0:00:02 > 0:00:05CARIBBEAN MUSIC PLAYS
0:00:27 > 0:00:29This is what I call overtime.
0:00:29 > 0:00:31We're on duty, remember?
0:00:31 > 0:00:34Fidel, we're baby-sitting a painting.
0:00:34 > 0:00:35Dwayne, it's a work of art.
0:00:35 > 0:00:37No. That is a work of art.
0:00:43 > 0:00:45Anything to report, Sergeant Best?
0:00:45 > 0:00:47- Commissioner. - All good, sir.
0:00:47 > 0:00:51Dwayne, Fidel, this is Leo Pascal, the owner of the Pascal Gallery.
0:00:51 > 0:00:54Leo, your security for this evening.
0:00:54 > 0:00:57I can't tell you how reassured I am to have you gentlemen here.
0:00:57 > 0:00:59You have a fine gallery.
0:00:59 > 0:01:01We was just enjoying the show.
0:01:01 > 0:01:02You're a fan of Durosseau?
0:01:05 > 0:01:07I prefer his older stuff.
0:01:07 > 0:01:10This may be your last chance to see his masterpiece.
0:01:10 > 0:01:13After the auction it'll probably go to a private collector...
0:01:13 > 0:01:16Speaking of which. Excuse me.
0:01:17 > 0:01:20Oh-oh, Dragon Lady at two o'clock.
0:01:23 > 0:01:25- Good luck, sir. - Commissioner.
0:01:32 > 0:01:36Judge Stone. You look radiant.
0:01:38 > 0:01:42Selwyn. You look doughy.
0:01:46 > 0:01:50Her name was Cora Patrick. She was a dancer at the Mermaid bar.
0:01:50 > 0:01:54Durosseau painted her portrait in an attempt to woo her.
0:01:55 > 0:01:57Was he successful?
0:01:57 > 0:02:02She rejected him because he was too poor. So, he killed himself.
0:02:02 > 0:02:03It's tragic, really.
0:02:03 > 0:02:05When did he paint it?
0:02:05 > 0:02:08Early last century. 1927 to be precise.
0:02:09 > 0:02:14Excuse me. Dorothy, I'm so glad you came.
0:02:14 > 0:02:17I wouldn't miss this for the world.
0:02:17 > 0:02:19Oh, you've met Carlton, haven't you?
0:02:19 > 0:02:21- Good to see you again. - And you.
0:02:21 > 0:02:23So, I can't wait to see the painting.
0:02:23 > 0:02:25It's right over here.
0:02:26 > 0:02:29Oh, you know, Carlton's been trying to teach me about art
0:02:29 > 0:02:30but it's hopeless.
0:02:30 > 0:02:33I am such a philistine, you see?
0:02:33 > 0:02:37I'm sure that's not true. You've always had excellent taste...
0:02:37 > 0:02:39Friend of yours?
0:02:39 > 0:02:40Yeah, a long time ago.
0:02:50 > 0:02:52Ah. The glamour has arrived.
0:02:54 > 0:02:55Let me get you some champagne.
0:03:00 > 0:03:02Sergeant Best, arrest me now.
0:03:02 > 0:03:03Why, sir?
0:03:03 > 0:03:05Anything to get away from that woman.
0:03:05 > 0:03:10I don't know what the fuss is about, so what if it leaves the island?
0:03:10 > 0:03:14Carlton thinks it should stay here. Durosseau's our most famous artist.
0:03:19 > 0:03:21Excuse me. Carlton!
0:03:22 > 0:03:25Carlton, wait!
0:03:25 > 0:03:27Where are you going?
0:03:27 > 0:03:29I really need to take this.
0:03:34 > 0:03:36Quarter of a million dollars?
0:03:36 > 0:03:38Yes, it's a lot for a painting.
0:03:38 > 0:03:39Hmm.
0:03:39 > 0:03:41PHONE RINGS
0:03:43 > 0:03:45Diverted call from the station.
0:03:45 > 0:03:52- Hello.- Hello? Police. My name is Carlton Paris. I'm at 125 Shore Road.
0:03:52 > 0:03:53She's got a gun...
0:03:54 > 0:03:55Hello?
0:03:57 > 0:04:00Hey? Where are you going?
0:04:09 > 0:04:11Honore Police!
0:04:11 > 0:04:12Open up, Carlton!
0:05:21 > 0:05:23Can you please charge your phone?
0:05:23 > 0:05:26I did. Soon as I got in.
0:05:26 > 0:05:27Look.
0:05:27 > 0:05:29Electricity helps.
0:05:29 > 0:05:31Sorry. I got a little sidetracked.
0:05:31 > 0:05:33- Were you trying to call me? - Yes. We have a murder.
0:05:33 > 0:05:35Ah, great, I'll just get my, er...
0:05:35 > 0:05:38Yes, great.
0:05:40 > 0:05:41What have we got?
0:05:41 > 0:05:44Local boy. Carlton Paris.
0:05:44 > 0:05:46- Shot. - Who found him?
0:05:46 > 0:05:51We did. The Pascal Gallery job the Commissioner hired us for.
0:05:51 > 0:05:52Carlton was a guest.
0:05:53 > 0:05:56He left early but an hour and a half later,
0:05:56 > 0:06:00he called the station, gave his name and address, and said...
0:06:00 > 0:06:01"She's got a gun."
0:06:01 > 0:06:04Did he by any chance say who she was?
0:06:04 > 0:06:06No, that would be far too easy, wouldn't it?
0:06:06 > 0:06:08So what do we know about the victim?
0:06:08 > 0:06:09I think you better ask Fidel.
0:06:09 > 0:06:11Why Fidel?
0:06:11 > 0:06:13Seems they knew each other.
0:06:17 > 0:06:19CAMERA CLICKS
0:06:22 > 0:06:25Looks like he took a shot to the shoulder and to the back.
0:06:25 > 0:06:29Close range. Killer probably fired from the doorway.
0:06:29 > 0:06:30When did you get the call?
0:06:30 > 0:06:328:30.
0:06:32 > 0:06:34- And you arrived at? - 8:35.
0:06:34 > 0:06:37A five-minute window for the killer to shoot him and then get away.
0:06:37 > 0:06:40We did a brief search of the grounds and surrounding areas
0:06:40 > 0:06:41but there was no sign of anyone.
0:06:47 > 0:06:49Also, the door was intact when we got here
0:06:49 > 0:06:51so he must have let the killer in.
0:06:51 > 0:06:54Which suggests he knew her.
0:06:54 > 0:06:55Yes, Camille.
0:07:01 > 0:07:02What are you doing?
0:07:04 > 0:07:07His glasses. They're for reading.
0:07:07 > 0:07:08So?
0:07:08 > 0:07:10So, what was he reading?
0:07:14 > 0:07:15Dwayne says you were friends.
0:07:17 > 0:07:19We were at the same school.
0:07:19 > 0:07:20But were you close?
0:07:20 > 0:07:22Very, I'd say...
0:07:22 > 0:07:23How do you know?
0:07:23 > 0:07:26Why else would Fidel be so upset?
0:07:26 > 0:07:28I'm not upset.
0:07:28 > 0:07:29Really? You sure?
0:07:29 > 0:07:31Because it's not like you to miss such a big clue.
0:07:31 > 0:07:34- I can only assume it's because you're upset.- What clue?
0:07:34 > 0:07:37- There's no land line here. - So?
0:07:37 > 0:07:40So, he must have made a call on his mobile to the station.
0:07:44 > 0:07:46Did you find it?
0:07:46 > 0:07:50- Which means?- The killer took it. - Exactly.
0:07:53 > 0:07:54Wow!
0:07:56 > 0:07:58Wow! Look at the size of that.
