0:00:02 > 0:00:04This programme contains some violent scenes
0:00:04 > 0:00:08and some scenes of a sexual nature
0:00:13 > 0:00:15- Francis!- They want to take her away from me, Francis.
0:00:15 > 0:00:18to take her half way around the world. I can't let her go.
0:00:18 > 0:00:22- You have to sign this. - I don't, actually.
0:00:22 > 0:00:25- Are you wearing my trousers? - Yeah, well, I pissed my own.
0:00:25 > 0:00:28- Boyfriend?- Lover then, that's what we are, lovers.
0:00:28 > 0:00:31- You fancy a drink? - Yeah, why not?
0:00:31 > 0:00:33No!
0:00:33 > 0:00:35Hey! That's enough.
0:00:39 > 0:00:41"Nina looked up at the old house...
0:00:41 > 0:00:45"I say, you're not seriously going to break in there?"
0:00:45 > 0:00:48THEY ARGUE IN NATIVE TONGUE
0:00:49 > 0:00:54Myocardial infarction. Massive heart attack. I'm very sorry.
0:00:54 > 0:00:58- What does he pay you for? - Slapped hard, tied up.
0:00:58 > 0:01:00- Suppose he comes after me? - You'll be fine.
0:01:03 > 0:01:06Oh, bollocks.
0:01:47 > 0:01:49Explain how you knew Martin Canning.
0:01:49 > 0:01:52- I was trying to help him. - He's a client?
0:01:52 > 0:01:56- Yeah, well, no, not really, kind of. - Jackson.- I gave him my number.
0:01:56 > 0:02:00He stopped someone smashing someone else's head in at a car crash.
0:02:00 > 0:02:03- He was scared to testify. - The road rage incident yesterday?
0:02:03 > 0:02:06That's who did it, the guy with the bat, I bet my life on it.
0:02:06 > 0:02:10- How do you know so much about it? - I was there. - You were there?
0:02:10 > 0:02:12So that's what you do?
0:02:12 > 0:02:16Travel around finding crimes, generating your own business?
0:02:16 > 0:02:18No, I'm just cursed.
0:02:19 > 0:02:23Any news? You two turned over Favours yet?
0:02:23 > 0:02:26I don't take orders from you.
0:02:26 > 0:02:29Two girls dead, might be worth five minutes of your time.
0:02:29 > 0:02:32One dead, one possibly a figment of your imagination.
0:02:32 > 0:02:35You're not too old for me to give you a spanking.
0:02:35 > 0:02:37Stop needling him, he's new.
0:02:43 > 0:02:47- What was he like? - He was brave yesterday.
0:02:47 > 0:02:50He saved a man's life.
0:02:52 > 0:02:53Careful with him.
0:02:55 > 0:02:59- He came to my house and attacked me. - Who did?- The bloke.
0:02:59 > 0:03:02Jackson! Jackson!
0:03:02 > 0:03:03Who's that?
0:03:03 > 0:03:08- Someone it can't be. - You're being weird again.
0:03:08 > 0:03:10Jackson, it's me.
0:03:10 > 0:03:12Stop there.
0:03:18 > 0:03:20Jackson. It's me, Martin.
0:03:20 > 0:03:23I thought you were dead.
0:03:23 > 0:03:25Not quite yet.
0:03:25 > 0:03:27Come here.
0:03:31 > 0:03:33DI Munroe, Martin Canning.
0:03:33 > 0:03:38You're Martin Canning? So who's the... Lift this up.
0:03:38 > 0:03:41It's all right, it's all right. Who is it?
0:03:43 > 0:03:46- It's Richard Moat. - The comedian?
0:03:46 > 0:03:48Who?
0:03:48 > 0:03:51- He was staying with me. - How can you tell?
0:03:51 > 0:03:56He kept stealing my clothes, and he was wearing my favourite trousers.
0:03:56 > 0:04:00Yesterday my watch went missing.
0:04:00 > 0:04:03Go on, take him away.
0:04:03 > 0:04:06I'm sorry, but we've informed your brother that you're dead.
0:04:06 > 0:04:09Christopher? Did he sound upset?
0:04:09 > 0:04:12Well, yes, I suppose so, yes.
0:04:12 > 0:04:16I'm going to need you to make a statement, Mr Canning.
0:04:16 > 0:04:20That was meant for me. That should have been me.
0:04:24 > 0:04:27I told you.
0:04:30 > 0:04:33It was tucked under a copy of Big Jugs.
0:04:33 > 0:04:36You won't remember,
0:04:36 > 0:04:40but I bought this for you a couple of birthdays ago.
0:04:42 > 0:04:47"My name is Ozymandias, king of kings.
0:04:47 > 0:04:52"Look on my works ye mighty and despair."
0:04:54 > 0:04:58You looked at the cover, made a face
0:04:58 > 0:05:02and stuck another pint of pina colada down your fat throat.
0:05:04 > 0:05:08Why did I end up with you, Graham? How did that happen?
0:05:10 > 0:05:15I wanted a man who read poetry, and loved me as an equal.
0:05:17 > 0:05:23Not a man who read Big Jugs and measured his life in building housing estates.
0:05:28 > 0:05:32The king who thought he'd rule forever.
0:05:32 > 0:05:36Do you have any reliable witness to this attack on you?
0:05:36 > 0:05:39Yeah, my friend, Julia Land.
0:05:39 > 0:05:42I think he said reliable, she's an actress.
0:05:42 > 0:05:46So this guy is killing people because they witnessed him trying to assault Bradley?
0:05:46 > 0:05:49- You got a better idea? - It doesn't make sense.
0:05:49 > 0:05:51I didn't say it did.
0:05:51 > 0:05:54- He was waiting at your house?- Yeah. - How did he know where you lived?
0:05:54 > 0:05:55I don't know.
0:05:55 > 0:05:58Why pick on you? Martin stopped him with his computer,
0:05:58 > 0:06:00but you? What did you do?
0:06:02 > 0:06:06Jackson Brodie, you've been making trouble.
0:06:07 > 0:06:12He knew my name. How did he know my name?
0:06:12 > 0:06:13You tell me.
0:06:13 > 0:06:16My name's Jackson, Jackson Brodie. I'm an investigator.
0:06:19 > 0:06:23Oh, that's mad, no, that really doesn't make any sense.
0:06:23 > 0:06:24What?
0:06:24 > 0:06:27I gave my card to the girl you found dead yesterday.
0:06:27 > 0:06:30There was no business card on her.
0:06:31 > 0:06:34Jackson? We've found another body.
0:06:39 > 0:06:42What if this psycho's connected?
0:06:42 > 0:06:46What if he's responsible for the death of the two Russian girls?
0:06:46 > 0:06:48That's ridiculous, Jackson.
0:06:48 > 0:06:51One we don't have a body for, and one died of an overdose.
0:06:51 > 0:06:52I'm just saying what if?
0:06:52 > 0:06:57I'm not persuading my boss to pursue a line of enquiry based on your supposition, I can't.
0:06:57 > 0:06:58What do we know about this guy?
