0:00:34 > 0:00:37MUSIC: "In The Hearts Of Men" by First Aid Kit
0:00:48 > 0:00:50# In the hearts of men
0:00:52 > 0:00:55# In the arms of mothers
0:00:55 > 0:00:59# In the parts we play
0:00:59 > 0:01:02# To convince others
0:01:03 > 0:01:07# We know what we're doing
0:01:07 > 0:01:10# We're doing it right
0:01:10 > 0:01:13# May have written books on the subject
0:01:13 > 0:01:17# But then you may still be surprised
0:01:17 > 0:01:21# By your tone over the phone
0:01:21 > 0:01:26# To your sister while waiting in line
0:01:26 > 0:01:32# At the shopping mall just outside of town
0:01:32 > 0:01:37# Ooo-ooo
0:01:37 > 0:01:41# Ooo-ooo
0:01:41 > 0:01:43# Ooo-ooo
0:01:43 > 0:01:46# Ooo-ooo
0:01:49 > 0:01:53# In the hands of teachers
0:01:53 > 0:01:55# In the books you read...#
0:01:55 > 0:01:57Welcome home, love.
0:02:02 > 0:02:07It's, um...it's looking good, Dad.
0:02:07 > 0:02:09I've made some space upstairs.
0:02:09 > 0:02:12What? I can't have your room, it's not fair.
0:02:12 > 0:02:15You're getting a bit too big for us to share.
0:02:15 > 0:02:18Well, maybe we should think about somewhere else to stay.
0:02:18 > 0:02:19A two bedroom maybe?
0:02:19 > 0:02:22Maybe we should take it one step at a time.
0:02:22 > 0:02:25If I'm going to live here, we'll need more space.
0:02:29 > 0:02:31Did you have another child while I was away, Dad?
0:02:31 > 0:02:33You don't like it.
0:02:34 > 0:02:38No, I like it, it's, um...it's pink.
0:02:38 > 0:02:40Yep.
0:02:40 > 0:02:42Thanks, Dad. It's lovely.
0:02:42 > 0:02:46We can take it all back if you want, get Goth black.
0:02:46 > 0:02:49It's all right. It'll be good for me to have a change from everything
0:02:49 > 0:02:52all white and perfect the way Mum likes it.
0:02:52 > 0:02:55Now, I got you this so you can always tell me where you are
0:02:55 > 0:02:58and if you need picking up or whatever.
0:02:58 > 0:03:00I just need to get a SIM with an international package.
0:03:00 > 0:03:02I've looked up some good deals.
0:03:02 > 0:03:03We'll get that sorted.
0:03:03 > 0:03:06And I also need to get a bus pass
0:03:06 > 0:03:08so I can go out, see my friends after school and stuff.
0:03:08 > 0:03:11I can pick you up, drive you round.
0:03:11 > 0:03:14It's all right, Dad, I'll get the bus. All my friends do.
0:03:14 > 0:03:16We'll talk about it tomorrow.
0:03:16 > 0:03:20You hungry? I've got, er...cinnamon toast, I've got crumpets.
0:03:20 > 0:03:23I can't eat all that. I'm all bloated, Dad. I've got my period.
0:03:25 > 0:03:27OK.
0:03:27 > 0:03:28I get my periods now, you know.
0:03:28 > 0:03:30No...yeah, I did know.
0:03:32 > 0:03:34Right.
0:03:35 > 0:03:39OK, so first off I just need some basic information.
0:03:39 > 0:03:41Hobbies, interests, that kind of thing.
0:03:43 > 0:03:46Mm-hm. And Second Life is what?
0:03:48 > 0:03:49Avatar?
0:03:50 > 0:03:53Right. Uh-huh. Yeah.
0:03:53 > 0:03:57Um...are you sure he's actually into real women?
0:03:57 > 0:04:02Anyway, you...yes, think about it and get back to me. Thank you. 'Bye.
0:04:03 > 0:04:05Woo, you're in before ten!
0:04:05 > 0:04:06Eight hours sleep.
0:04:06 > 0:04:08I cooked my daughter a wholesome breakfast,
0:04:08 > 0:04:11dropped her off at the school gate, thank you very much.
0:04:11 > 0:04:14So, what, now you're, like, Father of the Year?
0:04:15 > 0:04:18What was all that about? On the phone.
0:04:18 > 0:04:21Oh, my new honey-trapping sideline.
0:04:21 > 0:04:24Wives call me, I then accidentally on purpose
0:04:24 > 0:04:26bump into their husband in a bar,
0:04:26 > 0:04:29I talk to them about what they like, flirt with them a bit,
0:04:29 > 0:04:31then suggest I'm into no-strings sex
0:04:31 > 0:04:35and when they bite, I'm out of there and file my report to their spouse.
0:04:35 > 0:04:36What if they don't bite?
0:04:36 > 0:04:38Oh, come on!
0:04:39 > 0:04:42Right. Not out of my office, not in my name.
0:04:42 > 0:04:45Well, you can't pay my wages, Jackson,
0:04:45 > 0:04:49because you're not collecting fees for work you've already done.
0:04:49 > 0:04:52This one for Mackie has been outstanding since you disappeared.
0:04:52 > 0:04:55I've left him ten messages with zero returns.
0:04:55 > 0:04:57He's a bookie, he doesn't like to pay out.
0:04:57 > 0:04:59Collect the money, Jackson.
0:05:00 > 0:05:01HE SIGHS
0:05:03 > 0:05:05PHONE RINGS
0:05:05 > 0:05:10Investigations. No. No, we don't do entrapment.
0:05:10 > 0:05:12I don't care what it says in the advert. It's wrong.
0:05:14 > 0:05:17KNOCK AT DOOR
0:05:17 > 0:05:19Did I startle you? It was open.
0:05:19 > 0:05:22No, no, we're open. I am open.
0:05:23 > 0:05:25- Jackson Brodie.- Rachel Stewart.
0:05:25 > 0:05:28For now Stewart, I will be Marshall.
0:05:28 > 0:05:30Come in. Sit down.
0:05:34 > 0:05:35How can I help you, Rachel?
0:05:35 > 0:05:37I'm worried about my fiance.
0:05:37 > 0:05:42- OK.- Our big day is three weeks from Sunday.
0:05:42 > 0:05:46We're moving to Lancaster, a new house and everything.
0:05:46 > 0:05:49And I'm committing myself for life to this man
0:05:49 > 0:05:51and all of a sudden, I don't know if he loves me any more.
0:05:51 > 0:05:54And I am loveable.
0:05:54 > 0:05:57I'm practically Maria von Trapp, for God's sake.
0:05:57 > 0:05:59Except without the guitar.
0:05:59 > 0:06:02You know, the woman who married a widower,
0:06:02 > 0:06:04made a sad house into a happy home.
0:06:04 > 0:06:06The Sound Of Music.
0:06:06 > 0:06:08I was Freddie's...
0:06:08 > 0:06:12his son's nanny after his wife died.
0:06:12 > 0:06:15And now Andy and I are getting married.
0:06:15 > 0:06:17- At least we're supposed to be getting married.- Rachel?
0:06:19 > 0:06:23This sounds very difficult for you, but...I'm not a marriage counsellor.
0:06:23 > 0:06:26But something's changed.
0:06:26 > 0:06:29Andy's never been very...
0:06:29 > 0:06:30he doesn't like sharing his feelings.
0:06:30 > 0:06:33But lately, he's been so distant.
0:06:33 > 0:06:36Sometimes he doesn't even look at me.
0:06:36 > 0:06:39And I just want to get it back to how it was.
0:06:39 > 0:06:41Do you think he's having an affair or something?
0:06:41 > 0:06:45Are there any unexplained absences or lies?
0:06:45 > 0:06:49Last Wednesday, he was missing for six hours.
0:06:49 > 0:06:52He says he was at work, but I rang his office and there was no answer.
0:06:52 > 0:06:57Friday, all afternoon, his mobile was off. The following Tuesday, it was the same story.
0:06:57 > 0:07:00He missed dinner and I called his office, but there was no answer.
0:07:00 > 0:07:03I'd follow him myself, but I'm looking after Freddie
0:07:03 > 0:07:06and it's not exactly convenient stalking someone.
0:07:06 > 0:07:09I shouldn't have to, that's your job.
0:07:10 > 0:07:11Thanks.
0:07:14 > 0:07:16How long has this been going on?
0:07:16 > 0:07:21A few months... Ever since we decided to get married, really.
0:07:23 > 0:07:25It's ironic, I guess.
0:07:25 > 0:07:28Ever since we got engaged, I've never felt so alone.
0:07:33 > 0:07:35OK.
0:07:35 > 0:07:37DOORBELL RINGS
0:07:37 > 0:07:38KNOCKING
0:07:42 > 0:07:44Jackson Brodie.
0:07:44 > 0:07:46I thought you were Down Under.
0:07:46 > 0:07:49- I was. I'm back.- So I see.
0:07:49 > 0:07:51I've come for my money, Mackie.
0:07:51 > 0:07:54Well, you're just in time. Because there's more work to do.
0:07:54 > 0:07:57- You'd better come in. - What you talking about?
0:07:59 > 0:08:03My case, you numpty. The thieving of Ian Mackie.
0:08:03 > 0:08:05You sure didnae solve it.
0:08:07 > 0:08:12Hold on, we caught that bloke, that Joe Burns, red-handed.
0:08:12 > 0:08:15- Aye, but money's still gone missing from the shop.- You sure?
0:08:15 > 0:08:19Joe Burns reckons I'm not wise in the head. Don't you join him.
0:08:19 > 0:08:20Why would you assume it's him?
0:08:20 > 0:08:23You've got ten people working for you between the track and the shop.
0:08:23 > 0:08:26Only one who vowed to pan ma windies.
0:08:26 > 0:08:30Mention my name to him. I'm sure he'll tell you all about it.
0:08:30 > 0:08:33Now, you go and have a sniff around. Where are you going?
0:08:33 > 0:08:36- Out.- Can I remind you, you're scheduled to work the shop at four.
0:08:36 > 0:08:39I made the bloody schedule, Ian. I'll be there.
0:08:42 > 0:08:43She sure took a fancy to you.
0:08:43 > 0:08:47That's the first time I've seen her teeth since about 1992.
0:08:47 > 0:08:49Mackie, I want paying for the work I've done.
0:08:49 > 0:08:53You carry on with the case and I'll see you at the track tomorrow.
0:08:53 > 0:08:54Come on.
0:08:56 > 0:09:00MUSIC: "Car Wheels On A Gravel Road" by Lucinda Williams
0:09:08 > 0:09:11# Sitting in the kitchen
0:09:11 > 0:09:13# A house in Macon
0:09:13 > 0:09:18# Loretta's singing on the radio
0:09:18 > 0:09:22# Smell of coffee, eggs and bacon
0:09:22 > 0:09:27# Car wheels on a gravel road
0:09:27 > 0:09:33# Pull the curtains back and look outside
0:09:33 > 0:09:36# Somebody somewhere I don't know... #
0:09:36 > 0:09:37What you doing?
0:09:37 > 0:09:40# Come on now, child... #
0:09:40 > 0:09:42Come on, do something.
0:09:42 > 0:09:47# Car wheels on a gravel road
0:09:47 > 0:09:51# Car wheels on a gravel road
0:09:51 > 0:09:56# Car wheels on a gravel road
0:10:09 > 0:10:14# Can't find a damn thing in this place
0:10:14 > 0:10:19# Nothing's where I left it before
0:10:19 > 0:10:23# Set of keys and a dusty suitcase
0:10:23 > 0:10:29# Car wheels on a gravel road
0:10:29 > 0:10:33# There goes the screen door slamming shut
0:10:33 > 0:10:37# You better do what you're told... #
0:10:37 > 0:10:38(Hey.)
0:10:38 > 0:10:41(Hey. Hey.)
0:10:41 > 0:10:43(Hey. There you go.)
0:10:43 > 0:10:45(You're gorgeous, aren't you?)
0:10:47 > 0:10:49Hello, mate. What's your name?
0:10:49 > 0:10:50WHINNIES
0:10:50 > 0:10:52Hey, it's all right.
0:10:55 > 0:10:57HE CHUCKLES
0:11:25 > 0:11:27- SHE COCKS GUN - You're trespassing.
0:11:28 > 0:11:30Hey-hey, it's all right.
0:11:30 > 0:11:33I'm sorry, I'm from Edinburgh, I just got lost.
0:11:33 > 0:11:35You don't sound like you're from Edinburgh.
0:11:35 > 0:11:39Yeah, well, I need to know where I am, that's all.
