One Good Turn - Part 2

Download Subtitles

Transcript

0:00:02 > 0:00:04This programme contains some violent scenes

0:00:04 > 0:00:08and some scenes of a sexual nature

0:00:13 > 0:00:15- Francis!- They want to take her away from me, Francis.

0:00:15 > 0:00:18to take her half way around the world. I can't let her go.

0:00:18 > 0:00:22- You have to sign this. - I don't, actually.

0:00:22 > 0:00:25- Are you wearing my trousers? - Yeah, well, I pissed my own.

0:00:25 > 0:00:28- Boyfriend?- Lover then, that's what we are, lovers.

0:00:28 > 0:00:31- You fancy a drink? - Yeah, why not?

0:00:31 > 0:00:33No!

0:00:33 > 0:00:35Hey! That's enough.

0:00:39 > 0:00:41"Nina looked up at the old house...

0:00:41 > 0:00:45"I say, you're not seriously going to break in there?"

0:00:45 > 0:00:48THEY ARGUE IN NATIVE TONGUE

0:00:49 > 0:00:54Myocardial infarction. Massive heart attack. I'm very sorry.

0:00:54 > 0:00:58- What does he pay you for? - Slapped hard, tied up.

0:00:58 > 0:01:00- Suppose he comes after me? - You'll be fine.

0:01:03 > 0:01:06Oh, bollocks.

0:01:47 > 0:01:49Explain how you knew Martin Canning.

0:01:49 > 0:01:52- I was trying to help him. - He's a client?

0:01:52 > 0:01:56- Yeah, well, no, not really, kind of. - Jackson.- I gave him my number.

0:01:56 > 0:02:00He stopped someone smashing someone else's head in at a car crash.

0:02:00 > 0:02:03- He was scared to testify. - The road rage incident yesterday?

0:02:03 > 0:02:06That's who did it, the guy with the bat, I bet my life on it.

0:02:06 > 0:02:10- How do you know so much about it? - I was there. - You were there?

0:02:10 > 0:02:12So that's what you do?

0:02:12 > 0:02:16Travel around finding crimes, generating your own business?

0:02:16 > 0:02:18No, I'm just cursed.

0:02:19 > 0:02:23Any news? You two turned over Favours yet?

0:02:23 > 0:02:26I don't take orders from you.

0:02:26 > 0:02:29Two girls dead, might be worth five minutes of your time.

0:02:29 > 0:02:32One dead, one possibly a figment of your imagination.

0:02:32 > 0:02:35You're not too old for me to give you a spanking.

0:02:35 > 0:02:37Stop needling him, he's new.

0:02:43 > 0:02:47- What was he like? - He was brave yesterday.

0:02:47 > 0:02:50He saved a man's life.

0:02:52 > 0:02:53Careful with him.

0:02:55 > 0:02:59- He came to my house and attacked me. - Who did?- The bloke.

0:02:59 > 0:03:02Jackson! Jackson!

0:03:02 > 0:03:03Who's that?

0:03:03 > 0:03:08- Someone it can't be. - You're being weird again.

0:03:08 > 0:03:10Jackson, it's me.

0:03:10 > 0:03:12Stop there.

0:03:18 > 0:03:20Jackson. It's me, Martin.

0:03:20 > 0:03:23I thought you were dead.

0:03:23 > 0:03:25Not quite yet.

0:03:25 > 0:03:27Come here.

0:03:31 > 0:03:33DI Munroe, Martin Canning.

0:03:33 > 0:03:38You're Martin Canning? So who's the... Lift this up.

0:03:38 > 0:03:41It's all right, it's all right. Who is it?

0:03:43 > 0:03:46- It's Richard Moat. - The comedian?

0:03:46 > 0:03:48Who?

0:03:48 > 0:03:51- He was staying with me. - How can you tell?

0:03:51 > 0:03:56He kept stealing my clothes, and he was wearing my favourite trousers.

0:03:56 > 0:04:00Yesterday my watch went missing.

0:04:00 > 0:04:03Go on, take him away.

0:04:03 > 0:04:06I'm sorry, but we've informed your brother that you're dead.

0:04:06 > 0:04:09Christopher? Did he sound upset?

0:04:09 > 0:04:12Well, yes, I suppose so, yes.

0:04:12 > 0:04:16I'm going to need you to make a statement, Mr Canning.

0:04:16 > 0:04:20That was meant for me. That should have been me.

0:04:24 > 0:04:27I told you.

0:04:30 > 0:04:33It was tucked under a copy of Big Jugs.

0:04:33 > 0:04:36You won't remember,

0:04:36 > 0:04:40but I bought this for you a couple of birthdays ago.

0:04:42 > 0:04:47"My name is Ozymandias, king of kings.

0:04:47 > 0:04:52"Look on my works ye mighty and despair."

0:04:54 > 0:04:58You looked at the cover, made a face

0:04:58 > 0:05:02and stuck another pint of pina colada down your fat throat.

0:05:04 > 0:05:08Why did I end up with you, Graham? How did that happen?

0:05:10 > 0:05:15I wanted a man who read poetry, and loved me as an equal.

0:05:17 > 0:05:23Not a man who read Big Jugs and measured his life in building housing estates.

0:05:28 > 0:05:32The king who thought he'd rule forever.

0:05:32 > 0:05:36Do you have any reliable witness to this attack on you?

0:05:36 > 0:05:39Yeah, my friend, Julia Land.

0:05:39 > 0:05:42I think he said reliable, she's an actress.

0:05:42 > 0:05:46So this guy is killing people because they witnessed him trying to assault Bradley?

0:05:46 > 0:05:49- You got a better idea? - It doesn't make sense.

0:05:49 > 0:05:51I didn't say it did.

0:05:51 > 0:05:54- He was waiting at your house?- Yeah. - How did he know where you lived?

0:05:54 > 0:05:55I don't know.

0:05:55 > 0:05:58Why pick on you? Martin stopped him with his computer,

0:05:58 > 0:06:00but you? What did you do?

0:06:02 > 0:06:06Jackson Brodie, you've been making trouble.

0:06:07 > 0:06:12He knew my name. How did he know my name?

0:06:12 > 0:06:13You tell me.

0:06:13 > 0:06:16My name's Jackson, Jackson Brodie. I'm an investigator.

0:06:19 > 0:06:23Oh, that's mad, no, that really doesn't make any sense.

0:06:23 > 0:06:24What?

0:06:24 > 0:06:27I gave my card to the girl you found dead yesterday.

0:06:27 > 0:06:30There was no business card on her.

0:06:31 > 0:06:34Jackson? We've found another body.

0:06:39 > 0:06:42What if this psycho's connected?

0:06:42 > 0:06:46What if he's responsible for the death of the two Russian girls?

0:06:46 > 0:06:48That's ridiculous, Jackson.

0:06:48 > 0:06:51One we don't have a body for, and one died of an overdose.

0:06:51 > 0:06:52I'm just saying what if?

0:06:52 > 0:06:57I'm not persuading my boss to pursue a line of enquiry based on your supposition, I can't.

