0:00:02 > 0:00:04MUSIC PLAYS
0:00:07 > 0:00:09I really should be going soon, Juliet will start to worry.
0:00:09 > 0:00:12- And how long has she got to go? - Two weeks.- Ah.
0:00:12 > 0:00:15You know, my mother said first babies are always late.
0:00:15 > 0:00:16We'll see.
0:00:17 > 0:00:20How's things going with your new step daddy?
0:00:20 > 0:00:23- Not funny, Dwayne. They're just friends.- Yeah, right!
0:00:26 > 0:00:29- Dwayne, no!- One more.
0:00:29 > 0:00:30I'm in trouble.
0:00:45 > 0:00:49Right, 15 across, "Essence of Eastern book,
0:00:49 > 0:00:52"about Greek character?"
0:00:52 > 0:00:53Any ideas?
0:00:57 > 0:00:58No, me neither.
0:01:15 > 0:01:16Bonsoir.
0:01:16 > 0:01:18Hi.
0:01:18 > 0:01:21Where are you from? What do you do?
0:01:21 > 0:01:23How about you first?
0:01:23 > 0:01:25HE LAUGHS
0:01:25 > 0:01:27You'll never guess.
0:01:27 > 0:01:30Hmm, I thought maybe a postman?
0:01:30 > 0:01:32THEY LAUGH
0:01:33 > 0:01:35- This is me.- Oh, nice.
0:01:35 > 0:01:38Thank you for walking me home.
0:01:38 > 0:01:39DOG BARKS
0:01:43 > 0:01:45You want to come in for coffee?
0:01:59 > 0:02:01You're late.
0:02:01 > 0:02:04And good morning to you, too.
0:02:04 > 0:02:05Well, that's not fair.
0:02:05 > 0:02:08- Excuse me?- I agreed to do small talk, particularly in the mornings,
0:02:08 > 0:02:11but that doesn't mean I can't point out when you're late.
0:02:11 > 0:02:14I'm late because there's been a murder.
0:02:14 > 0:02:16Up in the hills.
0:02:16 > 0:02:18- So, what do we know?- Not much.
0:02:18 > 0:02:19Nadia Selim, 30 years old.
0:02:19 > 0:02:22Lived at this address for a little under two years.
0:02:22 > 0:02:25DOG BARKS
0:02:25 > 0:02:27Quiet, Harry! Quiet! These are friends.
0:02:27 > 0:02:30Sorry, he's Nadia's dog and he's very distressed. Come here.
0:02:30 > 0:02:32And, er, you are?
0:02:32 > 0:02:34Georgie Westcott, I live across there.
0:02:34 > 0:02:38- You're the lady who made the call?- Yes.
0:02:38 > 0:02:42Well, erm, Nadia and I travel in to work together, every morning.
0:02:42 > 0:02:45But this morning she was late, which isn't like her, erm,
0:02:45 > 0:02:47and I rang, and...
0:02:47 > 0:02:49when there was no answer,
0:02:49 > 0:02:54I used my spare key and went in, and...that's when I found her.
0:03:08 > 0:03:11Hey, I've found the bedroom.
0:03:11 > 0:03:14You know, where the body is?
0:03:15 > 0:03:18You're worried the furniture's not straight?
0:03:20 > 0:03:21Yeah.
0:03:23 > 0:03:26Your neighbour's late for picking you up.
0:03:26 > 0:03:30Do you really use your spare key to enter her house?
0:03:30 > 0:03:33Why would she have coins stuffed in her mouth?
0:03:34 > 0:03:37- Sir?- That's interesting.
0:03:37 > 0:03:42I've got a body up here and somebody has stuffed coins in her mouth.
0:03:42 > 0:03:45What have you got that's SO interesting?
0:03:47 > 0:03:49Dwayne's police shield.
0:04:51 > 0:04:53Dwayne's outside.
0:05:00 > 0:05:03Sir, the medics want to know about moving the body.
0:05:03 > 0:05:05I'll, erm, go and talk to them, Fidel.
0:05:05 > 0:05:08- Photograph the scene for me, if you would.- Yes sir.
0:05:08 > 0:05:11Can you tell us how your shield ended up at a murder scene?
0:05:11 > 0:05:14I only met her last night.
0:05:14 > 0:05:15So what happened?
0:05:15 > 0:05:18When we finished last night, we all went for a drink.
0:05:18 > 0:05:21- "We all" being...? - Me, Fidel and Camille.
0:05:21 > 0:05:23I see.
0:05:23 > 0:05:24You didn't invite anyone else?
0:05:24 > 0:05:25No.
0:05:25 > 0:05:27Or think to invite anyone else?
0:05:31 > 0:05:32Never mind. Carry on.
0:05:32 > 0:05:36We had something to eat, a few beers, some rum.
0:05:36 > 0:05:39Then I met her, Nadia, outside the bar.
0:05:42 > 0:05:44Bonsoir.
0:05:44 > 0:05:49We talked, sort of hit it off, you know. She said she wanted to go for a walk.
0:05:49 > 0:05:54She was very pretty. In the end, I walked her all the way home.
0:05:54 > 0:05:57- What time was this?- About ten. - You want to come in for coffee?
0:05:57 > 0:06:01That, erm, mark on your neck, how did you get it?
0:06:01 > 0:06:03We were messing around.
0:06:03 > 0:06:06She asked me to teach her some self-defence moves.
0:06:06 > 0:06:08- You mean, you slept with her?- No!
0:06:08 > 0:06:11Like I said, I was showing her some moves.
0:06:11 > 0:06:14She said she was nervous about walking home alone.
0:06:16 > 0:06:18OK...
0:06:19 > 0:06:20..we had a bit of a cuddle.
0:06:20 > 0:06:23- Just a cuddle?- Yes.
0:06:23 > 0:06:24And after your "cuddle"?
0:06:24 > 0:06:27I left just after midnight.
0:06:27 > 0:06:29You didn't see anyone on the way home?
0:06:29 > 0:06:31No.
0:06:31 > 0:06:33And when you left, the victim was alive and well?
0:06:33 > 0:06:35- Yes.- What kind of question is that?!
0:06:35 > 0:06:38The kind you ask a witness in a murder enquiry.
0:06:38 > 0:06:41- No, this is Dwayne. - He's still a witness.
0:06:41 > 0:06:44- You just asked him if he killed her! - No, I didn't.
0:06:44 > 0:06:47- You asked if she was still alive when he left!- Look, it's OK.
0:06:47 > 0:06:50I know you have to ask me this stuff.
0:06:50 > 0:06:52It's procedure, right?
0:06:52 > 0:06:54I've got photos, sir.
0:06:54 > 0:06:58Thank you, Fidel. Right, I want door-to-door enquiries,
0:06:58 > 0:07:00start taking statements from all the neighbours.
0:07:00 > 0:07:01Anyone who knew her,
0:07:01 > 0:07:05- particularly if anyone saw her or anyone else last night.- Yes, sir.
0:07:05 > 0:07:07- Not you, Dwayne.- Chief?
0:07:07 > 0:07:10You're a witness, possibly the last person to see the victim alive.
0:07:10 > 0:07:12I can't have you asking people questions.
0:07:12 > 0:07:17- Why not?- Because if he asks them whether they saw the victim with anyone last night
0:07:17 > 0:07:19and they say, "Yes, Officer, with you,"
0:07:19 > 0:07:21it muddies the water just a little, don't you think?
0:07:21 > 0:07:24Go back to the station and write up your statement.
0:07:25 > 0:07:27Yes, Chief.
0:07:30 > 0:07:34- What?- Fidel, go and start talking to the neighbours.
0:07:38 > 0:07:41Please tell me you don't believe Dwayne is involved in this!
0:07:41 > 0:07:44- He's the last person to see her alive.- Apart from the killer!
0:07:44 > 0:07:48- He has a scratch mark on his neck he admits came from the victim. - He explained that.
0:07:48 > 0:07:51- I'm doing things by the book, Camille.- I don't care about your book!
0:07:51 > 0:07:54I want to know if you think Dwayne killed this girl, yes or no?
