0:00:18 > 0:00:21GROANING
0:00:27 > 0:00:31You ugly sons of bitches want a fight? You got one.
0:00:43 > 0:00:47CUT! Cut! Cut.
0:00:47 > 0:00:49We're doing another take, right?
0:00:49 > 0:00:51I'm not happy with the camera blocking.
0:00:51 > 0:00:54Tell me, Carl, when are you ever completely happy?
0:00:54 > 0:00:55At the end of the day, with a pint in my hand.
0:00:55 > 0:00:58OK, everyone, we're going to have one more rehearsal,
0:00:58 > 0:01:02- then we're going to go for a take. Thanks!- No probs.
0:01:02 > 0:01:04Susie, tea, please. Milk, two sugars.
0:01:04 > 0:01:07- Milk, two sugars.- Oh, and will you fetch the stand-in?- No probs.
0:01:07 > 0:01:08Carl, I don't mind rehearsing.
0:01:08 > 0:01:11Lexi, we have a stand-in for a reason. You go and rest up.
0:01:11 > 0:01:13Anyone would think you didn't want me around.
0:01:15 > 0:01:17Maybe give you a chance to learn your lines.
0:01:19 > 0:01:22MAN READS OUT TYPED WORDS
0:01:31 > 0:01:33Chance'd be a bloody fine thing.
0:01:39 > 0:01:41- Great, Thea. You know what you're doing?- Yep.
0:01:41 > 0:01:43Good, OK. You run up this street here...
0:01:43 > 0:01:45- Mm-hm.- Yeah? Dead end.- Yep.
0:01:45 > 0:01:47- Zombies attack. Got it? - OK. Got it.- Nice one.
0:01:47 > 0:01:50OK, everyone, let's get this show on the road!
0:01:50 > 0:01:53Those things, those monsters, they don't care about our future.
0:01:53 > 0:01:56They'll just... They don't care about our future,
0:01:56 > 0:02:01they'll just keep going, they'll just... they'll just....
0:02:02 > 0:02:05How are the rewrites going?
0:02:05 > 0:02:10Slow and agonisingly painful. Like root canal surgery.
0:02:10 > 0:02:14Always so upbeat, Arnie. It'll be worth it in the end.
0:02:17 > 0:02:18Action.
0:02:28 > 0:02:31Those things, those monsters, they don't care about our future,
0:02:31 > 0:02:33they'll just... They'll just...
0:02:33 > 0:02:35Keep devouring us.
0:02:35 > 0:02:38..keep devouring us and they won't stop until we're dead.
0:02:38 > 0:02:40Milk, one sugar.
0:02:40 > 0:02:44- I asked for milk, two sugars. - Oh, I'm sorry. I'm such an idiot.
0:02:44 > 0:02:46And this is coffee, not tea.
0:02:52 > 0:02:54Tea, milk, one sugar.
0:02:54 > 0:02:55- Two sugars.- Two sugars!
0:02:57 > 0:02:59The day she's satisfied is the day she dies.
0:03:10 > 0:03:11That's it! Good. Nice.
0:03:13 > 0:03:15You ugly sons of bitches...
0:03:16 > 0:03:19Don't worry, keep going. Keep going.
0:03:23 > 0:03:25Thea?
0:03:26 > 0:03:29- Thea?- Can somebody get some water?
0:03:30 > 0:03:32Thea?
0:03:36 > 0:03:39Something's wrong! Call an ambulance! Quickly!
0:03:39 > 0:03:45Thea, can you hear me? Thea! Can you hear me? Thea!
0:04:16 > 0:04:19MUSIC: "You Can Get It If You Really Want" by Jimmy Cliff
0:04:22 > 0:04:25# You can get it if you really want
0:04:25 > 0:04:29# You can get it if you really want
0:04:29 > 0:04:33# But you must try, try, try, try
0:04:33 > 0:04:35# Try and try
0:04:35 > 0:04:37# You'll succeed at last. #
0:04:44 > 0:04:48"Always read the instructions, Harry." Sally drummed it into me.
0:04:48 > 0:04:53Ever since the great shelving collapse of 2003.
0:04:54 > 0:04:57Who needs instructions? How hard can it be?
0:04:58 > 0:05:03So we plough on regardless, and invariably...end up bleeding.
0:05:05 > 0:05:08Not entirely unlike my marriage, it seems.
0:05:08 > 0:05:12Though I can't really put a sticking plaster on that, can I?
0:05:12 > 0:05:13Right!
0:05:15 > 0:05:16Get rid of this!
0:05:21 > 0:05:23"Do not cut the excess rope."
0:05:23 > 0:05:24Ah.
0:05:26 > 0:05:28MOBILE RINGS
0:05:30 > 0:05:32Camille!
0:05:33 > 0:05:36No, just doing a spot of DIY.
0:05:36 > 0:05:37You do DIY?
0:05:37 > 0:05:40I potter. I dabble. I tinker.
0:05:40 > 0:05:44- You don't strike me as the DIY type. - What makes you say that?
0:05:44 > 0:05:47Two reasons. One, you use words like "tinker". And two...
0:05:47 > 0:05:50- Bit of a ruckus with an A-frame. - Mm-hmm. I think the A-frame won.
0:05:54 > 0:05:58Thea Homes, stand-in on a movie set, 27.
0:05:58 > 0:06:00She collapsed during rehearsal.
0:06:00 > 0:06:02She was unconscious, but still had a pulse.
0:06:02 > 0:06:06She was sweating badly. Her pupils were fixed and dilated.
0:06:06 > 0:06:08- So she was still alive? - For a short while, yes.
0:06:08 > 0:06:09But then her heart stopped.
0:06:09 > 0:06:12Something must have caused the paralysis of the muscles.
0:06:14 > 0:06:17Here, look. Lack of oxygen to the skin.
0:06:17 > 0:06:20- Respiratory failure? - The lips are also blue.
0:06:20 > 0:06:25She was poisoned. By something extremely toxic.
0:06:25 > 0:06:28Do we know what she's had to eat or drink this morning?
0:06:28 > 0:06:31No, we don't, but all food is served back at the film base.
0:06:37 > 0:06:40Cast and crew have all their meals on set.
0:06:40 > 0:06:42They get brought from the hotel at six.
0:06:42 > 0:06:44Breakfast hadn't been served yet,
0:06:44 > 0:06:47but there were drinks and snacks available.
0:06:49 > 0:06:52People have been in and out all day. Thea included.
0:06:52 > 0:06:54- No-one else was taken ill? - Nope, no-one.
0:06:54 > 0:06:56- How many cast and crew? - 50. Or thereabouts.
0:07:02 > 0:07:04Chocolates, coffee, fruit.
0:07:13 > 0:07:15Dwayne, would you mind getting everything bagged up
0:07:15 > 0:07:17and sent for testing? And check where Thea was staying -
0:07:17 > 0:07:19- search her room. - I'll get my things.
0:07:19 > 0:07:22Why would anyone want to kill a lowly stand-in?
0:07:23 > 0:07:26Thea, she was a sweet girl. Quiet. Always did what she was told -
0:07:26 > 0:07:28makes my job a hell of a lot easier.
0:07:28 > 0:07:30Can you think of any reason why someone might want to kill her?
0:07:30 > 0:07:33- None at all.- Did she have any friends, acquaintances?
0:07:33 > 0:07:34- Lexi.- Lexi?
0:07:34 > 0:07:36Lexi Cunningham, she's our lead actress.
0:07:36 > 0:07:38Her and Thea were pals from school.
0:07:38 > 0:07:40Oh, they were close?
0:07:40 > 0:07:43Yeah, thick as thieves. Lexi's the reason Thea's out here.
0:07:43 > 0:07:44Got her the job.
0:07:44 > 0:07:46They were pretty much inseparable.
0:07:47 > 0:07:48You must be starving.
0:07:48 > 0:07:50Ah, you angel. I'll pay you back.
0:07:50 > 0:07:52No, no, it's all right. I'll put it on the tab.
0:07:52 > 0:07:54I got the impression that Lexi felt sorry for her.
0:07:54 > 0:07:56- What makes you say that? - Just the way she was with Thea.
0:07:56 > 0:07:59You know, protective. Always looking out for her.
0:07:59 > 0:08:01Ask her yourself - she's over there.
0:08:03 > 0:08:04Thank you.
0:08:08 > 0:08:10We used to play out on our bikes all the time.
0:08:10 > 0:08:15We were best friends, right up until I went off to drama school.
0:08:15 > 0:08:19We kept in touch, but she got in with a bad crowd.
0:08:19 > 0:08:21Drinking and drugs.
0:08:21 > 0:08:23Few years later, I'm on tour with this awful play
0:08:23 > 0:08:26and I get a call in the middle of the night.
0:08:26 > 0:08:28She'd been arrested.
0:08:28 > 0:08:30Arrested? For what?
0:08:30 > 0:08:34Mugging. It went wrong. A man died.
0:08:36 > 0:08:39One stupid moment, and her whole life changed.
0:08:42 > 0:08:44She got out a few months back.
0:08:44 > 0:08:47And she came all the way to the Caribbean to see you?
0:08:47 > 0:08:51I just figured she deserved a break. It's my fault, isn't it?
0:08:51 > 0:08:53It's my fault she was out here.
