0:00:06 > 0:00:09'Good evening, ladies and gentlemen. This is your captain speaking.
0:00:09 > 0:00:11'Welcome aboard DC10 flight 1313.
0:00:11 > 0:00:15'We will be cruising at a height of 25,000 feet,
0:00:15 > 0:00:18'an air speed of 600 miles per hour.
0:00:18 > 0:00:20'Info will be provided upon request
0:00:20 > 0:00:22'for a varied programme of in flight music.
0:00:22 > 0:00:25'Have a good flight.'
0:00:32 > 0:00:35..and he says "This is a 747.
0:00:35 > 0:00:38"Get to the back of the queue with the Airbus drivers."
0:00:38 > 0:00:42So as he starts to taxi he clips the tail of an Embraer 170!
0:00:42 > 0:00:46Now they've got him back re-training to fly an Airbus!
0:00:52 > 0:00:55Hey! Hey!
0:00:56 > 0:00:58Oh, my God!
0:01:01 > 0:01:05I think you've had enough for one night, sir!
0:01:10 > 0:01:12Right then, shall I get another?
0:01:14 > 0:01:16- Tash?- Not for me.
0:01:16 > 0:01:17Paul?
0:01:17 > 0:01:19No, I think the bar's closed.
0:01:21 > 0:01:24Ooh, action - Adam's back.
0:01:24 > 0:01:26It's past twelve oh no!
0:01:26 > 0:01:27Lightweight!
0:01:28 > 0:01:32You won't be saying that when the crew bus arrives Max.
0:01:32 > 0:01:33No!
0:01:33 > 0:01:34Yes.
0:01:35 > 0:01:36Night, Tash.
0:01:36 > 0:01:37Night, Adam.
0:01:42 > 0:01:45Right, think it's time I turned in too, actually.
0:01:45 > 0:01:49Ah, yeah, you need to look your best, with the missus due in. Thank you.
0:01:49 > 0:01:50Is Helen coming here?
0:01:50 > 0:01:54Yeah. She gets in from LAX shortly before we leave for Heathrow.
0:01:54 > 0:01:55Think we've got a two hour gap.
0:01:55 > 0:01:58Ah! Long distance relationships, eh, Adam?
0:01:59 > 0:02:00Night.
0:02:01 > 0:02:04- See you in the morning.- Night.
0:02:23 > 0:02:25KNOCK AT THE DOOR
0:02:41 > 0:02:45Helen! So nice to have you back again.
0:02:45 > 0:02:47So nice to be back, Simone.
0:02:47 > 0:02:48You missed quite a party last night.
0:02:48 > 0:02:51Yeah? Well, I reckon there'll be another one tonight!
0:02:52 > 0:02:54It's a crew room again, I'm afraid.
0:02:54 > 0:02:57Oh, that's OK, I'm only here for a couple of nights.
0:03:01 > 0:03:04S'funny. The key's not here...
0:03:04 > 0:03:07Just give me a moment, I'll call up the room.
0:03:09 > 0:03:11Hello.
0:03:11 > 0:03:12Baby!
0:03:12 > 0:03:15I missed you!
0:03:15 > 0:03:16How was your flight?
0:03:16 > 0:03:19Oh, you know - the usual. Everything all right?
0:03:19 > 0:03:20Course it is.
0:03:20 > 0:03:22HE SQUEALS AND LAUGHS
0:03:26 > 0:03:28Erm, where's Natasha?
0:03:28 > 0:03:31She's normally the first one down, I've knocked on her door.
0:03:31 > 0:03:33Erm, can you call down to Natasha Thiebert's room?
0:03:33 > 0:03:36Erm, I'm doing it now. There's no answer.
0:03:44 > 0:03:46Ms Thiebert? Hello?
0:03:46 > 0:03:48Can I come in?
0:03:48 > 0:03:50Tash?
0:04:43 > 0:04:45Morning.
0:04:45 > 0:04:47- Sir.- Morning.- How are we?
0:04:47 > 0:04:49Bright...and breezy.