0:08:00 > 0:08:01It's bigger than a king-size.
0:08:01 > 0:08:04What would you call that? Emperor size? Tsar size?
0:08:08 > 0:08:12It's comfy too. Gives a lot back.
0:08:17 > 0:08:18Designer suits.
0:08:18 > 0:08:19Mmm-hmm.
0:08:19 > 0:08:21What did he do?
0:08:21 > 0:08:23As far as we know he was unemployed.
0:08:23 > 0:08:25Rich partner then?
0:08:25 > 0:08:26No partner. No family.
0:08:29 > 0:08:32Then how could he afford all this?
0:08:32 > 0:08:34Good question. Come.
0:08:36 > 0:08:38So, we checked in here.
0:08:38 > 0:08:42We ruled out burglary because they left the laptop.
0:08:42 > 0:08:44They took his mobile.
0:08:44 > 0:08:48Look, his diary. Seems like a woman for every week.
0:08:48 > 0:08:49Imagine...
0:08:51 > 0:08:54Today is marked Dorothy Foster.
0:08:54 > 0:08:55- The shipping heiress? - Mmm-hmm.
0:08:55 > 0:08:58Carlton was with her at the gallery this evening.
0:08:59 > 0:09:00They looked very cosy.
0:09:00 > 0:09:05Isn't she a little old for him? These are all rich women.
0:09:05 > 0:09:06Mmm-hmm.
0:09:06 > 0:09:09Odd selection of books, don't you think? All reference and
0:09:09 > 0:09:10no fiction.
0:09:11 > 0:09:16And the subjects. Antiques, opera, art, food, gardening.
0:09:18 > 0:09:21Not what you'd expect a man in his 20s to be reading.
0:09:22 > 0:09:26As far as I can see it wasn't so much reading them as mining them.
0:09:27 > 0:09:29Mining them for what?
0:09:29 > 0:09:31Conversation, I think. Take a look.
0:09:33 > 0:09:38You see? He's marked this section on Royal Doulton as "icebreaker".
0:09:38 > 0:09:41Then there's the fancy sculptures.
0:09:42 > 0:09:45Expensive, tasteful but with a touch of femininity about them.
0:09:45 > 0:09:48Not his choice. I think these were gifts.
0:09:48 > 0:09:53So, we have a 25-year-old man with no apparent income
0:09:53 > 0:09:56living in a prime beachside property with a wardrobe
0:09:56 > 0:09:57full of designer suits.
0:09:57 > 0:10:02He studies culture for conversation and receives gifts from rich women.
0:10:02 > 0:10:06And, according to that, he clearly had a punishing romantic schedule.
0:10:08 > 0:10:10Feels like I'm missing something.
0:10:15 > 0:10:17Did you know?
0:10:17 > 0:10:18Did I know what?
0:10:18 > 0:10:20That Carlton was a gigolo?
0:10:21 > 0:10:23He had a way with women.
0:10:23 > 0:10:26Looks like he had a way with half the women on the island.
0:10:26 > 0:10:27Yeah, well, that's nothing to be proud of.
0:10:33 > 0:10:36How long since you were close?
0:10:36 > 0:10:37A few years.
0:10:37 > 0:10:38What happened?
0:10:39 > 0:10:41We grew apart.
0:10:49 > 0:10:53I'm going to need a copy of Walks of the Caribbean by Albert Dunn.
0:10:53 > 0:10:57- What? - Volume Two by the looks of it.
0:10:57 > 0:11:00- Why would you need that? - Carlton was reading,
0:11:00 > 0:11:03but no written material was found in the front room.
0:11:03 > 0:11:05Books are in alphabetical order.
0:11:05 > 0:11:07All seem to be accounted for apart from...
0:11:09 > 0:11:14See? Volume one and volume three. Maybe our killer took volume two.
0:11:16 > 0:11:19All for a mobile phone and an old book?
0:11:19 > 0:11:24I don't know! The things people kill for nowadays, eh?
0:11:25 > 0:11:27How far was the gallery from here?
0:11:27 > 0:11:28Less than a mile.
0:11:28 > 0:11:31So, despite there being two police officers within five minutes,
0:11:31 > 0:11:33Carlton chose to call the station.
0:11:33 > 0:11:37He panicked. Dialled 999 and got through the switchboard.
0:11:37 > 0:11:39But him and Fidel were old friends. Why not call him?
0:11:39 > 0:11:42- Apparently, they grew apart. - It's odd though, don't you think?
0:11:42 > 0:11:45Not as odd as Fidel being friends with the island gigolo.
0:11:45 > 0:11:47Yes, you've got a point there.
0:11:51 > 0:11:53Wait a minute. Did you say gigolo?
0:11:58 > 0:11:59The problem with being single
0:11:59 > 0:12:02is finding ways to occupy your time.
0:12:02 > 0:12:04Then there's the discipline of cooking a proper dinner,
0:12:04 > 0:12:08not simply resorting to baked beans on toast every night.
0:12:08 > 0:12:11Making the bed. And they're all daily battles, don't you find?
0:12:11 > 0:12:13- Not really. - But you live on your own?
0:12:13 > 0:12:16Yes, but I make my own bed every morning
0:12:16 > 0:12:18and I have no idea what baked beans are.
0:12:18 > 0:12:20I need that information now.
0:12:20 > 0:12:22Tomorrow is no good.
0:12:22 > 0:12:24Is that Fidel?
0:12:24 > 0:12:26Yes! He's chasing Carlton's service provider.
0:12:26 > 0:12:28OK! You understand this is a murder investigation?
0:12:28 > 0:12:30- He sounds a little angry. - You think that's bad?
0:12:30 > 0:12:33You should have been here for the forensics call.
0:12:33 > 0:12:35I want them here by tomorrow.
0:12:41 > 0:12:43First they can't track his phone then it's a two-day
0:12:43 > 0:12:45wait for his call records. They're amateurs.
0:12:48 > 0:12:50- So, where do you want to start? - Coffee?
0:12:53 > 0:12:54Let's skip coffee.
0:12:54 > 0:12:56Right, Carlton Paris,
0:12:56 > 0:12:58a 25-year-old male escort attends a viewing
0:12:58 > 0:13:02at the Pascal Gallery, leaves early and an hour and a half later...
0:13:02 > 0:13:04is threatened with a gun by a woman.
0:13:08 > 0:13:12First question is why?
0:13:14 > 0:13:16His job. He was a gigolo.
0:13:16 > 0:13:18Maybe it was a disgruntled client.
0:13:18 > 0:13:20Where are we on his clientele?
0:13:20 > 0:13:22Most of his customers were businesswomen or tourists.
0:13:22 > 0:13:24But he did have a few regulars on the island.
0:13:24 > 0:13:26Yes, including Dorothy Foster.
0:13:26 > 0:13:29She's hired Carlton every Saturday for the past eight months.
0:13:29 > 0:13:30Must have cost her a fortune.
0:13:30 > 0:13:33Carlton arrived at the viewing with Dorothy around 6:30.
0:13:33 > 0:13:35But he left her sometime around 7:00.
0:13:35 > 0:13:38- Any idea why? - No. But she didn't look very happy.
0:13:38 > 0:13:39Right.
0:13:39 > 0:13:41Dwayne, let's track down these local clients,
0:13:41 > 0:13:43see if they have an alibi for the time of death.
0:13:43 > 0:13:45Yes, Chief.
0:13:45 > 0:13:4820:30 to 20:35. That is our golden hour.
0:13:48 > 0:13:51Or golden five minutes, to be precise.
0:13:52 > 0:13:55- Ballistics.- They said we'd have something this morning.
