0:00:02 > 0:00:04Our job was to collect the child from the location and deliver her.
0:00:04 > 0:00:07I did not sign up to take a child from her mother.
0:00:07 > 0:00:08You did the job.
0:00:08 > 0:00:10I did the job.
0:00:10 > 0:00:11We move on.
0:00:11 > 0:00:13How much did I win?
0:00:13 > 0:00:1661,500.
0:00:16 > 0:00:17Excuse me?
0:00:17 > 0:00:19Oh, thank you. Wouldn't want to leave that behind.
0:00:19 > 0:00:20So, what can I do for you?
0:00:20 > 0:00:24I need a favour. Two new identities, passports, the lot.
0:00:24 > 0:00:25You owe me.
0:00:25 > 0:00:27And one day, I'll give you a call.
0:01:01 > 0:01:04"And as the azure water laps at your feet,
0:01:04 > 0:01:08"you'll truly believe you're in heaven."
0:01:08 > 0:01:10We are still talking about North Berwick?
0:01:14 > 0:01:17I should go for a run.
0:01:17 > 0:01:23Now, I like the ones when you have your own cabana.
0:01:23 > 0:01:25This way to your cabana, senora.
0:01:25 > 0:01:27And a private plunge pool.
0:01:27 > 0:01:30That would be for all the private plunging.
0:01:30 > 0:01:34Hm. Now there's something you don't get in North Berwick.
0:01:34 > 0:01:36You want to bet?
0:01:36 > 0:01:38SHE GIGGLES
0:02:18 > 0:02:20Let's just jump on a plane somewhere hot.
0:02:20 > 0:02:22The money's coming through any day.
0:02:22 > 0:02:25I'm not a kept woman, you know.
0:02:26 > 0:02:30Anyway, it won't be a holiday if I don't have a job to come back to.
0:02:30 > 0:02:32Ah, come on. There's a cabana somewhere with your name on it.
0:02:32 > 0:02:34Meanwhile, there's an exhibit
0:02:34 > 0:02:37stuck somewhere between Frankfurt and Glasgow.
0:02:37 > 0:02:39Here, will you zip me up?
0:02:43 > 0:02:46Think it's going to be another late night. Sorry.
0:02:46 > 0:02:48- Well, you can make up for it now. - SHE GIGGLES
0:02:49 > 0:02:51I have to go.
0:02:55 > 0:02:57Guess I'll swing by the office.
0:02:57 > 0:03:00See why Deborah called five times yesterday.
0:03:00 > 0:03:02Sure you still know where it is?
0:03:02 > 0:03:04Just about.
0:03:23 > 0:03:25- Mr Brodie?- That's right.
0:03:25 > 0:03:28I wasn't sure if you were open or not.
0:03:32 > 0:03:34Apparently not.
0:03:39 > 0:03:42Er...just give us a minute, will you?
0:03:56 > 0:03:58Right. Wait right there.
0:04:01 > 0:04:05- "Hello?"- It's me.- Hi.
0:04:05 > 0:04:06What the bloody hell's going on?
0:04:06 > 0:04:09You've decided to run your business into the ground
0:04:09 > 0:04:10for the sake of a few shags and 60 grand.
0:04:10 > 0:04:13- All right, you've made your point. - My point is
0:04:13 > 0:04:16I'm sick and tired of apologising for your midlife crises.
0:04:16 > 0:04:19And I have a new job, which you'd know if you answered your phone.
0:04:19 > 0:04:20Bye, Jackson.
0:04:22 > 0:04:24Can't get the staff, eh?
0:04:25 > 0:04:27Hm.
0:04:27 > 0:04:30Er...look, now's probably not the best time.
0:04:30 > 0:04:32I wanted to talk to you about my mum.
0:04:32 > 0:04:34- Why don't you come back later? - Her name was Isla Kelso.
0:04:41 > 0:04:45- Right. - The Christmas Shopping Killer.
0:04:45 > 0:04:47It's not the best name in the world, but there you go.
0:04:47 > 0:04:49I remember it.
0:04:49 > 0:04:51My mum was his third victim,
0:04:51 > 0:04:53except now it turns out that she wasn't.
0:04:55 > 0:04:57- What do you mean? - Philip McRory died last week.
0:04:57 > 0:04:59Of lung cancer. I saw that.
0:04:59 > 0:05:01He always said he was innocent, but before he died,
0:05:01 > 0:05:04he confessed to the first two murders, Ailsa Dunn and Maura Lynch.
0:05:04 > 0:05:08- Mm-hm.- He took keepsakes. Told the police where he buried them.
0:05:08 > 0:05:10A brooch of Maura's, and Ailsa's hairclip.
0:05:10 > 0:05:13- They dug them up. - But nothing of your mum's?
0:05:13 > 0:05:14He still said it wasn't him.
0:05:14 > 0:05:18They kept that out of the papers. What did they say, the police?
0:05:18 > 0:05:19That he couldn't be trusted,
0:05:19 > 0:05:22that we should take what he said with a pinch of salt.
0:05:22 > 0:05:24But he was dying.
0:05:24 > 0:05:28He'd already confessed to everything else, so, why lie now?
0:05:28 > 0:05:30I don't know. He might have just wanted to...
0:05:30 > 0:05:32To muck us around?
0:05:33 > 0:05:35It happens a lot in cases like this.
0:05:35 > 0:05:37- Look, er...- Aidan.- Aidan.
0:05:39 > 0:05:41Look, I can see you're very determined.
0:05:41 > 0:05:43I've brought clippings.
0:05:43 > 0:05:46Everything my dad kept from when she went missing.
0:05:46 > 0:05:48If you just...if you just have a look at them.
0:06:03 > 0:06:06I just...need to know what happened to my mum.
0:06:06 > 0:06:07LAUGHTER
0:06:08 > 0:06:11Oh, that is lovely! Look at that.
0:06:11 > 0:06:13SHE LAUGHS
0:06:14 > 0:06:16Oh!
0:06:17 > 0:06:19Mwah!
0:06:23 > 0:06:25Well, I'd have to talk to your dad.
0:06:25 > 0:06:27I'll give you our address.
0:06:31 > 0:06:32Any time's good.
0:06:35 > 0:06:37So...
0:06:37 > 0:06:38thanks.
0:06:45 > 0:06:46HE SIGHS
0:06:47 > 0:06:49PHONE RINGS
0:06:55 > 0:06:58TYRES SCREECH
0:06:58 > 0:07:00SCREAMING
0:07:08 > 0:07:09Jackson Brodie.
0:07:35 > 0:07:37Mr Brodie.
0:07:37 > 0:07:38Thank you for coming.
0:07:41 > 0:07:45My daughter, Samira, was born in this country.
0:07:47 > 0:07:49She went to an expensive private school here,
0:07:49 > 0:07:51but then after her A-levels,
0:07:51 > 0:07:54I sent her to Cairo to continue her studies.
0:07:54 > 0:07:56It's been hard.
0:07:56 > 0:07:58She grew up a British girl.
0:07:58 > 0:08:01She had difficulty adjusting to the life there.
0:08:01 > 0:08:04There were problems with her personal conduct.
0:08:04 > 0:08:08When term ended, we expected she would come home.
0:08:08 > 0:08:10She never arrived.
0:08:10 > 0:08:12Then we received a message from Samira,
0:08:12 > 0:08:14telling us that we shouldn't try to find her.
0:08:15 > 0:08:17But you did.
0:08:17 > 0:08:20I found out that she used her credit card here in Edinburgh,
0:08:20 > 0:08:23so I stopped it, thinking it would bring her home.
0:08:23 > 0:08:25But it's been weeks now.
0:08:25 > 0:08:27We are worried.
0:08:27 > 0:08:28From what my husband says,
0:08:28 > 0:08:32you seem to take a different approach from his other...employees.
0:08:32 > 0:08:34Samira is a good girl.
0:08:34 > 0:08:37But...she acts without thinking.
0:08:37 > 0:08:40- She needs to be treated carefully. - Well, how old is Samira?
0:08:40 > 0:08:42She's 19.
0:08:42 > 0:08:44- She's an adult.- She's still a child.
0:08:44 > 0:08:46She should be with her family.
0:08:46 > 0:08:48Not if she doesn't want to be.
0:08:48 > 0:08:51Mr Brodie, are you saying you refuse to help us?
0:08:52 > 0:08:56If you could just find her and talk to her.
0:08:57 > 0:09:00- Everything you need should be in there.- All right.
0:09:02 > 0:09:04She must be scared.
0:09:05 > 0:09:06I'll see what I can do.
0:09:08 > 0:09:10Thank you.
0:09:35 > 0:09:36PHONE RINGS
0:09:43 > 0:09:44Hello?
0:09:44 > 0:09:46(Mr Brodie?)
0:09:47 > 0:09:50Mrs Minyawi?
0:09:50 > 0:09:52I have spoken to my daughter.
0:09:52 > 0:09:54She wouldn't say where she was living,
0:09:54 > 0:09:57but she found a job working in a bar
0:09:57 > 0:10:00and there was a boy she talked about.
0:10:00 > 0:10:02So, she's OK?
0:10:02 > 0:10:03No. I...
0:10:03 > 0:10:05RATTLING
0:10:07 > 0:10:08She said not to worry, that she was happy,
0:10:08 > 0:10:11but she wasn't, Mr Brodie, she was scared.
0:10:11 > 0:10:14- Right.- She never told me the name of the bar, where it was, anything.
0:10:14 > 0:10:15Who's Abi?
0:10:15 > 0:10:18Abigail Montgomery.
0:10:18 > 0:10:20She was Samira's only friend.
0:10:21 > 0:10:24I just want my daughter safe at home, Mr Brodie.
0:10:25 > 0:10:27I know. I'll do my best.
0:10:52 > 0:10:53PHONE RINGS OUT
0:10:56 > 0:10:57- "Hello?"- Is that Abigail?
0:10:57 > 0:11:00- "Yes."- My name's Jackson Brodie. I'm a private detective.
0:11:00 > 0:11:03I'm working for the Minyawi family, looking for Samira.
0:11:03 > 0:11:06You haven't seen her since you got back to Edinburgh, have you?
0:11:06 > 0:11:08"No, I haven't seen her. Sorry, I can't help you."
0:11:08 > 0:11:10No, no, that's all right.
