0:00:02 > 0:00:07This programme contains strong language
0:00:07 > 0:00:10'The Army thinks they run everything, don't they?
0:00:10 > 0:00:12'You conspired to remove a German counterintelligence officer
0:00:12 > 0:00:15'who was about to reveal information about the Russians.
0:00:15 > 0:00:16'This can never happen again.'
0:00:16 > 0:00:19I have something you want and you are, I think,
0:00:19 > 0:00:22trying to find out if I really do have it. Here.
0:00:22 > 0:00:24I don't want to fall in love with you.
0:00:24 > 0:00:27I have to do everything I can not to.
0:00:27 > 0:00:28Not to love you.
0:00:28 > 0:00:31'My brother's throwing out all those files in his office,
0:00:31 > 0:00:32'and I thought you might want them.
0:00:32 > 0:00:34'I thought we could go along and grab them.'
0:00:34 > 0:00:38In December of '38, a very neatly dressed German diplomat
0:00:38 > 0:00:39came to visit the Foreign Office.
0:00:39 > 0:00:42He's carrying a message from the German military.
0:00:42 > 0:00:45They would launch a military coup against Hitler,
0:00:45 > 0:00:47but they just wanted one guarantee.
0:00:47 > 0:00:49They needed us to say, publicly,
0:00:49 > 0:00:54we would go to war with Germany if Hitler invaded Czechoslovakia.
0:00:54 > 0:00:56And the whole war could've been avoided.
0:01:57 > 0:01:59Victor? You're still here?!
0:01:59 > 0:02:03Yes. I'm sorry, I just got so involved, I got lost in these.
0:02:03 > 0:02:07And all sorts of thoughts have been tumbling about.
0:02:07 > 0:02:10- My own experiences... - Of course.
0:02:10 > 0:02:14I don't know why, because this is all about the Germans.
0:02:14 > 0:02:15But, sometimes,
0:02:15 > 0:02:18things come rushing back.
0:02:18 > 0:02:20Yes, they must. I understand.
0:02:20 > 0:02:23I do realise you went through a great deal in the war and...
0:02:23 > 0:02:27No, no, we don't need to talk about it. I'm just...checking...
0:02:29 > 0:02:31Can't really tell?!
0:02:33 > 0:02:35I've made such a terrible mess here,
0:02:35 > 0:02:37but the good news is this room
0:02:37 > 0:02:40wasn't at all tidy in the first place!
0:02:40 > 0:02:43- I hope you don't mind me saying that?- No, you're probably right,
0:02:43 > 0:02:45I spend so little time here.
0:02:45 > 0:02:48With your permission, I'm going to take some of these files home -
0:02:48 > 0:02:50quite a lot, in fact -
0:02:50 > 0:02:53because they'll never ever find them in my room.
0:02:53 > 0:02:55It's so busy here now.
0:02:55 > 0:02:58- All due to us, of course!- And now, we have a surprise for you, Callum.
0:03:03 > 0:03:05We're opening all of this up again.
0:03:05 > 0:03:10- They shut it as soon as the war ended.- God, I love this place!
0:03:10 > 0:03:13I can escape from all my colleagues here,
0:03:13 > 0:03:15and from anybody sent to watch me.
0:03:15 > 0:03:17We both escape here!
0:03:17 > 0:03:20We're going to test the engine right here.
0:03:20 > 0:03:23Yes, and after the test has gone well,
0:03:23 > 0:03:25we're going to get all the senior people here.
0:03:25 > 0:03:27What, all the top brass coming here!
0:03:27 > 0:03:29That's a marvellous idea!
0:03:29 > 0:03:32You can book me the best seats in the house!
0:03:32 > 0:03:34CHATTER
0:03:42 > 0:03:45- This all looks tremendous. - Thank you.- Can I have a word?
0:03:47 > 0:03:51About the other night, everything's been taken care of.
0:03:52 > 0:03:54- Completely.- Completely?
0:03:55 > 0:03:58Yes, completely.
0:03:58 > 0:04:01Come on, you two. Why shouldn't you be part of it?
0:04:17 > 0:04:21Ah! So, I managed to coax you back!
0:04:21 > 0:04:23I didn't need much coaxing.
0:04:23 > 0:04:26A fashion show - I wasn't going to miss that.
0:04:26 > 0:04:28It's so wonderful to be home.
0:04:28 > 0:04:30And it's wonderful to see you, my dear.
0:04:30 > 0:04:33What are you working on, or is it secret?
0:04:33 > 0:04:37It is secret, but I haven't written it yet.
0:04:37 > 0:04:39It's to help me find out something,
0:04:39 > 0:04:41but I don't want to get anybody into trouble.
0:04:44 > 0:04:46They can't hold the show now, surely?!
0:04:47 > 0:04:51My fingers may freeze to the piano, but we'll do our best.
0:04:51 > 0:04:53BAND PLAYS LOUNGE JAZZ
0:04:57 > 0:04:59I realise how cold you all are.
0:04:59 > 0:05:02Today of all days, the heating has decided to break down,
0:05:02 > 0:05:04but we're going to fix it, I promise you.
0:05:04 > 0:05:07We're not going to let some bloody boiler defeat us!
0:05:07 > 0:05:09Now, of course, I'm going to take this off.
0:05:09 > 0:05:11I won't be putting it back on again until after the show.
0:05:11 > 0:05:15No, please don't, miss. I hope you don't mind me saying this,
0:05:15 > 0:05:18but it's important that we can all see you.
0:05:18 > 0:05:19It'll help us get through it.
0:05:22 > 0:05:24Ah, there you are!
0:05:24 > 0:05:26I've brought something for you.
0:05:26 > 0:05:29It's a version of the letter we talked about. See what you think.
0:05:29 > 0:05:32- Don't send it. - Of course not, thank you.
0:05:32 > 0:05:34Harold, you're not so interested in fashion
0:05:34 > 0:05:36I couldn't steal you for a moment could I?
0:05:36 > 0:05:38I just want to introduce you to someone -
0:05:38 > 0:05:41it's the perfume lady, the one with the secret.
0:05:41 > 0:05:42KNOCK AT DOOR
0:05:42 > 0:05:43DOOR OPENS
0:05:43 > 0:05:46Here we are, Frau Bellinghausen, I've a tea companion for you.
0:05:46 > 0:05:50Have you indeed? Somebody who doesn't mind missing the show?
0:05:50 > 0:05:53Oh, I'd much rather be here. Harold Lindsay-Jones.
0:05:54 > 0:05:57HE HUMS TO HIMSELF
0:06:05 > 0:06:07You're a friend of Captain Ferguson?
0:06:07 > 0:06:12I am. There are two brothers, both exceptional people in a way.
0:06:12 > 0:06:16Callum must be a very exciting person to do business with?
0:06:16 > 0:06:20- Am I doing business with him? - I believe you are about to, yes.
0:06:20 > 0:06:23I hope you're not too clever, Mr Lindsay-Jones,
0:06:23 > 0:06:24for me to have tea with.
0:06:24 > 0:06:28BUZZ OF CONVERSATION
0:06:33 > 0:06:35It's even colder out here, honey.
0:06:35 > 0:06:37Go back inside.
0:06:37 > 0:06:40ALL MURMUR AND SHIVER
0:06:43 > 0:06:45This is crazy, it's freezing.
0:06:45 > 0:06:47I'm going to get the heating working myself.
0:06:54 > 0:06:56VENTS HISS
0:06:56 > 0:06:58CLANKING
0:06:58 > 0:07:01BAND PLAYS SWING MUSIC
0:07:11 > 0:07:13So, they really are having a fashion show down there?
0:07:13 > 0:07:15How strange that seems at the moment.
0:07:15 > 0:07:17Yes!
0:07:17 > 0:07:20But a bit of colour, a bit of fun -
0:07:20 > 0:07:23how much people need that.
0:07:23 > 0:07:27It must break your heart what has happened to this city.
0:07:27 > 0:07:29Seeing it after such a time?
0:07:29 > 0:07:31I can't bear to look at it.
0:07:31 > 0:07:35The devastation, the horrible wrecked buildings.
0:07:35 > 0:07:38We both, I'm sure, remember how it was before the first war.
0:07:38 > 0:07:42Oh, yes, how beautiful it was.
0:07:43 > 0:07:48Nobody ever believes me when I say London was truly beautiful.
0:07:48 > 0:07:50In autumn especially.
0:07:50 > 0:07:51Yes.