0:08:58 > 0:09:01A stand-in is killed after only a few weeks on a film set.
0:09:03 > 0:09:06She's well liked, quiet. Why?
0:09:06 > 0:09:09She went to prison. Maybe it has to do with her past.
0:09:09 > 0:09:11- Yes, if we could get a copy of Thea's criminal record...- Yes.
0:09:11 > 0:09:13Oh, sir!
0:09:13 > 0:09:15No harm done.
0:09:15 > 0:09:16CRASH!
0:09:22 > 0:09:26- Would you like me to start interviewing?- If you would, Fidel.
0:09:26 > 0:09:29About time we broke the news to her family.
0:09:38 > 0:09:43I'm truly sorry for your loss, Mrs Homes. Yes, absolutely.
0:09:43 > 0:09:46We'll be in touch. Bye-bye.
0:09:48 > 0:09:50How did she take it?
0:09:50 > 0:09:54Cool as a cucumber. Rather reluctant to talk about her daughter.
0:09:54 > 0:09:56Haven't spoken since she went to prison.
0:09:58 > 0:10:01- Anything in her room?- Not much.
0:10:01 > 0:10:02Wow, she travelled light.
0:10:02 > 0:10:06- It seems like she didn't intend to stay long.- Mmm.
0:10:06 > 0:10:09- Er, sir?- Hmm? - Preliminary autopsy results.
0:10:09 > 0:10:13- Poisoning?- Respiratory failure from 8mg of tetrodotoxin.
0:10:13 > 0:10:15- That's puffer fish poison. - Puffer fish?- Yes!
0:10:15 > 0:10:17The effects take a while to kick in.
0:10:17 > 0:10:21They estimate that she was poisoned around an hour before.
0:10:21 > 0:10:25She had to have been poisoned on set. Anything else of note?
0:10:25 > 0:10:28The only food in her stomach was a small amount of chocolate.
0:10:28 > 0:10:30Chocolate and cherry.
0:10:30 > 0:10:33The chocolates from the food tent. They were poisoned?
0:10:33 > 0:10:38Nonsense! Rather, it makes no sense. All of the chocolates were eaten,
0:10:38 > 0:10:39yet no-one else died.
0:10:39 > 0:10:44So, it seems that only one from the entire box was poisoned.
0:10:44 > 0:10:45Just the one Thea ate.
0:10:45 > 0:10:48Yes, just that one.
0:10:53 > 0:10:56- Camille, one question.- Yes.
0:10:56 > 0:10:58Who put those chocolates there, to what end,
0:10:58 > 0:11:00and why only one poisoned chocolate?
0:11:00 > 0:11:02That's three questions.
0:11:02 > 0:11:06If you are only going to poison one chocolate in a box of twenty,
0:11:06 > 0:11:08why choose the cherry?
0:11:08 > 0:11:11Maybe the killer knew cherry was Thea's favourite?
0:11:11 > 0:11:13Bit risky, though - anyone could have eaten it.
0:11:21 > 0:11:24- Hook-a-duck.- What-a-what?
0:11:24 > 0:11:25Hook-a-duck.
0:11:25 > 0:11:27Every summer when I was growing up,
0:11:27 > 0:11:29a funfair would pitch up on the village green.
0:11:29 > 0:11:33There'd be a carousel and a ghost train and hook-a-duck.
0:11:33 > 0:11:36It's those little rubber ducks bobbing around on a paddling pool.
0:11:36 > 0:11:39You had to try and hook them with a little fishing rod and if you got
0:11:39 > 0:11:44the one with the star on its bottom, you won the most fantastic prize.
0:11:44 > 0:11:46- A-ha, what was the prize? - A goldfish.- A goldfish.
0:11:46 > 0:11:48In a plastic bag.
0:11:48 > 0:11:50You had a very dull childhood, didn't you?
0:11:50 > 0:11:53- Every year, I'd hook a duck... - No star?- Not once.
0:11:54 > 0:11:57How is that at all relevant?
0:11:57 > 0:12:00Probability. See, the odds were stacked against me.
0:12:00 > 0:12:02As are the odds stacked against the murderer
0:12:02 > 0:12:05killing his intended victim. There's too much chance involved.
0:12:05 > 0:12:07- Thea could've eaten any chocolate. - Precisely.
0:12:08 > 0:12:11Mr Collins. Sorry to bother you.
0:12:11 > 0:12:13Your catering. Who provides it?
0:12:13 > 0:12:16Er, we hire a local company. They, they do everything.
0:12:19 > 0:12:21- Ooh, perfect, thanks, Susie. - No probs.
0:12:23 > 0:12:24Why do you ask?
0:12:24 > 0:12:27Did they provide you with those rather expensive looking chocolates?
0:12:27 > 0:12:30No. I put them out. When I arrived this morning around six, they were
0:12:30 > 0:12:32outside Lexi's tent. Lexi arrived just as I did.
0:12:32 > 0:12:33These must be for you.
0:12:33 > 0:12:36Oh, why do they do this to me? Take them, seriously,
0:12:36 > 0:12:38or I'll eat the lot.
0:12:38 > 0:12:40The production company send her gifts all the time.
0:12:40 > 0:12:42She didn't want the temptation, so I put them out
0:12:42 > 0:12:43for everyone to share.
0:12:43 > 0:12:45The crew are like gannets. They'll eat anything.
0:12:45 > 0:12:47Sorry, just to clarify.
0:12:47 > 0:12:49- The chocolates were never meant to be eaten by the crew?- No.
0:12:49 > 0:12:52- They were only intended for Lexi? - Yeah, that's right.
0:12:52 > 0:12:54- Where's Lexi now?- In her tent.
0:12:55 > 0:12:57Sorry, have I missed something?
0:12:57 > 0:12:59- Thea was never the intended victim. - Lexi Cunningham was.
0:12:59 > 0:13:02- You have security, I take it? - Yeah, 24/7.
0:13:02 > 0:13:03Check with security,
0:13:03 > 0:13:06see if they can shed any light on where those chocolates came from.
0:13:06 > 0:13:07You're kidding.
0:13:08 > 0:13:10You're not kidding.
0:13:13 > 0:13:14I thought they were from production.
0:13:14 > 0:13:17One minute they're telling me I've put on too much weight,
0:13:17 > 0:13:20the next, they're sending me chocolates. They were poisoned?
0:13:20 > 0:13:25Only one. May I ask - which would be your first choice?
0:13:27 > 0:13:29The cherry one.
0:13:30 > 0:13:33That was the one, wasn't it?
0:13:33 > 0:13:36Forgive me, but is there anyone you can imagine who'd want to harm you?
0:13:36 > 0:13:41- No.- So you haven't felt threatened by anyone?- No.
0:13:41 > 0:13:42What about the other night?
0:13:42 > 0:13:44Well, that was just me being paranoid.
0:13:44 > 0:13:46We came back from filming, my door was open...
0:13:46 > 0:13:48Did you lock up?
0:13:50 > 0:13:52Yeah, I'm sure I did.
0:13:52 > 0:13:54Some of my things had been moved around.
0:13:55 > 0:13:57- Was anything missing?- Nothing.
0:13:57 > 0:14:00At first I thought it was the maid having a bit of a nose,
0:14:00 > 0:14:02but then I got freaked out.
0:14:02 > 0:14:04She didn't want to stay there after that so we swapped rooms.
0:14:04 > 0:14:06You really mean it, don't you?
0:14:06 > 0:14:07You think someone's trying to kill me.
0:14:10 > 0:14:13The zombie's are strangling the life from her...
0:14:19 > 0:14:21Whoever tried to kill Lexi is still out there.
0:14:21 > 0:14:23What if they try again?
0:14:23 > 0:14:25That won't happen, Mr Collins. We'll make sure of it.
0:14:25 > 0:14:26Carl, ready for a take.
0:14:26 > 0:14:28- Excuse me.- Mm-hm.
0:14:33 > 0:14:35We should get Dwayne and Fidel down here.
0:14:35 > 0:14:37And check with the hotel -
0:14:37 > 0:14:40see if we can find out who let themselves into Lexi's room.
0:14:40 > 0:14:42Any luck with security?
0:14:42 > 0:14:44All deliveries have to go there first.
0:14:44 > 0:14:47No box of chocolate was delivered for Lexi.
0:14:47 > 0:14:50- So, someone on this set put them there.- Yes.
0:14:50 > 0:14:54Carl said he saw the chocolate outside Lexi's tent at 6am.
0:14:54 > 0:14:56Everyone has to sign in when they arrive,
0:14:56 > 0:14:59but only three people were in before six yesterday.
0:14:59 > 0:15:00Susie, the runner.
0:15:00 > 0:15:02Arnold Finch, the writer...
0:15:02 > 0:15:04..and Carl Collins.
0:15:04 > 0:15:06Mm-hm. Any one of them could've witnessed
0:15:06 > 0:15:09- who put the chocolates there... - Or put them there themselves, yeah.
0:15:11 > 0:15:14I don't have much to do with Lexi, to be honest.
0:15:14 > 0:15:17I write the lines, she says them. Good actress.
0:15:17 > 0:15:21Little bit rough around the edges, maybe.
0:15:21 > 0:15:23Little bit...unpolished.
0:15:24 > 0:15:26But she's still honing her craft.