0:04:50 > 0:04:53- It's the shirt, isn't it? - Well, it's, it's very...
0:04:53 > 0:04:55Yes, I know! Found it at the market.
0:04:55 > 0:04:57Only 50 dollars, bit of a steal.
0:04:57 > 0:04:58Oh, I'd say so.
0:04:58 > 0:05:01Thought it was high time I started to blend in.
0:05:08 > 0:05:10Morning, Camille.
0:05:10 > 0:05:12Morn...
0:05:12 > 0:05:14So we have...
0:05:14 > 0:05:18Natasha Thiebert, a 35-year-old air hostess. Suspicious death.
0:05:18 > 0:05:21Early indications are she was poisoned, sir.
0:05:21 > 0:05:23Lack of oxygen to the skin indicates that.
0:05:23 > 0:05:24Any idea how?
0:05:24 > 0:05:28Oh, we're guessing the killer put something into a glass of champagne.
0:05:28 > 0:05:30Ah!
0:05:37 > 0:05:39OK, Fidel, prints please
0:05:39 > 0:05:41and get the lab to identify our poison for us?
0:05:41 > 0:05:42Yes, sir.
0:05:43 > 0:05:47Any other bottles anywhere, a container of some kind?
0:05:47 > 0:05:48The champagne was uncorked there
0:05:48 > 0:05:51so the poisoner must have brought the poison in separately
0:05:51 > 0:05:53and put it in the glass.
0:05:53 > 0:05:56We haven't found anything, the killer must have taken it with them.
0:05:56 > 0:05:59I imagine we don't have a time of death, yet?
0:05:59 > 0:06:02No, we know she left the others around 12.30 last night,
0:06:02 > 0:06:06her body was found at 8.40 this morning so we're guessing she's been dead around six hours.
0:06:06 > 0:06:09So that's about...2.30am?
0:06:09 > 0:06:12Did she seem fit and well when she was last seen?
0:06:12 > 0:06:15She wasn't drunk or complaining of feeling unwell?
0:06:15 > 0:06:18- No.- OK, who did she leave the party with?
0:06:18 > 0:06:19No-one.
0:06:19 > 0:06:20Yet two glasses.
0:06:20 > 0:06:22The witnesses said she left alone.
0:06:22 > 0:06:23They have CCTV in the hotel.
0:06:23 > 0:06:25I could get the tapes and check it out.
0:06:25 > 0:06:26Er, yes please.
0:06:26 > 0:06:30Erm, and draw up a list of everyone she spoke to last night.
0:06:30 > 0:06:31Twin beds?
0:06:31 > 0:06:34Ah, yes, it's a crew room, they tend to share.
0:06:34 > 0:06:37- But she wasn't?- Her roommate arrived on a different flight this morning.
0:06:37 > 0:06:39Erm, Helen Walker.
0:06:39 > 0:06:41But there were three other crew members who
0:06:41 > 0:06:43came in in the same flight as the victim.
0:06:43 > 0:06:47All male. They mixed with other guests all evening, but the manager
0:06:47 > 0:06:51said that just the four of them were left together around midnight.
0:06:51 > 0:06:53Even so, let's take statements from all the guests,
0:06:53 > 0:06:55start eliminating people.
0:06:55 > 0:06:57And Fidel, take exclusion prints also,
0:06:57 > 0:07:00- check them against the champagne glasses.- Sir.
0:07:13 > 0:07:15What on earth do you do with this?
0:07:15 > 0:07:16Blusher.
0:07:17 > 0:07:19Do women usually have this much make up?
0:07:19 > 0:07:21Air hostesses do.
0:07:21 > 0:07:22Mmm...
0:07:31 > 0:07:33She wasn't murdered for money.
0:07:33 > 0:07:35It's from all over the world.
0:07:39 > 0:07:41Anything on these?
0:07:41 > 0:07:44Oh, postcards home, all stamped and ready to go.
0:07:44 > 0:07:47Says it's her first time on the island...