0:07:54 > 0:07:57Based purely on my knowledge of Dwayne
0:07:57 > 0:07:59and the fact everything points to this being premeditated,
0:07:59 > 0:08:02while Dwayne met her hours before she was killed,
0:08:02 > 0:08:07making it difficult to corroborate premeditation, I'd say that, on balance, it's unlikely.
0:08:07 > 0:08:09Was that yes or no?
0:08:09 > 0:08:12- No!- Good!- Although, that doesn't mean he didn't do it.
0:08:12 > 0:08:17Look, we owe it to the victim to conduct a thorough investigation.
0:08:17 > 0:08:19- Why are you so grumpy? - I'm not grumpy.
0:08:19 > 0:08:20- Yes, you are. - I'm doing my job.
0:08:20 > 0:08:24- Then stop talking about Dwayne and find the killer. - There's a connection.
0:08:24 > 0:08:28Dwayne left his badge behind, so he must have been in uniform, right?
0:08:28 > 0:08:30- Yes.- OK. So you're a girl in a bar, fine.
0:08:30 > 0:08:33So you invite a policeman back to your house, fine.
0:08:33 > 0:08:37But then you're killed the moment he leaves? It's connected. It has to be.
0:08:37 > 0:08:39OK, erm, but why?
0:08:39 > 0:08:43At risk of being called grumpy again, that's what I intend to find out!
0:08:46 > 0:08:48- All right?- Morning, sir.
0:08:48 > 0:08:51Is that right, someone was killed down there last night?
0:08:51 > 0:08:53- Yes, do you live here?- Me?
0:08:53 > 0:08:56Oh, no, no. I was just passing, I saw all the commotion.
0:08:56 > 0:08:59- I heard it was a young woman? - If you'll excuse me.
0:08:59 > 0:09:02- Burglar, was it?- I'm sorry, I can't discuss that with you.
0:09:13 > 0:09:15This is about last night, isn't it?
0:09:15 > 0:09:18- What?- Why you're being so grumpy.
0:09:18 > 0:09:21- Don't know what you mean.- Because we all went for a drink...
0:09:21 > 0:09:24- No, no, no, not "we all", just you three.- I knew that's what it was.
0:09:24 > 0:09:28- OK, look...- Discovering the words "we all" doesn't seem to include me...
0:09:28 > 0:09:30a little bit chastening, that's all.
0:09:30 > 0:09:33How can it include you? You never come out for a drink!
0:09:33 > 0:09:35- You never ask me.- Oh no, no, no, no.
0:09:35 > 0:09:37We stopped asking, it's different.
0:09:37 > 0:09:41And you tell me, who's more rude - the person who stops asking,
0:09:41 > 0:09:44or the person who never once said yes?
0:10:07 > 0:10:10OK, I'm sorry I snapped. You're just so...
0:10:10 > 0:10:11"So" what?
0:10:11 > 0:10:13- ..English.- And you're very French.
0:10:13 > 0:10:15Now can we please get on with the task in hand?
0:10:18 > 0:10:22Why did the killer fill her mouth with money?
0:10:24 > 0:10:26Repaying a debt?
0:10:26 > 0:10:31Looks like asphyxiation. No other sign of trauma, as far as I can see.
0:10:31 > 0:10:33It doesn't make sense.
0:10:33 > 0:10:36- Hmm?- Are you even listening to me?
0:10:36 > 0:10:38Why are these drawers sticking out?
0:10:54 > 0:10:59OK, so she's murdered, coins symbolically placed into her mouth,
0:10:59 > 0:11:02but you're still on the furniture, aren't you?
0:11:03 > 0:11:06"Nadia Selim, Finance Director, JIT Shipping."
0:11:06 > 0:11:08- You ever heard of JIT Shipping?- No.
0:11:08 > 0:11:12So, go on, then. What's so interesting about the furniture?
0:11:12 > 0:11:16I think that after Nadia was killed, the house was searched, thoroughly.
0:11:16 > 0:11:19This cushion was unzipped,
0:11:19 > 0:11:22this cover wasn't straight,
0:11:22 > 0:11:25the corner of this carpet's folded over,
0:11:25 > 0:11:31the books aren't quite flat against the shelves.
0:11:31 > 0:11:33Everything's been checked and put back,
0:11:33 > 0:11:35done so you almost wouldn't notice,
0:11:35 > 0:11:37unless you knew what you were looking for.
0:11:37 > 0:11:40OK. So the killer was looking for something, that's good.
0:11:40 > 0:11:45No, it's not good. It's illogical.
0:11:45 > 0:11:48The smashed glass, the lamp knocked over, suggest she was in her bed.
0:11:48 > 0:11:52She lashed out, but she was suffocated before she could do anything.
0:11:52 > 0:11:54What's illogical about that?
0:11:54 > 0:11:56Well, she was killed first, then the house was searched.
0:11:56 > 0:11:58Why not keep your victim alive,
0:11:58 > 0:12:01so she can tell you where to find what you're looking for?
0:12:01 > 0:12:03As I said, it's illogical.
0:12:03 > 0:12:07So what did Nadia have in her house that was worth killing over?
0:12:07 > 0:12:10And did the killer find it?
0:12:10 > 0:12:12Were any of these windows open?
0:12:12 > 0:12:13No.
0:12:13 > 0:12:16- Or have they been forced in any way? - Not as far as we can see.
0:12:16 > 0:12:17No sign of a break-in, either.
0:12:17 > 0:12:19So how did the killer get in?
0:12:19 > 0:12:23Maybe the victim opened the door? But why would she? It was past midnight.
0:12:25 > 0:12:27The neighbour had a key.
0:12:53 > 0:12:55DOG GROWLS
0:12:55 > 0:12:57(Shh, good boy.)
0:13:09 > 0:13:11Questions?
0:13:11 > 0:13:12Any order.
0:13:12 > 0:13:15Do we really believe the neighbour let herself in
0:13:15 > 0:13:19- just because the victim was late for work?- Agreed.
0:13:19 > 0:13:23How did the killer get inside without breaking any locks?
0:13:23 > 0:13:26Why did he fill the victim's mouth with coins?
0:13:26 > 0:13:28What was he looking for when he searched the house?
0:13:28 > 0:13:31Why did he kill her before he started looking?
0:13:31 > 0:13:34And, having killed her, did he find what he was looking for?
0:13:34 > 0:13:37And is her death in any way linked to her taking home a policeman?
0:13:39 > 0:13:41Ah, Fidel. What did the neighbours say?
0:13:41 > 0:13:46Not very much. It seems the victim kept herself to herself, didn't really socialise.
0:13:46 > 0:13:49- And last night?- Two of them heard her dog barking around ten.
0:13:49 > 0:13:54- That must have been her and Dwayne arriving at the house.- But no-one saw or heard anything suspicious.
0:13:54 > 0:13:59Those that knew her say she was a nice lady, and they can't think why anyone would want to harm her.
0:13:59 > 0:14:01Yet someone did.
0:14:02 > 0:14:03Where next?
0:14:10 > 0:14:15I'm Jon Taylor, I own the company.
0:14:15 > 0:14:16Thank you for seeing us.
0:14:16 > 0:14:18No, anything that can help catch Nadia's killer.
0:14:18 > 0:14:20I couldn't believe it when I heard.
0:14:20 > 0:14:23- It's hit everybody here very hard. - Of course.
0:14:23 > 0:14:26What line of business are you in, Mr Taylor?
0:14:26 > 0:14:28Import, export.
0:14:28 > 0:14:31- Throughout the Caribbean, USA and Europe. - What sort of goods?
0:14:31 > 0:14:33Well, whatever I can make a profit on.
0:14:33 > 0:14:36I understand Nadia was your finance director?
0:14:36 > 0:14:38That's right.
0:14:38 > 0:14:40Is that her desk?
0:14:40 > 0:14:41Yes.
0:14:41 > 0:14:43Mind if I take a look?
0:14:44 > 0:14:47Nadia dealt with our finances.
0:14:47 > 0:14:50But her real skill was finding loopholes in tax regimes.
