0:00:02 > 0:00:04CARIBBEAN MUSIC PLAYS
0:00:23 > 0:00:26OK.
0:00:28 > 0:00:31- SHE LAUGHS - What was in that?
0:00:31 > 0:00:34Trust me, you don't want to know. BOTH LAUGH
0:00:34 > 0:00:37To the future! And to Miami!
0:00:37 > 0:00:41Ah, you know, I'm probably gonna mess it up and be right back here before you know it.
0:00:41 > 0:00:43No, you won't, you're gonna be a superstar!
0:00:43 > 0:00:47- Oh! - Oh, I'm sorry. Let me.
0:00:47 > 0:00:49- I'll do it. - Don't worry. Accidents happen, huh?
0:00:49 > 0:00:55Maybe it's for the best. Wouldn't want your final performance to be a drunken disaster.
0:00:55 > 0:00:59Small boat, big egos. BOTH LAUGH
0:00:59 > 0:01:01- All right, ladies and gentlemen! - FEEDBACK
0:01:01 > 0:01:04Only a few minutes to go before the best cabaret you will see.
0:01:04 > 0:01:11So please, fill your glasses! And prepare to salute our super sexy singers!
0:01:11 > 0:01:14- Eloise and the delicious Aimee! - CHEERING
0:01:17 > 0:01:20You ever had a boss you could happily kill?
0:01:20 > 0:01:23- No comment. - Five minutes, please.
0:01:26 > 0:01:29I'm gonna go and get ready, I'll see you after the show.
0:01:29 > 0:01:34- And not too much drinking, young lady. It's... a school night. - A school night!
0:01:34 > 0:01:36BOTH LAUGH
0:01:38 > 0:01:40KNOCKING
0:01:41 > 0:01:43Bit early for bed, Milton.
0:01:43 > 0:01:46Been working mornings down at the docks.
0:01:46 > 0:01:48- Are you sure that's all you've been doing?- Yes.
0:01:48 > 0:01:50That and trying to get some beauty sleep.
0:01:50 > 0:01:52Let me tell you a bedtime story.
0:01:52 > 0:01:54Our Commissioner is a very unhappy man.
0:01:54 > 0:01:57Because there's been a rush of bootleg rum out on the streets
0:01:57 > 0:02:02and the bars and the businesses who make the real stuff are calling him every day to complain.
0:02:02 > 0:02:06So me and Fidel here have been given the task of finding out who's behind it all.
0:02:06 > 0:02:09Ah! That's a lovely story.
0:02:09 > 0:02:12In fact, it's a fairytale. I gave that up years ago!
0:02:12 > 0:02:15Now, if you don't mind, I need my beauty sleep.
0:02:15 > 0:02:18Hey. Nice watch. How could you afford something like that?
0:02:18 > 0:02:21If you've been working as a go-between for the bootleggers, tell him.
0:02:21 > 0:02:23You know what Dwayne's like when he gets annoyed.
0:02:23 > 0:02:25Seriously?! Good cop, bad cop?!
0:02:25 > 0:02:28Listen, Laurel and Hardy, this is the 21st century.
0:02:28 > 0:02:31That stuff doesn't work any more. So shut me door on your way out.
0:02:31 > 0:02:34- Idiot! - HE SUCKS HIS TEETH
0:02:36 > 0:02:38MILTON LAUGHS
0:02:43 > 0:02:46CHEERING AND APPLAUSE
0:02:46 > 0:02:53# I'm your key... to set you free
0:02:54 > 0:02:57# You can come to me
0:02:57 > 0:03:00# Anytime for comfort SHUTTERS CLICK
0:03:00 > 0:03:04# Don't be shy
0:03:04 > 0:03:07# Let me try
0:03:07 > 0:03:14# It's you I really want and not another
0:03:14 > 0:03:16SHE LAUGHS
0:03:16 > 0:03:20THEY HARMONISE # Baby don't you fight
0:03:20 > 0:03:23# Oh, get your little self uptight
0:03:23 > 0:03:26# Oh, no
0:03:26 > 0:03:29CHEERING AND APPLAUSE
0:03:38 > 0:03:40# Baby, after tonight
0:03:40 > 0:03:44# Baby, after tonight... #
0:03:44 > 0:03:47- FEEDBACK - Aimee!
0:03:47 > 0:03:49Aimee! Aimee! Aimee!
0:03:49 > 0:03:53- Aimee! Aimee! - SHE SOBS
0:03:53 > 0:03:55Aimee! Aimee!!
0:04:38 > 0:04:42The victim, you say she was a friend of Camille's?
0:04:42 > 0:04:44Aimee Fredericks. Old school friend.
0:04:44 > 0:04:47Been working away from the island, on and off for the past few years.
0:04:47 > 0:04:51- Seeking fame and fortune. - So it was a reunion of sorts.
0:04:51 > 0:04:54Yeah, she was really, really excited about seeing her again.
0:04:54 > 0:04:57Right, well, we'd better be ready to pick up the slack.
0:04:57 > 0:05:00I doubt Camille's going to be in any frame of mind to work.
0:05:00 > 0:05:05Sit down! I'm not going to say it again. This is a crime scene!
0:05:05 > 0:05:09Paramedics think it might have been poison.
0:05:09 > 0:05:11- Right. Camille... - And if that's the case
0:05:11 > 0:05:14then we need possible sources of the poison.
0:05:14 > 0:05:17There's a shot glass and an oyster shell.
0:05:17 > 0:05:21They'd fallen on the floor but I retrieved them myself, so they haven't been contaminated.
0:05:21 > 0:05:23- They need to be bagged up. Dwayne? - I'm on it.
0:05:23 > 0:05:27- Glass of water?- I don't think so, as far as I can make out
0:05:27 > 0:05:31the only things she ate or drank were the shot and the oyster.
0:05:31 > 0:05:32I meant for you.
0:05:33 > 0:05:38I'm Stephen Morrison. The King Papyrus is my party boat.
0:05:38 > 0:05:40I just... I've no idea what happened.
0:05:40 > 0:05:44One minute she's up there singing, the next she's...
0:05:44 > 0:05:48- We'll be talking to everybody. - I can't believe it! It's my fault, it has to be.
0:05:48 > 0:05:51- Why would you say that?- I'm in charge of food and drink here.
0:05:51 > 0:05:54She drank the shot, ate the oyster and then collapsed.
0:05:54 > 0:05:56All eyes on me, right?
0:05:56 > 0:05:58Investigations are ongoing, thank you.
0:05:58 > 0:06:02This is now a crime scene, the whole boat needs to be sealed off.
0:06:02 > 0:06:04Any idea how long she'll be out of commission?
0:06:04 > 0:06:07As long as it takes. Do you have a problem with that?
0:06:07 > 0:06:09No! No.
0:06:09 > 0:06:12- You need to sit down. - No, I don't!
0:06:12 > 0:06:15- Look, as your commanding officer... - What?!
0:06:15 > 0:06:18As your superior, I'm ordering you to sit down. You're upset.
0:06:18 > 0:06:22- You're in shock. It's for your own good.- And what if I refuse?
0:06:22 > 0:06:26What are you going to do? Discipline me? Suspend me?
0:06:26 > 0:06:31It's not meant to be a punishment. I'm just, you know, I'm just trying to help.
0:06:31 > 0:06:34Then help me to find out who did this!
0:06:36 > 0:06:39Fidel, we need full names and addresses of all staff and passengers.
0:06:39 > 0:06:42I want written statements and exclusion prints taken.
0:06:42 > 0:06:45And lots of people were taking pictures,
0:06:45 > 0:06:48I want all cameras and phones handed in before anyone leaves the boat!
0:06:48 > 0:06:50- OK. - Hey.
0:06:54 > 0:06:56Thank you.
0:07:01 > 0:07:05- Sir, thank you. - Ma'am, thank you.
0:07:06 > 0:07:09- Name. - Thank you, sir, good night.
0:07:09 > 0:07:13- Camera, sir.- It's back at the Green Bay Hotel, mate. - Name and addresses.
0:07:13 > 0:07:16Names and addresses, please.
0:07:16 > 0:07:17Keys.
0:07:51 > 0:07:53These phones and cameras are going to take ages.
0:07:53 > 0:07:57And don't forget, we got the bootlegging to follow up or the Commissioner will be on our backs.
0:07:57 > 0:07:59Yes, Dwayne. I've been thinking about that.
0:07:59 > 0:08:02Ah! Go on, then?
0:08:02 > 0:08:05- Well... - Well what?
0:08:05 > 0:08:07I've been thinking, maybe I should just take the lead, you know?