0:06:57 > 0:06:58What do we know about this guy?

0:06:58 > 0:07:01Presumably his plates didn't check out? Were fake, or what?

0:07:01 > 0:07:05From yesterday? We didn't get them.

0:07:05 > 0:07:08Our two major witnesses went AWOL before we got statements

0:07:08 > 0:07:09and nobody else came forward.

0:07:09 > 0:07:14You need to forget about everything and get some sleep, OK?

0:07:15 > 0:07:17Jackson?

0:07:17 > 0:07:20Yeah, I... er... I should, I will,

0:07:20 > 0:07:22I'm knackered, you're right.

0:07:22 > 0:07:24Good. Good.

0:07:30 > 0:07:32- Jackson, come with me.- No, no!

0:07:41 > 0:07:43MOBILE PHONE RINGS

0:07:45 > 0:07:46- Hello?- It's me...

0:07:46 > 0:07:51- You still got that card I gave you yesterday? Don't take it out.- Yes.

0:07:51 > 0:07:55- Don't give the registration number to the police.- Why not?

0:07:55 > 0:07:58They'll be running around, I'll find him and take care of him quickly.

0:07:58 > 0:08:01- Trust me.- OK.

0:08:01 > 0:08:04- Right, call me when you're done. - All right.

0:08:07 > 0:08:10The Four Clans where you say you spent the night with Paul Bradley.

0:08:10 > 0:08:12Could you stop saying it like that.

0:08:12 > 0:08:15It's just there's no sign of your name in the register.

0:08:15 > 0:08:18The night porter said it wasn't necessary as I wasn't staying the night.

0:08:18 > 0:08:21The night porter doesn't recall seeing you or anyone like you.

0:08:21 > 0:08:26It must have been horrible seeing your friend's head all bashed in?

0:08:26 > 0:08:28- He wasn't my friend. - Your lover?- No!

0:08:28 > 0:08:32Perhaps you rowed with Richard because you went to a hotel with another man?

0:08:32 > 0:08:35No! Why aren't you listening to me?

0:08:35 > 0:08:40Paul Bradley stole from me, he drugged me, why aren't you asking him?

0:08:40 > 0:08:41He's not here and you are.

0:08:41 > 0:08:43You don't know where he is.

0:08:43 > 0:08:45He gave the hospital a false address.

0:08:45 > 0:08:47He's out there, looking for me!

0:08:47 > 0:08:49Look, I'm the victim here!

0:08:49 > 0:08:51My laptop's broken, my memory stick's gone

0:08:51 > 0:08:54along with my new Nina Riley novel.

0:08:54 > 0:08:56My wallet's been stolen.

0:08:56 > 0:08:59And now there's a washed-up comedian splattered all over my house.

0:08:59 > 0:09:02For an innocent man you seem very guilty.

0:09:02 > 0:09:04What's your deep, dark secret, Martin?

0:09:04 > 0:09:07Where's Jackson?

0:09:19 > 0:09:22- How was it? - They've taken a statement.

0:09:22 > 0:09:24- You didn't give them the registration?- No.

0:09:24 > 0:09:27You've still got that card from yesterday?

0:09:31 > 0:09:33Can I stay with you?

0:09:33 > 0:09:36Deborah, it's me... Me your boss!

0:09:36 > 0:09:39I'll text you a number, tell me who the car's registered to.

0:09:39 > 0:09:43Bradley drugged me, suppose he comes after me?

0:09:43 > 0:09:47If he wanted to kill you, he'd have done it in the hotel.

0:09:47 > 0:09:48Stay with friends.

0:09:48 > 0:09:51I've told the police I'm staying with you.

0:09:51 > 0:09:53That's not going to work, I'm afraid.

0:09:53 > 0:09:56There's people trying to kill me. I want you to protect me.

0:09:56 > 0:10:00- I need you to protect me. - Let me make a call to the police.

0:10:00 > 0:10:02No, no. Not the police. I want you to be my bodyguard.

0:10:02 > 0:10:06I'll speak to DI Munroe, she's a friend of mine...

0:10:06 > 0:10:09No! No! Please. Jackson, please.

0:10:09 > 0:10:11Be my bodyguard.

0:10:15 > 0:10:16What have you got?

0:10:16 > 0:10:17Er...

0:10:17 > 0:10:19Martin, Deborah. Deborah, Martin.

0:10:19 > 0:10:22Right. Julia Land phoned.

0:10:22 > 0:10:25- Don't forget, it's her first night tonight.- Fine.

0:10:25 > 0:10:26And your wife phoned.

0:10:26 > 0:10:28- Ex-wife.- She says,

0:10:28 > 0:10:30"You are a bastard.

0:10:30 > 0:10:32"A complete, hateful, little shit.

0:10:32 > 0:10:35"Bring the permission form around today."

0:10:35 > 0:10:37Did you find out who owns the car?

0:10:37 > 0:10:39I'm glad you asked me that.

0:10:39 > 0:10:42This case is turning out to be like one of those Russian dolls,

0:10:42 > 0:10:45a riddle, wrapped in an enigma, shrouded in a mystery.

0:10:45 > 0:10:50I finally found out that Favours is registered in the Cayman Islands,

0:10:50 > 0:10:53which is a bit strange for a Scottish cleaning company,

0:10:53 > 0:10:55Who's the car registered to?

0:10:55 > 0:10:58Favours shares its registration address

0:10:58 > 0:11:01- with a property development company. - Deborah.

0:11:01 > 0:11:02Hatter Homes.

0:11:02 > 0:11:04The car is registered to Hatter Homes.

0:11:04 > 0:11:07Graham Hatter is the MD, and there is his home address.

0:11:11 > 0:11:12Martin, wait here.

0:11:12 > 0:11:14But I want to come with you.

0:11:16 > 0:11:18SHE MOUTHS

0:11:18 > 0:11:20Really?

0:11:31 > 0:11:34Where do you think you're going? Stay here and keep warm.

0:12:06 > 0:12:08RADIO: 'And later in the programme...'

0:12:08 > 0:12:09Hello?

0:12:09 > 0:12:14'..their definitive guide to keeping bug and disease-free this winter...'

0:12:36 > 0:12:38SHE GASPS

0:12:38 > 0:12:41It's all right, there's nothing to be scared of.

0:12:41 > 0:12:43I think I'd like you to leave, if you wouldn't mind.

0:12:43 > 0:12:47I'm a private investigator. My name is Jackson Brodie.

0:12:51 > 0:12:54I'm looking for Graham Hatter. He might want to know

0:12:54 > 0:12:57there's a mad man driving a car registered to his company.

0:13:01 > 0:13:02This guy, actually.

0:13:02 > 0:13:07- His name is Terrence Smith. He's worked for Graham for years. - Graham's your husband?

0:13:07 > 0:13:11- Gosh, you're good. - Thank you.

0:13:11 > 0:13:13So, any idea where I might find this Smith?

0:13:13 > 0:13:16- No, I'm afraid not. - Graham should be able to tell me.

0:13:16 > 0:13:17I'm afraid you can't ask him.