0:11:10 > 0:11:13I've got a couple of other leads, I'm sure I'll find her.
0:11:13 > 0:11:15- "I'm sorry, I've got to go." - Thanks for your help.
0:11:48 > 0:11:50SIRENS WAIL
0:11:54 > 0:11:56LOW CHATTER
0:11:56 > 0:11:58FAINT MUSIC
0:12:08 > 0:12:10Sami?
0:12:13 > 0:12:14See you later.
0:12:19 > 0:12:20Hi.
0:12:20 > 0:12:23Bottle of lager, please. Something...normal.
0:12:27 > 0:12:30That's 3.80, please.
0:12:30 > 0:12:31You're joking?
0:12:34 > 0:12:36- It's quiet in here. - It'll get louder.
0:12:36 > 0:12:38Rhys. How's it going?
0:12:38 > 0:12:40All's well, pal, all's well.
0:12:41 > 0:12:42Right, I'll be out the back, sweetheart.
0:12:42 > 0:12:44Are you going to be gone long?
0:12:44 > 0:12:47- Why, will you miss me?- Yeah.
0:12:48 > 0:12:50Shall I come and get you if it gets busy?
0:12:50 > 0:12:52No. You'll be fine. You'll cope.
0:12:54 > 0:12:57Don't do anything I wouldn't do. Come on.
0:13:00 > 0:13:03- Keep it, don't worry.- Thanks.
0:13:05 > 0:13:07It's good to come and go as you please.
0:13:07 > 0:13:09Yeah, all right for some.
0:13:09 > 0:13:12- Get us a couple of beers back here. - Sure.
0:13:20 > 0:13:22INDISTINCT SHOUTING
0:13:34 > 0:13:37You OK, Samira? Is he always like that?
0:13:40 > 0:13:42Oi, you lot! Get back to work!
0:13:44 > 0:13:46Have you been smoking again?! I told you!
0:13:46 > 0:13:47It's just one.
0:13:47 > 0:13:50Who's minding the bar while you're out doing that?!
0:13:50 > 0:13:52Eh? Eh?!
0:13:52 > 0:13:54- There's no-one there!- I'm sorry.
0:13:54 > 0:13:56What is wrong with you?
0:13:56 > 0:13:58Rhys!
0:13:58 > 0:13:59INDISTINCT SHOUTING
0:14:01 > 0:14:03HORN SOUNDS
0:14:14 > 0:14:15SHE SOBS
0:14:27 > 0:14:29Samira, isn't it?
0:14:31 > 0:14:32My dad sent you.
0:14:32 > 0:14:35Your mum, actually.
0:14:42 > 0:14:44I'm not going home.
0:14:44 > 0:14:45It's up to you.
0:14:47 > 0:14:49Look, your mum just wanted me to find you,
0:14:49 > 0:14:51make sure you're all right.
0:14:51 > 0:14:54But she wants you to know that nobody's going to make you do
0:14:54 > 0:14:56anything you don't want to do.
0:14:56 > 0:14:58- Guess you don't know my dad. - I do, actually.
0:14:58 > 0:15:00That's why I didn't tell him where you are.
0:15:04 > 0:15:06Has he done that before?
0:15:06 > 0:15:08We had a row. I gave as good as I got.
0:15:08 > 0:15:11Well, he's not walking around with a black eye and a split lip, is he?
0:15:11 > 0:15:14What can I say? We've got a passionate relationship.
0:15:14 > 0:15:17Samira, let me take you home. Have a chat with your mum.
0:15:17 > 0:15:19If you don't want to stay there, you don't like it,
0:15:19 > 0:15:22you call me and I will come and get you
0:15:22 > 0:15:25and drive you anywhere you want to go.
0:15:25 > 0:15:28What are you? Some kind of Good Samaritan taxi service?
0:15:28 > 0:15:30Just someone who wouldn't want his daughter
0:15:30 > 0:15:32mixed up with a...git like that.
0:15:32 > 0:15:34You know, Rhys cares about me.
0:15:34 > 0:15:37He was there for me when I needed him.
0:15:37 > 0:15:39He got me a job, a place to stay.
0:15:39 > 0:15:40And then smacked you in the face.
0:15:42 > 0:15:44My dad wants to control everything.
0:15:46 > 0:15:49Who I see and where I go and...
0:15:49 > 0:15:52You know, I was only allowed to go to uni if I went to Cairo.
0:15:52 > 0:15:54Have you been there lately?
0:15:54 > 0:15:56No, not lately(!)
0:15:56 > 0:15:59- It's not much fun.- I'm sure.
0:16:01 > 0:16:03He said he was sorry.
0:16:03 > 0:16:04And I'm sure he is.
0:16:04 > 0:16:07He'll be sorry every time.
0:16:07 > 0:16:10Just come home and give it a try.
0:16:10 > 0:16:11That's all I'm asking.
0:16:13 > 0:16:15Go and see your mum.
0:17:14 > 0:17:16Hey.
0:17:16 > 0:17:19Hey. Sorry.
0:17:19 > 0:17:21That's OK.
0:17:21 > 0:17:22Where have you been?
0:17:23 > 0:17:25Er...missing person.
0:17:26 > 0:17:28And did you find her?
0:17:28 > 0:17:30How did you know it was a girl?
0:17:30 > 0:17:32Well, it usually is.
0:17:32 > 0:17:34Yeah. I found her.
0:17:36 > 0:17:37You OK?
0:17:38 > 0:17:40HE SIGHS
0:17:42 > 0:17:44Some jobs...
0:17:48 > 0:17:50..they just don't feel right.
0:17:50 > 0:17:52- Did she not want to be found? - Not really.
0:17:56 > 0:17:59Anyway, at least she's safe now.
0:17:59 > 0:18:00You...
0:18:01 > 0:18:03..Jackson Brodie...
0:18:03 > 0:18:05are a good man. Do you know that?
0:18:06 > 0:18:08Hm! I'm not so sure.
0:18:08 > 0:18:10Well, you are.
0:18:10 > 0:18:13There's not many out there like you, I can tell you that.
0:18:16 > 0:18:18A one-off, eh? That's me.
0:18:18 > 0:18:20I just got lucky.
0:18:22 > 0:18:23Come here.
0:18:51 > 0:18:53Mr Brodie, no offence,
0:18:53 > 0:18:57but, er...I don't see what you can do that the police can't.
0:18:58 > 0:18:59Maybe nothing.
0:19:01 > 0:19:03Well, at least you're honest.
0:19:03 > 0:19:06The point is, Dad, the police aren't doing anything.
0:19:07 > 0:19:09Look, I'm here because Aidan asked me.
0:19:10 > 0:19:13I'm very happy to walk away,
0:19:13 > 0:19:15or I'll stay and do what I can do.
0:19:15 > 0:19:17It's up to you.
0:19:20 > 0:19:21Go ahead.
0:19:21 > 0:19:24Let's talk about the night your wife went missing.
0:19:24 > 0:19:27You were...at home, right?
0:19:27 > 0:19:30Yep. It was Christmas Eve, so I'd knocked off early.
0:19:32 > 0:19:34I was giving Aidan his bath.
0:19:34 > 0:19:37And, er...Isla was wrapping presents.
0:19:37 > 0:19:40We'd given him his first bike and she didn't have enough paper,
0:19:40 > 0:19:45so she said she'd nip round to the newsagents.
0:19:45 > 0:19:47I put Aidan to bed.
0:19:47 > 0:19:49But she still wasn't back.
0:19:50 > 0:19:53I thought at first
0:19:53 > 0:19:55that maybe the newsagents had shut early
0:19:55 > 0:19:57and she'd had to go into town.
0:19:59 > 0:20:01And then I started ringing round her friends
0:20:01 > 0:20:04in case she'd bumped into somebody.
0:20:05 > 0:20:07In the end, I called the police.
0:20:16 > 0:20:20'Daddy? Daddy, what's the matter?'
0:20:20 > 0:20:24They found her body the day after Boxing Day.
0:20:24 > 0:20:27She was strangled and dumped in the river.
0:20:27 > 0:20:29It would be helpful to get a picture of her.
0:20:29 > 0:20:31Her lifestyle, her routine,
0:20:31 > 0:20:34where she went, who she spent time with.
0:20:34 > 0:20:36She just stayed at home, mainly with Aidan.
0:20:36 > 0:20:40They went to the supermarket and the park, but that was about it.
0:20:41 > 0:20:43GIGGLING
0:20:44 > 0:20:46LAUGHTER
0:20:50 > 0:20:52- Oh!- Mummy! Mummy!
0:20:52 > 0:20:53Mwah!
0:20:57 > 0:21:00She said she loved it when it was just the two of them together.
0:21:09 > 0:21:10Mr Brodie?
0:21:11 > 0:21:14I thought these might help. Some photos and stuff.
0:21:14 > 0:21:15Great. Thanks.
0:21:15 > 0:21:19My dad, he, um...he doesn't find it easy, talking about her.
0:21:19 > 0:21:23But he kept her things. I don't know if they'll be of any use.
0:21:23 > 0:21:26The ruby one was an engagement ring. It was my gran's.
0:21:26 > 0:21:28That and the wedding band.
0:21:30 > 0:21:32I sort of wonder if I'd be less crap talking to girls
0:21:32 > 0:21:36if I'd had my mum around.
0:21:36 > 0:21:38We're all crap at talking to girls.
0:21:38 > 0:21:41- Best thing's to say nothing.- Yeah?
0:21:41 > 0:21:43Gives them less ammunition.
0:21:45 > 0:21:46See ya.
0:21:57 > 0:21:59Could you just tell me where she's working so I can pop in?
0:22:01 > 0:22:04Did she? Well, I'm a lot more appealing in person, I promise.
0:22:06 > 0:22:07Thanks very much.
0:22:07 > 0:22:09Yeah, I will. Cheers.
0:22:09 > 0:22:11SIRENS WAIL
0:22:14 > 0:22:16Freeze!
0:22:16 > 0:22:18INDISTINCT SHOUTING
0:22:20 > 0:22:23Cut! Cut!
0:22:23 > 0:22:24Reset!
0:22:25 > 0:22:28(Julia, that was lovely. Thank you very much.)
0:22:28 > 0:22:29OK.
0:22:31 > 0:22:33Julia!