0:07:47 > 0:07:51all the usual, although there was one...
0:07:53 > 0:07:55"One in the morning, in my room,
0:07:55 > 0:07:59"just had some exciting news, can't wait to tell you when I get back."
0:08:00 > 0:08:01Interesting.
0:08:09 > 0:08:11Anyone could have taken them.
0:08:11 > 0:08:13- Mmmm.- The missing room key?
0:08:21 > 0:08:22Hi!
0:08:22 > 0:08:24I gave the guest list to one of your officers,
0:08:24 > 0:08:27is there something else I can help with?
0:08:27 > 0:08:30Er, yes. The, erm, airline staff.
0:08:30 > 0:08:32They're regulars, I presume?
0:08:32 > 0:08:34We have an arrangement with the airline - yes.
0:08:34 > 0:08:36You know them well then?
0:08:36 > 0:08:38I don't know any of them really,
0:08:38 > 0:08:41they tend to keep themselves to themselves.
0:08:41 > 0:08:45So you wouldn't know if anyone held a grudge against Natasha Thiebert?
0:08:45 > 0:08:47I wouldn't, sorry.
0:08:47 > 0:08:50I think I heard that it was her first time at the hotel -
0:08:50 > 0:08:52her first time on the island.
0:08:53 > 0:08:54Poor woman.
0:08:56 > 0:08:58She was due to share a room with a Helen Walker?
0:09:00 > 0:09:03Er, each room has two keys, Natasha's was in her room
0:09:03 > 0:09:05but the other one was missing?
0:09:05 > 0:09:09Yes. It should be here.
0:09:09 > 0:09:11Do you think it might have been taken?
0:09:11 > 0:09:13It would appear so.
0:09:13 > 0:09:15PHONE RINGS
0:09:15 > 0:09:18- Er, may I? - Yes.- Of course.
0:09:18 > 0:09:22Good morning, La Creole Beach Hotel...
0:09:24 > 0:09:27I still can't believe it, I was only with her last week.
0:09:27 > 0:09:30You arrived in Saint-Marie this morning?
0:09:30 > 0:09:32Yeah.
0:09:32 > 0:09:33And you were all with her last night?
0:09:33 > 0:09:37Yeah, we were at the back of the hotel till about midnight.
0:09:37 > 0:09:41Was it her heart? I'm sure someone said something about her having heart problems.
0:09:41 > 0:09:45Yeah, I'd heard that rumour too, that's the gossipy world of the biccy-chuckers.
0:09:45 > 0:09:48- The "biccy-chuckers"? - That's what all the Nigels call us.
0:09:48 > 0:09:50Sorry - "Nigels"?
0:09:50 > 0:09:52The pilots.
0:09:52 > 0:09:55Look, she'd had her company medical a few months ago, there was
0:09:55 > 0:09:57nothing wrong with her heart.
0:09:57 > 0:10:02Yes, I can confirm that Natasha Thiebert didn't die of natural causes,
0:10:02 > 0:10:04this is a murder investigation.
0:10:04 > 0:10:08- Murder?!- Murdered! Who would do that?
0:10:12 > 0:10:15It's all right.
0:10:15 > 0:10:16It doesn't make any sense.
0:10:16 > 0:10:19So she was well liked?
0:10:19 > 0:10:20Yeah!
0:10:20 > 0:10:24I mean I could, I could think of a hundred flight attendants people would gladly murder...
0:10:24 > 0:10:25Max. But not Natasha.
0:10:27 > 0:10:29And so she was popular?
0:10:29 > 0:10:31She was, she was lovely.
0:10:31 > 0:10:35She wasn't a party animal, not really, more "homely".
0:10:35 > 0:10:36Talked about her family a lot.
0:10:36 > 0:10:39She grew up in Provence - her family are still there -
0:10:39 > 0:10:43she always called them, sent postcards from wherever she landed.
0:10:43 > 0:10:48She dreamt of packing it all in one day, going back to France,
0:10:48 > 0:10:52buying a little farm and living a simple life.