0:13:17 > 0:13:19Why's that?

0:13:19 > 0:13:20PHONE RINGS

0:13:24 > 0:13:26No, Murdo. He's still in Thurso.

0:13:27 > 0:13:32No, I can't imagine why anyone would want to spend so long there either.

0:13:32 > 0:13:36I told you before, Murdo. I don't know when he'll be back.

0:13:37 > 0:13:39It's quite a bonfire you've got going.

0:13:39 > 0:13:43I'm no expert but they looked like very expensive dresses.

0:13:43 > 0:13:44Are you having a clear-out?

0:13:44 > 0:13:46Got to make room for the new.

0:13:46 > 0:13:49Now, if you don't leave...

0:13:49 > 0:13:51A new start is it? Or a new you?

0:13:51 > 0:13:54You're leaving me no option. If you're not gone in...

0:13:54 > 0:13:57- Your husband will be thrilled when he gets back from Thurso. - Won't he just.

0:13:57 > 0:14:00Except he's never coming back from Thurso, is he?

0:14:00 > 0:14:02He never went there.

0:14:05 > 0:14:08Graham's had a severe heart attack

0:14:08 > 0:14:10and he's not expected to pull through.

0:14:10 > 0:14:12I'm sorry.

0:14:12 > 0:14:15Why would you tell this Murdo bloke that he's in Thurso?

0:14:15 > 0:14:19I've been telling everyone he's in Thurso.

0:14:19 > 0:14:24Don't know why I chose there, just the first name that came into my head.

0:14:24 > 0:14:27I know I'm supposed to tell people, but...

0:14:27 > 0:14:31I just can't be bothered somehow. They'll make such a drama of it.

0:14:31 > 0:14:35I think it's a thing that goes off better if you're quiet about it.

0:14:35 > 0:14:38PHONE BEEPS

0:14:38 > 0:14:40Excuse me!

0:14:40 > 0:14:42Text.

0:14:43 > 0:14:47- Well?- Erm...

0:14:47 > 0:14:50- Maggie. - His secretary.

0:14:52 > 0:14:57Tell me. I do know she performs other functions.

0:14:59 > 0:15:03"Have you done it yet? Have you got rid of the old bag?"

0:15:06 > 0:15:08Well, she's not much of a looker herself.

0:15:15 > 0:15:16What are you doing?

0:15:16 > 0:15:18Sending a reply,

0:15:18 > 0:15:24"Sorry, I'm in Thurso. Speak to you as soon as I can."

0:15:24 > 0:15:28Put, "Sorry, darling."

0:15:28 > 0:15:32- With a kiss? - Not his style.

0:15:35 > 0:15:36PHONE RINGS

0:15:37 > 0:15:41Christopher! No, that's right, I'm still alive.

0:15:41 > 0:15:43Yeah.

0:15:44 > 0:15:46Oh, well, sorry.

0:15:46 > 0:15:49It is a long way to go for no reason, but...

0:15:51 > 0:15:54Look, while you're here, why don't we meet up?

0:15:54 > 0:15:57Right. OK.

0:15:57 > 0:16:02No, no. Well, have a safe journey home.

0:16:02 > 0:16:03Yeah. OK. Bye.

0:16:08 > 0:16:10Does the name Favours mean anything to you?

0:16:10 > 0:16:13It's one of your husband's companies.

0:16:13 > 0:16:15He doesn't keep me appraised of all his activities.

0:16:15 > 0:16:19Two girls who worked for Favours are dead.

0:16:19 > 0:16:21I think Terence Smith killed them.

0:16:21 > 0:16:23- What girls? - Russian girls.

0:16:23 > 0:16:26Prostitutes?

0:16:26 > 0:16:29Why would you ask that? It's a cleaning company.

0:16:29 > 0:16:31I don't know.

0:16:33 > 0:16:36I found this, at the back of the wardrobe.

0:16:36 > 0:16:39It doesn't mean anything to me.

0:16:39 > 0:16:41I don't know if it's of any use.

0:16:43 > 0:16:47It's gobbledegook.

0:16:47 > 0:16:50But it has an address.

0:16:50 > 0:16:53So thank you.

0:16:53 > 0:16:57You wouldn't mind opening the gate, would you?

0:17:19 > 0:17:20Hello?

0:17:21 > 0:17:24Er, don't you need a warrant for that?

0:17:24 > 0:17:28Absolutely, good idea if you're a copper. Luckily, I'm not any more.

0:17:30 > 0:17:32Don't hang about.

0:17:38 > 0:17:40They shut it down.

0:17:40 > 0:17:43Something's spooked them.

0:17:43 > 0:17:45Overnight by the looks of it.

0:17:45 > 0:17:47What was this place?

0:17:47 > 0:17:50It was meant to be a booking agency for a cleaning company,

0:17:50 > 0:17:51but who knows.

0:17:51 > 0:17:54What's that got to do with the guy who's out there trying to kill me?

0:17:54 > 0:17:59I'm not sure, Martin. Some connection.

0:17:59 > 0:18:04Now the answer is somewhere in here if I can make head or tail of it.

0:18:04 > 0:18:06- Can I have a look? - It's in code.

0:18:06 > 0:18:08Yeah. I know all about code.

0:18:08 > 0:18:11In Death Wore Tweed, when Nina Riley confronts the U-boat commander,

0:18:11 > 0:18:13Baron Swartzbard, he has a little...

0:18:13 > 0:18:17Real code. Real bad guys. Computers, algorithms, that stuff.

0:18:17 > 0:18:18May I?

0:18:20 > 0:18:22Drive yourself mad.

0:18:22 > 0:18:23Thank you.

0:18:25 > 0:18:27Well, it's an Atbash cipher.

0:18:29 > 0:18:30Sorry?

0:18:30 > 0:18:33These column headings, it's a simple Atbash cipher.

0:18:33 > 0:18:35A simple opposite-end substitution code,

0:18:35 > 0:18:38- A equals Z, and B equals Y. - I don't care, can you read it?

0:18:38 > 0:18:42The first column is girls' names. Second column is passport numbers.

0:18:42 > 0:18:46But they're not British. Then we've got cleaning hours.

0:18:46 > 0:18:50Money in. Um, other hours, money in.

0:18:50 > 0:18:53A lot more money.

0:18:53 > 0:18:56Why would you be a cleaner if you were earning that much money?

0:18:56 > 0:18:59The reason it's the oldest profession in the world.

0:18:59 > 0:19:01- What? - Prostitution.

0:19:01 > 0:19:05Someone's making them do it, and they don't keep the money.

0:19:05 > 0:19:07Here's the thing, why would you do it?

0:19:07 > 0:19:08What?

0:19:08 > 0:19:12If it's going that well, why would you kill a successful Russian prostitute?

0:19:14 > 0:19:16Martin?

0:19:16 > 0:19:19- Sorry. Yes, I... - Hey, here, come, sit down.

0:19:21 > 0:19:25What's going on? Martin, talk to me, what's going on?

0:19:26 > 0:19:30- Three years ago, I was in Russia. - That's not a crime.

