0:00:15 > 0:00:20# Sun is shining The weather is sweet, yeah
0:00:20 > 0:00:25# Makes you want to move Those dancing feet
0:00:25 > 0:00:29# To the rescue, here I am... #
0:00:31 > 0:00:34Oh, man.
0:00:34 > 0:00:37# As the morning gathers a rainbow... #
0:00:41 > 0:00:42I'm sorry sir, time's up.
0:00:42 > 0:00:45If she was your goat, she would have gone to you.
0:00:45 > 0:00:47This goat remains unclaimed.
0:00:48 > 0:00:50Fidel?
0:00:50 > 0:00:52Yes, sir.
0:00:52 > 0:00:54Goats aren't obedient.
0:00:54 > 0:00:58They don't come when called. You do know that, don't you?
0:01:30 > 0:01:32Got him chief.
0:01:32 > 0:01:34Ah, Dwayne, well done!
0:01:37 > 0:01:39Oh, you can't put me in here!
0:01:39 > 0:01:42Why, you want to go in there?
0:01:43 > 0:01:46Maybe you should stop stealing yachts.
0:01:50 > 0:01:54Lily, I'm going to knock off early if that's OK?
0:01:54 > 0:01:58Sure thing, sir. Have a nice evening.
0:01:58 > 0:02:00Night, Chief.
0:02:14 > 0:02:18MUSIC AND CHATTER
0:03:00 > 0:03:02GUNSHOT
0:03:03 > 0:03:05ALARM WAILS
0:03:08 > 0:03:11PHONE RINGS
0:03:11 > 0:03:13Honore Police Station.
0:03:16 > 0:03:17OK and what time was this?
0:03:17 > 0:03:19PHONE RINGTONE: "I Shot The Sheriff"
0:03:19 > 0:03:22- OK. We'll send someone over right away.- Hello?
0:03:22 > 0:03:26Erm...Dwayne?
0:03:26 > 0:03:29- You know Lord Salcombe's place? - Mmm-hm.
0:03:29 > 0:03:31Well, his panic room's gone into lock down.
0:03:31 > 0:03:34Apparently, we've got the codes to open it in our safe.
0:03:34 > 0:03:36- Shall I go and... - 'That's a very good shot.
0:03:36 > 0:03:39- 'Beautiful cover drive...' - Dwayne?
0:03:39 > 0:03:42- Oh, for heaven's sake. I'll do it!- Uh?
0:03:58 > 0:03:59We've got a problem.
0:04:03 > 0:04:07We were having a party. Then from nowhere the alarm started blaring.
0:04:07 > 0:04:08Someone is locked in the panic room.
0:04:08 > 0:04:13- Where are Lord and Lady Salcombe? - No-one's seen them since the alarm went off.
0:04:14 > 0:04:20I think you should know. Just before the alarm, there was a gunshot. Everybody heard it.
0:04:25 > 0:04:28Everybody out and don't touch anything.
0:04:28 > 0:04:30Sortez la! Allez!
0:04:30 > 0:04:31What's going on?
0:04:31 > 0:04:36There was a gunshot and the panic room has been locked down.
0:04:36 > 0:04:37Who's in there?
0:04:40 > 0:04:42No!
0:04:42 > 0:04:43- Is it James? - No!
0:04:43 > 0:04:45Is my husband in there?
0:04:45 > 0:04:47What on earth would I be doing in there?
0:04:47 > 0:04:49Lawrence, call an ambulance. Now!
0:04:49 > 0:04:52- Allez la! - Pas de probleme.
0:04:55 > 0:04:57It's Charlie Hulme.
0:05:37 > 0:05:40I've just been informed the airline have lost my luggage.
0:05:40 > 0:05:42I'm sorry to hear that, Sir.
0:05:42 > 0:05:45If you could just point me in the direction of the lost luggage desk?
0:05:45 > 0:05:46Ah. Thank you.
0:05:53 > 0:05:55We don't need outside help.
0:05:55 > 0:05:58Charlie Hulme was a British cop.
0:05:58 > 0:06:00They want a British cop to lead the case.
0:06:00 > 0:06:02What time do you open in the morning?
0:06:02 > 0:06:040600 hours, Sir.
0:06:04 > 0:06:07Then I'll call you at 06.01.
0:06:07 > 0:06:09Thank you very much... Daphne.
0:06:22 > 0:06:24Oh, Christ.
0:06:31 > 0:06:33Ah! Hey, my monitor's playing up.
0:06:33 > 0:06:37The crime scene's been cleared and all the evidence bagged and sent to the lab.
0:06:37 > 0:06:41So when will we get an autopsy report?
0:06:41 > 0:06:44OK, thanks. Report's on its way.
0:06:46 > 0:06:49This guy they're sending from London.
0:06:49 > 0:06:52He'll be good, won't he?
0:06:52 > 0:06:54- Who knows? - They won't just send any old...
0:06:54 > 0:06:55GOAT BLEETS
0:06:57 > 0:06:59I better feed the goat.
0:06:59 > 0:07:02The chief's monitor still works though, doesn't it?
0:07:02 > 0:07:03Sure, why?
0:07:06 > 0:07:09Saint-Marie was colonised by the French,
0:07:09 > 0:07:13who lost it to the British, who lost it to the Dutch.
0:07:13 > 0:07:17The Dutch lost it back to the French.
0:07:17 > 0:07:21The French then handed it back to the British in the mid-'70s.
0:07:21 > 0:07:25So, about 30 per cent of the population is still French.
0:07:25 > 0:07:27French. Great.
0:07:27 > 0:07:29Just when I thought it couldn't get any worse.
0:07:49 > 0:07:53LOUD CHATTER
0:08:11 > 0:08:13Welcome to Honore Station!
0:08:13 > 0:08:16I got to go, the Commissioner's here.
0:08:17 > 0:08:20Sir.
0:08:20 > 0:08:22So, team, Dwayne, Fidel,
0:08:22 > 0:08:27this is Detective Inspector Richard Poole from the Met in London.
0:08:27 > 0:08:31Thank you, I'll take over from here.
0:08:31 > 0:08:33Right then, I want everything you've got
0:08:33 > 0:08:36on DI Hulme's death on my desk immediately.
0:08:36 > 0:08:39And if you could get on to IT
0:08:39 > 0:08:41to sort out the log in details for my PC.
0:08:41 > 0:08:43It's imperative I get on the network ASAP.
0:08:43 > 0:08:46(Pen-pusher.)
0:08:46 > 0:08:50(This is not going to go well.)
0:08:50 > 0:08:51Sorry my monitor won't turn on.
0:08:56 > 0:09:00- Ah, this heat! - Then take your jacket off.
0:09:00 > 0:09:04DI Hulme's been dead 48 hours, is this all you've got?
0:09:04 > 0:09:08Where's the Forensics Report. Ballistics? DNA?
0:09:08 > 0:09:10- We'll have them soon. - Who's this?
0:09:10 > 0:09:14Everybody in that photograph was on the guest list for the party, apart from that woman.