0:22:35 > 0:22:40Jackson Brodie...as I live and breathe.
0:22:48 > 0:22:50So, what did you think of my new role?
0:22:51 > 0:22:53Did you see much of the filming?
0:22:53 > 0:22:56Er...no. What are you doing?
0:22:56 > 0:22:59That's the best part. I play a detective.
0:22:59 > 0:23:01Not the lead, of course. That's some brooding, maverick bloke
0:23:01 > 0:23:03with a dysfunctional private life.
0:23:03 > 0:23:06No, I'm his straight-talking, by-the-book partner
0:23:06 > 0:23:10who's secretly in love with him and has a diabetic father.
0:23:10 > 0:23:14He was going to have Alzheimer's, but everyone's done Alzheimer's.
0:23:14 > 0:23:17I'll have a lemon drizzle, please, Mikey.
0:23:17 > 0:23:20So, it wasn't a problem that you're, er...
0:23:20 > 0:23:22I was a teensy bit dishonest at the first audition,
0:23:22 > 0:23:24but it's fine, they wrote it in.
0:23:24 > 0:23:27I'm only in three episodes. This is the last one.
0:23:27 > 0:23:29Then I get targeted by the serial killer
0:23:29 > 0:23:31and have to go into witness protection.
0:23:31 > 0:23:34Thank you. I'm not usually a fan of lemon drizzle,
0:23:34 > 0:23:35but I've got an urge.
0:23:35 > 0:23:37Baby must be trying to get me to eat more fruit.
0:23:41 > 0:23:44I'm seven months gone.
0:23:44 > 0:23:46So...it's not ours?
0:23:48 > 0:23:51Seven months? Hold on a second. We only broke up...
0:23:51 > 0:23:52You remember why we broke up?
0:23:52 > 0:23:54You were never there.
0:23:54 > 0:23:57- I was there sometimes. - And I slept with someone else.
0:23:57 > 0:24:01After you, there was a brief relationship with another chap.
0:24:01 > 0:24:06And it should have been a belt and braces sort of scenario,
0:24:06 > 0:24:08but it turned out neither of us happened to have a belt.
0:24:10 > 0:24:11At it like rabbits, were you?
0:24:11 > 0:24:13Yeah.
0:24:14 > 0:24:16This bloke, he, er...he knows?
0:24:16 > 0:24:18Mm. Of course.
0:24:18 > 0:24:20But he's not going to be involved.
0:24:20 > 0:24:22We agreed to keep it simple.
0:24:22 > 0:24:24Right. You OK?
0:24:24 > 0:24:28Marvellous! People make such a song and dance about pregnancy,
0:24:28 > 0:24:33but it's the most gloriously natural process.
0:24:33 > 0:24:36And I'm really interested in newborn development.
0:24:36 > 0:24:39You know, there's fascinating stuff about imprinting,
0:24:39 > 0:24:43how the first connection you make has to be a really strong one.
0:24:43 > 0:24:46The first physical contact, the first face they see.
0:24:46 > 0:24:48Otherwise, you end up with ducklings
0:24:48 > 0:24:51- following pigs around, that sort of thing.- Wouldn't want that.
0:24:51 > 0:24:54Gosh, it's so lucky your turning up like this
0:24:54 > 0:24:55because I'm desperate to spend time
0:24:55 > 0:24:58with a real-life detective, do some research.
0:24:58 > 0:25:00If this goes to a second series,
0:25:00 > 0:25:02I think they're going to bring my character back.
0:25:02 > 0:25:05Er...I don't...
0:25:05 > 0:25:08I'm not sure that it's going to work out. I'm going away.
0:25:08 > 0:25:10Oh, no, I didn't mean you.
0:25:10 > 0:25:11I was thinking you could put me in touch
0:25:11 > 0:25:15with that really dynamic woman in CID. DI Munroe, wasn't it?
0:25:15 > 0:25:17No, I...I can't see her going for it.
0:25:17 > 0:25:20Oh, I'm sure you could persuade her.
0:25:20 > 0:25:22You can talk a girl into almost anything.
0:25:25 > 0:25:28I said you'd say no, which you can, whatever you want.
0:25:28 > 0:25:31She made me come down and ask you in person. The thing is...
0:25:31 > 0:25:33I'm looking at the thing now.
0:25:33 > 0:25:36Yeah. So, what do you say?
0:25:36 > 0:25:38Show her an interview room, wave a pair of handcuffs at her?
0:25:40 > 0:25:42- Oh, all right.- Thanks.
0:25:42 > 0:25:45But if she gives birth on the premises, then I will not be happy.
0:25:45 > 0:25:47She's not due for another couple of months.
0:25:47 > 0:25:49- You sure about that?- Yeah, yeah.
0:25:49 > 0:25:51- Julia, you remember Louise. Louise...- Of course!
0:25:51 > 0:25:53..I'm sure you remember Julia.
0:25:53 > 0:25:56Thank you so much for this. This place, fascinating!
0:25:56 > 0:26:00I've noticed a lot of the women are wearing beige.
0:26:00 > 0:26:02- Oh.- What's that all about?
0:26:02 > 0:26:06- Er...I'll leave you girls alone. - Thanks.
0:26:06 > 0:26:10- Wow! Such an atmosphere of paperwork. - Aye.
0:26:27 > 0:26:29- What are you doing here? - What are you doing here?
0:26:29 > 0:26:31I'm working. Remember the concept?
0:26:31 > 0:26:33All right, I've been a bit crap for a few weeks.
0:26:33 > 0:26:34Yeah. Yeah, you have.
0:26:34 > 0:26:37Things will be back to normal now. Come on.
0:26:37 > 0:26:40Oh, right. You phoning it in because you despise what we do
0:26:40 > 0:26:43and me nagging you about money like a broken record.
0:26:43 > 0:26:45- It's not always like that. - No, it didn't used to be.
0:26:45 > 0:26:47You actually used to care.
0:26:47 > 0:26:50I foolishly thought we were doing something that made a difference.
0:26:50 > 0:26:54- But, hey, things change. - We were. We are. We will be again.
0:26:54 > 0:26:55- I need you. Come on. - Well, it's too late.
0:26:55 > 0:26:57I've moved on to somewhere with real prospects.
0:26:57 > 0:27:00Prospects? They haven't even given you a chair.
0:27:00 > 0:27:02Apogee Advertising. Devil's in the detail.
0:27:02 > 0:27:05Seriously? Receptionist? You'll go mental.
0:27:05 > 0:27:07Putting you through.
0:27:07 > 0:27:10On the contrary. I've never felt more stimulated.
0:27:10 > 0:27:12You look like a dental assistant.
0:27:17 > 0:27:18It's a Japanese airport.
0:27:18 > 0:27:20Get lost, Jackson!
0:27:46 > 0:27:48'It would be helpful to get a picture of her.
0:27:48 > 0:27:50'Her lifestyle, where she went, who her friends were.'
0:27:50 > 0:27:53'She just stayed at home, mainly with Aidan.
0:27:53 > 0:27:54'That was about it.'
0:28:02 > 0:28:03PHONE RINGS OUT
0:28:03 > 0:28:06- "Hello, Ed Services?" - Lothian Adult Education Services?
0:28:06 > 0:28:08- "Yes." - How long do your records go back?
0:28:10 > 0:28:12Excuse the mess.
0:28:12 > 0:28:14I keep meaning to get around to it.
0:28:15 > 0:28:17After dealing with psychotic little shits all day,
0:28:17 > 0:28:20I'm never really in the mood. Have a seat.
0:28:20 > 0:28:22Thanks.
0:28:22 > 0:28:25So, you teach full time, then?
0:28:25 > 0:28:27Afraid so. You know how it is.
0:28:27 > 0:28:31Those who can, do, those who tried
0:28:31 > 0:28:33and found out they couldn't afford to feed themselves, teach.
0:28:33 > 0:28:36Well, none of us end up where we planned, do we?
0:28:38 > 0:28:41So...you said this was about Isla Kelso.
0:28:41 > 0:28:44Yeah. I'm looking into her death on behalf of the family.
0:28:44 > 0:28:46I saw in the paper that they'd re-opened the case.
0:28:48 > 0:28:50- That was a hell of a thing.- Hm.
0:28:50 > 0:28:54I came across her old art school student card in her belongings.
0:28:54 > 0:28:58Called them up and it turned out you were her teacher back in the day.
0:28:58 > 0:29:02Well, hardly. No, Isla didn't need teaching. She was the real deal.
0:29:02 > 0:29:05Some of her work was just incredible.
0:29:05 > 0:29:09Oh. So...she was serious about it, it wasn't a hobby?
0:29:09 > 0:29:12Oh, no, no. She could have done it, you know.
0:29:12 > 0:29:14But she'd married young, she'd had a kid.
0:29:14 > 0:29:16Classic frustrated housewife.
0:29:16 > 0:29:19- I guess painting would have been an escape.- Exactly.
0:29:19 > 0:29:22There was this whole sequence of paintings that she did.
0:29:22 > 0:29:24It was after she'd been in a car crash.
0:29:24 > 0:29:27Oh! It was really powerful stuff.
0:29:27 > 0:29:29Really visceral.
0:29:29 > 0:29:33Full of anger and guilt. It completely blew me away.
0:29:33 > 0:29:35What car crash?
0:29:35 > 0:29:37It was a few months before she was killed.
0:29:37 > 0:29:41I was running the gallery at that time.
0:29:42 > 0:29:44You see, that was the game plan.
0:29:44 > 0:29:50Artist, gallery owner, all-round '90s entrepreneur.
0:29:50 > 0:29:51So, um...
0:29:53 > 0:29:56..the night Isla died, you'd have been where?
0:29:56 > 0:30:00Well, I was at a Christmas party at a friend's studio.
0:30:00 > 0:30:04- All night? - No. I went home with a girl.
0:30:05 > 0:30:07You remember her name?
0:30:07 > 0:30:10Mandy. Mandy Styles.
0:30:10 > 0:30:11She was an installation artist.
0:30:11 > 0:30:13She used to roll around naked in paint.
0:30:13 > 0:30:15HE CHUCKLES
0:30:15 > 0:30:17Those were the days, eh?
0:30:17 > 0:30:18Not for all of us.