0:14:50 > 0:14:54She could get a subsidy in one country by taking goods out of it
0:14:54 > 0:14:56and a rebate in another by bringing them in.
0:14:56 > 0:14:58How long did she work for you?
0:14:58 > 0:15:00A couple of years.
0:15:00 > 0:15:02I don't know how we're going to get on without her.
0:15:04 > 0:15:06Did she owe you money?
0:15:06 > 0:15:07Sorry, why?
0:15:07 > 0:15:09Or have any debts elsewhere?
0:15:09 > 0:15:12No, I...I don't think she even had a credit card.
0:15:12 > 0:15:13She didn't approve of debt.
0:15:16 > 0:15:18What about her next-door neighbour?
0:15:18 > 0:15:20Georgie Westcott. She also works with you?
0:15:20 > 0:15:23That's right, Georgie's my PA.
0:15:23 > 0:15:26And how did Nadia and she get on?
0:15:30 > 0:15:31Yes?
0:15:33 > 0:15:34Georgie...
0:15:35 > 0:15:38..I think she felt a little overshadowed when Nadia arrived.
0:15:38 > 0:15:40Jealous, even.
0:15:40 > 0:15:43Nadia really was a remarkable woman.
0:15:43 > 0:15:45So, they didn't get on?
0:15:45 > 0:15:47They weren't natural friends,
0:15:47 > 0:15:52and Nadia could be withering if she felt you weren't pulling your weight.
0:15:55 > 0:15:57Can I ask where you were last night?
0:15:58 > 0:16:00I was at home.
0:16:00 > 0:16:01All night?
0:16:01 > 0:16:03Yes.
0:16:03 > 0:16:05Anyone with you?
0:16:05 > 0:16:07No, I live alone.
0:16:09 > 0:16:13So, you're not married, or in a relationship?
0:16:13 > 0:16:15No.
0:16:17 > 0:16:19Anything?
0:16:22 > 0:16:24Is this her personal laptop?
0:16:24 > 0:16:26Yes.
0:16:27 > 0:16:30I'm sorry, I can't allow that.
0:16:30 > 0:16:33- Why's that?- It's got sensitive information on it.
0:16:33 > 0:16:36- We're used to handling sensitive information.- That may well be,
0:16:36 > 0:16:41- but the computer belongs to the company and...- Would you rather we got a warrant and took it by force?
0:17:15 > 0:17:17So, this is where you've been hiding.
0:17:19 > 0:17:21- Can I get you something? - No, no, I'm fine, I'm fine.
0:17:21 > 0:17:24I'm just admiring the view.
0:17:24 > 0:17:26You can join me, though.
0:17:29 > 0:17:31I can see why you don't want to leave here.
0:17:31 > 0:17:34I haven't travelled much, not really, you know.
0:17:34 > 0:17:38But I can't imagine many places in the world more beautiful than this.
0:17:38 > 0:17:41Hmm, the Caribbean is very seductive.
0:17:42 > 0:17:44That's why I stay here.
0:17:44 > 0:17:48Well, I realise that if we are going to be together,
0:17:48 > 0:17:50it's going to have to be here.
0:17:50 > 0:17:51Yes.
0:17:51 > 0:17:55Yes, yes. It's a very big step, you know,
0:17:55 > 0:17:58leaving everything you know and starting a new life.
0:17:58 > 0:18:01- I'd never ask you to do that. - Oh...
0:18:01 > 0:18:03so you don't want me to stay?
0:18:03 > 0:18:05That's not what I said.
0:18:05 > 0:18:09- I'm just a holiday romance you'll forget about the second I leave?- No!
0:18:09 > 0:18:11So you do want me to stay?
0:18:13 > 0:18:15It's a decision only you can make.
0:18:23 > 0:18:25Let's walk.
0:18:31 > 0:18:36Whether or not he killed Nadia, Jon Taylor is hiding something.
0:18:36 > 0:18:39I'll start with checking Nadia's laptop.
0:18:45 > 0:18:48- Here's my statement, Chief. - Thank you.
0:18:51 > 0:18:53Dwayne...
0:18:56 > 0:18:58- ..do I need to read this?- Chief?
0:18:58 > 0:19:01Does it say anything other than you met her in the bar,
0:19:01 > 0:19:03walked her home, taught her self-defence moves,
0:19:03 > 0:19:06during which you sustained a small injury,
0:19:06 > 0:19:10- then gave her a bit of a "cuddle" before leaving around midnight? - No, Chief.
0:19:10 > 0:19:15You didn't argue, or asphyxiate her, or fill her mouth with loose change?
0:19:15 > 0:19:17Of course I didn't.
0:19:17 > 0:19:20- Then I'm eliminating you from our inquiries.- What about procedure?
0:19:20 > 0:19:23We work better as a team, so start by looking at the files
0:19:23 > 0:19:27and seeing if we've got anything previous on Nadia Selim or JIT Shipping.
0:19:29 > 0:19:30Thanks, Chief.
0:19:30 > 0:19:32I'm on it.
0:19:38 > 0:19:40You see, what kind of name is Selim?
0:19:40 > 0:19:46It sounds Turkish or Middle Eastern.
0:19:59 > 0:20:04According to this, you were right. Selim is Arabic, it means "safe".
0:20:04 > 0:20:08There were 26 coins in all, not even three dollars.
0:20:08 > 0:20:12Hmm, hardly a debt repaid.
0:20:12 > 0:20:17Which leaves us with it being symbolic, a message to someone.
0:20:18 > 0:20:20But who?
0:20:20 > 0:20:22Only one thing on file, Chief.
0:20:22 > 0:20:25About five weeks ago, one of the victim's neighbours made an official complaint
0:20:25 > 0:20:28- about her dog barking. - I thought it looked vicious.
0:20:28 > 0:20:30It's a beautiful dog.
0:20:30 > 0:20:31Until it takes your arm off.
0:20:31 > 0:20:33Who made the complaint?
0:20:33 > 0:20:36Er, a Jacko Gardiner.
0:20:36 > 0:20:39- I interviewed him this morning.- And?
0:20:39 > 0:20:43He complained about the dog again, but other than that he said that...
0:20:43 > 0:20:47he didn't see or hear anything and he didn't know the victim particularly well.
0:20:47 > 0:20:49Well enough to make a complaint about her.
0:20:49 > 0:20:53You're not going to kill someone because their dog barks too much.
0:20:53 > 0:20:57Hmm. I once investigated a murder where a husband killed a wife
0:20:57 > 0:20:59cos she refused to pass him the TV remote control.
0:20:59 > 0:21:01Yeah, that is annoying.
0:21:01 > 0:21:04And, at the moment, if we're ruling you out,
0:21:04 > 0:21:07it's all we've got.
0:21:15 > 0:21:17That's interesting.
0:21:21 > 0:21:23Hmm.
0:21:27 > 0:21:28Hmm.
0:21:38 > 0:21:41- You know what's funny?- What?
0:21:42 > 0:21:45- I get it.- What?
0:21:45 > 0:21:49Barking dogs, neighbours snitching on one another, vendettas.
0:21:49 > 0:21:54I may have been transplanted a few thousand miles, surrounded by jungle and,
0:21:54 > 0:21:58erm, that is quite clearly a goat crossing the road even as I speak...
0:21:58 > 0:22:00but I recognise this place.
0:22:00 > 0:22:02This...
0:22:02 > 0:22:04is suburbia.
0:22:04 > 0:22:08Your version of it perhaps, but, er, suburbia.
0:22:08 > 0:22:11(These are my people.)
0:22:15 > 0:22:17What you want?
0:22:18 > 0:22:21Mr Gardiner, could we have a quick word?
0:22:21 > 0:22:25I understand you made a formal complaint against your neighbour, Nadia Selim.
0:22:25 > 0:22:27That dog of hers should be shot.
0:22:27 > 0:22:29- Right.- Because?
0:22:29 > 0:22:33It's vicious. She didn't control it, she let it run wild.
0:22:33 > 0:22:36It's a danger to others, and it bark day and night.
0:22:36 > 0:22:38The postman turn up, it bark.
0:22:38 > 0:22:40Somebody walk past, it bark.