0:09:14 > 0:09:17And neither Lord or Lady Salcombe
0:09:17 > 0:09:20or any of their guests knew who she was or what she was doing there.
0:09:20 > 0:09:22- Statements? - In the file.
0:09:22 > 0:09:23Is it always this hot?
0:09:23 > 0:09:25No.
0:09:25 > 0:09:27Sometimes it's a lot hotter.
0:09:34 > 0:09:36Look, I'll be honest with you.
0:09:36 > 0:09:40This, whole Caribbean thing, I mean I'm sure it's very nice, but erm...
0:09:40 > 0:09:42Well it's not really my idea of, er...
0:09:44 > 0:09:49So, as soon as I've solved this case and I've got my luggage, I'm on the next plane home.
0:09:49 > 0:09:51I can't think why they sent me.
0:09:51 > 0:09:56- Sorry, where is here?- I thought you might like to see where you're staying before we go up to the house.
0:09:56 > 0:10:02This is where we put the foreign officers. Like you and Charlie Hulme.
0:10:02 > 0:10:04This is Charlie's old house?
0:10:04 > 0:10:07You can freshen up and I'll pick you up in an hour.
0:11:12 > 0:11:15Christ!
0:11:33 > 0:11:37No, no, it's terrible, the airline have lost my luggage,
0:11:37 > 0:11:43it's about 400 degrees in the shade, and they've put me up in some kind of shack.
0:11:43 > 0:11:46Oh, right, yes, of course, er...
0:11:46 > 0:11:50I think I've got three case files in my in tray that should be in my pending tray
0:11:50 > 0:11:55and, erm, there's a case file in my pending tray I should have swept to my out tray, or my in tray?
0:11:55 > 0:11:59It's no longer pending, is the point, sir. Thank you.
0:11:59 > 0:12:02Sorry it's in such a mess, you know.
0:12:02 > 0:12:05It seemed like quite a rush to get me out here.
0:12:05 > 0:12:08Yep, yep, that's everything.
0:12:08 > 0:12:14Oh, although I did leave a tangerine in the top left0hand drawer of my desk, if you, er...
0:12:14 > 0:12:17That's very kind, yeah, top left-hand... Thank you.
0:12:17 > 0:12:21- CAR HORN BEEPS - Oh, er, yeah, here's my car.
0:12:22 > 0:12:27Yeah, no, er, I think they're very pleased to have me here, if I'm honest.
0:12:27 > 0:12:30The welcome's been very, er...
0:12:30 > 0:12:34Yeah, you know, and the accommodation is very... Ah!
0:12:34 > 0:12:35A bloody splinter!
0:12:35 > 0:12:39Oh, God! Yeah, no, no, it's fine, it's fine.
0:12:39 > 0:12:44Yeah, it does, it does a little bit. Yeah, yeah. Well, thank you for sending me, sir.
0:12:44 > 0:12:49Yeah OK, yeah, er, sorry, gotta go. Yeah, bye.
0:12:56 > 0:12:58- CAR HORN BEEPS - All right! I'm coming.
0:13:36 > 0:13:39So how did a British policeman get mixed up with an aristocrat?
0:13:39 > 0:13:42- I don't know. - Then what was he like?
0:13:42 > 0:13:47Who, Charlie? Fun. Not your typical Englishman.
0:13:47 > 0:13:51- Charismatic, you know?- What do you mean by a typical Englishman?
0:13:51 > 0:13:55- Detective Inspector Richard Poole, Metropolitan Police. - Oh, yes, come in.
0:13:58 > 0:14:01- Thank you.- Well, I was out here serving drinks to the guests.
0:14:01 > 0:14:03It had just gone eight o'clock.
0:14:05 > 0:14:08Then there was a gunshot from the study.
0:14:10 > 0:14:13- And the alarms went off. - So what did you do then?
0:14:13 > 0:14:17Well, I waited for the police to arrive.
0:14:18 > 0:14:21Did you see this woman that night?
0:14:23 > 0:14:25No.
0:14:29 > 0:14:34Come on, Darleen, you've got to have something on him.
0:14:34 > 0:14:36Because you've read his file!
0:14:36 > 0:14:38There's got to be some dirt.
0:14:39 > 0:14:43I'll take you to the Bay Cove.
0:14:43 > 0:14:45So that's it?! OK, bye.
0:14:48 > 0:14:51- His department threw a party for him when he left.- Oh, so he's popular.
0:14:51 > 0:14:56No, they threw the party after he'd gone.
0:15:04 > 0:15:08- What's that? - It's a laser tape measure.
0:15:08 > 0:15:11Accurate to a millimetre, over 150 metres.
0:15:11 > 0:15:13We do have tape measures on Saint-Marie, you know.
0:15:13 > 0:15:17Not like this you don't, Sergeant Thomson.
0:15:17 > 0:15:20Now, when DI Hulme's body was found, he was holding a book.
0:15:20 > 0:15:24A travel guide to Europe. Why?
0:15:24 > 0:15:29- And this is the vase, then, that was found smashed on the night? - Mm-hmm.
0:15:29 > 0:15:32- When the room was locked down, could anyone else have got in?- No.
0:15:32 > 0:15:38Not until I entered the code, and it can only be opened from the outside.
0:15:40 > 0:15:43- Death was instantaneous?- He was killed by a .22 bullet.
0:15:43 > 0:15:46Shot up through the throat and straight into his skull.
0:15:46 > 0:15:49It could almost be suicide, couldn't it, but for two things.
0:15:49 > 0:15:54One, gunshot and then alarm. How did Charlie shoot himself and then shut down a heavy steel door?
0:15:54 > 0:15:58And secondly, if it was suicide, why didn't we find a pistol?
0:15:58 > 0:16:00Then, if it was murder...
0:16:00 > 0:16:03How did the murderer kill DI Hulme and then escape from a locked steel room?
0:16:03 > 0:16:05James Lavender. How do you do?
0:16:05 > 0:16:09Can you tell me exactly where you were standing when the gun went off?
0:16:09 > 0:16:13- Fortunately for me, when the gun went off, I was down here on my beach.- Oh, I see.
0:16:13 > 0:16:16Your beach? Little proprietorial, aren't we?
0:16:16 > 0:16:18Well, I do own it.
0:16:18 > 0:16:21Right, and what were you doing down here?
0:16:21 > 0:16:27I was down here for a touch of privacy with a special friend.
0:16:27 > 0:16:32- A special friend who wasn't necessarily your wife? - Which was rather the problem.
0:16:32 > 0:16:35James?
0:16:35 > 0:16:37My wife Sarah spotted us.
0:16:39 > 0:16:44The argument was quick, wordless. Ended with a large glass of wine all over her dress.
0:16:44 > 0:16:47That means you were at the party when the gun went off?
0:16:47 > 0:16:50No, I came back down here. But my friend had gone.
0:16:50 > 0:16:53And how well do you know the deceased?