0:07:53 > 0:07:55So incredibly lovely in autumn.
0:07:57 > 0:08:01And now, I hardly recognise it.
0:08:02 > 0:08:04Great clothes, aren't they!
0:08:04 > 0:08:09A bit of excitement, a bit of fun. We all need that, don't we?!
0:08:09 > 0:08:11Been miserable for too long.
0:08:11 > 0:08:13Come on, everybody!
0:08:13 > 0:08:16BAND PLAYS BOOGIE WOOGIE
0:08:17 > 0:08:19HE GRUNTS
0:08:23 > 0:08:25HE GROANS, CLANKING
0:08:25 > 0:08:27STEAM HISSES
0:08:55 > 0:08:57FLASH FLARES
0:09:04 > 0:09:06Bravo!
0:09:11 > 0:09:15CHEERING AND APPLAUSE
0:09:20 > 0:09:22CLOCK TICKS
0:09:34 > 0:09:36BANGING, SHE GASPS
0:09:41 > 0:09:42You have GOT to see this.
0:09:42 > 0:09:45CORK POPS, CHATTER
0:09:53 > 0:09:55- I have to tell Callum. - Not right away, Victor.
0:09:55 > 0:09:58That's not the best thing to do, not before we've...
0:09:58 > 0:09:59No, no. I have got to tell him!
0:10:01 > 0:10:05CHATTERING AND LAUGHTER
0:10:05 > 0:10:09THEY LAUGH
0:10:17 > 0:10:20THEY CHATTER AND SQUEAL
0:10:20 > 0:10:24Victor, what are you doing here? You're not supposed to be here.
0:10:24 > 0:10:26- You've been lied to. - I couldn't stop him doing this.
0:10:26 > 0:10:28Look, look, read it!
0:10:28 > 0:10:31Your German worked with V-2 rockets.
0:10:31 > 0:10:33He worked with slave labour.
0:10:33 > 0:10:35He was in charge. Many people died!
0:10:35 > 0:10:37People were executed!
0:10:37 > 0:10:40He has lied to you all the time about everything.
0:10:40 > 0:10:41I don't believe you.
0:10:41 > 0:10:44I don't care what this says, I don't believe you!
0:10:44 > 0:10:45No! You don't want to believe it!
0:10:45 > 0:10:47You always have to do this, don't you, Victor?
0:10:47 > 0:10:49You always have to bring chaos wherever you go.
0:10:49 > 0:10:51You just can't stop yourself, can you?!
0:10:51 > 0:10:54You're not going to this time. I'm not going to let you do that!
0:10:54 > 0:10:56OTHERS LAUGH
0:11:19 > 0:11:21HE MUTTERS TO HIMSELF
0:11:23 > 0:11:25HE MUTTERS ANGRILY
0:11:25 > 0:11:29(The fucking truth, if that's what you wanted...!)
0:11:29 > 0:11:33HE MUTTERS UNDER HIS BREATH
0:11:33 > 0:11:37- Victor!- I have a message from your brother. He says, "Go home."
0:11:37 > 0:11:40- Yes, well, I'm not going home. - Look, come with me, Victor.
0:11:40 > 0:11:43We'll go somewhere quiet and I promise you we'll find out
0:11:43 > 0:11:45what Callum plans to do about what's in those files.
0:11:45 > 0:11:47I'll make sure he leaves the hotel.
0:11:47 > 0:11:49Captain Ferguson wants to know how you got hold of the file.
0:11:49 > 0:11:51We pulled it out of the rubbish.
0:11:51 > 0:11:55Yes, we stuck our hands right into the shit and grabbed them.
0:11:55 > 0:11:57Not just one, we got 'em all..!
0:11:57 > 0:12:00Don't worry. They're perfectly safe. They are all in my flat.
0:12:00 > 0:12:02Attention!
0:12:02 > 0:12:03Come on, everybody!
0:12:03 > 0:12:06There is a surprise waiting for you downstairs..!
0:12:06 > 0:12:09I don't know what I feel about this surprise, but you better come.
0:12:09 > 0:12:12Come on, come on! You know you're curious.
0:12:12 > 0:12:14MURMURING
0:12:20 > 0:12:22You were at Peenemuende.
0:12:22 > 0:12:25And you were at Nordhausen.
0:12:25 > 0:12:26I was, yes.
0:12:26 > 0:12:30And you worked on the V-2 rocket programme at the Mittelwerk plant.
0:12:32 > 0:12:33You lied to me.
0:12:33 > 0:12:35I didn't tell the truth, no.
0:12:37 > 0:12:40I could say, of course, that I didn't lie to you, Callum,
0:12:40 > 0:12:43because you've never asked me about what I did in the war.
0:12:43 > 0:12:45It was Miss Griffiths. If I had told the truth then,
0:12:45 > 0:12:48I knew there was a good chance of being arrested,
0:12:48 > 0:12:51of being separated from my daughter, maybe even not seeing her again.
0:12:51 > 0:12:54- So, of course, I denied it. - And?- And that is it.
0:12:54 > 0:12:57The statement from a witness here, Callum, is not true.
0:12:57 > 0:12:59It's not true about me anyway.
0:12:59 > 0:13:01CHATTER
0:13:11 > 0:13:14Who knows where it came from, but what a present!
0:13:14 > 0:13:16It's going to put me out of a job.
0:13:16 > 0:13:19I won't to be able to compete with you, honey, will I?!
0:13:19 > 0:13:22You were aware of the conditions of the work force?
0:13:22 > 0:13:25The slave labour from Buchenwald Concentration Camp?
0:13:25 > 0:13:28The executions of those accused of sabotage, the beatings,
0:13:28 > 0:13:30the hangings? People starving to death?
0:13:30 > 0:13:33Of course some of these things went on.
0:13:33 > 0:13:35The conditions were appalling.
0:13:36 > 0:13:39I'm not going to sit here and deny that,
0:13:39 > 0:13:43but I was never involved in ordering executions
0:13:43 > 0:13:46or ever witnessed any, or knew anyone who was carrying them out.
0:13:46 > 0:13:48And that is the truth.
0:13:48 > 0:13:51Then, why were you named in this statement then from a witness?
0:13:51 > 0:13:53That you ordered some executions?
0:13:54 > 0:13:57I was very well known in Germany by then,
0:13:57 > 0:14:00famous as the jet-plane man,
0:14:00 > 0:14:02just like Wernher Von Braun was the rocket man.
0:14:02 > 0:14:05Everybody working on that site knew about us.
0:14:05 > 0:14:08So, people assumed that everything that happened
0:14:08 > 0:14:10was done in our name - was what we wanted.
0:14:10 > 0:14:13But I say again this was not true in my case.
0:14:13 > 0:14:16I was, in fact, at Nordhausen for only three months,
0:14:16 > 0:14:18I was working in an office on the edge of the site,
0:14:18 > 0:14:22and I did not order anybody to be killed. I absolutely did not.
0:14:23 > 0:14:25BUZZER SOUNDS
0:14:29 > 0:14:31I think somebody wants you.
0:14:31 > 0:14:33Go and deal with it, Ringwood.
0:14:37 > 0:14:39I realise you don't believe me.
0:14:39 > 0:14:41It doesn't matter what I believe.
0:14:41 > 0:14:44The Government will protect you from any danger of prosecution.
0:14:44 > 0:14:46So, YOU don't believe me?
0:14:46 > 0:14:49Did I say that? BUZZER SOUNDS URGENTLY
0:14:49 > 0:14:51Go and be with your daughter.
0:14:55 > 0:14:57Frau Bellinghausen?
0:14:57 > 0:14:59So, where is my normal policeman?
0:14:59 > 0:15:02Captain Ferguson is extraordinarily busy at the moment.
0:15:02 > 0:15:04"Extraordinarily busy"?
0:15:04 > 0:15:06I've not known him be that before.
0:15:06 > 0:15:08So, my business will have to wait?
0:15:08 > 0:15:11Just right at this moment, it has to wait.
0:15:11 > 0:15:13You can tell him I want to make progress now.
0:15:15 > 0:15:17That might encourage him to find the time for me.
0:15:17 > 0:15:20DANCE MUSIC PLAYS
0:15:26 > 0:15:28You can't just stand there, Callum!
0:15:28 > 0:15:30You've got to dance!
0:15:33 > 0:15:38You see how unnecessary my music is?! Look at this!
0:15:51 > 0:15:54I wish you hadn't told them they were here.