0:15:26 > 0:15:29I trust your craft is well and truly honed.
0:15:29 > 0:15:33I hope so. I've been doing it for 30 years.
0:15:33 > 0:15:35Do you know the film Code Red?
0:15:35 > 0:15:38Yes, I know it! First World War.
0:15:38 > 0:15:40Second. Submarine commander escaping from...
0:15:40 > 0:15:45- Nazis.- ..Japanese.- Yes! I know it.
0:15:45 > 0:15:46That's one of mine.
0:15:46 > 0:15:49Zombies. Bit of a departure for you, isn't it?
0:15:51 > 0:15:55I suppose so. Originated in this part of the world, you know.
0:15:55 > 0:15:57Haiti.
0:15:57 > 0:16:02It's all mixed up with the history of the place - slavery and whatnot.
0:16:02 > 0:16:06That's why we're filming out here - it's all to do with the old myths.
0:16:06 > 0:16:10Yes, and, er, you didn't see who put the chocolates outside Lexi's tent?
0:16:10 > 0:16:14No. I was busy, busy, busy. Always busy tapping away.
0:16:16 > 0:16:17Didn't see a thing.
0:16:22 > 0:16:24How do you know Lexi?
0:16:24 > 0:16:27I was directing my first short film, she auditioned.
0:16:27 > 0:16:30I was late for the meeting. She kicked off, effing and blinding.
0:16:30 > 0:16:32Thought she was a right little madam, to be honest,
0:16:32 > 0:16:35but when she started acting, she was magic.
0:16:35 > 0:16:37Can she still be a little madam?
0:16:37 > 0:16:40She's an actress. Course.
0:16:40 > 0:16:42- But you like her. - Lexi's like family to me.
0:16:44 > 0:16:48Introduced me to my wife. Godmother to my two girls.
0:16:48 > 0:16:50My daughters think the world of her.
0:16:52 > 0:16:53You look happy.
0:16:53 > 0:16:55Happiest day of my life.
0:17:00 > 0:17:04I fetch Lexi's dry cleaning. I make her tea. Milk, one sugar.
0:17:04 > 0:17:07Or is it milk, two sugars? I always forget.
0:17:07 > 0:17:09So you're here to keep her happy.
0:17:09 > 0:17:10Basically, yeah.
0:17:10 > 0:17:12You hear what these actresses can be like.
0:17:12 > 0:17:15- All air kissing and diva strops. - Lexi's all right.
0:17:15 > 0:17:20She remembers my name, which is more than can be said for some people.
0:17:20 > 0:17:22- There we go. - Thank you.- No probs.
0:17:27 > 0:17:30- I'm so sorry. I'm such an idiot. - Not at all. Spilt milk and all that.
0:17:30 > 0:17:34- RADIO: Susie, come to set, please. - On my way. See ya, gotta go.
0:17:38 > 0:17:41- Thank goodness she's only in charge of the beverages.- Yep.
0:17:43 > 0:17:46Seems like no-one had a hugely convincing reason
0:17:46 > 0:17:48to want to kill her.
0:17:48 > 0:17:51- Someone's hiding something. - Someone's always hiding something.
0:17:51 > 0:17:54Yes. Code Red. How long ago was that?
0:17:54 > 0:17:58See what we can unearth about Mr Finch's illustrious career.
0:17:58 > 0:17:59How goes it, sir?
0:17:59 > 0:18:02Hello, Fidel. Someone on this set wants Lexi Cunningham dead.
0:18:02 > 0:18:06- Until we know who, she'll need a bodyguard.- Not a problem.
0:18:07 > 0:18:10- Ah, man, why me?- I'm delegating.
0:18:10 > 0:18:13Oh, well, I'm going out tonight. With a woman.
0:18:13 > 0:18:15An attractive, intelligent woman at that.
0:18:15 > 0:18:16And she likes you?
0:18:16 > 0:18:18- And you?- And me what?
0:18:18 > 0:18:20- Give me one good reason why you shouldn't do it.- Dwayne!
0:18:20 > 0:18:23- What?- I can give you three. - Go on, then!
0:18:25 > 0:18:28Oh, I see! You owe me, Fidel.
0:18:28 > 0:18:29HE MUTTERS
0:18:29 > 0:18:31Hey, I heard that!
0:18:36 > 0:18:37So, a stand in -
0:18:37 > 0:18:40our unfortunate and unintended victim...
0:18:40 > 0:18:42- Uh, sir...- I saw it.
0:18:42 > 0:18:44- No, no...- ..eats the cherry cream...
0:18:44 > 0:18:47- No, no, sir... - No, sir, please...
0:18:49 > 0:18:52Cut! Cut! Cut! Cut!
0:18:52 > 0:18:54Sorry, sorry. As you were.
0:18:56 > 0:18:59Excellent make up, by the way. Very convincing.
0:19:12 > 0:19:14Embittered writer and disorganised runner.
0:19:14 > 0:19:17Not very convincing suspects, are they?
0:19:17 > 0:19:19The director?
0:19:19 > 0:19:21Seems he would have had more to lose than he gained
0:19:21 > 0:19:24if Lexi was the real target. The filming would be finished.
0:19:26 > 0:19:28Well. Good night, sir.
0:19:28 > 0:19:30Ah, er, well, hang on a sec. I'll be right with you.
0:19:30 > 0:19:34I thought you'd be rushing home to finish your DIY.
0:19:34 > 0:19:36Oh, yes. Forgot about that.
0:19:36 > 0:19:37Erm...
0:19:38 > 0:19:40How are you with hammocks?
0:19:40 > 0:19:42Hammocks?
0:19:42 > 0:19:45Yes. Ever managed to put one up without nearly severing a limb?
0:19:45 > 0:19:47Oh, that's what you've been fighting with.
0:19:47 > 0:19:49Yes, well, I wouldn't say "fight", exactly.
0:19:49 > 0:19:51That implies I have some chance of winning.
0:19:51 > 0:19:55Mm. You should make sure you finish it before your wife comes tomorrow.
0:19:55 > 0:19:58- I'm sorry?- Your wife. She arrives tomorrow.
0:19:58 > 0:20:00Yes. Of course. Absolutely.
0:20:00 > 0:20:02You hadn't forgotten?
0:20:02 > 0:20:04Camille, would I forget something like that?
0:20:04 > 0:20:07I'm thinking probably yes.
0:20:08 > 0:20:11Ah, yes, ah, thank you. Of course.
0:20:12 > 0:20:15You must be excited to see her.
0:20:15 > 0:20:16Yes. Er, I miss her very much.
0:20:16 > 0:20:19So she's on the one o'clock flight?
0:20:19 > 0:20:22Erm, well, I don't know exactly...
0:20:22 > 0:20:24It's the only flight from London tomorrow.
0:20:24 > 0:20:25Is it? Well, that'll be the one, then.
0:20:25 > 0:20:28- Yes.- Yes. Yes. Erm...
0:20:30 > 0:20:33Camille, the thing is, er, about Sally...
0:20:33 > 0:20:34Oh, don't worry, I know.
0:20:34 > 0:20:36You do?
0:20:36 > 0:20:39- Yes! You'll need to take some time off when she gets here...- Ah.
0:20:39 > 0:20:42- ..help her settle in and... - Well...- ..well, it's no problem.
0:20:42 > 0:20:45- No!- We can cope a day or two, but...- Well, I...
0:20:45 > 0:20:47You know what? In fact, let's make sure we catch our killer
0:20:47 > 0:20:51before she even gets here - you can take as long as you need.
0:20:51 > 0:20:52Yes.
0:20:54 > 0:20:55Er, no, you go. I'll lock up.
0:20:58 > 0:21:00OK, good night, sir.
0:21:00 > 0:21:01Night, Camille.
0:21:06 > 0:21:07Such a mess.
0:21:17 > 0:21:19OK, let's recap.
0:21:19 > 0:21:21- Thea Homes...- Unluckily deceased.
0:21:23 > 0:21:26From eating poison intended for Lexi Cunningham...
0:21:26 > 0:21:27Luckily not deceased.
0:21:28 > 0:21:30And three potential suspects...
0:21:30 > 0:21:32All of whom had opportunity to place the poisoned chocolates
0:21:32 > 0:21:34outside her tent...
0:21:34 > 0:21:39Sorry - interrupting. Annoying habit of mine.
0:21:39 > 0:21:40Another one?
0:21:40 > 0:21:42Yes, hard to believe, isn't it?
0:21:42 > 0:21:44Background on Lexi.
0:21:44 > 0:21:45Oh, anything interesting?
0:21:45 > 0:21:4827 years old. Grew up on an estate in Stockwell, London.
0:21:48 > 0:21:51Acted on stage. Short films. Did a fair bit of TV.
0:21:51 > 0:21:54- But this film's her big break. - Nothing dubious in her past?
0:21:54 > 0:21:57No nasty skeletons in any murky cupboards?
0:21:57 > 0:21:58She was rebellious.
0:21:58 > 0:22:01She was suspended for smoking on school grounds at the age of 16.
0:22:01 > 0:22:03But that all changed in 2004.
0:22:03 > 0:22:05That was the same year she went to drama school.
0:22:05 > 0:22:08She knuckled down. Became the top of her class.
0:22:08 > 0:22:09What about our suspects?