0:06:58 > 0:07:01Presumably his plates didn't check out? Were fake, or what?
0:07:01 > 0:07:05From yesterday? We didn't get them.
0:07:05 > 0:07:08Our two major witnesses went AWOL before we got statements
0:07:08 > 0:07:09and nobody else came forward.
0:07:09 > 0:07:14You need to forget about everything and get some sleep, OK?
0:07:15 > 0:07:17Jackson?
0:07:17 > 0:07:20Yeah, I... er... I should, I will,
0:07:20 > 0:07:22I'm knackered, you're right.
0:07:22 > 0:07:24Good. Good.
0:07:30 > 0:07:32- Jackson, come with me.- No, no!
0:07:41 > 0:07:43MOBILE PHONE RINGS
0:07:45 > 0:07:46- Hello?- It's me...
0:07:46 > 0:07:51- You still got that card I gave you yesterday? Don't take it out.- Yes.
0:07:51 > 0:07:55- Don't give the registration number to the police.- Why not?
0:07:55 > 0:07:58They'll be running around, I'll find him and take care of him quickly.
0:07:58 > 0:08:01- Trust me.- OK.
0:08:01 > 0:08:04- Right, call me when you're done. - All right.
0:08:07 > 0:08:10The Four Clans where you say you spent the night with Paul Bradley.
0:08:10 > 0:08:12Could you stop saying it like that.
0:08:12 > 0:08:15It's just there's no sign of your name in the register.
0:08:15 > 0:08:18The night porter said it wasn't necessary as I wasn't staying the night.
0:08:18 > 0:08:21The night porter doesn't recall seeing you or anyone like you.
0:08:21 > 0:08:26It must have been horrible seeing your friend's head all bashed in?
0:08:26 > 0:08:28- He wasn't my friend. - Your lover?- No!
0:08:28 > 0:08:32Perhaps you rowed with Richard because you went to a hotel with another man?
0:08:32 > 0:08:35No! Why aren't you listening to me?
0:08:35 > 0:08:40Paul Bradley stole from me, he drugged me, why aren't you asking him?
0:08:40 > 0:08:41He's not here and you are.
0:08:41 > 0:08:43You don't know where he is.
0:08:43 > 0:08:45He gave the hospital a false address.
0:08:45 > 0:08:47He's out there, looking for me!
0:08:47 > 0:08:49Look, I'm the victim here!
0:08:49 > 0:08:51My laptop's broken, my memory stick's gone
0:08:51 > 0:08:54along with my new Nina Riley novel.
0:08:54 > 0:08:56My wallet's been stolen.
0:08:56 > 0:08:59And now there's a washed-up comedian splattered all over my house.
0:08:59 > 0:09:02For an innocent man you seem very guilty.
0:09:02 > 0:09:04What's your deep, dark secret, Martin?
0:09:04 > 0:09:07Where's Jackson?
0:09:19 > 0:09:22- How was it? - They've taken a statement.
0:09:22 > 0:09:24- You didn't give them the registration?- No.
0:09:24 > 0:09:27You've still got that card from yesterday?
0:09:31 > 0:09:33Can I stay with you?
0:09:33 > 0:09:36Deborah, it's me... Me your boss!
0:09:36 > 0:09:39I'll text you a number, tell me who the car's registered to.
0:09:39 > 0:09:43Bradley drugged me, suppose he comes after me?
0:09:43 > 0:09:47If he wanted to kill you, he'd have done it in the hotel.
0:09:47 > 0:09:48Stay with friends.
0:09:48 > 0:09:51I've told the police I'm staying with you.
0:09:51 > 0:09:53That's not going to work, I'm afraid.
0:09:53 > 0:09:56There's people trying to kill me. I want you to protect me.
0:09:56 > 0:10:00- I need you to protect me. - Let me make a call to the police.
0:10:00 > 0:10:02No, no. Not the police. I want you to be my bodyguard.
0:10:02 > 0:10:06I'll speak to DI Munroe, she's a friend of mine...
0:10:06 > 0:10:09No! No! Please. Jackson, please.
0:10:09 > 0:10:11Be my bodyguard.
0:10:15 > 0:10:16What have you got?
0:10:16 > 0:10:17Er...
0:10:17 > 0:10:19Martin, Deborah. Deborah, Martin.
0:10:19 > 0:10:22Right. Julia Land phoned.
0:10:22 > 0:10:25- Don't forget, it's her first night tonight.- Fine.
0:10:25 > 0:10:26And your wife phoned.
0:10:26 > 0:10:28- Ex-wife.- She says,
0:10:28 > 0:10:30"You are a bastard.
0:10:30 > 0:10:32"A complete, hateful, little shit.
0:10:32 > 0:10:35"Bring the permission form around today."
0:10:35 > 0:10:37Did you find out who owns the car?
0:10:37 > 0:10:39I'm glad you asked me that.
0:10:39 > 0:10:42This case is turning out to be like one of those Russian dolls,
0:10:42 > 0:10:45a riddle, wrapped in an enigma, shrouded in a mystery.
0:10:45 > 0:10:50I finally found out that Favours is registered in the Cayman Islands,
0:10:50 > 0:10:53which is a bit strange for a Scottish cleaning company,
0:10:53 > 0:10:55Who's the car registered to?
0:10:55 > 0:10:58Favours shares its registration address
0:10:58 > 0:11:01- with a property development company. - Deborah.
0:11:01 > 0:11:02Hatter Homes.
0:11:02 > 0:11:04The car is registered to Hatter Homes.
0:11:04 > 0:11:07Graham Hatter is the MD, and there is his home address.
0:11:11 > 0:11:12Martin, wait here.
0:11:12 > 0:11:14But I want to come with you.
0:11:16 > 0:11:18SHE MOUTHS
0:11:18 > 0:11:20Really?
0:11:31 > 0:11:34Where do you think you're going? Stay here and keep warm.
0:12:06 > 0:12:08RADIO: 'And later in the programme...'
0:12:08 > 0:12:09Hello?
0:12:09 > 0:12:14'..their definitive guide to keeping bug and disease-free this winter...'
0:12:36 > 0:12:38SHE GASPS
0:12:38 > 0:12:41It's all right, there's nothing to be scared of.
0:12:41 > 0:12:43I think I'd like you to leave, if you wouldn't mind.
0:12:43 > 0:12:47I'm a private investigator. My name is Jackson Brodie.
0:12:51 > 0:12:54I'm looking for Graham Hatter. He might want to know
0:12:54 > 0:12:57there's a mad man driving a car registered to his company.
0:13:01 > 0:13:02This guy, actually.
0:13:02 > 0:13:07- His name is Terrence Smith. He's worked for Graham for years. - Graham's your husband?
0:13:07 > 0:13:11- Gosh, you're good. - Thank you.
0:13:11 > 0:13:13So, any idea where I might find this Smith?
0:13:13 > 0:13:16- No, I'm afraid not. - Graham should be able to tell me.
0:13:16 > 0:13:17I'm afraid you can't ask him.
0:13:17 > 0:13:19Why's that?