0:19:30 > 0:19:32I was spending my first big royalty cheque

0:19:32 > 0:19:35on a holiday in Moscow and St Petersburg.

0:19:35 > 0:19:39And, erm, I met this girl called Irianna.

0:19:39 > 0:19:44She was working in a little concession in the hotel lobby

0:19:44 > 0:19:48selling Matryoshka dolls, you know, the Russian dolls within dolls.

0:19:48 > 0:19:51Martin, why are you telling me this?

0:19:51 > 0:19:56One evening, I was in the hotel bar on my own,

0:19:56 > 0:19:58and she came over and started talking to me.

0:20:00 > 0:20:04God. Jackson, she was so beautiful.

0:20:07 > 0:20:09And we drank a lot of vodka.

0:20:09 > 0:20:11A lot of vodka.

0:20:11 > 0:20:14And we laughed a lot,

0:20:14 > 0:20:18even though we didn't understand what the other one was saying.

0:20:18 > 0:20:23And then she was in my hotel room.

0:20:25 > 0:20:28SHE SPEAKS IN RUSSIAN

0:20:35 > 0:20:37# I feel so wonderful

0:20:37 > 0:20:41# Uh-uh-oh, don't let go

0:20:41 > 0:20:47# Uh-uh-oh, don't let go

0:20:47 > 0:20:51# Two hearts are beating together

0:20:51 > 0:20:52# I'm in love, I'm in love

0:20:52 > 0:20:55# I'm in love, I'm in love

0:20:55 > 0:20:58# Is this for ever and ever?

0:20:58 > 0:21:03# I'm in love, I'm in love... #

0:21:03 > 0:21:06I was just captivated by her.

0:21:07 > 0:21:10Nothing like that had ever happened to me.

0:21:10 > 0:21:12HE GRUNTS

0:21:23 > 0:21:25Do we need this level of detail, Martin?

0:21:25 > 0:21:28Yes, we do.

0:21:43 > 0:21:45She wasn't a prostitute.

0:21:46 > 0:21:51But it's a very hard country and she could see that I had money.

0:21:51 > 0:21:53MOBILE RINGS

0:21:57 > 0:21:59Sorry.

0:22:01 > 0:22:02I was stupid, wasn't I,

0:22:02 > 0:22:05to think that someone like that could be interested in me?

0:22:06 > 0:22:08I don't think so, no.

0:22:12 > 0:22:15'You have two new messages.'

0:22:15 > 0:22:18'Graham, it's Murdo here again. I've had enough.

0:22:18 > 0:22:21'The Talling development basically went tits skyward.

0:22:21 > 0:22:24'This could be a bigger debacle than the city tram scheme!

0:22:24 > 0:22:27'I hope you're dead in a ditch somewhere, you bastard!'

0:22:27 > 0:22:29ANSWERING MACHINE BEEPS

0:22:29 > 0:22:33'Graham? It's me, Maggie. Things are getting difficult.

0:22:33 > 0:22:36'Murdo had a go at me. He said I must know where you are,

0:22:36 > 0:22:40'but I don't! Why have you left me?'

0:22:40 > 0:22:43ANSWERING MACHINE BEEPS

0:22:45 > 0:22:49Tell me if there's enough sugar in it, Terence.

0:22:49 > 0:22:51Aye. Very nice, Mrs Hatter.

0:22:59 > 0:23:01You going for a run?

0:23:01 > 0:23:04It's a leisure suit, it's to relax in.

0:23:05 > 0:23:09- You're usually one for the dresses. - Just drink your tea.

0:23:11 > 0:23:14He's away on business. I've told you that, Terence.

0:23:14 > 0:23:17There's no point endlessly asking the same question.

0:23:17 > 0:23:20If Mr Hatter needs you, he will call you.

0:23:20 > 0:23:22Is it to do with money?

0:23:22 > 0:23:24What?

0:23:24 > 0:23:26I mean, pardon?

0:23:26 > 0:23:28Does he owe you money?

0:23:30 > 0:23:33There's things that need to be sorted out.

0:23:35 > 0:23:37- Where is he?- He's not far away.

0:23:39 > 0:23:41Time to go, Terence.

0:23:49 > 0:23:52I've done a lot of work, Mrs Hatter, and the problem's not fixed yet.

0:23:52 > 0:23:54I need to talk to him.

0:23:54 > 0:23:59Don't you dare raise your voice to me in my own home, Terence Smith.

0:24:12 > 0:24:16Mr Hatter should not treat me like this.

0:24:16 > 0:24:18I do not deserve it.

0:24:19 > 0:24:24You tell him to meet me at the club tonight!

0:24:24 > 0:24:26At eleven!

0:24:26 > 0:24:28I need to see him.

0:24:38 > 0:24:42What I don't understand is, if you have a talent to write,

0:24:42 > 0:24:44no matter how small,

0:24:44 > 0:24:50why would you waste that talent writing tatty potboilers?

0:24:50 > 0:24:54Well, the Nina Riley mysteries are actually quite popular.

0:24:54 > 0:24:58Quite popular...tatty potboilers.

0:25:02 > 0:25:05- Jackson! Jackson!- Er...one second.

0:25:05 > 0:25:08- Is she here?- Who?- Sorry, Jackson, I couldn't stop her.- Piss off!

0:25:08 > 0:25:12- Marlee, I went to get her from school, but she wasn't there. - Did you call the police?

0:25:12 > 0:25:14No, I went home hoping she was waiting,

0:25:14 > 0:25:16I phoned you, but you never answer.

0:25:16 > 0:25:20Call now, say she's been missing for hours, they'll take it seriously.

0:25:20 > 0:25:24- This is your fault, playing the victim yesterday! - Did you call her friends?

0:25:24 > 0:25:27- Some of them.- You got a class list? - Uh-huh.

0:25:27 > 0:25:29Call the rest, go home and wait for her.

0:25:29 > 0:25:34OK. Try the park and that pizza place that she sometimes likes.

0:25:34 > 0:25:39- Oh, Jackson, if anything happens to her...- Josie, I'll find her.

0:25:54 > 0:25:55'Niamh!'

0:25:57 > 0:26:01No! Jackson, no!

0:26:01 > 0:26:04Come on, think, think.

0:26:56 > 0:26:59We better get you home. Your mum's going nuts.

0:26:59 > 0:27:02I've made a decision.

0:27:04 > 0:27:07- I'm not going to New Zealand. - Why not?

0:27:09 > 0:27:12Because I want to stay here with you.

0:27:14 > 0:27:15Thanks.

0:27:19 > 0:27:20Listen...

0:27:24 > 0:27:27- It's not that I won't miss you. - I don't want you to be sad.

0:27:27 > 0:27:29Sad?

0:27:30 > 0:27:31I'm not sad.

0:27:34 > 0:27:37All right, I am a bit sad.

0:27:37 > 0:27:40Sometimes everybody is.

0:27:42 > 0:27:43I make you laugh, don't I?

0:27:45 > 0:27:47Yeah, you do.

0:27:47 > 0:27:49So that's why I'm going to stay here with you.