0:15:54 > 0:15:56Why on earth did you do that?
0:15:56 > 0:15:58I had to. We stole them, Victor.
0:15:58 > 0:16:01We didn't steal them! We rescued them!
0:16:01 > 0:16:03It's their property though!
0:16:03 > 0:16:06If any good is going to come of this, I have to cooperate with them.
0:16:06 > 0:16:08My brother's not going to waste any time,
0:16:08 > 0:16:11he's going to come after them tonight.
0:16:11 > 0:16:12Not tonight.
0:16:12 > 0:16:14He knows he doesn't need to do that.
0:16:14 > 0:16:18CHRISTMAS CAROLS PLAY FAINTLY
0:16:18 > 0:16:21Have you come to wish me a Happy Christmas, Ferguson?!
0:16:21 > 0:16:23Quite the opposite sir.
0:16:23 > 0:16:26I had no idea about any of this.
0:16:26 > 0:16:28Otherwise, I would have told you, naturally.
0:16:28 > 0:16:30Oh, I know that you would, sir.
0:16:30 > 0:16:32Of course this makes no difference to his work for us.
0:16:32 > 0:16:35He has to finish it. Do you want to stop now?
0:16:35 > 0:16:37It would be a complete bloody nuisance if you did.
0:16:37 > 0:16:40Is that why you've come to spoil my Christmas party?
0:16:40 > 0:16:43- To tell me that?- No, that's not what I'm saying - not yet.
0:16:43 > 0:16:46But we need to move him right now as a matter of urgency.
0:16:46 > 0:16:49We can't run the risk of him bolting to the Americans
0:16:49 > 0:16:53- because he thinks we don't believe him.- Do you believe him?- Maybe.
0:16:53 > 0:16:55I'm not sure yet. We'll see.
0:16:55 > 0:16:57He can live at the Research Facility.
0:16:57 > 0:17:00We can keep him under constant surveillance easier there.
0:17:00 > 0:17:03He'll have to have his daughter with him -
0:17:03 > 0:17:05she'll need to be driven into London to school every morning...
0:17:05 > 0:17:07This is Ferguson's plan, is it?
0:17:07 > 0:17:10- Yes. And there's more.- More?
0:17:10 > 0:17:12We need to run a check in Germany
0:17:12 > 0:17:15- on what he really did during the war.- Why?
0:17:15 > 0:17:18Because we should know the facts, shouldn't we, sir?
0:17:18 > 0:17:21Something might happen, it's important that we know.
0:17:21 > 0:17:24And we have two further problems - my brother and Miss Griffiths.
0:17:24 > 0:17:27Oh, for fuck's sake! She's not still around, is she?!
0:17:27 > 0:17:29I have a plan for that, too.
0:17:30 > 0:17:32For both of them, in fact.
0:17:33 > 0:17:36VEHICLES APPROACH
0:17:36 > 0:17:38Army! Army! Army!
0:17:38 > 0:17:40SHOUTING
0:17:40 > 0:17:42- What on earth is it?!- We're authorised to search this house.
0:17:42 > 0:17:45- I told you!- Who sent you? - CLATTERING, SHOUTING
0:17:45 > 0:17:48Callum did, of course! Don't take them yet!
0:17:48 > 0:17:51Not until my brother gets here. I'm telling you!
0:17:51 > 0:17:52You don't need to do that!
0:17:52 > 0:17:54For Christ's sake! Is that really necessary?
0:17:54 > 0:17:58I'm going to get shot, am I, for fishing things out of the rubbish?!
0:17:58 > 0:18:00All right, princess, what's our next selection?
0:18:03 > 0:18:06One day, there'll be one of mine in there.
0:18:07 > 0:18:10PERCUSSION PLAYS
0:18:19 > 0:18:23I always knew that, sooner or later, I'd get arrested again,
0:18:23 > 0:18:26but I didn't think it'd be by my own brother!
0:18:26 > 0:18:28All right, let him go. Let him go!
0:18:28 > 0:18:29Ah!
0:18:29 > 0:18:33You've made things very difficult, Victor.
0:18:33 > 0:18:36I want to see you at the hotel at three o'clock tomorrow afternoon -
0:18:36 > 0:18:39- without fail. - That's an order, is it?
0:18:39 > 0:18:41I'm not sure you can give me orders, can you?
0:18:41 > 0:18:46Miss Griffiths, you have no more of our files in this house, have you?
0:18:46 > 0:18:49- Or anywhere else for that matter? - I have not, no.
0:18:49 > 0:18:52And I have to say, sending all these men to get them
0:18:52 > 0:18:54is totally ridiculous!
0:18:56 > 0:18:58What's going to happen to them now?
0:18:58 > 0:19:00Captain Ferguson, I think it would be a good idea
0:19:00 > 0:19:04- if we met to discuss what's happened.- That won't be necessary.
0:19:04 > 0:19:06But you will be hearing from me.
0:19:06 > 0:19:08I have a surprise for you.
0:19:22 > 0:19:25She has been allowed to keep all the clothes from the fashion show.
0:19:25 > 0:19:28You have so much luggage, Lotte!
0:19:28 > 0:19:30It's like a princess arriving!
0:19:36 > 0:19:39This is where it's going to happen, Lotte!
0:19:39 > 0:19:43We're going to test the engine and break the sound barrier!
0:19:43 > 0:19:45If we're allowed to get that far.
0:19:45 > 0:19:47We will get that far.
0:19:47 > 0:19:49Ooh!
0:19:55 > 0:19:56Darling!
0:19:56 > 0:20:01I ran! Out of the office, into a taxi, up the stairs!
0:20:01 > 0:20:03Suddenly, I had an hour or so to spare.
0:20:03 > 0:20:06I saw a chance to see you in daylight for once.
0:20:06 > 0:20:08That's a lovely surprise.
0:20:08 > 0:20:11It's madness, isn't it, that I have so little time at the moment?
0:20:11 > 0:20:12It is mad, yes.
0:20:12 > 0:20:16And I just wanted to make sure that you were OK, that you were happy?
0:20:16 > 0:20:19- That I was happy?- Yes.
0:20:20 > 0:20:22Of course I'm happy.
0:20:22 > 0:20:25Are you? Good.
0:20:25 > 0:20:28I was so proud of you at the fashion show and everything.
0:20:28 > 0:20:30You must do more.
0:20:34 > 0:20:37You went behind my back and you stole the files.
0:20:37 > 0:20:39They weren't yours any more. You threw them away.
0:20:39 > 0:20:41I was ordered to do that.
0:20:41 > 0:20:44Well, you don't usually do everything you're ordered to.
0:20:44 > 0:20:47- Come with me. - Going to put me in chains?
0:20:47 > 0:20:48In a way.
0:20:58 > 0:21:01The hotel lost property.
0:21:01 > 0:21:04Things left behind or things damaged during the war.
0:21:04 > 0:21:06No-one's had a chance to sort it.
0:21:06 > 0:21:10- So, that's what you're going to do.- Am I?
0:21:10 > 0:21:13Yes. You see, everything's all muddled up.
0:21:13 > 0:21:18You can start by putting together anything that belongs together.
0:21:18 > 0:21:22That's what you're good at, Victor. You wanted a job here after all,
0:21:22 > 0:21:25- and you're going to get paid. - Do I have a choice?
0:21:25 > 0:21:29You have no choice, no. I have to somehow stop them locking you up.
0:21:29 > 0:21:32This way, I can keep a close eye on you.
0:21:32 > 0:21:34- When do I start?- Now.
0:21:34 > 0:21:37Right, I have an appointment to go to...
0:21:39 > 0:21:41..but I will be back.
0:21:42 > 0:21:44DOOR SLAMS
0:21:48 > 0:21:50Am I in the right place?
0:21:50 > 0:21:52You're in the perfect place.
0:21:52 > 0:21:56By the Nazi's suite - how more romantic could you get?
0:21:56 > 0:21:58Oh, well, I have a surprise for you.
0:22:03 > 0:22:05Goodness.
0:22:07 > 0:22:09That is an improvement!
0:22:12 > 0:22:14Did you get your staff to do it?
0:22:16 > 0:22:19No, believe it or not, I did it all myself.
0:22:19 > 0:22:20Well, most of it, anyway.
0:22:21 > 0:22:26Now, it's our own private withdrawing room.
0:22:28 > 0:22:29Sir!
0:22:31 > 0:22:34- I'm so sorry, sir.- Yes, Ringwood?