0:11:39 > 0:11:41Give me your wallet.
0:11:41 > 0:11:43Just...just keep calm, that's all.
0:11:44 > 0:11:46There's nothing funny going on.
0:11:52 > 0:11:56Jackson Brodie - private investigator?
0:11:56 > 0:11:58That's why I was embarrassed to say I was lost.
0:11:58 > 0:12:01So, what ARE you doing here?
0:12:01 > 0:12:05I just want to find my way home, honestly.
0:12:07 > 0:12:11You didn't...come about Isobel?
0:12:13 > 0:12:15No. Who's Isobel?
0:12:15 > 0:12:18My daughter. She died.
0:12:18 > 0:12:19I'm sorry.
0:12:19 > 0:12:23The procurator fiscal ruled it was death by misadventure.
0:12:24 > 0:12:28She was beautiful, talented. A force of nature.
0:12:30 > 0:12:34You thought I was here to investigate her death. Why?
0:12:34 > 0:12:38I was driving home, was on the track near here,
0:12:38 > 0:12:39and there he was.
0:12:43 > 0:12:45Ollie, Isobel's horse.
0:12:45 > 0:12:48I just knew something was wrong.
0:12:48 > 0:12:51I rushed back here and there was Andy.
0:12:51 > 0:12:52Her husband.
0:12:52 > 0:12:54He'd found her and called the ambulance.
0:12:54 > 0:12:57I still thought she just might be OK.
0:12:57 > 0:12:59It's not like she hadn't been thrown before.
0:13:00 > 0:13:01Isobel?
0:13:09 > 0:13:11It says she wasn't wearing a hat.
0:13:11 > 0:13:14That's what made me suspicious.
0:13:14 > 0:13:17Ollie's a wild one. A really powerful horse.
0:13:17 > 0:13:21She wouldn't even walk him around the ring without wearing a hat.
0:13:21 > 0:13:23So, you think it wasn't an accident?
0:13:23 > 0:13:25I don't believe it.
0:13:25 > 0:13:28What about, er...Andy?
0:13:28 > 0:13:29What does he think?
0:13:29 > 0:13:32Oh, he'd just arrived, so he says.
0:13:32 > 0:13:35I sometimes looked after Freddie, my grandson.
0:13:35 > 0:13:38He'd called round to ask me to babysit.
0:13:38 > 0:13:42But he didn't have Freddie with him. So, why didn't he phone?
0:13:42 > 0:13:46Look, this article's from five years ago.
0:13:46 > 0:13:50- Did the police investigate your concerns at the time?- No.
0:13:50 > 0:13:54No...what? No, they didn't investigate
0:13:54 > 0:13:57or no...you didn't mention anything?
0:13:58 > 0:14:02You didn't, did you? Why not?
0:14:02 > 0:14:03I just couldn't.
0:14:03 > 0:14:07- What does that mean? - You're a detective.
0:14:07 > 0:14:09You could talk to Andy.
0:14:09 > 0:14:11But there isn't much time.
0:14:11 > 0:14:13He's leaving Scotland in three weeks.
0:14:13 > 0:14:16He just came round to tell me it's all been finalised.
0:14:16 > 0:14:19He's taking my grandson to Lancaster.
0:14:19 > 0:14:21I'm not sure there's anything I can do.
0:14:21 > 0:14:24I just know my daughter was murdered.
0:14:31 > 0:14:34Let me see if I can find anything out.
0:14:35 > 0:14:38What are his tastes? What should I wear?
0:14:38 > 0:14:40Should I wear heels, or...?
0:14:42 > 0:14:44Right. Well, what would you wear?
0:14:46 > 0:14:48Really?
0:14:48 > 0:14:51Have you thought about an image change?
0:14:51 > 0:14:53Oh, God, no, no!
0:14:53 > 0:14:57God, no, I'm not suggesting you dress like a prostitute. I'm...
0:14:57 > 0:14:59No. No, excuse me, just because
0:14:59 > 0:15:02a woman wears a tight dress and a pair of heels doesn't make her...
0:15:02 > 0:15:03Hello?
0:15:03 > 0:15:04Hello?
0:15:04 > 0:15:07Winning manner with the clients there, Deborah.
0:15:07 > 0:15:09Surprised there aren't queues around the block(!)
0:15:10 > 0:15:12It'll pick up.
0:15:16 > 0:15:18Who's this?
0:15:18 > 0:15:20Isobel Baker-Marshall,
0:15:20 > 0:15:23the ex-wife, dead wife,
0:15:23 > 0:15:26of the bloke who's the fiance of the woman who was sitting here
0:15:26 > 0:15:28who wants to see if he's having an affair,
0:15:28 > 0:15:31but her mother wants to see if he killed her, murdered her.
0:15:31 > 0:15:34- And you're working for both of them. - That I am.
0:15:34 > 0:15:36- That'll be fun(!)- Hm.
0:15:36 > 0:15:38PHONE RINGS
0:15:44 > 0:15:46Hello. Jackson Brodie's office. Can I help?
0:15:46 > 0:15:49"Hello, can I speak to Jackson, please?"
0:15:49 > 0:15:51Oh, yes, you're in luck. He's right here.
0:15:51 > 0:15:53- Phone call for you, Mr Brodie. - Thank you.
0:15:56 > 0:15:58- Rachel.- Any news?
0:16:00 > 0:16:02Nothing yet, I'm afraid. Bit too soon.
0:16:02 > 0:16:05OK. I'm sure you know what you're doing.
0:16:05 > 0:16:09- Yeah.- Maybe follow him tomorrow. Not today because...
0:16:09 > 0:16:12after school, I've got my class, he'll be with Freddie.
0:16:12 > 0:16:14Talk to you soon.
0:16:20 > 0:16:22MUSIC BLASTS
0:16:26 > 0:16:27Joe Burns?
0:16:27 > 0:16:29Do I know you?
0:16:29 > 0:16:32Jackson Brodie. Caught you stealing from your boss.
0:16:32 > 0:16:34You're the one who grassed on me?
0:16:34 > 0:16:36Mackie hired me.
0:16:36 > 0:16:37Stinking ball bag!
0:16:37 > 0:16:40I told him I'd pan his windies in.
0:16:40 > 0:16:43He hired you? What, like a henchman?
0:16:43 > 0:16:46Like a detective.
0:16:46 > 0:16:48So it wasnae Marie?
0:16:48 > 0:16:51Look, we didn't hand you over to the police first time.
0:16:51 > 0:16:53He's not going to go so easy on you this time.
0:16:53 > 0:16:57What are you talking about? I haven't even been near the shop.
0:16:57 > 0:16:59The track? I cannae go there.
0:16:59 > 0:17:01- Why not?- Pain.
0:17:01 > 0:17:02I'm detoxing from that scene.
0:17:04 > 0:17:06Money's still going missing, Joe,
0:17:06 > 0:17:09so whoever you're working with, whatever you've got going on,
0:17:09 > 0:17:11now's the time to talk up when it's just between us.
0:17:11 > 0:17:13It's got nothing to do with me.
0:17:13 > 0:17:17- Why did you think Mrs Mackie was on to you?- Dunno.
0:17:17 > 0:17:20- Well, why would you say it? - I dunno.
0:17:20 > 0:17:23Maybe she saw I was dressing a bit flash.
0:17:23 > 0:17:26She was suspicious, you know.
0:17:26 > 0:17:28But this is just how I dress.
0:17:28 > 0:17:29I like to look smart.
0:17:29 > 0:17:33Yeah. You've pulled it off, big time.
0:17:40 > 0:17:42JACKSON SIGHS
0:17:44 > 0:17:45PHONE RINGS OUT
0:17:47 > 0:17:49- Hello, Jackson.- How you doing?
0:17:49 > 0:17:53Er...I'm great. And late. What can I do for you?
0:17:53 > 0:17:54You still got a gift list?
0:17:54 > 0:17:57I just got your thank you card and I haven't actually sent a present yet.
0:17:57 > 0:18:00I wouldn't worry about it. You didn't turn up to the wedding.
0:18:00 > 0:18:02Yeah, I'm sorry about that, too.
0:18:02 > 0:18:04Marlee's come to live with me, so I couldn't get away.
0:18:04 > 0:18:07- She's living with you? By yourself? - Yeah.
0:18:07 > 0:18:08Well, that's never going to work.
0:18:09 > 0:18:12Thanks for that. How's married life?
0:18:12 > 0:18:13It's excellent. Very sociable.
0:18:13 > 0:18:16In fact, I'm having a wee drinks thing this afternoon
0:18:16 > 0:18:19at Patrick's...my...our house.
0:18:19 > 0:18:22A drinks thing? What, like a cocktail party?
0:18:22 > 0:18:26No, it's a gathering of friends. Patrick's colleagues.
0:18:26 > 0:18:28- People that couldn't make it to the wedding.- Like me.
0:18:28 > 0:18:30No, not like you. Civilised people.
0:18:30 > 0:18:33I'm not civilised enough to mix with Patrick's friends.
0:18:33 > 0:18:36Well, do you want to come?
0:18:36 > 0:18:38I might pop in. What time?
0:18:38 > 0:18:41Well...it's 4pm, which is why I have to go.
0:18:41 > 0:18:43All right. Okey-doke.
0:18:43 > 0:18:45(Shit!)
0:18:48 > 0:18:50- Oh, hi, Louise, hi. - Hi, there. Hi, there.
0:18:50 > 0:18:54Hi! I'm back, I'm back. Sorry, I got stuck at work. I've got everything.
0:18:54 > 0:18:57It's all right. Patrick and I have got it all under control.
0:18:57 > 0:19:01If I had a kitchen like this, it would make me make something other than toast.
0:19:01 > 0:19:05Jackson Brodie was our first guest and he's been kindly helping me with the food ever since.
0:19:05 > 0:19:07Well, so you've got everything.
0:19:07 > 0:19:10No, no, no, you can never have too many mini quiches.
0:19:10 > 0:19:13I'll go and offer this lot round, make room on the plate for more.
0:19:13 > 0:19:14Yeah.
0:19:16 > 0:19:17He invited himself.
0:19:17 > 0:19:20It's fine. I was just surprised to see him at the door, that's all.
0:19:23 > 0:19:25Whose is all this?
0:19:25 > 0:19:28Silver forks? I've never seen these before in my life.
0:19:28 > 0:19:32- Well, they're mine...ours.- Ah!
0:19:32 > 0:19:34The spoils of your former marriage.
0:19:36 > 0:19:40My stuff like a refugee's compared to your stuff, you know.
0:19:40 > 0:19:43A refugee who spends a lot of time in Ikea.
0:19:43 > 0:19:45Well, if it makes you happy, I'll replace every last teaspoon
0:19:45 > 0:19:48in the house with their latest range. How's that?
0:19:58 > 0:20:00ANIMATED CHATTER
0:20:00 > 0:20:03LAUGHTER
0:20:08 > 0:20:11Hey. Want a hand?
0:20:11 > 0:20:14Why is everything so bloody mini?
0:20:14 > 0:20:19So you don't have a mouthful of food when it's time for witty banter.
0:20:19 > 0:20:21Can you pass me those skewers, please?
0:20:21 > 0:20:24- What, the mini skewers(?)- Toothpicks.
0:20:24 > 0:20:25Thank you.
0:20:25 > 0:20:28It's all right! Don't panic.
0:20:35 > 0:20:39You're all right. Patrick's friends are all right.
0:20:39 > 0:20:41Why wouldn't they be?
0:20:43 > 0:20:45Thanks.
0:20:45 > 0:20:47So, what are we going to hit them with now?
0:20:47 > 0:20:51Mini pizzas, mini sausages? Pizza? Sausage?
0:20:51 > 0:20:54There's a lot of pressure to this married life, eh, Mrs C?
0:20:54 > 0:20:55Don't do that.
0:20:55 > 0:20:57You're not Mrs Carter?
0:20:57 > 0:21:00Miss Munroe?
0:21:00 > 0:21:02Mrs Munroe-Carter. How about that? Very posh.
0:21:02 > 0:21:03Piss off.
0:21:04 > 0:21:08- Pissing off with the...mini pizzas. - Hey.
0:21:13 > 0:21:16INDISTINCT CHATTER
0:21:18 > 0:21:20LAUGHTER
0:21:20 > 0:21:22He says, "How do I know it's you?"
0:21:22 > 0:21:27So Louise tells the filthiest joke you've ever heard in your life
0:21:27 > 0:21:30and he goes, "Oh, yeah, I remember you."
0:21:30 > 0:21:32Now, which one of her three filthy jokes did she tell?
0:21:34 > 0:21:36Patrick? Have you got a minute?