0:13:55 > 0:13:57Also, we could do a profile of Carlton. As you were friends.
0:13:57 > 0:13:59I hadn't spoken to him in years.
0:13:59 > 0:14:01People don't change that much.
0:14:09 > 0:14:14Chief? Walks of the Caribbean by Albert Dunn.
0:14:14 > 0:14:18Volume Two. Happy reading.
0:14:18 > 0:14:19Wow. This looks...heavy.
0:14:20 > 0:14:22Keep an eye on Fidel.
0:14:24 > 0:14:26OK, in the meantime, let's go and see what Dorothy Foster has to say.
0:14:38 > 0:14:40So this is the Reef Club?
0:14:40 > 0:14:42Where the rich come to play.
0:14:47 > 0:14:50I'm sorry.
0:14:52 > 0:14:56I met Carlton about a year ago. In this room.
0:14:56 > 0:15:01It was the Valentine's Dance and we got chatting.
0:15:01 > 0:15:05He was handsome and charming. Attentive.
0:15:05 > 0:15:06So you began hiring him?
0:15:07 > 0:15:10He became my Saturday-night date.
0:15:10 > 0:15:13It wasn't a physical arrangement, you understand.
0:15:13 > 0:15:15More like best friends.
0:15:17 > 0:15:18We had so much in common.
0:15:20 > 0:15:21Like art?
0:15:24 > 0:15:27Carlton loved art. It inspired him.
0:15:28 > 0:15:31He always said that art was truth.
0:15:33 > 0:15:38If he loved art so much, why did he leave the viewing early last night?
0:15:38 > 0:15:41Well, that's what I was wondering.
0:15:41 > 0:15:43Did you have an argument?
0:15:43 > 0:15:45No, one moment everything was fine and then
0:15:45 > 0:15:48the next Carlton was leaving.
0:15:48 > 0:15:49Carlton, wait...
0:15:49 > 0:15:51'So I followed him out and...'
0:15:51 > 0:15:52Where are you going?
0:15:55 > 0:15:56He never came back.
0:16:01 > 0:16:03What time was this?
0:16:03 > 0:16:05Um, around 7pm.
0:16:05 > 0:16:07Did you try to call him later?
0:16:09 > 0:16:10Dorothy?
0:16:10 > 0:16:16I've been looking all over for you. It's just awful. Poor Carlton.
0:16:17 > 0:16:21Leo Pascal. I own Pascal Gallery.
0:16:21 > 0:16:23So, you were at the viewing?
0:16:23 > 0:16:24Of course.
0:16:24 > 0:16:27We were just wondering why Carlton left the gallery so abruptly.
0:16:27 > 0:16:31I think he might have had some kind of run-in with Marc Campese.
0:16:31 > 0:16:33Marc Campese?
0:16:33 > 0:16:34He owns the Reef Club.
0:16:35 > 0:16:39'Carlton and I were discussing the Durosseau when Campese turned up.'
0:16:42 > 0:16:46I didn't catch what he said but it made quite an impact on Carlton.
0:16:49 > 0:16:51And you've no idea what it was about?
0:16:51 > 0:16:53Sorry. Haven't the foggiest.
0:16:58 > 0:17:02Where were you between 8:30 and 8:35 yesterday?
0:17:02 > 0:17:05I was at home.
0:17:05 > 0:17:07Were you alone?
0:17:07 > 0:17:09I'm nearly always alone.
0:17:16 > 0:17:17I'm sorry.
0:17:20 > 0:17:22HE SINGS
0:17:36 > 0:17:38You know, I think the Inspector meant
0:17:38 > 0:17:41he wanted you to interview the suspects, not date them.
0:17:41 > 0:17:44You can come with me if you want, make sure I behave.
0:17:44 > 0:17:46Haven't finished Carlton's profile.
0:17:46 > 0:17:48Looks like you haven't started it.
0:17:50 > 0:17:55Carlton Paris. 25. Dead.
0:17:57 > 0:18:00You sure you two were friends?
0:18:04 > 0:18:06What happened between you two?
0:18:07 > 0:18:10- It's OK. You can tell me.- We fell out.
0:18:10 > 0:18:12Was it a girl?
0:18:12 > 0:18:14Did he steal her from you or vice versa?
0:18:16 > 0:18:17Hey, where you going?
0:18:18 > 0:18:20Fidel!
0:18:22 > 0:18:24I almost feel sorry for her.
0:18:24 > 0:18:25Why?
0:18:25 > 0:18:27She seems grief-stricken.
0:18:27 > 0:18:30Could be remorse.
0:18:30 > 0:18:32You really think she's capable of murder?
0:18:32 > 0:18:35She's the last person to see him alive and her alibi is weak.
0:18:43 > 0:18:44Did she just...
0:18:44 > 0:18:46I think she did.
0:18:48 > 0:18:50Why would she do that?
0:18:50 > 0:18:52Maybe she has a twitch. Or sunstroke.
0:18:55 > 0:18:58So, Carlton's argument with Marc Campese, we should check it out.
0:18:58 > 0:19:01We should but isn't he the wrong sex to be a suspect?
0:19:01 > 0:19:04Maybe. But his wife isn't.
0:19:10 > 0:19:13So, I spoke to Carlton. Big deal.
0:19:13 > 0:19:15What was the conversation about?
0:19:15 > 0:19:17Er, just, er, you know, small talk.
0:19:18 > 0:19:22We understand that this small talk upset Carlton and made him
0:19:22 > 0:19:25- leave early. - Rubbish.
0:19:25 > 0:19:29Look, we exchanged a few words, yes, but, er, it was so trivial,
0:19:29 > 0:19:31I have no recollection what they were.
0:19:31 > 0:19:33Did you know Carlton well?
0:19:33 > 0:19:35I knew what he was, that was enough.
0:19:36 > 0:19:37And what was that?
0:19:40 > 0:19:42A man who preyed on the lonely.
0:19:42 > 0:19:44Don't get me wrong, he was good at it,
0:19:44 > 0:19:46but it's hardly an honourable way to make a living.
0:19:48 > 0:19:49What about you, Mrs Campese?
0:19:50 > 0:19:52Er, what about me?
0:19:52 > 0:19:55Did you know Carlton well?
0:19:55 > 0:19:56Er, not really.
0:19:57 > 0:20:00Er, he was a member of the club but we very rarely spoke.
0:20:03 > 0:20:06Did Carlton ever bring any of his clients to the Reef Club?
0:20:06 > 0:20:10He did...until I put a stop to it.
0:20:10 > 0:20:11Why did you do that?
0:20:12 > 0:20:15Preying on our female members is bad for business.
0:20:17 > 0:20:20OK, afraid we have another meeting. Is there anything else?
0:20:24 > 0:20:28Where were you between 8:30 and 8:35?
0:20:29 > 0:20:33Let me see, well, we left the gallery at about 8:00.
0:20:33 > 0:20:35Home by 8:30.
0:20:35 > 0:20:38- Early night.- Yes. We were both very tired.
0:20:42 > 0:20:44Marc Campese was lying.
0:20:44 > 0:20:46But Marc Campese's not a she.
0:20:46 > 0:20:49- Doesn't mean he's not involved. - Hm.
0:20:49 > 0:20:51And his wife's lying too.
0:20:54 > 0:20:55Anything useful?
0:20:57 > 0:20:58What?
0:20:58 > 0:21:00The book.
0:21:00 > 0:21:02It's just an out-of-date travel guide with a few
0:21:02 > 0:21:03chapters on Saint Marie.
0:21:03 > 0:21:07"The pretty island of Saint Marie is situated in the eastern
0:21:07 > 0:21:08"Caribbean Sea.