0:27:51 > 0:27:56Listen, we'll make a deal. You go to New Zealand with your mum.

0:27:56 > 0:28:00- No, Dad.- You haven't heard the end of the deal yet.

0:28:00 > 0:28:04You go away to New Zealand and I'll stop being sad.

0:28:05 > 0:28:07You know why?

0:28:07 > 0:28:10Because I know that you'll be having an amazing adventure,

0:28:10 > 0:28:15you'll be somewhere incredible, enjoying yourself,

0:28:15 > 0:28:20and that will make me excited and happy.

0:28:20 > 0:28:22Honest?

0:28:22 > 0:28:25- Honest. - And you won't be sad?

0:28:27 > 0:28:29I won't be sad.

0:28:29 > 0:28:31Promise?

0:28:37 > 0:28:38Promise.

0:28:51 > 0:28:53Can you take me home now, Dad?

0:28:53 > 0:28:55HE LAUGHS

0:28:58 > 0:28:59Yeah, come on.

0:29:01 > 0:29:03Oh, thank God!

0:29:03 > 0:29:05Oh, baby, I was so frightened.

0:29:05 > 0:29:08- Don't you ever do that to me again, OK?- Sorry.

0:29:09 > 0:29:12I was so scared, baby.

0:29:13 > 0:29:16Are you OK? Where did you go?

0:29:44 > 0:29:48It's really not difficult to tell the difference between good literature and bad literature.

0:29:48 > 0:29:50A child can do it.

0:29:50 > 0:29:53When I was seven I read, The Adventures of Tom Sawyer.

0:29:53 > 0:29:55And, no offence,

0:29:55 > 0:29:59but why would I read Alex Blake when I could read Mark Twain?

0:30:01 > 0:30:03- Is she OK?- She's fine.

0:30:03 > 0:30:05He's very good at finding people.

0:30:05 > 0:30:07That's what I just told your new client.

0:30:15 > 0:30:17Terence Smith came to see me this afternoon.

0:30:17 > 0:30:20He frightened me.

0:30:20 > 0:30:22Did he threaten you?

0:30:23 > 0:30:27He worships my husband, Mr Brodie, and without him...

0:30:31 > 0:30:32He did this, didn't he?

0:30:33 > 0:30:35I think he did, yes.

0:30:38 > 0:30:44There's a place Graham used to go to with Terence, some dive.

0:30:44 > 0:30:48Terence would drive him home and pour him out onto the sofa.

0:30:50 > 0:30:53He'll be there tonight, 11 o'clock.

0:30:55 > 0:30:58Why did you not go to the police with this?

0:30:58 > 0:31:00If it's a question of money?

0:31:01 > 0:31:02It's not.

0:31:08 > 0:31:11You're not telling me everything you know, Gloria.

0:31:11 > 0:31:12Of course not.

0:31:30 > 0:31:32Birth!

0:31:32 > 0:31:34Death!

0:31:34 > 0:31:36Give birth to yourself!

0:31:37 > 0:31:42Keep looking and you will find the baby's womb.

0:31:42 > 0:31:44Birth!

0:31:44 > 0:31:47Birth! Birth!

0:31:47 > 0:31:48Death!

0:31:48 > 0:31:50Death!

0:31:50 > 0:31:51Death!

0:31:51 > 0:31:53Womb!

0:31:53 > 0:31:54Womb!

0:31:54 > 0:31:57Womb!

0:31:57 > 0:32:00The act of love is the little death.

0:32:01 > 0:32:03In the French...

0:32:03 > 0:32:05- Le petit mort.- ..le petit mort.

0:32:06 > 0:32:09Where does lust end and hate begin?

0:32:11 > 0:32:12It is impossible to say.

0:32:12 > 0:32:20And yet I keep asking the question. Looking for an enigma of an answer.

0:32:27 > 0:32:29Hey, terrific.

0:32:30 > 0:32:32It was shit. The play is shit.

0:32:32 > 0:32:34It was great, you were great.

0:32:35 > 0:32:38God, I couldn't concentrate at all, I just...

0:32:38 > 0:32:40I can't help thinking about poor Richard.

0:32:40 > 0:32:42Well, it didn't show.

0:32:42 > 0:32:43Look, I never lie to you, do I?

0:32:43 > 0:32:49The play's, kind of challenging, you know, as a fella,

0:32:49 > 0:32:53but you're really talented, honestly.

0:32:54 > 0:32:55Jackson, I...

0:32:58 > 0:33:01I did something bad yesterday.

0:33:07 > 0:33:10Oh.

0:33:10 > 0:33:12Right.

0:33:16 > 0:33:20- Tell me it wasn't him? - It doesn't matter who it was, I was just feeling...

0:33:22 > 0:33:25- You didn't call, and...- So it's my fault, is that what you're saying?

0:33:25 > 0:33:29Well, what are we really? I mean, it's been six weeks.

0:33:29 > 0:33:30Seven, actually.

0:33:32 > 0:33:33Who's counting?

0:33:37 > 0:33:38You should run a mile.

0:33:38 > 0:33:40I'm damaged goods.

0:33:42 > 0:33:43We all are, aren't we?

0:33:57 > 0:34:01She suddenly realised, "Bertie, this was no accident, this was murder!"

0:34:21 > 0:34:25- Where did you get this?- I found it. - You were there, at the road-rage incident?

0:34:25 > 0:34:26That was well good.

0:34:26 > 0:34:28Jesus, Archie, you're a witness!

0:34:28 > 0:34:33- Here, don't touch my stuff. - What did you see?- Just somebody hitting a guy with a baseball bat.

0:34:33 > 0:34:36- That's horrible. Do you want to talk about it?- It was quite funny.

0:34:36 > 0:34:41- What's happening to you? - I'm going to Hamish's. - I don't think that's a good idea!

0:35:37 > 0:35:38Terence Smith!

0:35:40 > 0:35:42Terence!

0:35:42 > 0:35:45Terence Smith, how are you, man? It's Terence Smith!

0:35:45 > 0:35:47Haven't seen you for ages, what's up?

0:35:47 > 0:35:48Wait! Wait!

0:35:53 > 0:35:55Oh, hey, listen.

0:35:55 > 0:35:56Shut up, OK?

0:35:56 > 0:35:59- All right, all right, all right. - Who are you?- I'm a friend.

0:35:59 > 0:36:03- You are a friend of Terence. - I'm not. I was following him.- Why?

0:36:03 > 0:36:08Because, he killed a girl who looked exactly like you. Who was she?

0:36:08 > 0:36:10None of your business.

0:36:10 > 0:36:12He would have killed you, too.

0:36:12 > 0:36:17- I can take care of myself. - I'm trying to help you.

0:36:18 > 0:36:20I don't need your help.

0:36:20 > 0:36:22Taxi!

0:36:53 > 0:36:55Morning.

0:36:55 > 0:36:57He's still out there.

0:36:57 > 0:36:59I know.

0:37:03 > 0:37:05Oh, my God.

0:37:05 > 0:37:06It's all right.

