible, but that's what I did. Or very similar.
0:29:04 > 0:29:06- Same earrings, everything. - A dead ringer.
0:29:06 > 0:29:09I'd swear it was her.
0:29:09 > 0:29:11- So is she dead or alive?- Or sisters?
0:29:11 > 0:29:14Sisters?
0:29:14 > 0:29:16What's this?
0:29:16 > 0:29:19I found it when I was looking for the body.
0:29:19 > 0:29:23Half a name, FA, and half a number.
0:29:23 > 0:29:25There were cards like this floating near the dead girl.
0:29:25 > 0:29:28I get dozens of these cards through the letter-box.
0:29:28 > 0:29:30She's not a man with a van, is she? An Italian restaurant?
0:29:30 > 0:29:33- A dry cleaner?- Gardeners?- It's pink.
0:29:33 > 0:29:36It's going to be a personal service of some kind.
0:29:36 > 0:29:38She's Eastern European, so what do they do?
0:29:38 > 0:29:40It's like massages, cleaning...
0:29:40 > 0:29:43Well, I wouldn't know anything about that with the wages you pay me.
0:29:43 > 0:29:45It's not going to be on there, it's local.
0:29:45 > 0:29:49Go get all the local giveaways, anything with small ads. Buy all the local papers.
0:29:49 > 0:29:51And a latte.
0:29:51 > 0:29:54When we've found her, on your way home and with your own money.
0:29:59 > 0:30:02Really, Martin, you can get off now.
0:30:02 > 0:30:05No, I couldn't forgive myself if you...
0:30:05 > 0:30:10If something happened to you in a strange hotel room, away from home and family.
0:30:10 > 0:30:14- I'm not going to die, Martin.- Doctor said I had to keep an eye on you.
0:30:14 > 0:30:17- You can't sleep for another couple of hours, the doctor said.- I'm beat.
0:30:17 > 0:30:20Then I have to wake you up every two hours to see that you're OK.
0:30:20 > 0:30:23If you absolutely insist.
0:30:23 > 0:30:25I'll take the chair.
0:30:27 > 0:30:30Not many people like you around any more, are there?
0:30:30 > 0:30:32So I've realised.
0:30:34 > 0:30:36OK, have it your own way.
0:30:36 > 0:30:38Fancy a drink?
0:30:38 > 0:30:42- Um... won't that make you a bit sleepy?- Not what I've got in mind.
0:30:42 > 0:30:46Er, you probably shouldn't have any alcohol, not in your...
0:30:46 > 0:30:48Whiskey and ginger.
0:30:48 > 0:30:54- First had it when I was stationed up here.- Were you in the army? Sorry, I didn't mean to pry.
0:30:54 > 0:30:59That's OK, I've got nothing to hide. I was in the navy, actually. SBS.
0:30:59 > 0:31:01Now I'm just a desk jockey, pushing pieces of paper about.
0:31:01 > 0:31:03It's very dull.
0:31:03 > 0:31:05I'll just find some glasses.
0:31:15 > 0:31:17There we go. Try that.
0:31:20 > 0:31:22All right?
0:31:22 > 0:31:24Er, yeah, it's good.
0:31:31 > 0:31:33- So, have you served in the forces, then?- No, no.
0:31:33 > 0:31:36My father was a CSM.
0:31:36 > 0:31:39Brought us up in a sort of domestic boot camp.
0:31:39 > 0:31:43- Us?- Um, my brother and me.
0:31:43 > 0:31:44Christopher.
0:31:44 > 0:31:49- Are you two close?- No, not really.
0:31:49 > 0:31:54Shall I put the TV on, maybe help keep you awake a bit longer?
0:31:54 > 0:31:57Tell you what, Martin, don't bother.
0:31:57 > 0:31:59I'm done in.
0:32:09 > 0:32:11Hello, darlink.
0:32:11 > 0:32:15- You give me a raise, yes?- Just keep working, will you, Deborah?
0:32:15 > 0:32:19Hello, can I do you a favour?
0:32:19 > 0:32:21You could stop trying to sound Welsh.
0:32:21 > 0:32:25"Favours. We do what you want us to do".
0:32:25 > 0:32:28- It's the FA.- It's what?
0:32:28 > 0:32:31It's a slogan. Favours is a cleaning company.
0:32:31 > 0:32:34- You were right. - Did you get an address?