0:13:19 > 0:13:20PHONE RINGS
0:13:24 > 0:13:26No, Murdo. He's still in Thurso.
0:13:27 > 0:13:32No, I can't imagine why anyone would want to spend so long there either.
0:13:32 > 0:13:36I told you before, Murdo. I don't know when he'll be back.
0:13:37 > 0:13:39It's quite a bonfire you've got going.
0:13:39 > 0:13:43I'm no expert but they looked like very expensive dresses.
0:13:43 > 0:13:44Are you having a clear-out?
0:13:44 > 0:13:46Got to make room for the new.
0:13:46 > 0:13:49Now, if you don't leave...
0:13:49 > 0:13:51A new start is it? Or a new you?
0:13:51 > 0:13:54You're leaving me no option. If you're not gone in...
0:13:54 > 0:13:57- Your husband will be thrilled when he gets back from Thurso. - Won't he just.
0:13:57 > 0:14:00Except he's never coming back from Thurso, is he?
0:14:00 > 0:14:02He never went there.
0:14:05 > 0:14:08Graham's had a severe heart attack
0:14:08 > 0:14:10and he's not expected to pull through.
0:14:10 > 0:14:12I'm sorry.
0:14:12 > 0:14:15Why would you tell this Murdo bloke that he's in Thurso?
0:14:15 > 0:14:19I've been telling everyone he's in Thurso.
0:14:19 > 0:14:24Don't know why I chose there, just the first name that came into my head.
0:14:24 > 0:14:27I know I'm supposed to tell people, but...
0:14:27 > 0:14:31I just can't be bothered somehow. They'll make such a drama of it.
0:14:31 > 0:14:35I think it's a thing that goes off better if you're quiet about it.
0:14:35 > 0:14:38PHONE BEEPS
0:14:38 > 0:14:40Excuse me!
0:14:40 > 0:14:42Text.
0:14:43 > 0:14:47- Well?- Erm...
0:14:47 > 0:14:50- Maggie. - His secretary.
0:14:52 > 0:14:57Tell me. I do know she performs other functions.
0:14:59 > 0:15:03"Have you done it yet? Have you got rid of the old bag?"
0:15:06 > 0:15:08Well, she's not much of a looker herself.
0:15:15 > 0:15:16What are you doing?
0:15:16 > 0:15:18Sending a reply,
0:15:18 > 0:15:24"Sorry, I'm in Thurso. Speak to you as soon as I can."
0:15:24 > 0:15:28Put, "Sorry, darling."
0:15:28 > 0:15:32- With a kiss? - Not his style.
0:15:35 > 0:15:36PHONE RINGS
0:15:37 > 0:15:41Christopher! No, that's right, I'm still alive.
0:15:41 > 0:15:43Yeah.
0:15:44 > 0:15:46Oh, well, sorry.
0:15:46 > 0:15:49It is a long way to go for no reason, but...
0:15:51 > 0:15:54Look, while you're here, why don't we meet up?
0:15:54 > 0:15:57Right. OK.
0:15:57 > 0:16:02No, no. Well, have a safe journey home.
0:16:02 > 0:16:03Yeah. OK. Bye.
0:16:08 > 0:16:10Does the name Favours mean anything to you?
0:16:10 > 0:16:13It's one of your husband's companies.
0:16:13 > 0:16:15He doesn't keep me appraised of all his activities.
0:16:15 > 0:16:19Two girls who worked for Favours are dead.
0:16:19 > 0:16:21I think Terence Smith killed them.
0:16:21 > 0:16:23- What girls? - Russian girls.
0:16:23 > 0:16:26Prostitutes?
0:16:26 > 0:16:29Why would you ask that? It's a cleaning company.
0:16:29 > 0:16:31I don't know.
0:16:33 > 0:16:36I found this, at the back of the wardrobe.
0:16:36 > 0:16:39It doesn't mean anything to me.
0:16:39 > 0:16:41I don't know if it's of any use.
0:16:43 > 0:16:47It's gobbledegook.
0:16:47 > 0:16:50But it has an address.
0:16:50 > 0:16:53So thank you.
0:16:53 > 0:16:57You wouldn't mind opening the gate, would you?
0:17:19 > 0:17:20Hello?
0:17:21 > 0:17:24Er, don't you need a warrant for that?
0:17:24 > 0:17:28Absolutely, good idea if you're a copper. Luckily, I'm not any more.
0:17:30 > 0:17:32Don't hang about.
0:17:38 > 0:17:40They shut it down.
0:17:40 > 0:17:43Something's spooked them.
0:17:43 > 0:17:45Overnight by the looks of it.
0:17:45 > 0:17:47What was this place?
0:17:47 > 0:17:50It was meant to be a booking agency for a cleaning company,
0:17:50 > 0:17:51but who knows.
0:17:51 > 0:17:54What's that got to do with the guy who's out there trying to kill me?
0:17:54 > 0:17:59I'm not sure, Martin. Some connection.
0:17:59 > 0:18:04Now the answer is somewhere in here if I can make head or tail of it.
0:18:04 > 0:18:06- Can I have a look? - It's in code.
0:18:06 > 0:18:08Yeah. I know all about code.
0:18:08 > 0:18:11In Death Wore Tweed, when Nina Riley confronts the U-boat commander,
0:18:11 > 0:18:13Baron Swartzbard, he has a little...
0:18:13 > 0:18:17Real code. Real bad guys. Computers, algorithms, that stuff.
0:18:17 > 0:18:18May I?
0:18:20 > 0:18:22Drive yourself mad.
0:18:22 > 0:18:23Thank you.
0:18:25 > 0:18:27Well, it's an Atbash cipher.
0:18:29 > 0:18:30Sorry?
0:18:30 > 0:18:33These column headings, it's a simple Atbash cipher.
0:18:33 > 0:18:35A simple opposite-end substitution code,
0:18:35 > 0:18:38- A equals Z, and B equals Y. - I don't care, can you read it?
0:18:38 > 0:18:42The first column is girls' names. Second column is passport numbers.
0:18:42 > 0:18:46But they're not British. Then we've got cleaning hours.
0:18:46 > 0:18:50Money in. Um, other hours, money in.
0:18:50 > 0:18:53A lot more money.
0:18:53 > 0:18:56Why would you be a cleaner if you were earning that much money?
0:18:56 > 0:18:59The reason it's the oldest profession in the world.
0:18:59 > 0:19:01- What? - Prostitution.
0:19:01 > 0:19:05Someone's making them do it, and they don't keep the money.
0:19:05 > 0:19:07Here's the thing, why would you do it?
0:19:07 > 0:19:08What?
0:19:08 > 0:19:12If it's going that well, why would you kill a successful Russian prostitute?
0:19:14 > 0:19:16Martin?
0:19:16 > 0:19:19- Sorry. Yes, I... - Hey, here, come, sit down.
0:19:21 > 0:19:25What's going on? Martin, talk to me, what's going on?
0:19:26 > 0:19:30- Three years ago, I was in Russia. - That's not a crime.