0:37:07 > 0:37:10Martin, it's...

0:37:10 > 0:37:12DOORBELL RINGS

0:37:19 > 0:37:22What were you like as a 14-year-old boy, Jackson?

0:37:22 > 0:37:24Come in.

0:37:25 > 0:37:28Archie saw what you saw at that road rage incident

0:37:28 > 0:37:30and didn't bat an eyelid.

0:37:30 > 0:37:34When I was his age I nearly ended up in court, I remember that.

0:37:34 > 0:37:35What for?

0:37:35 > 0:37:36Stealing.

0:37:36 > 0:37:39Wow, I'm shocked!

0:37:41 > 0:37:42So what happened?

0:37:42 > 0:37:45I went in a different direction, didn't I? Joined the army.

0:37:45 > 0:37:48I can't see Archie in the army. God, I hope not.

0:37:48 > 0:37:52I never thought I'd see the day when you came to me for parenting advice.

0:37:54 > 0:37:55Nor did I.

0:37:57 > 0:37:59I love him, I do.

0:37:59 > 0:38:03But some days I think I might love my cat more.

0:38:03 > 0:38:05He's just less trouble.

0:38:05 > 0:38:10- So we've got the DNA back from Martin Canning's flat.- And?

0:38:10 > 0:38:13Terrence Smith. Criminal record as long as your arm.

0:38:11 > 0:38:13Did you find him?

0:38:13 > 0:38:16No, he scarpered. We've got a few possible addresses.

0:38:16 > 0:38:19He works for a Graham Hatter, who has a connection to Favours.

0:38:19 > 0:38:21But Favours has shut down.

0:38:22 > 0:38:26This is the bit where you're incredibly impressed.

0:38:26 > 0:38:30- You knew, didn't you, you wee shite? - Not all of it.

0:38:32 > 0:38:34What do you know about Hatter Homes?

0:38:34 > 0:38:37The fraud squad are on to it.

0:38:37 > 0:38:39Apparently, Graham Hatter paid a bribe

0:38:39 > 0:38:42to get permission to build some hideous housing estate.

0:38:42 > 0:38:45But that's just the tip of the iceberg.

0:38:45 > 0:38:49They're looking into money laundering, extortion and prostitution.

0:38:49 > 0:38:52Mr and Mrs Hatter are going down for a very long time.

0:38:52 > 0:38:54Mrs Hatter?

0:38:54 > 0:38:55She's co-director.

0:38:55 > 0:38:59It looks like she might carry the can because Mr Hatter's done a bunk.

0:38:59 > 0:39:00I know where he is.

0:39:00 > 0:39:06For Christ's sake, Jackson. Do you get some sadistic pleasure in withholding information?

0:39:06 > 0:39:10Please tell me where he is, a few people would like to have a word with him.

0:39:10 > 0:39:12Well, don't expect him to talk back.

0:39:21 > 0:39:22Wait here.

0:39:27 > 0:39:30The police will be on their way to hospital now.

0:39:30 > 0:39:32He could do with some company.

0:39:32 > 0:39:35Gloria, they'll take it all.

0:39:35 > 0:39:36Everything Graham touched.

0:39:36 > 0:39:39This place, Hatter Homes, the lot.

0:39:41 > 0:39:45I probably deserve it. I knew what he was.

0:39:45 > 0:39:50- You didn't do the things he did. - I knew what he was capable of.

0:39:50 > 0:39:52And I expect you were terrified of him.

0:39:54 > 0:39:56Ask yourself, why didn't you leave him?

0:39:56 > 0:39:59He's not the kind of man to let people walk away.

0:40:03 > 0:40:05DOOR BUZZES

0:40:05 > 0:40:07You'll be all right, I'll help you.

0:40:13 > 0:40:14Hello?

0:40:16 > 0:40:19I thought you were dead!

0:40:23 > 0:40:26Come on, Jackson. Where are you?

0:40:34 > 0:40:36- What are you doing here? - What you doing here?

0:40:36 > 0:40:37How do you know her?

0:40:37 > 0:40:38How do you know her?

0:40:38 > 0:40:42Well, she's my husband's dominatrix. Do try and keep up, Jackson.

0:40:42 > 0:40:45- Get rid of him, Gloria. We don't need...- Hey!

0:40:45 > 0:40:48I can't do that. Mr Brodie works for me.

0:40:48 > 0:40:50That's right.

0:40:50 > 0:40:52And we want to know

0:40:52 > 0:40:54who the girl was

0:40:54 > 0:40:55- and what happened to her.- No.

0:40:55 > 0:40:58Just tell him. He's like a dog with a bone.

0:40:58 > 0:41:01I don't know and I don't say.

0:41:01 > 0:41:03You do know and you will say and you'll say now.

0:41:03 > 0:41:05Cos you want to tell me,

0:41:05 > 0:41:09cos you know she died horribly,

0:41:09 > 0:41:11cos you know Smith is a cruel man

0:41:11 > 0:41:13and he'd have enjoyed it.

0:41:13 > 0:41:18She ended up in the sea, a thousand miles from home. Unwanted, unloved...

0:41:18 > 0:41:20Not unloved!

0:41:24 > 0:41:25Her name is...

0:41:25 > 0:41:30was Sophia Mikhailichenko.

0:41:33 > 0:41:35She was 25 years old.

0:41:35 > 0:41:37She was born in Ekaterinburg.

0:41:37 > 0:41:39Her mother still lives there.

0:41:39 > 0:41:41She was your sister?

0:41:43 > 0:41:46My baby sister.

0:41:46 > 0:41:48Only by five minutes but...

0:41:49 > 0:41:51Why did he kill her?

0:41:52 > 0:41:54Because she spoke out.

0:41:54 > 0:41:57Against the boss, Graham Hatter?

0:41:57 > 0:42:00I tried to stop her, I begged her.

0:42:03 > 0:42:04So why are you here?

0:42:06 > 0:42:09With Graham in a coma, I have no protection.

0:42:11 > 0:42:13But I do have this...

0:42:15 > 0:42:16What is it?

0:42:16 > 0:42:19- It's Graham's memory stick. - Where did you get it?

0:42:20 > 0:42:24I stole it from him, stupid, when he was having his heart attack.

0:42:24 > 0:42:27And now it is ours, Gloria. Yours and mine.

0:42:28 > 0:42:31I have come here to make deal with you.

0:42:33 > 0:42:37It has all the bank details of all his companies.

0:42:37 > 0:42:41In Scotland, Jersey, Cayman Islands and Switzerland.

0:42:41 > 0:42:44You are company director?

0:42:44 > 0:42:46The company will have its assets frozen,

0:42:46 > 0:42:48probably in a couple of hours.

0:42:48 > 0:42:50That's not a problem. I work in bank in Russia.

0:42:50 > 0:42:53I understand these things. We need details, password.

0:42:53 > 0:42:57I then transfer all money into one of Swiss accounts.

0:42:57 > 0:42:59They cannot touch in Switzerland.

0:42:59 > 0:43:00Why would we do that?