0:21:08 > 0:21:11"It is one tenth the size of its northwest neighbour Guadeloupe,
0:21:11 > 0:21:15"one eighth of the size of Dominica, one sixth of the size of St Lucia,
0:21:15 > 0:21:19"one fifth the size of Martinique and a third of the size of Barbados..."
0:21:19 > 0:21:21And on and on and on it goes.
0:21:23 > 0:21:26Why would our killer want to take this from Carlton's villa?
0:21:26 > 0:21:28- Must be something important in it. - Yeah. But what?
0:21:28 > 0:21:30PHONE RINGS Er, it's Dwayne.
0:21:32 > 0:21:36- Any luck on Carlton's clients?- Seems Carlton had another client.
0:21:36 > 0:21:39- And you'll never believe who it is.- Who?
0:21:39 > 0:21:40Judge Anne Stone.
0:21:42 > 0:21:43Judge Anne Stone?
0:21:45 > 0:21:46Who's Judge Anne Stone?
0:21:48 > 0:21:52There was no relationship between Carlton Paris and I.
0:21:52 > 0:21:55Right. Er, I see.
0:21:55 > 0:21:58Well, we're just...we're pretty sure that you hired him.
0:21:58 > 0:22:00We checked his bank records.
0:22:00 > 0:22:03You made a single payment to him last month.
0:22:03 > 0:22:06Hmm. My God. You must be desperate.
0:22:06 > 0:22:08We're just covering every angle.
0:22:09 > 0:22:15Fine. Last month I had to attend the Law Society dinner.
0:22:17 > 0:22:22Now, it is still considered bad form for a woman to attend unaccompanied.
0:22:22 > 0:22:23You needed a date?
0:22:24 > 0:22:27My PA, she used her initiative.
0:22:27 > 0:22:29And hired Carlton?
0:22:29 > 0:22:31She told me Carlton was a friend.
0:22:31 > 0:22:35It was only later that I found out he was, in fact, an escort.
0:22:37 > 0:22:38So, what happened?
0:22:38 > 0:22:40I sacked her of course.
0:22:40 > 0:22:41I mean, with Carlton.
0:22:41 > 0:22:43A little too clingy for my liking.
0:22:44 > 0:22:47So you never hired him again?
0:22:47 > 0:22:48Are you mad?
0:22:48 > 0:22:52Do you have any idea what associating with a male
0:22:52 > 0:22:54escort would do to my reputation?
0:22:57 > 0:23:01- Anything else?- Yes.
0:23:01 > 0:23:03Where were you between 8:30
0:23:03 > 0:23:05and 8:35 yesterday evening?
0:23:05 > 0:23:06In my chambers.
0:23:06 > 0:23:08Anyone see you there?
0:23:08 > 0:23:09I have no idea.
0:23:09 > 0:23:11PHONE RINGS
0:23:12 > 0:23:14- Wow. - Hello.
0:23:14 > 0:23:15She reminds me of my mum.
0:23:15 > 0:23:18- Yes, it is. - That explains a lot.
0:23:18 > 0:23:19Just do it.
0:24:21 > 0:24:24"The waters around Saint Marie are too treacherous for any
0:24:24 > 0:24:25"larger vessels to chance.
0:24:25 > 0:24:29"However this may soon change as a lighthouse is currently being erected.
0:24:31 > 0:24:37"The rainforests hum with life. The wonderful indigenous birdlife
0:24:37 > 0:24:41"includes the fabled Saint Marie green..."
0:24:43 > 0:24:45Maybe he was reading this and shot himself...
0:24:50 > 0:24:52CARIBBEAN MUSIC PLAYS
0:25:12 > 0:25:14Wow! Can't believe they closed it down.
0:25:14 > 0:25:17It was hardly a surprise, stuck out here.
0:25:17 > 0:25:19No-one could ever find the place.
0:25:21 > 0:25:22So, what's so important?
0:25:26 > 0:25:30Lauren...I found this at Carlton's villa.
0:25:37 > 0:25:39It's yours, isn't it?
0:25:39 > 0:25:40What do you want me to say?
0:25:40 > 0:25:42What was it doing under his pillow?
0:25:44 > 0:25:45Work it out, Fidel.
0:25:48 > 0:25:50So, how long had you been...
0:25:50 > 0:25:52Having an affair?
0:25:52 > 0:25:54- Yeah.- A year.
0:25:56 > 0:25:57You should leave him.
0:25:57 > 0:26:00I'd planned to. Carlton and I were off to
0:26:00 > 0:26:03America. He bought tickets.
0:26:07 > 0:26:10No chance of that happening now.
0:26:10 > 0:26:15No. Lauren?
0:26:19 > 0:26:20Did Marc know?
0:26:20 > 0:26:25Er...you know...I, erm... I really should get going.
0:26:25 > 0:26:27Lauren? Lauren!
0:26:30 > 0:26:31Did he know?
0:26:38 > 0:26:41Marc Campese found out that Lauren and Carlton were having an affair.
0:26:41 > 0:26:42How did he find out?
0:26:42 > 0:26:44Somebody at the club told him.
0:26:44 > 0:26:46And how did he react?
0:26:46 > 0:26:49Marc has a temper at the best of times.
0:26:49 > 0:26:52At the gallery the night that Carlton was killed,
0:26:52 > 0:26:53Marc threatened him,
0:26:53 > 0:26:55told him to stay away from me.
0:26:55 > 0:26:57- So much for the small talk. - Mm.
0:26:57 > 0:27:00Do you think he would've carried out his threat?
0:27:02 > 0:27:04It's OK. You can tell them.
0:27:06 > 0:27:10Marc lied when he said that we went home after the viewing.
0:27:12 > 0:27:15After we left the gallery, he was still angry.
0:27:15 > 0:27:18We were arguing. Things got ugly when I told him
0:27:18 > 0:27:19that I was leaving him for Carlton.
0:27:19 > 0:27:22That was it. Red rag to a bull.
0:27:24 > 0:27:26- Marc! - What time was this?
0:27:26 > 0:27:29Er, about 8:00. I went home and I waited for him.
0:27:29 > 0:27:32- He came back at 10:00. - Did he say where he'd been?
0:27:33 > 0:27:36- No, but I have a pretty good idea. - So do we.
0:27:45 > 0:27:48- Inspector? - Commissioner.
0:27:48 > 0:27:51I understand you paid a visit to Judge Stone yesterday.
0:27:51 > 0:27:53She's helping with our inquiries.
0:27:55 > 0:27:57Everything to your satisfaction?
0:27:57 > 0:27:59Routine interview, that's all.
0:27:59 > 0:28:01How disappointing.
0:28:01 > 0:28:04You know, I wonder if you shouldn't be too quick to dismiss the good
0:28:04 > 0:28:07judge from your investigation.
0:28:07 > 0:28:08Sir?
0:28:08 > 0:28:13Judge Stone is a prominent citizen with considerable political power.
0:28:13 > 0:28:17It's our civic duty to ensure there's nothing to compromise her.
0:28:17 > 0:28:19You're asking us to dig for dirt?
0:28:22 > 0:28:23Not at all.
0:28:23 > 0:28:27But should you uncover any skeletons, I'd like to know first.
0:28:32 > 0:28:34She made him spend a day in jail.
0:28:36 > 0:28:39You're kidding? What for?
0:28:39 > 0:28:41Parking fines.
0:28:41 > 0:28:42Can you jail someone for that?
0:28:42 > 0:28:43Judge Stone can.
0:28:50 > 0:28:53You two again. I've got nothing else to say to you.
0:28:53 > 0:28:57Well, we'd love to talk to you...about your movements
0:28:57 > 0:28:58after the viewing.
0:28:58 > 0:29:01Told you. I went home.