0:22:34 > 0:22:37- It's her again. - Of course, it is. It's always her.
0:22:38 > 0:22:41I'm so sorry. I won't be a moment.
0:22:41 > 0:22:45Mrs Lombard here was having a look at some of the suites in the hotel.
0:22:45 > 0:22:48She has friends coming over from America very shortly.
0:22:50 > 0:22:52Please, take all the time you want.
0:22:59 > 0:23:02You have been extremely neglectful, Mr Ferguson.
0:23:02 > 0:23:04I have, and I apologise.
0:23:04 > 0:23:06You're not going to make an excuse?
0:23:06 > 0:23:10No. I have a very good excuse, but I won't trouble you with it.
0:23:10 > 0:23:12That's a good decision.
0:23:12 > 0:23:15You did arrange a very satisfactory tea companion
0:23:15 > 0:23:16for me I have to admit,
0:23:16 > 0:23:18so I forgive you.
0:23:18 > 0:23:21Now, the moment has come, I think,
0:23:21 > 0:23:25when we have to explore whether you and I can really do business.
0:23:25 > 0:23:28We can't put it off any more.
0:23:28 > 0:23:31You are absolutely right, and we must do that.
0:23:31 > 0:23:33But not today, unfortunately.
0:23:33 > 0:23:35You're too busy again?!
0:23:35 > 0:23:37Today, yes. I am.
0:23:37 > 0:23:40Well, we will have many days of negotiation,
0:23:40 > 0:23:44so I was not intending to start today.
0:23:44 > 0:23:48But I suggest you get LESS busy again very quickly.
0:23:48 > 0:23:52And I will. I couldn't borrow two of those, could I?
0:23:54 > 0:23:56This is a very lovely smell.
0:23:56 > 0:23:59- Good.- Thank you.
0:24:02 > 0:24:05The only problem is he saw us here, your Mr Ringwood.
0:24:05 > 0:24:08Now, the whole hotel will know about us,
0:24:08 > 0:24:11and our private withdrawing room.
0:24:12 > 0:24:13No, they won't.
0:24:15 > 0:24:19And besides, everybody here believes exactly what I tell them.
0:24:22 > 0:24:24That's not true.
0:24:25 > 0:24:27Well, I don't for a start.
0:24:28 > 0:24:31For a few weeks, at least...
0:24:31 > 0:24:32we can have everything we want.
0:24:41 > 0:24:43Can we?
0:24:43 > 0:24:46Alex came rushing back from work at lunchtime today -
0:24:46 > 0:24:48it's the first time he's done that.
0:24:49 > 0:24:51I don't think he knows, though.
0:24:52 > 0:24:54Do you think he does?
0:24:54 > 0:24:55I'm not sure.
0:24:58 > 0:25:01The funny thing is he keeps encouraging me to do more here.
0:25:02 > 0:25:04Well, then, you must.
0:25:09 > 0:25:10I bet...
0:25:10 > 0:25:12we get interrupted.
0:25:37 > 0:25:39Nobody's listening this time?
0:25:39 > 0:25:41Absolutely not.
0:25:53 > 0:25:55Victor?
0:25:56 > 0:25:58Victor?!
0:25:58 > 0:25:59HE GROANS
0:26:01 > 0:26:02Victor!
0:26:02 > 0:26:05Don't panic! I'm still here.
0:26:05 > 0:26:08You haven't made much of a start.
0:26:08 > 0:26:09Look, you can go now.
0:26:09 > 0:26:12Are you really going to keep me caged up in here every day?
0:26:12 > 0:26:15- You're not caged. - What if I don't turn up one morning?
0:26:15 > 0:26:18Well, you will, because you know this is a good idea.
0:26:18 > 0:26:20This way everything can work, Victor,
0:26:20 > 0:26:25including me finding out about Dieter and I can keep you informed.
0:26:25 > 0:26:26You bet you will.
0:26:26 > 0:26:29Are you going to help that funny chap Harold
0:26:29 > 0:26:31find his secret file, by the way?
0:26:31 > 0:26:33I am, as it happens.
0:26:33 > 0:26:35And I've worked out how to do it.
0:26:35 > 0:26:36Tell me.
0:26:36 > 0:26:39I'm going to use Dieter's name, it's obvious,
0:26:39 > 0:26:41it gives me access to everything.
0:26:41 > 0:26:44I'm not going to waste time writing some stupid letter,
0:26:44 > 0:26:47- I'm just going to go straight to the Foreign Office...- No! No!
0:26:47 > 0:26:48Yes, I'm going to say Dieter told me
0:26:48 > 0:26:51he first came to England before the war to discuss
0:26:51 > 0:26:53cooperating on a commercial jetliner.
0:26:53 > 0:26:55And because of the political ramifications,
0:26:55 > 0:26:58there was a meeting at the Foreign Office about it...
0:26:58 > 0:27:00No, no, don't! Don't do it, Callum!
0:27:00 > 0:27:03And, of course, it happened the same week as the meeting Harold
0:27:03 > 0:27:06is interested in, but I can't be sure of the exact day -
0:27:06 > 0:27:10so I'm going to say I need to see all the files for that week.
0:27:10 > 0:27:12No, no, no... It is madness,
0:27:12 > 0:27:15OK. They will trace it straight back to you!
0:27:15 > 0:27:18What? A man from T-Force asking about aeroplanes,
0:27:18 > 0:27:20they couldn't be less interested in that.
0:27:20 > 0:27:23You think you can get away with absolutely anything
0:27:23 > 0:27:25at the moment, don't you?
0:27:25 > 0:27:28I think I can make Dieter finish his work, certainly.
0:27:28 > 0:27:30And I can help Harold expose the bastards
0:27:30 > 0:27:32that missed such a golden chance,
0:27:32 > 0:27:35and, of course, I can keep you out of jail.
0:27:36 > 0:27:38I think I can do that, yes.
0:27:40 > 0:27:44My contact over there says he's refusing to speak to anyone at all.
0:27:45 > 0:27:47But at least he's still in prison.
0:27:48 > 0:27:50And not looking that happy about it.
0:27:50 > 0:27:53Yes, but unless we can get some witnesses to give evidence
0:27:53 > 0:27:55at his trial, he may well get off.
0:27:55 > 0:27:58And, of course, most of the witnesses are dead.
0:27:58 > 0:28:02- Is this a present, Callum? - In a way, yes.
0:28:02 > 0:28:05Feminine scent. A little unusual for a gift, perhaps,
0:28:05 > 0:28:07but very kind!
0:28:07 > 0:28:09I like Victor's library.
0:28:09 > 0:28:11Especially the stained glass!
0:28:11 > 0:28:15He has definitely a gift for organisation.
0:28:15 > 0:28:17Your brother is a talent.
0:28:17 > 0:28:20If only he could find a way to use it that makes him happy.
0:28:20 > 0:28:25I know. I would like to propose a deal to you, Harold.
0:28:25 > 0:28:27A deal? That sounds intriguing.
0:28:27 > 0:28:30I will get your top-secret file for you.
0:28:30 > 0:28:32How? With the letter I suggested?
0:28:32 > 0:28:35We still need to find a way to protect you in that case.
0:28:35 > 0:28:37Don't worry, I think I know how to do it.
0:28:37 > 0:28:41- But you must discuss it with me, first.- Of course.
0:28:41 > 0:28:43And in exchange for me getting it,
0:28:43 > 0:28:45I need you to spend time with the perfume lady.
0:28:45 > 0:28:47Ah...
0:28:47 > 0:28:49I wasn't expecting that!
0:28:49 > 0:28:51Distract her, keep her occupied.
0:28:51 > 0:28:52And if, by any chance,
0:28:52 > 0:28:56you manage to get the formula out of her for this bloody scent.
0:28:56 > 0:28:59That would save me an awful lot of work.
0:28:59 > 0:29:01KEYS CLACK
0:29:01 > 0:29:02VEHICLES APPROACH
0:29:05 > 0:29:07< COMMOTION
0:29:08 > 0:29:10< Start unloading!
0:29:20 > 0:29:22Which one of you is, Miss Griffiths?
0:29:22 > 0:29:23That's me.
0:29:29 > 0:29:31That certainly is a surprise.
0:29:31 > 0:29:33Good Lord!
0:29:33 > 0:29:36Captain Ferguson has arranged for us to stay in this office
0:29:36 > 0:29:39for a few more months. Why has he done that?
0:29:44 > 0:29:47I sent a telegram.