0:08:07 > 0:08:09- What?- Yeah, be in charge of the investigation.
0:08:09 > 0:08:11You want to be my boss?
0:08:11 > 0:08:13Well, part of the Sergeant's exam is role play...
0:08:13 > 0:08:16Ah, you want to pretend to be my boss.
0:08:16 > 0:08:20It's not about anyone being anyone's boss, it's more of a case of...
0:08:20 > 0:08:23- How do I put it? - Blah, blah, blah, blah, blah!
0:08:23 > 0:08:26Go on, knock yourself out.
0:08:26 > 0:08:27Sherlock.
0:08:27 > 0:08:30FIDEL LAUGHS
0:08:32 > 0:08:35- Dwayne? - Chief?
0:08:35 > 0:08:40Last night... on the boat. What was that thing you did with Camille?
0:08:40 > 0:08:42Thing?
0:08:42 > 0:08:44Sort of...
0:08:45 > 0:08:49Oh, that. I was just letting her know that I'm here if she needs me.
0:08:49 > 0:08:52- Yeah, but you didn't say anything. - I didn't have to.- Right.
0:08:52 > 0:08:57So you just look at her and she thanks you. I try to help, she practically bites my head off.
0:08:57 > 0:09:00Chief, a woman like Camille doesn't want "help".
0:09:00 > 0:09:03Support, sure, but help? Never.
0:09:03 > 0:09:08And you have very soft hands, Chief.
0:09:08 > 0:09:09Er... right!
0:09:09 > 0:09:12The victim was Aimee Fredericks, 23.
0:09:12 > 0:09:16She had worked on the King Papyrus party boat for six months.
0:09:16 > 0:09:18How long had the boat been in Saint Marie?
0:09:18 > 0:09:22It arrived back this week, Chief, after a nine week stint in Guadeloupe.
0:09:22 > 0:09:23Antigua and Tobago before that.
0:09:23 > 0:09:27So it stops off here about three times a year or so.
0:09:27 > 0:09:32According to Camille, Aimee's performance yesterday was going to be her final one.
0:09:32 > 0:09:36She was due to go and work for a producer in Miami and launch a recording career.
0:09:36 > 0:09:40But someone, for some reason, didn't want that to happen.
0:09:40 > 0:09:42What have we got on the other passengers?
0:09:42 > 0:09:48Ah! We ran a check, they were your usual mix of holiday-makers, half a dozen locals.
0:09:48 > 0:09:51No-one with criminal records or any links to Aimee as far as we can see.
0:09:51 > 0:09:54The staff checked out clean as well.
0:09:58 > 0:10:01I took these with my camera yesterday.
0:10:01 > 0:10:07Six good shots, leading up to the... to the incident.
0:10:07 > 0:10:11- What about the other cameras? - I'm starting on them now. - OK, let's get a move on.
0:10:11 > 0:10:13Sir, we should go and check Aimee's apartment.
0:10:13 > 0:10:16Dwayne, I've set up an interview for you with RJ, the waiter on the boat.
0:10:16 > 0:10:20You want to know the secrets of a workplace... ask the serving staff.
0:10:20 > 0:10:23- Erm... - Problem, sir?
0:10:23 > 0:10:26No, no. Er... good work.
0:10:26 > 0:10:31I... You know, I support what you're doing.
0:10:37 > 0:10:42Camille. Camille! Camille, before we go...
0:10:42 > 0:10:43What?
0:10:49 > 0:10:51What are you doing?!
0:10:51 > 0:10:55I don't know. I saw Dwayne doing it before.
0:10:55 > 0:10:59- Right, erm, it's just... - It's just a little bit awkward.
0:11:09 > 0:11:14You know, my grandparents had a dog called Laddie. Irish setter.
0:11:14 > 0:11:18You know, he was probably my best friend, you know, growing up.
0:11:18 > 0:11:25And... when I was 11, he was... he was hit by a milk...
0:11:25 > 0:11:28Well, it wasn't a milk float, it was a milk van.
0:11:28 > 0:11:34Anyway, the point... the point I'm trying to make is that...
0:11:34 > 0:11:37Look, it was very difficult for me, you know.
0:11:37 > 0:11:40And I... I was upset for weeks, months even.
0:11:40 > 0:11:43Sir, Aimee was my friend, not a pet. That's different.
0:11:43 > 0:11:46No, no, of course, I was... I mean that was just sort of...
0:11:46 > 0:11:50just trying to show you I understand and can be supportive.
0:11:50 > 0:11:53Yeah, well, you don't really seem to have any friends,
0:11:53 > 0:11:58so I'm not sure how you could possibly understand.
0:11:58 > 0:12:01He was a very clever dog, you know, he could do tricks.
0:12:01 > 0:12:03Please, don't support me any more!
0:12:03 > 0:12:05No.
0:12:05 > 0:12:07Sorry.
0:12:13 > 0:12:15HE SIGHS
0:12:25 > 0:12:28BLEEPING
0:12:36 > 0:12:38Sorry, what was the question again?
0:12:38 > 0:12:40Can you describe your job on the boat?
0:12:40 > 0:12:45I'm a waiter. You know, I... wait.
0:12:45 > 0:12:49I bring food and drink out to customers.
0:12:49 > 0:12:51And to Aimee as well?
0:12:51 > 0:12:54Yeah. Yeah, they do this bit, it's like part of an act.
0:12:54 > 0:12:57She drinks a shot and then swallows an oyster.
0:12:57 > 0:13:01- And you pick these up from the chef station?- Yeah.
0:13:01 > 0:13:03- Could anyone tamper with it on the way?- Yeah, don't see why not.
0:13:03 > 0:13:06- Who?- Well, anyone, I guess.
0:13:06 > 0:13:09I'm always picking stuff up, putting it down.
0:13:09 > 0:13:14Tell me about her relationships with the others on the boat? How about Stephen?
0:13:14 > 0:13:18- He's your boss.- Oh. I dunno. It's just a job, isn't it?
0:13:18 > 0:13:23I just rock up, switch off, you know, count down until I can go home again.
0:13:23 > 0:13:26- It's not rocket surgery. - Science.- Hmm?
0:13:26 > 0:13:32Never mind. So you don't really have anything that useful you can tell us, do you?
0:13:32 > 0:13:37No. I did see, erm...
0:13:37 > 0:13:41thingy and the guy have a big argument two days ago.
0:13:41 > 0:13:44- Thingy being? - The girl.
0:13:44 > 0:13:50I remember thinking I needed to get my life in gear, cos I'm 19 and I'm wearing this stupid waiter's outfit.
0:13:50 > 0:13:55- RJ, Focus!- Well... I remember her being really, really annoyed.
0:13:55 > 0:13:59- You can't keep me here! - Aimee, you're not being fair.
0:13:59 > 0:14:03And you think you're being fair? My mind is made up. You can't stop me.
0:14:03 > 0:14:05- We both know that's not true. - I'm getting that money!
0:14:05 > 0:14:08And do you know what this money was they were talking about?
0:14:08 > 0:14:13Nah, not really. Hey, how much do you guys get paid?
0:14:13 > 0:14:17I could really do with getting a better job.
0:14:17 > 0:14:20- I'm not sure this police work is really for you.- Why?
0:14:20 > 0:14:26- You don't seem the most observant person in the world.- Oh! Harsh.
0:14:26 > 0:14:29But fair. I like it.
0:14:29 > 0:14:33DOOR CREAKS
0:14:33 > 0:14:36Lock's broken.
0:14:36 > 0:14:38Possibly someone forced it.
0:14:38 > 0:14:40Maybe it just needed repairing.
0:14:40 > 0:14:43She complained about that.
0:14:43 > 0:14:47Not having a home. Just a rental.
0:14:47 > 0:14:49Living out of a suitcase.
0:14:52 > 0:14:54SHE SIGHS
0:14:54 > 0:14:56It doesn't look like there's been a break-in.
0:14:56 > 0:14:59Too clean. No mess.
0:14:59 > 0:15:02Maybe somebody was looking for something in particular.
0:15:02 > 0:15:04Didn't steal the beer.
0:15:31 > 0:15:35- That's strange. - What is?
0:15:35 > 0:15:37A petal.
0:15:37 > 0:15:42Phalaenopsis. It's a type of orchid often found in the Caribbean.
0:15:42 > 0:15:47- Why is it strange, then? - Well, where did it come from?
0:15:47 > 0:15:50There's no flowers in here.
0:16:09 > 0:16:11Hmm.
0:16:11 > 0:16:15Ah! Sarge, I interviewed RJ, the waiter.