0:30:18 > 0:30:20HE CHUCKLES NERVOUSLY
0:30:31 > 0:30:33Mr Brodie?
0:30:33 > 0:30:35- Aidan.- Have you found something?
0:30:35 > 0:30:37Er...no.
0:30:37 > 0:30:39Er...I just want to ask you something about your mum.
0:30:39 > 0:30:42She had a crash a couple of months before she died.
0:30:42 > 0:30:44- I didn't know she'd had one. - Shall we ask your dad?
0:30:44 > 0:30:47Yeah. He's just on the phone about tomorrow's job. He'll be done in a minute.
0:30:47 > 0:30:48Dad?
0:30:51 > 0:30:53How long have you been working together?
0:30:53 > 0:30:55Oh, a couple of months.
0:30:55 > 0:30:56Want to save some cash for uni next year.
0:30:56 > 0:30:59- I'm going to Dundee to do computer science.- Great city, Dundee.
0:30:59 > 0:31:01So is Dusseldorf.
0:31:01 > 0:31:03Dad?
0:31:03 > 0:31:06He was offered an internship with a software company.
0:31:06 > 0:31:09Yeah, an unpaid internship in the middle of bloody Germany.
0:31:09 > 0:31:11Instead he's hanging about here, lugging carpets around.
0:31:11 > 0:31:14It's not too late to call him back, Gunter... whatever his name is.
0:31:14 > 0:31:16I'm not calling him back.
0:31:17 > 0:31:20Mr Brodie was asking about a car accident.
0:31:23 > 0:31:26- What accident? - The crash that Isla had.
0:31:26 > 0:31:28A couple of months before she was killed.
0:31:28 > 0:31:31Oh, that! That was just a prang. It was nothing major.
0:31:31 > 0:31:33No-one got hurt?
0:31:33 > 0:31:35No, no, nothing like that.
0:31:36 > 0:31:37Like I say, it was just a prang.
0:31:37 > 0:31:39Must've got my wires crossed.
0:31:39 > 0:31:41Come on, we'd better go.
0:32:39 > 0:32:41KNOCK AT DOOR
0:32:46 > 0:32:48- Julia!- Jackson.
0:32:49 > 0:32:50- Come in.- Thanks.
0:32:53 > 0:32:54Nice to see you.
0:32:54 > 0:32:58Oh, don't worry, I'm not staying.
0:32:58 > 0:33:02And I'll make myself scarce if your significant other appears.
0:33:02 > 0:33:04It's all right.
0:33:04 > 0:33:06- Does she have a name?- Charlotte.
0:33:06 > 0:33:08Charlie for short, or is she a Lotta?
0:33:08 > 0:33:10She's a Charlotte.
0:33:10 > 0:33:12Anyway, I just wanted to thank you
0:33:12 > 0:33:15for putting me in touch with DI Munroe.
0:33:15 > 0:33:18- Really?- Yes. She was very helpful.
0:33:18 > 0:33:21Possibly spent longer in a cell than was absolutely necessary.
0:33:21 > 0:33:24- Locked in?- Yes.- I'm sorry.
0:33:24 > 0:33:26But that kind of experience is really great
0:33:26 > 0:33:28for getting you in the right frame of mind.
0:33:30 > 0:33:33Could I possibly have a glass of water?
0:33:33 > 0:33:35Yeah, yeah, of course, I'm sorry.
0:33:35 > 0:33:37Sit down.
0:33:37 > 0:33:39Of course, I'll only have to pee again.
0:33:39 > 0:33:41You'd think with all this urinating,
0:33:41 > 0:33:44it would cancel out the water retention.
0:33:44 > 0:33:47But my fingers are still like sausages at the end of the day.
0:33:52 > 0:33:55- Are you sure you should be working? - Thanks.
0:33:55 > 0:33:57I mean, it's not like you're sitting behind a desk.
0:33:57 > 0:34:00Jackson, this is the biggest break I've had in years.
0:34:00 > 0:34:04I'm not about to let a one-night stand derail my career.
0:34:04 > 0:34:06Not when I'm finally about to have one.
0:34:06 > 0:34:07A one-night stand?
0:34:07 > 0:34:10Well, no, I mean...
0:34:10 > 0:34:11I didn't mean literally one night.
0:34:11 > 0:34:15Goodness! Off duty, Detective Brodie.
0:34:15 > 0:34:16Big for seven months, isn't it?
0:34:16 > 0:34:19Honestly, do you have any idea how offensive it is
0:34:19 > 0:34:21- when men make those comments? - I was just asking.
0:34:21 > 0:34:24I've had every bus and cab driver in London
0:34:24 > 0:34:27- volunteering opinions on the size of my bump.- Sorry.
0:34:27 > 0:34:31For your information, I'm measuring large for dates,
0:34:31 > 0:34:33whatever that means.
0:34:33 > 0:34:36So they say I might need an extra scan.
0:34:36 > 0:34:37KNOCK AT DOOR
0:34:42 > 0:34:44- Louise.- Er...two things.
0:34:44 > 0:34:46OK.
0:34:46 > 0:34:48If you ever bring that woman to the station again,
0:34:48 > 0:34:50- I will not be held accountable for my actions.- Fair enough.
0:34:50 > 0:34:52Hello, DI Munroe.
0:34:52 > 0:34:55Oh, It's Julia...again!
0:34:56 > 0:34:59- And...? You said there were two things.- Ah, yes.
0:34:59 > 0:35:01I have also been asked to inform you
0:35:01 > 0:35:03that they've signed off the Mackie case,
0:35:03 > 0:35:05so all the frozen funds have been released,
0:35:05 > 0:35:08and apologies from the Lothian Police Force
0:35:08 > 0:35:09for any inconvenience they may have caused.
0:35:09 > 0:35:11Looks like we're rich.
0:35:11 > 0:35:13Nice. Hi...again.
0:35:13 > 0:35:14Hello, again.
0:35:14 > 0:35:17Hi! You must be Charlotte.
0:35:17 > 0:35:19I'm Julia, Jackson's ex.
0:35:23 > 0:35:24Well...
0:35:28 > 0:35:31Gosh, it's all getting rather Private Lives!
0:35:32 > 0:35:35Shall I put the kettle on and we'll all have some tea?
0:35:35 > 0:35:37Oh, sure.
0:35:39 > 0:35:41Hey.
0:35:48 > 0:35:52Er...right.
0:35:52 > 0:35:54You can't smoke near a pregnant woman.
0:35:55 > 0:35:58Right.
0:35:58 > 0:35:59Want to come in for a nice cup of tea?
0:35:59 > 0:36:01Ha-ha-ha. No, thank you.
0:36:01 > 0:36:02(Good luck with all that.)
0:36:15 > 0:36:18BIRDSONG
0:36:18 > 0:36:20BELLS TOLL
0:36:50 > 0:36:52PHONE RINGS OUT
0:36:55 > 0:36:58- "Hello."- Kenny. Jackson Brodie. I need a favour.
0:36:58 > 0:37:00Can you get me an accident report from 1998?
0:37:11 > 0:37:13Aidan's gone to get fish and chips.
0:37:13 > 0:37:15- I didn't feel much like cooking. - Good.
0:37:15 > 0:37:17I wanted to talk to you first.
0:37:17 > 0:37:18Yeah?
0:37:19 > 0:37:21Ian, if I'm to do my job properly,
0:37:21 > 0:37:23you've got to start being straight with me.
0:37:25 > 0:37:27What's that supposed to mean?
0:37:27 > 0:37:28It means I get it.
0:37:28 > 0:37:31I know that all of Aidan's memories of his mum come from you
0:37:31 > 0:37:33and you want them all to be good.
0:37:33 > 0:37:36But you can't keep editing things out of the picture.
0:37:36 > 0:37:39- Like what? - Like all of the art stuff.
0:37:41 > 0:37:44Like the prang that wasn't a prang. It was a crash.
0:37:44 > 0:37:48With Aidan in the front seat and no seatbelt.
0:37:48 > 0:37:50It was an accident. He was fine.
0:37:50 > 0:37:52It was an accident that happened because she was over the limit.
0:37:54 > 0:37:56She'd been out the night before, she'd had a few drinks.
0:37:56 > 0:37:59What, so she was still drunk the morning after? Come on, Ian.
0:37:59 > 0:38:02What do you want me to say?
0:38:02 > 0:38:04OK, Isla had her problems, we had our problems.
0:38:04 > 0:38:06OK? What couple doesn't?
0:38:07 > 0:38:09Big enough problems to make her want to leave?
0:38:13 > 0:38:15I saw the rings.
0:38:15 > 0:38:17Aidan gave them to me.
0:38:17 > 0:38:20At first I thought they might have come back from the morgue, but...
0:38:20 > 0:38:22when a body's been in the water that long,
0:38:22 > 0:38:24they have to cut them off. And they weren't cut.
0:38:24 > 0:38:26She wasn't wearing them.
0:38:26 > 0:38:28Well, she was in every picture I saw.
0:38:28 > 0:38:31In the kitchen, on the beach, swimming, everywhere. She never took them off.
0:38:31 > 0:38:34In my experience, if a woman takes her rings off
0:38:34 > 0:38:37and walks out into the night... she's not coming back.
0:38:38 > 0:38:40Right?
0:38:40 > 0:38:42Ian?
0:38:43 > 0:38:46- Why didn't you tell the police? - I didn't know.
0:38:47 > 0:38:48Not at first.
0:38:50 > 0:38:52I didn't find the rings until the next day.
0:38:52 > 0:38:55She'd left them in front of the clock.
0:38:55 > 0:38:57It might have affected the investigation.
0:38:58 > 0:39:02As soon as the police found her body, they knew who'd done it.
0:39:03 > 0:39:06So, why tell everyone she was walking out on me
0:39:06 > 0:39:08and her three-year-old son when it happened?
0:39:08 > 0:39:11Why does anyone need to know that? Least of all Aidan.
0:39:11 > 0:39:14Because they might have got it wrong.
0:39:14 > 0:39:16It might have made a difference.
0:39:16 > 0:39:17Do you think I don't realise that?
0:39:17 > 0:39:19You think I don't know that her killer
0:39:19 > 0:39:22might be out there somewhere now because of me?!
0:39:22 > 0:39:24Because I didn't want everyone to think my son's mother was a...
0:39:24 > 0:39:27selfish slapper?!