0:21:37 > 0:21:39Excuse me.
0:21:56 > 0:21:58What the hell do you think you're doing?
0:21:58 > 0:21:59Trying to see if you're all right.
0:21:59 > 0:22:03No, what are you doing here in my house, in my life, with my husband?!
0:22:03 > 0:22:05I'm trying to be civilised.
0:22:07 > 0:22:08- Make things normal.- Normal?!
0:22:08 > 0:22:11You're NOT normal! This is NOT normal!
0:22:11 > 0:22:13"Can I help you in the kitchen, Mrs Carter?
0:22:13 > 0:22:16"Oh jolly japes with PC Louise on the street."
0:22:16 > 0:22:19Is this some sort of joke to you? How dare you?!
0:22:19 > 0:22:20Of course it's not a joke.
0:22:21 > 0:22:24I'm trying to...move on.
0:22:24 > 0:22:26I don't know what you want from me.
0:22:34 > 0:22:36Piss off, Jackson.
0:22:36 > 0:22:39Just go.
0:22:40 > 0:22:42Oh, God, I'm going to be sick.
0:22:43 > 0:22:47Just go! Please go home!
0:22:51 > 0:22:53OK, just go like this.
0:22:53 > 0:22:55Perfect.
0:22:55 > 0:22:58Oh, that's perfect on you.
0:22:58 > 0:22:59MOBILE PHONE RINGS
0:23:01 > 0:23:05- Hi, Dad.- Hi. How's it going over there? What you doing?
0:23:05 > 0:23:08Deborah's just helping me with my homework.
0:23:08 > 0:23:10She's all right, Deborah, isn't she?
0:23:10 > 0:23:12- Yeah.- All right, good.
0:23:12 > 0:23:16Listen, there's one more place I've got to go, then I'll be back.
0:23:16 > 0:23:20- OK, then. see you later. 'Bye. - See ya.
0:23:22 > 0:23:24Another healthy snack?
0:23:26 > 0:23:27OK.
0:23:27 > 0:23:32# I live only here between your eyes and you
0:23:37 > 0:23:40# But I live in this world
0:23:40 > 0:23:42# What do I do?
0:23:47 > 0:23:49# Collect no interest
0:23:49 > 0:23:52# Otherwise what I can. #
0:23:56 > 0:23:58It's so nice to hear from a friend of Isobel's.
0:23:58 > 0:24:00You used to ride together?
0:24:00 > 0:24:02Well, when I was a kid.
0:24:02 > 0:24:04We moved to away, but I never forgot her
0:24:04 > 0:24:07and I thought I'd look her up now we've moved back.
0:24:07 > 0:24:09I couldn't believe it.
0:24:09 > 0:24:11Please do come in.
0:24:11 > 0:24:14If you could remove your shoes, please.
0:24:14 > 0:24:17The highest percentage of lead content in a home
0:24:17 > 0:24:19- is dragged in with dirt. - Is that right?
0:24:19 > 0:24:21Yeah, believe it or not.
0:24:21 > 0:24:23It's just to the left there.
0:24:23 > 0:24:24Straight through.
0:24:28 > 0:24:31OK, Freddie, physics homework. Come on.
0:24:31 > 0:24:33I don't mean to be rude, Dad, but when are we eating?
0:24:33 > 0:24:36When you've done your homework. This is Jackson, by the way.
0:24:36 > 0:24:39He knew your mum when she was a little girl. This is Freddie.
0:24:39 > 0:24:42- Hi, Jackson.- How do you do?- Good.
0:24:42 > 0:24:43Come on, it's this way.
0:24:49 > 0:24:50- He's a good boy.- Yes.
0:24:50 > 0:24:53He's obsessed with the Multiverse. Have you heard of it?
0:24:53 > 0:24:58Er...it's a world just like this one where I shake your hand,
0:24:58 > 0:25:01and there's another world where I stab you
0:25:01 > 0:25:05and there's a world for every different thing I could do to you.
0:25:05 > 0:25:07It's...rather tricky to get your head around.
0:25:08 > 0:25:11- Is this Isobel?- Er...yes, aye.
0:25:11 > 0:25:16Yes, I'm the geek who got to marry the world's most beautiful woman.
0:25:19 > 0:25:21Very sorry to hear about the accident.
0:25:21 > 0:25:23Aye, five years now. March 12th.
0:25:25 > 0:25:27She was such a great rider, as I remember it.
0:25:27 > 0:25:30- How could it happen?- Well, she was. The horse bolted and threw her.
0:25:30 > 0:25:33And by all accounts, it was over in a matter of seconds.
0:25:33 > 0:25:37To look at her, you wouldn't have known. She was still so...perfect.
0:25:37 > 0:25:40You know, she just looked like she was sleeping.
0:25:40 > 0:25:42The main damage was to the brain,
0:25:42 > 0:25:45sustained on impact as her head hit the...
0:25:47 > 0:25:48..hit the tarmac.
0:25:51 > 0:25:53- And you found her?- Aye, I did.
0:25:55 > 0:25:57"Do not trust the horse."
0:25:59 > 0:26:00I-I think Virgil said that.
0:26:02 > 0:26:04You weren't at the funeral.
0:26:04 > 0:26:06Oh, of course you weren't at the funeral.
0:26:06 > 0:26:08It was a beautiful service.
0:26:08 > 0:26:12Humanist, of course. In fact, I've got a programme here somewhere.
0:26:12 > 0:26:13Hello!
0:26:13 > 0:26:15Zumba was cancelled.
0:26:15 > 0:26:17Have they finally all died of heart attacks?
0:26:17 > 0:26:21This is a friend of Isobel's, Jackson. This is my fiancee, Rachel.
0:26:21 > 0:26:23- How do you do?- Nice to meet you.
0:26:27 > 0:26:29Let it get all dusty.
0:26:29 > 0:26:31It's a nice one, isn't it?
0:26:31 > 0:26:34She was just the same in real life.
0:26:34 > 0:26:36- Impossibly perfect.- Ah, found it.
0:26:37 > 0:26:39Rachel, I've started the tea,
0:26:39 > 0:26:42but the potatoes are being obstinate.
0:26:42 > 0:26:44- I will beat them into submission. - Aye.
0:26:46 > 0:26:48Hello, monkey. You must be hungry.
0:26:48 > 0:26:49- We're having chicken and mash.- OK.
0:26:50 > 0:26:53Why don't you join us for dinner?
0:26:53 > 0:26:55Oh, no, thanks very much. You should be with your family.
0:26:55 > 0:27:00I've got to go. I just wanted to come by, really, to say sorry.
0:27:02 > 0:27:04Yeah, well, it was extremely good of you to do that.
0:27:04 > 0:27:07- Thanks, Jackson. And please, do come any time.- Thank you.
0:27:11 > 0:27:13- 'Bye, Jackson.- Good night.
0:27:25 > 0:27:28What are you doing here? I told you he was looking after Freddie.
0:27:28 > 0:27:32Well, sometimes it pays not to take the obvious line of investigation.
0:27:32 > 0:27:34You said you were going to be out.
0:27:34 > 0:27:35I know, I know, I'm sorry, I just...
0:27:35 > 0:27:37All this, it's rather unsettling.
0:27:37 > 0:27:42I just want a normal life. A normal family life.
0:27:44 > 0:27:46- How long have you and Andy been together?- Why?
0:27:46 > 0:27:49There's a picture on the wall of you and Isobel with Freddie.
0:27:49 > 0:27:51You were the nanny before she died, right?
0:27:53 > 0:27:55Were you having an affair then?
0:27:57 > 0:27:58We fell in love.
0:27:59 > 0:28:02Rather unsavoury, isn't it?
0:28:02 > 0:28:04Less Maria von Trapp, more the scarlet woman.
0:28:06 > 0:28:08Can't control your heart, can you?
0:28:11 > 0:28:13- Did Isobel find out?- No. No.
0:28:15 > 0:28:18I'm sorry, I should have told you earlier, I was embarrassed.
0:28:20 > 0:28:22You will keep following him, won't you?
0:28:22 > 0:28:23Find out what's going on.
0:28:25 > 0:28:27Sure.
0:28:42 > 0:28:44Ah, she lives! The creature lives!
0:28:44 > 0:28:46How we doing?
0:28:46 > 0:28:48Mm-hm.
0:28:48 > 0:28:52Listen, I, er...I've got to work tonight. Sorry.
0:28:52 > 0:28:55It's OK, Dad. I'm old enough to look after myself.
0:28:55 > 0:28:58No, you're old enough to think you can look after yourself.
0:28:58 > 0:28:59You're not actually old enough.
0:28:59 > 0:29:03Here you are. Come on. Get that down you.
0:29:06 > 0:29:08Is there any Vegemite, Dad?
0:29:10 > 0:29:12Do they even sell that here?
0:29:16 > 0:29:19You don't have to take me to school all the time, Dad.
0:29:19 > 0:29:20I like taking you to school.
0:29:20 > 0:29:23But you're helicoptering me and it's not healthy.
0:29:23 > 0:29:25I'm what? "Helicoptering you"?
0:29:25 > 0:29:29Hovering about me. I've got friends, I can walk with them.
0:29:29 > 0:29:30Well, I don't know them. Who are they?
0:29:30 > 0:29:33Emma and Sophie.
0:29:33 > 0:29:35I'm going to Sophie's after school for dinner.
0:29:35 > 0:29:38Hang on, I've got to call Sophie's mum and make an arrangement.
0:29:38 > 0:29:40Dad, it's all organised, OK?
0:29:40 > 0:29:42Give me my bag.
0:29:45 > 0:29:46You stay here and I'll be fine, OK?
0:29:47 > 0:29:48All right.
0:29:50 > 0:29:51Have fun!
0:29:56 > 0:29:59Morning, boss. I took the liberty of ordering you a coffee.
0:29:59 > 0:30:02I don't know what you like, so I got you a cappuccino. I hope that's OK.
0:30:02 > 0:30:05I did tell them to hold the chocolate sprinkle because to me,
0:30:05 > 0:30:08you didn't seem to be to be a chocolate sprinkle kind of person.
0:30:08 > 0:30:10Not that I know you from a bar of soap.
0:30:10 > 0:30:12Well, actually, I do now, obviously.
0:30:12 > 0:30:13Lol!
0:30:13 > 0:30:16If you don't like cappuccinos, you can totally have my peppermint tea.
0:30:16 > 0:30:18Not a problem.
0:30:18 > 0:30:22I don't usually do caffeine as a rule, boss, makes me a bit manic.
0:30:22 > 0:30:23Actually, makes me a bit funny in the head.
0:30:23 > 0:30:26Just like to be clearheaded at work, just be...
0:30:26 > 0:30:27Who are you?
0:30:27 > 0:30:29Zoe Chalmers, boss, your new DS.
0:30:29 > 0:30:31We've not met yet.
0:30:31 > 0:30:33Well, obviously, we have now.
0:30:33 > 0:30:35MOBILE PHONE RINGS
0:30:35 > 0:30:38- Oh! Tell him to go away. - Excuse me, boss?
0:30:38 > 0:30:41Go away, just like that. "Go away, Jackson," into the phone.
0:30:41 > 0:30:44Detective Inspector Munroe's phone. DS Chalmers speaking.
0:30:44 > 0:30:47Er...Louise, please.
0:30:47 > 0:30:49Go away, Jackson.
0:30:51 > 0:30:53Can I have a quick word with her, please.
0:30:53 > 0:30:55Tell her I'd like to ask her a favour.
0:30:55 > 0:30:58Go away, Jackson!
0:30:58 > 0:31:00DIALLING TONE
0:31:00 > 0:31:02Zoe, you're going to be quite useful after all.
0:31:12 > 0:31:14HE CLEARS THROAT
0:31:16 > 0:31:17DS Chalmers, please.
0:31:17 > 0:31:19PHONE RINGS
0:31:19 > 0:31:22- CID.- Is that DS Chalmers?
0:31:22 > 0:31:24- Yes, sir.- You're new, aren't you?
0:31:24 > 0:31:28- Yes.- Aye, this is Detective Superintendent Fraser.
0:31:28 > 0:31:32I'd like you to run a PNC on a man called Andrew Marshall for me.
0:31:32 > 0:31:34Born June 7th 1974.
0:31:36 > 0:31:40Er...well, sir, he is mentioned
0:31:40 > 0:31:43in the fatal accident report of his wife.
0:31:43 > 0:31:45Filed 2007.
0:31:45 > 0:31:47Ruled misadventure.
0:31:47 > 0:31:49Anything else?
0:31:49 > 0:31:50Nope, nothing.