0:10:52 > 0:10:53That's what she said anyway.
0:10:55 > 0:10:56Yeah, postcards - yes, yes.
0:10:56 > 0:10:59Erm, Natasha wrote something on a postcard,
0:10:59 > 0:11:01when she went back to her room.
0:11:01 > 0:11:04Er, something about "exciting news".
0:11:04 > 0:11:06Do any of you know what that meant?
0:11:09 > 0:11:10No.
0:11:11 > 0:11:15And, and where were you all around, er, 2:30am this morning?
0:11:15 > 0:11:16I was in bed.
0:11:16 > 0:11:19We all were, we had a flight this morning. It's been cancelled.
0:11:19 > 0:11:21And you're in separate rooms?
0:11:21 > 0:11:23Yeah, pilots get single rooms.
0:11:23 > 0:11:26Well, I'm in a twin, but I've got it all to myself.
0:11:27 > 0:11:32I had a drink from the mini bar and I was asleep by one?
0:11:32 > 0:11:35And, and you were en route from Los Angeles?
0:11:35 > 0:11:38Got in a couple of minutes past seven this morning.
0:11:38 > 0:11:42And none of you saw or heard anything from Natasha after she left?
0:11:42 > 0:11:44No.
0:11:44 > 0:11:45And none of you visited her room?
0:11:45 > 0:11:47- No.- No.
0:11:47 > 0:11:50OK. Thank you.
0:11:55 > 0:11:58They all seemed nice enough, do you think they were telling the truth?
0:11:58 > 0:12:01Well, there was two champagne glasses in her room,
0:12:01 > 0:12:02so someone must have gone to see her.
0:12:02 > 0:12:05Unless she left them because she knew she was meeting someone else?
0:12:05 > 0:12:09Very true. Let's see if we can get anything new from the autopsy.
0:12:09 > 0:12:11- Don't be mad at me.- Hmph.
0:12:11 > 0:12:15I just said I was a little surprised to see you working here,
0:12:15 > 0:12:15that is all.
0:12:15 > 0:12:18You don't think I'm good enough for this hotel?
0:12:18 > 0:12:20- I didn't say that. - No, but you inferred it.
0:12:20 > 0:12:21Everything all right?
0:12:21 > 0:12:23Yes, Chief.
0:12:23 > 0:12:28Ms Magon here was er, kindly assisting us with the hotel CCTV.
0:12:28 > 0:12:30Hmm.
0:12:34 > 0:12:36Simone Magon seems nice enough.
0:12:37 > 0:12:40I'm telling you, Chief, her mother is wild, her
0:12:40 > 0:12:44sisters are wild, in fact the whole family is completely out of control.
0:12:44 > 0:12:47You're not suggesting that she's a murder suspect?
0:12:47 > 0:12:50There's no link. Not if it was Natasha's first time on the island.
0:12:50 > 0:12:53Look, all I'm saying is it won't do any harm to run a few background checks on her.
0:12:53 > 0:12:56- Well, if it'll make you feel better. - Thank you, Chief.
0:12:58 > 0:13:01Oh, er, did you get anything from the CCTV?
0:13:01 > 0:13:04Only that the time-code confirms their statements.
0:13:04 > 0:13:07Is there any way she could have been poisoned in the bar or at the party?
0:13:07 > 0:13:11I don't see how, she's sharing the same bottle of wine as everyone else.
0:13:11 > 0:13:14And she doesn't seem to eat or drink anything else when she's there.
0:13:14 > 0:13:16OK, rewind to the start of the evening and see
0:13:16 > 0:13:18if you can spot anything untoward?
0:13:18 > 0:13:19Yes, Chief.
0:13:19 > 0:13:20Oh, by the way...
0:13:20 > 0:13:21Mmm-hmm.
0:13:21 > 0:13:22Natasha's bag...
0:13:22 > 0:13:25I checked - it's called a 'lucky-dip' bag.