0:29:01 > 0:29:03You might want to rethink that answer.
0:29:11 > 0:29:12Lauren?
0:29:17 > 0:29:21What can I say? I thought my role as husband was to provide...
0:29:22 > 0:29:25..give my wife everything her heart desired.
0:29:26 > 0:29:29It turns out that what she desired was some jumped-up gigolo.
0:29:30 > 0:29:33Do you know they were actually planning to run away together?
0:29:33 > 0:29:35Must have made you very angry.
0:29:35 > 0:29:38Yeah, yeah, it did.
0:29:40 > 0:29:43As soon as Lauren told me she was leaving, the rage took over me.
0:29:45 > 0:29:47Don't ask me what I was planning to do.
0:29:47 > 0:29:49- I just wanted to get there.- And do what?
0:29:53 > 0:29:54And kill him, of course.
0:29:58 > 0:29:59Did you?
0:30:01 > 0:30:02No.
0:30:04 > 0:30:07When I got to his villa Dorothy was there.
0:30:08 > 0:30:10Dorothy Foster?
0:30:10 > 0:30:12There she was,
0:30:12 > 0:30:14demanding that Carlton let her in.
0:30:14 > 0:30:18- She was angry. - What time was this?
0:30:18 > 0:30:20Around 8:15.
0:30:20 > 0:30:21So what did you do?
0:30:23 > 0:30:26Hung around for five minutes waiting for her to leave.
0:30:27 > 0:30:31Suppose I must've cooled off a bit. Anyway, I left.
0:30:31 > 0:30:32Then where did you go?
0:30:32 > 0:30:33I walked around for a while.
0:30:33 > 0:30:36Came to my senses, and went home.
0:30:36 > 0:30:39That's it? You just went home?
0:30:39 > 0:30:42What about the rage that came over you?
0:30:42 > 0:30:44I decided to redirect it.
0:30:44 > 0:30:45Would you mind telling us where?
0:30:53 > 0:30:55I know what this looks like from the outside.
0:30:57 > 0:31:02Rich older man marries a pretty young woman. Trophy wife.
0:31:06 > 0:31:08The fact is, I love Lauren.
0:31:10 > 0:31:12I just have to find a way to prove that to her.
0:31:17 > 0:31:19You have to sign your statement.
0:31:19 > 0:31:22- And then what? - And then you can go.
0:31:28 > 0:31:30Er, I found this last night.
0:31:35 > 0:31:37When was this taken?
0:31:37 > 0:31:39The day you got into police college.
0:31:39 > 0:31:40Carlton bought the cocktails.
0:31:40 > 0:31:42Oh, he was always the big spender.
0:31:42 > 0:31:45- Yeah, we look drunk. - But happy.
0:31:47 > 0:31:52Used to love spending time with the two of you. You were so close.
0:31:52 > 0:31:53Like brothers.
0:31:54 > 0:31:58Yeah...until I spoilt it all.
0:31:59 > 0:32:00He still considered you a friend.
0:32:00 > 0:32:02Then why didn't he call me? He was in trouble.
0:32:02 > 0:32:05His life was in danger. He should've called me.
0:32:10 > 0:32:12Er, you can keep that.
0:32:13 > 0:32:14Thanks.
0:32:30 > 0:32:32Thank you for letting me see it.
0:32:32 > 0:32:33It's such a beautiful work.
0:32:35 > 0:32:37And the last memory I have of Carlton.
0:32:39 > 0:32:42Is everything set for the auction?
0:32:42 > 0:32:44We're expecting quite a turnout.
0:32:48 > 0:32:50Inspector Goodman.
0:32:50 > 0:32:52Miss Foster, we have a witness who says
0:32:52 > 0:32:55they saw you at Carlton's villa last night.
0:32:55 > 0:32:57Who also says you were very angry.
0:33:00 > 0:33:02Mr Pascal, could you give us a moment, please?
0:33:05 > 0:33:07Thank you.
0:33:10 > 0:33:12I've never had much luck with men.
0:33:12 > 0:33:15I always seem to attract the wrong sort.
0:33:16 > 0:33:20Daddy used to despair, "They're only after one thing, Dorothy,
0:33:20 > 0:33:22"my money".
0:33:22 > 0:33:25So, after ten years of moving from one disastrous
0:33:25 > 0:33:29relationship to the next, I decided enough was enough.
0:33:29 > 0:33:31You hired Carlton?
0:33:31 > 0:33:34At least with him, I didn't have to pretend it wasn't about my money.
0:33:36 > 0:33:39But the truth is, he made me feel like I was important.
0:33:41 > 0:33:43Why did you go to the villa?
0:33:45 > 0:33:47Well, when he didn't return to the gallery,
0:33:47 > 0:33:49I went to see if he was all right.
0:33:49 > 0:33:50Then what made you so angry?
0:33:52 > 0:33:56The night of the viewing, Carlton asked to see me early.
0:33:56 > 0:33:57Said he had an announcement.
0:33:59 > 0:34:03For one silly moment I thought that he was planning to propose.
0:34:03 > 0:34:04But no.
0:34:06 > 0:34:08He said he was leaving the island
0:34:08 > 0:34:11and that this would be our last date together.
0:34:11 > 0:34:12Did he say why he was leaving?
0:34:15 > 0:34:20Apparently, he'd fallen in love. I tried to be happy for him.
0:34:21 > 0:34:23I put on quite an act.
0:34:23 > 0:34:27But then I realised that this would be my last time with him.
0:34:27 > 0:34:30So, well, I just couldn't cope.
0:34:30 > 0:34:33So, I thought that if I offered him more money,
0:34:33 > 0:34:36or even if I bought him the Durosseau...
0:34:37 > 0:34:38What did Carlton say?
0:34:41 > 0:34:42He never even answered the door.
0:34:44 > 0:34:48Are you saying you went to bribe Carlton to stay friends with you?
0:34:48 > 0:34:49You don't believe me?
0:34:51 > 0:34:54I'm struggling to understand.
0:34:54 > 0:34:55Then you have never been lonely.
0:35:04 > 0:35:05What do you think?
0:35:06 > 0:35:10I find it hard to believe that he wouldn't at least talk to her.
0:35:10 > 0:35:13Maybe he did and she's lying. She has motive and opportunity.
0:35:13 > 0:35:15All we're missing is the murder weapon. PHONE RINGS
0:35:15 > 0:35:18Excuse me. ..Hello.
0:35:22 > 0:35:25Beautiful, isn't she?
0:35:25 > 0:35:26Yes, yes, she is.
0:35:27 > 0:35:30The artist was in love with her.
0:35:30 > 0:35:32Do you know about Durosseau and Cora?
0:35:32 > 0:35:34No. But I can see it in there.
0:35:38 > 0:35:44D'accord. Oui. Merci.
0:35:45 > 0:35:50Forensics are in. Sir? Sir!
0:35:50 > 0:35:52Sorry. Coming.
0:35:59 > 0:36:02So! There's nothing in the pathology report to refute what
0:36:02 > 0:36:04we already know.
0:36:04 > 0:36:06The first bullet entered the left shoulder.
0:36:06 > 0:36:09It was the second bullet that did the damage, pierced the heart.
0:36:09 > 0:36:12- Ballistics? - A .45-calibre.
0:36:12 > 0:36:14- Check the firearms register. - Yes, chief.
0:36:14 > 0:36:16What happened with Campese?
0:36:16 > 0:36:19He admitted going to the villa but claims he never saw Carlton.
0:36:19 > 0:36:21And what, you believe that story?
0:36:21 > 0:36:23We've got nothing to contradict it.
0:36:23 > 0:36:25- PHONE RINGS - Honore Police.