0:19:30 > 0:19:32I was spending my first big royalty cheque
0:19:32 > 0:19:35on a holiday in Moscow and St Petersburg.
0:19:35 > 0:19:39And, erm, I met this girl called Irianna.
0:19:39 > 0:19:44She was working in a little concession in the hotel lobby
0:19:44 > 0:19:48selling Matryoshka dolls, you know, the Russian dolls within dolls.
0:19:48 > 0:19:51Martin, why are you telling me this?
0:19:51 > 0:19:56One evening, I was in the hotel bar on my own,
0:19:56 > 0:19:58and she came over and started talking to me.
0:20:00 > 0:20:04God. Jackson, she was so beautiful.
0:20:07 > 0:20:09And we drank a lot of vodka.
0:20:09 > 0:20:11A lot of vodka.
0:20:11 > 0:20:14And we laughed a lot,
0:20:14 > 0:20:18even though we didn't understand what the other one was saying.
0:20:18 > 0:20:23And then she was in my hotel room.
0:20:25 > 0:20:28SHE SPEAKS IN RUSSIAN
0:20:35 > 0:20:37# I feel so wonderful
0:20:37 > 0:20:41# Uh-uh-oh, don't let go
0:20:41 > 0:20:47# Uh-uh-oh, don't let go
0:20:47 > 0:20:51# Two hearts are beating together
0:20:51 > 0:20:52# I'm in love, I'm in love
0:20:52 > 0:20:55# I'm in love, I'm in love
0:20:55 > 0:20:58# Is this for ever and ever?
0:20:58 > 0:21:03# I'm in love, I'm in love... #
0:21:03 > 0:21:06I was just captivated by her.
0:21:07 > 0:21:10Nothing like that had ever happened to me.
0:21:10 > 0:21:12HE GRUNTS
0:21:23 > 0:21:25Do we need this level of detail, Martin?
0:21:25 > 0:21:28Yes, we do.
0:21:43 > 0:21:45She wasn't a prostitute.
0:21:46 > 0:21:51But it's a very hard country and she could see that I had money.
0:21:51 > 0:21:53MOBILE RINGS
0:21:57 > 0:21:59Sorry.
0:22:01 > 0:22:02I was stupid, wasn't I,
0:22:02 > 0:22:05to think that someone like that could be interested in me?
0:22:06 > 0:22:08I don't think so, no.
0:22:12 > 0:22:15'You have two new messages.'
0:22:15 > 0:22:18'Graham, it's Murdo here again. I've had enough.
0:22:18 > 0:22:21'The Talling development basically went tits skyward.
0:22:21 > 0:22:24'This could be a bigger debacle than the city tram scheme!
0:22:24 > 0:22:27'I hope you're dead in a ditch somewhere, you bastard!'
0:22:27 > 0:22:29ANSWERING MACHINE BEEPS
0:22:29 > 0:22:33'Graham? It's me, Maggie. Things are getting difficult.
0:22:33 > 0:22:36'Murdo had a go at me. He said I must know where you are,
0:22:36 > 0:22:40'but I don't! Why have you left me?'
0:22:40 > 0:22:43ANSWERING MACHINE BEEPS
0:22:45 > 0:22:49Tell me if there's enough sugar in it, Terence.
0:22:49 > 0:22:51Aye. Very nice, Mrs Hatter.
0:22:59 > 0:23:01You going for a run?
0:23:01 > 0:23:04It's a leisure suit, it's to relax in.
0:23:05 > 0:23:09- You're usually one for the dresses. - Just drink your tea.
0:23:11 > 0:23:14He's away on business. I've told you that, Terence.
0:23:14 > 0:23:17There's no point endlessly asking the same question.
0:23:17 > 0:23:20If Mr Hatter needs you, he will call you.
0:23:20 > 0:23:22Is it to do with money?
0:23:22 > 0:23:24What?
0:23:24 > 0:23:26I mean, pardon?
0:23:26 > 0:23:28Does he owe you money?
0:23:30 > 0:23:33There's things that need to be sorted out.
0:23:35 > 0:23:37- Where is he?- He's not far away.
0:23:39 > 0:23:41Time to go, Terence.
0:23:49 > 0:23:52I've done a lot of work, Mrs Hatter, and the problem's not fixed yet.
0:23:52 > 0:23:54I need to talk to him.
0:23:54 > 0:23:59Don't you dare raise your voice to me in my own home, Terence Smith.
0:24:12 > 0:24:16Mr Hatter should not treat me like this.
0:24:16 > 0:24:18I do not deserve it.
0:24:19 > 0:24:24You tell him to meet me at the club tonight!
0:24:24 > 0:24:26At eleven!
0:24:26 > 0:24:28I need to see him.
0:24:38 > 0:24:42What I don't understand is, if you have a talent to write,
0:24:42 > 0:24:44no matter how small,
0:24:44 > 0:24:50why would you waste that talent writing tatty potboilers?
0:24:50 > 0:24:54Well, the Nina Riley mysteries are actually quite popular.
0:24:54 > 0:24:58Quite popular...tatty potboilers.
0:25:02 > 0:25:05- Jackson! Jackson!- Er...one second.
0:25:05 > 0:25:08- Is she here?- Who?- Sorry, Jackson, I couldn't stop her.- Piss off!
0:25:08 > 0:25:12- Marlee, I went to get her from school, but she wasn't there. - Did you call the police?
0:25:12 > 0:25:14No, I went home hoping she was waiting,
0:25:14 > 0:25:16I phoned you, but you never answer.
0:25:16 > 0:25:20Call now, say she's been missing for hours, they'll take it seriously.
0:25:20 > 0:25:24- This is your fault, playing the victim yesterday! - Did you call her friends?
0:25:24 > 0:25:27- Some of them.- You got a class list? - Uh-huh.
0:25:27 > 0:25:29Call the rest, go home and wait for her.
0:25:29 > 0:25:34OK. Try the park and that pizza place that she sometimes likes.
0:25:34 > 0:25:39- Oh, Jackson, if anything happens to her...- Josie, I'll find her.
0:25:54 > 0:25:55'Niamh!'
0:25:57 > 0:26:01No! Jackson, no!
0:26:01 > 0:26:04Come on, think, think.
0:26:56 > 0:26:59We better get you home. Your mum's going nuts.
0:26:59 > 0:27:02I've made a decision.
0:27:04 > 0:27:07- I'm not going to New Zealand. - Why not?
0:27:09 > 0:27:12Because I want to stay here with you.
0:27:14 > 0:27:15Thanks.
0:27:19 > 0:27:20Listen...
0:27:24 > 0:27:27- It's not that I won't miss you. - I don't want you to be sad.
0:27:27 > 0:27:29Sad?
0:27:30 > 0:27:31I'm not sad.
0:27:34 > 0:27:37All right, I am a bit sad.
0:27:37 > 0:27:40Sometimes everybody is.
0:27:42 > 0:27:43I make you laugh, don't I?
0:27:45 > 0:27:47Yeah, you do.
0:27:47 > 0:27:49So that's why I'm going to stay here with you.