0:22:09 > 0:22:12- Carl Collins. Family man... - Wife, two kids.
0:22:15 > 0:22:18He and Lexi Cunningham worked together on numerous occasions.
0:22:18 > 0:22:19They know each other well.
0:22:19 > 0:22:21Well enough to know she favours a cherry creme? Sorry!
0:22:21 > 0:22:23Possibly.
0:22:23 > 0:22:26Successful director, erm, TV shows and the like,
0:22:26 > 0:22:28but this movie is a whole other level.
0:22:28 > 0:22:30There's already talk of a sequel.
0:22:30 > 0:22:32- Susie Jenkins. - Nothing much to report.
0:22:32 > 0:22:34She studied stage management, graduated two years ago.
0:22:34 > 0:22:36Been working on film sets ever since.
0:22:36 > 0:22:38And Arnold Finch.
0:22:38 > 0:22:40Yes, what did we find out about his career?
0:22:40 > 0:22:44Well, he's been working since the '80s. Written dozens of films.
0:22:44 > 0:22:47Thought as much. Code Red was nearly ten years ago.
0:22:47 > 0:22:51Hasn't done so much recently. Looks like the work's drying up.
0:22:52 > 0:22:55So far, none of them has a particularly convincing motive.
0:22:55 > 0:22:58Let's keep digging - financial checks, e-mail correspondence,
0:22:58 > 0:23:00- phone records.- Yeah, of course.
0:23:02 > 0:23:05Puffer fish. Why puffer fish?
0:23:05 > 0:23:11Zombies. It's how it all started. The people ate the puffer fish.
0:23:11 > 0:23:13They fell into a coma so deep, it looked like they were dead.
0:23:13 > 0:23:16Then they were buried and they suddenly came back to life.
0:23:16 > 0:23:18Yes, but why something so extraordinary?
0:23:18 > 0:23:19Why not rat poison or arsenic?
0:23:19 > 0:23:22Well, maybe the killer's trying to tell us something.
0:23:22 > 0:23:24Or maybe that's the only poison he could get hold of.
0:23:24 > 0:23:27You can buy it on the island - if you ask the right people.
0:23:27 > 0:23:30How do we track down these right people?
0:23:32 > 0:23:34- Dwayne.- Dwayne.
0:23:38 > 0:23:41- Dwayne?- What?
0:23:41 > 0:23:42Oh, gosh, man! Come on.
0:23:42 > 0:23:45All right. I know exactly who you need to speak to.
0:23:45 > 0:23:47Who?
0:23:47 > 0:23:51Big Dave. He's your guy. Works on the fish market.
0:23:51 > 0:23:55If anyone knows who's selling puffer fish poison, it's him.
0:23:55 > 0:23:56Thanks. I owe you.
0:23:56 > 0:23:59But he won't tell you anything unless you pay.
0:24:03 > 0:24:05I don't pay for information. OK?
0:24:05 > 0:24:08- Then you're not going to get very far, are you?- It's bribery.
0:24:08 > 0:24:10I prefer to think of it as my way of saying thank you.
0:24:10 > 0:24:12It's still bribery.
0:24:16 > 0:24:17Keep 'em peeled.
0:24:20 > 0:24:21Is everything OK?
0:24:21 > 0:24:23Oh, erm, my boss.
0:24:23 > 0:24:27He gets a promotion, and loses his sense of humour.
0:24:28 > 0:24:32Just relax. I'm not going to let anything happen to you.
0:24:32 > 0:24:36I've been trying to learn the same lines for an hour now.
0:24:36 > 0:24:38I could read them with you, if you like.
0:24:38 > 0:24:40I did a bit of acting at school.
0:24:40 > 0:24:43Gave the best Angel Gabriel you've ever seen.
0:24:43 > 0:24:49"Behold, I bring tidings and great joy."
0:24:50 > 0:24:53If you don't mind. It's, it's just this page.
0:24:53 > 0:24:55- From the top?- From the top.
0:24:56 > 0:24:59"We've got to get out of here, Lisa. Before they find us."
0:24:59 > 0:25:02- That was really good.- Really?
0:25:02 > 0:25:06Yeah. "But, er, where are we going to go? They're everywhere.
0:25:07 > 0:25:08"We're going to die, aren't we?"
0:25:10 > 0:25:12Oh, that was really good too.
0:25:15 > 0:25:18"We're not going to die. I promise you that."
0:25:22 > 0:25:24- From the top?- Yeah.
0:25:24 > 0:25:26THEY LAUGH
0:25:31 > 0:25:33- No, that's me.- That's you? OK, then.
0:25:33 > 0:25:35You, you're going to protect me, are you?
0:25:35 > 0:25:40"Zombie". Comes from the Haitian "zonbi"
0:25:40 > 0:25:43and the Mbundu "nzumbe".
0:25:45 > 0:25:47- Fascinating(!)- Mmm. Nzumbe.
0:25:50 > 0:25:52- Sir?- Hmmm?
0:25:52 > 0:25:56I spoke to the production company, they're very keen to help.
0:25:56 > 0:26:00Gave us access to company e-mails. And this is Arnold Finch's,
0:26:00 > 0:26:02asking some very interesting questions.
0:26:02 > 0:26:05- Dr Parr.- Mmm-hmm. He's a forensic pathologist.
0:26:05 > 0:26:07"..researching a film...
0:26:07 > 0:26:09"looking for information on puffer fish poison,
0:26:09 > 0:26:12"specifically its toxicity."
0:26:12 > 0:26:13- Crikey.- (Crikey?)
0:26:13 > 0:26:17- Looks like Mr Finch has some explaining to do.- Yes.
0:26:17 > 0:26:18Hold your horses.
0:26:18 > 0:26:19It's a forum for writers.
0:26:19 > 0:26:21Looks like they use it to moan about things.
0:26:21 > 0:26:24- Jobs they've got. Jobs they haven't got.- Actresses they hate.
0:26:24 > 0:26:28"My advice to you is to never work with this woman.
0:26:28 > 0:26:30"I spend all my time thinking up
0:26:30 > 0:26:34"new and interesting ways... to get rid of her."
0:26:35 > 0:26:36Crikey.
0:26:38 > 0:26:40I was just letting off steam.
0:26:40 > 0:26:42"I was thinking an assassin's bullet,
0:26:42 > 0:26:44"but that would be too quick and painless..."
0:26:44 > 0:26:47Lexi and I had a bit of a set to.
0:26:48 > 0:26:51I was venting.
0:26:51 > 0:26:55Code Red. That was, erm, 2004.
0:26:55 > 0:26:58- Right.- Career's been downhill ever since, hasn't it? - I wouldn't say that.
0:26:58 > 0:27:00I imagine the accolades went to your head.
0:27:00 > 0:27:02The more money they gave you, the greedier you got.
0:27:02 > 0:27:05Your ego inflated. The quality of your writing took a nose dive.
0:27:05 > 0:27:07No-one will hire you.
0:27:07 > 0:27:10That is absolute nonsense. Spurious conjecture.
0:27:10 > 0:27:14"Why will no-one hire me? I wrote Code Red, for God's sake.
0:27:14 > 0:27:18"This industry is full of" - expletive, expletive - "morons."
0:27:18 > 0:27:20Zombies.
0:27:21 > 0:27:23I bloody loathe the things.
0:27:23 > 0:27:26It was the only offer I'd had in 18 months.
0:27:26 > 0:27:29Do you hate Lexi Cunningham?
0:27:30 > 0:27:32Hate's a strong word.
0:27:32 > 0:27:34You didn't answer the question.
0:27:36 > 0:27:39She's had it in for me from the start.
0:27:39 > 0:27:40Nit-picking every single line.
0:27:40 > 0:27:44She says I don't know how to write for young people.
0:27:44 > 0:27:46Or women. She says I'm sexist.
0:27:46 > 0:27:49Me! Sexist! Stupid cow.
0:27:51 > 0:27:54According to your posts, Lexi's signed up for the sequel.
0:27:54 > 0:27:58On one condition - you don't write it.
0:27:58 > 0:28:00She is destroying your career.
0:28:00 > 0:28:03Perhaps killing her would solve everything.
0:28:03 > 0:28:05All, all, all this talk about puffer fish and poisoning.
0:28:05 > 0:28:08It, it's in the script, look.
0:28:08 > 0:28:14Er, scene 53. Here - read it.
0:28:14 > 0:28:16You must see how this looks, Mr Finch.
0:28:16 > 0:28:19You researching the exact poison used to try
0:28:19 > 0:28:21and kill Lexi Cunningham.
0:28:21 > 0:28:24What you have to understand is, I'm a writer.
0:28:26 > 0:28:29Writers don't do things - we just sit behind our laptops
0:28:29 > 0:28:32in our pants and make pretend people do things.
0:28:32 > 0:28:34We're passive-aggressive. We're...
0:28:37 > 0:28:39..cowards.
0:28:39 > 0:28:41This is not the act of a writer.
0:28:46 > 0:28:47'Oh, no, thank you very much.'
0:28:47 > 0:28:50No, you've been most helpful.
0:28:50 > 0:28:53I'm not sure what to make of Arnold Finch. He seems -
0:28:53 > 0:28:55- Like an expletive, expletive moron? - Exactly.
0:28:55 > 0:28:56- Ah...- I got it.