0:32:34 > 0:32:37That's the thing. There isn't one, but the telephone number matches.
0:32:37 > 0:32:39All right, you're calling in.
0:32:39 > 0:32:46- And saying what?- That your name is Olga, and you can't remember where you're working today.
0:32:46 > 0:32:49- What if they speak Russian? - You speak Russian, it's on your CV.
0:32:49 > 0:32:52I went on a school trip to Moscow. I'm not exactly fluent.
0:32:52 > 0:32:53You mean you lied?
0:32:53 > 0:32:57I'm sure this isn't in my job description. Hello.
0:32:57 > 0:33:00My name is Olga.
0:33:00 > 0:33:03I forget where I clean today.
0:33:05 > 0:33:07- Ya, Olga.- Da.
0:33:07 > 0:33:10Da. Pravilno...
0:33:10 > 0:33:12Da.
0:33:13 > 0:33:15Thank you.
0:33:15 > 0:33:17Bye bye.
0:33:19 > 0:33:22Deborah, it actually physically pains me to say this...
0:33:22 > 0:33:24What?
0:33:24 > 0:33:26You did all right.
0:33:26 > 0:33:28Seriously? What about that pay rise?
0:33:28 > 0:33:31Seriously? Not that all right.
0:33:34 > 0:33:35Udachi.
0:33:35 > 0:33:38- "Good luck" in Russian.- Tidy up.
0:33:59 > 0:34:02Hello.
0:34:02 > 0:34:03Who are you?
0:34:03 > 0:34:07I just need to ask you a couple of questions.
0:34:07 > 0:34:09It's all right, I'm not the police.
0:34:09 > 0:34:13- You have to phone office. - I will, I will.
0:34:13 > 0:34:16Just help me out for a second.
0:34:16 > 0:34:19Tell me if you know a girl who wears earnings like these.
0:34:19 > 0:34:22I think she works for Favours.
0:34:22 > 0:34:24You do, don't you?
0:34:26 > 0:34:28- When did you last see her? - I call owner. Go.
0:34:28 > 0:34:32- Just tell me her name? - I don't know anything.
0:34:32 > 0:34:36She's dead. The girl who wears these, she's dead.
0:34:37 > 0:34:39How do you know? Did you see her?
0:34:40 > 0:34:42Yeah. I saw her,
0:34:42 > 0:34:45and I saw another girl who looked just like her.
0:34:45 > 0:34:48Maybe her sister. Expensive clothes. Who would that be?
0:34:48 > 0:34:51It's bad for me to talk to you.
0:34:51 > 0:34:54I can see you're frightened. Here, look.
0:34:54 > 0:34:58My name's Jackson, Jackson Brodie. I'm an investigator.
0:34:58 > 0:35:02- You call me later. Anything that happens between us is private.- Go.
0:35:02 > 0:35:04What's your name?
0:35:04 > 0:35:07Please go.
0:35:09 > 0:35:10Call me later, OK?
0:35:32 > 0:35:35I need someone to come and help me pack.
0:35:35 > 0:35:38Why does Dad work all the time?
0:35:39 > 0:35:42People need him, I guess.
0:35:42 > 0:35:44But we need him tonight.
0:35:49 > 0:35:51Come on.
0:36:01 > 0:36:03Jellybean.
0:36:10 > 0:36:12Is that you, Mum?
0:36:17 > 0:36:19What's that?
0:36:19 > 0:36:21"Hello, Mum, how was your day?"
0:36:21 > 0:36:24"Long and knackering, thanks for asking."
0:36:24 > 0:36:26"Would you like a bucket of wine?"
0:36:26 > 0:36:29"That would be wonderful, beloved offspring, thank you."
0:36:29 > 0:36:32- What have you been up to?- Nothing.
0:36:32 > 0:36:35- Is that Gran? - What's left of her, yeah.
0:36:35 > 0:36:37Cool. Can I have it?
0:36:37 > 0:36:38KNOCK AT THE DOOR
0:36:38 > 0:36:40For Christ's sake.
0:36:45 > 0:36:48What the hell do you want?
0:36:48 > 0:36:51This is my home, Jackson, it's not a bloody office that you can just drop by.
0:36:51 > 0:36:53I think she was working for a company called Favours.
0:36:53 > 0:36:56How do you know she worked for a cleaning company?
0:36:56 > 0:36:59Because I was talking to a girl who was working there and she obviously knew her, I could tell.