0:16:53 > 0:16:56Not at all. Maybe Sarah invited her.
0:16:57 > 0:16:59Sorry do we have to, er...
0:16:59 > 0:17:03- And do you own a .22 pistol? - No, I don't know the first thing about guns.
0:17:03 > 0:17:05Wouldn't know one end from another.
0:17:05 > 0:17:08But you've really dressed for the Caribbean, haven't you?
0:17:08 > 0:17:11Yeah. Having heard the gunshot, what did you do next?
0:17:11 > 0:17:17Well, then the alarms went off. I didn't know what was going on, so I hid.
0:17:17 > 0:17:19Until I saw the police arrive.
0:17:24 > 0:17:28I see the safe was open. How many people know the combination to open it?
0:17:28 > 0:17:31Well, I do, of course. And my wife.
0:17:31 > 0:17:33- That's it? Just the two of you? - Yeah.
0:17:33 > 0:17:35- Well, did you open it that night? - No.
0:17:35 > 0:17:38- Or give DI Hulme the combination? - No.
0:17:38 > 0:17:41Then your wife must have opened it.
0:17:41 > 0:17:43You'll have to ask her yourself, won't you?
0:17:43 > 0:17:46My, my dress was ruined. I was humiliated.
0:17:46 > 0:17:48I came back to the house.
0:17:48 > 0:17:52So this is where I was when the alarm went off.
0:17:52 > 0:17:57- And what did you do next? - I came in here to get dressed.
0:17:57 > 0:18:01- Did you invite DI Hulme to the party?- No. Didn't my husband?
0:18:01 > 0:18:03He says he didn't.
0:18:04 > 0:18:08- On the day of the party, did you open the safe?- No.
0:18:08 > 0:18:12- Or give DI Hulme the combination so he could open it?- No.
0:18:16 > 0:18:18She's lying, isn't she?
0:18:18 > 0:18:21One of them must have opened the safe, but why?
0:18:21 > 0:18:24We've got a British policeman murdered in a rich man's panic room
0:18:24 > 0:18:26with an old book clutched in his hands.
0:18:26 > 0:18:30A safe that's open and a vase that's smashed.
0:18:30 > 0:18:35As for suspects, there are only two people without an alibi.
0:18:35 > 0:18:39James, because he was down on his beach alone, and Sarah, because she was taking a shower.
0:18:39 > 0:18:41Not that any of this matters.
0:18:41 > 0:18:44It doesn't get us any closer to understanding the how.
0:18:44 > 0:18:48How did the murderer kill Hulme and escape from a locked room? It's impossible.
0:18:48 > 0:18:51Right, I need to see the pieces from the vase
0:18:51 > 0:18:56- and the book Charlie was holding, but first I need to see the body. - That won't be possible.
0:18:56 > 0:18:59- What won't? Seeing the body? - No, none of it.
0:18:59 > 0:19:02The book, the body, the vase - none of it is here.
0:19:02 > 0:19:05- What are you saying? - It's in Basse-Terre.- Fine, we'll get sandwiches on the way.
0:19:05 > 0:19:09- Basse-Terre, Guadeloupe.- Fine.
0:19:09 > 0:19:12Which is a completely different island.
0:19:14 > 0:19:19- What?- We don't have forensic labs and DNA analysis and ballistics here.
0:19:19 > 0:19:23We are just a small island, so I bag the evidence from the murder
0:19:23 > 0:19:27- and it all gets flown to Guadeloupe. - Then how are we supposed to solve this case?
0:19:27 > 0:19:30- We'll get their reports.- When?
0:19:30 > 0:19:33Arrange for the vase and the book to be sent here by tomorrow.
0:19:33 > 0:19:36- Can you manage that?- Of course, sir.
0:19:51 > 0:19:55- How do you get anything done on this island?- Beats me.
0:19:55 > 0:19:58It's a wonder how we get out of bed in the morning.
0:19:58 > 0:20:02How are we supposed to find this mystery woman,
0:20:02 > 0:20:07when all we've got is a photograph of the back of her head?
0:20:07 > 0:20:10I remember when Charlie Hulme first got here,
0:20:10 > 0:20:12trying to reorganise the whole filing system.
0:20:12 > 0:20:16- Yes, I remember that.- He had that whole alphabetical thing going on,
0:20:16 > 0:20:19would have taken us months if I hadn't talked him out of it.
0:20:19 > 0:20:21- I'll try in there.- OK.
0:20:21 > 0:20:25Lily, how are you getting on with the...
0:20:25 > 0:20:26But why does he want us to do...
0:20:28 > 0:20:30But that's just a waste of our time.
0:20:32 > 0:20:33I'll get Fidel on it. OK?
0:20:33 > 0:20:35No luck.
0:20:35 > 0:20:38He wants the smashed vase and the book brought back from Guadeloupe.
0:20:38 > 0:20:40But why? They'll have only just got there.
0:20:40 > 0:20:43Maybe he wants to colour-code them!
0:21:24 > 0:21:26Hello?
0:21:26 > 0:21:28Who are you?
0:21:28 > 0:21:33I'm Detective Inspector Richard Pool of the Metropolitan Police.
0:21:33 > 0:21:34Who are you?
0:21:34 > 0:21:38I, erm... I am Mr Hulme's cleaner.
0:21:39 > 0:21:41You're his cleaner?
0:21:42 > 0:21:46Well, I won't get in your way. You've got your work cut out.
0:21:48 > 0:21:49Thank you, sir.
0:21:51 > 0:21:58- So, are you a friend of Charlie's? - Something like that.
0:21:58 > 0:22:00You're from England, right?
0:22:00 > 0:22:04- Ah, you can tell, can you?- Yeah.
0:22:04 > 0:22:08Erm, what are you doing here? Is it a holiday, sir?
0:22:10 > 0:22:11You haven't heard, have you?
0:22:12 > 0:22:14Heard what?
0:22:15 > 0:22:17SHE SOBS
0:22:27 > 0:22:30And he was such a nice man.
0:22:30 > 0:22:34- So full of life, not your typical... - Yes, I've heard, yeah.
0:22:34 > 0:22:37But who would kill him?
0:22:37 > 0:22:40We're pursuing a number of lines of inquiries.
0:22:43 > 0:22:48- Are you, are you staying here, sir? - Er, yes, apparently so.
0:22:48 > 0:22:52- And will you be here long? - I hope not.
0:22:52 > 0:22:54Oh, do you need a cleaner?
0:22:55 > 0:22:59Or laundry? I could always send any of your suits...
0:22:59 > 0:23:01No, it's fine, really, don't worry.
0:23:01 > 0:23:05I'll just, erm, borrow the odd item from Mr Hulme.
0:23:05 > 0:23:07- They're not all clean.- Oh, please!
0:23:14 > 0:23:18You know I never thought I'd get fed up going from bar to bar talking to women.
0:23:18 > 0:23:20- Know what I'm wondering?- What?
0:23:20 > 0:23:23- Maybe he'll stay.- Who?