0:36:28 > 0:36:31So if Dorothy Foster and Marc Campese were outside
0:36:31 > 0:36:35the villa before 8:30 and Judge Stone was in her chambers,
0:36:35 > 0:36:37that just leaves us with Lauren.
0:36:37 > 0:36:40Wait, hold on! Lauren's still a suspect?
0:36:40 > 0:36:41We can't confirm she was at home.
0:36:41 > 0:36:43Camille, she didn't kill Carlton.
0:36:43 > 0:36:45- How can you be so sure? - Because I know her.
0:36:45 > 0:36:48Maybe she changed. Like you said, it's been a few years.
0:36:48 > 0:36:51- Yeah, and like you said, people don't change that much, remember? - Thank you very much.
0:36:53 > 0:36:55That was Carlton's service provider.
0:36:55 > 0:36:58They're e-mailing full statements, but one number called
0:36:58 > 0:37:01Carlton's phone every day for the past two weeks.
0:37:01 > 0:37:03So I ran a check.
0:37:03 > 0:37:04And whose is it?
0:37:04 > 0:37:06Judge Ann Stone.
0:37:13 > 0:37:16So, I called him a few times.
0:37:16 > 0:37:20It might be better if you just told us the truth, Your Honour.
0:37:21 > 0:37:26Do you have any clue what it's like to be a woman in this profession?
0:37:26 > 0:37:32You have to be in control all the time. Even more so than the men.
0:37:33 > 0:37:3720 years of my life I have dedicated to my career
0:37:37 > 0:37:40and you have to learn to be tough.
0:37:40 > 0:37:44You don't become the dragon lady overnight, let me tell you.
0:37:49 > 0:37:50And Carlton?
0:37:52 > 0:37:59He brought out a side in me I thought I had buried long ago.
0:37:59 > 0:38:01He reminded me I have a sense of humour.
0:38:03 > 0:38:06I'm actually very funny.
0:38:06 > 0:38:08Yeah, no, we can see that.
0:38:08 > 0:38:10I was intoxicated.
0:38:12 > 0:38:13I wasn't in love with him...
0:38:14 > 0:38:19..it was more that I was in love with who I am when I was with him.
0:38:22 > 0:38:24And then he backed off.
0:38:25 > 0:38:26Then what did you do?
0:38:29 > 0:38:30I got desperate.
0:38:34 > 0:38:36I never left him alone.
0:38:38 > 0:38:43I called him...night...and day.
0:38:46 > 0:38:47But it didn't work?
0:38:51 > 0:38:53Desperation never does.
0:38:55 > 0:38:59I'm finding it hard to imagine Judge Stone as a killer.
0:38:59 > 0:39:02Oh. Easier than imagining her having a sense of humour?
0:39:03 > 0:39:05Oh, er, please!
0:39:05 > 0:39:09These women hired Carlton, he made them all happy. How?
0:39:09 > 0:39:11Most men struggle to make one woman happy.
0:39:11 > 0:39:13Clearly, he was good at his job.
0:39:13 > 0:39:16Yes, then there's the mobile. And the book and...
0:39:16 > 0:39:18It makes no sense, I read it from cover to cover.
0:39:18 > 0:39:20Excellent work, DI Goodman.
0:39:23 > 0:39:26- So, where's the prisoner?- Prisoner, sir?
0:39:26 > 0:39:28Why, Judge Stone, of course.
0:39:28 > 0:39:31Dwayne informs me you were about to arrest her.
0:39:31 > 0:39:34- Huh.- That's not what I said... Commissioner.
0:39:36 > 0:39:39- Did you do it in public? - Well, actually,
0:39:39 > 0:39:42it was more of a follow-up interview with Judge Stone.
0:39:43 > 0:39:45A follow-up interview?
0:39:45 > 0:39:47Some further questions.
0:39:47 > 0:39:49So, you didn't arrest her?
0:39:49 > 0:39:50No cause to, sir.
0:39:52 > 0:39:56So, I came all the way down here to watch you bring her in.
0:39:58 > 0:39:59Sorry, sir.
0:39:59 > 0:40:01It's disappointing, I know.
0:40:14 > 0:40:16I checked the firearms register
0:40:16 > 0:40:18and guess who owns a .45-calibre?
0:40:21 > 0:40:22Right.
0:40:22 > 0:40:24I'll drive this time.
0:40:24 > 0:40:27- I'm an excellent driver. - No, you're not!
0:40:27 > 0:40:28This is practically harassment.
0:40:28 > 0:40:31We appreciate your co-operation.
0:40:31 > 0:40:33- Never even use the damn thing. - Then why keep it?
0:40:33 > 0:40:36It's a dangerous world.
0:40:36 > 0:40:38A man has a right to protect his own property.
0:40:38 > 0:40:40Does that include his wife?
0:40:43 > 0:40:45There you go. Knock yourself out.
0:40:48 > 0:40:50- It's gone.- What?- It's not there.
0:40:52 > 0:40:55I can't understand. It was...it was here.
0:40:55 > 0:40:57When was the last time you saw it?
0:40:59 > 0:41:01I cleaned it a week ago.
0:41:01 > 0:41:03Did you lock the safe afterwards?
0:41:03 > 0:41:05Of course I locked it.
0:41:05 > 0:41:06Who else has access to the key?
0:41:12 > 0:41:14Campese's lying.
0:41:14 > 0:41:16He did seem genuinely surprised to find it wasn't in the safe.
0:41:16 > 0:41:19Someone else could have broken into the club and stole the gun.
0:41:19 > 0:41:22Come on. The Reef Club's security system is state of the art.
0:41:22 > 0:41:25Only a pro could be able to breach it undetected.
0:41:25 > 0:41:27And they'd also have to have access to the key.
0:41:27 > 0:41:30All right, but why would she kill him? They were going to America together.
0:41:30 > 0:41:35No, they weren't. Carlton was all set to go. But not Lauren.
0:41:35 > 0:41:38Her passport had been out of date for the past two years.
0:41:38 > 0:41:42Carlton booked flights but there's no way Lauren could have travelled.
0:41:50 > 0:41:52Why you checking up on this?
0:41:52 > 0:41:56Because we do routine background checks on all suspects,
0:41:56 > 0:41:57you know that...
0:41:57 > 0:41:59Sergeant.
0:41:59 > 0:42:01We know Carlton was killed by a woman.
0:42:03 > 0:42:04We need to bring her in, Fidel.
0:42:07 > 0:42:08Just give me half an hour.
0:42:13 > 0:42:14OK.
0:42:22 > 0:42:24- What happened? Is it Marc? - Where's the gun, Lauren?
0:42:24 > 0:42:26- What gun? - The one you took from the safe.
0:42:26 > 0:42:28- What are you talking about? - You had no intention of leaving.
0:42:28 > 0:42:31What? Of course I did. I told you, New York, we were flying out...
0:42:31 > 0:42:32Without a passport?
0:42:42 > 0:42:45I don't know why I didn't renew it.
0:42:45 > 0:42:46I wanted to go. I was just...
0:42:49 > 0:42:50- ..scared. - Scared of what?
0:42:50 > 0:42:55Of everything. Of leaving Marc, the island.
0:42:55 > 0:42:58Of starting a new life with Carlton. What if it didn't work?
0:42:59 > 0:43:02Look, you know what he was like. Nothing ever frightened him.
0:43:02 > 0:43:04It was all one big adventure. Me?
0:43:07 > 0:43:08I'm a coward.
0:43:13 > 0:43:14I wish I wasn't.
0:43:17 > 0:43:21I wish I'd left with him. Then he'd still be alive.
0:43:21 > 0:43:23What about the gun?
0:43:23 > 0:43:25OK, I took the gun. But only to give it to Carlton for protection.