0:27:51 > 0:27:56Listen, we'll make a deal. You go to New Zealand with your mum.
0:27:56 > 0:28:00- No, Dad.- You haven't heard the end of the deal yet.
0:28:00 > 0:28:04You go away to New Zealand and I'll stop being sad.
0:28:05 > 0:28:07You know why?
0:28:07 > 0:28:10Because I know that you'll be having an amazing adventure,
0:28:10 > 0:28:15you'll be somewhere incredible, enjoying yourself,
0:28:15 > 0:28:20and that will make me excited and happy.
0:28:20 > 0:28:22Honest?
0:28:22 > 0:28:25- Honest. - And you won't be sad?
0:28:27 > 0:28:29I won't be sad.
0:28:29 > 0:28:31Promise?
0:28:37 > 0:28:38Promise.
0:28:51 > 0:28:53Can you take me home now, Dad?
0:28:53 > 0:28:55HE LAUGHS
0:28:58 > 0:28:59Yeah, come on.
0:29:01 > 0:29:03Oh, thank God!
0:29:03 > 0:29:05Oh, baby, I was so frightened.
0:29:05 > 0:29:08- Don't you ever do that to me again, OK?- Sorry.
0:29:09 > 0:29:12I was so scared, baby.
0:29:13 > 0:29:16Are you OK? Where did you go?
0:29:44 > 0:29:48It's really not difficult to tell the difference between good literature and bad literature.
0:29:48 > 0:29:50A child can do it.
0:29:50 > 0:29:53When I was seven I read, The Adventures of Tom Sawyer.
0:29:53 > 0:29:55And, no offence,
0:29:55 > 0:29:59but why would I read Alex Blake when I could read Mark Twain?
0:30:01 > 0:30:03- Is she OK?- She's fine.
0:30:03 > 0:30:05He's very good at finding people.
0:30:05 > 0:30:07That's what I just told your new client.
0:30:15 > 0:30:17Terence Smith came to see me this afternoon.
0:30:17 > 0:30:20He frightened me.
0:30:20 > 0:30:22Did he threaten you?
0:30:23 > 0:30:27He worships my husband, Mr Brodie, and without him...
0:30:31 > 0:30:32He did this, didn't he?
0:30:33 > 0:30:35I think he did, yes.
0:30:38 > 0:30:44There's a place Graham used to go to with Terence, some dive.
0:30:44 > 0:30:48Terence would drive him home and pour him out onto the sofa.
0:30:50 > 0:30:53He'll be there tonight, 11 o'clock.
0:30:55 > 0:30:58Why did you not go to the police with this?
0:30:58 > 0:31:00If it's a question of money?
0:31:01 > 0:31:02It's not.
0:31:08 > 0:31:11You're not telling me everything you know, Gloria.
0:31:11 > 0:31:12Of course not.
0:31:30 > 0:31:32Birth!
0:31:32 > 0:31:34Death!
0:31:34 > 0:31:36Give birth to yourself!
0:31:37 > 0:31:42Keep looking and you will find the baby's womb.
0:31:42 > 0:31:44Birth!
0:31:44 > 0:31:47Birth! Birth!
0:31:47 > 0:31:48Death!
0:31:48 > 0:31:50Death!
0:31:50 > 0:31:51Death!
0:31:51 > 0:31:53Womb!
0:31:53 > 0:31:54Womb!
0:31:54 > 0:31:57Womb!
0:31:57 > 0:32:00The act of love is the little death.
0:32:01 > 0:32:03In the French...
0:32:03 > 0:32:05- Le petit mort.- ..le petit mort.
0:32:06 > 0:32:09Where does lust end and hate begin?
0:32:11 > 0:32:12It is impossible to say.
0:32:12 > 0:32:20And yet I keep asking the question. Looking for an enigma of an answer.
0:32:27 > 0:32:29Hey, terrific.
0:32:30 > 0:32:32It was shit. The play is shit.
0:32:32 > 0:32:34It was great, you were great.
0:32:35 > 0:32:38God, I couldn't concentrate at all, I just...
0:32:38 > 0:32:40I can't help thinking about poor Richard.
0:32:40 > 0:32:42Well, it didn't show.
0:32:42 > 0:32:43Look, I never lie to you, do I?
0:32:43 > 0:32:49The play's, kind of challenging, you know, as a fella,
0:32:49 > 0:32:53but you're really talented, honestly.
0:32:54 > 0:32:55Jackson, I...
0:32:58 > 0:33:01I did something bad yesterday.
0:33:07 > 0:33:10Oh.
0:33:10 > 0:33:12Right.
0:33:16 > 0:33:20- Tell me it wasn't him? - It doesn't matter who it was, I was just feeling...
0:33:22 > 0:33:25- You didn't call, and...- So it's my fault, is that what you're saying?
0:33:25 > 0:33:29Well, what are we really? I mean, it's been six weeks.
0:33:29 > 0:33:30Seven, actually.
0:33:32 > 0:33:33Who's counting?
0:33:37 > 0:33:38You should run a mile.
0:33:38 > 0:33:40I'm damaged goods.
0:33:42 > 0:33:43We all are, aren't we?
0:33:57 > 0:34:01She suddenly realised, "Bertie, this was no accident, this was murder!"
0:34:21 > 0:34:25- Where did you get this?- I found it. - You were there, at the road-rage incident?
0:34:25 > 0:34:26That was well good.
0:34:26 > 0:34:28Jesus, Archie, you're a witness!
0:34:28 > 0:34:33- Here, don't touch my stuff. - What did you see?- Just somebody hitting a guy with a baseball bat.
0:34:33 > 0:34:36- That's horrible. Do you want to talk about it?- It was quite funny.
0:34:36 > 0:34:41- What's happening to you? - I'm going to Hamish's. - I don't think that's a good idea!
0:35:37 > 0:35:38Terence Smith!
0:35:40 > 0:35:42Terence!
0:35:42 > 0:35:45Terence Smith, how are you, man? It's Terence Smith!
0:35:45 > 0:35:47Haven't seen you for ages, what's up?
0:35:47 > 0:35:48Wait! Wait!
0:35:53 > 0:35:55Oh, hey, listen.
0:35:55 > 0:35:56Shut up, OK?
0:35:56 > 0:35:59- All right, all right, all right. - Who are you?- I'm a friend.
0:35:59 > 0:36:03- You are a friend of Terence. - I'm not. I was following him.- Why?
0:36:03 > 0:36:08Because, he killed a girl who looked exactly like you. Who was she?
0:36:08 > 0:36:10None of your business.
0:36:10 > 0:36:12He would have killed you, too.
0:36:12 > 0:36:17- I can take care of myself. - I'm trying to help you.
0:36:18 > 0:36:20I don't need your help.
0:36:20 > 0:36:22Taxi!
0:36:53 > 0:36:55Morning.
0:36:55 > 0:36:57He's still out there.
0:36:57 > 0:36:59I know.
0:37:03 > 0:37:05Oh, my God.
0:37:05 > 0:37:06It's all right.
0:37:07 > 0:37:10Martin, it's...