0:13:25 > 0:13:28All cabin crew have one, they visit a country,
0:13:28 > 0:13:31if they don't use all the currency or use up whatever,
0:13:31 > 0:13:33they put it in their lucky-dip bag to use...
0:13:33 > 0:13:35To use the next time they're there, thank you.
0:13:35 > 0:13:37- Exactly.- Right!
0:13:37 > 0:13:40Natasha Thiebert goes to her room, seemingly alone, seemingly happy.
0:13:40 > 0:13:44Someone visits, they drink from two separate glasses of champagne,
0:13:44 > 0:13:45she dies.
0:13:45 > 0:13:49So, the person she drank champagne with must have poisoned her.
0:13:49 > 0:13:51Which suggests it's someone she knew.
0:13:55 > 0:13:57COMPUTER BLEEPS
0:13:57 > 0:13:58Sir!
0:13:58 > 0:14:01I've got a match with the prints on the champagne glasses.
0:14:01 > 0:14:03- The victim's are on one. - And on the other?
0:14:06 > 0:14:07Adam Frost.
0:14:12 > 0:14:14It's just a few questions, that's all.
0:14:14 > 0:14:17I'm not really sure we can be of much help but...
0:14:17 > 0:14:20Well, actually, it's Mr Frost we'd like to speak to.
0:14:20 > 0:14:21Why?
0:14:24 > 0:14:27I think it may be best if we do this at the station?
0:14:27 > 0:14:28Whatever you want to say to him, you can
0:14:28 > 0:14:31say in front of us both, isn't that right, sweetheart?
0:14:31 > 0:14:33- Of course.- Sure?
0:14:33 > 0:14:34Yes.
0:14:38 > 0:14:41We found some fingerprints in Natasha's room.
0:14:42 > 0:14:44You sure you're happy to do this?
0:14:44 > 0:14:47Wait! You're saying you found his fingerprints?
0:14:50 > 0:14:51Adam?
0:14:54 > 0:14:56OK. I went to her room.
0:14:56 > 0:14:59I didn't tell you earlier because I knew how it would look
0:14:59 > 0:15:02but it's all perfectly innocent, I can assure you.
0:15:02 > 0:15:04So you admit you went to Natasha's room? Last night?
0:15:04 > 0:15:07- Yes. - What time was that?- 1.30.
0:15:08 > 0:15:10Can we ask why?
0:15:10 > 0:15:12To talk about the senior steward job.
0:15:12 > 0:15:14We all knew it was a choice between Tash or Max,
0:15:14 > 0:15:16and I'd just had word from London that the job was hers.
0:15:16 > 0:15:18You could've waited until the morning to tell her.
0:15:18 > 0:15:20Yes, I could.
0:15:20 > 0:15:22But I knew how hard she'd worked for it
0:15:22 > 0:15:24and I knew how much she wanted it.
0:15:24 > 0:15:26- She was having trouble with another crew member.- Who?
0:15:26 > 0:15:29I don't know exactly, she wouldn't tell me, although I do know it
0:15:29 > 0:15:32was getting her down, so I thought she deserved a little good news.
0:15:32 > 0:15:34OK, so you told her. Then what?
0:15:35 > 0:15:37I made my excuses to leave...
0:15:40 > 0:15:44but she insisted on opening a bottle of champagne.
0:15:44 > 0:15:46We raised a glass to toast her success...
0:15:46 > 0:15:49that was that, I had one glass and returned to my
0:15:49 > 0:15:50room shortly after.
0:15:50 > 0:15:52At what time?
0:15:52 > 0:15:56I don't know exactly. But it can't have been later than two.
0:15:56 > 0:15:59Although no one will be able to vouch for that, will they?
0:16:01 > 0:16:02I think reception might.
0:16:04 > 0:16:08After I got back to my room, I called down to arrange a wake-up call.
0:16:11 > 0:16:13It was nothing.
0:16:21 > 0:16:23'And what time was that?
0:16:24 > 0:16:28'No, no, no that's fine. Thank you. Bye.'
0:16:30 > 0:16:32Oh nice. Thank you.