0:28:56 > 0:28:58- Hotel where the crew are staying. - Oh!
0:28:58 > 0:29:00- Any idea who let themselves into Lexi's room?- No,
0:29:00 > 0:29:03- but there was something else rather intriguing.- Uh-huh?
0:29:03 > 0:29:04Which was?
0:29:04 > 0:29:07Reception have had complaints about raised voices in Lexi's room.
0:29:07 > 0:29:10- Oh! Raised enough to hear what they were saying?- No.
0:29:10 > 0:29:11Yeah, always the way.
0:29:11 > 0:29:13One guest said it sounded like a domestic.
0:29:13 > 0:29:17The receptionist went and knocked on Lexi's door when it got really bad.
0:29:17 > 0:29:20Lexi said everything was fine but seemed really scared.
0:29:20 > 0:29:22There was somebody else in the room with her.
0:29:22 > 0:29:24Carl Collins.
0:29:26 > 0:29:27Let's go.
0:29:28 > 0:29:31So who should we talk to first about this argument - Lexi or Carl?
0:29:31 > 0:29:34Well, they're both hiding something.
0:29:47 > 0:29:50Excuse me, are you Big Dave?
0:29:50 > 0:29:51Are you calling me fat?
0:29:52 > 0:29:53No.
0:29:53 > 0:29:55Not at all.
0:29:55 > 0:29:56OK.
0:29:58 > 0:29:59Sorry to disturb you.
0:30:01 > 0:30:03You looking for Big Dave?
0:30:03 > 0:30:06Yeah, you know where I can find him?
0:30:06 > 0:30:07He's right here.
0:30:09 > 0:30:12My wife put me on a diet. No carbs.
0:30:12 > 0:30:15I tell you, it's killing me.
0:30:16 > 0:30:18Right.
0:30:18 > 0:30:20Dave, tell me -
0:30:20 > 0:30:22what do you know about puffer fish poison?
0:30:22 > 0:30:26I know it's illegal, and nobody should be selling it.
0:30:28 > 0:30:30OK.
0:30:30 > 0:30:32You know who's dealing in it?
0:30:32 > 0:30:34You seen anyone here trying to buy it?
0:30:36 > 0:30:39- That depends.- On what?
0:30:39 > 0:30:41I can be very loose-lipped once I got some gratitude.
0:30:41 > 0:30:43I'm not paying.
0:30:44 > 0:30:46Then I'm not talking.
0:30:46 > 0:30:47Fine.
0:30:47 > 0:30:48I'll speak to someone else.
0:30:48 > 0:30:50Fine. You do that.
0:30:50 > 0:30:52Yeah, fine. I will.
0:30:57 > 0:30:5920 dollars!
0:30:59 > 0:31:02Save yourself a whole lot of time.
0:31:09 > 0:31:13Lexi introduced Carl to his wife. She's godmother to his daughters.
0:31:13 > 0:31:15Erm... Is this the right way?
0:31:15 > 0:31:18- Yes.- But I thought we were going to the hotel to speak to Carl.
0:31:18 > 0:31:19Oh, yes, we are.
0:31:19 > 0:31:21But first we're going to the airport.
0:31:21 > 0:31:24To pick up your wife.
0:31:24 > 0:31:26- What?- You'd forgotten?
0:31:26 > 0:31:29No, but the thing is, well - oh, thank you.
0:31:29 > 0:31:31No, they're for her. You can't go empty-handed.
0:31:31 > 0:31:33Right, that's very thoughtful.
0:31:35 > 0:31:37- Camille?- Mmm-hmm?
0:31:37 > 0:31:40The things is, I think you should probably stop the car.
0:31:40 > 0:31:42- No, we'll be late. - It really doesn't matter.
0:31:42 > 0:31:45- Of course it matters! You can't be late...- Stop the car!
0:31:45 > 0:31:46Thank you.
0:31:53 > 0:31:55Her plane lands in 15 minutes.
0:31:55 > 0:31:58Yes, her plane gets here but she won't be on it.
0:31:58 > 0:32:01In fact, as such, you could hardly call it her plane, really.
0:32:17 > 0:32:18She's not coming?
0:32:22 > 0:32:25She and I, well, we're still married, obviously.
0:32:27 > 0:32:30- Our marital status is presently... - You've split up with her.
0:32:30 > 0:32:32Rather, she split up with me so...
0:32:34 > 0:32:36Anyway,
0:32:36 > 0:32:38it's just one of those things.
0:32:38 > 0:32:40I'm really sorry.
0:32:41 > 0:32:42Bit of a shock.
0:32:45 > 0:32:46Although if I'm totally honest,
0:32:46 > 0:32:48it's probably been on the cards for a while.
0:32:48 > 0:32:50Doesn't make it any easier.
0:32:51 > 0:32:54Not sure how I'm going to muddle along without her.
0:32:55 > 0:32:59I'm a perfect dunce when it comes to... well, life, really.
0:33:00 > 0:33:03- No, you're not.- Yes, yes, I am.
0:33:03 > 0:33:06I couldn't get anything right in the end.
0:33:07 > 0:33:08Even the little things!
0:33:08 > 0:33:11I'd make her a gin and tonic - ice, slice, dash of tonic -
0:33:11 > 0:33:15and I'd forget it had to be slim-line. Silly Humph.
0:33:16 > 0:33:18Couldn't even get that right.
0:33:18 > 0:33:23Maybe you being here, maybe it's the fresh start you need.
0:33:23 > 0:33:24Absolutely. New page.
0:33:24 > 0:33:27Clean slate. Square one and all that, yes.
0:33:29 > 0:33:30So, right.
0:33:34 > 0:33:37It's all rather awkward!
0:33:37 > 0:33:39- Over-sharing with a colleague.- Yeah.
0:33:39 > 0:33:42Not at all, you know, any time.
0:33:48 > 0:33:49G&T.
0:33:49 > 0:33:51G&T?
0:33:51 > 0:33:54G&T. That's why Carl and Lexi were arguing.
0:33:54 > 0:33:56Lexi knew what Carl was up to.
0:33:56 > 0:33:59- Which was? - Come on, I'll tell you on the way.
0:34:07 > 0:34:09C-coming! Coming!
0:34:09 > 0:34:12Hello, er, I'm just, er, on the phone to London.
0:34:12 > 0:34:15- Can this wait?- You'd think so, wouldn't you? But, er, no.
0:34:15 > 0:34:16Sorry.
0:34:20 > 0:34:23You and Lexi were heard having a heated discussion.
0:34:23 > 0:34:27- On more than one occasion.- Well, we argue all the time, of course.
0:34:27 > 0:34:28That's the thing with us creative types.
0:34:28 > 0:34:30Ah, it's just about the film?
0:34:30 > 0:34:32- We want it to be a success.- Right.
0:34:32 > 0:34:34Excellent.
0:34:34 > 0:34:35Glad we cleared that up.
0:34:35 > 0:34:37Lovely room you've got here.
0:34:37 > 0:34:39Very spacious.
0:34:39 > 0:34:40Airy.
0:34:40 > 0:34:42I imagine the bathroom's fantastic.
0:34:42 > 0:34:43Mmmm, all mod cons, is it?
0:34:43 > 0:34:45Power shower...
0:34:45 > 0:34:48Those teeny tiny bottles of shampoo you end up snaffling but, erm,
0:34:48 > 0:34:50never use!
0:34:50 > 0:34:52No, no, don't go in there!
0:34:56 > 0:34:58Fresh towels, too. It's very swish.
0:35:02 > 0:35:04How did you know?
0:35:05 > 0:35:07Susie, the world's most inept tea maker,
0:35:07 > 0:35:09only ever gets your order right.
0:35:09 > 0:35:11When you love someone, you make the extra effort, don't you?
0:35:11 > 0:35:13- Perfect! Thanks, Susie.- No probs.
0:35:15 > 0:35:17You got it from a cup of tea?
0:35:17 > 0:35:18Sometimes it's the little things.
0:35:20 > 0:35:23When you're on set 12-hour days, you're away from your family
0:35:23 > 0:35:26and your friends. You, you work hard and you...you drink hard.
0:35:26 > 0:35:28Lexi introduced you to your wife.
0:35:28 > 0:35:30She's godmother to your children.
0:35:30 > 0:35:32I can't imagine she's impressed.
0:35:32 > 0:35:33Lexi thinks I'm a fool.
0:35:33 > 0:35:37Well, she doesn't understand. She doesn't know what it's like.
0:35:37 > 0:35:38I'm the one carrying the can here.
0:35:38 > 0:35:42I'm the one under pressure from the production company. From everyone!
0:35:42 > 0:35:44It was just nice to have a little bit of company.
0:35:46 > 0:35:48Sorry. I should probably just go.
0:35:52 > 0:35:54The arguments.
0:35:54 > 0:35:55They were about Susie.
0:35:55 > 0:35:57She was going to call my wife.
0:35:57 > 0:36:00Tell her! Go on, she deserves to hear it from you.
0:36:00 > 0:36:04Listen, put the phone down. Get off.
0:36:04 > 0:36:06She doesn't find out. Do you understand me?
0:36:06 > 0:36:07She never finds out!
0:36:09 > 0:36:11Maybe it's easier all round if you kept Lexi silent.