0:37:10 > 0:37:12DOORBELL RINGS
0:37:19 > 0:37:22What were you like as a 14-year-old boy, Jackson?
0:37:22 > 0:37:24Come in.
0:37:25 > 0:37:28Archie saw what you saw at that road rage incident
0:37:28 > 0:37:30and didn't bat an eyelid.
0:37:30 > 0:37:34When I was his age I nearly ended up in court, I remember that.
0:37:34 > 0:37:35What for?
0:37:35 > 0:37:36Stealing.
0:37:36 > 0:37:39Wow, I'm shocked!
0:37:41 > 0:37:42So what happened?
0:37:42 > 0:37:45I went in a different direction, didn't I? Joined the army.
0:37:45 > 0:37:48I can't see Archie in the army. God, I hope not.
0:37:48 > 0:37:52I never thought I'd see the day when you came to me for parenting advice.
0:37:54 > 0:37:55Nor did I.
0:37:57 > 0:37:59I love him, I do.
0:37:59 > 0:38:03But some days I think I might love my cat more.
0:38:03 > 0:38:05He's just less trouble.
0:38:05 > 0:38:10- So we've got the DNA back from Martin Canning's flat.- And?
0:38:10 > 0:38:13Terrence Smith. Criminal record as long as your arm.
0:38:11 > 0:38:13Did you find him?
0:38:13 > 0:38:16No, he scarpered. We've got a few possible addresses.
0:38:16 > 0:38:19He works for a Graham Hatter, who has a connection to Favours.
0:38:19 > 0:38:21But Favours has shut down.
0:38:22 > 0:38:26This is the bit where you're incredibly impressed.
0:38:26 > 0:38:30- You knew, didn't you, you wee shite? - Not all of it.
0:38:32 > 0:38:34What do you know about Hatter Homes?
0:38:34 > 0:38:37The fraud squad are on to it.
0:38:37 > 0:38:39Apparently, Graham Hatter paid a bribe
0:38:39 > 0:38:42to get permission to build some hideous housing estate.
0:38:42 > 0:38:45But that's just the tip of the iceberg.
0:38:45 > 0:38:49They're looking into money laundering, extortion and prostitution.
0:38:49 > 0:38:52Mr and Mrs Hatter are going down for a very long time.
0:38:52 > 0:38:54Mrs Hatter?
0:38:54 > 0:38:55She's co-director.
0:38:55 > 0:38:59It looks like she might carry the can because Mr Hatter's done a bunk.
0:38:59 > 0:39:00I know where he is.
0:39:00 > 0:39:06For Christ's sake, Jackson. Do you get some sadistic pleasure in withholding information?
0:39:06 > 0:39:10Please tell me where he is, a few people would like to have a word with him.
0:39:10 > 0:39:12Well, don't expect him to talk back.
0:39:21 > 0:39:22Wait here.
0:39:27 > 0:39:30The police will be on their way to hospital now.
0:39:30 > 0:39:32He could do with some company.
0:39:32 > 0:39:35Gloria, they'll take it all.
0:39:35 > 0:39:36Everything Graham touched.
0:39:36 > 0:39:39This place, Hatter Homes, the lot.
0:39:41 > 0:39:45I probably deserve it. I knew what he was.
0:39:45 > 0:39:50- You didn't do the things he did. - I knew what he was capable of.
0:39:50 > 0:39:52And I expect you were terrified of him.
0:39:54 > 0:39:56Ask yourself, why didn't you leave him?
0:39:56 > 0:39:59He's not the kind of man to let people walk away.
0:40:03 > 0:40:05DOOR BUZZES
0:40:05 > 0:40:07You'll be all right, I'll help you.
0:40:13 > 0:40:14Hello?
0:40:16 > 0:40:19I thought you were dead!
0:40:23 > 0:40:26Come on, Jackson. Where are you?
0:40:34 > 0:40:36- What are you doing here? - What you doing here?
0:40:36 > 0:40:37How do you know her?
0:40:37 > 0:40:38How do you know her?
0:40:38 > 0:40:42Well, she's my husband's dominatrix. Do try and keep up, Jackson.
0:40:42 > 0:40:45- Get rid of him, Gloria. We don't need...- Hey!
0:40:45 > 0:40:48I can't do that. Mr Brodie works for me.
0:40:48 > 0:40:50That's right.
0:40:50 > 0:40:52And we want to know
0:40:52 > 0:40:54who the girl was
0:40:54 > 0:40:55- and what happened to her.- No.
0:40:55 > 0:40:58Just tell him. He's like a dog with a bone.
0:40:58 > 0:41:01I don't know and I don't say.
0:41:01 > 0:41:03You do know and you will say and you'll say now.
0:41:03 > 0:41:05Cos you want to tell me,
0:41:05 > 0:41:09cos you know she died horribly,
0:41:09 > 0:41:11cos you know Smith is a cruel man
0:41:11 > 0:41:13and he'd have enjoyed it.
0:41:13 > 0:41:18She ended up in the sea, a thousand miles from home. Unwanted, unloved...
0:41:18 > 0:41:20Not unloved!
0:41:24 > 0:41:25Her name is...
0:41:25 > 0:41:30was Sophia Mikhailichenko.
0:41:33 > 0:41:35She was 25 years old.
0:41:35 > 0:41:37She was born in Ekaterinburg.
0:41:37 > 0:41:39Her mother still lives there.
0:41:39 > 0:41:41She was your sister?
0:41:43 > 0:41:46My baby sister.
0:41:46 > 0:41:48Only by five minutes but...
0:41:49 > 0:41:51Why did he kill her?
0:41:52 > 0:41:54Because she spoke out.
0:41:54 > 0:41:57Against the boss, Graham Hatter?
0:41:57 > 0:42:00I tried to stop her, I begged her.
0:42:03 > 0:42:04So why are you here?
0:42:06 > 0:42:09With Graham in a coma, I have no protection.
0:42:11 > 0:42:13But I do have this...
0:42:15 > 0:42:16What is it?
0:42:16 > 0:42:19- It's Graham's memory stick. - Where did you get it?
0:42:20 > 0:42:24I stole it from him, stupid, when he was having his heart attack.
0:42:24 > 0:42:27And now it is ours, Gloria. Yours and mine.
0:42:28 > 0:42:31I have come here to make deal with you.
0:42:33 > 0:42:37It has all the bank details of all his companies.
0:42:37 > 0:42:41In Scotland, Jersey, Cayman Islands and Switzerland.
0:42:41 > 0:42:44You are company director?
0:42:44 > 0:42:46The company will have its assets frozen,
0:42:46 > 0:42:48probably in a couple of hours.
0:42:48 > 0:42:50That's not a problem. I work in bank in Russia.
0:42:50 > 0:42:53I understand these things. We need details, password.
0:42:53 > 0:42:57I then transfer all money into one of Swiss accounts.
0:42:57 > 0:42:59They cannot touch in Switzerland.
0:42:59 > 0:43:00Why would we do that?