0:22:40 > 0:22:42- And you heard it last night? - Yes, I did,
0:22:42 > 0:22:45just as I was getting into my bath.
0:22:45 > 0:22:47And what time was that?
0:22:47 > 0:22:50Like I told the boy you sent earlier, ten o'clock.
0:22:50 > 0:22:53I always take my bath at ten o'clock.
0:22:53 > 0:22:56Did you ever argue with Miss Selim about her dog? Go to her house?
0:22:56 > 0:22:59- No.- You never went to her house last night?
0:22:59 > 0:23:01- No!- After midnight? - I said no, didn't I?!
0:23:03 > 0:23:07- Have you seen anyone in the area recently you don't know?- Yeah.
0:23:07 > 0:23:09- Good, who?- You two.
0:23:09 > 0:23:10Is that it?
0:23:10 > 0:23:13Yeah, well, erm...
0:23:15 > 0:23:16..we may be back.
0:23:18 > 0:23:19"My people."
0:23:23 > 0:23:25- Wait...- What?
0:23:27 > 0:23:30- The statements taken by Fidel, did you read them?- Yes.
0:23:30 > 0:23:33Well, some of them, including Mr Gardiner,
0:23:33 > 0:23:36reported the dog barking at or around 10pm.
0:23:36 > 0:23:38When we think she and Dwayne arrived at the house.
0:23:38 > 0:23:42Exactly. But none of them mentioned anything about it barking later.
0:23:42 > 0:23:45Why not? I mean, the killer must have arrived after Dwayne left.
0:23:45 > 0:23:47It's past midnight, someone arrives at the house,
0:23:47 > 0:23:49possibly breaking in somehow.
0:23:49 > 0:23:54Why didn't the dog, that seemingly barks at everything, bark?
0:23:55 > 0:23:58- You're right, it doesn't make any sense.- No.
0:23:58 > 0:24:02The curious incident of the dog who didn't bark in the night.
0:24:02 > 0:24:03Sorry?
0:24:03 > 0:24:05Never mind. Another question.
0:24:05 > 0:24:09- What?- When Fidel went to interview Georgie Westcott, there was no answer,
0:24:09 > 0:24:14so why is she now watching us from behind her net curtains?
0:24:23 > 0:24:25Hello?
0:24:29 > 0:24:31Hello?
0:24:37 > 0:24:38Why were you watching us?
0:24:38 > 0:24:41I wasn't.
0:24:41 > 0:24:43Not really.
0:24:43 > 0:24:47An officer came to your door this morning, but you didn't answer. Why was that?
0:24:47 > 0:24:51I must have been out, walking Harry.
0:24:51 > 0:24:52Sorry.
0:24:54 > 0:24:56Do you mind if we, erm...?
0:24:58 > 0:24:59Yep.
0:25:29 > 0:25:31It's good of you to look after Miss Selim's dog.
0:25:31 > 0:25:33He's not a nuisance for you at all?
0:25:33 > 0:25:34Of course not.
0:25:34 > 0:25:38We had a pact. If anything happened to me, Nadia would look after my cat,
0:25:38 > 0:25:40and if anything happened to her...
0:25:40 > 0:25:41You have a cat?
0:25:42 > 0:25:44She's in hiding.
0:25:44 > 0:25:47She doesn't much like Harry. Well, dogs in general.
0:25:47 > 0:25:51We went to see your employer, Mr Taylor.
0:25:51 > 0:25:55- You are his personal assistant, is that right?- Yes.
0:25:55 > 0:25:58And you don't seem very happy about it.
0:25:58 > 0:26:00He's...
0:26:01 > 0:26:03What?
0:26:04 > 0:26:07- ..a bit of a lech.- Excuse me?
0:26:07 > 0:26:10First it was me, that was bad enough.
0:26:10 > 0:26:14But all that changed when Nadia came along.
0:26:14 > 0:26:18He fell for her hook, line and sinker.
0:26:18 > 0:26:20He'd send her inappropriate e-mails,
0:26:20 > 0:26:22and when he talked to her, you could tell he was...
0:26:24 > 0:26:25You know.
0:26:25 > 0:26:27No, what?
0:26:27 > 0:26:29Undressing her with his eyes.
0:26:29 > 0:26:34- Why did Nadia put up with it? - She said it was nothing compared to what she'd put up with in the past.
0:26:34 > 0:26:38- Oh?- I assumed she had boyfriend trouble,
0:26:38 > 0:26:40but she never really talked about it.
0:26:41 > 0:26:43Whenever I tried to talk to her about her past,
0:26:43 > 0:26:47she'd stick her head in one of her crosswords and pretend she wasn't listening.
0:26:50 > 0:26:52Look...
0:26:53 > 0:26:55..I didn't know whether to give you this,
0:26:55 > 0:26:59whether I'd be betraying her. But...
0:26:59 > 0:27:01I suppose I should.
0:27:01 > 0:27:02Give us what?
0:27:04 > 0:27:08Yesterday, she seemed really on edge.
0:27:08 > 0:27:12She brought me this envelope, asked if I'd look after it for a few days.
0:27:12 > 0:27:14That's why you went into her house this morning?
0:27:14 > 0:27:18You were already worried about her, weren't you?
0:27:18 > 0:27:19What is it?
0:27:19 > 0:27:23Looks like an emergency escape plan. Money and an Antiguan passport.
0:27:23 > 0:27:26But what would she be planning to escape from?
0:27:28 > 0:27:30Ooh, what's that?
0:27:32 > 0:27:34A vet's bill.
0:27:34 > 0:27:36Why would she keep a vet's bill that's two years old?
0:27:36 > 0:27:39Knowing how much Nadia loved Harry,
0:27:39 > 0:27:42it was to let me know the name of his vet.
0:27:42 > 0:27:45Miss Westcott, have you ever heard the name Rose Duchamp?
0:27:45 > 0:27:47No, why?
0:27:47 > 0:27:50Because according to this passport, that was Nadia's name.
0:27:55 > 0:27:58- So, who was Rose Duchamp? Watch...watch out.- Ow!
0:27:58 > 0:28:02And why was she living on Saint-Marie under a false name?
0:28:06 > 0:28:09OK, run the passport through the computer, see if it's real or not.
0:28:09 > 0:28:11- I'm on it.- What's this, Chief?
0:28:11 > 0:28:14Looks like Nadia Selim could be a fake identity.
0:28:14 > 0:28:16Fidel, did you speak to any witnesses
0:28:16 > 0:28:19- who heard the victim's dog barking after midnight?- No.
0:28:19 > 0:28:22As far as I can make out, he only barks at strangers.
0:28:22 > 0:28:25He didn't bark when we went to see Georgie Westcott just now,
0:28:25 > 0:28:26cos he'd seen us once today already.
0:28:26 > 0:28:30- He barked at me last night.- That's the point, you were a stranger.
0:28:30 > 0:28:31So why didn't he bark at the killer?
0:28:31 > 0:28:33Precisely.
0:28:33 > 0:28:36The dog must've known the killer. A friend, or a neighbour.
0:28:36 > 0:28:38Unless you've got a better explanation?
0:28:38 > 0:28:43Well, I've been through her laptop, nothing special, photo and music files...
0:28:43 > 0:28:46and some racy e-mails from someone called Big John.
0:28:46 > 0:28:48Her employer.
0:28:48 > 0:28:51Well, I tell you, some of them even made me blush.
0:28:51 > 0:28:53OK, that's weird.
0:28:53 > 0:28:55Her passport's authentic,
0:28:55 > 0:28:59she is Rose Duchamp from Antigua.
0:28:59 > 0:29:01But her details are on an intelligence list
0:29:01 > 0:29:06and there's a number we've got to ring if we have any information about her whereabouts.
0:29:06 > 0:29:09- Who's flagged it? - Er, SOCA. Who are SOCA?
0:29:09 > 0:29:11SOCA...
0:29:11 > 0:29:14the Serious Organised Crime Agency, based in London.
0:29:14 > 0:29:17But why would they be interested in a finance director from the Caribbean?