0:31:53 > 0:31:56Anything on a Miriam Baker,
0:31:56 > 0:32:01born sometime 1945 to 1955?
0:32:04 > 0:32:08Er...yes, sir. One conviction from 1969.
0:32:25 > 0:32:27Tell me about James Garrick.
0:32:28 > 0:32:30What's that got to with anything?
0:32:30 > 0:32:32You threw a brick through his windscreen,
0:32:32 > 0:32:35and one through his sitting room window, narrowly missing his wife.
0:32:35 > 0:32:36That's ancient history.
0:32:36 > 0:32:391969. Three months after Isobel was born.
0:32:39 > 0:32:41I'm not the one under investigation here.
0:32:41 > 0:32:43- Miriam?- Brandy?
0:32:43 > 0:32:44Miriam!
0:32:44 > 0:32:48You asked me to look into something that might have been a murder.
0:32:48 > 0:32:49I have, I've found nothing.
0:32:49 > 0:32:52The only person with history of criminal activity is you.
0:32:52 > 0:32:54So, what's going on? Be honest with me.
0:32:54 > 0:32:57He was Isobel's father. Yes?
0:32:57 > 0:33:00- So?- So, is that relevant?
0:33:01 > 0:33:02He abandoned you?
0:33:03 > 0:33:05He should never have abandoned her.
0:33:05 > 0:33:09Instead, he went straight back to his wife and left us.
0:33:09 > 0:33:12I was 19. A girl needs a father.
0:33:12 > 0:33:14Kids need their mothers, too.
0:33:14 > 0:33:17Mm. A decent bloody mother. I was useless.
0:33:17 > 0:33:21I didn't have the first idea how to raise a child.
0:33:21 > 0:33:23And she knew it, too, obviously,
0:33:23 > 0:33:25because she never stopped screaming at me.
0:33:25 > 0:33:27All my friends were off travelling the world
0:33:27 > 0:33:29and there was I in a tiny flat with a baby.
0:33:29 > 0:33:31I'm sure you did your best.
0:33:32 > 0:33:34Maybe.
0:33:34 > 0:33:36I thought as she got older, it might change.
0:33:36 > 0:33:40That she might soften, stop screaming at me, stop punishing me.
0:33:40 > 0:33:44But even when she had a child of her own, she was so cold.
0:33:45 > 0:33:46She could be so cruel.
0:33:46 > 0:33:48Is that why you didn't say anything?
0:33:48 > 0:33:50Didn't voice your suspicions when she died?
0:33:50 > 0:33:52It was wrong, but it was easier.
0:33:54 > 0:33:56And it also meant that I could see Freddie.
0:33:56 > 0:33:58How do you mean?
0:34:00 > 0:34:03Last time I talked to her, she told me with some glee
0:34:03 > 0:34:05that she'd made a new will.
0:34:05 > 0:34:09So that if anything would happen to her and Andy,
0:34:09 > 0:34:11Freddie would go to Andy's brother.
0:34:11 > 0:34:15She explicitly said she did not want ME to take care of him.
0:34:17 > 0:34:19That I would ruin him.
0:34:19 > 0:34:22So you thought if Andy got convicted of murder,
0:34:22 > 0:34:25you wouldn't see Freddie again and you kept quiet.
0:34:27 > 0:34:30I'll tell you what I think. I don't think there was a murder.
0:34:30 > 0:34:32I think you kept quiet the first time to keep hold of Freddie
0:34:32 > 0:34:35and this time, you're speaking out, you're lashing out,
0:34:35 > 0:34:39doing anything you can to stop losing him again. And I won't be part of it.
0:34:39 > 0:34:42- No, it wasn't like that! - That's how it looks to me.
0:34:42 > 0:34:45I didn't like Isobel very much, but I did love her.
0:34:46 > 0:34:50And I did nothing for all that time. And for what?!
0:34:50 > 0:34:52I'm still going to lose Freddie.
0:34:52 > 0:34:55Then you turn up on my doorstep and...
0:34:55 > 0:34:57I just couldn't ignore it.
0:34:57 > 0:35:00So if there is anything you can do, anything left you can try,
0:35:00 > 0:35:03do it, please, not for my sake, but for Isobel.
0:35:05 > 0:35:06She deserves that.
0:35:10 > 0:35:12All right.
0:35:15 > 0:35:17SHE SIGHS
0:35:19 > 0:35:21INDISTINCT COMMENTARY
0:35:34 > 0:35:36- You got a tip for me?- Jackson.
0:35:36 > 0:35:38Thought I'd whetted your appetite the other day.
0:35:38 > 0:35:40It's not Joe Burns.
0:35:40 > 0:35:43- Then who is it?- I don't know.
0:35:43 > 0:35:47- Did you put CCTV in the shop like I told you, after we caught him?- Aye.
0:35:47 > 0:35:49- Twenty number two. - Twenty number two.
0:35:49 > 0:35:52Aye. Been glued to it like a bug-eyed nutter.
0:35:52 > 0:35:53Nothing to see there.
0:35:53 > 0:35:57- Could it have gone missing between here, the shop and the bank?- No.
0:35:59 > 0:36:02- That cheeky water you were wanting? - Thanks.
0:36:02 > 0:36:04- What is all this? - It's Jackson Brodie.
0:36:04 > 0:36:06The private investigator I was telling you about.
0:36:06 > 0:36:08- I thought that was all solved. - Well, it's bloody not.
0:36:08 > 0:36:10Let me guess, we owe you money.
0:36:10 > 0:36:13Er...yeah.
0:36:13 > 0:36:15How much do we owe you, Mr Brodie?
0:36:15 > 0:36:181,900 quid. Call it 1,500.
0:36:18 > 0:36:20MACKIE COUGHS
0:36:20 > 0:36:22He's saving up to be a miser.
0:36:22 > 0:36:25Stop your blethering, woman. I'll do it myself.
0:36:25 > 0:36:29I'll head to the shops, as you seem to be managing fine on your own.
0:36:29 > 0:36:31No. You're going to stay here.
0:36:31 > 0:36:33Somebody's got to man the stand
0:36:33 > 0:36:35while I give the big man a look at the horses.
0:36:38 > 0:36:40I think she's cheating on me.
0:36:40 > 0:36:42What, the money?
0:36:42 > 0:36:45With a fella.
0:36:45 > 0:36:49She's always going out with her sister and that.
0:36:49 > 0:36:51Last year, she couldn't abide her face.
0:36:51 > 0:36:55Now she's there three nights a week. What's that all about?
0:36:55 > 0:36:56Whoa-whoa-whoa!
0:36:58 > 0:37:00You're asking the wrong person.
0:37:00 > 0:37:02You'll have to ask her.
0:37:02 > 0:37:05She's there and there and every which where,
0:37:05 > 0:37:09but here with her man, where she should be.
0:37:09 > 0:37:13Women, eh? Incomprehensible as racehorses.
0:37:13 > 0:37:16INDISTINCT COMMENTARY
0:37:18 > 0:37:20SHOUTS OF ENCOURAGEMENT
0:37:31 > 0:37:36Remember, pal, scared money doesnae win.
0:37:36 > 0:37:39And never stake more than you can afford to lose.
0:37:41 > 0:37:42You want a horse with good odds.
0:37:42 > 0:37:45Good jockey, fair shot.
0:37:46 > 0:37:49That's me, right there.
0:37:49 > 0:37:52I cannae let you put 1,500 quid on that horse, Brodie.
0:37:52 > 0:37:55- Why not?- Look at his odds against, you numpty.
0:37:55 > 0:37:58Look at his form figures. He's a 40-1 no-hoper.
0:37:58 > 0:37:59Go for a sure thing.
0:37:59 > 0:38:02I love a long shot, me. Nobody's Darling.
0:38:02 > 0:38:05- What?!- He's drunk. You said you wouldn't keep doing this.
0:38:05 > 0:38:09Doing what? If he wants to throw away 1,500 quid, that's his business.
0:38:09 > 0:38:12- It's our business! - No, it's my business. It's my money.
0:38:12 > 0:38:14Fine.
0:38:14 > 0:38:17£1,500 on number eight, please.
0:38:17 > 0:38:201,500 on number eight.
0:38:28 > 0:38:29STARTER GUN FIRES
0:38:29 > 0:38:31'They're off.
0:38:31 > 0:38:35'And straight into the lead goes the 2-1 on favourite, Morning Star...
0:38:35 > 0:38:39'He's followed by Equaliser... and Gerry Jackson on My Good Friend.
0:38:39 > 0:38:41'These four ahead by two lengths...
0:38:43 > 0:38:45'..and Morning Star has opened a lead of two lengths.
0:38:45 > 0:38:47'My Good Friend is in second place...
0:38:47 > 0:38:49'These four are now pulling away from the chasing group...
0:38:49 > 0:38:52'with Dark Cloudings and Harry Hotspur falling further back,
0:38:52 > 0:38:55'and the 40-1 outsider Nobody's Darling picking up the rear...'
0:38:55 > 0:38:57- How am I doing?- You're losing.
0:38:57 > 0:38:59'..It's still Morning Star by a length.
0:39:01 > 0:39:05'And with two furlongs to go, Morning Star in the lead by a short head.
0:39:05 > 0:39:07'These two are pulling away from the field, but look at this!
0:39:07 > 0:39:11- 'Nobody's Darling is making a strong run from the back...' - How am I doing?
0:39:11 > 0:39:14'He's moving up. Passing Gloomy Monday and look at him go!
0:39:14 > 0:39:16'He's pounding through the chasing pack.
0:39:16 > 0:39:19'This is amazing, an astonishing run from the outsider....'
0:39:19 > 0:39:22SHOUTS OF ENCOURAGEMENT
0:39:22 > 0:39:25'It's going to be very close as they head for the line.
0:39:25 > 0:39:27'Nobody's Darling making a final push...'
0:39:27 > 0:39:30SHOUTS OF ENCOURAGEMENT
0:39:30 > 0:39:34'..and at the line it's Nobody's Darling by a short head from Morning Star...'
0:39:34 > 0:39:35It's impossible.
0:39:35 > 0:39:38- Eh?- You psychic or something, pal?
0:39:43 > 0:39:45- Did I win?- Aye.
0:39:45 > 0:39:47- Did I win?!- Aye.
0:39:47 > 0:39:50JACKSON LAUGHS
0:39:50 > 0:39:51H-H-How much did I win?
0:39:51 > 0:39:5561,500.
0:39:55 > 0:39:56Sorry.
0:39:57 > 0:40:00It's all yours.
0:40:00 > 0:40:03What's going on? Where are you going?
0:40:03 > 0:40:05- To see my sister. - Oh, your sister, eh?
0:40:05 > 0:40:07Going to buy her another fancy supper, are you?
0:40:07 > 0:40:11See what I telt you. I telt you that it's not on, not on.
0:40:11 > 0:40:14Thanks, sorry, thanks.
0:40:21 > 0:40:22Oh, hey, excuse me.
0:40:24 > 0:40:27Oh, thank you, wouldn't want to leave that behind. You're very kind.
0:40:27 > 0:40:30You're not leaving, are you? Right now.
0:40:30 > 0:40:33Yeah, it was a work bonding day. It's hard work, bonding.
0:40:33 > 0:40:35I need some food and some proper wine
0:40:35 > 0:40:38and I really need to get out of here.
0:40:38 > 0:40:40Oh, I'd love a glass of wine.
0:40:40 > 0:40:42Oh, yeah?
0:40:42 > 0:40:45I would like to take you for a glass of white wine,
0:40:45 > 0:40:48although possibly in a taxi, I think I've drunk too much.
0:40:48 > 0:40:52- Yeah, I'd second that. - But it could be fun.
0:40:52 > 0:40:54I don't go home with drunk men.
0:40:54 > 0:40:55Neither do I.
0:40:55 > 0:41:00How about some food? That might sober me up.
0:41:00 > 0:41:02Thimble full of wine.
0:41:03 > 0:41:06I've got a car. Just don't puke in it.
0:41:10 > 0:41:15I liaise between the exhibitions, the historians and the archives.
0:41:15 > 0:41:18My job is to collect the assets.
0:41:18 > 0:41:21Sounds very cloak and dagger. The assets.
0:41:21 > 0:41:26So it's like the photographs that are mounted in an exhibition,
0:41:26 > 0:41:30or a sample of cutlery that was used in an old house.
0:41:30 > 0:41:31I collect all the work
0:41:31 > 0:41:35and then I get the documentation to prove it's authentic.
0:41:35 > 0:41:39It's like the evidence of the exhibition,
0:41:39 > 0:41:42to speak in private detective lingo.