0:29:47 > 0:29:50Captain Ferguson, T-Force.
0:29:50 > 0:29:51I believe I'm expected.
0:29:51 > 0:29:56I've requested to see some files from a particular week in 1938.
0:29:56 > 0:30:00It's a rather urgent matter for those of us who love aeroplanes.
0:30:01 > 0:30:03Callum gave me this bottle of perfume...
0:30:03 > 0:30:07- Oh, one of them was for you, was it? - It is a delightful smell.
0:30:07 > 0:30:11It is. Do you want to know what's in it..? How it's made?
0:30:11 > 0:30:13I would be fascinated to hear.
0:30:13 > 0:30:15I'm certain you would!
0:30:15 > 0:30:18Why don't you try to guess.
0:30:22 > 0:30:24Orange possibly..?
0:30:24 > 0:30:25Peach..?
0:30:25 > 0:30:27No, no, no!
0:30:27 > 0:30:29No peach or orange.
0:30:29 > 0:30:31Let me give you a little help.
0:30:31 > 0:30:36Eau de cologne, for instance, contains, amongst other things,
0:30:36 > 0:30:39lemon, tangerine, lime,
0:30:39 > 0:30:46grapefruit, lavender, rosemary, jasmine, and tobacco.
0:30:48 > 0:30:50None of those are in there.
0:30:51 > 0:30:56You know, it's sad Captain Ferguson sent you to do his work for him.
0:31:14 > 0:31:18We will have to keep jam jars on our desks at all times clearly.
0:31:18 > 0:31:20So, why do you think we've been sent these now?
0:31:22 > 0:31:24To keep us occupied, I guess.
0:31:24 > 0:31:26- To get us off their backs.- Exactly.
0:31:26 > 0:31:29And no doubt they've sifted through them for anything
0:31:29 > 0:31:32- that might get in the way of their work.- Yes.
0:31:32 > 0:31:35Maybe they've removed everything of interest.
0:31:36 > 0:31:38But you never know.
0:32:01 > 0:32:05Unfortunately, it doesn't seem to be here.
0:32:06 > 0:32:09But the meeting definitely did take place on this week.
0:32:09 > 0:32:12- I couldn't have a look at Saturday's file, could I?- Saturday?
0:32:12 > 0:32:15There are very few meetings ever held here on a Saturday.
0:32:15 > 0:32:18Please. It is rather important.
0:32:18 > 0:32:21Don't worry. I won't go anywhere.
0:33:00 > 0:33:03- Any luck?- There were no meetings on that Saturday.
0:33:03 > 0:33:05So, what is going to happen here?
0:33:05 > 0:33:08You're going to change everything?
0:33:08 > 0:33:10People spouting poetry?!
0:33:10 > 0:33:11Hopefully, not "spouting".
0:33:11 > 0:33:16But I thought I could try something different here once a week.
0:33:16 > 0:33:21Take a risk! And you'll be part of it, Eva, please?
0:33:23 > 0:33:25I will.
0:33:25 > 0:33:26Good.
0:33:26 > 0:33:28But they'll be fighting for the exit,
0:33:28 > 0:33:33- there'll be a stampede to get out of here, you know?- Almost certainly.
0:33:41 > 0:33:43Hello, Victor.
0:33:43 > 0:33:45I'd heard you were sorting this stuff out.
0:33:49 > 0:33:51- You all right?- Yes.
0:33:52 > 0:33:55I'm honoured to have a visitor here - especially you.
0:33:55 > 0:33:57I rarely see anyone.
0:33:58 > 0:34:01I was told there was an old chandelier somewhere here
0:34:01 > 0:34:03and I just wanted to take a look at it.
0:34:03 > 0:34:07I'm planning a sort of gala event in the basement.
0:34:09 > 0:34:11It's over there.
0:34:11 > 0:34:13It is rather beautiful.
0:34:13 > 0:34:14Mmm.
0:34:15 > 0:34:17You sure you're all right?
0:34:17 > 0:34:20It must be really difficult being down here on your own.
0:34:20 > 0:34:23No, no, I can do this job.
0:34:23 > 0:34:27It's sometimes I...have these memories,
0:34:27 > 0:34:30when it comes back, the fighting.
0:34:32 > 0:34:35I'm sure everybody has them, it's nothing special.
0:34:35 > 0:34:38But I was caught up in the merry show at Monte Cassino,
0:34:38 > 0:34:41which was quite a battle. And, sometimes, it...
0:34:47 > 0:34:48Nothing.
0:34:50 > 0:34:52It's gone for the moment!
0:34:52 > 0:34:55- Callum has them, too, you know? - Does he?
0:34:55 > 0:34:58I'm sure he'll tell you one day. And so will I.
0:34:58 > 0:35:02But, right now, I have this VITAL job to do, as you can see.
0:35:05 > 0:35:07Extraordinary.
0:35:07 > 0:35:10It's all here, yes.
0:35:10 > 0:35:12The plan to overthrow Hitler before the war.
0:35:13 > 0:35:16- Did you read it?- I didn't no.
0:35:16 > 0:35:19I wanted to, I just didn't think I should until...
0:35:19 > 0:35:20Quite right. Thank you.
0:35:20 > 0:35:24And you really got it just by strolling into the Foreign Office
0:35:24 > 0:35:27with that ridiculous story about aeroplanes?
0:35:27 > 0:35:29I wish you hadn't done that!
0:35:29 > 0:35:30I told you to wait, didn't I?
0:35:30 > 0:35:33I told you to wait and to discuss it with me.
0:35:33 > 0:35:35And you promised to do that.
0:35:35 > 0:35:38I saw a chance to get it and so I decided to do it.
0:35:38 > 0:35:40You shouldn't have done that, Callum!
0:35:40 > 0:35:44That was completely irresponsible and reckless!
0:35:44 > 0:35:47And stupid! Why on earth did you do it?!
0:35:47 > 0:35:50You wanted the file and so I got it for you.
0:35:50 > 0:35:52I don't know why you're so angry.
0:35:52 > 0:35:54I mean, it's my neck on the line, not yours?!
0:35:54 > 0:35:56Exactly, and that's what worries me!
0:35:56 > 0:35:58I can't bear to think of the appalling trouble
0:35:58 > 0:36:01you could get into because of this!
0:36:01 > 0:36:03I couldn't forgive myself!
0:36:03 > 0:36:06That is not going to happen, Harold.
0:36:06 > 0:36:08I'm absolutely certain.
0:36:22 > 0:36:24I never thought...
0:36:26 > 0:36:29You'd ever see me on my hands and knees painting?!
0:36:29 > 0:36:32Exactly. I could have sent someone to do that for you.
0:36:32 > 0:36:34Would that be somebody from the Army or the hotel?
0:36:34 > 0:36:36Or do you run both now?
0:36:36 > 0:36:40I can paint a backdrop myself, for Christ's sake.
0:36:40 > 0:36:42PHONE RINGS
0:36:43 > 0:36:46Which may or may not change, depending upon how I feel.
0:36:49 > 0:36:53- Don't look at me, it's going to be for you.- All right.
0:36:53 > 0:36:55No, it won't. Well, it can't be.
0:36:55 > 0:36:58- It always is, Callum. - Oh, it won't be!
0:37:00 > 0:37:02Hello.
0:37:02 > 0:37:04'I have a call for Captain Ferguson.'
0:37:04 > 0:37:06Captain Ferguson, I've found somebody I want
0:37:06 > 0:37:08in the files you gave me.
0:37:08 > 0:37:12- Oh, good! I'm glad they were of use.- 'Yes, they were.'
0:37:12 > 0:37:14And thank you.
0:37:14 > 0:37:17She's called Birgit Mentz. She worked with Kleinow.
0:37:17 > 0:37:20They interrogated many of our agents together
0:37:20 > 0:37:24and tortured them before they were executed.
0:37:24 > 0:37:26She's, therefore, a crucial witness.
0:37:26 > 0:37:29You're holding her at a place in Colchester.
0:37:29 > 0:37:32No, no, no, no. That's not us. That'll be MI19.
0:37:32 > 0:37:34So, there's nothing you can do, then?
0:37:34 > 0:37:36'Did I say that? How about this?'
0:37:36 > 0:37:39I get her brought to London so that you can take a look at her.
0:37:39 > 0:37:43- Will they let you do that?- 'If she's proving not much use to anybody...'
0:37:43 > 0:37:45I expect they will.
0:37:54 > 0:37:56Fraulein Mentz.