0:43:00 > 0:43:04I think what she's suggesting, Gloria, is that you do a runner. Take all the cash.

0:43:06 > 0:43:09It's your choice. You can stay here and fight it

0:43:09 > 0:43:13- with the best lawyers you can afford...- Or?

0:43:13 > 0:43:15Or live to fight another day.

0:43:15 > 0:43:18You can run away with me, Gloria.

0:43:20 > 0:43:22I'll pack a bag.

0:43:22 > 0:43:25Just grab your passport, you don't have time, the police could turn up...

0:43:25 > 0:43:28Lets not forget, Smith's about somewhere.

0:43:28 > 0:43:29But you have guard.

0:43:29 > 0:43:30What?

0:43:30 > 0:43:32Guard. Man in car with gun.

0:43:32 > 0:43:34With...?

0:43:37 > 0:43:38Jesus! Martin?

0:43:38 > 0:43:40Martin, talk to me.

0:43:40 > 0:43:42I don't deserve to live.

0:43:42 > 0:43:45Of course you do. Don't be ridiculous. Give me that...

0:43:45 > 0:43:47No, no, no.

0:43:47 > 0:43:50I knew it would come back to haunt me.

0:43:50 > 0:43:51I knew it.

0:43:51 > 0:43:55The psycho, the girls getting killed,

0:43:55 > 0:43:59Paul Bradley, Richard Moat... It's all my fault.

0:43:59 > 0:44:02- None of it's your fault. - Yes, yes, it is.

0:44:02 > 0:44:06You don't know what I did, you don't know.

0:44:06 > 0:44:08I did something terrible.

0:44:08 > 0:44:10SIREN WAILS

0:44:10 > 0:44:12You like that. Was fun?

0:44:12 > 0:44:16- Yes.- You like that enough to maybe give me gift?

0:44:18 > 0:44:20A gift? What kind of a gift?

0:44:20 > 0:44:22A little money gift?

0:44:26 > 0:44:29OK. Um...

0:44:29 > 0:44:31Yeah, if that's what you want.

0:44:34 > 0:44:39I'll have to go to the hotel reception and get some cash.

0:44:39 > 0:44:42- Money now. - No, I have to withdraw some.

0:44:42 > 0:44:43No! No cards, cash!

0:44:43 > 0:44:45No, I understand but I have to go...

0:44:45 > 0:44:49- Money or I scream.- Yeah, I'm going to go to the hotel lobby and get...

0:44:49 > 0:44:53SHE SPEAKS IN RUSSIAN

0:44:53 > 0:44:55Get off!

0:44:56 > 0:44:57Oh, God!

0:44:59 > 0:45:00Irianna?

0:45:00 > 0:45:01SHE MOANS

0:45:24 > 0:45:28Stupid, stupid, stupid girl.

0:45:28 > 0:45:31Stupid... I don't know why she did it.

0:45:31 > 0:45:32What happened then?

0:45:32 > 0:45:39My bedroom was on the sixth floor and they were building some kind of patio thing on the ground floor

0:45:39 > 0:45:42and there was a skip below my window.

0:45:42 > 0:45:46And the next morning I heard them driving it off

0:45:46 > 0:45:48and I went to the airport.

0:45:48 > 0:45:53I thought they were going to arrest me. I wanted them to.

0:45:53 > 0:45:56And then I found myself at home.

0:45:58 > 0:46:01It was an accident, Martin.

0:46:02 > 0:46:03I don't know what to do.

0:46:05 > 0:46:07Just try and do the right thing.

0:46:08 > 0:46:10You're not a mad man, you're a brave man.

0:46:10 > 0:46:14Look, you saved a man's life the other day.

0:46:15 > 0:46:19I wasn't thinking, I didn't know what I was doing.

0:46:19 > 0:46:20You did it, though, didn't you?

0:46:22 > 0:46:25Give me the gun.

0:46:25 > 0:46:28Come on, just hand it over.

0:46:30 > 0:46:32Come on.

0:46:32 > 0:46:34Where did you get this?

0:46:36 > 0:46:40It's Paul Bradley's.

0:46:58 > 0:47:04The shower head was the right kind of bulk and weight and so I put it in the bag.

0:47:04 > 0:47:08After he drugged me, he must have just gone away without checking.

0:47:08 > 0:47:09What made you take it?

0:47:09 > 0:47:11I thought that he was going to use it on me.

0:47:13 > 0:47:15What's Paul Bradley doing with a...

0:47:15 > 0:47:17an assassin's gun?

0:47:17 > 0:47:20Munroe said he's missing, he gave the hospital a false address.

0:47:20 > 0:47:24I told you that I thought there was something wrong with him.

0:47:24 > 0:47:26He was a hit man, Martin.

0:47:26 > 0:47:27He was away to do a job.

0:47:27 > 0:47:29What?

0:47:29 > 0:47:31Get rid of someone.

0:47:31 > 0:47:36Get rid of someone... She said he'd never let anyone walk away.

0:47:36 > 0:47:38Who did?

0:47:39 > 0:47:40Pop the boot.

0:47:46 > 0:47:48Stay here. If anybody comes beep the horn.

0:47:48 > 0:47:51S-I-N-A-T-R-A.

0:47:51 > 0:47:54No! Sport - what he like?

0:47:56 > 0:47:58Ali, Mohammed Ali, worshipped him.

0:47:58 > 0:48:02No, wait. Insisted on calling him Clay - Cassius Clay.

0:48:04 > 0:48:08- No. Shit! - What are you two doing here? You've got to get going.

0:48:08 > 0:48:09We need password.

0:48:09 > 0:48:12We've tried everything - his favourite cars, food, music.

0:48:12 > 0:48:14Gloria, you're not safe here.

0:48:14 > 0:48:16- We're not going without money. - Help us.

0:48:16 > 0:48:20- Me? It could be anything, I don't know the bloke.- Please.

0:48:27 > 0:48:28Shit, shit!

0:48:40 > 0:48:43No, no, think of the opposite of anything you'd expect.

0:48:43 > 0:48:45Not who he was but who he wasn't.

0:48:45 > 0:48:49The last think you'd expect him to do, the last place you'd expect him to go,

0:48:49 > 0:48:53- the last thing he'd ever read...- Oh! - Go on. What?

0:48:56 > 0:49:02"King of kings, look on my works, ye mighty, and despair!"

0:49:02 > 0:49:04Shelley?

0:49:04 > 0:49:06Ozymandias.

0:49:06 > 0:49:08Try it.

0:49:08 > 0:49:10Type it in.

0:49:17 > 0:49:19It worked!

0:49:21 > 0:49:23Oh, Graham!

0:49:23 > 0:49:27- He reads poetry. - He was probably just looking for the most obscure word he could find.

0:49:27 > 0:49:29Money will be moved.

0:49:29 > 0:49:33Great. Let's get the two of you to an airport, quick.

0:49:35 > 0:49:37He's gone!

0:49:37 > 0:49:43I kill them girls for him, he does a runner and he's left me in the shite!

0:49:43 > 0:49:48And you... You are going to run off and join him, aren't you?