0:39:33 > 0:39:36Oh! Aidan, I'm, I'm sorry.
0:39:38 > 0:39:39What did you do?
0:39:42 > 0:39:44I blamed that bloody art class.
0:39:44 > 0:39:47Her smarmy ponce of a teacher putting ideas into her head.
0:39:47 > 0:39:48But it wasn't about that.
0:39:50 > 0:39:51It was about her.
0:39:52 > 0:39:56The truth is...we just weren't enough for her.
0:39:56 > 0:39:59And the more she tried to pretend, the unhappier she got.
0:39:59 > 0:40:02But she wasn't the only one who wanted more out of life.
0:40:02 > 0:40:04I had plans, too.
0:40:04 > 0:40:06I had a mate set up in the States,
0:40:06 > 0:40:08fitting out big penthouses,
0:40:08 > 0:40:10big corporate accounts, that kind of thing.
0:40:10 > 0:40:13And I wanted us to go out there and make a fresh start.
0:40:13 > 0:40:15She didn't want to go?
0:40:15 > 0:40:17No.
0:40:17 > 0:40:20She said it would be the same shit in a different place.
0:40:20 > 0:40:22And that's when she started drinking,
0:40:22 > 0:40:26staying out all hours at these openings and exhibitions,
0:40:26 > 0:40:29saying she was finally getting to meet other artists,
0:40:29 > 0:40:30as if that made it all right.
0:40:30 > 0:40:33But it doesn't mean she didn't love you.
0:40:33 > 0:40:36No, you, you were the only good thing to come out of all this.
0:40:36 > 0:40:37She nearly killed me.
0:40:37 > 0:40:40Ach, she was beside herself after the accident.
0:40:40 > 0:40:42She knew things couldn't carry on the way they were.
0:40:42 > 0:40:44So she was leaving to get away from me.
0:40:44 > 0:40:45No, no, I'm not saying that.
0:40:45 > 0:40:48No, you're saying you've done nothing but lie to me
0:40:48 > 0:40:50for the past 15 years, that everything I thought I knew
0:40:50 > 0:40:52about my mum is total bollocks.
0:40:52 > 0:40:54Well, thanks for that, Dad. Thanks a lot.
0:41:22 > 0:41:2367, take 4. Action!
0:41:27 > 0:41:29And cut!
0:41:29 > 0:41:31Oh, thank you so much.
0:41:32 > 0:41:37Get off! I told you he's an old friend.
0:41:37 > 0:41:40I shouldn't need an appointment, it's completely unnecessary.
0:42:08 > 0:42:11This one's declined, mate. Have you got another?
0:42:11 > 0:42:13Huh, I've got cash.
0:42:15 > 0:42:18- That's weird. Ta.- Thank you.
0:42:18 > 0:42:24MUSIC: "Blue" by Lucinda Williams
0:42:38 > 0:42:40"This is a courtesy call for Mr Jackson Brodie
0:42:40 > 0:42:42"'from the Central Allied Bank.
0:42:42 > 0:42:44"'My name's Patricia Lee of the personal banking team."
0:42:44 > 0:42:45Bonsoir, Patricia.
0:42:45 > 0:42:49"We're aware that a sizeable deposit was made into your account today
0:42:49 > 0:42:52"and if you would like to call us at your earliest convenience
0:42:52 > 0:42:54"we'd be delighted to discuss investment options."
0:42:54 > 0:42:56I bet you would.
0:42:56 > 0:42:59"Please call 0131 332 4962.
0:42:59 > 0:43:01"We look forward to hearing from you."
0:43:12 > 0:43:16Now, why can't I buy a packet of fags?
0:44:21 > 0:44:23PHONE RINGS
0:44:43 > 0:44:45Hello?
0:45:13 > 0:45:15He kept calling her,
0:45:15 > 0:45:20telling her he loved her, that he wanted her back.
0:45:20 > 0:45:23I begged her not to listen to him.
0:45:23 > 0:45:24When did she go?
0:45:24 > 0:45:27Last night. My husband betrayed me, Mr Brodie.
0:45:29 > 0:45:32He told Samira she was to fly to Cairo at the weekend,
0:45:32 > 0:45:35that she would be living with his brother,
0:45:35 > 0:45:39that her every move would be supervised from now on.
0:45:39 > 0:45:41They were screaming at each other.
0:45:41 > 0:45:44She told him that she was going to be with a man who loved her,
0:45:44 > 0:45:46- and she ran.- Shit.
0:45:46 > 0:45:51This boy, Rhys, does he love her at all?
0:45:52 > 0:45:54Will he take care of her?
0:45:54 > 0:45:57No, I don't think so. He's a...
0:45:57 > 0:46:00He's not a good person.
0:46:00 > 0:46:02You have to go and get her.
0:46:02 > 0:46:04I can't just grab her.
0:46:04 > 0:46:05We have to do something.
0:46:08 > 0:46:11What's important is she understands that she has options,
0:46:11 > 0:46:13that she can walk away.
0:46:17 > 0:46:21I should have stood up to my husband
0:46:21 > 0:46:23when he first wanted to send her back.
0:46:26 > 0:46:30I should have fought, I should have walked away.
0:46:33 > 0:46:34Please go to her.
0:46:36 > 0:46:38Tell her I just want her to be safe.
0:46:38 > 0:46:42Tell her to be strong, tell her...
0:46:42 > 0:46:44Tell her I'm sorry.
0:46:47 > 0:46:48Hey...
0:46:48 > 0:46:51I'll see what I can do.
0:46:55 > 0:46:58He'll want to know where I was. We didn't meet, OK?
0:46:58 > 0:47:00Sure.
0:47:16 > 0:47:18PHONE RINGS
0:47:20 > 0:47:22Hey.
0:47:22 > 0:47:24Well, if it's any consolation, you're not the first.
0:47:24 > 0:47:25Great.
0:47:25 > 0:47:29Charlotte, or Carina as she's also known, is quite the multi-tasker.
0:47:29 > 0:47:32When she wasn't with you, she was fleecing some banker in Glasgow
0:47:32 > 0:47:35out of nearly 200 grand. I'm so sorry.
0:47:35 > 0:47:37She's a pro, so she knows how to cover her tracks,
0:47:37 > 0:47:39but I can give you her file if you want.
0:47:39 > 0:47:41No, you're all right. Forget it.
0:47:41 > 0:47:44What, you not going to try and find her?
0:47:44 > 0:47:45Serves me right, doesn't it?
0:47:46 > 0:47:48Sorry.
0:47:48 > 0:47:50Thanks.
0:48:38 > 0:48:40You keep saying it's this other bloke's.
0:48:40 > 0:48:41Because it is.
0:48:41 > 0:48:45Well, maybe, but then you say you're big for dates or whatever.
0:48:45 > 0:48:47- So?- So maybe you're not, maybe you got it wrong.
0:48:47 > 0:48:49This is ridiculous.
0:48:49 > 0:48:51Julia, we need to get you ready.
0:48:51 > 0:48:53Sorry, Ollie, just give us a minute?
0:48:53 > 0:48:54I don't think it is.
0:48:54 > 0:48:56This is exactly why I didn't tell you.
0:48:56 > 0:48:58Tell me what? Tell me it could be my baby?
0:48:58 > 0:49:00No, why I didn't tell you I was pregnant,
0:49:00 > 0:49:02because I knew you'd leap to all the wrong conclusions
0:49:02 > 0:49:05and insist on sweeping in and doing the decent thing.
0:49:05 > 0:49:07Even though it's not your problem.
0:49:07 > 0:49:09- Let's take a test.- What?
0:49:09 > 0:49:12Let's take a paternity test and find out, once and for all.
0:49:12 > 0:49:16Right, so I should stick a needle into my unborn baby,
0:49:16 > 0:49:19quite possibly risk aborting it, just to satisfy your ego?
0:49:19 > 0:49:21That's not what this is.
0:49:21 > 0:49:24You know, I am so glad you are not the father because the thought
0:49:24 > 0:49:28of raising a child with you is becoming more hideous by the second.
0:49:28 > 0:49:31Julia, look, I have a right to know...
0:49:31 > 0:49:32No, you don't.
0:49:34 > 0:49:36Ready now, darling.
0:49:36 > 0:49:38This is my baby and my body
0:49:38 > 0:49:41and it has absolutely nothing to do with you.
0:49:41 > 0:49:45So why don't you go and find something else to obsess about?
0:49:45 > 0:49:47I need to get back to work.
0:50:17 > 0:50:18PHONE RINGS
0:50:18 > 0:50:23Hello? Hey, hi.
0:50:23 > 0:50:27No, that's fine, I can come and collect the rest at the weekend.
0:50:27 > 0:50:30Well, no, I've got my keys, so don't...
0:50:31 > 0:50:33No, Patrick, I'm not saying that
0:50:33 > 0:50:36because I don't want you to be there.
0:50:36 > 0:50:37Look, I've got to go.
0:50:44 > 0:50:47Do you think this is where he's meeting his new supplier?
0:50:47 > 0:50:50Well, if he isn't, this is another day down the pan.
0:50:50 > 0:50:53Yeah, but if he is and we can start to piece together a whole network...
0:50:53 > 0:50:57Oh, I know, it'll be just like The Wire(!)
0:51:05 > 0:51:06What the hell is he doing here?
0:51:12 > 0:51:16Is Samira about? Back there? Ta.
0:51:19 > 0:51:21Hi.
0:51:21 > 0:51:24What are you doing here? I'm not going back.
0:51:24 > 0:51:25Ah, I wouldn't try to take you.
0:51:25 > 0:51:28Just come to see if you're all right.
0:51:28 > 0:51:30What's your problem? You can't be here.
0:51:30 > 0:51:32What's the matter? You can't talk to friends?
0:51:32 > 0:51:34You're not my friend and I don't want to talk to you.
0:51:34 > 0:51:37- Yeah, but Rhys wouldn't like it if you did, would he?- So what, just go.
0:51:37 > 0:51:39So, doesn't that remind you of someone else?
0:51:39 > 0:51:41At least he cares enough to be jealous.
0:51:42 > 0:51:44Look at yourself, having to hide away.
0:51:44 > 0:51:46I'm not stupid.
0:51:46 > 0:51:47I know you're not.