0:37:56 > 0:37:58I'm Kathy Griffiths.
0:37:58 > 0:38:02I realise you've only been here in London for a few hours,
0:38:02 > 0:38:05but they're treating you all right, are they?
0:38:05 > 0:38:09I would try to say it in German, but I know that you speak good English.
0:38:09 > 0:38:14I've come to see you, because I have a proposition to put to you.
0:38:25 > 0:38:27Lotte!
0:38:27 > 0:38:30Not sure you should be here. This is a restricted area now.
0:38:30 > 0:38:33But I'm sure we can make an exception for you.
0:38:33 > 0:38:35Come on! I'll show you round.
0:38:35 > 0:38:37It's changed a lot, hasn't it?
0:38:39 > 0:38:43Of course, you know your father's a genius.
0:38:43 > 0:38:44Who's a genius?
0:38:44 > 0:38:46You...are a genius.
0:38:46 > 0:38:47He knows it, of course,
0:38:47 > 0:38:50but he likes to have it said at least once a day.
0:38:50 > 0:38:53- MUSIC PLAYS - At least! Come, Lotte.
0:38:53 > 0:38:55HE SPEAKS IN GERMAN
0:38:55 > 0:38:57DOOR OPENS
0:39:01 > 0:39:02How did that go?
0:39:02 > 0:39:06Not well. She wouldn't talk to me or even look at me, really.
0:39:06 > 0:39:09Thank you for getting her here, though.
0:39:09 > 0:39:11There's no need to keep thanking me.
0:39:15 > 0:39:18You won't get anything out of her locked up in this place,
0:39:18 > 0:39:20she's not going to agree to give evidence like this.
0:39:20 > 0:39:22You have to get to know her.
0:39:22 > 0:39:25- Take her for a night out. - Take her out?!
0:39:25 > 0:39:27Yes, for a drink,
0:39:27 > 0:39:29a night on the town.
0:39:29 > 0:39:31That's a ridiculous idea!
0:39:31 > 0:39:33It'd be a total disaster.
0:39:33 > 0:39:35You have to take a chance.
0:39:35 > 0:39:37Is this what I do or not?
0:39:37 > 0:39:40What if I lost her? What if she ran away?
0:39:40 > 0:39:43Bring her to the hotel. And buy her some new clothes.
0:39:43 > 0:39:45MUFFLED MUSIC PLAYING
0:39:52 > 0:39:53DOOR OPENS
0:39:58 > 0:40:00I brought you a drink.
0:40:00 > 0:40:03- Thanks. Feeling guilty, are you? - About what?
0:40:03 > 0:40:05Keeping me guarded like this.
0:40:05 > 0:40:07Punishing me for finding the file about Dieter.
0:40:07 > 0:40:09I'm not punishing you, Victor,
0:40:09 > 0:40:11and it seems like it's going rather well.
0:40:11 > 0:40:14I'm working for you, really, since you're running the hotel now.
0:40:14 > 0:40:15By the way, I've given the files
0:40:15 > 0:40:18that you pulled out of the rubbish back to Miss Griffiths.
0:40:18 > 0:40:20Turns out they're proving rather useful.
0:40:20 > 0:40:23Seems what you did paid off, after all.
0:40:23 > 0:40:25DOOR CLOSES
0:40:29 > 0:40:31Good evening, Kathy.
0:40:31 > 0:40:33You looking forward to this?
0:40:33 > 0:40:35Not exactly.
0:40:35 > 0:40:38It feels very strange, taking her out.
0:40:38 > 0:40:42I thought it might. So, Julia here is kindly going to lend a hand.
0:40:42 > 0:40:46Hello. It's bloody freezing, isn't it?! I shouldn't be wearing this.
0:40:46 > 0:40:47As always!
0:40:49 > 0:40:52I thought it might be easier with the two of you, not just you alone.
0:40:52 > 0:40:55But, you see, you're not going to be here? Even in the beginning?
0:40:55 > 0:40:58No, I can't. I have an engagement.
0:40:58 > 0:41:01Don't worry, Julia here's been thoroughly briefed.
0:41:01 > 0:41:04Besides, you'll get on much better without me.
0:41:10 > 0:41:12Well, thank you for being here.
0:41:13 > 0:41:17- God knows what's going to happen...! - Yes, well, we'll just plunge in.
0:41:17 > 0:41:19I'm not sure there's a good way of doing this.
0:41:19 > 0:41:23Callum seems to think I have a talent for entertaining Nazis.
0:41:23 > 0:41:25SHE CHUCKLES
0:41:25 > 0:41:27Here she is.
0:41:32 > 0:41:35Welcome to the Connington Hotel, Fraulein Mentz,
0:41:35 > 0:41:38where, nowadays, everybody has a good time.
0:41:40 > 0:41:42They've got the heating on full blast
0:41:42 > 0:41:45and it's making no difference at all!
0:41:45 > 0:41:47I'm so glad you agreed to this meal.
0:41:47 > 0:41:48Of course, I'd agree.
0:41:48 > 0:41:51I must apologise for my extraordinary outburst.
0:41:51 > 0:41:54- You managed to take me completely by surprise.- No, no, no.
0:41:54 > 0:41:57I'm sorry, it's just my favourite way of working,
0:41:57 > 0:41:59always seems to get me results.
0:41:59 > 0:42:02So...
0:42:02 > 0:42:05It was really useful, was it, the document?
0:42:05 > 0:42:07It's dynamite.
0:42:07 > 0:42:11Everything is there. The people that turned down the chance,
0:42:11 > 0:42:14or, at least, the very real possibility
0:42:14 > 0:42:16of getting rid of Hitler in 1938.
0:42:16 > 0:42:18If that military coup had actually happened...
0:42:18 > 0:42:20There might not have been a war.
0:42:20 > 0:42:22Exactly.
0:42:22 > 0:42:26They're all named - those that were present at that crucial meeting
0:42:26 > 0:42:28and the evidence they were given.
0:42:28 > 0:42:31It absolutely confirms that these German generals
0:42:31 > 0:42:33who were going to launch the coup -
0:42:33 > 0:42:36the only thing they wanted was for us to announce
0:42:36 > 0:42:40that we'd definitely go to war if Hitler invaded Czechoslovakia,
0:42:40 > 0:42:43that's all they required to trigger the coup.
0:42:43 > 0:42:45Because they felt the German people
0:42:45 > 0:42:47had no appetite for war at that moment -
0:42:47 > 0:42:50and, therefore, they could justify their action.
0:42:50 > 0:42:53So, are you going to make this all public?
0:42:53 > 0:42:55Yes, but how I do it
0:42:55 > 0:42:57needs very careful thought.
0:42:57 > 0:43:01The best chance I have, I think, is at a Foreign Office dinner
0:43:01 > 0:43:05they're giving in my honour, if I can reveal it suddenly,
0:43:05 > 0:43:08in a seemingly spontaneous way in my speech,
0:43:08 > 0:43:10then the information could have come
0:43:10 > 0:43:13- from any number of people, couldn't it?- Yes!
0:43:13 > 0:43:15And I have a journalist friend I trust,
0:43:15 > 0:43:18who I will make sure is there that night to hear it.
0:43:18 > 0:43:20I love the idea of shaming those responsible,
0:43:20 > 0:43:22putting a bomb under them,
0:43:22 > 0:43:25not letting the guilty men get away with it!
0:43:25 > 0:43:27You could cause a sensation, Harold.
0:43:29 > 0:43:33A sensation would be good, even a small one.
0:43:33 > 0:43:35I'm pretty sure I've never caused one before.
0:43:35 > 0:43:38Do you like the movies Fraulein Mentz?
0:43:38 > 0:43:39A little.
0:43:41 > 0:43:44I haven't been to one in a long time, of course.
0:43:44 > 0:43:47- Well, we should try and do something about that.- I'm in the movies!
0:43:47 > 0:43:50Well after a fashion, I've just did my first one.
0:43:50 > 0:43:54I had my own dressing room. Very thin walls.
0:43:54 > 0:43:57I could hear everything the actress did next door,
0:43:57 > 0:44:00including having sex very loudly
0:44:00 > 0:44:02during nearly every lunch break!
0:44:02 > 0:44:04Made me quite jealous.
0:44:05 > 0:44:07Awful, isn't it? But I admit it!
0:44:07 > 0:44:10During the war, I had so many lovers.
0:44:10 > 0:44:12Much harder now, of course.