0:36:15 > 0:36:17I've got a lot riding on this film.
0:36:17 > 0:36:20I've invested my own money. There's the sequel to think about.
0:36:20 > 0:36:21Why would I kill the lead actress?
0:36:21 > 0:36:24I told you, Lexi's like a sister to me.
0:36:24 > 0:36:27Recent events would rather point to the contrary.
0:36:32 > 0:36:35LAUGHTER Terrible!
0:36:38 > 0:36:42Tell me something - have you ever been to the Honor food market?
0:36:42 > 0:36:44- No.- Eaten lobster on the beach?
0:36:44 > 0:36:47- No.- What about the waterfalls? You must've been to the waterfalls?
0:36:47 > 0:36:49I've had one day off since I've been here.
0:36:49 > 0:36:51- All I've done is work and sleep. - Really?
0:36:54 > 0:36:57Well, erm, I'll take you.
0:36:57 > 0:36:58You're on.
0:36:58 > 0:37:00All right, then!
0:37:00 > 0:37:02PHONE RINGS
0:37:03 > 0:37:05Oh, excuse me a minute.
0:37:07 > 0:37:08You find Big Dave?
0:37:08 > 0:37:09He isn't so big any more.
0:37:09 > 0:37:11'Oh, he stuck to the diet, did he?'
0:37:11 > 0:37:13Good on him. And what did you find out?
0:37:13 > 0:37:15Nothing so far. He wants a bribe.
0:37:15 > 0:37:16- Then pay the man.- 'Dwayne...'
0:37:16 > 0:37:18I'm a sergeant now, OK?
0:37:18 > 0:37:20I can't be seen doing that kind of thing.
0:37:20 > 0:37:21It's all part of the game, Fidel!
0:37:21 > 0:37:25I've only been in the job a couple of months. I don't want to mess it up. Come on now, who will talk?
0:37:25 > 0:37:26'No-one.'
0:37:26 > 0:37:30Look! 20 dollars, that's all it takes.
0:37:30 > 0:37:32'You know what, Dwayne?'
0:37:32 > 0:37:34Thanks. Thanks a lot.
0:37:37 > 0:37:38Oh, God.
0:37:40 > 0:37:42That was Fidel.
0:37:42 > 0:37:44Any word on the poison? Where it came from?
0:37:44 > 0:37:47Not yet, but I'm sure he's got it all under control, sir.
0:37:49 > 0:37:51Mm-hm. Miss Cunningham.
0:37:53 > 0:37:55You've not been entirely honest with us, have you?
0:37:55 > 0:37:57We know about Carl and Susie.
0:37:57 > 0:37:59I didn't think it was my place to say.
0:37:59 > 0:38:01You've got to be straight with us. We can't help you if you're not.
0:38:01 > 0:38:03This is serious, Lexi.
0:38:03 > 0:38:05Someone's trying to kill you.
0:38:05 > 0:38:08So Carl's having an affair, that doesn't make him a killer.
0:38:08 > 0:38:09Let us decide what's important.
0:38:09 > 0:38:12Your life is in danger if you don't.
0:38:12 > 0:38:13There's nothing else.
0:38:15 > 0:38:18- You're sure?- Nothing. I promise you.
0:38:22 > 0:38:24Hm.
0:38:24 > 0:38:26The writer, the director and his lover.
0:38:26 > 0:38:29Why would any of them want to kill Lexi Cunningham?
0:38:29 > 0:38:33Carl Collins - Lexi knew he was canoodling with Susie Jenkins.
0:38:33 > 0:38:35I'm sorry. "Canoodling"?
0:38:35 > 0:38:37- It's a word.- Oh, really?
0:38:37 > 0:38:40Grumpy writer blames Lexi for ruining his career.
0:38:40 > 0:38:41And Susie Jenkins?
0:38:41 > 0:38:42Terrible at making tea.
0:38:42 > 0:38:45Yes, but canoodling with Carl.
0:38:45 > 0:38:48I don't know about you, but none of them feel like murderers.
0:38:48 > 0:38:50Well, the financial reports are back.
0:38:50 > 0:38:53Susie Jenkins, she's doing pretty well.
0:38:53 > 0:38:55Considering she makes beverages for a living!
0:38:55 > 0:38:57Well, actually her parents are well off - they support her.
0:38:57 > 0:38:59Carl Collins. 18 years ago,
0:38:59 > 0:39:02he set up a bank account in the name of Jason Collins.
0:39:02 > 0:39:05And every 16th of May, he puts £1,000 in it.
0:39:05 > 0:39:07A son, perhaps? Some kind of university fund?
0:39:07 > 0:39:10I'm looking into it. And Arnold Finch.
0:39:10 > 0:39:12- Blimey!- Mm-hmm.
0:39:12 > 0:39:14What are these large payments for?
0:39:14 > 0:39:17£3,000 leaves his account every month.
0:39:17 > 0:39:20His ex-wife. She came out very well from the divorce.
0:39:20 > 0:39:22Now there's something to look forward to.
0:39:22 > 0:39:23He's in debt up to his eyeballs.
0:39:23 > 0:39:25He's this close to bankruptcy.
0:39:25 > 0:39:27Without the sequel, he's facing financial ruin.
0:39:27 > 0:39:28So,
0:39:28 > 0:39:31Lexi destroys his life.
0:39:31 > 0:39:33Perhaps he decides to try and take hers.
0:39:42 > 0:39:44DWAYNE YAWNS
0:39:50 > 0:39:51COW MOOS
0:39:52 > 0:39:55How come there are so many channels and nothing to watch?
0:39:55 > 0:39:57Are you hungry?
0:39:57 > 0:39:59Starving.
0:39:59 > 0:40:01Maybe you should order some room service.
0:40:01 > 0:40:02Now you're talking.
0:40:02 > 0:40:03They do an amazing burger.
0:40:03 > 0:40:05A cheeseburger.
0:40:05 > 0:40:06With lots of relish. I love relish.
0:40:06 > 0:40:08Relish!
0:40:08 > 0:40:09Menu should be over there.
0:40:09 > 0:40:12And I want skinny fries.
0:40:12 > 0:40:16None of this potato wedgey nonsense.
0:40:22 > 0:40:23This yours?
0:40:23 > 0:40:27No. I think Carl must've left it when we swapped rooms.
0:40:33 > 0:40:35'The bank account Carl set up...'
0:40:35 > 0:40:36you were right.
0:40:36 > 0:40:38Jason Collins is his son?
0:40:38 > 0:40:40From his first marriage.
0:40:40 > 0:40:43According to the court papers, it was a messy divorce.
0:40:43 > 0:40:47Carl cheated on his ex-wife, she got sole custody of the kid.
0:40:47 > 0:40:49Carl adores his daughters.
0:40:49 > 0:40:51Maybe he's scared history will repeat itself.
0:40:51 > 0:40:54Maybe he tried to kill Lexi to keep her quiet.
0:40:54 > 0:40:56Guys!
0:40:56 > 0:40:58Shouldn't you be watching Lexi?
0:40:58 > 0:41:00Don't worry, she's fine.
0:41:00 > 0:41:02You've got to see this.
0:41:02 > 0:41:03'I don't know what to say!'
0:41:03 > 0:41:05'Just say your name.'
0:41:05 > 0:41:07'Susie Jenkins. Actress.'
0:41:07 > 0:41:10'The camera loves you, Suze.'
0:41:10 > 0:41:14'"Those things, those monsters - they don't care about our future.
0:41:14 > 0:41:16'"They'll just keep going, they'll just keep devouring us
0:41:16 > 0:41:18'"and they won't stop until we're dead.'"
0:41:18 > 0:41:21Susie the tea maker wants to be an actress.
0:41:21 > 0:41:24Perhaps she tried to kill Lexi to step into her shoes.
0:41:24 > 0:41:25That's a bit extreme.
0:41:25 > 0:41:27People have killed for less.
0:41:27 > 0:41:30Maybe Susie's more ambitious than we first thought.
0:41:30 > 0:41:32'That's it, I told you you were a star!'
0:41:39 > 0:41:40Susie always wanted to act.
0:41:40 > 0:41:42Was there any chance of her getting the role?
0:41:42 > 0:41:45- I never made her any promises. - But you got her hopes up
0:41:45 > 0:41:46all so you could take advantage of her.
0:41:46 > 0:41:49You exploited her ambition so you could get her into bed.
0:41:49 > 0:41:52I didn't take advantage. Susie always knew it was a long shot.
0:41:52 > 0:41:55- You lied to her, Mr Collins. - I didn't lie.
0:41:55 > 0:41:58Susie has been jealous of Lexi ever since we started shooting.
0:41:58 > 0:42:00Said she doesn't know how lucky she is. She's right, of course.
0:42:00 > 0:42:03She doesn't have a clue. But when Lexi signed up for the sequel,
0:42:03 > 0:42:05I had to break it to Susie that she'd missed out on the role.
0:42:05 > 0:42:07And she didn't take it well.
0:42:07 > 0:42:08What do you think?
0:42:20 > 0:42:22Nobody's talking, right?
0:42:22 > 0:42:26OK, Big Dave. Here's the deal.
0:42:26 > 0:42:27I'm not Dwayne.
0:42:27 > 0:42:30I don't play that game, you understand?