0:43:00 > 0:43:04I think what she's suggesting, Gloria, is that you do a runner. Take all the cash.
0:43:06 > 0:43:09It's your choice. You can stay here and fight it
0:43:09 > 0:43:13- with the best lawyers you can afford...- Or?
0:43:13 > 0:43:15Or live to fight another day.
0:43:15 > 0:43:18You can run away with me, Gloria.
0:43:20 > 0:43:22I'll pack a bag.
0:43:22 > 0:43:25Just grab your passport, you don't have time, the police could turn up...
0:43:25 > 0:43:28Lets not forget, Smith's about somewhere.
0:43:28 > 0:43:29But you have guard.
0:43:29 > 0:43:30What?
0:43:30 > 0:43:32Guard. Man in car with gun.
0:43:32 > 0:43:34With...?
0:43:37 > 0:43:38Jesus! Martin?
0:43:38 > 0:43:40Martin, talk to me.
0:43:40 > 0:43:42I don't deserve to live.
0:43:42 > 0:43:45Of course you do. Don't be ridiculous. Give me that...
0:43:45 > 0:43:47No, no, no.
0:43:47 > 0:43:50I knew it would come back to haunt me.
0:43:50 > 0:43:51I knew it.
0:43:51 > 0:43:55The psycho, the girls getting killed,
0:43:55 > 0:43:59Paul Bradley, Richard Moat... It's all my fault.
0:43:59 > 0:44:02- None of it's your fault. - Yes, yes, it is.
0:44:02 > 0:44:06You don't know what I did, you don't know.
0:44:06 > 0:44:08I did something terrible.
0:44:08 > 0:44:10SIREN WAILS
0:44:10 > 0:44:12You like that. Was fun?
0:44:12 > 0:44:16- Yes.- You like that enough to maybe give me gift?
0:44:18 > 0:44:20A gift? What kind of a gift?
0:44:20 > 0:44:22A little money gift?
0:44:26 > 0:44:29OK. Um...
0:44:29 > 0:44:31Yeah, if that's what you want.
0:44:34 > 0:44:39I'll have to go to the hotel reception and get some cash.
0:44:39 > 0:44:42- Money now. - No, I have to withdraw some.
0:44:42 > 0:44:43No! No cards, cash!
0:44:43 > 0:44:45No, I understand but I have to go...
0:44:45 > 0:44:49- Money or I scream.- Yeah, I'm going to go to the hotel lobby and get...
0:44:49 > 0:44:53SHE SPEAKS IN RUSSIAN
0:44:53 > 0:44:55Get off!
0:44:56 > 0:44:57Oh, God!
0:44:59 > 0:45:00Irianna?
0:45:00 > 0:45:01SHE MOANS
0:45:24 > 0:45:28Stupid, stupid, stupid girl.
0:45:28 > 0:45:31Stupid... I don't know why she did it.
0:45:31 > 0:45:32What happened then?
0:45:32 > 0:45:39My bedroom was on the sixth floor and they were building some kind of patio thing on the ground floor
0:45:39 > 0:45:42and there was a skip below my window.
0:45:42 > 0:45:46And the next morning I heard them driving it off
0:45:46 > 0:45:48and I went to the airport.
0:45:48 > 0:45:53I thought they were going to arrest me. I wanted them to.
0:45:53 > 0:45:56And then I found myself at home.
0:45:58 > 0:46:01It was an accident, Martin.
0:46:02 > 0:46:03I don't know what to do.
0:46:05 > 0:46:07Just try and do the right thing.
0:46:08 > 0:46:10You're not a mad man, you're a brave man.
0:46:10 > 0:46:14Look, you saved a man's life the other day.
0:46:15 > 0:46:19I wasn't thinking, I didn't know what I was doing.
0:46:19 > 0:46:20You did it, though, didn't you?
0:46:22 > 0:46:25Give me the gun.
0:46:25 > 0:46:28Come on, just hand it over.
0:46:30 > 0:46:32Come on.
0:46:32 > 0:46:34Where did you get this?
0:46:36 > 0:46:40It's Paul Bradley's.
0:46:58 > 0:47:04The shower head was the right kind of bulk and weight and so I put it in the bag.
0:47:04 > 0:47:08After he drugged me, he must have just gone away without checking.
0:47:08 > 0:47:09What made you take it?
0:47:09 > 0:47:11I thought that he was going to use it on me.
0:47:13 > 0:47:15What's Paul Bradley doing with a...
0:47:15 > 0:47:17an assassin's gun?
0:47:17 > 0:47:20Munroe said he's missing, he gave the hospital a false address.
0:47:20 > 0:47:24I told you that I thought there was something wrong with him.
0:47:24 > 0:47:26He was a hit man, Martin.
0:47:26 > 0:47:27He was away to do a job.
0:47:27 > 0:47:29What?
0:47:29 > 0:47:31Get rid of someone.
0:47:31 > 0:47:36Get rid of someone... She said he'd never let anyone walk away.
0:47:36 > 0:47:38Who did?
0:47:39 > 0:47:40Pop the boot.
0:47:46 > 0:47:48Stay here. If anybody comes beep the horn.
0:47:48 > 0:47:51S-I-N-A-T-R-A.
0:47:51 > 0:47:54No! Sport - what he like?
0:47:56 > 0:47:58Ali, Mohammed Ali, worshipped him.
0:47:58 > 0:48:02No, wait. Insisted on calling him Clay - Cassius Clay.
0:48:04 > 0:48:08- No. Shit! - What are you two doing here? You've got to get going.
0:48:08 > 0:48:09We need password.
0:48:09 > 0:48:12We've tried everything - his favourite cars, food, music.
0:48:12 > 0:48:14Gloria, you're not safe here.
0:48:14 > 0:48:16- We're not going without money. - Help us.
0:48:16 > 0:48:20- Me? It could be anything, I don't know the bloke.- Please.
0:48:27 > 0:48:28Shit, shit!
0:48:40 > 0:48:43No, no, think of the opposite of anything you'd expect.
0:48:43 > 0:48:45Not who he was but who he wasn't.
0:48:45 > 0:48:49The last think you'd expect him to do, the last place you'd expect him to go,
0:48:49 > 0:48:53- the last thing he'd ever read...- Oh! - Go on. What?
0:48:56 > 0:49:02"King of kings, look on my works, ye mighty, and despair!"
0:49:02 > 0:49:04Shelley?
0:49:04 > 0:49:06Ozymandias.
0:49:06 > 0:49:08Try it.
0:49:08 > 0:49:10Type it in.
0:49:17 > 0:49:19It worked!
0:49:21 > 0:49:23Oh, Graham!
0:49:23 > 0:49:27- He reads poetry. - He was probably just looking for the most obscure word he could find.
0:49:27 > 0:49:29Money will be moved.
0:49:29 > 0:49:33Great. Let's get the two of you to an airport, quick.
0:49:35 > 0:49:37He's gone!
0:49:37 > 0:49:43I kill them girls for him, he does a runner and he's left me in the shite!
0:49:43 > 0:49:48And you... You are going to run off and join him, aren't you?