0:16:15 > 0:16:16HE WHISTLES
0:16:16 > 0:16:20- He said Aimee and her boss were arguing a few days ago.- About what?
0:16:20 > 0:16:22He wasn't sure, but he thinks it was about money.
0:16:22 > 0:16:27He also said that after he picked up the tray with the oyster and shot glass from the bar,
0:16:27 > 0:16:29just about anyone could have tampered with it.
0:16:29 > 0:16:32And the toxicology report came through on Aimee's postmortem.
0:16:33 > 0:16:36Here. She was definitely poisoned.
0:16:36 > 0:16:41Strychnine. The dosage suggests no more than five minutes from when it was taken
0:16:41 > 0:16:43to her... to her death. I'm sorry.
0:16:43 > 0:16:46How about the oyster shell, the shot glass?
0:16:46 > 0:16:48It's strange, but there was no trace of poison on either.
0:16:48 > 0:16:52That's impossible. They were the only two things she ate or drank before she collapsed.
0:16:52 > 0:16:54She didn't imbibe anything else?
0:16:54 > 0:16:57No, only the cocktail she was drinking with me.
0:16:57 > 0:17:01But we shared a pitcher. Random glasses from the table.
0:17:01 > 0:17:05Right. I think we should go and talk to Stephen Morrison, the boat owner.
0:17:05 > 0:17:09He has access to all areas of the boat and he was seen arguing with the victim a few days before.
0:17:09 > 0:17:13- As good a place to start as any. - Sure.
0:17:13 > 0:17:15Anything here?
0:17:15 > 0:17:18I'm trying to put together a timeline of the afternoon.
0:17:18 > 0:17:20Top left corner, when the party starts,
0:17:20 > 0:17:23then later as you go across and down.
0:17:23 > 0:17:25A couple of people were taking videos on their mobile phones,
0:17:25 > 0:17:29mostly bad quality, but I managed to transfer some stills where I can.
0:17:29 > 0:17:33These customers joking with Aimee during the performance, do we know anything about them?
0:17:33 > 0:17:36Yes. They've all given full written statements and been interviewed.
0:17:36 > 0:17:40- They're just regular family guys. - Hmm. So we have a victim...
0:17:40 > 0:17:42murdered in public, in plain view of everyone,
0:17:42 > 0:17:46surrounded by cameras and in the company of a police officer.
0:17:46 > 0:17:50And not only do we not know who did it, we don't even know how.
0:17:50 > 0:17:53Hang on. Here.
0:17:53 > 0:17:55Hawaiian shirt.
0:17:57 > 0:18:00- What's he holding? - It's a video camera.
0:18:00 > 0:18:04- I never saw one of those in the box. - That's because there wasn't one.
0:18:04 > 0:18:07Wait... I remember him.
0:18:08 > 0:18:10Of course. How could I forget that shirt?
0:18:10 > 0:18:16I think he's staying at the Green Bay, but I'm pretty certain he said he didn't have a camera.
0:18:16 > 0:18:21Ah! Colin Smith, Green Bay Hotel.
0:18:21 > 0:18:23Why would he lie about not having a camera?
0:18:23 > 0:18:26That's a question I'd very much like to ask him.
0:18:26 > 0:18:31- This is really rather impressive, Fidel.- Thank you, sir.
0:18:31 > 0:18:36- OK, thank you. No-one with that name at the Green Bay. - So he lied about that too?
0:18:36 > 0:18:40Listen, we'll track him down, OK? I promise.
0:18:40 > 0:18:44You and I should go and talk to Stephen Morrison, see what this argument over money was about.
0:18:44 > 0:18:47Hold on, Chief. Commissioner...
0:18:47 > 0:18:50Wants us to focus on the bootleggers, but he'll have to wait.
0:18:50 > 0:18:57He's probably busy anyway, tucking into some lobster or swallowing down an over-priced bottle of plonk.
0:18:57 > 0:18:59- Or standing behind you. - Or standing behind me.
0:18:59 > 0:19:04And as a gentleman and a scholar, able to take a joke in the spirit that it was intended.
0:19:04 > 0:19:08I'd happily take anything if you've some progress on my bootleggers.
0:19:08 > 0:19:11A certain influential company on the island
0:19:11 > 0:19:16who sell a certain brand name of rum are unhappy at having their product undercut.
0:19:16 > 0:19:19I'm in charge of the investigation, sir.
0:19:19 > 0:19:24We're sure the distribution is being organised by a Milton Reynards.
0:19:24 > 0:19:27Now if we gather evidence to use as a leverage on him,
0:19:27 > 0:19:31I'm fairly sure he'll give up the names of those behind it.
0:19:31 > 0:19:35- Fairly sure or very? - Very, sir, of course.
0:19:36 > 0:19:38How many percent?
0:19:39 > 0:19:4286. Erm... 87.
0:19:44 > 0:19:47I like your style, son.
0:19:47 > 0:19:49- Don't let me down. - No, sir.
0:19:55 > 0:19:58Oh - and it was crab.
0:19:58 > 0:20:01- Sorry?- That was the thing I was busy tucking into.
0:20:01 > 0:20:03Blue crab, not lobster.
0:20:03 > 0:20:07Although you were right about the plonk. Dreadfully over-priced.
0:20:18 > 0:20:24- It sounds worse than it is. - You were arguing with someone days before they were murdered,
0:20:24 > 0:20:26how much worse could it be?
0:20:26 > 0:20:30We can do this at the police station if you prefer.
0:20:30 > 0:20:35Look, Aimee wanted to leave, right? She said she had a deal with someone in Miami.
0:20:35 > 0:20:39- A real shot at the big time. - And you were unhappy for her?
0:20:39 > 0:20:42That's what we all want, a break!
0:20:42 > 0:20:48Look, she had a contract. She had another 18 months left to run on it.
0:20:48 > 0:20:52The only way out of it was to buy herself out of it. That's what we were arguing about.
0:20:52 > 0:20:54- So you threatened her? - No, I didn't threaten her.
0:20:54 > 0:20:59I just made it clear no producer would touch her if they knew she had a contract somewhere else.
0:20:59 > 0:21:03- So you would have told them? - Yeah. A contract's a contract.
0:21:03 > 0:21:07Look, Aimee was a very good act,
0:21:07 > 0:21:11but if she'd just waited, we could have all had our shot together.
0:21:11 > 0:21:13And, frankly, that would have been to her advantage.
0:21:13 > 0:21:16Because I built this business up from scratch, I know what I'm doing.
0:21:16 > 0:21:19- How much would she have needed to buy herself out?- 20 grand.
0:21:19 > 0:21:23- What?!- She signed it. No-one forced her. - She never had that kind of money.
0:21:23 > 0:21:27She told me she did and that she would let me have it when she left.
0:21:27 > 0:21:28- Where would she get it? - I have no idea.
0:21:31 > 0:21:34The other singer, Eloise?
0:21:34 > 0:21:37- Oh!- I'm so sorry.- I saw her yesterday, she didn't like Aimee.
0:21:37 > 0:21:41- Why?- It's a workplace, people have their ups and downs.
0:21:41 > 0:21:46- Who worked here first, Aimee or Eloise?- Ellie. Eloise.
0:21:46 > 0:21:47She's... she's great,
0:21:47 > 0:21:51but one night in a club and I see Aimee singing
0:21:51 > 0:21:57and I'm like, "Pow!" I'm sold. Star quality.
0:21:57 > 0:22:01And Eloise was fine with that, being relegated to singing back-up?
0:22:01 > 0:22:05She knew it was a business decision. We're in this together.
0:22:05 > 0:22:08You know, in sickness and in health.
0:22:08 > 0:22:10- She is your wife?! - Eight years.
0:22:10 > 0:22:17So you brought in someone younger to replace your own wife at work and you say this wasn't an issue?!
0:22:17 > 0:22:20And Aimee wanting to buy herself out of a contract early wasn't an issue either?
0:22:20 > 0:22:23Losing your star attraction didn't hurt at all?
0:22:23 > 0:22:27Hello. Sorry.
0:22:27 > 0:22:29Excuse me, nobody's allowed on the boat.
0:22:29 > 0:22:32I was hoping to pick up my knives. They are rather expensive, so...
0:22:32 > 0:22:35Sorry, but everything has to remain where it is for the time being.
0:22:35 > 0:22:37If they do go missing, I'll hold you responsible.
0:22:37 > 0:22:41Wait a second, you were in charge of all food and drink yesterday, is that right?
0:22:41 > 0:22:45- Yeah. Yeah.- Did Aimee eat anything other than the oyster and the shot?
0:22:45 > 0:22:51No, she wouldn't have done. Staff can't eat until after the guests, so no.