0:43:25 > 0:43:27- Protection from what? - From Marc.
0:43:29 > 0:43:32Look, when he found out about the affair he was livid.
0:43:32 > 0:43:34He said that he was going to deal with Carlton and he meant it.
0:43:34 > 0:43:36I had to do something.
0:43:38 > 0:43:43So, I took the gun. I don't know if I was protecting Carlton from Marc.
0:43:43 > 0:43:46Or Marc from himself. I went round to Carlton's.
0:43:46 > 0:43:47I told him that Marc knew
0:43:47 > 0:43:50and that he should take the gun just in case something happened.
0:43:50 > 0:43:52And what did Carlton say?
0:43:53 > 0:43:57He didn't want it. He said he wasn't afraid of Marc.
0:43:57 > 0:43:59But what happened with the gun?
0:44:00 > 0:44:01Well, I left it there.
0:44:01 > 0:44:05- We didn't find it, Lauren. - No...
0:44:07 > 0:44:10I did not kill Carlton. I loved him.
0:44:20 > 0:44:22How is she?
0:44:22 > 0:44:24She's scared.
0:44:24 > 0:44:26- Are you OK? - No, not really.
0:44:41 > 0:44:43Looks like a fun night.
0:44:45 > 0:44:49Yeah. One of the best.
0:44:49 > 0:44:50Carlton was a handsome boy.
0:44:52 > 0:44:54And he knew it.
0:44:54 > 0:44:57Bonjour, Catherine. Oh, boy.
0:45:01 > 0:45:03- Tough few days, huh? - Yeah.
0:45:05 > 0:45:08Listen, about the passport check...
0:45:08 > 0:45:10You were doing your job.
0:45:12 > 0:45:14Sorry about Lauren.
0:45:14 > 0:45:18Yeah, me too. I wish I could help her.
0:45:18 > 0:45:21Yes, it's a pity we can't find the gun.
0:45:21 > 0:45:24- She said she left it at the villa. - And you believe her?
0:45:24 > 0:45:26- Yes. - Then let's go and look for it.
0:45:26 > 0:45:28Dwayne, we searched the grounds and the house already.
0:45:28 > 0:45:31Then let's search them again. Come on.
0:45:36 > 0:45:38Honore Police.
0:45:49 > 0:45:51Sir?
0:45:51 > 0:45:53What you doing here?
0:45:53 > 0:45:55- Looking for the gun. You? - Same.
0:45:55 > 0:45:57So you believe Lauren's story?
0:45:57 > 0:46:00Let's just say I have a lot of questions that remain unanswered.
0:46:00 > 0:46:01- Like what? - Well, for starters
0:46:01 > 0:46:04we're looking for a woman who hated Carlton enough to want to kill him.
0:46:04 > 0:46:07Problem is every woman we've spoken to absolutely loved him.
0:46:07 > 0:46:09And why take the mobile phone?
0:46:09 > 0:46:12And why not call you when he was in trouble?
0:46:12 > 0:46:14You're a good friend, you were close by...
0:46:14 > 0:46:16I wasn't a good friend.
0:46:20 > 0:46:24I cut off all contact with him when I graduated from police college.
0:46:24 > 0:46:26Ah, I see.
0:46:29 > 0:46:30It wasn't easy but...
0:46:30 > 0:46:33But being friends with a male escort would have been a bit awkward?
0:46:35 > 0:46:37Do you think I was wrong?
0:46:38 > 0:46:44Well, can't have friendship without mutual respect.
0:46:44 > 0:46:47- Golden rule, don't do anything to harm each other.- Exactly.
0:46:47 > 0:46:49And Carlton being an escort, I didn't think it was a good
0:46:49 > 0:46:51idea for me to be around him as a police officer...
0:46:51 > 0:46:55Then again, friendship's not really about rules. It's about
0:46:55 > 0:46:58sticking by each other no matter what.
0:46:58 > 0:47:01You're right. I let him down.
0:47:03 > 0:47:06I threw away my best friend because I thought he'd reflect badly on me.
0:47:08 > 0:47:11What did you just say?
0:47:11 > 0:47:16Carlton's job. I was too worried about how it reflected on me.
0:47:16 > 0:47:17Reflect.
0:47:25 > 0:47:26Carlton loved art.
0:47:27 > 0:47:28It inspired him.
0:47:31 > 0:47:34There she was demanding that Carlton let her in.
0:47:38 > 0:47:40What time is it?
0:47:40 > 0:47:41It's almost five.
0:47:41 > 0:47:43Right! OK.
0:47:43 > 0:47:47Go and pick up Camille, and I will meet you both there in an hour.
0:47:47 > 0:47:49Meet us where?
0:47:49 > 0:47:50The gallery, of course.
0:47:53 > 0:47:55The auction should have started half an hour ago.
0:47:55 > 0:47:58My customers are getting very restless.
0:47:58 > 0:48:00We are waiting for DI Goodman.
0:48:06 > 0:48:08- Where the hell is he?- He said he'd be here.
0:48:23 > 0:48:27Sorry. Sorry to keep you all waiting.
0:48:29 > 0:48:33- Where's Mr Campese?- Probably changing the locks.
0:48:35 > 0:48:36You want us to arrest him.
0:48:38 > 0:48:41- No, actually that won't be necessary.- Why not?
0:48:43 > 0:48:44Because he didn't do it.
0:48:50 > 0:48:54Before we begin, I think we should all take a moment to reflect
0:48:54 > 0:48:56upon the work of Albert Peter Dunn.
0:48:59 > 0:49:01And who is Albert Peter Dunn?
0:49:03 > 0:49:05He was a travel writer.
0:49:05 > 0:49:08Not a good travel writer but a very thorough one.
0:49:09 > 0:49:13He came to Saint Marie in 1929 while researching this.
0:49:14 > 0:49:16Walks of the Caribbean,
0:49:16 > 0:49:19a set of three books describing every hike,
0:49:19 > 0:49:22stroll and ramble in the region.
0:49:23 > 0:49:27This is volume two. 500 pages long.
0:49:27 > 0:49:32Crammed full of meticulous detail and painstaking research.
0:49:32 > 0:49:37It also happens to be very, very dull.
0:49:37 > 0:49:39Sorry, is there a point to this?
0:49:41 > 0:49:45Yes. The point?
0:49:45 > 0:49:49Well, the point is that like Albert Dunn, Carlton was also very thorough.
0:49:49 > 0:49:52We know that he went to great lengths to research his clients
0:49:52 > 0:49:53and their interests.
0:49:53 > 0:49:56Probably what made him so good at his job.
0:49:56 > 0:49:59He took the time to get to know them, to find
0:49:59 > 0:50:02out who they were and what they needed.
0:50:02 > 0:50:06Carlton played a different role for each of his clients.
0:50:06 > 0:50:08Sometimes as a lover...
0:50:11 > 0:50:13..sometimes a friend.
0:50:18 > 0:50:19Er, sorry!
0:50:22 > 0:50:23No, not that one.
0:50:27 > 0:50:29Yes! Right!
0:50:29 > 0:50:33So, let's start with what we think we know about the night Carlton died.
0:50:34 > 0:50:37At 7:00 Carlton leaves the gallery
0:50:37 > 0:50:39because he had an argument with Marc Campese.
0:50:39 > 0:50:43Outside he tells Dorothy Foster he'll be back soon.
0:50:43 > 0:50:47At 8:15 he refuses to answer his door to Dorothy.
0:50:47 > 0:50:49At 8:30 he makes a call to the police
0:50:49 > 0:50:51and says that a woman is trying to kill him.
0:50:51 > 0:50:54And sometime between then and 8:35
0:50:54 > 0:50:57Carlton Paris is shot dead.