0:49:48 > 0:49:51He's in intensive care. She's got nothing to do with it.

0:49:51 > 0:49:55You think I'm stupid, but I am not.

0:49:55 > 0:50:01- I want my share of the money. - There's nothing here, Terence. - But I have to get away as well!

0:50:01 > 0:50:04Listen to her. Walk away, there's nothing here for you.

0:50:07 > 0:50:11Leave it! Back off! The police are onto you, the game's up.

0:50:11 > 0:50:13They've got your... No!

0:50:18 > 0:50:21You get to die last, smart arse!

0:50:38 > 0:50:39It's OK.

0:50:43 > 0:50:45Are you all right?

0:50:45 > 0:50:47Yeah.

0:50:55 > 0:50:57Did you mean to do that?

0:50:58 > 0:51:01Yeah. This time I did.

0:51:04 > 0:51:06Good job.

0:51:11 > 0:51:14Um...

0:51:14 > 0:51:19Right, ladies, Martin, it's probably a good time to leave.

0:51:20 > 0:51:21No, no. I'm staying.

0:51:21 > 0:51:25- The police are on their way. - No. I am sick of running.

0:51:25 > 0:51:27Well, what are you going to do? Tell them the truth?

0:51:27 > 0:51:29No.

0:51:31 > 0:51:33I'm a writer.

0:51:37 > 0:51:41No, the only other person to visit him apart from his wife was his prostitute.

0:51:41 > 0:51:43The doctor didn't get her real name.

0:51:43 > 0:51:47Apparently, she's a Russian dominatrix.

0:51:47 > 0:51:49What, just now?

0:51:49 > 0:51:51OK, I'm on my way.

0:51:51 > 0:51:52There's been a reported shooting.

0:52:03 > 0:52:06Good bye, Mr Hatter.

0:52:06 > 0:52:08A little present from your wife.

0:52:17 > 0:52:18Hey!

0:52:18 > 0:52:19Dad!

0:52:21 > 0:52:25Did you think I was going to let you go without one last squeeze?

0:52:28 > 0:52:30All right, now look,

0:52:30 > 0:52:34I'll always be with you, you're never alone.

0:52:34 > 0:52:36If that's all right?

0:52:36 > 0:52:37Scoop me every day.

0:52:37 > 0:52:38Skype.

0:52:38 > 0:52:41Skype me every day. Every day.

0:52:41 > 0:52:43All right? Come here.

0:52:47 > 0:52:50KNOCKING

0:52:52 > 0:52:56All right, let me remember that face.

0:52:58 > 0:52:59I think I've got it.

0:53:03 > 0:53:06See you later, alligator.

0:53:06 > 0:53:07In a while, crocodile.

0:53:10 > 0:53:12Hey.

0:53:12 > 0:53:14Good luck.

0:53:17 > 0:53:18Thank you.

0:53:51 > 0:53:55SOBBING

0:54:06 > 0:54:09I tried to think what you would do.

0:54:14 > 0:54:19He began shaking and making this noise.

0:54:19 > 0:54:21His legs were jelly.

0:54:21 > 0:54:23It was horrible.

0:54:25 > 0:54:29I didn't know what to do. Mum?

0:54:29 > 0:54:32It's OK. It's OK.

0:54:44 > 0:54:52# We'll find a jukebox and see what a quarter will do

0:54:56 > 0:54:59# I don't want to talk

0:54:59 > 0:55:04# I just want to go back to... #

0:55:04 > 0:55:07DOORBELL RINGS

0:55:14 > 0:55:15Hi.

0:55:15 > 0:55:18- You got Marlee staying over? - No.

0:55:18 > 0:55:20You got back together with your ex?

0:55:20 > 0:55:22No.

0:55:22 > 0:55:23Actresses?

0:55:23 > 0:55:25No actresses.

0:55:25 > 0:55:27In that case, I'll come in.

0:55:34 > 0:55:36How's Martin holding up?

0:55:36 > 0:55:38He's a strange one.

0:55:38 > 0:55:41I gave him his USB stick back with his new novel on it

0:55:41 > 0:55:44and he threw it in the bin, said something about Mark Twain.

0:55:44 > 0:55:46Sensitive artist,

0:55:46 > 0:55:50although he did all right this afternoon...

0:55:50 > 0:55:51from what I heard.

0:55:51 > 0:55:53What, killing Smith with his own gun?

0:55:53 > 0:55:56Surprisingly so.

0:56:01 > 0:56:03Gloria Hatter's vanished.

0:56:03 > 0:56:05Looks like she's left the country.

0:56:05 > 0:56:07Will she be indicted?

0:56:07 > 0:56:11I'd have thought so, seeing as her husband's dead. Just hope she's got the money for a good lawyer.

0:56:11 > 0:56:13Dead?

0:56:13 > 0:56:17Gone to that big mock-Tudor housing estate in the sky. Case closed.

0:56:17 > 0:56:21There's a girl out there somewhere floating around.

0:56:21 > 0:56:24Yeah, we found her.

0:56:24 > 0:56:26She came ashore.

0:56:28 > 0:56:33We still don't know anything about her. No-one's missed her.

0:56:33 > 0:56:36Her name's Sophia and I know people who miss her.

0:56:38 > 0:56:41She came here from Russia six months ago.

0:56:41 > 0:56:45She thought the streets might be paved with gold. They weren't.

0:56:47 > 0:56:52These are the details of Lena's. I kind of promised I'd send them home.

0:56:56 > 0:56:58OK.

0:56:58 > 0:57:00Thank you.

0:57:01 > 0:57:07A neighbour of the Hatters' thought she saw a black car parked on their driveway this afternoon.

0:57:07 > 0:57:10Oh, yeah, lot of black cars around.

0:57:10 > 0:57:13Yeah. Black Alfa Romeo.

0:57:13 > 0:57:16Around the time of the break-in and the shooting of Terence Smith.

0:57:19 > 0:57:21She couldn't be sure though,

0:57:21 > 0:57:24and I decided not to make a note of it.

0:57:25 > 0:57:27She was very old.

0:57:27 > 0:57:29Ah, well.

0:57:31 > 0:57:33Do you fancy getting drunk?

0:57:38 > 0:57:40They're on the plane,

0:57:40 > 0:57:44on their way to New Zealand and I keep seeing their faces.

0:57:48 > 0:57:49OK.

0:57:49 > 0:57:51Sorry.

0:57:56 > 0:57:58Get some sleep, Jackson. You look like crap.

0:58:00 > 0:58:03# The compass of your heart

0:58:03 > 0:58:07# Won't fail you now

0:58:08 > 0:58:14# Your vessel's made for times like these

0:58:17 > 0:58:19# Let your hair down

0:58:19 > 0:58:23# Till the morning

0:58:25 > 0:58:30# Many loved ones are together

0:58:30 > 0:58:32# Here tonight

0:58:32 > 0:58:39# In the calm before the storm. #

0:58:39 > 0:58:41Subtitles by Red Bee Media Ltd

0:58:41 > 0:58:44Email: subtitling@bbc.co.uk