0:22:51 > 0:22:55- Except for the cocktails she was drinking with you. - But there's nothing else?
0:22:55 > 0:22:59No. Oh, maybe the gargle bottles.
0:22:59 > 0:23:03They do that before every show to soothe the vocal chords.
0:23:03 > 0:23:06They keep the bottles here, back stage.
0:23:06 > 0:23:09Well... they're meant to.
0:23:12 > 0:23:14That's them.
0:23:19 > 0:23:21Yeah, that's them.
0:23:44 > 0:23:46Have the police been to see you yet?
0:23:46 > 0:23:49- No. - Well, they will.
0:23:51 > 0:23:55- Did you move the gargle bottles? - What?
0:23:55 > 0:23:58The gargle bottles, did you move them?
0:24:00 > 0:24:02Why?
0:24:02 > 0:24:06Ellie... what have you done?
0:24:09 > 0:24:13The gargle bottles have gone to toxicology, I've marked them urgent.
0:24:13 > 0:24:15They'll check them for prints at the same time.
0:24:15 > 0:24:19Thank you. I've been going through likely suspects.
0:24:19 > 0:24:21Stephen Morrison, boat owner,
0:24:21 > 0:24:26he was clearly jealous of Aimee's impending trip to Miami, tried to stop her leaving.
0:24:26 > 0:24:29He was also seen arguing with her a few days ago.
0:24:29 > 0:24:34Then we've got Eloise Morrison, backing singer,
0:24:34 > 0:24:37you witnessed her animosity towards Aimee at first hand.
0:24:37 > 0:24:42But we couldn't see how she could have had access to the oysters or the shot glass,
0:24:42 > 0:24:46though she did have access to the gargle bottles.
0:24:46 > 0:24:49Then we've got our mysterious man with the video camera.
0:24:49 > 0:24:51He, erm...
0:24:54 > 0:24:59- Sorry, I missed what you were saying. - It doesn't matter.
0:24:59 > 0:25:01- Do you want to take a minute? - Yes.
0:25:04 > 0:25:09If the man in the Hawaiian shirt is going to be anywhere, I think we'll find him here.
0:25:09 > 0:25:15He was filming the event, so it suggests he likes to keep a distance between himself and the others.
0:25:15 > 0:25:17Excuse me.
0:25:17 > 0:25:21So, you think he's off to the side alone, filming everything?
0:25:21 > 0:25:23Yeah, I think so, maybe.
0:25:27 > 0:25:29Look.
0:25:30 > 0:25:36- Fidel, you're a married man, you know.- No! There.
0:25:39 > 0:25:41OK.
0:25:41 > 0:25:44Right! This time we do it my way.
0:25:53 > 0:25:56DWAYNE CLEARS HIS THROAT
0:25:56 > 0:25:59Were you on the King Papyrus party boat yesterday?
0:25:59 > 0:26:03- I was, yeah.- Then I'm going to have to ask you to hand over that camera.
0:26:03 > 0:26:10- Hey, that's private property. - Look, we can do this the easy way or the hard way.
0:26:10 > 0:26:12So which is it to be?
0:26:12 > 0:26:14Fidel! Camera!
0:26:35 > 0:26:38- "This time we're doing it my way"? Yeah, right!- All right, all right.
0:26:38 > 0:26:43We should still be able to retrieve the data... if we're lucky.
0:26:43 > 0:26:45- Might take a while. - Oh, you think?!
0:26:45 > 0:26:49- Whoa, whoa! - PHONE RINGS
0:26:50 > 0:26:53- Honore Police.- Fidel. - Hi, sir.
0:26:53 > 0:26:57- I was just looking for Camille. - I think she said she might go to the beach.
0:27:25 > 0:27:28Camille?
0:27:32 > 0:27:35- Camille?- Yes, I'll be back to work in a minute.
0:27:35 > 0:27:38Yes.
0:27:38 > 0:27:40Right. Yeah.
0:27:53 > 0:27:57- What are you doing? - Sitting down.- In the sand?
0:28:02 > 0:28:05I'm not very much use to you, am I?
0:28:05 > 0:28:08Yes, you are. You're...
0:28:08 > 0:28:10You're fantastic.
0:28:10 > 0:28:15You know, you've... you've just lost your friend.
0:28:15 > 0:28:20All the more reason to stop being so useless and help you to find her killer.
0:28:20 > 0:28:23You're not a machine, you're a person.
0:28:28 > 0:28:32You know, when you care about someone...
0:28:35 > 0:28:38..sometimes it's hard to...
0:28:38 > 0:28:42be eloquent, you know, about how you feel.
0:28:42 > 0:28:46To... to tell them how much...
0:28:47 > 0:28:52..how much they mean... meant to you.
0:28:52 > 0:28:56How important they are in your life and how special.
0:28:58 > 0:29:02I've never heard you talk like this before.
0:29:02 > 0:29:10- No, just trying, you know... - To be supportive?- Exactly.
0:29:10 > 0:29:17Well, I think it's very sweet of you. And better than the dog story.
0:29:23 > 0:29:27We... we got the results back on the gargle bottles.
0:29:29 > 0:29:33We found traces of strychnine in Aimee's bottle.
0:29:33 > 0:29:36- Fingerprints?- Aimee's fingerprints were on her bottle alone.
0:29:36 > 0:29:40- Eloise's were on both. - So that's it.
0:29:40 > 0:29:42Maybe.
0:29:42 > 0:29:48But if she only gargled, would the poison still have killed her?
0:29:48 > 0:29:51Absolutely. Oh, and there was something else.
0:29:51 > 0:29:58Rather oddly, Aimee's bottle contained traces of rosehip hairs.
0:29:58 > 0:30:01Well, it's an irritant. Sometimes used in itching powder.
0:30:01 > 0:30:04So the question is, who'd put an irritant
0:30:04 > 0:30:10in a bottle used by a singer to gargle just before she went on stage?
0:30:10 > 0:30:13Another singer.
0:30:13 > 0:30:16- One who didn't like her very much? - Exactly.
0:30:18 > 0:30:22Let's see if this camera works.
0:30:22 > 0:30:24HEAVY BREATHING
0:30:24 > 0:30:27- MAN:- "Oh, yeah, baby! Come on!" Oh, yeah! Come on! That's it!"
0:30:27 > 0:30:29WOMAN MOANS
0:30:29 > 0:30:31"Oh, yeah! Come on!"
0:30:31 > 0:30:34"That's it! That's it! Don't stop that!"
0:30:34 > 0:30:37MAN COUGHS
0:30:37 > 0:30:42MOANING CONTINUES
0:30:52 > 0:30:55Sorry, Stephen's not here at the moment.
0:30:55 > 0:30:58Actually, it was you we wanted to talk to.
0:30:58 > 0:31:01Sorry. Yes, well, come in.
0:31:06 > 0:31:09- Can I... get you anything? - No, thanks.
0:31:10 > 0:31:12What beautiful flowers.
0:31:12 > 0:31:16Oh. A romantic gesture from Stephen.
0:31:16 > 0:31:19- Orchids. - Yeah, they look very fresh.
0:31:19 > 0:31:22Yeah, he bought them this morning. Sorry, how can I help?
0:31:22 > 0:31:24We just wanted to check on something.
0:31:24 > 0:31:27- The gargle bottles you used before the show.- Yes?
0:31:27 > 0:31:32- You and Aimee had separate ones, right? For hygiene.- Yes.
0:31:32 > 0:31:33Just a mix of honey and lemon.
0:31:33 > 0:31:36It's just that your fingerprints were found on Aimee's bottle.
0:31:36 > 0:31:39Well, I must have picked it up by mistake.
0:31:39 > 0:31:41And we also found traces of strychnine,
0:31:41 > 0:31:44which was the poison used to kill her.
0:31:44 > 0:31:46I swear, I didn't...
0:31:48 > 0:31:50I didn't do that.
0:31:52 > 0:31:56- Then why did you try to hide the bottles after the show?- I didn't.
0:31:56 > 0:32:00No? Very well, tell us about the rosehip.
0:32:03 > 0:32:04What?
0:32:04 > 0:32:06Traces were found in Aimee's bottle.
0:32:06 > 0:32:07It's an irritant.
0:32:07 > 0:32:09But you know that, don't you?
0:32:09 > 0:32:12You scoop out the hair inside the flower.
0:32:12 > 0:32:16Oh, look, you have some in your garden.
0:32:16 > 0:32:17Mrs Morrison?
0:32:21 > 0:32:23You have to understand what it was like.