0:51:48 > 0:51:52Look, your mum wanted you to know she was sorry how it went.
0:51:52 > 0:51:53Is she all right?
0:51:53 > 0:51:56No, not really. She's worried about you, she loves you.
0:51:56 > 0:51:59I just wanted you to know that when you've had enough, you call me
0:51:59 > 0:52:00and I'll help you, all right?
0:52:00 > 0:52:03All right. Just go, yeah?
0:52:13 > 0:52:16Ah, who do we have here?
0:52:16 > 0:52:17Who are all these people?
0:52:24 > 0:52:26What the hell are you doing here? I'm handling this.
0:52:26 > 0:52:29You're not going in there and starting a war, right?
0:52:29 > 0:52:31- She doesn't... - Of course not.
0:52:31 > 0:52:34Mr Marshall is the sort of man who understands transactions.
0:52:34 > 0:52:36I am treating this as a transaction.
0:52:36 > 0:52:38You're not serious. You're not going to pay him.
0:52:38 > 0:52:41She's your daughter. You can't buy and sell her.
0:52:41 > 0:52:42I will pay him once.
0:52:42 > 0:52:44My daughter will see him for the man he really is
0:52:44 > 0:52:46and that will be the end of it.
0:52:46 > 0:52:48And then what? You'll just ship her off somewhere?
0:52:50 > 0:52:53She's my child, Mr Brodie.
0:52:53 > 0:52:55I will decide what is best for her.
0:52:55 > 0:52:58Just as you did for your friends when you needed my help.
0:53:00 > 0:53:02Help which can easily be undone.
0:53:02 > 0:53:03Do you understand?
0:53:26 > 0:53:30So, do I put him in the surveillance log?
0:53:30 > 0:53:34Well, leave it with me. I'll have a chat with him.
0:53:34 > 0:53:37- Just find out what's going on.- OK.
0:54:03 > 0:54:05Good for you, Brian Steele.
0:54:08 > 0:54:11First sign of madness, you know.
0:54:11 > 0:54:13Hey.
0:54:13 > 0:54:15I really don't want to fight anymore.
0:54:17 > 0:54:18Me neither.
0:54:18 > 0:54:22Can we just not talk about it? At least for a bit.
0:54:22 > 0:54:24Come in. Here, I'll get you a chair.
0:54:26 > 0:54:28- Thanks. - Can I get you something?
0:54:28 > 0:54:30- No.- Cup of tea or a glass of water?
0:54:30 > 0:54:32No, thanks.
0:54:33 > 0:54:35Finished for the day?
0:54:35 > 0:54:39Yes, two more days and I'll be back in London this time next week.
0:54:39 > 0:54:43Actually, I've just been for my scan. Baby's healthy.
0:54:43 > 0:54:46- Good.- I even heard the heartbeat.
0:54:46 > 0:54:51Came out and realised I had no-one to tell.
0:54:51 > 0:54:52- Hey... - Sorry.
0:54:52 > 0:54:54- It's all right... - Silly...
0:54:54 > 0:54:55No, it's not.
0:54:55 > 0:54:58There's no reason why you should be interested...
0:54:58 > 0:55:03- I had some tissues round here somewhere.- No, I'm fine, I'm fine.
0:55:05 > 0:55:08Listen, you don't have to go through this alone.
0:55:08 > 0:55:09Oh, Jackson, please...
0:55:09 > 0:55:12I'm not starting up. I'm just saying that I'm here.
0:55:16 > 0:55:19So what are you beavering away at?
0:55:21 > 0:55:24The usual, you know, murder and mayhem.
0:55:24 > 0:55:26How exciting.
0:55:27 > 0:55:29Oh, I know him.
0:55:29 > 0:55:31You know Fergus Banks?
0:55:31 > 0:55:34Well, if that's his name. I saw him yesterday.
0:55:34 > 0:55:37He was being thrown out of an office building, all very dramatic.
0:55:37 > 0:55:40Oh, I don't think it was him, that's an old picture.
0:55:40 > 0:55:44I'm positive. He was still wearing those ridiculous love beads.
0:55:44 > 0:55:47I remember thinking it was all rather sad at his age.
0:55:47 > 0:55:50And he had these horrible boots.
0:55:51 > 0:55:53Which building, where was it?
0:55:53 > 0:55:56By that big pointy thing.
0:55:56 > 0:55:57The Scott Monument.
0:55:57 > 0:55:58Yes.
0:55:59 > 0:56:02East or West of there, North or South, up or down?
0:56:02 > 0:56:04Oh Jackson, I'm not a satnav.
0:56:04 > 0:56:06All right, show me on a map here.
0:56:08 > 0:56:12There's Princes Street, there's the S... pointy building.
0:56:12 > 0:56:13Right here.
0:56:17 > 0:56:19Have I cracked the case?
0:56:44 > 0:56:45Mr Brodie, isn't it?
0:56:45 > 0:56:47That's me.
0:56:47 > 0:56:49Brian Steele. MSP for West Edinburgh.
0:56:49 > 0:56:52Thanks for seeing me at such short notice.
0:56:52 > 0:56:55Not at all. I'm intrigued. Please, come in.
0:56:55 > 0:56:58- Wow.- It's quite a view, isn't it?
0:56:58 > 0:56:59Please, take a seat.
0:57:01 > 0:57:04So, how can I help you?
0:57:04 > 0:57:07Er, I'm looking into the murder of Isla Kelso.
0:57:07 > 0:57:10Seems like the police may have got the wrong man all those years ago.
0:57:10 > 0:57:14Oh, right, yes, I remember reading about that.
0:57:14 > 0:57:17So I'm talking to anyone who might have had contact with her
0:57:17 > 0:57:18in the run-up to her death.
0:57:18 > 0:57:20I knew that you moved in some of the same circles,
0:57:20 > 0:57:22went to the same parties.
0:57:22 > 0:57:24Well, if I did, that's news to me.
0:57:24 > 0:57:27Oh, at Fergus Banks's gallery.
0:57:27 > 0:57:32Fergus Banks? Well, there's a blast from the past.
0:57:32 > 0:57:35I did go to a few of his parties, along with a hundred other people.
0:57:35 > 0:57:39But I'm afraid I have no memory of ever meeting Isla Kelso.
0:57:40 > 0:57:43Lots of attractive ladies though.
0:57:43 > 0:57:47Fergus always had a way with women. Poor old Fergus.
0:57:47 > 0:57:51Had such high hopes for that gallery. Terrible, isn't it?
0:57:51 > 0:57:53We were good friends at university.
0:57:53 > 0:57:56The truth is, I haven't thought about him in years.
0:57:56 > 0:57:58Strange, he's thought about you.
0:57:58 > 0:58:00He was thrown out this building yesterday, trying to see you.
0:58:00 > 0:58:02What? Fergus was?
0:58:02 > 0:58:03Mm-hm.
0:58:03 > 0:58:06Well, I was in meetings, they should have interrupted me.
0:58:06 > 0:58:09Why didn't they?
0:58:09 > 0:58:13Very protective. I'm sorry, I'm a little confused here.
0:58:13 > 0:58:15You said you were a private investigator.
0:58:15 > 0:58:17Are you working with the police on this?
0:58:17 > 0:58:19I'm working with Isla's son.
0:58:19 > 0:58:21God, poor boy.
0:58:21 > 0:58:24Can't imagine growing up with the trauma of something like that.
0:58:24 > 0:58:27Listen, would you tell him to contact me?
0:58:28 > 0:58:31If there is anything that I can do to help.
0:58:33 > 0:58:35Here is my personal mobile.
0:58:35 > 0:58:38He can get me on that at any time.
0:58:39 > 0:58:41That's very kind of you.
0:58:43 > 0:58:45Well, it's been a pleasure to meet you.
0:58:48 > 0:58:50- Thank you. - Good luck with the investigation.
0:58:50 > 0:58:51Thanks.
0:59:05 > 0:59:06I need to talk to you.
0:59:07 > 0:59:11What were you doing at Rhys Marshall's bar this afternoon?
0:59:12 > 0:59:13Sorry?
0:59:13 > 0:59:16Well, you went in, came out again, had a little something
0:59:16 > 0:59:18with some Middle Eastern guy and his bodyguard...
0:59:18 > 0:59:20- Are you following me? - No, not you.
0:59:21 > 0:59:24Well I was just trying to help someone out.
0:59:24 > 0:59:25Who's the man?
0:59:28 > 0:59:32He's, er, some dickhead I shouldn't have got involved with. Drink?
0:59:32 > 0:59:34No, thank you.
0:59:36 > 0:59:39What's been going on with you? You've not been yourself.
0:59:44 > 0:59:45I made a bad decision.
0:59:45 > 0:59:46Ooh, just the one?
0:59:48 > 0:59:51No, a whole series.
0:59:51 > 0:59:53So, Rhys Marshall is part of that?
0:59:53 > 0:59:55He is a consequence, yeah.
0:59:56 > 0:59:58Look, if you're in some sort of trouble,
0:59:58 > 1:00:00you know I can help you, don't you?
1:00:00 > 1:00:02You're the last person I'd come to.
1:00:02 > 1:00:03Oh, thank you.
1:00:03 > 1:00:06I meant, you know...
1:00:06 > 1:00:08after everything...
1:00:08 > 1:00:10After everything?
1:00:10 > 1:00:17After, the, you know, I think I've done enough...damage, don't you?
1:00:19 > 1:00:21I thought I was the one that moved on too quickly.
1:00:21 > 1:00:23Didn't give you a fighting chance.
1:00:23 > 1:00:27I think we both know that was bollocks.
1:00:27 > 1:00:29I got scared.
1:00:31 > 1:00:34Ran away. I'm sorry.
1:00:38 > 1:00:41I was frightened.
1:00:41 > 1:00:44Everything I touch gets...
1:00:44 > 1:00:49gets messed up and rather than face it,
1:00:49 > 1:00:53I just thought I'd take a job to get away.
1:00:53 > 1:00:55I didn't look at the full picture.
1:00:58 > 1:01:00I see.
1:01:00 > 1:01:02I am sorry.
1:01:05 > 1:01:09It's all worked out though, hasn't it?
1:01:09 > 1:01:13I mean, you've got your nice, big house, Dr Patrick on your arm.
1:01:13 > 1:01:14Oh, we split up.