0:49:48 > 0:49:51He's in intensive care. She's got nothing to do with it.
0:49:51 > 0:49:55You think I'm stupid, but I am not.
0:49:55 > 0:50:01- I want my share of the money. - There's nothing here, Terence. - But I have to get away as well!
0:50:01 > 0:50:04Listen to her. Walk away, there's nothing here for you.
0:50:07 > 0:50:11Leave it! Back off! The police are onto you, the game's up.
0:50:11 > 0:50:13They've got your... No!
0:50:18 > 0:50:21You get to die last, smart arse!
0:50:38 > 0:50:39It's OK.
0:50:43 > 0:50:45Are you all right?
0:50:45 > 0:50:47Yeah.
0:50:55 > 0:50:57Did you mean to do that?
0:50:58 > 0:51:01Yeah. This time I did.
0:51:04 > 0:51:06Good job.
0:51:11 > 0:51:14Um...
0:51:14 > 0:51:19Right, ladies, Martin, it's probably a good time to leave.
0:51:20 > 0:51:21No, no. I'm staying.
0:51:21 > 0:51:25- The police are on their way. - No. I am sick of running.
0:51:25 > 0:51:27Well, what are you going to do? Tell them the truth?
0:51:27 > 0:51:29No.
0:51:31 > 0:51:33I'm a writer.
0:51:37 > 0:51:41No, the only other person to visit him apart from his wife was his prostitute.
0:51:41 > 0:51:43The doctor didn't get her real name.
0:51:43 > 0:51:47Apparently, she's a Russian dominatrix.
0:51:47 > 0:51:49What, just now?
0:51:49 > 0:51:51OK, I'm on my way.
0:51:51 > 0:51:52There's been a reported shooting.
0:52:03 > 0:52:06Good bye, Mr Hatter.
0:52:06 > 0:52:08A little present from your wife.
0:52:17 > 0:52:18Hey!
0:52:18 > 0:52:19Dad!
0:52:21 > 0:52:25Did you think I was going to let you go without one last squeeze?
0:52:28 > 0:52:30All right, now look,
0:52:30 > 0:52:34I'll always be with you, you're never alone.
0:52:34 > 0:52:36If that's all right?
0:52:36 > 0:52:37Scoop me every day.
0:52:37 > 0:52:38Skype.
0:52:38 > 0:52:41Skype me every day. Every day.
0:52:41 > 0:52:43All right? Come here.
0:52:47 > 0:52:50KNOCKING
0:52:52 > 0:52:56All right, let me remember that face.
0:52:58 > 0:52:59I think I've got it.
0:53:03 > 0:53:06See you later, alligator.
0:53:06 > 0:53:07In a while, crocodile.
0:53:10 > 0:53:12Hey.
0:53:12 > 0:53:14Good luck.
0:53:17 > 0:53:18Thank you.
0:53:51 > 0:53:55SOBBING
0:54:06 > 0:54:09I tried to think what you would do.
0:54:14 > 0:54:19He began shaking and making this noise.
0:54:19 > 0:54:21His legs were jelly.
0:54:21 > 0:54:23It was horrible.
0:54:25 > 0:54:29I didn't know what to do. Mum?
0:54:29 > 0:54:32It's OK. It's OK.
0:54:44 > 0:54:52# We'll find a jukebox and see what a quarter will do
0:54:56 > 0:54:59# I don't want to talk
0:54:59 > 0:55:04# I just want to go back to... #
0:55:04 > 0:55:07DOORBELL RINGS
0:55:14 > 0:55:15Hi.
0:55:15 > 0:55:18- You got Marlee staying over? - No.
0:55:18 > 0:55:20You got back together with your ex?
0:55:20 > 0:55:22No.
0:55:22 > 0:55:23Actresses?
0:55:23 > 0:55:25No actresses.
0:55:25 > 0:55:27In that case, I'll come in.
0:55:34 > 0:55:36How's Martin holding up?
0:55:36 > 0:55:38He's a strange one.
0:55:38 > 0:55:41I gave him his USB stick back with his new novel on it
0:55:41 > 0:55:44and he threw it in the bin, said something about Mark Twain.
0:55:44 > 0:55:46Sensitive artist,
0:55:46 > 0:55:50although he did all right this afternoon...
0:55:50 > 0:55:51from what I heard.
0:55:51 > 0:55:53What, killing Smith with his own gun?
0:55:53 > 0:55:56Surprisingly so.
0:56:01 > 0:56:03Gloria Hatter's vanished.
0:56:03 > 0:56:05Looks like she's left the country.
0:56:05 > 0:56:07Will she be indicted?
0:56:07 > 0:56:11I'd have thought so, seeing as her husband's dead. Just hope she's got the money for a good lawyer.
0:56:11 > 0:56:13Dead?
0:56:13 > 0:56:17Gone to that big mock-Tudor housing estate in the sky. Case closed.
0:56:17 > 0:56:21There's a girl out there somewhere floating around.
0:56:21 > 0:56:24Yeah, we found her.
0:56:24 > 0:56:26She came ashore.
0:56:28 > 0:56:33We still don't know anything about her. No-one's missed her.
0:56:33 > 0:56:36Her name's Sophia and I know people who miss her.
0:56:38 > 0:56:41She came here from Russia six months ago.
0:56:41 > 0:56:45She thought the streets might be paved with gold. They weren't.
0:56:47 > 0:56:52These are the details of Lena's. I kind of promised I'd send them home.
0:56:56 > 0:56:58OK.
0:56:58 > 0:57:00Thank you.
0:57:01 > 0:57:07A neighbour of the Hatters' thought she saw a black car parked on their driveway this afternoon.
0:57:07 > 0:57:10Oh, yeah, lot of black cars around.
0:57:10 > 0:57:13Yeah. Black Alfa Romeo.
0:57:13 > 0:57:16Around the time of the break-in and the shooting of Terence Smith.
0:57:19 > 0:57:21She couldn't be sure though,
0:57:21 > 0:57:24and I decided not to make a note of it.
0:57:25 > 0:57:27She was very old.
0:57:27 > 0:57:29Ah, well.
0:57:31 > 0:57:33Do you fancy getting drunk?
0:57:38 > 0:57:40They're on the plane,
0:57:40 > 0:57:44on their way to New Zealand and I keep seeing their faces.
0:57:48 > 0:57:49OK.
0:57:49 > 0:57:51Sorry.
0:57:56 > 0:57:58Get some sleep, Jackson. You look like crap.
0:58:00 > 0:58:03# The compass of your heart
0:58:03 > 0:58:07# Won't fail you now
0:58:08 > 0:58:14# Your vessel's made for times like these
0:58:17 > 0:58:19# Let your hair down
0:58:19 > 0:58:23# Till the morning
0:58:25 > 0:58:30# Many loved ones are together
0:58:30 > 0:58:32# Here tonight
0:58:32 > 0:58:39# In the calm before the storm. #
0:58:39 > 0:58:41Subtitles by Red Bee Media Ltd
0:58:41 > 0:58:44Email: subtitling@bbc.co.uk