0:42:30 > 0:42:33So how do you feel about coming down to the station with me?
0:42:33 > 0:42:36And making this whole thing a lot more formal.
0:42:37 > 0:42:40You lie on record, that's perjury.
0:42:40 > 0:42:43Perverting the course of justice, that's 12 months inside.
0:42:43 > 0:42:45Who knows what could happen?
0:42:45 > 0:42:46You get out,
0:42:46 > 0:42:49your kids don't want to know you any more.
0:42:49 > 0:42:51Someone else is doing your job.
0:42:51 > 0:42:54So now you're homeless. No work.
0:42:54 > 0:42:56No money. People cross the road when they see you coming,
0:42:56 > 0:42:58and all because you didn't talk to me.
0:43:00 > 0:43:03Dwayne didn't tell me his boss was such a bad-ass.
0:43:08 > 0:43:10Somebody was down here last week,
0:43:10 > 0:43:13asking where they could get hold of puffer fish poison.
0:43:13 > 0:43:17They bought a vial of it. Enough to kill a dozen people.
0:43:19 > 0:43:20And you saw who it was?
0:43:22 > 0:43:24Yeah.
0:43:24 > 0:43:25I saw.
0:43:27 > 0:43:28This is hers.
0:43:31 > 0:43:34- Susie?- Susie? It's the police.
0:43:38 > 0:43:39Susie? Open up.
0:43:41 > 0:43:43She's in there. Stand back.
0:43:46 > 0:43:48Yeah, sure.
0:44:18 > 0:44:20So, what do we think?
0:44:20 > 0:44:22Puffer fish poison like she used on Thea?
0:44:22 > 0:44:25Mixed it with some water and then drank the lot.
0:44:25 > 0:44:27PHONE RINGS
0:44:30 > 0:44:31Ah, Fidel.
0:44:31 > 0:44:33'Any news?'
0:44:33 > 0:44:35OK, so listen. I've got a witness.
0:44:35 > 0:44:37Man who saw someone buying a vial of poison.
0:44:37 > 0:44:38'He even heard a name.'
0:44:40 > 0:44:42Let me guess - Susie Jenkins.
0:44:44 > 0:44:45How, how did you know?
0:44:45 > 0:44:47'We just found her dead.'
0:44:47 > 0:44:49Thanks, Fidel.
0:44:52 > 0:44:55Lexi was the only obstacle between Susie and her dream.
0:44:57 > 0:44:58So she tried to get rid of her.
0:45:00 > 0:45:03She must have known we were closing in, and she panicked.
0:45:03 > 0:45:06So Susie took the vial of poison she bought from the docks, tried
0:45:06 > 0:45:11to kill Lexi with the chocolates and drank what was left of it.
0:45:12 > 0:45:15- Case closed.- Hmmm.
0:45:35 > 0:45:37So how much did you have to pay him?
0:45:37 > 0:45:38Hmm? What?
0:45:38 > 0:45:40Big Dave. For the information.
0:45:40 > 0:45:42Nothing, Dwayne.
0:45:42 > 0:45:44- I applied a bit of pressure. He caved.- You see?
0:45:44 > 0:45:47That's why you're a sergeant, and I'm not.
0:45:50 > 0:45:53So, maybe now you'll have time to put up your hammock.
0:45:53 > 0:45:56It still doesn't quite make sense.
0:45:56 > 0:45:59Susie killed herself. It's tantamount to confession.
0:45:59 > 0:46:02You know what you're better off doing? Sign off these case files.
0:46:02 > 0:46:05And, er, maybe give your desk a little bit of a tidy.
0:46:05 > 0:46:07How many teas do you need?
0:46:07 > 0:46:09Oh, yes. Well, I made some tea and then I forgot the tea,
0:46:09 > 0:46:11and then the tea went cold and then I made another tea.
0:46:11 > 0:46:13It was a whole tea debacle.
0:46:13 > 0:46:15It wouldn't happen if my wife was here.
0:46:15 > 0:46:18Oh, you haven't forgotten to pick her up, have you?
0:46:18 > 0:46:20Camille was convinced you'd forget.
0:46:24 > 0:46:25Um,
0:46:25 > 0:46:27I didn't forget.
0:46:27 > 0:46:29She's not coming.
0:46:29 > 0:46:30She's left me.
0:46:30 > 0:46:31What?
0:46:35 > 0:46:36Is there someone else?
0:46:36 > 0:46:37Oh, gosh. I hope not. Erm...
0:46:39 > 0:46:42Anyway, it's just one of those things.
0:46:42 > 0:46:43Oh, well, look on the bright side.
0:46:43 > 0:46:45Er, there's a bright side?
0:46:45 > 0:46:47Now you get to hang out with me.
0:46:47 > 0:46:50I can show you all the best places to pick up single women.
0:46:50 > 0:46:52- Trust me.- That isn't...
0:46:52 > 0:46:53That is not a bright side.
0:46:53 > 0:46:56So you think he's better off stuck in a bad marriage?
0:46:56 > 0:46:58Sometimes you've got to face facts.
0:46:58 > 0:47:00The right woman turns out to be the wrong woman.
0:47:00 > 0:47:02That's just the way it is.
0:47:02 > 0:47:05Yeah, in a weird way that actually makes sense.
0:47:05 > 0:47:08Yeah! When did you get so philosophical?
0:47:08 > 0:47:09HE SPLUTTERS
0:47:09 > 0:47:11Oh, that's the cold one?
0:47:11 > 0:47:13It's the cold one, yeah. Just my luck!
0:47:19 > 0:47:20(Two cups.)
0:47:24 > 0:47:26- That's it!- What?
0:47:30 > 0:47:33Sometimes the right woman turns out to be the wrong woman.
0:47:33 > 0:47:36When I arrived this morning about six, they were outside Lexi's tent.
0:47:36 > 0:47:38Lexi arrived just as I did.
0:47:38 > 0:47:39Which would be your first choice?
0:47:39 > 0:47:41- They were poisoned?- Only one.
0:47:43 > 0:47:44- That's it!- What?!
0:47:45 > 0:47:48All...all this talk about puffer fish poisoning.
0:47:48 > 0:47:50It's in the script. Look! Here.
0:47:52 > 0:47:54Yes!
0:47:54 > 0:47:57- That is it!- What?
0:48:00 > 0:48:02- Hook-a-duck.- Hook-a-what?
0:48:02 > 0:48:04Camille, would you mind doing that thing
0:48:04 > 0:48:08where you gather everyone together? I rather enjoyed that last time.
0:48:08 > 0:48:11Dwayne, I need you to go to set and find something for me.
0:48:11 > 0:48:12I thought the case was closed.
0:48:12 > 0:48:14I've just reopened it.
0:48:16 > 0:48:17Find a what?
0:48:17 > 0:48:20Where on the set does he want me to check?
0:48:20 > 0:48:21Sir!
0:48:22 > 0:48:24How long is this going to take?
0:48:30 > 0:48:31The movies.
0:48:32 > 0:48:35When we all sit down in the dark with our popcorn,
0:48:35 > 0:48:38we're all allowing ourselves to be deceived.
0:48:38 > 0:48:40We're all buying in to the fiction.
0:48:41 > 0:48:45Yesterday morning a 27-year-old girl, Thea Homes, was poisoned
0:48:45 > 0:48:48by a chocolate that was intended for Lexi Cunningham.
0:48:48 > 0:48:51When Susie committed suicide, it appeared that the case
0:48:51 > 0:48:55was all neatly wrapped up in a nice little bow.
0:48:56 > 0:48:59It was all a deception, of course.
0:49:00 > 0:49:03Someone set Susie up.
0:49:05 > 0:49:08You see, that was the biggest mistake we made on this case.
0:49:08 > 0:49:10We allowed ourselves to be deceived.
0:49:13 > 0:49:16Has anyone ever played hook-a-duck?
0:49:16 > 0:49:20- That thing with rubber ducks you get at the funfair?- Yes!
0:49:20 > 0:49:23You clearly had a dull childhood too, Mr Finch.
0:49:23 > 0:49:25You see, when I played that game,
0:49:25 > 0:49:28my chances of hooking the winning duck were minimal.
0:49:28 > 0:49:31As were the murderer's of getting Lexi to eat the one cherry cream
0:49:31 > 0:49:33containing the puffer fish poison.
0:49:34 > 0:49:38Which is something you know a lot about, isn't it,
0:49:38 > 0:49:40Mr Finch?
0:49:40 > 0:49:42I was looking into it for research.
0:49:42 > 0:49:45- Just coincidence, then? - Purely coincidence.
0:49:45 > 0:49:47I'm afraid none of this was a coincidence...
0:49:48 > 0:49:50..Carl Collins.
0:49:50 > 0:49:51Me? I didn't kill anyone.
0:49:51 > 0:49:54For those of you who don't know, tell us -
0:49:54 > 0:49:57how did I discover that you were having an affair with Susie?
0:49:59 > 0:50:02- A cup of tea.- A cup of tea. Precisely.
0:50:02 > 0:50:04Which is also how I figured out how the murder was committed,
0:50:04 > 0:50:07only this time it was two cups of tea.
0:50:07 > 0:50:09Thank you, Dwayne.
0:50:09 > 0:50:11One hot, one cold.
0:50:13 > 0:50:14Both identical.