0:36:59 > 0:37:02- Oh, you could tell. - She was terrified of speaking to me.
0:37:02 > 0:37:04What was the girl's name?
0:37:04 > 0:37:06- I don't know.- Where does she live? - I don't know.
0:37:06 > 0:37:08- Do you have an address? - Yeah, I've got a phone number.
0:37:08 > 0:37:11- Oh, good. - All you've got to do is find out where they've got a booking.
0:37:11 > 0:37:14- Turn up. Wait for the van to arrive. - What planet are you on, Jackson?
0:37:14 > 0:37:17You didn't see how frightened this girl was when she was talking to me.
0:37:17 > 0:37:19- Trust me, it's a murder. - We don't even have a body.
0:37:19 > 0:37:22Not even a reported crime, not even a reported missing person.
0:37:22 > 0:37:25- You're a police officer, aren't you? You have statutory... - Don't you bloody lecture me!
0:37:25 > 0:37:28I'm not saying you're not a good copper, you are.
0:37:28 > 0:37:30I'm saying we should look further in a case like this.
0:37:30 > 0:37:32Why don't you take a look at yourself?
0:37:32 > 0:37:35Your daughter's flying to the other side of the world, and you're chasing shadows.
0:37:35 > 0:37:38- What's that got to do with anything? - Just get out.
0:37:38 > 0:37:40I'm sorry I barged in here, all right? I'm...
0:37:40 > 0:37:43No, you're not sorry. This is what you do, what you always do.
0:37:43 > 0:37:46Christ, Jackson, you've lost your job, your wife and now Marlee.
0:37:46 > 0:37:49And you will not stop. Now, I want to help you, but you make it impossible...
0:37:51 > 0:37:53Shit.
0:37:57 > 0:37:59- Let me clear it up.- Just leave it.
0:38:05 > 0:38:07Who is it?
0:38:07 > 0:38:09Get out.
0:39:39 > 0:39:42PHONE RINGS
0:39:42 > 0:39:44Hello.
0:39:44 > 0:39:46'Gloria! It's Murdo. Sorry to bother you so late.
0:39:46 > 0:39:48'I've been trying to get Graham on his mobile.
0:39:48 > 0:39:51'We were supposed to have a meeting this morning, but he didn't turn up.
0:39:51 > 0:39:54- 'Is he there?' - No, he's in Thurso.
0:39:54 > 0:39:57'Thurso! You're joking. What do you mean, Thurso?
0:39:57 > 0:40:00What's he doing there, for Christ's sake?'
0:40:00 > 0:40:04- He's building an estate up there. - 'Since when?'- Since now.
0:40:04 > 0:40:07- 'Why he's not answering his phone?' - He forgot it.
0:40:07 > 0:40:10- 'Graham forgot his phone?' - Hard to believe, I know.
0:40:10 > 0:40:11OTHER PHONE RINGS
0:40:11 > 0:40:14I thought it was surgically attached to his ear.
0:40:14 > 0:40:17See? I told you he forgot it.
0:40:17 > 0:40:18HE HANGS UP
0:40:18 > 0:40:21Some people have no manners.
0:40:26 > 0:40:28Arse, arse, arse.
0:40:56 > 0:41:00Memory stick, memory stick, memory stick.
0:41:02 > 0:41:04Oh, my book, my book.
0:41:18 > 0:41:20Surely not.
0:42:38 > 0:42:40PHONE RINGS
0:42:40 > 0:42:43'This is Jackson Brodie.
0:42:43 > 0:42:46'Please leave me a message, and I'll get back to you as soon as I can.'
0:42:46 > 0:42:48Bloody hell, Jackson, where are you?
0:42:48 > 0:42:51I've just sat through two hours of Richard Moat.
0:42:51 > 0:42:55I'd rather have my fillings removed with a rusty nail.
0:42:55 > 0:42:58Where are you? I'm bored.
0:43:00 > 0:43:05- Oi-oi.- Hey. There he is! The man himself.
0:43:05 > 0:43:08You were brilliant, darling. I only hope mine goes half as well.
0:43:08 > 0:43:13Yeah, you know, I thought it went all right. I mean, it went really well.
0:43:13 > 0:43:15You fancy a drink?
0:43:15 > 0:43:18Yeah. Why not?
0:43:18 > 0:43:24Yeah, I thought the African village/water pump routine went down well, didn't it?
0:44:32 > 0:44:33Niamh?