0:32:23 > 0:32:25I mean, Stephen just turned up with her one day
0:32:25 > 0:32:29and said she was singing lead. There was no explanation, no apology.
0:32:29 > 0:32:31I mean, he said I was talented.
0:32:31 > 0:32:33That he could fulfil MY dreams.
0:32:33 > 0:32:38Well, apparently those dreams were to sing endless back-up
0:32:38 > 0:32:41for someone prettier and more talented than me,
0:32:41 > 0:32:43on some tacky party boat.
0:32:45 > 0:32:48I didn't, I didn't want to hurt her.
0:32:49 > 0:32:52I just wanted to ruin her final performance.
0:32:52 > 0:32:54I know that's petty and childish.
0:32:54 > 0:32:57I even asked Grant for something from the kitchen, a chilli maybe,
0:32:57 > 0:33:00but when he talked me out of it, I used the rosehip instead.
0:33:00 > 0:33:05I, I swear, I swear to you I didn't kill her.
0:33:05 > 0:33:10I just wanted to humiliate her, the way I'd been humiliated!
0:33:10 > 0:33:12I knew the bottles would be found.
0:33:12 > 0:33:14And if the rosehip was traced back to me,
0:33:14 > 0:33:16I mean, everyone knew I hated her.
0:33:17 > 0:33:20I thought she had an allergic reaction, I panicked.
0:33:20 > 0:33:22So you admit you hid the bottles?
0:33:22 > 0:33:23Yes.
0:33:23 > 0:33:26- Eloise Morrison, I'm arresting you on suspicion...- No!
0:33:26 > 0:33:28Wait a second, wait a second, wait a second.
0:33:30 > 0:33:31We're not arresting her.
0:33:31 > 0:33:33She's practically admitted it.
0:33:33 > 0:33:35Camille, you're not thinking straight.
0:33:35 > 0:33:37Why use rosehip AND poison? Think about it!
0:33:37 > 0:33:40Why try to humiliate someone when you know they're going to be dead
0:33:40 > 0:33:42in five minutes anyway? It doesn't make sense.
0:33:46 > 0:33:48My colleague and I have discussed the situation
0:33:48 > 0:33:52and we have decided we would like you to surrender your passport
0:33:52 > 0:33:54and phone into the station every hour.
0:33:56 > 0:33:59So, sorry, am I, am I under arrest or not?
0:33:59 > 0:34:00Not yet, no.
0:34:08 > 0:34:10I know she's a strong suspect, but that's not enough.
0:34:10 > 0:34:12But the orchids at her house?
0:34:12 > 0:34:14Which she said came from her husband.
0:34:14 > 0:34:15Recognise this?
0:34:15 > 0:34:17What is it?
0:34:17 > 0:34:20It's a petal. From Phalaenopsis. An orchid.
0:34:20 > 0:34:23No? That's odd. I understand it's your romantic flower of choice.
0:34:23 > 0:34:26I really don't understand what you're getting at.
0:34:26 > 0:34:29I think you do. This morning, before we saw you on the boat here,
0:34:29 > 0:34:32- can I ask where you were? - I'm not sure.
0:34:32 > 0:34:35I suggest you gave Aimee some flowers
0:34:35 > 0:34:38and after her death, believing they might implicate you in some way,
0:34:38 > 0:34:41you went to her apartment and retrieved them.
0:34:41 > 0:34:42And waste not, want not,
0:34:42 > 0:34:45you then gave them to your wife, didn't you?
0:34:45 > 0:34:47It's not what you think.
0:34:47 > 0:34:49I dropped those flowers off with Aimee yesterday,
0:34:49 > 0:34:51as a last-ditch attempt to try and get her to stay.
0:34:51 > 0:34:54- Were you having a relationship with Aimee Fredericks?- No!
0:34:54 > 0:34:56- But you wanted to.- No!
0:34:58 > 0:35:02Look, when Aimee told me she had the money to buy herself
0:35:02 > 0:35:05out of her contract, I really thought I was losing her.
0:35:07 > 0:35:09So the flowers were just a stupid idea.
0:35:09 > 0:35:12The card with them could have been misconstrued.
0:35:13 > 0:35:15By your wife?
0:35:19 > 0:35:22You've got to believe me.
0:35:22 > 0:35:23Please.
0:35:37 > 0:35:39Oh, it must be nice,
0:35:39 > 0:35:42sampling the merchandise in the afternoon. Relax.
0:35:42 > 0:35:44It's not a crime.
0:35:44 > 0:35:48No. But organising the distribution of bootleg liquor is.
0:35:48 > 0:35:52You think I'm selling rum to the bar? You have evidence?
0:35:54 > 0:35:56HE LAUGHS
0:35:56 > 0:35:59- Right.- No, don't.
0:35:59 > 0:36:02Look, if I go into the bar, turn up the heat, someone will rat him out.
0:36:02 > 0:36:04No, Dwayne, listen. I'm in charge, OK?
0:36:04 > 0:36:05We have to do this by the book.
0:36:05 > 0:36:08In the old days we'd have rapped him across the head with the book.
0:36:14 > 0:36:16We can use a paid informant.
0:36:16 > 0:36:18Someone to go in there on our behalf.
0:36:18 > 0:36:20Really? Who?
0:36:21 > 0:36:23Him?!
0:36:23 > 0:36:24You have any better ideas?
0:36:24 > 0:36:28That don't involve throwing things around or shouting at people?
0:36:31 > 0:36:32Right, so let me get this straight,
0:36:32 > 0:36:35you want me to go into the bar and...?
0:36:35 > 0:36:37- Tell them you're having a party. - What sort of party?
0:36:37 > 0:36:39- A birthday party. - Yeah, but it's not my birthday.
0:36:39 > 0:36:41It doesn't matter!
0:36:41 > 0:36:44What you need to let them know is you'd like to buy 50, 60 bottles.
0:36:44 > 0:36:47See if you can find out the name of their supplier.
0:36:47 > 0:36:51- I dunno. I don't really want to... - Hey, hey, hey, hey, hey, hey,
0:36:51 > 0:36:53I thought you said you wanted to be a policeman.
0:36:53 > 0:36:56Yeah, think of this as a training exercise.
0:36:56 > 0:36:58- Oh. So it's like a job.- Exactly.
0:36:58 > 0:37:01Oh, sweet, and if I do well, I can be a policeman?
0:37:02 > 0:37:04Go!
0:37:07 > 0:37:10The secret of being a good chef is picking the right produce.
0:37:10 > 0:37:12I mean, look at that - it's so beautiful.
0:37:12 > 0:37:14It seems a shame to pull them out of the ocean, kill them,
0:37:14 > 0:37:18- cook them and eat them...- We wanted to talk to you about Aimee.
0:37:18 > 0:37:21Now was there anything going on between her and Stephen?
0:37:21 > 0:37:24Oh, he wishes. No. She was a good girl, wasn't she?
0:37:24 > 0:37:25More than that, she was smart.
0:37:25 > 0:37:27I think she saw him for what he was.
0:37:27 > 0:37:28And what's that?
0:37:28 > 0:37:32Well, he fancies himself as a bit of an impresario, doesn't he?
0:37:32 > 0:37:35But he's just a cheap salesman in an even cheaper suit, if you ask me.
0:37:35 > 0:37:37But there were tensions between Eloise and Aimee?
0:37:37 > 0:37:41She missed her chance at the big time and Aimee's star was rising.
0:37:41 > 0:37:42It couldn't have been easy.
0:37:42 > 0:37:44Don't think that makes her a murderer - human maybe,
0:37:44 > 0:37:46but not a murderer.
0:37:46 > 0:37:48Do you think Eloise meant to harm her in any way?
0:37:48 > 0:37:51I'm sure she would have liked to have wrung her bloody neck.
0:37:54 > 0:37:57Not literally. Figuratively, of course.
0:38:06 > 0:38:09See, if you had listened to me, we'd have been in and out already.
0:38:09 > 0:38:11Warm and dry! Done and dusted!
0:38:11 > 0:38:13Dwayne! You're not helping.
0:38:19 > 0:38:20Hey!
0:38:20 > 0:38:22So, er...you got a name?
0:38:22 > 0:38:25Whoa, whoa! Money first, come on.
0:38:25 > 0:38:27Name first. Then money.
0:38:27 > 0:38:29That's how this thing works.
0:38:31 > 0:38:33Ah!
0:38:33 > 0:38:35Now talk.
0:38:37 > 0:38:39Jealous rival Eloise had opportunity,
0:38:39 > 0:38:43but why put rosehip in a bottle you knew contained strychnine?
0:38:43 > 0:38:46Boss Stephen was clearly smitten with her
0:38:46 > 0:38:47and desperate to stop her leaving.