1:01:16 > 1:01:17Did you?
1:01:17 > 1:01:20Mm-hm.
1:01:22 > 1:01:23Well, that was quick.
1:01:23 > 1:01:25Aye, I know.
1:01:29 > 1:01:31You all right?
1:01:31 > 1:01:34Well, I'll survive.
1:01:35 > 1:01:38Yeah, you will.
1:01:43 > 1:01:45Well...
1:01:45 > 1:01:47I've got, I've got to go.
1:02:10 > 1:02:11Morning.
1:02:11 > 1:02:13I need copies of my payslips for tax purposes.
1:02:13 > 1:02:16Whatever you need. It's nice to see you.
1:02:17 > 1:02:18And I took a call.
1:02:18 > 1:02:21A woman called Mandy said she got your message about Fergus Banks.
1:02:21 > 1:02:24Give her a call after six.
1:02:26 > 1:02:28Who's Fergus Banks?
1:02:28 > 1:02:33He is a teacher. Tragic. Might be a murderer.
1:02:34 > 1:02:37That's what I'm trying to find out.
1:02:37 > 1:02:38What are you doing?
1:02:38 > 1:02:40Don't worry, I'll sort it.
1:02:40 > 1:02:42I thought we had the same password for everything.
1:02:42 > 1:02:44What kind of idiot would do that?
1:02:48 > 1:02:51Look here, you're not even inside the entry box.
1:02:57 > 1:02:58Cup of tea?
1:02:58 > 1:02:59Uh!
1:02:59 > 1:03:01I'm offering to make a cup of tea.
1:03:01 > 1:03:05Oh. Have you got milk?
1:03:05 > 1:03:07Clean mugs too.
1:03:07 > 1:03:09By my standards or yours?
1:03:10 > 1:03:13Just so you know, I'm not staying.
1:03:13 > 1:03:15I know.
1:03:19 > 1:03:20Right.
1:03:28 > 1:03:30What now?
1:03:30 > 1:03:33Do you want a cup of tea or something?
1:03:38 > 1:03:40What's up? You seem quite jumpy.
1:03:40 > 1:03:43Nothing, really, what can I do for you?
1:03:45 > 1:03:48Well, I'm here because you didn't tell me the whole truth about Isla.
1:03:48 > 1:03:51What are you talking about?
1:03:51 > 1:03:54The night she died, she was walking out on her family.
1:03:55 > 1:03:56Was she?
1:03:56 > 1:03:58She was coming to be with you, wasn't she?
1:03:58 > 1:04:02That... why do you say that?
1:04:02 > 1:04:05Are you saying you weren't having an affair with her?
1:04:05 > 1:04:09OK, right, we were seeing each other for a while but it was
1:04:09 > 1:04:13all over long before, anyway, I told you I was with someone that night.
1:04:13 > 1:04:16Yeah, the installation artist, Mandy Styles?
1:04:16 > 1:04:18- That's right. - I spoke to her.
1:04:18 > 1:04:20She was quite evasive,
1:04:20 > 1:04:22but I am sure the police will get to the bottom of it.
1:04:22 > 1:04:26Police? Why will the police be interested?
1:04:26 > 1:04:27Come on, Fergus.
1:04:27 > 1:04:30A woman walks out on her husband and son to go and see her lover,
1:04:30 > 1:04:32her ex-lover, who's now with someone else.
1:04:32 > 1:04:34Who do you think's going to be the next suspect?
1:04:36 > 1:04:39Well, they'd be wasting their time.
1:04:39 > 1:04:40They'll talk to her, Mandy.
1:04:40 > 1:04:42They'll take her through every second of that night.
1:04:42 > 1:04:46I hope she's got a story that backs you up after all these years.
1:04:47 > 1:04:50They'll talk to her and they'll talk to Brian Steele.
1:04:50 > 1:04:52Brian Steele?
1:04:54 > 1:04:56What does he have to do with this?
1:04:56 > 1:04:58Nothing. That's what he'll say.
1:04:58 > 1:05:00He said he had no idea you were at his office.
1:05:03 > 1:05:06I know you're lying about something. I know Brian's lying.
1:05:06 > 1:05:09But he's much better at it, he'll get away with it.
1:05:09 > 1:05:12He'll walk away squeaky clean. He's like that, don't you think?
1:05:12 > 1:05:15They'll believe him when he says he's never met Isla
1:05:15 > 1:05:17and you'll be left all alone in the frame.
1:05:17 > 1:05:19Is that what you want? Just you.
1:05:20 > 1:05:22Never met her?
1:05:22 > 1:05:23He's sure of it.
1:05:26 > 1:05:28This was one of hers.
1:05:30 > 1:05:31She was bloody good.
1:05:34 > 1:05:36Everyone knew everyone.
1:05:44 > 1:05:48It was the opening night of my gallery. Everyone was there.
1:05:49 > 1:05:51I was the first to introduce Isla to Brian.
1:05:57 > 1:06:00It was obvious that he really liked her.
1:06:00 > 1:06:02What happened the night Isla died?
1:06:04 > 1:06:07Brian called me at three in the morning.
1:06:07 > 1:06:11Told me that there'd been an accident.
1:06:11 > 1:06:12- Where?- At the gallery.
1:06:12 > 1:06:15He said that she'd gone there looking for me.
1:06:15 > 1:06:17It was Christmas Eve.
1:06:17 > 1:06:21I was at a friend's party, but Brian was at the gallery.
1:06:21 > 1:06:23He said she was in a state.
1:06:23 > 1:06:25I had some coke in the back office.
1:06:25 > 1:06:28He said that she was drunk, that he'd tried to comfort her
1:06:28 > 1:06:30but she'd fallen asleep and choked.
1:06:30 > 1:06:33He rang me like I told you, saying it was urgent.
1:06:34 > 1:06:37He said that he was worried about me, that, you know,
1:06:37 > 1:06:40she'd died on my premises, my drugs in her.
1:06:41 > 1:06:43It made sense at the time.
1:06:43 > 1:06:45- We have to call the police! - I know that!
1:06:45 > 1:06:50We've just got to think, just think for a minute.
1:06:52 > 1:06:55And then what? When it didn't make sense?
1:06:55 > 1:06:56What did you think then?
1:06:58 > 1:07:00Brian had unusual tastes.
1:07:02 > 1:07:03What does that mean?
1:07:03 > 1:07:06He was into some pretty violent stuff. With women.
1:07:09 > 1:07:10You think that that's what happened to her?
1:07:10 > 1:07:14Yeah. And I didn't want to believe that.
1:07:15 > 1:07:17I wanted to keep my gallery.
1:07:20 > 1:07:22I lost my gallery anyway.
1:07:24 > 1:07:26I just didn't have the heart for it after that.
1:07:28 > 1:07:30She deserved better.
1:07:31 > 1:07:32Yes, she did.
1:07:39 > 1:07:42PHONE RINGS
1:07:44 > 1:07:47- Hello. - You know the MSP Brian Steele? The people's champion?
1:07:47 > 1:07:49Yes, I know who Brian Steele is.
1:07:49 > 1:07:51You might want to arrest him for the murder of Isla Kelso.
1:07:51 > 1:07:54Do you have any evidence for that, Jackson?
1:07:54 > 1:07:57Well, here's a full confession by the man who helped him
1:07:57 > 1:07:59bury the body, Fergus Banks.
1:07:59 > 1:08:01How's that for starters?
1:08:01 > 1:08:03Is there anything else I can do for you?
1:08:03 > 1:08:06No, you're all right.
1:08:06 > 1:08:07Well, yeah, um...
1:08:11 > 1:08:13Do you want to go for dinner?
1:08:13 > 1:08:15What?
1:08:15 > 1:08:19Dinner, as in a sort of restaurant, sort of dinner thing?
1:08:22 > 1:08:23As in a date.
1:08:26 > 1:08:27In a restaurant.
1:08:27 > 1:08:29A date?
1:08:29 > 1:08:31Tomorrow?
1:08:31 > 1:08:32Yeah.
1:08:34 > 1:08:35- All right.- OK.
1:08:37 > 1:08:39OK.
1:08:39 > 1:08:40Bye.
1:08:40 > 1:08:43Bye.
1:09:58 > 1:10:00Jackson Brodie.
1:10:00 > 1:10:04Hold on, calm down, where are you?
1:10:05 > 1:10:07All right, I'll be right there.
1:10:23 > 1:10:25I think he's killed her.
1:10:25 > 1:10:28- Called an ambulance? Who did this? Rhys?- Yes.
1:10:31 > 1:10:34She's alive. Get us a rag, a clean rag.
1:10:39 > 1:10:42Right, what happened?
1:10:42 > 1:10:44Come on, what happened?
1:10:44 > 1:10:46I came back and she was lying there.
1:10:47 > 1:10:49It's my fault.
1:10:49 > 1:10:50What did you do?
1:10:50 > 1:10:55He paid him. My dad paid him to send me home.
1:10:55 > 1:10:59They bought and sold me like I was nothing, like I was an animal.
1:10:59 > 1:11:04Rhys laughed when he told me. I was so angry...
1:11:04 > 1:11:06Samira, what did you do?
1:11:06 > 1:11:08I stole his gear.
1:11:08 > 1:11:13Oh, Jesus. And he came here, did he, looking for it?
1:11:13 > 1:11:15I wasn't here.
1:11:15 > 1:11:18Abi had done nothing, it was me he was angry with.
1:11:19 > 1:11:21Abi hadn't done anything.
1:11:21 > 1:11:22Samira! Wait!
1:12:12 > 1:12:13You shit!
1:12:18 > 1:12:21I guess you're over me then. That was quick.
1:12:23 > 1:12:26You think you're something special? You're nothing.
1:12:27 > 1:12:31You are a bug.
1:12:31 > 1:12:35Where's my gear? Where is my gear?
1:12:35 > 1:12:39You want one of these? To the face, is that what you want?
1:12:52 > 1:12:54Just leave it.
1:13:08 > 1:13:09No!
1:13:17 > 1:13:19Samira, no!
1:13:34 > 1:13:38All right, you can go. I'll take care of this.
1:14:49 > 1:14:51How's Abi doing?
1:14:51 > 1:14:53She'll be OK.
1:14:53 > 1:14:54What about you?
1:14:56 > 1:14:58I didn't know I could feel like that.