0:44:33 > 0:44:35Niamh?
0:44:53 > 0:44:54Niamh!
0:45:18 > 0:45:20Jackson, no!
0:45:20 > 0:45:21Jackson, no!
0:46:00 > 0:46:01Have you got your lunch?
0:46:03 > 0:46:05Yeah.
0:46:12 > 0:46:14Take the whole pack.
0:46:14 > 0:46:17Just don't get caught.
0:46:17 > 0:46:18Thanks.
0:46:25 > 0:46:28I should have picked her up from the bus stop.
0:46:28 > 0:46:30You know that, don't you?
0:46:33 > 0:46:35Yeah.
0:46:35 > 0:46:38And you know I love you, tyke, don't you?
0:46:40 > 0:46:42Yeah.
0:46:45 > 0:46:47Piss off and learn something.
0:47:13 > 0:47:16'I should have picked her up from the bus stop.
0:47:16 > 0:47:19You know that, don't you?'
0:47:24 > 0:47:25Francis?
0:47:28 > 0:47:30Francis, stop mucking about.
0:47:35 > 0:47:37Francis!
0:48:20 > 0:48:22All right, big man?
0:48:28 > 0:48:30There you go.
0:48:50 > 0:48:53Started smoking again.
0:48:53 > 0:48:56That's your bloody fault.
0:49:03 > 0:49:04You're looking good.
0:49:06 > 0:49:07I've just got older.
0:49:09 > 0:49:12You should see Marlee, she's a giant.
0:49:18 > 0:49:21I should have brought her to see you.
0:49:21 > 0:49:25I will. Yeah, I will.
0:49:25 > 0:49:28You'd like her, she's...
0:49:29 > 0:49:32She's amazing.
0:49:32 > 0:49:37She's funny, she's smart, she's kind.
0:49:37 > 0:49:39She's nothing like her dad.
0:49:49 > 0:49:53They want to take her away from me, Francis.
0:49:53 > 0:49:56They want to take her halfway around the world.
0:49:58 > 0:50:00No. I can't let her go.
0:50:00 > 0:50:03I cannot let that happen.
0:50:03 > 0:50:05You get it, don't you?
0:50:06 > 0:50:10You've got to keep the people you love right there where you can see them,
0:50:10 > 0:50:14so you can protect 'em, eh?
0:50:19 > 0:50:22Eh? What do you think?
0:50:39 > 0:50:41Oh, I'm so tired.
0:51:11 > 0:51:13I love you, big man.
0:51:24 > 0:51:26Archie, for the hundredth time, get up!
0:51:34 > 0:51:37To think you were inside me for nine months.
0:51:37 > 0:51:40To think you actually ever had sex.
0:51:42 > 0:51:45So, what are you reading lately?
0:51:45 > 0:51:47Bit of Japanese philosophy.
0:51:48 > 0:51:49Only when I came home last night...
0:51:49 > 0:51:52Who was that guy who came here? Are you sleeping with him?
0:51:52 > 0:51:54No, and don't change the subject.
0:51:54 > 0:51:55PHONE RINGS
0:51:55 > 0:51:57DI Munroe.
0:51:57 > 0:51:59Marcus.
0:51:59 > 0:52:02Do we know who she is?
0:52:02 > 0:52:04All right, I'm on my way.
0:52:04 > 0:52:06I have to go.
0:52:06 > 0:52:09- There's been an incident. - Is somebody dead?
0:52:10 > 0:52:13Jellybean needs feeding, with the special stuff.
0:52:13 > 0:52:16You can manage that, can you?
0:52:16 > 0:52:18If you get bored, talk to Gran.
0:52:18 > 0:52:20She liked you.
0:52:27 > 0:52:30She had no ID on her, but they think she might have been a prostitute.
0:52:30 > 0:52:32Why?
0:52:32 > 0:52:37There's evidence of recent sexual activity, £40 in cash in her pocket, and it looks like she was a junkie.
0:52:37 > 0:52:39It'll be an OD.
0:52:39 > 0:52:43Although we won't know for sure until the toxicology reports come back.
0:52:45 > 0:52:48Thought you might want to have a look before DI Tucker takes over.
0:52:53 > 0:52:56'Jackson? We've found another body.
0:52:58 > 0:53:02- 'Jackson? Are you all right?'- Yeah.
0:53:02 > 0:53:04I'll see you there.
0:53:20 > 0:53:22Oh, Jesus.