0:38:47 > 0:38:49But do you really give someone flowers
0:38:49 > 0:38:51the day before you murder them?
0:38:52 > 0:38:54Then there's our mysterious Hawaiian shirt man.
0:38:54 > 0:38:57And waiter RJ clearly had access to the shot glass
0:38:57 > 0:39:00and the oyster, but did he have access to the gargle bottles?
0:39:00 > 0:39:03Why not? He went everywhere serving drinks.
0:39:03 > 0:39:06And we have no way of knowing when the poison was put in the bottle.
0:39:06 > 0:39:08In which case Grant, the chef, could have done it too.
0:39:08 > 0:39:11But we don't have a motive for any of them.
0:39:11 > 0:39:14Which brings us back to Eloise again!
0:39:16 > 0:39:21I'd give anything for a new lead, something to break this open.
0:39:21 > 0:39:24Yeah, well, that's understandable. Bargaining.
0:39:24 > 0:39:25Stage three of the Kubler-Ross model,
0:39:25 > 0:39:28- theory on the five stages of grief. - Yeah, of course.
0:39:28 > 0:39:30Because I'm following some sort of model.
0:39:30 > 0:39:32God forbid my feelings should be personal or unique!
0:39:33 > 0:39:36Sorry. You're right. That wasn't very helpful.
0:39:36 > 0:39:39I keep going over and over it and feels like I'm falling apart.
0:39:39 > 0:39:43A-ha! I knew it. Depression, that's, that's, that's the fourth stage!
0:39:45 > 0:39:48Sorry. I think that sounded a bit more triumphant and, um...
0:39:48 > 0:39:51- Insensitive? - ..than it was meant to.
0:39:53 > 0:39:56I'm not really sure what people do in these situations.
0:39:56 > 0:39:58You were doing well.
0:39:58 > 0:40:00Maybe in the future I'd hold back on, y'know,
0:40:00 > 0:40:03shouting "I knew it" in someone's face.
0:40:03 > 0:40:05Sir.
0:40:05 > 0:40:07We just got confirmation that the bootlegging
0:40:07 > 0:40:09- is going through Milton Reynards. - Good job, Fidel.
0:40:09 > 0:40:11The Commissioner will be pleased.
0:40:11 > 0:40:13Yes, but we still don't have any hard evidence on him.
0:40:13 > 0:40:15Well, it's a start. Pick it up again in the morning.
0:40:15 > 0:40:18- See if you can get a confession. - OK.
0:40:18 > 0:40:20Oh, and the video camera, there was a bit of damage
0:40:20 > 0:40:23but I managed to transfer it to stills, I put it up on the board.
0:40:23 > 0:40:27- Anything new? - No, not that I can see, no.
0:40:27 > 0:40:29So why would he lie about having a camera?
0:40:29 > 0:40:31We found him in a local drinking den.
0:40:31 > 0:40:34He's supposed to be here on business,
0:40:34 > 0:40:37only he's been squeezing in a little bit of rest and recreation too.
0:40:37 > 0:40:40He met up with a lady friend on the night before the boat party
0:40:40 > 0:40:43and... well, they made a video.
0:40:43 > 0:40:44He was worried his wife would find out.
0:40:44 > 0:40:46Even I was shocked.
0:40:46 > 0:40:48So he's not our killer either.
0:40:48 > 0:40:50No.
0:40:51 > 0:40:55Look, it's late, you two should get yourselves home.
0:40:55 > 0:40:57Sir.
0:40:58 > 0:41:00- Night.- Night, Chief.
0:41:05 > 0:41:08The answer's here somewhere, I know it.
0:41:52 > 0:41:55BELLS RING
0:41:58 > 0:42:00You didn't have to come in so early.
0:42:00 > 0:42:01Didn't have a choice.
0:42:01 > 0:42:05Rosie, she woke me around dawn and then an hour after that
0:42:05 > 0:42:08and then an hour after that and... Well, you get the picture.
0:42:12 > 0:42:15I don't think I slept more than a couple of hours.
0:42:20 > 0:42:23OK, I tell you what.
0:42:23 > 0:42:28If I fall asleep, just...
0:42:28 > 0:42:31give me a nudge, and I'll do the same for you.
0:42:32 > 0:42:34It's a deal.
0:42:50 > 0:42:51Inspector!
0:42:51 > 0:42:53Morning, sir.
0:42:55 > 0:42:57How is the murder enquiry going?
0:42:57 > 0:42:59Er, we're making progress.
0:43:00 > 0:43:02Inspector, I know you have a lot on your plate,
0:43:02 > 0:43:04but I need you to understand.
0:43:04 > 0:43:07I'm getting the most horrendous pressure
0:43:07 > 0:43:10- about this damn bootlegging ring. - Yes, Fidel and Dwayne
0:43:10 > 0:43:12are interviewing the main suspect this morning.
0:43:12 > 0:43:14We'll have something for you by the end of the day.
0:43:14 > 0:43:18I hope so. Because it's a political hot potato.
0:43:18 > 0:43:21And I don't want to get my hands burnt,
0:43:21 > 0:43:23if you will excuse the extended metaphor.
0:43:23 > 0:43:25Definitely not, sir.
0:43:25 > 0:43:27You won't excuse the metaphor?
0:43:28 > 0:43:30Er...no?
0:43:30 > 0:43:34No, er, er, yes... You won't get your hands burnt, er...
0:43:36 > 0:43:37..by a potato.
0:43:49 > 0:43:51- Morning, team.- Sir.
0:43:51 > 0:43:54Camille. Er, how are you feeling?
0:43:54 > 0:43:57Better, thank you, sir.
0:43:57 > 0:43:58Good.
0:43:58 > 0:44:03Wow, everyone's early today! If I'd known, I'd have brought coffee.
0:44:03 > 0:44:05You two should go and see Milton Reynards.
0:44:05 > 0:44:08I promised the Commissioner a result on his bootlegging today.
0:44:08 > 0:44:10He won't know what's hit him.
0:44:10 > 0:44:12Hey!
0:44:12 > 0:44:14- What?- Come!
0:44:14 > 0:44:16Let's go catch a rat.
0:44:17 > 0:44:19Come now!
0:44:26 > 0:44:28It's unbelievable, isn't it?
0:44:28 > 0:44:30We've got every conceivable angle of the bar,
0:44:30 > 0:44:33the dance floor and the entrance. Not a single photograph
0:44:33 > 0:44:37of the backstage area where the gargle bottles were kept.
0:44:37 > 0:44:40So we have no way of knowing who put the poison in or when.
0:44:40 > 0:44:42Except, look at the pictures here.
0:44:42 > 0:44:44Just before Aimee comes on stage,
0:44:44 > 0:44:48only Eloise comes out from the backstage area. Look.
0:44:50 > 0:44:52It has to be her!
0:44:54 > 0:44:56I just wish you'd trust me on this.
0:44:56 > 0:44:59Yes, going by the book can work.
0:44:59 > 0:45:03But sometimes the old ways, you know, getting in their face,
0:45:03 > 0:45:05shaking them up a bit...
0:45:05 > 0:45:07Look, I can't go intimidating witnesses
0:45:07 > 0:45:08if I want to be a sergeant.
0:45:08 > 0:45:11- It's not personal, I just don't want to mess this up. OK?- OK. Fine, fine.
0:45:11 > 0:45:13Go on. You go ahead, I'll catch you in a minute.
0:45:13 > 0:45:15- I don't want to get in your way. - Don't be like that.
0:45:15 > 0:45:17I have a family to support. A future to think about.
0:45:17 > 0:45:20- You know what they should teach you in that sergeant class?- What?
0:45:20 > 0:45:23- How to relax.- I don't need to learn how to relax!- No. Of course not.
0:45:23 > 0:45:25Clearly you're very calm and collected.
0:45:25 > 0:45:27Go on then, go!
0:45:31 > 0:45:33You really should get a lock for that door.
0:45:33 > 0:45:36- Haven't we been here before? - What happened to you?
0:45:36 > 0:45:39Oh, great. Good cop is now all concerned. What a surprise.
0:45:39 > 0:45:41Look, Milton, you're going to have to come clean, OK?
0:45:41 > 0:45:43We've been given your name as the bootleg dealer.
0:45:43 > 0:45:45Where are you getting it from?
0:45:45 > 0:45:47I can start going through all of your financial records,
0:45:47 > 0:45:49- all of your business, everything. - I'm sleeping.
0:45:49 > 0:45:52- I need a result on this case! - I need my rest. I'm tired.