0:23:23 > 0:23:27- The new chief.- Hey, hey.
0:23:27 > 0:23:34Our new boss, he's many things. And I could probably draw up a long list, but he's no chief, OK?
0:24:00 > 0:24:06No! You lost my suitcase, so you can find my suitcase.
0:24:06 > 0:24:10What do you mean you've got no record of it? I filled in the form and gave it to Daphne.
0:24:10 > 0:24:15Daphne! She was standing by the lost luggage counter when I lost my...
0:24:15 > 0:24:17I'll ring you back.
0:24:20 > 0:24:21Shoo!
0:24:45 > 0:24:47HE SNIFFS
0:25:07 > 0:25:10Where can I get a .22 calibre gun and some blank rounds?
0:25:13 > 0:25:18- Best if I don't ask? - It's always best if you don't ask.
0:25:18 > 0:25:21So the book and vase have arrived from Guadeloupe.
0:25:21 > 0:25:24- Hey, Smithy! - Well, done, Lily. Good work.
0:25:24 > 0:25:28- So this is it? The book Charlie was holding when he was shot.- Mm-hmm.
0:25:28 > 0:25:30What's so special about it?
0:25:31 > 0:25:35Ah! And now the pieces from the smashed vase.
0:25:35 > 0:25:39- Yeah, yes, this is all good. I should be able to... - There are still two more bags, sir.
0:25:39 > 0:25:44- Even so, a bit of glue and, er... - OK, the gun is sorted.
0:25:44 > 0:25:49Well, when you get it, bring it straight to James Lavender's house.
0:25:49 > 0:25:51- Lily and I are going there now. - We are? Why?
0:25:51 > 0:25:54Because it turns out Lady Salcombe's been lying to us.
0:26:13 > 0:26:15Good morning, Lady Salcombe.
0:26:15 > 0:26:17Please, call me Sarah.
0:26:17 > 0:26:20Then tell me, Sarah, why did you lie to me?
0:26:20 > 0:26:22- I'm sorry?- You knew Charlie Hulme.
0:26:22 > 0:26:25- No, I didn't!- You'd been to his house before, hadn't you?
0:26:25 > 0:26:30I smelled a perfume on one of his towels, a perfume I'd only smelled once before in your dressing room.
0:26:32 > 0:26:33You shot Charlie Hulme.
0:26:33 > 0:26:37- What? No!- In the Panic Room that night...- No I didn't. - Then you went for a shower,
0:26:37 > 0:26:41- washing off evidence. - I didn't kill Charlie! - You did, Sarah, in cold blood!
0:26:41 > 0:26:46- You put a gun to his throat and pulled the trigger. - No, I didn't kill him, I loved him!
0:26:46 > 0:26:51I'd always worried that James would find out about Charlie and me,
0:26:51 > 0:26:53but when I saw him shot dead...
0:26:53 > 0:26:57You think James killed him?
0:26:57 > 0:26:59- Charlie was investigating my husband.- Why?
0:26:59 > 0:27:04- He said he didn't dare tell me, my life would be in danger. - It was you.
0:27:04 > 0:27:08You gave Charlie the combination to the safe, didn't you?
0:27:08 > 0:27:12Charlie said, there was a book in the safe
0:27:12 > 0:27:14and that if he could just get a hold of it,
0:27:14 > 0:27:16he would be able to put my husband in prison.
0:27:16 > 0:27:20We've seen it, it's just a guidebook. What's so special about it?
0:27:20 > 0:27:24Apologies for interrupting. Your colleagues say they're ready.
0:27:24 > 0:27:30- Dwayne. Psst! Dwayne. So, who is your prime suspect?- Sorry?
0:27:30 > 0:27:35Well, we're having a little sweepstake, so, you know, a nod in the right direction?
0:27:35 > 0:27:38It's a bit of a mystery so far.
0:27:38 > 0:27:41We're thinking of fitting up one of the staff.
0:27:43 > 0:27:46Listen, when I'm dressed like this, don't mess with me, OK?
0:27:53 > 0:27:56- OK, Dwayne and Fidel, are you in position.- Yep.
0:27:59 > 0:28:02- Are you sure these are blanks?- Yes.
0:28:08 > 0:28:11- Did either of you hear that? - You fired that gun yet?
0:28:13 > 0:28:16The Detective Inspector's going to fire again.
0:28:20 > 0:28:24- You hear that?- No, nothing.
0:28:26 > 0:28:31This is a .22 pistol. The same calibre as the gun that killed Charlie Hulme,
0:28:31 > 0:28:34so if Dwayne and Fidel can't hear me firing on a day like today,
0:28:34 > 0:28:39- what did the guests hear on the night of the party?- The gunshot that killed Charlie Hulme.- No.
0:28:39 > 0:28:44Any gunshot they heard must have come from a larger calibre gun. A louder gun.
0:28:44 > 0:28:46Ah! Well, if it's a louder gun you're looking for?
0:28:46 > 0:28:50- You said you didn't own a gun.- No, I said I didn't own a .22 pistol.
0:28:50 > 0:28:53But if it's a large gun you're after... Darling?
0:28:53 > 0:28:54What large gun?
0:28:54 > 0:28:59It was my father's, his service revolver. It's been here for years.
0:29:08 > 0:29:11It's gone.
0:29:11 > 0:29:15There's a box of bullets, but the gun's disappeared.
0:29:15 > 0:29:18.38 calibre, Smith Wesson rounds.
0:29:18 > 0:29:23Yup, it's a loud gun. And now it's missing.
0:29:23 > 0:29:28- Who knew it was kept there? - Me, of course. And...and James.
0:29:28 > 0:29:31- Anyone else?- No.
0:29:31 > 0:29:35So once again, it's either James or Sarah,
0:29:35 > 0:29:37and I don't peg Sarah as a murderer.
0:29:37 > 0:29:40Are you saying women don't kill people?
0:29:40 > 0:29:44Sir, she doesn't have an alibi for the time of the murder.
0:29:44 > 0:29:46She was having an affair with the deceased.
0:29:46 > 0:29:50She owns a gun she didn't tell us about, which now has gone missing.
0:29:50 > 0:29:54Oh, and she turns up at the scene of the murder having showered and washed her hair?!
0:29:54 > 0:29:57- Well, that at least is understandable.- What?
0:29:57 > 0:30:00The shower, this unremitting heat. I mean, how many showers do you have a day?
0:30:07 > 0:30:10What's in this book worth dying for?
0:30:12 > 0:30:17If we could just prove the service revolver was fired that night...
0:30:20 > 0:30:22All right, sir?
0:30:22 > 0:30:25Yeah. It'd mean that Charlie could have been killed
0:30:25 > 0:30:27before 8pm with a quiet .22 pistol,
0:30:27 > 0:30:32and the service revolver was only fired at 8pm to establish an apparent time of death.
0:30:32 > 0:30:33You need a break.
0:30:34 > 0:30:36Let's go for a walk.
0:30:36 > 0:30:38Where?