0:44:22 > 0:44:24Come on, Mr Ferguson, you've no business in there.
0:44:30 > 0:44:32Marvellous, aren't they?
0:44:32 > 0:44:34Thank God seafood isn't rationed!
0:44:34 > 0:44:37And, of course, you have every excuse
0:44:37 > 0:44:39to gorge yourself tonight. The plan.
0:44:39 > 0:44:41But, you know, I would never do
0:44:41 > 0:44:44anything that would endanger you in any way.
0:44:44 > 0:44:45Of course, I know that.
0:44:45 > 0:44:49I hope it's obvious. I've grown very fond of you and your brother.
0:44:49 > 0:44:52You both have such energy -
0:44:52 > 0:44:55- and anger, too, of course. - Well, rage more like!
0:44:55 > 0:44:59Hopefully not rage. That can get one into serious trouble.
0:44:59 > 0:45:02You know the strange thing about me, Callum,
0:45:02 > 0:45:04and I would never say this to anyone else
0:45:04 > 0:45:07because it can be misinterpreted,
0:45:07 > 0:45:09but I have a great capacity for love,
0:45:09 > 0:45:12for parental love in particular.
0:45:12 > 0:45:16- If one is allowed to say that about one's self.- Of course one is.
0:45:16 > 0:45:20I have no children, as you know, but there is Lucy, thank goodness,
0:45:20 > 0:45:23my brother's child. He and his wife were killed in the war.
0:45:23 > 0:45:26We came off very badly as a family.
0:45:26 > 0:45:28My wife, too, of course.
0:45:28 > 0:45:30Three deaths.
0:45:30 > 0:45:32So...
0:45:32 > 0:45:36I have this talent for loving people
0:45:36 > 0:45:39and the need to use it.
0:45:40 > 0:45:42I've never told anybody that.
0:45:44 > 0:45:46I'm glad you've told me.
0:45:46 > 0:45:47Men betray us, don't they?
0:45:48 > 0:45:50Do they?
0:45:50 > 0:45:54- Always.- They do, and they get away with it nearly every time,
0:45:54 > 0:45:57because they think we're not going to do anything about it.
0:45:57 > 0:46:01Something will always stop us. But it doesn't need to.
0:46:04 > 0:46:06I have to go now.
0:46:12 > 0:46:14Well, that was a bit clumsy, wasn't it?
0:46:14 > 0:46:18I was a bit loud. I didn't really get her to say anything at all.
0:46:18 > 0:46:20No, you did brilliantly, thank you.
0:46:22 > 0:46:24Well, it's good preparation for me, at least.
0:46:24 > 0:46:27I'm going on tour tomorrow up North,
0:46:27 > 0:46:30to do a funny old play called Daggers Drawn.
0:46:30 > 0:46:32I play a murderess!
0:46:32 > 0:46:34THEY LAUGH
0:46:34 > 0:46:36My God, fog now?
0:46:36 > 0:46:38Ice and fog - what more can they throw at us tonight?!
0:46:38 > 0:46:41- We'll never get a cab, Callum. - TRAFFIC BUSTLE, SHOUTING
0:46:41 > 0:46:45Oh, yes, we will. You're forgetting how competitive I am.
0:46:45 > 0:46:47Come on, let's get ahead of this lot!
0:46:47 > 0:46:49TRAFFIC BUSTLE
0:46:58 > 0:47:00HAROLD GROANS
0:47:00 > 0:47:02Harold?
0:47:02 > 0:47:05Harold! Harold! What's happened?
0:47:05 > 0:47:07- Get me home.- What's happened?!
0:47:08 > 0:47:09Taxi!
0:47:09 > 0:47:11Can you move, Harold?
0:47:13 > 0:47:15Taxi! Taxi!
0:47:15 > 0:47:18HAROLD GROANS
0:47:18 > 0:47:20Stop! Stop!
0:47:20 > 0:47:23Get the hell out of the way, I'm booked, mate.
0:47:23 > 0:47:25No, you're fucking not. This is an emergency!
0:47:28 > 0:47:30Can you move? Harold!
0:47:30 > 0:47:32Nod if you can move.
0:47:32 > 0:47:34Up we go, that's it.
0:47:34 > 0:47:36HE GASPS FOR AIR To the hospital!
0:47:36 > 0:47:39Just take me home. It's the oysters. Bloody oysters!
0:47:41 > 0:47:43HE BREATHES CALMLY
0:47:44 > 0:47:47I thought you were dying, Harold.
0:47:47 > 0:47:49That you'd had a heart attack.
0:47:50 > 0:47:53Or the Intelligence Service
0:47:53 > 0:47:55had poisoned you because of your plan.
0:47:55 > 0:47:58You would think that.
0:47:58 > 0:48:00It's because you're one of them.
0:48:02 > 0:48:03It was the oysters.
0:48:04 > 0:48:07I overindulged massively.
0:48:09 > 0:48:10Thank you...
0:48:12 > 0:48:13..for being so good to me.
0:48:13 > 0:48:15Don't be stupid.
0:48:15 > 0:48:19I promise I'm not going to conk out yet, not a bit of it!
0:48:21 > 0:48:23I've got so much to do.
0:48:24 > 0:48:26Both of us have.
0:48:26 > 0:48:30So, we're getting closer to the big day as you can see.
0:48:30 > 0:48:33First, we do a test for ourselves, of course.
0:48:33 > 0:48:35Well, we've been getting close for quite a while now.
0:48:35 > 0:48:39What are we talking about? When can we see something?
0:48:39 > 0:48:41A few weeks. A couple of months?
0:48:41 > 0:48:43A couple of months?!
0:48:43 > 0:48:47- You're getting impatient now, Callum, are you?- A little, yes!
0:48:47 > 0:48:49I need results as much as anybody.
0:48:49 > 0:48:51Yes, of course.
0:48:51 > 0:48:54And now I have something else very special to tell you, Callum.
0:49:00 > 0:49:03Before I tell you, I need to know something.
0:49:03 > 0:49:06Callum, do you believe me?
0:49:06 > 0:49:08About my work at Nordhausen?
0:49:08 > 0:49:10I'm doing my best to believe you.
0:49:10 > 0:49:13I hope you check the facts in any way you can.
0:49:13 > 0:49:15We are - in Germany.
0:49:16 > 0:49:18But I haven't received any information back yet.
0:49:18 > 0:49:20Then hurry them up.
0:49:20 > 0:49:22The reason it's so important you believe me
0:49:22 > 0:49:24is I like to think we're almost friends.
0:49:26 > 0:49:30If there is such a thing as "almost friends"?
0:49:30 > 0:49:32Well, I'm not sure that there is.
0:49:32 > 0:49:34but it doesn't matter.
0:49:34 > 0:49:36We are friends.
0:49:36 > 0:49:37Good.
0:49:38 > 0:49:40So, I can tell you.
0:49:40 > 0:49:42Nobody must know this.
0:49:42 > 0:49:43It's a total secret.
0:49:45 > 0:49:49- But I'm getting married. - Married?!- Yes, married!
0:49:49 > 0:49:53We haven't told anybody so far. Not even Lotte knows yet!
0:49:54 > 0:49:57I knew you two liked each other, but marriage?!
0:49:57 > 0:50:02- That is a surprise, Dieter...- Oh, no! Excuse me, Callum, not her!
0:50:02 > 0:50:04I'm not marrying her - as much as I like her.
0:50:04 > 0:50:07Well, then, who the hell are you marrying, Dieter?!
0:50:09 > 0:50:10Doesn't she look enchanting?
0:50:12 > 0:50:17- She does.- My friend, another thing I haven't told anybody,
0:50:17 > 0:50:19except her, of course,
0:50:21 > 0:50:23I love her so much.
0:50:23 > 0:50:26It's the most amazing feeling.
0:50:26 > 0:50:30It's still a secret, of course, I will tell Lotte nearer the time.
0:50:35 > 0:50:37Oh, come to help, you two?
0:50:37 > 0:50:41Not before time. We open in two hours!
0:50:42 > 0:50:45The big question is, will anybody show up?
0:50:59 > 0:51:01HUM OF CONVERSATION
0:51:08 > 0:51:11So, I want to welcome you all here...
0:51:11 > 0:51:14DRUMROLL PLAYS
0:51:14 > 0:51:17Thank you! I've never made a speech after a drumroll before.
0:51:17 > 0:51:19I've hardly ever made a speech at all.