0:45:52 > 0:45:55You're tired?! Do you know what time I have to wake up in the morning?
0:45:55 > 0:45:57Do you?! No, no, no, I don't know either!
0:45:57 > 0:45:59All I know is that it's dark and my baby's just crying.
0:45:59 > 0:46:01I've got work, I've got classes, I've got homework
0:46:01 > 0:46:04and in between, I'd love to spend some quality time with my wife.
0:46:04 > 0:46:07But I can't because there is no time and I've had enough of you!
0:46:07 > 0:46:10Tell me who's supplying the hooch, where you're getting it from,
0:46:10 > 0:46:12and who did that to your face. The sooner I can make a break
0:46:12 > 0:46:14on this case, the sooner I can get some rest.
0:46:14 > 0:46:16But if you hold out one moment longer, tired or not,
0:46:16 > 0:46:19I will not be held responsible for my actions.
0:46:19 > 0:46:22OK, OK, I'll talk! I'll talk. Just, Dwayne!
0:46:22 > 0:46:23You need to learn to relax.
0:46:25 > 0:46:27Oh, thank God.
0:46:27 > 0:46:29Oooh. Yeah.
0:46:29 > 0:46:31Sometimes the old ways are the best.
0:46:36 > 0:46:38What am I missing?
0:46:38 > 0:46:39Milton talked.
0:46:39 > 0:46:42He gave up the names of the people producing the bootleg rum.
0:46:42 > 0:46:44We can head over and pick it up later.
0:46:44 > 0:46:46That should get the Commissioner off our backs. Well done.
0:46:46 > 0:46:50You should have seen him, Chief. He made me so proud.
0:46:50 > 0:46:53Oh, by the way, there's something else I think
0:46:53 > 0:46:54- maybe we should keep an eye on.- Oh?
0:46:54 > 0:46:56Milton wanted to siphon off some of the bootleg
0:46:56 > 0:46:59he'd been distributing, you know, make a little bit on the side.
0:46:59 > 0:47:01A criminal AND an entrepreneur, how impressive.
0:47:01 > 0:47:03So anyway, old Milton's down at the harbour
0:47:03 > 0:47:06and he sees this box of empty bottles outside
0:47:06 > 0:47:08the King Papyrus party boat, just sitting there.
0:47:08 > 0:47:11So he goes to grab them, then out of the blue,
0:47:11 > 0:47:13suddenly these guys jump him!
0:47:13 > 0:47:16They beat him up real bad, you see, Chief.
0:47:16 > 0:47:17Empty bottles?
0:47:17 > 0:47:18Yes, beer bottles.
0:47:18 > 0:47:20Palm Tree beer, it's a local brew.
0:47:20 > 0:47:23- Well, write it up in your report. - Yes, Chief.
0:47:28 > 0:47:31I've spent hours looking at them. Nothing.
0:47:31 > 0:47:33Do you know how many murders I've investigated?
0:47:33 > 0:47:36And in how many of them do you think I had
0:47:36 > 0:47:39photographs of the murder scene while the murder was taking place?
0:47:43 > 0:47:45Maybe we...
0:47:45 > 0:47:46What?
0:47:46 > 0:47:47Oh, my God!
0:47:50 > 0:47:51Quick, here, look!
0:47:51 > 0:47:53I can't see anything.
0:47:53 > 0:47:55No, not the photographs, the... What's it called? The decoration!
0:47:55 > 0:47:57The mirror thing. Look.
0:48:00 > 0:48:02There's Aimee getting ready backstage,
0:48:02 > 0:48:04then she reaches for her gargle bottle,
0:48:04 > 0:48:07but look here, see, she drops something.
0:48:07 > 0:48:09And then, she's distracted by...
0:48:09 > 0:48:11Perhaps her music cue?
0:48:11 > 0:48:12That's it, of course! Then look here.
0:48:12 > 0:48:15- She heads straight for the stage. Which means...- She didn't gargle.
0:48:15 > 0:48:17But how can that be? The poison was...
0:48:17 > 0:48:19That's why nothing made sense. We took a wrong turn
0:48:19 > 0:48:22and never got back on track. By focusing on the gargle bottles,
0:48:22 > 0:48:24we looked away from what was really important. Fidel,
0:48:24 > 0:48:26the forensic report on the oyster shell
0:48:26 > 0:48:28and the shot glass, if you would.
0:48:31 > 0:48:33Yeah, of course. Fingerprints.
0:48:33 > 0:48:34A shot glass and an oyster shell.
0:48:34 > 0:48:37They had fallen on the floor, but I retrieved them myself,
0:48:37 > 0:48:39so they haven't been contaminated.
0:48:40 > 0:48:42That's it. But why?
0:48:42 > 0:48:44How long had the boat been in Saint Marie?
0:48:44 > 0:48:46It arrived back this week, Chief,
0:48:46 > 0:48:48after a nine-week stint in Guadeloupe.
0:48:48 > 0:48:49Antigua and Tobago before that.
0:48:49 > 0:48:51Milton sees this box of bottles
0:48:51 > 0:48:54outside the King Papyrus party boat, so he goes to grab them.
0:48:54 > 0:48:56Suddenly these guys jump him.
0:48:56 > 0:48:58They beat him up real bad, you see, Chief.
0:48:58 > 0:49:00Palm Tree beer, it's a local brew.
0:49:01 > 0:49:02The bottle.
0:49:02 > 0:49:05That's why it wasn't in the fridge.
0:49:05 > 0:49:06- Dwayne!- Chief.
0:49:06 > 0:49:09Go over to Aimee Fredericks' apartment,
0:49:09 > 0:49:11there's a beer bottle in one of the kitchen cupboards,
0:49:11 > 0:49:13bring it to the King Papyrus as fast as you can.
0:49:13 > 0:49:15- On my way, Chief. - Fidel, get everyone together
0:49:15 > 0:49:18and get them to the boat. OK, right, OK.
0:49:18 > 0:49:20Now I know where to look.
0:49:20 > 0:49:21Excuse me.
0:49:23 > 0:49:24How did...?
0:49:26 > 0:49:30Ah! There you are!
0:49:30 > 0:49:32Yeah, and there, very clever. Very good.
0:49:33 > 0:49:35Very good.
0:49:35 > 0:49:37Two days ago, Aimee Fredericks was poisoned and killed
0:49:37 > 0:49:40during what was to be her final number.
0:49:40 > 0:49:43And yet there seemed to be no way it could have happened.
0:49:43 > 0:49:49She ate an oyster and, er, drank from a shot glass.
0:49:49 > 0:49:51But when tested, neither showed any trace of poison.
0:49:51 > 0:49:53Yet there were traces of poison
0:49:53 > 0:49:56in the bottle Aimee used to gargle with,
0:49:56 > 0:49:58along with an irritant.
0:49:58 > 0:50:00Rosehip.
0:50:00 > 0:50:04The rosehip was put in the bottle backstage by Eloise.
0:50:04 > 0:50:08The aim was to make it impossible for Aimee to sing that afternoon,
0:50:08 > 0:50:10to humiliate her.
0:50:10 > 0:50:12Yet she denies putting poison in the bottle.
0:50:13 > 0:50:17I believe her. Not that it matters whether she did or she didn't,
0:50:17 > 0:50:18because on the afternoon in question,
0:50:18 > 0:50:20Aimee didn't use that bottle.
0:50:20 > 0:50:23The poison we found in it wasn't what killed her.
0:50:23 > 0:50:27This whole thing started when Aimee was offered a job in Miami.
0:50:27 > 0:50:30She worked hard, waiting for her big break.
0:50:30 > 0:50:32She was determined not to let it slip away.
0:50:32 > 0:50:34But her boss Stephen didn't want to let her go.
0:50:34 > 0:50:37He pointed out there was a clause in her contract which meant
0:50:37 > 0:50:39it would cost her 20,000 to buy herself out.
0:50:39 > 0:50:41I'm getting that money.
0:50:41 > 0:50:44He even tried to seduce her in an attempt to get her to stay.
0:50:44 > 0:50:46Tried and failed.
0:50:49 > 0:50:52Aimee knew Stephen well enough to know that he'd quite happily
0:50:52 > 0:50:54call her producer in Miami to ruin her big chance.
0:50:54 > 0:50:57So she decided to try and find the money.
0:50:57 > 0:51:01She was excited about going to Miami, so she must have found it.
0:51:01 > 0:51:03Where from?
0:51:03 > 0:51:06If Aimee wasn't killed by the poison in the gargle bottle,
0:51:06 > 0:51:07how was she killed?