0:41:42 > 0:41:45Thank you for that. I wouldn't have understood that otherwise.
0:41:45 > 0:41:49And you, Jackson, what cases are driving you to distraction?
0:41:49 > 0:41:51- Are you ready to order?- Oh, er...
0:41:51 > 0:41:56Can I have spaghetti alle vongole and I'll have double the vongole.
0:41:56 > 0:42:00And for dessert, I'll have the tiramisu.
0:42:00 > 0:42:04- You've ordered the dessert? - Yeah, it's the best bit.
0:42:04 > 0:42:05Thanks very much.
0:42:14 > 0:42:16My humble abode.
0:42:19 > 0:42:25It's going through a bit of a reimagining moment.
0:42:25 > 0:42:29- Coffee?- Yeah, black and sweet.
0:42:36 > 0:42:38Hello, Father!
0:42:38 > 0:42:42Oh hey, Marlee is...back.
0:42:42 > 0:42:46- You didn't mention you had a daughter.- He does.
0:42:46 > 0:42:49I do and that's her and her name is Marlee and this lady's name
0:42:49 > 0:42:52is Charlotte and she very kindly gave me a lift home.
0:42:52 > 0:42:54- Hi.- Hi
0:42:54 > 0:42:56What do you want for your dinner?
0:42:56 > 0:42:58I've already had dinner at Sophie's, Dad.
0:42:58 > 0:43:00At Sophie's.
0:43:00 > 0:43:02Are you drunk, Dad?
0:43:02 > 0:43:05What kind of thing is that to say?
0:43:05 > 0:43:12- Marlee's just started S1. - S1? I hated S1, girls are so mean.
0:43:12 > 0:43:13Can't believe you were mean.
0:43:13 > 0:43:17- I was mean to the boys. - Now that I can believe.
0:43:17 > 0:43:20I'm going to go back upstairs and finish off my homework.
0:43:20 > 0:43:22I'll only be about an hour.
0:43:22 > 0:43:25So tell me when it's safe to come down, Dad, yeah?
0:43:25 > 0:43:27There's no need for that, thank you.
0:43:33 > 0:43:35Her mum's in New Zealand.
0:43:35 > 0:43:37Good.
0:43:37 > 0:43:39Good, that you said good.
0:43:39 > 0:43:41I like that.
0:43:49 > 0:43:51I should go home, Jackson
0:43:51 > 0:43:53- Oh, that is mean.- I have rules.
0:43:53 > 0:43:57- Oh, yeah?- Yeah, we haven't shared enough cultural events together yet.
0:43:57 > 0:43:59THEY LAUGH
0:43:59 > 0:44:01Are you going to expand my mind?
0:44:01 > 0:44:02Maybe.
0:44:07 > 0:44:09- Good night.- I'll see you.
0:44:12 > 0:44:15PHONE RINGS
0:44:15 > 0:44:19Allo, Mackie, me old mate.
0:44:19 > 0:44:22How did you know that horse would win?
0:44:22 > 0:44:25I liked the name. I'm Nobody's Darling.
0:44:25 > 0:44:28At 40-1, rank outsider, never won a race in his bloody life,
0:44:28 > 0:44:30you expect me to believe you didn't know.
0:44:30 > 0:44:32I didn't know.
0:44:32 > 0:44:35Well you did something cos that wasn't a lucky bet.
0:44:35 > 0:44:37The other bookies think so too.
0:44:37 > 0:44:38What other bookies?
0:44:38 > 0:44:40I've called the BHA.
0:44:40 > 0:44:43And the bloody SID. There were other bets.
0:44:43 > 0:44:47So there's going to be an inquiry.
0:44:47 > 0:44:51You know, you switched horses or something.
0:44:51 > 0:44:54Don't you think you're going to keep my money, pal.
0:45:01 > 0:45:03MUSIC: "Ooo Baby Baby" by Smokey Robinson
0:45:07 > 0:45:10# I did you wrong... #
0:45:10 > 0:45:12TV PLAYS, HE SNORES
0:45:14 > 0:45:18# I lost you
0:45:18 > 0:45:23# What a price to pay
0:45:25 > 0:45:28# I'm cryin'
0:45:28 > 0:45:34# Oooh, baby, baby
0:45:35 > 0:45:42# Oooh, baby, baby... #
0:45:44 > 0:45:46What are we doing here, Dad?
0:45:46 > 0:45:49We are just talking a walk.
0:45:49 > 0:45:51Are you buying me a horse?
0:45:51 > 0:45:55Funny. I'm trying to find something to do together.
0:45:55 > 0:45:57You used to love animals when you were little.
0:45:57 > 0:46:01Yeah, Stuart took me riding a couple of times in New Zealand.
0:46:01 > 0:46:02- Did he?- Yeah.
0:46:02 > 0:46:05That was nice of him. Good old Stuart. Did you like it?
0:46:05 > 0:46:06I loved it.
0:46:08 > 0:46:10Jackson! Jackson!
0:46:11 > 0:46:14Dad, you're going deaf!
0:46:15 > 0:46:17Hey, how you doing?
0:46:17 > 0:46:20Good. Are you coming to Pony Club?
0:46:20 > 0:46:22- No.- Yeah!
0:46:22 > 0:46:26- Hi, I'm Freddie.- Marlee. - We're just leaving, love.
0:46:26 > 0:46:27No, we're not, we just got here.
0:46:27 > 0:46:30How about you go do whatever you came here to do
0:46:30 > 0:46:33and I'll stay here with Freddie.
0:46:33 > 0:46:34Where's the owner?
0:46:34 > 0:46:37In that shed over there.
0:46:37 > 0:46:38I'll be back in a minute.
0:46:38 > 0:46:40Come on then.
0:46:43 > 0:46:46Isobel? She wasn't exactly a friend.
0:46:46 > 0:46:50She wasn't one of those friends you could just ring up and chat to.
0:46:50 > 0:46:52I'm getting the idea that she preferred horses to people.
0:46:52 > 0:46:54Yes, exactly.
0:46:56 > 0:46:59People didn't always...get her.
0:46:59 > 0:47:00Why not?
0:47:00 > 0:47:02Personally, I think they were jealous,
0:47:02 > 0:47:05you know, of how beautiful she was, winning everything.
0:47:05 > 0:47:07But she just needed to be challenged.
0:47:07 > 0:47:10I think that's why she was moving.
0:47:10 > 0:47:14Moving where? Leaving Andy?
0:47:15 > 0:47:19Well, I don't think she'd had a chance to...
0:47:19 > 0:47:22I don't think she'd figured it all out.
0:47:22 > 0:47:25It was kind of spontaneous. She was like that.
0:47:25 > 0:47:27She had a thing about the Borders.
0:47:28 > 0:47:30She asked me to look after her horses
0:47:30 > 0:47:31until she could move down there.
0:47:33 > 0:47:35I think she didn't want to deal with her mother.
0:47:35 > 0:47:40But that's all a secret. I really shouldn't be saying anything.
0:47:40 > 0:47:42Right, she's not coming back, Sasha.
0:47:42 > 0:47:45I know, but she didn't want to tell anybody.
0:47:45 > 0:47:47Did Andy know?
0:47:48 > 0:47:49I don't know.
0:47:52 > 0:47:54Good?
0:47:57 > 0:47:59Did you know, at my school there are no girls?
0:47:59 > 0:48:02There's loads of girls at my school. They're all horrible though.
0:48:02 > 0:48:04You should come there.
0:48:04 > 0:48:06Come on, let's go.
0:48:06 > 0:48:08But, Dad, I need to take back my things.
0:48:08 > 0:48:10No, it's fine, I can take them if you want.
0:48:10 > 0:48:11Thank you, Freddie
0:48:11 > 0:48:14Just ignore him, he's always like that. Come on.
0:48:14 > 0:48:15Hey!
0:48:15 > 0:48:17Freddie!
0:48:19 > 0:48:21- Jackson.- Rachel.
0:48:21 > 0:48:23What are you doing here?
0:48:23 > 0:48:26I've brought my daughter, she's been riding.
0:48:26 > 0:48:27You've been following us?
0:48:27 > 0:48:32No, no. It's just...one of those weird coincidences.
0:48:34 > 0:48:35Well?
0:48:35 > 0:48:38Well, I don't think now is a good time for a chat, is it.
0:48:38 > 0:48:40If you know something, you should tell me.
0:48:40 > 0:48:43Is there ever going to be a good time to find out
0:48:43 > 0:48:45that my fiance is having an affair?
0:48:48 > 0:48:51He's not. He's not having an affair.
0:48:51 > 0:48:53Are you sure?
0:48:53 > 0:48:54Yeah.
0:48:56 > 0:48:58What's he doing? Where's he going?
0:48:58 > 0:48:59He's not going anywhere.
0:48:59 > 0:49:01Was does that mean?
0:49:01 > 0:49:04He went to see his ex mother-in-law.
0:49:04 > 0:49:09And other times he's just, he's just sitting around.
0:49:09 > 0:49:11I don't understand why.
0:49:13 > 0:49:15He doesn't want to come home.
0:49:15 > 0:49:18Bloody Miriam's been getting in his ear again, telling him
0:49:18 > 0:49:21not to get married, telling him not to move to Lancaster,
0:49:21 > 0:49:23saying it's not good for Freddie.
0:49:23 > 0:49:26It's exactly what Freddie needs, it's a fresh start.
0:49:28 > 0:49:31It's exactly what we need. Do you understand?
0:49:31 > 0:49:32Rachel?
0:49:34 > 0:49:35Andy.
0:49:35 > 0:49:36Hey.
0:49:39 > 0:49:40Hi, Dad.
0:49:40 > 0:49:42This is my daughter.
0:49:42 > 0:49:45Freddie's going to teach me how to groom a horse first.
0:49:45 > 0:49:47Not today he's not, love. Come on. Let's go.
0:49:47 > 0:49:50Yes, he is. We'll only be ten minutes. You'll just have to wait.
0:49:50 > 0:49:51- I said, let's go.- Why?
0:49:51 > 0:49:54Because I said so. Now say goodbye.
0:49:54 > 0:49:56First of all, you bring me here, which I know was for work,
0:49:56 > 0:49:59and then when I start having fun you tell me we're leaving.
0:49:59 > 0:50:00It's not fair.
0:50:00 > 0:50:02- We'll see ya.- Come on.
0:50:05 > 0:50:07MUSIC: "We Are Never Getting Back Together" by Taylor Swift
0:50:07 > 0:50:10# Ooooh, we called it off again last night
0:50:10 > 0:50:12# But oooh oooh oooh ooh ooh... #
0:50:12 > 0:50:14FAINT MUSIC FROM HEADPHONES
0:50:14 > 0:50:16# I'm telling you, I'm telling you
0:50:16 > 0:50:19# We are never ever, ever
0:50:19 > 0:50:21# Getting back together
0:50:21 > 0:50:24# We are never ever, ever
0:50:24 > 0:50:27# Getting back together
0:50:27 > 0:50:28# You go talk to your friends
0:50:28 > 0:50:30# Talk to my friends
0:50:30 > 0:50:33# Talk to me... #
0:50:33 > 0:50:35What are we even doing here, Dad?
0:50:35 > 0:50:36You're going to stop sulking.
0:50:36 > 0:50:40We're going to have some cake and start enjoying ourselves, all right?
0:50:40 > 0:50:43- What do you want?- Anything? - You can have it all until you're sick
0:50:43 > 0:50:46as long as you give us a smile, for God's sake.
0:50:46 > 0:50:50I'm sorry, all right, I'm here now, we'll have a good time.
0:50:50 > 0:50:51PHONE RINGS
0:50:53 > 0:50:56Go on, I know you want to, Dad.
0:50:56 > 0:50:59No, no. Right, what are we having?
0:50:59 > 0:51:01- Piece of chocolate cake.- Love it.
0:51:01 > 0:51:05And a scone and a couple of rolls to share?
0:51:05 > 0:51:07Is that all?
0:51:07 > 0:51:08PHONE RINGS
0:51:08 > 0:51:09- I'll just get rid of it. - Dad, leave it.
0:51:09 > 0:51:11I'll just take a minute. She'll call all day.
0:51:11 > 0:51:13You said, you would leave it, Dad!
0:51:15 > 0:51:16Miriam.
0:51:16 > 0:51:18'Any news?'
0:51:18 > 0:51:22Can I come and see you tomorrow? It's not the best time.
0:51:22 > 0:51:26I'd really like to know what you've got now. Tell me, please.
0:51:27 > 0:51:28All right.
0:51:30 > 0:51:34I think Isobel was leaving Andy when she died.
0:51:36 > 0:51:38With Freddie?