0:30:41 > 0:30:45So, tell me, what's London like?
0:30:47 > 0:30:48Oh, er...
0:30:48 > 0:30:50Noisy, a mess.
0:30:50 > 0:30:53Like being in a bar fight mostly, but, er...
0:30:53 > 0:30:54You love it.
0:30:54 > 0:30:56The only place I'd live.
0:30:58 > 0:31:00What's a typical London experience?
0:31:00 > 0:31:02Hmm? Something that fills you with joy.
0:31:04 > 0:31:06Tell me...
0:31:08 > 0:31:09Er, so...
0:31:11 > 0:31:14Walking into my local, the White Hart.
0:31:14 > 0:31:18It's snowing, bitterly cold outside,
0:31:18 > 0:31:20but there's a fire roaring in the grate,
0:31:20 > 0:31:23the windows misty with condensation.
0:31:23 > 0:31:27And I've got a beer in my hand, sitting in the snug,
0:31:27 > 0:31:31in the chair that I sit in...
0:31:31 > 0:31:32And that first sip.
0:31:32 > 0:31:33Alone?
0:31:36 > 0:31:38Yes, but that feeling.
0:31:38 > 0:31:41You know of, er...belonging, knowing who you are.
0:31:45 > 0:31:47Whatever this is, it's not that.
0:31:56 > 0:31:59OK, so I'll see you tomorrow, shall I?
0:32:01 > 0:32:03Yes, yes. Good idea. Yeah.
0:32:06 > 0:32:07And, thanks again.
0:32:07 > 0:32:09Good night.
0:32:09 > 0:32:11Yeah, good work.
0:32:13 > 0:32:15Er, you've been fantastic.
0:32:30 > 0:32:33Oh, right! Yes, of course. Er...
0:32:33 > 0:32:36It's the bins.
0:32:36 > 0:32:37Have the bin men been yet?
0:32:37 > 0:32:39I wondered if you could go next door
0:32:39 > 0:32:42and just push my bins back onto the driveway,
0:32:42 > 0:32:44you know, where they normally live.
0:32:44 > 0:32:47Oh! Oh, well, if you're at work then, yeah...
0:32:47 > 0:32:49No, no, no, no, I quite understand.
0:32:49 > 0:32:52Although if your wife's at home, maybe she could...
0:32:52 > 0:32:54No, no. Yeah, of course. Yeah, that would be...
0:32:54 > 0:32:58No, no, the bins can just stay there, on the street, until you get home.
0:32:58 > 0:33:00Well, that's very kind of you, Jeremy. Thank you.
0:33:00 > 0:33:02Give my regards to Eileen... Elaine!
0:33:02 > 0:33:04Yeah. Er...
0:33:04 > 0:33:06And, um, the girls.
0:33:06 > 0:33:09Yeah, and don't worry about my bins next week.
0:33:09 > 0:33:12Yeah, fingers crossed, I'll be home by then. Thank you.
0:35:00 > 0:35:01Oh, come on!
0:35:12 > 0:35:14So, that's a date.
0:35:14 > 0:35:18See you in the pool at my friend's mansion in the hills.
0:35:18 > 0:35:20OK, then.
0:35:20 > 0:35:21Bye.
0:35:21 > 0:35:24Bye-bye.
0:35:26 > 0:35:29Who was that?
0:35:29 > 0:35:30A friend.
0:35:30 > 0:35:32I've never seen her before.
0:35:32 > 0:35:33She's a tourist.
0:35:33 > 0:35:35I've been showing her around the island.
0:35:35 > 0:35:37Is the inspector in yet?
0:35:37 > 0:35:39No, he found a key.
0:35:39 > 0:35:41Looks like it's for a safety deposit box.
0:35:41 > 0:35:44Him and Lily have gone to the bank to check it out.
0:35:45 > 0:35:48Just knock on the door when you want to be let out.
0:35:51 > 0:35:53So, Charlie's a policeman abroad.
0:35:53 > 0:35:56It's not necessarily suspicious for him to have a safety deposit box.
0:35:56 > 0:35:59On the other hand...
0:36:06 > 0:36:09Blank.
0:36:12 > 0:36:15Cash, forged passports.
0:36:15 > 0:36:17Human trafficking - it's got to be.
0:36:17 > 0:36:20Up through the Caribbean, and into the States.
0:36:20 > 0:36:22It's a multi-million dollar trade
0:36:22 > 0:36:24and it absolutely relies on corrupt officials.
0:36:24 > 0:36:28But how does all this tie in with James Lavender?
0:36:28 > 0:36:29Oh, well. That, sir, is easy.
0:36:29 > 0:36:31How come?
0:36:31 > 0:36:34Because that is James Lavender's boat.
0:36:36 > 0:36:39We found these in Charlie Hulme's safety deposit box.
0:36:39 > 0:36:41I want them logged and fingerprinted ASAP.
0:36:41 > 0:36:44- Yes. The airport - they've found your luggage.- Not now.
0:36:44 > 0:36:48Dwayne - Lily's getting a warrant to search James's house and yacht.
0:36:48 > 0:36:51I need you to give me a lift to the harbour, if you would.
0:36:51 > 0:36:54You do have another car, don't you?
0:36:54 > 0:36:55It's not just...
0:36:56 > 0:36:59It's just the one car, isn't it?
0:36:59 > 0:37:01What do you do in emergencies?
0:37:01 > 0:37:03I thought you'd never ask.
0:37:30 > 0:37:32There she is, over there.
0:37:32 > 0:37:35How are we going to get to it?
0:37:38 > 0:37:39No, no. Um...
0:37:39 > 0:37:41We haven't got a search warrant.
0:37:51 > 0:37:52We have now.
0:38:01 > 0:38:02Locked.
0:38:13 > 0:38:15Hey, look what I've found!
0:38:31 > 0:38:33You all right there, sir?
0:38:38 > 0:38:40- People smuggling.- Told you.
0:38:42 > 0:38:46- Hang on! You're Charlie's cleaner! - He didn't have a cleaner.
0:38:46 > 0:38:47She was in my house!
0:38:47 > 0:38:50- Dressed like that? - No, dressed as a cleaner!
0:38:54 > 0:38:55Now what?!
0:39:25 > 0:39:26There you are!
0:39:30 > 0:39:35Remind me to tell you the story of the tortoise and the hare sometime.
0:39:55 > 0:39:58What were you doing on James Lavender's boat?
0:39:59 > 0:40:02OK. What's your relationship with James Lavender?
0:40:02 > 0:40:05What were you doing at Charlie's pretending to be a cleaner?
0:40:07 > 0:40:08Hang on!
0:40:14 > 0:40:16This is you.
0:40:16 > 0:40:20You were at the party that night. Why?
0:40:20 > 0:40:21Is this a formal interview?
0:40:23 > 0:40:26- No, of course not. - Then why are you talking to me?
0:40:28 > 0:40:30No. Of course.
0:40:30 > 0:40:33I'll arrange for a duty solicitor to visit you immediately.