0:51:11 > 0:51:16It's simple, really. Sometimes it's easy to overlook the obvious,
0:51:16 > 0:51:19thinking it can't possibly be true, but it was.
0:51:19 > 0:51:22Aimee was killed when, in plain view of everyone in the room,
0:51:22 > 0:51:23she ate the oyster,
0:51:23 > 0:51:29and then she drank the poison from the shot glass.
0:51:29 > 0:51:32Because the glass we found didn't contain any traces of poison,
0:51:32 > 0:51:34we missed the other forensic details.
0:51:34 > 0:51:37All attention was on the gargle bottle.
0:51:37 > 0:51:40Which was nothing more than a distraction,
0:51:40 > 0:51:42and I really wish I hadn't done that strange hand wave.
0:51:42 > 0:51:44The point being, the shot glass
0:51:44 > 0:51:47should have had two sets of fingerprints on it.
0:51:47 > 0:51:49Grant's because he prepared it,
0:51:49 > 0:51:51and Aimee's because she drank it.
0:51:51 > 0:51:53Yet there was only one set of fingerprints found.
0:51:53 > 0:51:56- How could that be? - It wasn't the same shot glass.
0:51:56 > 0:51:57Exactly!
0:51:57 > 0:51:59And once you know that, well,
0:51:59 > 0:52:01you know that only the killer would change it,
0:52:01 > 0:52:05so therefore only the killer's fingerprints would be on it.
0:52:06 > 0:52:08Hmm, isn't that right, Grant?
0:52:08 > 0:52:10What are you asking me for?
0:52:10 > 0:52:13Because your prints were the only ones found on the clean shot glass.
0:52:13 > 0:52:15You killed Aimee Fredericks.
0:52:15 > 0:52:17You've been out in the sun too long,
0:52:17 > 0:52:20you've fried your brain, you need to see a doctor.
0:52:20 > 0:52:23So should you. Nasty cut on your hand.
0:52:23 > 0:52:25Should be more careful.
0:52:25 > 0:52:27You knew that this being Aimee's last performance,
0:52:27 > 0:52:29your time was running out.
0:52:33 > 0:52:36After she drank the poison, it quickly took effect.
0:52:36 > 0:52:37Aimee. Aimee!
0:52:37 > 0:52:40The tray was on the table when the table toppled over,
0:52:40 > 0:52:44but a shot glass is small and thick - it didn't smash.
0:52:44 > 0:52:47With the distraction, you saw your chance.
0:52:48 > 0:52:50As you swapped it for a replacement,
0:52:50 > 0:52:53you cut your hand on the broken glass around it.
0:52:54 > 0:52:56I think you were probably standing round about here.
0:52:57 > 0:53:00So you're effectively holding the murder weapon
0:53:00 > 0:53:03and suddenly you have a police officer in front of you.
0:53:03 > 0:53:04Don't move. Police!
0:53:04 > 0:53:06What do you do? This, perhaps.
0:53:19 > 0:53:21My guess is forensic examination
0:53:21 > 0:53:24will show yours and Aimee's fingerprints, traces of strychnine
0:53:24 > 0:53:28and quite possibly a drop of your own blood for good measure.
0:53:28 > 0:53:30When you returned to the boat yesterday,
0:53:30 > 0:53:32you weren't coming back for your knives -
0:53:32 > 0:53:35you were coming to retrieve this from its hiding place.
0:53:36 > 0:53:38But what about motive?
0:53:38 > 0:53:40Well, that was slightly harder to establish, but,
0:53:40 > 0:53:43well, once I knew you were the murderer
0:53:43 > 0:53:45it was simply a case of working backwards.
0:53:45 > 0:53:47That, and a seemingly random event.
0:53:47 > 0:53:49A small-time criminal was caught trying to steal
0:53:49 > 0:53:51a crate of beer bottles from just on the harbour here,
0:53:51 > 0:53:54got very badly beaten up. Then I remembered seeing a beer bottle
0:53:54 > 0:53:56in the cupboard at Aimee's apartment.
0:53:56 > 0:53:58I remember wondering why it wasn't in the fridge.
0:53:58 > 0:54:01Dwayne? Behind the bar.
0:54:02 > 0:54:04Then it struck me.
0:54:04 > 0:54:06I knew where Aimee was hoping to get her 20,000 from.
0:54:06 > 0:54:08It was you, wasn't it?
0:54:09 > 0:54:13She was blackmailing you, because she'd discovered your little secret.
0:54:22 > 0:54:25You'd been using the party boat's movements from island to island
0:54:25 > 0:54:27to deliver drug shipments.
0:54:27 > 0:54:28Stupid bastard!
0:54:28 > 0:54:30Eloise told us you knew of her plan
0:54:30 > 0:54:32to put something in Aimee's gargle bottle.
0:54:32 > 0:54:35I mean, I even, I even asked Grant for something from the kitchen,
0:54:35 > 0:54:38a chilli maybe, but when he talked me out of it,
0:54:38 > 0:54:40I, I used rosehip instead.
0:54:40 > 0:54:43But you saw her, didn't you, and you put the poison in Aimee's bottle
0:54:43 > 0:54:45assuming Eloise would get the blame.
0:54:46 > 0:54:49You watched and waited for Aimee to take the fatal dose.
0:54:49 > 0:54:52But just as Aimee was going to drink from her gargle bottle,
0:54:52 > 0:54:54she heard her music cue.
0:54:54 > 0:54:55Your plan went wrong
0:54:55 > 0:54:59when you saw she failed to drink from it and instead rushed onstage.
0:54:59 > 0:55:01So you quickly came up with plan B.
0:55:02 > 0:55:04You poured a shot of rum.
0:55:09 > 0:55:11And added a lethal measure of strychnine.
0:55:15 > 0:55:17If Aimee had gargled from the bottle as you'd planned,
0:55:17 > 0:55:20I'm not sure we could have caught you. But she didn't,
0:55:20 > 0:55:23and you were forced into making a mistake.
0:55:23 > 0:55:25One that will send you to prison.
0:55:25 > 0:55:27Yeah, well, I don't think you can prove it.
0:55:30 > 0:55:32I do. Fidel!
0:55:39 > 0:55:42Unbeknownst to you, your every move was captured
0:55:42 > 0:55:45in the reflective surfaces of the party boat decorations.
0:55:50 > 0:55:52Take him away.
0:56:11 > 0:56:14MUSIC PLAYS
0:56:24 > 0:56:26CRASH
0:56:29 > 0:56:30Well, well.
0:56:30 > 0:56:31Evening, gentlemen.
0:56:43 > 0:56:44Flowers.
0:56:47 > 0:56:49For you. Orchids.
0:56:49 > 0:56:51Stephen may be unoriginal,
0:56:51 > 0:56:54but he has fairly good taste in floral arrangements.
0:56:56 > 0:56:57Why are you giving them to me?
0:56:57 > 0:57:00Because I don't really know how to say I'm sorry.
0:57:00 > 0:57:01For what happened to your friend.
0:57:04 > 0:57:06Oh, it doesn't matter. They weren't expensive.
0:57:06 > 0:57:09Richard. You found out why she died.
0:57:09 > 0:57:12Who was responsible.
0:57:12 > 0:57:13You've done enough already.
0:57:17 > 0:57:19So do you want me to take them back, or...?
0:57:19 > 0:57:22Well, I, I didn't mean that.
0:57:24 > 0:57:29I'm sorry, too. About what I said before.
0:57:29 > 0:57:32About how you didn't have friends, because you know we are...
0:57:32 > 0:57:34I hope you're not going to say that you, Fidel and Dwayne
0:57:34 > 0:57:37are my friends because that would be horrifically sentimental
0:57:37 > 0:57:39and, and mawkish and...
0:57:41 > 0:57:42Join me?
0:57:48 > 0:57:49Jacket.
0:57:56 > 0:57:59They were quite expensive actually,
0:57:59 > 0:58:02ridiculous really when you consider they grow in the wild...
0:58:04 > 0:58:06Estelle, we talked about this. I'm at work!
0:58:06 > 0:58:09I know! That's why I'm calling.
0:58:09 > 0:58:10I've found a body.
0:58:13 > 0:58:15I'd heard on the police grapevine
0:58:15 > 0:58:19- you'd been shipped off somewhere, but here?- I wasn't...shipped.
0:58:19 > 0:58:20So your alibi is your best friend?
0:58:20 > 0:58:24No. My alibi is I was sick as a dog.
0:58:24 > 0:58:25Get lost, Ronnie, OK? I mean it.
0:58:25 > 0:58:28Now don't get smart with me, Dicky boy.
0:58:52 > 0:58:55Subtitles by Red Bee Media Ltd