0:51:38 > 0:51:39I assume so.
0:51:40 > 0:51:45I see. Yes, of course, that makes sense. Thank you.
0:51:45 > 0:51:49'Let's not get ahead of ourselves. It's not proof.'
0:51:56 > 0:51:57Love you.
0:51:57 > 0:51:59And some juice or something.
0:51:59 > 0:52:01Bye.
0:52:01 > 0:52:04Hey, who you talking to?
0:52:04 > 0:52:06- Mum.- What about?
0:52:06 > 0:52:08What do you think?
0:52:08 > 0:52:10I don't know.
0:52:10 > 0:52:13About how you're always working all the time, OK?
0:52:13 > 0:52:17Marlee, I'm a grown up and grownups work, that's what we do for money.
0:52:17 > 0:52:19I don't have the money to pay for everything you do.
0:52:19 > 0:52:21Mum says it wasn't about that though.
0:52:21 > 0:52:23She says that you have intimacy issues.
0:52:23 > 0:52:25Intimacy issues.
0:52:25 > 0:52:28She says you can't love anyone cos your mum never loved you.
0:52:28 > 0:52:29And that's why you got divorced.
0:52:29 > 0:52:35Christ, right, first of all, my mother did love me.
0:52:35 > 0:52:39And secondly, yeah, she wasn't well and I learnt to take
0:52:39 > 0:52:41care of myself and that's not a bad thing.
0:52:41 > 0:52:44Not like you having me running around cooking for you,
0:52:44 > 0:52:46washing and cleaning and everything. I was independent.
0:52:46 > 0:52:48You don't let me do anything on my own though.
0:52:48 > 0:52:49Like what, what do you want to do?
0:52:49 > 0:52:52- Go to the mall, the movies... - What, now?- Yeah.
0:52:52 > 0:52:53By yourself?
0:52:53 > 0:52:57No, with my friends. I'm not five any more, Dad.
0:53:01 > 0:53:04All right, OK, I'll give you a lift.
0:53:04 > 0:53:06Give me money and I'll get the bus.
0:53:06 > 0:53:08- I'm driving that way. - I want to get the bus, Dad.
0:53:13 > 0:53:14Here.
0:53:16 > 0:53:18Do you want to...?
0:53:23 > 0:53:24PHONE RINGS
0:53:29 > 0:53:30Charlotte.
0:53:48 > 0:53:50I hope this counts as a cultural event.
0:53:50 > 0:53:52Oh, it definitely counts.
0:53:54 > 0:53:59This is the biggest privately-owned collection of art in Scotland.
0:53:59 > 0:54:05They've got Rubens, Titian, Murillo, Raeburns.
0:54:06 > 0:54:08In fact, a couple of years ago
0:54:08 > 0:54:11they sold a Tintoretto for 10 million just to fix the roof.
0:54:12 > 0:54:16Got some Polish mates who would've given them a deal.
0:54:18 > 0:54:21Just think, these walls are worth millions.
0:54:22 > 0:54:24How would you like that in your bedroom?
0:54:29 > 0:54:31What is it?
0:54:31 > 0:54:33Nothing. I'll be back in a sec.
0:55:04 > 0:55:06HE GASPS AND GROANS
0:55:08 > 0:55:10Andy?
0:55:10 > 0:55:12I think you've broken it! Go away!
0:55:12 > 0:55:14All right, all right.
0:55:14 > 0:55:17Put that up against it.
0:55:17 > 0:55:18HE MOANS
0:55:18 > 0:55:20What are you following me for?
0:55:23 > 0:55:27I want to know what you said to Rachel, why she is so upset.
0:55:27 > 0:55:30- What did you say to her? - Talk to her.
0:55:30 > 0:55:35I'm asking you! Who are you? Why did you come to my house?
0:55:35 > 0:55:38You're better off talking to Rachel.
0:55:38 > 0:55:40You don't even know Isobel, do you?
0:55:41 > 0:55:43No, I didn't.
0:55:46 > 0:55:49- Hey.- Bastard! - Hey, calm down. Calm down.
0:55:49 > 0:55:51Get off me. Get off me.
0:55:51 > 0:55:55Calm down, I'm not going to hit you. Now stop it, all right?
0:55:55 > 0:55:56All right.
0:55:57 > 0:55:59Jesus.
0:55:59 > 0:56:00HE PANTS
0:56:00 > 0:56:03She was upset because I told her you weren't having an affair.
0:56:06 > 0:56:07(LAUGHING) What?
0:56:07 > 0:56:11- She hired me. I'm an investigator. - You're a bloody arsehole.
0:56:11 > 0:56:14Now I'm going to let go of you, don't do anything silly.
0:56:20 > 0:56:21God.
0:56:25 > 0:56:27She was right to be worried though, wasn't she?
0:56:29 > 0:56:34You've been avoiding her. You can't blame her for being suspicious.
0:56:34 > 0:56:39Given she was the affair when you first started, wasn't she?
0:56:39 > 0:56:40How did you know that?
0:56:40 > 0:56:43I know a lot more than you think, Andy.
0:56:43 > 0:56:44TOILET FLUSHES
0:56:59 > 0:57:00I was reckless.
0:57:06 > 0:57:10I know it wasn't fair on Rachel,
0:57:10 > 0:57:13I wanted to make it obvious,
0:57:13 > 0:57:17get noticed, make Isobel jealous.
0:57:17 > 0:57:20A waste of time.
0:57:20 > 0:57:22She never even looked in the right direction.
0:57:24 > 0:57:26That must've been very upsetting.
0:57:28 > 0:57:30She wanted to leave, I would've been furious.
0:57:30 > 0:57:34What are you talking about? She didn't want to leave.
0:57:34 > 0:57:36Who told you that? Rachel?
0:57:36 > 0:57:40I never said Isobel wanted to go. Why would she?
0:57:42 > 0:57:47Rachel sees what she wants to see sometimes.
0:57:48 > 0:57:52She's a good person, she's great with Freddie
0:57:54 > 0:57:56and he dotes on her.
0:58:01 > 0:58:03I should never have told her I loved her.
0:58:03 > 0:58:06I should never have let it get this far.
0:58:08 > 0:58:12Ow! I'm sorry.
0:58:12 > 0:58:14Yeah, me too.
0:58:31 > 0:58:32I bring peas.
0:58:34 > 0:58:38- OK, put it on. - Ahh. That's really cold.
0:58:38 > 0:58:40Now can you see me? Are you seeing double?
0:58:40 > 0:58:41I can't even breathe.
0:58:41 > 0:58:43SHE LAUGHS
0:58:43 > 0:58:45I can't breathe.
0:58:45 > 0:58:46Is that cold?
0:58:46 > 0:58:48Yes, very cold.
0:58:50 > 0:58:51Where's Marlee?
0:58:51 > 0:58:54She's out, she's out with her mates, she'll be ages.
0:59:05 > 0:59:08We've got a 66-year-old male found dead outside his house.
0:59:08 > 0:59:12His name is Ian Thomas Mackie, he's a bookmaker at Musselburgh.
0:59:12 > 0:59:14We've got trauma to the head commensurate with
0:59:14 > 0:59:16a fall from that balcony up there, boss.
0:59:16 > 0:59:19Of course, the question is, did he fall or was he pushed?
0:59:19 > 0:59:21- Who called it in? - His wife, Marie Mackie,
0:59:21 > 0:59:24although she said she saw nothing, heard nothing.
0:59:24 > 0:59:26Found him dead this morning.
0:59:26 > 0:59:28- Where is she, this Mrs Mackie? - Inside.
0:59:30 > 0:59:33Did you hear any disturbance last night, anything at all?
0:59:33 > 0:59:35I said, I was at my sister Kath's house.
0:59:35 > 0:59:37And you were with Kath until?
0:59:37 > 0:59:41About 11.00, our television programme finishes at 11.00.
0:59:41 > 0:59:43And then what did you do?
0:59:43 > 0:59:45I came home and went to my bed.
0:59:45 > 0:59:48Where did you think your husband was when you went to bed?
0:59:48 > 0:59:51I told that girl, we sleep separately. Ian snores.
0:59:51 > 0:59:54Can you think of anyone that would wish to harm your husband,
0:59:54 > 0:59:55any enemies?
0:59:55 > 0:59:56Take your pick.
0:59:56 > 0:59:58There's no sign of a forced entry.
0:59:58 > 1:00:00Your husband may have known his killer.
1:00:00 > 1:00:02Maybe he fell.
1:00:02 > 1:00:05Pretty difficult to accidentally tip over that balustrade.
1:00:05 > 1:00:08He was a clumsy drunk and he was usually drunk.
1:00:08 > 1:00:09Did that bother you?
1:00:10 > 1:00:12None of my business.
1:00:17 > 1:00:19KNOCK ON DOOR
1:00:19 > 1:00:21Oh, shit. Marlee.
1:00:29 > 1:00:31- Louise.- Can I come in?
1:00:31 > 1:00:33What do you want?
1:00:34 > 1:00:36Ahh.
1:00:36 > 1:00:41This is Charlotte, a friend of mine, this is DI Munroe, an old colleague.
1:00:43 > 1:00:46- Come in. You're not old. - Stop talking.
1:00:47 > 1:00:49Are we in trouble, Detective?
1:00:51 > 1:00:53I need to talk to you about Ian Mackie.
1:00:53 > 1:00:55Your number was found in his phone records.
1:00:55 > 1:00:57You spoke to him yesterday. When did you last see him?
1:00:57 > 1:00:58At the track yesterday.
1:00:58 > 1:01:01And I did some detective work for him before that.
1:01:01 > 1:01:02He's an old drunk, you know.
1:01:02 > 1:01:04Well, he's dead, Jackson.
1:01:05 > 1:01:07Eh? What happened?
1:01:07 > 1:01:10Yeah, I'm going to need to you to come down and make a statement.
1:01:10 > 1:01:12- What, now? - Well, as soon as you can.
1:01:12 > 1:01:13Sure.
1:01:14 > 1:01:15Nice to meet you.
1:01:15 > 1:01:16Mm-hmm.
1:01:27 > 1:01:30- You all right?- Yeah.
1:01:31 > 1:01:32THUNDERCLAP
1:01:34 > 1:01:37I'd better call Marlee, see if she's all right.
1:01:37 > 1:01:39Yep, yep.
1:01:39 > 1:01:42Come on, pick up. Pick up.
1:01:45 > 1:01:47Hey, where are you?
1:02:03 > 1:02:07What are you doing? Why did I have to call you?
1:02:09 > 1:02:10I was trying to be independent, Dad.
1:02:10 > 1:02:12Well, how did that work out for you?
1:02:12 > 1:02:15If you're so independent, why didn't you get the right bus home?
1:02:15 > 1:02:17I've no money left.
1:02:17 > 1:02:21You spent the whole lot, the whole 20 quid. On what?
1:02:22 > 1:02:24Stuff with my friends.
1:02:24 > 1:02:26HE SIGHS
1:02:34 > 1:02:37I got you this.
1:02:37 > 1:02:38I thought you'd like it.
1:02:45 > 1:02:48Ya daft idiot. Now come here.
1:02:48 > 1:02:50MUSIC: "Hardly Speaking A Word" by Lori McKenna
1:02:50 > 1:02:55# Well, I know your life has been hard
1:02:55 > 1:03:01# I see it in your eyes and I feel it in your heart
1:03:01 > 1:03:05# When your eyes move down to the floor
1:03:07 > 1:03:13# And your mouth changes shape, and your voice sounds sore
1:03:13 > 1:03:18# I can hold you close in my arms
1:03:20 > 1:03:23# And tell you that you're... #
1:03:23 > 1:03:25There you are.
1:03:26 > 1:03:33Rachel, I'm so sorry. I can't go through with this.
1:03:36 > 1:03:38Oh, no.
1:03:41 > 1:03:46# But I'm hardly speaking a word... #
1:03:46 > 1:03:48SHE SOBS
1:03:48 > 1:03:52# Hardly speaking a word... #
1:03:52 > 1:03:55You don't have to move out straight away or anything,
1:03:55 > 1:03:59you can stay until you get yourself sorted out.
1:03:59 > 1:04:04# But I'm hardly speaking a word... #
1:04:04 > 1:04:05I'm sorry.
1:04:11 > 1:04:17# And your struggle never changes me
1:04:17 > 1:04:23# I'll never be able to see the things you see
1:04:23 > 1:04:29# They say that you see things differently
1:04:29 > 1:04:37# Just because it's different doesn't mean it can't be free
1:04:37 > 1:04:42# But I'm hardly speaking a word... #
1:04:42 > 1:04:44Mum!