0:40:33 > 0:40:35SHE LAUGHS
0:40:36 > 0:40:39What's so funny?
0:40:39 > 0:40:41Oh, no... It's just...
0:40:41 > 0:40:45It's 100 degrees in here and you're standing there in a suit and tie
0:40:45 > 0:40:48talking about duty solicitors!
0:40:48 > 0:40:49I'm a British policeman.
0:40:49 > 0:40:51No?! You're kidding me!
0:40:51 > 0:40:56You're there because I found you on a boat that's been used for people smuggling.
0:40:59 > 0:41:03Give me my phone call.
0:41:03 > 0:41:05Fidel, our friend wants her one phone call.
0:41:05 > 0:41:06Yes, sir!
0:41:06 > 0:41:11- Right, Lily, I think it's time to put the squeeze on James Lavender. - Yes, sir!
0:41:15 > 0:41:17I'm not leaving until we've got it all.
0:41:17 > 0:41:21How the people smuggling works, who that woman is in the cells...
0:41:21 > 0:41:25Oh, and what Charlie was doing in the Panic Room when he was killed.
0:41:25 > 0:41:27Why he was killed, why he was holding the book,
0:41:27 > 0:41:33and how, finally, how Charlie was murdered.
0:41:36 > 0:41:37Oh, no!
0:41:45 > 0:41:48Dead. He must have shot himself.
0:41:48 > 0:41:50It's a .22 pistol, isn't it?
0:41:50 > 0:41:53Just like the one that killed Charlie Hulme.
0:41:53 > 0:41:56This isn't a suicide, sir.
0:41:56 > 0:41:58This is a confession.
0:41:58 > 0:41:59James killed Charlie.
0:41:59 > 0:42:02But someone warned him, didn't they?
0:42:04 > 0:42:05Her one phone call.
0:42:06 > 0:42:09OK, so who did you phone?
0:42:11 > 0:42:13You are in so much trouble.
0:42:21 > 0:42:23Sir, there's been a breakout.
0:42:23 > 0:42:25I'm ringing the coastguard and Interpol.
0:42:25 > 0:42:27We need to alert the airport.
0:42:27 > 0:42:28How did she escape from a cell?!
0:42:28 > 0:42:31Detective Inspector.
0:42:31 > 0:42:34Can I introduce you to Detective Sergeant Camille Bordey?
0:42:34 > 0:42:37Born in Sainte-Marie, trained in Paris,
0:42:37 > 0:42:41but for the last two years has been working undercover on Guadeloupe.
0:42:41 > 0:42:43Making the case against James Lavender.
0:42:43 > 0:42:44And she's back on the island.
0:42:44 > 0:42:47I'm days away from an arrest, so I'd appreciate if you'd...
0:42:47 > 0:42:51There's an undercover officer working on the same case, and you didn't tell me?
0:42:51 > 0:42:56We couldn't. Camille thinks a corrupt officer is helping Lavender. We couldn't take the risk.
0:42:56 > 0:43:00It won't be me, will it?! I've been in Croydon for the last 13 years!
0:43:01 > 0:43:04And if you're looking for your corrupt copper,
0:43:04 > 0:43:06it was Charlie Hulme.
0:43:06 > 0:43:07How do you know that?
0:43:07 > 0:43:10I've got evidence linking him to trafficking and James's yacht.
0:43:10 > 0:43:14Charlie was clearly James's right-hand man.
0:43:14 > 0:43:17- We need to arrest James Lavender right now.- Small problem.
0:43:17 > 0:43:21Don't tell me, there is some form we have to fill in first in triplicate?
0:43:23 > 0:43:24James Lavender's dead.
0:43:24 > 0:43:29Looks like suicide. Either way, as far as this case goes,
0:43:29 > 0:43:33Charlie Hulme's a dead end, and now so too is James Lavender.
0:43:42 > 0:43:44This place!
0:43:44 > 0:43:47Sir, look, if James killed Charlie and then killed himself,
0:43:47 > 0:43:50I can take over from here and finish the paperwork.
0:43:50 > 0:43:52You could be on the next plane out of here.
0:43:52 > 0:43:54Don't, I'm imagining it now.
0:43:54 > 0:43:58Walking out at Heathrow, being cold...
0:43:58 > 0:44:01Finally being cold again!
0:44:01 > 0:44:03- I never thought I'd miss it.- Miss what?
0:44:03 > 0:44:07Drizzle. That feeling on your face. Like a wet flannel.
0:44:07 > 0:44:08Oh, England.
0:44:08 > 0:44:11Problem is, we may know what happened,
0:44:11 > 0:44:13but we still don't really know how it happened.
0:44:13 > 0:44:17How was Charlie killed from inside a locked panic room?
0:44:17 > 0:44:19I need you to stay here and conclude the interviews.
0:44:19 > 0:44:21Fidel, you're with me.
0:44:21 > 0:44:23Yes, sir!
0:44:28 > 0:44:30I don't believe it!
0:44:30 > 0:44:31How long?
0:44:31 > 0:44:34You do not ever want to know how long!
0:44:34 > 0:44:36OK, that seems about right.
0:44:36 > 0:44:41This wasn't knocked over. Look, here and here.
0:44:41 > 0:44:45It was shot from slightly above and angling downwards.
0:44:45 > 0:44:49Now, if you go over towards the desk...
0:44:49 > 0:44:50Let's say you're James.
0:44:50 > 0:44:52You think James shot Charlie?
0:44:52 > 0:44:55At this stage, all I know is that somebody shot this vase.
0:44:55 > 0:44:59But, with a .22 bullet or a .38? That's the question.
0:44:59 > 0:45:03The whole case rather depends on us finding the answer.
0:45:03 > 0:45:05So, if you just hold that absolutely still,
0:45:05 > 0:45:07let's find out where the bullet went.
0:45:29 > 0:45:34You need to watch out for snakes, sir. They can be in the trees sometimes too.
0:45:41 > 0:45:43Oh, God!
0:45:44 > 0:45:48I thought you were a... Where have you been?
0:45:48 > 0:45:53I figured the tortoise would get there a whole lot quicker with a metal detector.
0:45:55 > 0:46:00DETECTOR CRACKLES
0:46:02 > 0:46:04DETECTOR BEEPS LOUDLY
0:46:25 > 0:46:27Finally, proof!
0:46:27 > 0:46:31The bullet that shot the vase on the night of the murder was a .38,
0:46:31 > 0:46:36fired by a bloody loud service revolver.
0:46:36 > 0:46:38PHONE RINGS
0:46:38 > 0:46:40Oh, no, not again!
0:46:40 > 0:46:43Yes, what? Sorry?
0:46:43 > 0:46:45No, no, no, start again.
0:46:45 > 0:46:46My luggage.
0:46:46 > 0:46:49What do you mean it's still in Heathrow?
0:46:49 > 0:46:51You lost it in Sainte-Marie!
0:46:52 > 0:46:54Eh? Oh!