0:29:17 > 0:29:20This is Detective Sergeant Camille Bordey
0:29:20 > 0:29:23calling from the Honore Police Station on Saint-Marie.
0:29:23 > 0:29:27We've got some information about Rose Duchamp and...
0:29:27 > 0:29:30Er, yes, I'll hold.
0:29:30 > 0:29:33- So what do this SOCA do, exactly? - Serious crime.
0:29:33 > 0:29:35The mafia, Eastern European gangs.
0:29:35 > 0:29:38And if she's involved in serious crime,
0:29:38 > 0:29:40it explains why she left Antigua in a hurry
0:29:40 > 0:29:42and why she's been here under a false name.
0:29:42 > 0:29:47Until yesterday, when her past may well have caught up with her.
0:29:47 > 0:29:49Um...OK.
0:29:51 > 0:29:53Well?
0:29:53 > 0:29:57They said they wouldn't tell me anything over the phone.
0:29:57 > 0:30:00That's, erm, a little patronising.
0:30:00 > 0:30:03And they've got a case officer on the island already.
0:30:03 > 0:30:06What? There's someone already here? Who?
0:30:14 > 0:30:17DI Chris Ricketts. Sorry I haven't come forward sooner,
0:30:17 > 0:30:20I just wanted to take stock of everything, see what was what.
0:30:20 > 0:30:23- So, how long have you been here? - I arrived two days ago.
0:30:23 > 0:30:26Two days? How's London?
0:30:26 > 0:30:29Winter's just settling in, you can smell the damp leaves,
0:30:29 > 0:30:31see people's breath.
0:30:31 > 0:30:32Ah, it's really cold, is it?
0:30:32 > 0:30:35It was bitter the morning that I left.
0:30:35 > 0:30:39The grass stiff with white frost, you could feel it crunching underfoot.
0:30:39 > 0:30:42It's not like this inferno.
0:30:42 > 0:30:44- What season's this? - Oh, they don't have seasons.
0:30:44 > 0:30:48- What?- They don't have seasons, it's this hot all year round,
0:30:48 > 0:30:49January to December.
0:30:49 > 0:30:52How can you have a year without seasons?
0:30:52 > 0:30:54- When do the leaves fall off? - They don't.
0:30:54 > 0:30:57Excuse me, we've got a case to discuss, remember?
0:30:57 > 0:31:00Ah, yes, yeah, we were getting to that. It's, uh...
0:31:00 > 0:31:03Well, you know, good manners to exchange pleasantries first.
0:31:03 > 0:31:06- (Camille's French.)- (Ah.)
0:31:06 > 0:31:07So, to business.
0:31:07 > 0:31:09Right. Well, two years ago,
0:31:09 > 0:31:13a woman contacted us anonymously from Antigua,
0:31:13 > 0:31:16saying she had information about a money-laundering ring,
0:31:16 > 0:31:18but didn't know what to do with it.
0:31:18 > 0:31:19- This was Nadia?- Who?
0:31:19 > 0:31:22- Oh, I'm sorry, Rose Duchamp? - That's right.
0:31:22 > 0:31:26She'd got involved with a guy who turned out to be a money launderer, quite a big player.
0:31:26 > 0:31:31She admitted she'd stolen files from her boyfriend that could blow the ring sky high.
0:31:31 > 0:31:33- So what went wrong? - Well, somebody got to her.
0:31:33 > 0:31:36They must've frightened the living daylights out of her,
0:31:36 > 0:31:39because she just disappeared, vanished into thin air.
0:31:39 > 0:31:42That was, until two days ago,
0:31:42 > 0:31:44when she called me out the blue.
0:31:44 > 0:31:48This man, the one she was going to tell you about, you think he found her?
0:31:48 > 0:31:52She rang off before she could say where she was, so we put a trace on the call.
0:31:52 > 0:31:54My boss put me on a plane, and, well, here I am.
0:31:54 > 0:31:57- So, she never gave you the information?- No.
0:31:57 > 0:32:00You've, you've not found anything, have you?
0:32:00 > 0:32:05Files? Notebooks? CD? Laptop, even?
0:32:06 > 0:32:09No. We, er, we checked her work laptop,
0:32:09 > 0:32:12but, er, just music, some inappropriate e-mails from her boss.
0:32:12 > 0:32:17- We're also pretty sure her house was searched after she was murdered. - That's it?
0:32:17 > 0:32:21Whoever killed her probably took the information she was holding.
0:32:21 > 0:32:24Well, we can't be sure. But it's certainly a reasonable assumption.
0:32:24 > 0:32:27Well, the ex-boyfriend has to be the murderer!
0:32:30 > 0:32:34Has there never been anyone else, since you've been here?
0:32:34 > 0:32:38Oh, the occasional holiday romance. Nothing serious.
0:32:38 > 0:32:43And was that out of choice, or just how things turned out?
0:32:43 > 0:32:45I don't know.
0:32:45 > 0:32:50Maybe bite-size pieces of romance are easier to digest at my age.
0:32:51 > 0:32:55Besides, I enjoy my own company. I have lots of friends.
0:32:55 > 0:32:58So there's, er, nothing you miss about being a couple?
0:33:00 > 0:33:01Sometimes.
0:33:04 > 0:33:08When I see something funny, or read something in the newspapers,
0:33:08 > 0:33:10I turn to tell someone, but there's no-one there.
0:33:10 > 0:33:12For me, it's always the mornings.
0:33:12 > 0:33:17I'm still putting two cups on the table, still putting four slices of bread in the toaster.
0:33:17 > 0:33:20That's nothing to do with being lonely,
0:33:20 > 0:33:22that's just going senile.
0:33:22 > 0:33:24THEY LAUGH
0:33:25 > 0:33:30- I'm sorry.- Don't be. You're probably right.
0:33:30 > 0:33:33Has anybody ever told you how extraordinary you are?
0:33:33 > 0:33:35Oh, it's what everyone says.
0:33:37 > 0:33:42To be honest, I'm starting to find it a little tedious.
0:33:53 > 0:33:56Ah, Fidel. Where's Dwayne?
0:33:56 > 0:33:57Chief?
0:33:57 > 0:34:00This is DI Chris Ricketts from SOCA in London.
0:34:00 > 0:34:04- Yeah, I saw you this morning. - Yeah, sorry about that.
0:34:04 > 0:34:07Autopsy report's in, sir. Death by asphyxiation.
0:34:07 > 0:34:10Embedded fibres seem to confirm the pillow was used.
0:34:10 > 0:34:14Bruising suggests a knee or forearm was used to hold her down,
0:34:14 > 0:34:16and there were more coins found lodged in her throat.
0:34:16 > 0:34:18Four, to be precise, I'd imagine.
0:34:18 > 0:34:20Yes.
0:34:21 > 0:34:23This your girl?
0:34:25 > 0:34:26That's her.
0:34:26 > 0:34:30Right, as we know, the victim's real name was Rose Duchamp,
0:34:30 > 0:34:33and it seems her killer was a man from her past.
0:34:33 > 0:34:37We think he's based in Antigua, part of a money-laundering ring worth...?
0:34:37 > 0:34:39Hundreds of millions of dollars.
0:34:39 > 0:34:43Rose had information that could have put this man behind bars
0:34:43 > 0:34:47and she called London after two years of living a new life, a new identity.
0:34:47 > 0:34:52- Why?- She was in fear of her life. You think she saw him?
0:34:52 > 0:34:55- Do we have any description of this man?- Nothing.
0:34:55 > 0:34:57And even if we did, I doubt it would help.
0:34:57 > 0:34:59Why not?
0:35:00 > 0:35:04For two years, this guy's been one step ahead of us.
0:35:04 > 0:35:07IF he killed Rose Duchamp in the early hours of this morning,
0:35:07 > 0:35:09he's probably left the island by now.
0:35:09 > 0:35:11Not necessarily.
0:35:11 > 0:35:14Look, you don't get it, the man is a ghost.
0:35:14 > 0:35:17We don't know what he looks like, what he's called,
0:35:17 > 0:35:20and the only person who could positively identify him
0:35:20 > 0:35:24- was murdered this morning. - He's almost certainly still on the island.