0:50:58 > 0:51:00And not one of those statements is true.
0:51:06 > 0:51:08It was all one big con.
0:51:11 > 0:51:13Oh, actually, wait,
0:51:13 > 0:51:16the part about Carlton saying he was coming back to the gallery,
0:51:16 > 0:51:20that was true. But everything else was a lie.
0:51:24 > 0:51:27Carlton didn't leave the gallery because he was angry at Mr Campese.
0:51:27 > 0:51:29In fact, he'd already planned to go.
0:51:30 > 0:51:33And it wasn't that he wouldn't open his door to Dorothy.
0:51:33 > 0:51:36But rather that he couldn't open his door.
0:51:37 > 0:51:39And he never made a call to the police
0:51:39 > 0:51:43and he wasn't shot between 8:30 and 8:35.
0:51:44 > 0:51:47So, back to the start again
0:51:47 > 0:51:50and the real reason why Carlton left the gallery.
0:51:50 > 0:51:53He was going home to fetch something.
0:51:54 > 0:51:56To fetch what, exactly?
0:51:58 > 0:52:00Walks of the Caribbean, of course.
0:52:02 > 0:52:06See, Carlton spotted something in this book that would have caused
0:52:06 > 0:52:07a bit of a scandal.
0:52:09 > 0:52:13Albert Dunn's description of his walk around Saint Marie harbour.
0:52:14 > 0:52:17"The harbour is quaint, yet little used,
0:52:17 > 0:52:19"save for a few local fishing boats.
0:52:20 > 0:52:24"The waters around Saint Marie are too treacherous for any larger
0:52:24 > 0:52:25"vessels to chance.
0:52:26 > 0:52:31"However this may soon change as a lighthouse is currently being
0:52:31 > 0:52:33"erected."
0:52:42 > 0:52:46That would be this lighthouse here, the one reflected in the bottle.
0:52:48 > 0:52:54The one built in 1929. Two years after the artist had died.
0:52:56 > 0:52:58Looked it up in your catalogue.
0:52:59 > 0:53:01So, you see...
0:53:03 > 0:53:06..there is no way that Durosseau could have painted that painting.
0:53:06 > 0:53:10And that's how Carlton knew that The Girl from the Mermaid is a fake.
0:53:12 > 0:53:14This is ridiculous.
0:53:17 > 0:53:19Carlton told you of his suspicions.
0:53:21 > 0:53:22Thank you for sharing.
0:53:22 > 0:53:23I can bring the proof to you.
0:53:23 > 0:53:25- Ah.- The glamour's arrived.
0:53:25 > 0:53:28He must have thought that you were a victim of a fraud.
0:53:28 > 0:53:30He can't have known that you were involved or
0:53:30 > 0:53:33he would have exposed you there and then.
0:53:33 > 0:53:34You knew
0:53:34 > 0:53:37that if he came back with that proof,
0:53:37 > 0:53:39well, then you could say goodbye to that quarter of a million dollars.
0:53:41 > 0:53:44And if it was discovered that you knew it was a fake,
0:53:44 > 0:53:47well, then you'd be facing a lengthy jail sentence.
0:53:53 > 0:53:55You went off to Carlton's villa.
0:53:58 > 0:54:00I imagine you tried to reason with him at first,
0:54:00 > 0:54:03maybe even tried to bribe him with a cut of the auction fee.
0:54:03 > 0:54:06But Carlton, Carlton wouldn't bite.
0:54:10 > 0:54:13And then it appeared before you, Marc Campese's gun.
0:54:25 > 0:54:29You took the book and you were about to leave when...
0:54:29 > 0:54:33you saw a chance to cover your tracks. Carlton's mobile phone.
0:54:39 > 0:54:41The deed done. You returned to your
0:54:41 > 0:54:43guests as if nothing had happened.
0:54:43 > 0:54:46Come the end of the night, you had one more con to play.
0:54:50 > 0:54:54A phone call to the police station using Carlton's phone to make
0:54:54 > 0:54:56- it seem like he was still alive. - Hello?
0:54:56 > 0:54:58- IMPERSONATES CARLTON:- Hello? Police.
0:54:58 > 0:55:01My name is Carlton Paris. I'm at 125 Shore Road.
0:55:01 > 0:55:02She's got a gun.
0:55:07 > 0:55:09Hey? Where are you going?
0:55:12 > 0:55:14A nice touch with that "she's got a gun".
0:55:15 > 0:55:17What with Carlton being an escort you knew we'd be
0:55:17 > 0:55:19looking at one of his clients.
0:55:19 > 0:55:20And the phone call made us
0:55:20 > 0:55:24think that Carlton was still alive an hour after you killed him...
0:55:26 > 0:55:29..when you had two police officers who could vouch for your alibi.
0:55:31 > 0:55:34See, Carlton never called his friend when he was in trouble
0:55:34 > 0:55:36because it wasn't him making the call.
0:55:38 > 0:55:40You managed to fake a murder.
0:55:43 > 0:55:45Shame that you couldn't fake a painting.
0:56:00 > 0:56:02Top drawer, I guess.
0:56:05 > 0:56:09Just as I thought. Walks of the Caribbean Volume Two.
0:56:09 > 0:56:11No doubt covered with Carlton's fingerprints.
0:56:11 > 0:56:14- And the phone?- It's Carlton's.
0:56:14 > 0:56:15All the evidence we need, I'd say.
0:56:27 > 0:56:30- I'll buy them from you for a penny. - What?
0:56:33 > 0:56:36Your thoughts. That's what English people say,
0:56:36 > 0:56:39isn't it? "I'll pay one penny for your thought."
0:56:39 > 0:56:40You mean "a penny for them".
0:56:40 > 0:56:43- Yeah, that's what I said. - Yes, almost.
0:56:46 > 0:56:49You're not going to do your baked beans on toast speech again?
0:56:49 > 0:56:51- No.- I don't mind.- No!- Cool!
0:56:53 > 0:56:55I suppose I am a bit lonely.
0:56:56 > 0:56:58Bound to be, I've been with Sally, you see.
0:56:58 > 0:57:00And now I'm not. And it takes a bit of adjusting.
0:57:02 > 0:57:04Even looked at an internet dating site.
0:57:04 > 0:57:07- Really? Did you do it? - No.
0:57:07 > 0:57:09But there might be someone out there, just waiting for you...
0:57:09 > 0:57:11- You think? - Why not?
0:57:13 > 0:57:16Well, I'm afraid I fell at the first hurdle, you see.
0:57:16 > 0:57:18It said "Name your three best qualities." I put catching
0:57:18 > 0:57:22murderers as my number one, then I sort of ran out of steam.
0:57:23 > 0:57:26Don't suppose you can think of anything else?
0:57:26 > 0:57:30Er, no.
0:57:30 > 0:57:32Ah! Right. Thought not.
0:57:32 > 0:57:35I'm teasing.
0:57:35 > 0:57:39You can put that you're kind, you're handsome, and you're very sexy...
0:57:40 > 0:57:42Really?
0:57:42 > 0:57:46Of course! It's internet.
0:57:46 > 0:57:47Everyone lies.
0:58:01 > 0:58:03There was a party last night.
0:58:03 > 0:58:06- I reckon there will be another one tonight.- Ms Siebert?
0:58:06 > 0:58:10Natasha Siebert, a 35-year-old air hostess. Suspicious death.
0:58:10 > 0:58:14I could think of 100 flight attendants that people would gladly murder.
0:58:14 > 0:58:17- Max, but not Natasha.- We found some fingerprints in Natasha's room.
0:58:18 > 0:58:21- Do you want to see the real Saint Marie?- Yes.