0:46:55 > 0:46:57Oh, I see.
0:46:59 > 0:47:04No, sorry. Just keep it in Heathrow, please, and I'll be back...soon.
0:47:04 > 0:47:07In fact, I'll be on the next plane out of here!
0:47:09 > 0:47:10Are you OK, sir?
0:47:10 > 0:47:14They never put my luggage on the plane!
0:47:15 > 0:47:16Yep.
0:47:18 > 0:47:19Yes, of course!
0:47:19 > 0:47:20Oh!
0:47:20 > 0:47:23It's the heat. It's finally got the better of him.
0:47:23 > 0:47:24You fire the gun...
0:47:24 > 0:47:27- Should I call for an ambulance? - Yes, you do!
0:47:27 > 0:47:29Of course! Thank you, Fidel!
0:47:29 > 0:47:34Yes, OK, so the phone call and then...
0:47:34 > 0:47:35Into the sea with you.
0:47:35 > 0:47:38Brilliant, brilliant.
0:47:38 > 0:47:40Leaving the murderer free to...
0:47:40 > 0:47:42commit murder.
0:47:42 > 0:47:46Er, just loosen your tie a moment there, sir.
0:47:46 > 0:47:47It's very, very simple.
0:47:47 > 0:47:49Call the ambulance.
0:47:49 > 0:47:52No, call the Commissioner. He needs to be here for the arrest.
0:47:52 > 0:47:55You said it. Get the Commissioner here as soon as possible.
0:47:55 > 0:47:58But why kill him in the first place, that's the question?
0:47:58 > 0:48:01But then, if the bullet's not the bullet...
0:48:01 > 0:48:03What if...?
0:48:07 > 0:48:09Yes!
0:48:09 > 0:48:13- How many fingers am I holding up? - James Lavender had a mobile phone on him when he died. Get it!
0:48:13 > 0:48:19I'm also going to need the .22 pistol he was holding when we found his body.
0:48:19 > 0:48:23While you're getting them, you and me are going to have a little chat.
0:48:30 > 0:48:34You know, I should have realised the lessons of my luggage sooner.
0:48:34 > 0:48:35Your luggage?
0:48:35 > 0:48:38My case was never loaded onto the plane at Heathrow.
0:48:38 > 0:48:40So, when the hold was opened in Sainte-Marie,
0:48:40 > 0:48:42it appeared to have disappeared,
0:48:42 > 0:48:45whereas in reality, it was never in there in the first place.
0:48:45 > 0:48:48- How does that help? - When the panic room was opened,
0:48:48 > 0:48:53we thought the killer had disappeared, but in reality, the murderer was never in there.
0:48:53 > 0:48:56Please just tell me who killed Charlie.
0:48:56 > 0:49:01When Charlie investigated your husband, he set in motion a chain of events
0:49:01 > 0:49:04that led to his murder and your husband's.
0:49:04 > 0:49:09On the night of the party, James found Charlie in the panic room, and realised he had to kill him.
0:49:11 > 0:49:14The only problem being, James doesn't know his way round a gun,
0:49:14 > 0:49:18as he told us, so he only managed to shoot the vase.
0:49:18 > 0:49:21At which point, Charlie does the only logical thing,
0:49:21 > 0:49:25and locks himself safely inside the panic room.
0:49:25 > 0:49:29Now, James has just tried to kill a policeman, so what does he do?
0:49:30 > 0:49:33He goes back to his beach,
0:49:33 > 0:49:36where he disposed of the service revolver
0:49:36 > 0:49:39before making a call.
0:49:39 > 0:49:41In fact, he must have made a phone call.
0:49:41 > 0:49:44He didn't kill Charlie Hulme, so who did he get to do it?
0:49:44 > 0:49:46You can't be sure it wasn't James.
0:49:46 > 0:49:47I can!
0:49:47 > 0:49:51James only managed to shoot a vase using your service revolver.
0:49:51 > 0:49:54The only gunshot that was heard on the night.
0:49:54 > 0:49:56Don't you see what this means?
0:49:56 > 0:49:59We have no way of knowing when Charlie was killed,
0:49:59 > 0:50:04because nobody heard the .22 gunshot that killed him.
0:50:04 > 0:50:08He could have been killed at any time on the night of the murder.
0:50:08 > 0:50:13- So, are you saying he was killed before the panic room was shut down? - Haven't you worked it out yet?- No.
0:50:13 > 0:50:16I know who the murderer is.
0:50:16 > 0:50:18And so do you, Sergeant Thompson, because it's you.
0:50:21 > 0:50:24You murdered Charlie Hulme.
0:50:24 > 0:50:27- Are you insane?- No. Dwayne?
0:50:27 > 0:50:30You quickly realised killing Charlie only bought you time,
0:50:30 > 0:50:32isn't that right?
0:50:32 > 0:50:36'How did the murderer kill Charlie and escape from a locked steel room?'
0:50:36 > 0:50:38What you needed next was a sacrificial lamb,
0:50:38 > 0:50:40so you put a safety deposit key in my room,
0:50:40 > 0:50:43knowing that I'd find it the next time I showered.
0:50:43 > 0:50:46I mean, how many showers do you have a day?
0:50:46 > 0:50:49Because once I had the key,
0:50:49 > 0:50:51you could lead me to the safety deposit box,
0:50:51 > 0:50:54with all the evidence you'd planted to create links
0:50:54 > 0:50:57between Charlie Hulme, human trafficking and James Lavender,
0:50:57 > 0:51:02who you killed before picking up the warrant for us to search his yacht.
0:51:12 > 0:51:14Sir! This is all lies!
0:51:14 > 0:51:16Can you prove any of this?
0:51:16 > 0:51:19Charlie was found shot dead inside a locked panic room,
0:51:19 > 0:51:21on his own, no gun nearby.
0:51:21 > 0:51:24If you think about it, as he's the only person inside,
0:51:24 > 0:51:27he must have been alive when the room was locked down.
0:51:27 > 0:51:30Who else could have shut the door apart from him?
0:51:30 > 0:51:32He was the only person found in there.
0:51:32 > 0:51:35And if he was alive when he locked the room down...
0:51:35 > 0:51:38'So, everybody out and don't touch anything.'
0:51:38 > 0:51:42..he must also have been alive when Sergeant Thompson opened it up.
0:51:42 > 0:51:45SILENCED GUNSHOT
0:51:47 > 0:51:50Even if he was dead within seconds of her arriving on the scene.
0:51:50 > 0:51:53You see, this wasn't an impossible murder.
0:51:53 > 0:51:56It merely happened after the police arrived.
0:51:56 > 0:51:58Isn't that so, Sergeant?
0:51:58 > 0:52:01Now, I wonder who James rang that night,
0:52:01 > 0:52:04having just attempted to murder a British policeman?
0:52:04 > 0:52:07Ah, well now, here we are.
0:52:07 > 0:52:09Because if he rang you, Sergeant,
0:52:09 > 0:52:12that's going to be pretty incriminating, don't you think?