0:53:22 > 0:53:25It's her.
0:53:25 > 0:53:27- The cleaner.- You're absolutely sure?
0:53:29 > 0:53:31She said she'd get in trouble for talking to me.
0:53:31 > 0:53:34There's nothing to indicate she was murdered.
0:53:34 > 0:53:37Yeah, but you know she was, that's why you called me.
0:53:40 > 0:53:43It's a double murder now.
0:53:43 > 0:53:45Except we don't have a body for the drowned girl.
0:53:45 > 0:53:47Don't.
0:53:47 > 0:53:50I don't think Mr Brodie likes you very much, Marcus.
0:53:50 > 0:53:53Right, you'd better find out where Favours is as quick as possible and turn it over.
0:53:53 > 0:53:55You don't decide what we do, Brodie.
0:53:55 > 0:53:58I do, though. Go and find the cleaning company.
0:53:58 > 0:54:00Ma'am.
0:54:10 > 0:54:12I'm sorry about the urn.
0:54:12 > 0:54:14My mother?
0:54:14 > 0:54:18I wouldn't worry about it. It's probably the most fun she's had in years.
0:54:18 > 0:54:20You've not been home yet, have you?
0:54:20 > 0:54:24- Where have you been all night, or shouldn't I ask?- Yorkshire.
0:54:24 > 0:54:26I went to see my brother.
0:54:28 > 0:54:30And how was that?
0:54:30 > 0:54:33Yeah.
0:54:33 > 0:54:35He set me straight on a few things.
0:54:55 > 0:54:57Hey.
0:54:57 > 0:55:01Hey. You said you didn't mind if I stayed over.
0:55:01 > 0:55:04- I don't.- Where have you been?
0:55:04 > 0:55:05Can we talk about it later?
0:55:05 > 0:55:07I'm intrigued.
0:55:07 > 0:55:09My boyfriend stays out all night, and I'm wondering where he was.
0:55:09 > 0:55:11Boyfriend?
0:55:11 > 0:55:13Is that what I am now?
0:55:13 > 0:55:18I thought you said we weren't a couple. You said we were...
0:55:18 > 0:55:21what was it?
0:55:21 > 0:55:23You and me, that's what you called us.
0:55:23 > 0:55:25Lover, then.
0:55:25 > 0:55:27That's what we are, lovers.
0:55:27 > 0:55:32- So?- So, can we talk about it later, please?
0:55:33 > 0:55:34Come to bed.
0:55:36 > 0:55:38- I've got to go out. - What's so important?
0:55:38 > 0:55:42Has someone died? Or just said, "Help me, Jackson?"
0:55:42 > 0:55:45I've got to go and see Marlee.
0:55:46 > 0:55:50- You have remembered my play? You are coming?- Yes, of course.
0:55:54 > 0:55:57Good luck.
0:55:57 > 0:56:01Or break a leg, or whatever.
0:56:13 > 0:56:15Jackson Brodie?
0:56:18 > 0:56:20You've been making trouble.
0:56:20 > 0:56:23You should have kept your nose out, son.
0:56:30 > 0:56:33Stop! Stop it!
0:56:33 > 0:56:37I'm calling the police.
0:56:37 > 0:56:39That's not right.
0:56:39 > 0:56:41That's dirty behaviour!
0:56:49 > 0:56:52- Are you all right?- I'm fine.
0:56:55 > 0:56:57- Hello. - 'Louise, it's Jackson'.
0:56:57 > 0:57:00- Hiya.- I need you to go to Martin Canning's house.
0:57:00 > 0:57:03- What, the author?- 'Yes, the author.'
0:57:03 > 0:57:05- How do you know him? - Because I think he's in danger.
0:57:05 > 0:57:08Would you stop giving me orders?
0:57:08 > 0:57:11'I just wish you'd do something I ask of you, for once,'
0:57:11 > 0:57:13as a favour.
0:57:13 > 0:57:14I'll see what I can do.
0:58:27 > 0:58:29Oh, bollocks.
0:58:31 > 0:58:37# The world you leave behind you
0:58:38 > 0:58:42# Will become a distant sun
0:58:44 > 0:58:49# Every soul you loved will find you
0:58:50 > 0:58:56# When you walk on. #
0:58:56 > 0:58:58Subtitles by Red Bee Media Ltd
0:58:58 > 0:59:00Email subtitling@bbc.co.uk