1:04:44 > 1:04:49# I'm hardly speaking a word
1:04:49 > 1:04:54# So I wonder what do they know... #
1:04:56 > 1:04:57Morning
1:04:58 > 1:05:00- You look terrible. - Thanks very much.
1:05:00 > 1:05:03Shouldn't you be discussing Man United and fishnets somewhere?
1:05:03 > 1:05:06Yeah, well, I've been there, done that and I did not want the T-shirt.
1:05:08 > 1:05:09Anything on Rachel Stewart?
1:05:09 > 1:05:15Ah yes, now, listen, Rachel Stewart has a postgraduate degree
1:05:15 > 1:05:18in Irish Literature but has only ever worked as a nanny.
1:05:18 > 1:05:19Anything on the family?
1:05:19 > 1:05:21Yeah.
1:05:21 > 1:05:24She lived with an aunt after both parents were killed in a car crash
1:05:24 > 1:05:27and when she was 15 she lived with a school friend's family
1:05:27 > 1:05:29so she has no family.
1:05:33 > 1:05:35PHONE RINGS
1:05:35 > 1:05:36Rachel?
1:05:36 > 1:05:37'What did you say to Andy?'
1:05:37 > 1:05:42He said the wedding's off. That he never loved me
1:05:42 > 1:05:44This wasn't what I asked you to do.
1:05:44 > 1:05:46Look, try and calm down.
1:05:46 > 1:05:49I'm sorry about that but isn't it better that he tells you now
1:05:49 > 1:05:50rather than later?
1:05:50 > 1:05:54No, no, it's not. You ruined my life.
1:05:54 > 1:05:57It's better the truth comes out now, Rachel, about everything.
1:05:57 > 1:06:00You've not been entirely honest yourself, have you?
1:06:00 > 1:06:03Let's meet for a chat. Come on.
1:06:03 > 1:06:05I don't want to talk any more, Jackson.
1:06:07 > 1:06:10I want to go home. I just want to go home.
1:06:24 > 1:06:26- Brodie?- What do you want? - Jackson Brodie.
1:06:26 > 1:06:29We've got some questions for you about allegations of fraud
1:06:29 > 1:06:31- in connection with the death of Ian Mackie.- What?
1:06:31 > 1:06:33You can answer those questions at the station, let's go.
1:06:33 > 1:06:36I'm dealing with something urgent. I'll come in later.
1:06:36 > 1:06:37No, you'll come now. Let's go.
1:06:37 > 1:06:39I'm not under arrest, I'll come in, in my own time.
1:06:39 > 1:06:42It's not an invitation, Brodie. I want to talk to you now.
1:06:42 > 1:06:44- All right. I'm picking up my daughter.- No, you're coming in.
1:06:44 > 1:06:48- Get off me.- Jackson Brodie, you've now assaulted a police officer
1:06:48 > 1:06:50- and you're under a arrest. - Don't be an idiot.
1:06:50 > 1:06:52You're not obliged to say anything but anything you do say...
1:06:52 > 1:06:54Put him in the car, he knows how it works.
1:06:57 > 1:07:01You know, you could have a lawyer. You don't want a lawyer then?
1:07:01 > 1:07:02Just get on with it.
1:07:02 > 1:07:05- HE LAUGHS - You can have a lawyer, you know.
1:07:05 > 1:07:06PHONE RINGS Yep.
1:07:06 > 1:07:08Oh, Marlee.
1:07:08 > 1:07:10- Give me that.- Marlee, it's Marlee
1:07:10 > 1:07:14Let me get that. It's my daughter, give us the phone.
1:07:16 > 1:07:17Let's go.
1:07:19 > 1:07:21SHOUTS
1:07:44 > 1:07:46Ian Mackie's my case, what the hell do you think you're doing?
1:07:46 > 1:07:49Well, we have reason to suspect that Brodie's involved in a
1:07:49 > 1:07:52horse racing scam and he assaulted an officer.
1:07:52 > 1:07:54Oh, you're not serious.
1:07:54 > 1:07:57Well, if it bothers you that much you can sit in during the interview.
1:08:02 > 1:08:05I told you, I liked the name.
1:08:05 > 1:08:06What name?
1:08:07 > 1:08:09Nobody's Darling.
1:08:09 > 1:08:12You know, most people wouldn't bet £1,500 on a horse
1:08:12 > 1:08:14with that record unless they believed that horse would win
1:08:14 > 1:08:16so tell me, why did you bet on that horse?
1:08:16 > 1:08:20If I knew it would win, I'd have put more money on it, wouldn't I?
1:08:20 > 1:08:23I would have sold my house and put that on it, I was just lucky.
1:08:23 > 1:08:27So you were willing, expecting even to lose £1,500?
1:08:27 > 1:08:29I was drunk.
1:08:29 > 1:08:30What? During the day?
1:08:30 > 1:08:33Yeah, sorry, Mum, is that all right? I was very bothered.
1:08:33 > 1:08:36- About what?- A case.
1:08:36 > 1:08:38We believe you are involved in a scam to rob
1:08:38 > 1:08:41Ian Mackie of thousands of pounds and now he is dead.
1:08:41 > 1:08:44- Well, I didn't kill him. - You were the last person he called.
1:08:44 > 1:08:47Do you remember what you said to each other on that call?
1:08:47 > 1:08:49- Yeah, he was annoyed that I had won all that money.- What?
1:08:49 > 1:08:52He was annoyed hours after the event, not when you actually won it?
1:08:52 > 1:08:54He found out that a bunch of other people had put
1:08:54 > 1:08:55bets on the same horse.
1:08:55 > 1:08:58That's a pretty reasonable thing to be annoyed about.
1:08:58 > 1:08:59Or were those bets just coincidences too?
1:08:59 > 1:09:01I don't know.
1:09:01 > 1:09:03Why don't you go and find those people and ask them?
1:09:03 > 1:09:04Let's get back to the point here,
1:09:04 > 1:09:07nobody in their right mind is going to put £1,500
1:09:07 > 1:09:09on a losing horse unless they know the horse is going to win.
1:09:09 > 1:09:12Well, maybe I wasn't in my right mind, maybe I was pissed
1:09:12 > 1:09:13and I wanted to give my money away.
1:09:13 > 1:09:16It's none of your sodding business. It's not illegal.
1:09:16 > 1:09:18Now you were working for Mackie.
1:09:18 > 1:09:20You've got the inside trade into his business, you put
1:09:20 > 1:09:24a bet on a horse with extraordinary odds stacked against it,
1:09:24 > 1:09:26your last phone call made by a man who's now dead,
1:09:26 > 1:09:28thought to be murdered.
1:09:28 > 1:09:30And all you can give me is - I was pissed.
1:09:30 > 1:09:33Mackie just fired an employee for stealing from him.
1:09:33 > 1:09:36The same guy has been ranting all over town he's going to
1:09:36 > 1:09:38get his revenge on him, no matter what comes.
1:09:38 > 1:09:40- Who?- Joe Burns.
1:09:40 > 1:09:44And that Mrs Mackie knows more than she's letting on as well.
1:09:44 > 1:09:46Well, Marie Mackie was at her sister's house in Leith
1:09:46 > 1:09:48from 5.00pm the night Mackie was murdered.
1:09:48 > 1:09:51That's weird. I saw her in the New Town about 6.30,
1:09:51 > 1:09:55dressed up to the nines and she wasn't going to her sister's.
1:09:55 > 1:09:58Well, the betting committee has declared all bets are void.
1:09:58 > 1:10:00We'll be freezing access to the money in your account
1:10:00 > 1:10:02while this case is pending.
1:10:02 > 1:10:04Great. I feel better when I'm broke.
1:10:07 > 1:10:09PHONE RINGS
1:10:11 > 1:10:13Yeah?
1:10:13 > 1:10:15Hey. How's Marlee?
1:10:15 > 1:10:16Yeah, great.
1:10:16 > 1:10:20Er, we are actually sick of the office and going to the movies.
1:10:20 > 1:10:22Your daughter is tired of watching me work.
1:10:22 > 1:10:24I'll take her home and you can pick her up later.
1:10:24 > 1:10:26Right, thanks.
1:10:26 > 1:10:28You can get into a 15, right?
1:10:31 > 1:10:34'Hello, this is Rachel. Please leave a message.'
1:10:34 > 1:10:36Rachel, it's Jackson. I'm worried about you.
1:10:36 > 1:10:38I think we should talk.
1:10:38 > 1:10:40Give us a ring as soon as you get this.
1:10:47 > 1:10:49He was a dead ringer, boss.
1:10:49 > 1:10:52Nobody's Darling was switched for a very fast horse called
1:10:52 > 1:10:53Jupiter's Rings.
1:10:53 > 1:10:56Racing paperwork's forged and falsely licensed.
1:10:56 > 1:10:58Also the BHA's been getting calls all over the place.
1:10:58 > 1:11:02They just got a complaint from another bookie who lost money too.
1:11:02 > 1:11:03So Mackie wasn't being targeted.
1:11:03 > 1:11:05No, ma'am.
1:11:05 > 1:11:07That was the maitre d' at the Sky Bar at the Point Hotel.
1:11:07 > 1:11:09According to their credit card receipts,
1:11:09 > 1:11:12Mrs Mackie was there that night but she left at 8.00pm.
1:11:12 > 1:11:14So the sister lied. She doesn't have an alibi.
1:11:14 > 1:11:15It would certainly seem that way.
1:11:15 > 1:11:17And the thing is, she was there by herself.
1:11:17 > 1:11:20She ordered a bottle of champagne, drank it and then left.
1:11:20 > 1:11:21Maybe she got stood up.
1:11:21 > 1:11:23Or maybe she was celebrating her freedom
1:11:23 > 1:11:25while her lover bumped off her husband.
1:11:25 > 1:11:26Either way, she's been lying.
1:11:33 > 1:11:35GUNSHOT
1:11:36 > 1:11:38ARGUING, INDISTINCT
1:11:49 > 1:11:52Miriam, Miriam, put the gun down.
1:11:52 > 1:11:55This is between me and Andy. It's been a long time coming.
1:11:55 > 1:11:58You've got it wrong, I promise you,
1:11:58 > 1:12:00you've got it completely wrong. Put it down.
1:12:00 > 1:12:02Not until he tells me what he did to Isobel.
1:12:02 > 1:12:04I want to hear him say it.
1:12:04 > 1:12:08Nothing, I told you, she fell off her horse. I didn't do anything.
1:12:08 > 1:12:11Liar, you killed her, say it!
1:12:11 > 1:12:12It was Rachel.
1:12:14 > 1:12:15What?
1:12:17 > 1:12:20It wasn't him, it was Rachel.
1:12:23 > 1:12:25It wasn't an accident?
1:12:26 > 1:12:28I don't think so.
1:12:28 > 1:12:30You were right about that.
1:12:30 > 1:12:32You've got the wrong person.
1:12:36 > 1:12:37She's got Freddie.
1:12:37 > 1:12:39What do you mean?
1:12:39 > 1:12:41No, no, you were supposed to pick Freddie up from chess club.
1:12:41 > 1:12:46No, she called, she was picking him up straight after school,
1:12:46 > 1:12:47club was cancelled. She's got him.
1:12:47 > 1:12:49I'm going to call the police.
1:12:49 > 1:12:51Hold on, she's not going to do anything to Freddie.
1:12:51 > 1:12:52I'll call the school.
1:12:52 > 1:12:53Hello!
1:12:57 > 1:12:58What's going on?
1:13:00 > 1:13:01Oh, thank God.
1:13:01 > 1:13:03Where were you?
1:13:03 > 1:13:06Rachel took me for an ice cream. She gave me this.
1:13:06 > 1:13:07A present for me.
1:13:07 > 1:13:11For the wedding, it was her dad's.
1:13:11 > 1:13:12Did she drop you off?
1:13:12 > 1:13:14No. I took the bus.
1:13:14 > 1:13:16Do you know where she was going, where she is?
1:13:16 > 1:13:18No, why? What's the matter, Dad?
1:13:18 > 1:13:19Nothing, sweetheart.
1:13:19 > 1:13:22- Come on, come on, let's go. - Why? What's happening?
1:13:22 > 1:13:25Let's get some tea. I'll explain. Let's go and get some tea.
1:13:25 > 1:13:27I can't believe it.
1:13:27 > 1:13:28Sorry.
1:13:29 > 1:13:31Can you give her a call?
1:13:31 > 1:13:32Yeah.
1:13:33 > 1:13:36She said she was going home.
1:13:36 > 1:13:39- You haven't seen her all day, she didn't come home?- No.