0:50:18 > 0:50:22See, why try and kill Lexi Cunningham...
0:50:24 > 0:50:26..with one poisoned chocolate?
0:50:27 > 0:50:32The answer? No-one was trying to kill Lexi Cunningham.
0:50:32 > 0:50:34Thea...
0:50:34 > 0:50:37was the intended victim all along.
0:50:38 > 0:50:39Isn't that right, Lexi?
0:50:42 > 0:50:44Thea was my friend.
0:50:46 > 0:50:48I had Dwayne search the set,
0:50:48 > 0:50:51and look what he found.
0:50:51 > 0:50:52You poisoned Thea Homes...
0:50:55 > 0:50:57..with this box of chocolates.
0:51:00 > 0:51:02I would offer them around but I fear they're quite inedible,
0:51:02 > 0:51:05- and probably a little bit melty by now.- This is ridiculous.
0:51:05 > 0:51:08- Not ridiculous at all, as it happens.- Sit.
0:51:10 > 0:51:13Let's start with the poison. Fidel spoke to a witness
0:51:13 > 0:51:17who claims he saw Susie Jenkins buying the puffer fish poison.
0:51:17 > 0:51:20Yes, but it wasn't Susie Jenkins.
0:51:21 > 0:51:22It was you.
0:51:25 > 0:51:27'What's a girl like you doing with that nasty stuff?'
0:51:27 > 0:51:29You deliberately framed her.
0:51:29 > 0:51:31'Hello? Susie speaking.'
0:51:33 > 0:51:36Then you bought two identical boxes of chocolates.
0:51:36 > 0:51:40You injected one with the puffer fish poison - something you'd read about in your script -
0:51:40 > 0:51:41leaving the other box untouched.
0:51:41 > 0:51:45The morning Thea died, you crept onto set before anyone else was in,
0:51:45 > 0:51:47and you left the un-poisoned box by your tent.
0:51:47 > 0:51:49Now, Carl assumed that they were a gift
0:51:49 > 0:51:53from the production company, exactly as you hoped. He put them out
0:51:53 > 0:51:55where anyone could get their hands on them.
0:51:55 > 0:51:57'Anyone fancy some posh chocolates?'
0:51:57 > 0:51:59Now everyone would think the food tent
0:51:59 > 0:52:03was where the crime took place, when, in fact,
0:52:03 > 0:52:06you gave Thea the poisoned chocolate yourself.
0:52:12 > 0:52:14Two cups of tea.
0:52:14 > 0:52:16Two boxes of chocolates.
0:52:16 > 0:52:18Thea took the cherry creme
0:52:18 > 0:52:23so, rather ingeniously, you told us that was your favourite.
0:52:23 > 0:52:26- 'Which would be your first choice?' - 'The cherry one.'
0:52:26 > 0:52:28In fact, credit where credit is due, Lexi,
0:52:28 > 0:52:31you've been pretty ingenious all along.
0:52:31 > 0:52:33Put us off the scent a number of times.
0:52:33 > 0:52:36Even set up an incident which could be taken as evidence
0:52:36 > 0:52:39that you were the intended victim.
0:52:39 > 0:52:41You planted the DVD and made sure that Dwayne found it.
0:52:41 > 0:52:43That bought you the time alone you needed.
0:52:43 > 0:52:46You crept along the balcony to Susie's room.
0:52:46 > 0:52:48You poisoned her water, and you waited.
0:52:52 > 0:52:55There was enough poison left to kill, and kill quickly.
0:52:57 > 0:52:59You set the scene as a suicide.
0:52:59 > 0:53:02An apparent confession of guilt.
0:53:06 > 0:53:08But you didn't count on one thing -
0:53:08 > 0:53:10us giving you a bodyguard.
0:53:13 > 0:53:16Which meant you couldn't get rid of these.
0:53:17 > 0:53:20And you hid the evidence in plain sight.
0:53:24 > 0:53:26This isn't the first time you've killed, is it?
0:53:26 > 0:53:28And Thea knew that.
0:53:28 > 0:53:30You were friends.
0:53:30 > 0:53:32Same school, same estate.
0:53:34 > 0:53:36Only you got out and became an actress.
0:53:36 > 0:53:40You said that some years later, you heard she'd gone to prison.
0:53:40 > 0:53:42It was a mugging that went wrong.
0:53:42 > 0:53:45The police report states that they found Thea, covered in blood.
0:53:45 > 0:53:48Knife in hand. A fait accompli.
0:53:50 > 0:53:52But here's where it gets interesting.
0:53:52 > 0:53:58Witnesses say they saw two people running away from the murder scene.
0:53:59 > 0:54:00They never found that other person.
0:54:00 > 0:54:02Thea covered for you.
0:54:03 > 0:54:06She was in prison for eight years.
0:54:06 > 0:54:09That moment changed her life. It changed yours too.
0:54:10 > 0:54:12You never once looked back,
0:54:12 > 0:54:14until the day she walked onto this set.
0:54:20 > 0:54:22You'd just signed a contract for the sequel.
0:54:22 > 0:54:24Fame and fortune were within your grasp.
0:54:24 > 0:54:27You couldn't let anything spoil that.
0:54:27 > 0:54:29Only, Thea wasn't going anywhere.
0:54:29 > 0:54:31You owed her and she knew it.
0:54:31 > 0:54:33'Good, OK, rest up, that's working. Lovely.'
0:54:33 > 0:54:38- 'Hey! You must be starving.' - 'Oh, you angel. I'll pay you back.'
0:54:38 > 0:54:39'No, it's all right. Put it on the tab.'
0:54:39 > 0:54:43You got her a job as your stand-in but that wasn't enough.
0:54:43 > 0:54:45She was going to bleed you dry.
0:54:46 > 0:54:47Or ruin your life.
0:54:47 > 0:54:50Either way, she had to go.
0:54:55 > 0:54:57Fidel, if you'd, er, do the honours.
0:54:57 > 0:54:59No. I've got this.
0:55:00 > 0:55:01Up.
0:55:05 > 0:55:09I guess we're never going to get to see the waterfalls now.
0:55:09 > 0:55:10I guess not.
0:55:11 > 0:55:13Move.
0:55:32 > 0:55:34- Big Dave!- What happen, Dwayne?
0:55:36 > 0:55:39Well, I heard it but I didn't believe it.
0:55:39 > 0:55:42- There's nothing of you, man. - Three stone and counting!
0:55:46 > 0:55:48You know how many calories are in that bottle?
0:55:48 > 0:55:49Yes, loads! Now drink up then, man!
0:55:51 > 0:55:53Quickly, before my wife sees.
0:55:54 > 0:55:57Oh, by the way, thanks for giving my boss that information.
0:55:59 > 0:56:01Ah! You should've let him pay me himself.
0:56:01 > 0:56:04I knew he'd never get it out of you any other way.
0:56:04 > 0:56:07It's only his first few months as sergeant,
0:56:07 > 0:56:09and he's a bit low in confidence.
0:56:09 > 0:56:12He needed a bit of a boost, you know? So!
0:56:15 > 0:56:17Cheers.
0:56:17 > 0:56:18Cheers.
0:56:25 > 0:56:28It truly is the nectar of the Gods.
0:56:28 > 0:56:31Dave! What are you drinking?! >
0:56:31 > 0:56:32Right, I'm a dead man!
0:56:36 > 0:56:38Sad, really.
0:56:38 > 0:56:40Tried so hard to escape her past.
0:56:40 > 0:56:41To move on.
0:56:44 > 0:56:47Sometimes facing the truth is hard.
0:56:51 > 0:56:52You're doing it again.
0:56:52 > 0:56:55- Doing what?- Looking overly concerned.
0:56:57 > 0:56:58What?
0:56:58 > 0:57:02If you want to talk some more, you know, about your wife.
0:57:02 > 0:57:04I'm fine, Camille. I'm British.
0:57:05 > 0:57:10I'm going for the bottle it all up and turn it into a bitter little ball approach.
0:57:11 > 0:57:14- But you look sad.- I'm not sad. I'm squinting.
0:57:14 > 0:57:18My squinty face is uncannily similar to my sad face. See?
0:57:20 > 0:57:21There.
0:57:22 > 0:57:24Humphrey, one, hammock, nil.
0:57:42 > 0:57:43Just you and me now, old thing.
0:57:45 > 0:57:48Come on, then. Plenty of room.
0:57:51 > 0:57:52Oh!
0:57:55 > 0:57:57Touche, hammock.
0:57:57 > 0:57:59Touche!
0:58:03 > 0:58:04Friend of yours?
0:58:04 > 0:58:06Yeah, a long time ago.
0:58:06 > 0:58:08Hey? Where are you going?
0:58:08 > 0:58:10Carlton Paris. Shot.
0:58:10 > 0:58:12We have a 25-year-old man.
0:58:12 > 0:58:16He studies culture for conversation and receives gifts from rich women.
0:58:16 > 0:58:17Feels like I'm missing something.
0:58:17 > 0:58:19We had so much in common!
0:58:19 > 0:58:21- I knew what he was. - And what was that?
0:58:21 > 0:58:23A man who preyed on the lonely.
0:58:23 > 0:58:25Why not call you when he was in trouble?
0:58:25 > 0:58:27- You were a good friend. - I wasn't a good friend.