0:35:24 > 0:35:27- He's a professional! He's not going to hang around. - That's why he will.
0:35:27 > 0:35:32Only an amateur would try and leave within hours of the murder taking place,
0:35:32 > 0:35:34thereby drawing attention to himself.
0:35:34 > 0:35:38No, he's still here.
0:35:38 > 0:35:42- That's why this case has never really got started.- What?
0:35:42 > 0:35:44There was no traction.
0:35:44 > 0:35:47No-one who quite hit the spot...
0:35:47 > 0:35:49because the killer's a professional.
0:35:49 > 0:35:53- But we don't even know who we're looking for!- Ah, but we do.
0:35:53 > 0:35:55We may not know his name or what he looks like,
0:35:55 > 0:35:57but we know why he killed Rose Duchamp,
0:35:57 > 0:35:59we know how, and we know when.
0:35:59 > 0:36:02We also know he's still on the island.
0:36:02 > 0:36:06Which means, quite possibly for the first time,
0:36:06 > 0:36:08we're one step ahead of him.
0:36:08 > 0:36:11DI Ricketts, can you give us access to the existing files?
0:36:11 > 0:36:13It would help us to know what you know.
0:36:13 > 0:36:15- Er, yes, yes. Of course.- Fidel?
0:36:15 > 0:36:17You can use my desk, sir.
0:36:17 > 0:36:21Check with the airlines, see if you can get a passenger list for all flights from Antigua
0:36:21 > 0:36:25- during the past month.- OK. - Dwayne, background. Check the neighbours,
0:36:25 > 0:36:29- see if any have links to Antigua, in case he wasn't working alone. - Yes, Chief.
0:36:29 > 0:36:32If anyone needs me, I'll be at the crime scene.
0:36:42 > 0:36:46Detective Inspector, just the man.
0:36:46 > 0:36:48Actually, I'm in something of a hurry, sir.
0:36:48 > 0:36:51- Five minutes.- Well, I...
0:36:51 > 0:36:54All right.
0:36:54 > 0:36:55Not in there.
0:36:55 > 0:36:59Come on. I'll buy you a cold drink.
0:37:07 > 0:37:09Slainte.
0:37:13 > 0:37:18Aidan, can I ask you something?
0:37:19 > 0:37:20That sounds ominous.
0:37:20 > 0:37:22No. It's...
0:37:22 > 0:37:25Well, I know we said we'd talk to Camille.
0:37:25 > 0:37:30- Yes?- Would you mind if we just wait a little while
0:37:30 > 0:37:32before we tell anyone?
0:37:32 > 0:37:35You mean until after I get back?
0:37:36 > 0:37:38I couldn't bear it if you didn't come back.
0:37:38 > 0:37:44I'd rather not look like a sad and stupid old woman to everyone as well.
0:37:47 > 0:37:50- Now you hate me. - No, no, no, no, no, no.
0:37:50 > 0:37:53No, I could never hate you.
0:37:53 > 0:37:57And I understand, so that's what we'll do.
0:37:57 > 0:38:00- Really?- Really.
0:38:03 > 0:38:04Hi!
0:38:04 > 0:38:07You'll have to get yourself your drinks.
0:38:07 > 0:38:10Aidan's cooked me a farewell lunch.
0:38:10 > 0:38:12He flies home tomorrow.
0:38:12 > 0:38:14Well, I'm sure I'll be back, you know.
0:38:14 > 0:38:16It's very beautiful here.
0:38:18 > 0:38:20Oh, sorry, my manners.
0:38:20 > 0:38:24Aidan, this is Camille's boss, Inspector Poole.
0:38:24 > 0:38:28- Inspector.- Richard, please. I've heard a lot about you.
0:38:28 > 0:38:33- Oh?- Camille likes to talk. A lot.
0:38:33 > 0:38:35Oh, a family trait.
0:38:35 > 0:38:39And this is Selwyn Patterson, the police commissioner for Saint-Marie.
0:38:39 > 0:38:43- Aidan Miles, pleasure to meet you. - Please, don't let us disturb your lunch.
0:38:48 > 0:38:52This is, er, all a bit cloak and dagger, isn't it?
0:38:53 > 0:38:55I, erm...
0:38:55 > 0:38:59I have something I need to talk to you about.
0:38:59 > 0:39:01Oh?
0:39:02 > 0:39:04What's this?
0:39:04 > 0:39:08I've been talking to your superintendent in London.
0:39:08 > 0:39:12The detective they brought in to cover for you has finished his attachment.
0:39:13 > 0:39:15I don't understand, sorry.
0:39:15 > 0:39:18It's a human resources thing.
0:39:18 > 0:39:21Before they can offer him the position permanently,
0:39:21 > 0:39:27the Met guidelines state that you must be offered the position first.
0:39:27 > 0:39:29What?
0:39:29 > 0:39:32That's the number for the human resources officer
0:39:32 > 0:39:34dealing with the case.
0:39:35 > 0:39:39If you ring her, you can have your old job back.
0:39:44 > 0:39:46I can have my old job back?
0:39:46 > 0:39:48I can go back to London,
0:39:48 > 0:39:51and not be hot, or have sand everywhere?!
0:39:51 > 0:39:53Yes.
0:39:53 > 0:39:55Or, of course, you could stay here.
0:39:55 > 0:39:57Oh...
0:39:58 > 0:40:00..I could go to the White Hart,
0:40:00 > 0:40:03sit in the snug with a pint in my hand.
0:40:03 > 0:40:05Yes, you could.
0:40:06 > 0:40:09I thought it best I told you alone,
0:40:09 > 0:40:12to give you time to make your decision.
0:40:12 > 0:40:15No, yeah, yeah, absolutely.
0:40:15 > 0:40:19No, I shall have to think long and hard.
0:40:19 > 0:40:21Whoo, it's a tough one.
0:40:21 > 0:40:25But, um, you'll have to phone today.
0:40:27 > 0:40:33- What?- The last day they can keep the job offer open for you is today,
0:40:33 > 0:40:366pm, UK time.
0:40:36 > 0:40:39That's in, erm, two hours.
0:40:39 > 0:40:41Wh-wh-what?!
0:40:42 > 0:40:46And when exactly did the Super ring you with this news?
0:40:46 > 0:40:47It wasn't today, was it?
0:40:47 > 0:40:50Er, not as such, no.
0:40:50 > 0:40:52And it wasn't yesterday, was it?
0:40:53 > 0:40:55- No.- It was long before today.
0:40:55 > 0:40:58You didn't want me to know. You hoped it would go away.
0:40:58 > 0:41:02- You're leading a good team here, Detective Inspector. - That's no excuse!
0:41:02 > 0:41:04I'd like you to stay.
0:41:08 > 0:41:10I want to go home.
0:41:11 > 0:41:13I know.
0:41:13 > 0:41:17Then I suggest you make the call.
0:41:23 > 0:41:26- Oh, I was just, erm... - Sorry, can't stop! There's a call I've got to make!
0:41:28 > 0:41:31Oh, you'll be the best dad, Fidel,
0:41:31 > 0:41:35- but he'll need Uncle Dwayne to teach him about a few things. - Oh, really? Like what?
0:41:35 > 0:41:38Women, motorbikes, climbing trees.
0:41:38 > 0:41:42I can climb trees. Hello? Sorry, yes.
0:41:42 > 0:41:46- This is Officer Fidel Best calling from Honore Police Station. - That was quick, Chief.
0:41:46 > 0:41:50If we cross-reference the passenger list against the hotels,
0:41:50 > 0:41:54see where they were staying, we can find out who can account for their movements,
0:41:54 > 0:41:57and we can dismiss a huge amount of them.
0:41:57 > 0:42:00- Why?- Women, children, elderly.
0:42:00 > 0:42:01Good thinking.
0:42:01 > 0:42:05But we've no way of knowing whether he got the information Rose was hiding or not.
0:42:05 > 0:42:07We have to assume he has.
0:42:07 > 0:42:09I'm sorry, but how can we expect to solve this puzzle
0:42:09 > 0:42:14if Inspector Ricketts has been on it for years and not got anywhere?