1:13:39 > 1:13:40PHONE RINGS
1:13:44 > 1:13:46'Hello, it's Rachel. Please leave a message.'
1:13:48 > 1:13:51Rachel, where are you?
1:13:51 > 1:13:54Please, call me when you get this message.
1:13:55 > 1:13:57Anything?
1:13:57 > 1:13:59No, no answer.
1:14:01 > 1:14:03- Where are you going? - I've got an idea.
1:14:22 > 1:14:23What is she doing here?
1:14:26 > 1:14:28Maybe she's meeting a man.
1:14:28 > 1:14:30Not very romantic, is it?
1:14:33 > 1:14:35MUSIC: "Where Did Our Love Go?" by The Supremes
1:14:35 > 1:14:36# I've got this burning, burning
1:14:36 > 1:14:39# Yearning feelin' inside me
1:14:39 > 1:14:43# Ooh, deep inside me
1:14:43 > 1:14:46# And it hurts so bad... #
1:14:46 > 1:14:49Where do you get the money for all these dresses?
1:14:49 > 1:14:52- The business. - Your husband's business?
1:14:52 > 1:14:55- Our business. - You were a partner in it, were you?
1:14:55 > 1:14:57No, but I should have been.
1:14:57 > 1:15:00That's what marriage is about, isn't it?
1:15:00 > 1:15:02What's mine is yours et cetera.
1:15:02 > 1:15:05I've earned more than enough for all this.
1:15:05 > 1:15:08But you didn't use your wages to pay for it, though, did you?
1:15:08 > 1:15:11No, I took the money out of the till. As was my right.
1:15:13 > 1:15:15Did he catch you? Is that what you fought about?
1:15:15 > 1:15:16We never fought.
1:15:18 > 1:15:19I told you where I was.
1:15:19 > 1:15:24Yeah, you did. But you weren't at your sister's, were you?
1:15:24 > 1:15:28I've got a receipt from the Point Hotel showing that you were there,
1:15:28 > 1:15:31drinking champagne till 8.00pm.
1:15:32 > 1:15:34OK, so I was there.
1:15:34 > 1:15:37So why would you lie?
1:15:37 > 1:15:39Who was the champagne for?
1:15:39 > 1:15:43Who were you meant to meet at the hotel? Was it a man?
1:15:43 > 1:15:44Why do people always think that?
1:15:44 > 1:15:49What people? Did your husband think you were having an affair?
1:15:49 > 1:15:51I didn't care what he thought.
1:15:51 > 1:15:54You don't seem to care that your husband's dead.
1:15:56 > 1:15:58You have no idea what I care about.
1:16:00 > 1:16:04And you have no idea what it's like to be trapped with someone
1:16:04 > 1:16:09who doesn't care about you at all for more than 30 years.
1:16:09 > 1:16:11Is that why you killed him?
1:16:12 > 1:16:18That's why I went to classy bars by myself in lovely posh frocks
1:16:18 > 1:16:23that I bought for myself, got my hair and nails done,
1:16:23 > 1:16:27had a glass of fizz, treated myself like I was something special,
1:16:27 > 1:16:32just so someone did something nice for me,
1:16:33 > 1:16:34just occasionally.
1:16:36 > 1:16:41And I didn't tell you because it's mine,
1:16:41 > 1:16:43it's nobody else's business.
1:16:45 > 1:16:50I think you came back from that hotel and he confronted you.
1:16:50 > 1:16:53He found out that you were treating yourself with money
1:16:53 > 1:16:55that he didn't think you deserved.
1:16:55 > 1:16:58He was going to stop the one thing in your life that
1:16:58 > 1:17:00made your marriage bearable.
1:17:00 > 1:17:02You started fighting.
1:17:04 > 1:17:08So did you push him, did he fall?
1:17:09 > 1:17:11Is that how it happened, Marie?
1:17:14 > 1:17:17I found him in the morning.
1:17:18 > 1:17:19That's what happened.
1:17:20 > 1:17:24And unless Mackie has returned from the grave to contradict me,
1:17:26 > 1:17:28you're going to have to believe me.
1:17:31 > 1:17:34Is there anything else I can do for you?
1:17:34 > 1:17:36No.
1:17:42 > 1:17:44It's a delight.
1:17:47 > 1:17:50MUSIC: "Slip Of The Tongue" by Mary Gauthier
1:17:50 > 1:17:54# Honey, sit down I've got something to say
1:17:56 > 1:18:01# Last night I drowned I got carried away
1:18:01 > 1:18:05# Swept up in the feelings... #
1:18:05 > 1:18:07PHONE RINGS
1:18:07 > 1:18:11# The words poured out of me
1:18:18 > 1:18:21# My heart moves
1:18:21 > 1:18:24# With the morning sun
1:18:31 > 1:18:37# It's not ready to set for anyone
1:18:46 > 1:18:50# When I said, "I love you"
1:18:50 > 1:18:56# It was a slip of the tongue
1:19:00 > 1:19:04# I didn't lie but it wasn't the truth
1:19:07 > 1:19:10# I know it's not right
1:19:10 > 1:19:12# But what can I do? #
1:19:14 > 1:19:19Rachel, Rachel, don't. Stop it. Stop it.
1:19:19 > 1:19:22# They never let me go... #
1:19:22 > 1:19:25Come here. Give me that, give me that,
1:19:25 > 1:19:27Get off me.
1:19:27 > 1:19:30- Spit it out, spit it out. - Get off me.
1:19:30 > 1:19:32SHE SCREAMS
1:19:42 > 1:19:44Open up.
1:19:44 > 1:19:46SHE VOMITS
1:19:54 > 1:19:56Right, have a drink.
1:19:56 > 1:19:58SHE COUGHS
1:20:16 > 1:20:20Why can't you just leave me alone?
1:20:21 > 1:20:25I just want it all to go away.
1:20:25 > 1:20:27Because of Isobel.
1:20:28 > 1:20:30SHE SOBS
1:20:32 > 1:20:36You know all the worst things about me.
1:20:36 > 1:20:39I know you didn't mean to kill her.
1:20:39 > 1:20:44Whatever happened, I know it was an accident, right?
1:20:44 > 1:20:46No, it wasn't.
1:20:47 > 1:20:51She was destroying everything.
1:20:53 > 1:20:55You have to come back. Don't break up the family.
1:20:55 > 1:20:59- Get away from us. Go back to Andy. - Please don't take Freddie.
1:20:59 > 1:21:02- I'm not taking him.- You're not?
1:21:02 > 1:21:05You think if I don't take him you'll be a happy family?
1:21:05 > 1:21:07You'll always be the person who drove his mum away.
1:21:07 > 1:21:10You're the one that slept with Freddie's dad
1:21:10 > 1:21:11and broke up this family.
1:21:13 > 1:21:16You don't even love Freddie. You don't love anybody.
1:21:16 > 1:21:18Stop it, your scaring Lily.
1:21:35 > 1:21:37Isobel?
1:21:40 > 1:21:42Isobel?
1:21:48 > 1:21:50I swapped the horses.
1:21:50 > 1:21:55Nobody would believe Lily could've thrown her but Ollie could've.
1:21:55 > 1:21:57I thought it'd make it look like an accident.
1:22:00 > 1:22:01Come on, good girl.
1:22:05 > 1:22:08I'm the reason Freddie doesn't have a mother.
1:22:11 > 1:22:14They're probably telling him that now.
1:22:15 > 1:22:17She's not your Rachel, she's a monster.
1:22:19 > 1:22:20You're not a monster.
1:22:22 > 1:22:26I killed his mother, I wanted to hurt her and I did.
1:22:29 > 1:22:33And now they are all going to know what I am and who I am.
1:22:33 > 1:22:36They know you had a fight.
1:22:36 > 1:22:38They know you cared about them enough to be angry.
1:22:40 > 1:22:44I loved them so much, Jackson, I really did.
1:22:44 > 1:22:48I know that. Freddie knows it.
1:22:48 > 1:22:50It's all I really wanted,
1:22:52 > 1:22:55a family to love,
1:22:55 > 1:22:59a family of my own.
1:22:59 > 1:23:01And you deserve it.
1:23:02 > 1:23:05I know you had a rough start in life, Rachel.
1:23:05 > 1:23:07It's not fair.
1:23:08 > 1:23:11What will happen if I come back?
1:23:12 > 1:23:14I'm not sure
1:23:15 > 1:23:17Will I go to prison?
1:23:19 > 1:23:20You might
1:23:21 > 1:23:25I can handle that but I just don't think I could face them.
1:23:25 > 1:23:28You could face anything, if you're just honest.
1:23:31 > 1:23:37Come back with me, you can stay with me till things get sorted,
1:23:37 > 1:23:39whatever happens.
1:23:53 > 1:23:54What's that for?
1:23:54 > 1:23:56Making me feel human again.
1:24:00 > 1:24:02TYRES SCREECH
1:24:02 > 1:24:04THUD
1:24:10 > 1:24:12MUSIC: "Swallows Me Whole" by Lori McKenna
1:24:17 > 1:24:22# You say you think you can help me
1:24:22 > 1:24:28# Think of me as someone who bleeds
1:24:28 > 1:24:32# Well, I never told you to love me
1:24:32 > 1:24:34# That's your sort of greed
1:24:38 > 1:24:43# I can make my own decisions
1:24:43 > 1:24:48# I can do what I want to do
1:24:48 > 1:24:53# And I don't have to share my addiction
1:24:53 > 1:24:55# With any of you
1:25:01 > 1:25:04# And I'll be just fine
1:25:04 > 1:25:07# Out of my mind
1:25:07 > 1:25:09# I like it this way
1:25:09 > 1:25:12# I know how to pray... #
1:25:13 > 1:25:16All right, here we go.
1:25:16 > 1:25:18How do I do this?
1:25:18 > 1:25:21- Some of that, yeah?- Mm-hmm.
1:25:21 > 1:25:22Some of that.
1:25:30 > 1:25:32Not on the same piece, Dad.
1:25:32 > 1:25:34- Oh.- Try this.
1:25:35 > 1:25:38- Ooh, have I got to?- Mm-hmm.
1:25:40 > 1:25:41SHE GIGGLES
1:25:45 > 1:25:48You know what, that's disgusting.
1:25:49 > 1:25:54Here, have mine. Don't know how you can eat that.
1:25:58 > 1:26:00HE GROANS
1:26:00 > 1:26:03- Dad?- Yeah?
1:26:03 > 1:26:07- When Mum comes back... - When Mum comes back, yeah?
1:26:09 > 1:26:12I'll still have breakfast here sometimes, won't I?
1:26:18 > 1:26:21Yeah, course you will. Don't be silly.
1:26:21 > 1:26:24And we can have adventures on the weekend.
1:26:24 > 1:26:28Yeah, we can have adventures.
1:26:28 > 1:26:31But we'll have to keep the vegemite here, Mum hates it.
1:26:33 > 1:26:35Oh, we agree on something then.
1:26:38 > 1:26:40MUSIC: "Roses At The End Of Time" by Eliza Gilkyson
1:26:40 > 1:26:44# Winding down to the end of the line
1:26:44 > 1:26:47# And the fallin' of the curtain
1:26:49 > 1:26:54# I'll be yours and you'll be mine
1:26:54 > 1:26:59# Of that one truth I'm certain
1:26:59 > 1:27:04# I will give you roses fair
1:27:04 > 1:27:09# For every secret you did share
1:27:09 > 1:27:13# For all your words that flowed like wine
1:27:15 > 1:27:22# Roses at the end of time... #
1:27:24 > 1:27:26THEY LAUGH
1:27:31 > 1:27:34# Tonight I blessed the hands of fate
1:27:36 > 1:27:39# That brought you to my doorway
1:27:40 > 1:27:44# Weary, worn and worth the wait... #
1:27:46 > 1:27:49Mr Brodie, are you saying you refuse to help us?
1:27:49 > 1:27:50Julia!
1:27:50 > 1:27:52Jackson Brodie.
1:27:52 > 1:27:54They signed off the Mackie case,
1:27:54 > 1:27:56so all the frozen funds have been released.
1:27:56 > 1:27:57Looks like we're rich.
1:27:57 > 1:28:00Nice. Hi again.
1:28:00 > 1:28:03Hi, you must be Charlotte. I'm Julia, Jackson's ex.
1:28:03 > 1:28:05Well...
1:28:05 > 1:28:08I just need to know what happened to my mum.
1:28:08 > 1:28:10What the hell are you doing here? I'm handling this.
1:28:10 > 1:28:11Do you want to go for dinner?
1:28:31 > 1:28:34Subtitles by Red Bee Media Ltd