0:52:13 > 0:52:15HER PHONE RINGS
0:52:29 > 0:52:30Hello?
0:52:30 > 0:52:32Why did he ring you, if not to say
0:52:32 > 0:52:36that Charlie was going to take you both down, unless you took him out?
0:52:39 > 0:52:41Why would I kill Charlie Hulme?
0:52:41 > 0:52:44Are you saying women don't kill people?
0:52:44 > 0:52:47Because of the book he held, which he'd got from the safe,
0:52:47 > 0:52:50and which was about to put you and James in prison.
0:52:50 > 0:52:52The book he was holding was a travel guide.
0:52:52 > 0:52:54- But was it, sir?- Yes, it was.
0:52:54 > 0:52:57And yet, with this case, nothing has been as it seems.
0:52:57 > 0:53:00The gun heard on the night wasn't the gun that killed Charlie.
0:53:00 > 0:53:05The bullet that was fired wasn't the bullet that killed Charlie.
0:53:05 > 0:53:06So this is what I thought.
0:53:06 > 0:53:10What if the book Charlie was holding wasn't the book Charlie was holding?
0:53:10 > 0:53:12It's Charlie Hulme.
0:53:12 > 0:53:15Imagine the book WAS incriminating, and you're Lily.
0:53:15 > 0:53:18What do you do? Well, you clear the crime scene, standard procedure,
0:53:18 > 0:53:19but then what?
0:53:19 > 0:53:22Call an ambulance. Now!
0:53:22 > 0:53:27Everyone's seen the book in his hand. You can't remove it, so you swap it,
0:53:27 > 0:53:30for any book on these shelves that looks the same.
0:53:30 > 0:53:34The innocent book going into Charlie's hands,
0:53:34 > 0:53:37and the incriminating book going back on the shelves,
0:53:37 > 0:53:40concealed amongst all these others.
0:53:40 > 0:53:42Hidden in plain view, as it were.
0:53:42 > 0:53:46And what's more, I reckon I can do this in one.
0:53:52 > 0:53:54Oh. Charlie Hulme's blood on this.
0:53:54 > 0:53:55You see?
0:53:55 > 0:54:01Everything you'd need to prove James's involvement in human trafficking.
0:54:01 > 0:54:02Money, dates, cargoes...
0:54:02 > 0:54:04How did you just do that?
0:54:04 > 0:54:07This is the only one with no writing down the spine.
0:54:07 > 0:54:11I imagine you were planning to come back some time and retrieve it.
0:54:11 > 0:54:14Oh, your name's in here.
0:54:14 > 0:54:16All the way through, in fact.
0:54:16 > 0:54:19And, er, here's a fingerprint in Charlie Hulme's blood.
0:54:19 > 0:54:21I mean, logically, if you think about it,
0:54:21 > 0:54:25that's going to be quite hard to explain if it turns out to be yours.
0:54:27 > 0:54:29You know, I have to take my hat off to you.
0:54:29 > 0:54:31You had me pointing this way and that.
0:54:31 > 0:54:36And there were times, I must confess, when you were...
0:54:36 > 0:54:37dazzling.
0:54:37 > 0:54:39You killed two people?
0:54:39 > 0:54:40Why?
0:54:43 > 0:54:46Do you know how many times I've been passed over?
0:54:46 > 0:54:50Someone sent from London to do a job I should be doing!
0:54:50 > 0:54:52Charlie Hulme, and now him!
0:54:52 > 0:54:54So, if I'm not good enough,
0:54:54 > 0:54:58why not take the money instead, and a lot of it?
0:54:58 > 0:55:02Enough to get away from this. Away from you!
0:55:02 > 0:55:05There's a whole world out there, you know, Fidel.
0:55:05 > 0:55:08I don't think you'll ever leave this island again.
0:55:08 > 0:55:10Dwayne, Fidel...
0:55:10 > 0:55:11If you would.
0:55:11 > 0:55:13Sure thing, Chief.
0:55:44 > 0:55:46Ay, yai yai!
0:55:46 > 0:55:48What if I'd trodden on you?
0:55:52 > 0:55:54There's no point looking at me like that, I'm off.
0:56:07 > 0:56:09It isn't a stitch up.
0:56:09 > 0:56:12Really?! So my super in London arranges for me to be posted here,
0:56:12 > 0:56:15you agree to it, and it's not a stitch up?
0:56:15 > 0:56:19Of course not. It's just a sensible re-allocation of resources.
0:56:19 > 0:56:23Look, I'm sure the Caribbean's great - beach holidays and snorkelling,
0:56:23 > 0:56:25but I can't work here, let alone live here!
0:56:25 > 0:56:28Has anyone noticed, there's a tree growing in my front room!
0:56:31 > 0:56:32I've got no luggage.
0:56:32 > 0:56:34Ah!
0:56:35 > 0:56:37What?
0:56:37 > 0:56:40You know how your luggage was left at Heathrow?
0:56:43 > 0:56:45Your suitcase, Chief.
0:56:45 > 0:56:47Anything else?
0:56:47 > 0:56:49Any other bombshells I should know about?
0:56:49 > 0:56:51Of course not, no!
0:56:51 > 0:56:54Well, maybe one.
0:56:57 > 0:56:59No!
0:56:59 > 0:57:00Tell me about it.
0:57:00 > 0:57:02You're undercover!
0:57:02 > 0:57:04You blew that when you arrested me, remember?
0:57:04 > 0:57:06No-one knows you're a copper!
0:57:06 > 0:57:08- I do!- What?
0:57:08 > 0:57:12If a crook like Marlon knows, then everyone in the underworld will know by breakfast.
0:57:12 > 0:57:14- I'm not a crook! - ALL: Yes, you are!
0:57:14 > 0:57:19- Can't you go back to Guadeloupe? - Can't you go back to London?
0:57:19 > 0:57:20- I'm trying.- Try harder!
0:57:20 > 0:57:23- I can't work with her! - I can't work with him!
0:57:23 > 0:57:25The paperwork is done, you're both staying!
0:57:25 > 0:57:29So, as Commissioner, I'm very pleased to say,
0:57:29 > 0:57:32on behalf of the Royal Sainte-Marie Police Force,
0:57:32 > 0:57:34welcome to paradise.
0:57:47 > 0:57:49Don't worry, we'll look after her.
0:57:49 > 0:57:53In the event of Lisa's death, do you inherit her fortune?
0:57:53 > 0:57:56- Who'd kill a bride?- One of this lot!
0:57:56 > 0:57:59Surely you're not saying that any of us are under suspicion?
0:57:59 > 0:58:01I'm a police officer, and I want a cup of tea.
0:58:03 > 0:58:05- You like them?- Very much.
0:58:05 > 0:58:07I've got a date.
0:58:07 > 0:58:08You're coming with us.
0:58:20 > 0:58:23Subtitles by Red Bee Media Ltd
0:58:23 > 0:58:26E-mail subtitling@bbc.co.uk