0:42:14 > 0:42:15Wait!
0:42:15 > 0:42:17Have you got something?
0:42:23 > 0:42:24Ooh.
0:42:24 > 0:42:26Well, that's...
0:42:29 > 0:42:31Ooh.
0:42:31 > 0:42:34'Selim...it means safe.'
0:42:34 > 0:42:37- Er... - 'Nadia Selim, 30 years old,
0:42:37 > 0:42:41- 'lived at this address for a little under two years.' - Of course.
0:42:45 > 0:42:46DOG BARKS
0:42:48 > 0:42:51'Why would she keep a vet's bill that's two years old?'
0:42:51 > 0:42:53HE LAUGHS
0:42:53 > 0:42:55Oh, oh!
0:42:55 > 0:42:57Oh, that's brilliant!
0:42:57 > 0:43:00HE LAUGHS
0:43:00 > 0:43:02Oh! That's superb!
0:43:06 > 0:43:09Nearly two hours, I've got time.
0:43:09 > 0:43:14Right, erm, exciting news. Well, at least, exciting for me.
0:43:14 > 0:43:18So I'll stop being English and buy you all a drink.
0:43:18 > 0:43:23Meet me across the road, say bon voyage.
0:43:23 > 0:43:24Yeah.
0:43:24 > 0:43:28In one hour, only I've to go and pick up Georgie Westcott first, so I'll see you there.
0:43:28 > 0:43:30Drinks are on me!
0:43:45 > 0:43:47I wouldn't mind, you know.
0:43:47 > 0:43:48Mind what?
0:43:48 > 0:43:50If you wanted him to move in.
0:43:50 > 0:43:52I can find a place.
0:43:52 > 0:43:54Thank you, but we're a little way from that yet.
0:43:54 > 0:43:56Just a "little way"?
0:43:56 > 0:43:58Stop it!
0:43:58 > 0:43:59I heard he cooked you lasagne.
0:43:59 > 0:44:01Which was very nice.
0:44:01 > 0:44:03I'm happy you're not alone.
0:44:03 > 0:44:05Hearing you laugh, watching you dance.
0:44:05 > 0:44:07Oh, I always dance.
0:44:07 > 0:44:08Why are you arguing with me?
0:44:08 > 0:44:11I'm trying to give you my blessing here.
0:44:11 > 0:44:13I know.
0:44:14 > 0:44:17- Thank you. - But I'm not calling him Dad.
0:44:17 > 0:44:18Hello?
0:44:18 > 0:44:21Ah, sorry, everyone! Sorry!
0:44:21 > 0:44:25Half an hour left. Perfect.
0:44:25 > 0:44:27Er, I might, erm, have to jump around a bit,
0:44:27 > 0:44:32because, er, well, I never really looked at it the way it was designed, as a puzzle.
0:44:32 > 0:44:35Once I did, I got it.
0:44:35 > 0:44:38- At least, I think I have. - Got what?
0:44:38 > 0:44:41- I think I know where to find our killer.- How exciting!
0:44:41 > 0:44:43Should we really be doing this here?
0:44:43 > 0:44:46Yes, because as soon as we're done, I have an announcement to make,
0:44:46 > 0:44:51so we'd come back here anyway, so I thought we may as well, erm, you know...
0:44:51 > 0:44:53- Can we just get on with it? - Hey, that's the Chief.
0:44:53 > 0:44:58This case has been a puzzle right from the start. Quite literally.
0:44:59 > 0:45:02Firstly, the murder of Nadia, as you knew her, Rose Duchamp as she really was,
0:45:02 > 0:45:07was carried out with the kind of professional attention to detail
0:45:07 > 0:45:09none of our suspects were capable of.
0:45:09 > 0:45:11According to Inspector Ricketts,
0:45:11 > 0:45:16we know that Rose came to Saint-Marie to run away from her past,
0:45:16 > 0:45:21more specifically, the lover she discovered to be a criminal.
0:45:21 > 0:45:26She at first intended to hand him over to the police,
0:45:26 > 0:45:29but was clearly got to before arrangements could be made.
0:45:29 > 0:45:33Erm, it's strange that someone managed to get to her so easily
0:45:33 > 0:45:36if she was under police protection, don't you think?
0:45:36 > 0:45:42But can we be sure that it was Rose's criminal ex-lover that murdered her,
0:45:42 > 0:45:46and not the lascivious boss, or the cranky neighbour, Jacko Gardiner,
0:45:46 > 0:45:50or the somewhat resentful friend, Georgie Westcott?
0:45:52 > 0:45:54I think we can.
0:45:54 > 0:45:59You see, the biggest clue to the identity of the killer
0:45:59 > 0:46:02was the coins found stuffed in the victim's mouth.
0:46:02 > 0:46:05On the surface, something of a random act,
0:46:05 > 0:46:08until you realise there were 26 coins,
0:46:08 > 0:46:10plus a further four found lodged in her throat.
0:46:10 > 0:46:14Thirty pieces of silver. Judas.
0:46:14 > 0:46:19- So this was a message that she was killed for betraying someone? - Exactly that.
0:46:19 > 0:46:23Someone who wanted others to know the penalty for such a betrayal.
0:46:23 > 0:46:26And then we have mystery number two.
0:46:26 > 0:46:30The house was searched, so the killer was clearly looking for something. But what?
0:46:31 > 0:46:36- Logically, it had to be the information we're told Rose had promised the police.- Makes sense.
0:46:36 > 0:46:43Hmm. But Rose gave an envelope to her neighbour for safekeeping.
0:46:43 > 0:46:46So it occurred to me, if she knew that she was in danger,
0:46:46 > 0:46:50that her past had caught up with her, then why leave the information in the house?
0:46:50 > 0:46:53Why not give it to her neighbour for safekeeping as well?
0:46:55 > 0:46:56And then it hit me.
0:46:56 > 0:46:58That's exactly what she did.
0:46:58 > 0:47:01When the killer broke into Rose's house last night,
0:47:01 > 0:47:05he had no idea that the key piece of information he needed wasn't there.
0:47:06 > 0:47:11I think he saw Rose with a policeman, and knew he had to act.
0:47:15 > 0:47:17Obviously, the locks on the door
0:47:17 > 0:47:20didn't prove too much of an obstacle to him.
0:47:23 > 0:47:27We know that Harry, Rose's dog, barked at strangers,
0:47:27 > 0:47:30yet none of the witnesses heard a dog barking after midnight,
0:47:30 > 0:47:33so we can be sure that Harry knew the killer.
0:47:37 > 0:47:42As Rose brought the dog with her from Antigua, I assume he recognised the killer instantly.
0:47:42 > 0:47:47In fact, I'd hazard a guess that Harry here will run straight to the killer.
0:47:47 > 0:47:50You mean the killer's here?
0:47:50 > 0:47:52Oh, yes.
0:47:52 > 0:47:55In fact, he was here last night, which is why Rose was frightened,
0:47:55 > 0:47:58why, when she saw a police officer,
0:47:58 > 0:48:01she made sure she made him take her home.
0:48:01 > 0:48:05Wait, you said Rose left some information with her neighbour.
0:48:05 > 0:48:07I thought it was just cash and a passport.
0:48:07 > 0:48:08Yeah.
0:48:10 > 0:48:12And this.
0:48:14 > 0:48:16A vet's bill.
0:48:16 > 0:48:1975 dollars for identity-chipping Harry.
0:48:19 > 0:48:24But if you accept that the victim gave her neighbour all her most valued possessions,
0:48:24 > 0:48:28the thing that brought her to Saint-Marie must be there. If it wasn't the passport or cash,
0:48:28 > 0:48:31then it had to be this vet's bill.
0:48:33 > 0:48:36It wasn't until an hour ago that it occurred to me how she did it.
0:48:36 > 0:48:40So Georgie and I took Harry to see the vets
0:48:40 > 0:48:42to have the chip removed.
0:48:42 > 0:48:46Only to discover that it wasn't a pet identity chip,
0:48:46 > 0:48:47it was a memory chip.