0:51:19 > 0:51:23But I just wanted to say a few words about the purpose of this evening
0:51:23 > 0:51:26and I sincerely hope that it won't be the last one.
0:51:26 > 0:51:28It is a mixture of music and poetry,
0:51:28 > 0:51:30some of it old, a lot of it new.
0:51:30 > 0:51:32It is, if you like,
0:51:32 > 0:51:34like jazz and classical
0:51:34 > 0:51:37all muddled up together.
0:51:37 > 0:51:39There are no boundaries here, no categories.
0:51:39 > 0:51:41But to make you feel at home,
0:51:41 > 0:51:44we're going to start with the familiar.
0:51:44 > 0:51:49So please, welcome the wonderful Eva and her musicians.
0:51:49 > 0:51:52APPLAUSE
0:51:54 > 0:51:56But with something new!
0:51:56 > 0:51:58Hang on, everybody!
0:51:58 > 0:52:00THEY PLAY FAST SWING MUSIC
0:52:23 > 0:52:24Now I'm doing this
0:52:24 > 0:52:28because I know how terrifying it is reading in public.
0:52:28 > 0:52:30I am, in fact, terrified,
0:52:30 > 0:52:34because I don't usually make a habit of doing this - performing.
0:52:34 > 0:52:38But I know if I do it, however badly,
0:52:38 > 0:52:41others of you will come up and read your poetry to us.
0:52:41 > 0:52:43Now, I'm no poet myself, of course,
0:52:43 > 0:52:46but I would like to read a poem by a fellow American,
0:52:46 > 0:52:49Emily Dickinson, who is not nearly as well known in London
0:52:49 > 0:52:51as she should be, in my opinion.
0:52:51 > 0:52:53SHE CLEARS HER THROAT
0:52:53 > 0:52:56I taste a liquor never brewed
0:52:56 > 0:52:58From tankards scooped in pearl
0:52:59 > 0:53:02Not all the vats upon the Rhine
0:53:02 > 0:53:04Yield such an alcohol
0:53:05 > 0:53:08Inebriate of air, am I
0:53:08 > 0:53:10And debauchee of dew
0:53:12 > 0:53:16Reeling, through endless summer days
0:53:16 > 0:53:18From inns of molten blue.
0:53:30 > 0:53:31Victor!
0:53:31 > 0:53:33What are you doing here?!
0:53:33 > 0:53:36That's not much of a greeting. I need to talk to you urgently.
0:53:37 > 0:53:39Can you wait outside?
0:53:43 > 0:53:46- Victor, I only have a second. - Yes, now, I have to tell you this,
0:53:46 > 0:53:48because it is very important.
0:53:48 > 0:53:52I've got some more files! I buried some in the garden.
0:53:52 > 0:53:55- Buried some in the garden? - Yes, now, I've just dug them up,
0:53:55 > 0:53:57so I haven't had a real chance to read them yet,
0:53:57 > 0:54:00but I think there may be some really good new information there.
0:54:00 > 0:54:03And I thought that we should go through them together.
0:54:03 > 0:54:06Well, we're a team now, aren't we? And it works best together so...
0:54:06 > 0:54:08Victor, I can't at the moment.
0:54:08 > 0:54:10You're too busy for that?
0:54:13 > 0:54:14You can't be!
0:54:14 > 0:54:16I've made an important contact,
0:54:16 > 0:54:18Callum helped me meet her.
0:54:18 > 0:54:22She worked with Kleinow. I'm seeing if there's anything I can do
0:54:22 > 0:54:24to get her to give evidence at his trial.
0:54:24 > 0:54:27I'm spending some time with her.
0:54:27 > 0:54:30I see. Taking her out in the evening, are you, for a few drinks?
0:54:30 > 0:54:32Giving those Nazis a whale of a time(!)
0:54:32 > 0:54:35Everybody's doing it now, aren't they? You and Callum...
0:54:35 > 0:54:37Yes, I'm using his methods, because they might just work.
0:54:37 > 0:54:40Listen, Victor, I really appreciate your wanting to help,
0:54:40 > 0:54:44but I have everything I need right now. I must go.
0:54:44 > 0:54:46So, you just don't want the files?
0:54:46 > 0:54:49Yes, that's what you're saying? You're not interested?!
0:54:49 > 0:54:52I'm not saying that, of course. But, Victor, I have to go.
0:54:53 > 0:54:54I don't want any trouble, please.
0:54:54 > 0:54:58- It's the last thing I need tonight. - So, I've become trouble now, have I?
0:54:59 > 0:55:03- That's so easy to say about me, isn't it?- No, no.
0:55:03 > 0:55:04Victor, I have to go.
0:55:13 > 0:55:14The Winter Cottage.
0:55:14 > 0:55:19Dead shore that lies beyond the cottage walls
0:55:19 > 0:55:24Crunching under my feet in moonlight, scaly cold...
0:55:24 > 0:55:26DOOR OPENS
0:55:29 > 0:55:32I'm going to be very bold, Frau Bellinghausen.
0:55:32 > 0:55:35Bold? Do you think that's a good idea?
0:55:35 > 0:55:38Probably not, and this may be the last conversation we ever have,
0:55:38 > 0:55:41but I'm going to suggest you leave this room tonight,
0:55:41 > 0:55:44and sample a little of what's happening.
0:55:44 > 0:55:46Go downstairs?
0:55:46 > 0:55:47To see this event?
0:55:47 > 0:55:49I couldn't possibly do that.
0:55:49 > 0:55:52I find it so difficult to be with other people at the moment,
0:55:52 > 0:55:54in a crowd of any sort.
0:55:54 > 0:55:55You won't need to go downstairs.
0:55:57 > 0:55:58You're almost there.
0:56:00 > 0:56:02Goodness!
0:56:02 > 0:56:04Is this for me?
0:56:04 > 0:56:07Yes, I had it prepared this evening.
0:56:07 > 0:56:12And now, for an aria by Handel, accompanied by Jack here,
0:56:12 > 0:56:15who usually plays jazz trumpet as you've seen
0:56:15 > 0:56:17and he has never done this before.
0:56:17 > 0:56:20Two sides of music coming together.
0:56:23 > 0:56:25SHE SINGS ARIA
0:56:38 > 0:56:41SINGING NEARBY This is surprise. That's Handel!
0:56:43 > 0:56:45A German in London.
0:56:47 > 0:56:49And I was an Englishwoman in Germany.
0:56:49 > 0:56:50TRUMPET ACCOMPANIES SINGING
0:56:50 > 0:56:54Yes, the trumpet playing is marvellous, isn't it?
0:56:54 > 0:56:56Yes.
0:56:56 > 0:56:58Music is such a strong force, isn't it?
0:56:59 > 0:57:02Provokes such thoughts inside one.
0:57:03 > 0:57:05HE PLAYS, SINGING CONTINUES
0:57:17 > 0:57:20Go! Go! Go down there, please.
0:57:20 > 0:57:23Don't miss it all because of me. That would be ridiculous.
0:57:23 > 0:57:27- I don't have to leave yet.- Please, I have my own waiter and everything.
0:57:28 > 0:57:29What luxury!
0:58:24 > 0:58:26CRASHING
0:58:26 > 0:58:28Ah!
0:58:28 > 0:58:31Just thought I'd drop by to say hello!
0:58:31 > 0:58:33Mr Ferguson! Your brother is not here.
0:58:33 > 0:58:34No, no, I can see that.
0:58:34 > 0:58:37I thought I'd show you I can get back into this hotel
0:58:37 > 0:58:39without anybody at all noticing.
0:58:39 > 0:58:42I also thought that it was time to tell the world
0:58:42 > 0:58:44about what's going on.
0:58:44 > 0:58:47How we're giving Nazis a night out on the town
0:58:47 > 0:58:50and lovely new lives if we think they're worth it.
0:58:52 > 0:58:54I'm pretty sure people would be very interested
0:58:54 > 0:58:56to hear about that, don't you?
0:59:11 > 0:59:14- VICTOR, ON TAPE:- 'I thought I'd show you I can get back into this hotel
0:59:14 > 0:59:15without anybody at all noticing!
0:59:15 > 0:59:18'I also thought that it was time to tell the world
0:59:18 > 0:59:21'about what's going on. How we're giving Nazis a night out on the town
0:59:21 > 0:59:23'and lovely new lives if we think they're worth it.
0:59:23 > 0:59:25'I'm pretty sure people would be very interested
0:59:25 > 0:59:27'to hear about that, don't you?'