1:15:00 > 1:15:02That I could have killed him.
1:15:06 > 1:15:09Well, you didn't, so don't worry about it.
1:15:13 > 1:15:16Got the rest of your life to lead now, haven't you?
1:15:27 > 1:15:30Ooh, nice dress. Going somewhere special?
1:15:30 > 1:15:32Yeah.
1:16:05 > 1:16:07Thanks.
1:16:08 > 1:16:12I was thinking of maybe giving that bloke a call, about the internship.
1:16:12 > 1:16:14- Yeah?- What do you reckon?
1:16:14 > 1:16:17Well, I think that would be great.
1:16:17 > 1:16:19You would come and visit, though, won't you?
1:16:19 > 1:16:20Of course.
1:16:36 > 1:16:39Well, here we are. Bit weird, no?
1:16:42 > 1:16:45Can't get used to seeing you dressed like that,
1:16:45 > 1:16:46you look almost respectable.
1:16:46 > 1:16:48Apart from your face, that's the same.
1:16:50 > 1:16:51God, that's good.
1:16:55 > 1:16:58Are you going to be speaking at all during the evening?
1:16:58 > 1:17:02Because I'm going to have to stop occasionally to, you know, chew...
1:17:02 > 1:17:03Sorry...
1:17:06 > 1:17:08I'm a bit lost for words.
1:17:08 > 1:17:11Is it because I'm dressed like an actual woman?
1:17:11 > 1:17:14You see, I'm surprised it's that effective.
1:17:16 > 1:17:20You have that effect on me whatever you're wearing.
1:17:20 > 1:17:21You always have had.
1:17:23 > 1:17:25From the first time I saw you.
1:17:26 > 1:17:28Every time I look at you.
1:17:30 > 1:17:31I just want to kiss you.
1:17:33 > 1:17:34Wow.
1:17:36 > 1:17:37OK.
1:17:38 > 1:17:41And we haven't even ordered yet.
1:17:41 > 1:17:43But I can't do this.
1:17:45 > 1:17:48Oh, Jesus, Jackson, look, OK, just don't panic, OK?
1:17:48 > 1:17:52We're just having dinner, you know, we're not naming our children.
1:17:52 > 1:17:55Everything's going to be OK.
1:17:55 > 1:17:57It's not.
1:17:57 > 1:18:00It's never going to work.
1:18:00 > 1:18:04You, what you do,
1:18:04 > 1:18:08things happen around me that you can't be a part of.
1:18:09 > 1:18:11What's happened? What's happened to you?
1:18:14 > 1:18:16Something has happened.
1:18:16 > 1:18:19Something's happened since yesterday, I can see it.
1:18:19 > 1:18:20No.
1:18:20 > 1:18:22Or what, did you just bring me here to humiliate me, is that it?
1:18:22 > 1:18:25Of course not. I wouldn't do that.
1:18:25 > 1:18:26What's changed?
1:18:33 > 1:18:36I just, I realised...
1:18:42 > 1:18:44I realised that...
1:18:49 > 1:18:51..I'm never going to love you.
1:18:55 > 1:18:59Even though when you look at me, you want to kiss me?
1:19:05 > 1:19:06Yeah.
1:19:40 > 1:19:42PHONE RINGS
1:19:52 > 1:19:54Menus, sir?
1:19:54 > 1:19:56Oh, I'm not... Thanks.
1:19:59 > 1:20:01PHONE RINGS
1:20:04 > 1:20:06Yes, Julia, what?
1:20:08 > 1:20:10What, now?
1:20:10 > 1:20:12Can't you get some...?
1:20:12 > 1:20:14OK, OK, OK, calm down.
1:20:17 > 1:20:19Sort of....
1:20:20 > 1:20:22Where are you?
1:20:22 > 1:20:25This is not supposed to be happening. I've wrapped.
1:20:25 > 1:20:27I'm supposed to be on a train to London.
1:20:27 > 1:20:30Why didn't you go to the hospital earlier?
1:20:30 > 1:20:32I was fine. The midwife said to wait
1:20:32 > 1:20:36until there was at least seven or eight minutes in between contra...
1:20:36 > 1:20:37Is that another one now?
1:20:39 > 1:20:43You see, that's a minute and a half. That's not good.
1:20:43 > 1:20:47How did you let things get so far? All right, I'm sorry.
1:20:47 > 1:20:49Can you get in?
1:20:49 > 1:20:52All right, all right. Change of plan. Come on.
1:20:52 > 1:20:53Watch your back, watch your back.
1:20:53 > 1:20:58OK. Here we go, here we go. Come on...
1:20:58 > 1:21:03I should be in London. In a birthing pool with candles.
1:21:03 > 1:21:05- I've got a playlist! - Come on...
1:21:05 > 1:21:09Jackson Brodie. B-R-O-D-I-E.
1:21:09 > 1:21:12I-E, yeah.
1:21:12 > 1:21:14Pregnant woman, giving birth.
1:21:14 > 1:21:16SHE SCREAMS
1:21:16 > 1:21:18Yeah, that's, er, that's what I'm saying, there's no gaps any more.
1:21:18 > 1:21:22Yes, all right, hold on. Address and postcode?
1:21:22 > 1:21:24I don't know. They just send a driver.
1:21:24 > 1:21:26She doesn't know this. She doesn't know.
1:21:28 > 1:21:31I got here by landmarks. She talked me through.
1:21:31 > 1:21:33Murrayfield, you've got the zoo on the left,
1:21:33 > 1:21:35- and then you take the second... - Here.
1:21:35 > 1:21:37- At the second set of lights you take a left.- Here!
1:21:37 > 1:21:39And there's an old building...
1:21:39 > 1:21:40HERE!
1:21:40 > 1:21:41Oh, I've got it, got it.
1:21:41 > 1:21:46136 Rose Cottages, EH11 9CT.
1:21:46 > 1:21:48Nine Charlie Tango.
1:21:48 > 1:21:49It's coming, it's coming!
1:21:49 > 1:21:51No, you'll be all right, you've got a few minutes,
1:21:51 > 1:21:54- they're on their way. - Feel that, there!
1:21:54 > 1:21:57What's that? Bloody hell, is that the head?
1:21:57 > 1:22:00Oh, shit, all right, all right, listen.
1:22:00 > 1:22:04Come and sit here, you're going to be fine.
1:22:04 > 1:22:07It's going to be all right. Now stay still.
1:22:07 > 1:22:12OK. It's going to be all right. Let's, er...
1:22:13 > 1:22:15Jackson!
1:22:15 > 1:22:18Oh, Jesus. It's all right.
1:22:18 > 1:22:23OK. Listen, I'm going to get some towels and..
1:22:23 > 1:22:24NO! No.
1:22:24 > 1:22:29Oh, OK, OK, good, good, gather yourself.
1:22:29 > 1:22:30You're going to have to push.
1:22:30 > 1:22:33OK, take a breath, get yourself ready.
1:22:33 > 1:22:35Come on then, here we go, let's do it, come on.
1:22:35 > 1:22:39Come on, take a breath and push, come on then.
1:22:39 > 1:22:41Go on!
1:22:41 > 1:22:43Good, good, good. Breathe!
1:22:43 > 1:22:46Julia, breathe. OK?
1:22:46 > 1:22:49All right, all right, I'm coming but don't forget to breathe, breathe.
1:22:49 > 1:22:51YOU BLOODY BREATHE!
1:22:51 > 1:22:53SHE SCREAMS
1:22:53 > 1:22:57Come on, here we go, here we go, push it out, come on!
1:22:57 > 1:22:59BABY CRIES
1:22:59 > 1:23:02It's, it's, it's a boy.
1:23:04 > 1:23:08It's a beautiful little boy.
1:23:08 > 1:23:10Hello, you.
1:23:24 > 1:23:26Yours was the first face he saw.
1:23:46 > 1:23:50If your husband's staying the night, I can get a camp bed for you,
1:23:50 > 1:23:52- if you'd like? - Oh, he's not my husband.
1:23:52 > 1:23:54Well, if Daddy stays....
1:23:56 > 1:23:59He's not. He's not staying.
1:24:01 > 1:24:04He's just a lovely friend who helped me with the baby.
1:24:06 > 1:24:10Well, then I am so sorry, but visiting hours are actually over.
1:24:13 > 1:24:17Shhhh, shhhh.
1:24:29 > 1:24:31Here you go.
1:24:41 > 1:24:43Well, I'll see you.
1:24:51 > 1:24:54# Cut my heart wide open
1:24:54 > 1:24:58# And I spilled all my blood
1:24:58 > 1:25:04# Spent my money in my youth
1:25:05 > 1:25:09# And I jumped into the well
1:25:09 > 1:25:12# And I made my own hell
1:25:12 > 1:25:17# I was looking for three chords and the truth
1:25:19 > 1:25:23# I found the door to my freedom
1:25:23 > 1:25:26# In a house filled with flames
1:25:26 > 1:25:32# Found the key to my restless blues
1:25:34 > 1:25:37# I lost my innocence and verve
1:25:37 > 1:25:40# I found my courage and my nerve
1:25:40 > 1:25:47# I was looking for three chords and the truth
1:25:48 > 1:25:51# I couldn't buy a laugh
1:25:51 > 1:25:55# I couldn't pay my bills
1:25:55 > 1:26:01# But I was willing to pay my dues
1:26:03 > 1:26:06# I learned my limitations
1:26:06 > 1:26:09# My lessons in frustrations
1:26:09 > 1:26:16# But I was looking for three chords and the truth... #
1:26:44 > 1:26:46PHONE RINGS
1:26:46 > 1:26:48# I made the sacrifices
1:26:48 > 1:26:52# And I played the games
1:26:52 > 1:26:57# And I believed every lie without you... #
1:26:57 > 1:26:59Jackson Brodie, how can I help you?
1:26:59 > 1:27:01# I sang my songs
1:27:01 > 1:27:03# I strummed my strings
1:27:03 > 1:27:07# Lost and found everything
1:27:07 > 1:27:12# But I was looking for three chords and the truth
1:27:22 > 1:27:25# I looked from every angle
1:27:25 > 1:27:28# Every mountain and every valley
1:27:28 > 1:27:30# Every city... #
1:27:30 > 1:27:33Subtitles by Red Bee Media Ltd