0:48:47 > 0:48:52No doubt containing all the incriminating files Rose told the police in Antigua about.
0:48:52 > 0:48:56I'm sure the identity of Rose Duchamp's killer's on here,
0:48:56 > 0:48:58along with enough evidence to convict him.
0:48:58 > 0:49:02- So all we have to do is run it through the computer?- Yes.
0:49:02 > 0:49:06But, er, she left us one last clue.
0:49:06 > 0:49:09You see, er, Rose was incredibly bright.
0:49:09 > 0:49:13She loved to play games, solve puzzles.
0:49:16 > 0:49:20And the final clue is the most damning of all.
0:49:20 > 0:49:24It's also the simplest to solve, once you know how.
0:49:24 > 0:49:28- So, what is it?- She knew that if anything happened to her,
0:49:28 > 0:49:32it was the last chance she had to expose the person she was running from.
0:49:32 > 0:49:36It was the name that she gave herself when she came to Saint-Marie.
0:49:36 > 0:49:39Nadia...
0:49:39 > 0:49:41Selim.
0:49:47 > 0:49:49Anyone?
0:49:53 > 0:49:56You see, any good crossword enthusiast, as Rose was,
0:49:56 > 0:49:58knows to looks out for an anagram,
0:49:58 > 0:50:00or, as in this case...
0:50:01 > 0:50:05..words that work equally well...
0:50:05 > 0:50:08when spelt backwards.
0:50:12 > 0:50:14It was you, Aidan, wasn't it?
0:50:17 > 0:50:18You killed Rose Duchamp.
0:50:18 > 0:50:23It was you who approached her in her sleep and killed her before searching her house.
0:50:23 > 0:50:28You're the man she was running from, the ex-boyfriend at the heart of the money-laundering ring
0:50:28 > 0:50:30who she's finally exposed.
0:50:31 > 0:50:33You came to Saint-Marie two weeks ago.
0:50:33 > 0:50:36You've been looking for Rose ever since you got here.
0:50:36 > 0:50:38You found her last night.
0:50:42 > 0:50:45CAR HORN BEEPS
0:51:02 > 0:51:03Take him away.
0:51:03 > 0:51:06PHONE RINGS
0:51:06 > 0:51:07Two years.
0:51:07 > 0:51:08Took us one day.
0:51:10 > 0:51:12Well, at least I get to go home.
0:51:12 > 0:51:14Home!
0:51:14 > 0:51:16Oh, I've lost the piece of paper!
0:51:16 > 0:51:19What? Wait, hold on! Sir, erm, the baby's coming!
0:51:19 > 0:51:22- What?!- Juliet, you know, she's... The baby! It's coming!
0:51:22 > 0:51:25- Then go!- Yeah, go, go, go!
0:51:25 > 0:51:27- You process him, I'll bring the car round.- What?!
0:51:27 > 0:51:29No, I'll process him, you bring the car.
0:51:29 > 0:51:32I'll lock him up, then we'll follow Fidel.
0:51:32 > 0:51:34HE SCREAMS
0:51:48 > 0:51:51WOMAN SCREAMS
0:52:03 > 0:52:08Er, I don't seem to have any signal. I don't suppose anybody else has got any, have they?
0:52:08 > 0:52:11What's more important than Fidel's baby?
0:52:11 > 0:52:14Sir, you don't, er, you don't have any signal?
0:52:18 > 0:52:20No, sorry.
0:52:23 > 0:52:26BABY CRIES
0:52:27 > 0:52:29I'm a daddy!
0:52:29 > 0:52:32- Oh!- Well done, Fidel!
0:52:32 > 0:52:35THEY LAUGH AND APPLAUD
0:52:43 > 0:52:45So...
0:52:45 > 0:52:47did you make the call?
0:52:47 > 0:52:49You know I didn't.
0:52:49 > 0:52:53Good! You decided to stay!
0:52:53 > 0:52:56No, not exactly, I just couldn't...
0:52:56 > 0:53:01I'm sorry, sir, but you tricked me, again. I find that very underhand.
0:53:01 > 0:53:03Would you like to make an official complaint?
0:53:03 > 0:53:04Who to?
0:53:04 > 0:53:06The police commissioner.
0:53:06 > 0:53:07That's you, isn't it?
0:53:07 > 0:53:09Yes.
0:53:28 > 0:53:30This is my daughter.
0:53:30 > 0:53:32Are you sure?
0:53:32 > 0:53:35THEY LAUGH
0:53:35 > 0:53:38- Congratulations, Fidel. I'm very happy for you.- Thank you, sir.
0:53:38 > 0:53:42- There's nothing quite as glorious as a new life.- No.
0:53:42 > 0:53:44You can hold her, sir, if you want.
0:53:44 > 0:53:48Ooh, er, actually, I, er, I've never held a baby before.
0:53:48 > 0:53:50Then it's about time you did.
0:53:52 > 0:53:54Yes, great...
0:53:55 > 0:53:57Oh, hello.
0:53:59 > 0:54:00Ahh!
0:54:02 > 0:54:05Oh, God, she's just been sick on me. Sorry, what do I do now?
0:54:05 > 0:54:07It's OK, I'll take her.
0:54:07 > 0:54:11Yes, please do, please. I'm so sorry, I made her sick.
0:54:11 > 0:54:12Murderers!
0:54:12 > 0:54:15I'm so much more comfortable with murderers than babies.
0:54:15 > 0:54:18Don't worry, I'll take her back to her mother.
0:54:33 > 0:54:34Maman?
0:54:36 > 0:54:37You all right?
0:54:37 > 0:54:39I'm always all right.
0:54:39 > 0:54:41Good night, Richard.
0:54:41 > 0:54:42Good night.
0:54:52 > 0:54:53Hello?
0:54:54 > 0:54:56Over here!
0:55:09 > 0:55:11Thanks.
0:55:12 > 0:55:14Aren't you going to sit down?
0:55:15 > 0:55:17Ooh, down here?
0:55:17 > 0:55:18Er, yeah.
0:55:20 > 0:55:22- On the sand?- Yes.
0:55:25 > 0:55:28I was starting to think you'd loosened up a bit.
0:55:28 > 0:55:30I have.
0:55:30 > 0:55:33I mean, sitting on the beach, beer in hand, free spirit.
0:55:33 > 0:55:35I'm virtually feral.
0:55:35 > 0:55:37Hardly!
0:55:39 > 0:55:42All the time you've been here, have you learnt anything?
0:55:42 > 0:55:44Have you changed your opinion, maybe?
0:55:46 > 0:55:47Yeah.
0:55:47 > 0:55:49How?
0:55:49 > 0:55:51There is something I've realised,
0:55:51 > 0:55:54something I suppose it's taken me a long time to notice.
0:55:54 > 0:55:57- Yes?- Something I've really come to appreciate,
0:55:57 > 0:56:00- more than I thought I would.- What?
0:56:00 > 0:56:02My own company.
0:56:08 > 0:56:09Now what have I done?
0:56:09 > 0:56:11Nothing.
0:56:12 > 0:56:14That is so annoying.
0:56:14 > 0:56:15Wait, I'M annoying?
0:56:15 > 0:56:18- Yes.- You're so English!
0:56:18 > 0:56:21- Being English doesn't mean you're annoying.- Yes, it does.
0:56:21 > 0:56:25Well, if you don't mind me saying so, I think that's very childish.
0:56:25 > 0:56:26And very French.
0:56:26 > 0:56:30Excuse me?! And what has being French got to do with it?
0:56:30 > 0:56:32- You started it.- No, I didn't!
0:56:32 > 0:56:34- Agh! Agh!- What?!
0:56:34 > 0:56:36I've got, I've got sand in my eye.
0:56:36 > 0:56:37SHE LAUGHS
0:56:37 > 0:56:41- Stop laughing, I'm dying here! I've got sand in my eye! - Stop being a baby!
0:56:41 > 0:56:43HE SCREAMS
0:56:43 > 0:56:44SHE LAUGHS
0:57:04 > 0:57:08Subtitles by Red Bee Media Ltd
0:57:08 > 0:57:11E-mail us at subtitling@bbc.co.uk