0:16:34 > 0:16:37- What is that?- Cheese and pickle. It's an English delicacy.
0:16:37 > 0:16:38Whatever that is.
0:16:40 > 0:16:43Reception confirm that they had a call from Adam Frost just
0:16:43 > 0:16:46after 2am asking for a wake-up call.
0:16:46 > 0:16:47From his own room?
0:16:47 > 0:16:49Yes.
0:16:49 > 0:16:50OK, well if he's telling the truth,
0:16:50 > 0:16:52that explains away the two champagne flutes.
0:16:52 > 0:16:54It doesn't mean he didn't poison her.
0:16:54 > 0:16:58No, it doesn't. Though I'm struggling to see a motive.
0:16:58 > 0:17:01Still! It ain't over till the fat lady sings.
0:17:01 > 0:17:02Excuse me?
0:17:02 > 0:17:04- It's an expression. - About a fat lady?
0:17:04 > 0:17:06- Yes.- Singing? - It comes from the opera.
0:17:06 > 0:17:08What does it mean?
0:17:08 > 0:17:10Well, it all stems from a slightly overweight soprano
0:17:10 > 0:17:13of the Grand Opera, the one with the Viking helmet.
0:17:13 > 0:17:16When she came on and sang, you knew it was nearly the end.
0:17:16 > 0:17:18Of the opera...
0:17:18 > 0:17:19And that's a British saying?
0:17:19 > 0:17:21Yes, it means it's not over...
0:17:21 > 0:17:23- Until the fat lady sings? - Exactly.
0:17:23 > 0:17:26But opera's probably not a big thing on Saint-Marie,
0:17:26 > 0:17:29you have the, er, Tropical Caribbean Cabaret instead!
0:17:29 > 0:17:30The dance show?
0:17:30 > 0:17:32Yes.
0:17:33 > 0:17:35I got it from the front desk.
0:17:36 > 0:17:40"The world famous Tropical Caribbean Cabaret for the true
0:17:40 > 0:17:42"Saint-Marie experience".
0:17:44 > 0:17:45You're going to the cabaret?
0:17:47 > 0:17:51Yes, and as I said to Dwayne and Fidel, I feel like
0:17:51 > 0:17:55I need to integrate more, start acting more like a local...
0:17:59 > 0:18:01It's all in the hips.
0:18:01 > 0:18:03Please stop.
0:18:04 > 0:18:06Sorry it's a, it's a work in progress.
0:18:08 > 0:18:11I assume you'll be there? At the, er, cabaret?
0:18:11 > 0:18:13No.
0:18:13 > 0:18:14Ah.
0:18:31 > 0:18:33Camille, Sir, we've had results back from the lab.
0:18:33 > 0:18:35Excellent, so what have we got?
0:18:35 > 0:18:38Well, they couldn't find any trace of poison in the glasses or the champagne.
0:18:39 > 0:18:42- You sure? - One hundred percent.
0:18:43 > 0:18:44But Natasha was poisoned?
0:18:44 > 0:18:46Yes. It's a very rare poison -
0:18:46 > 0:18:49Bikh now there was only a trace found in her system but...
0:18:49 > 0:18:51But a trace is all you need.
0:18:51 > 0:18:53Exactly.
0:18:53 > 0:18:56Bikh is an organic, plant-based clear liquid, it originates from
0:18:56 > 0:18:59Tibet, it is extremely fast acting.
0:18:59 > 0:19:03Tibet? Oh great! So we've got a globe-trotting murderer.
0:19:03 > 0:19:06Fine! We've got a globe-trotting list of suspects.
0:19:06 > 0:19:10Yes, but if the poison wasn't in the champagne, how was it ingested?
0:19:10 > 0:19:11Mmmm, that's a tricky one.
0:19:11 > 0:19:14Now, we know she shared the same bottle of wine with the others
0:19:14 > 0:19:16at the party but there's no record of her having
0:19:16 > 0:19:17called room service when she got to her room.
0:19:17 > 0:19:20Yes, and the autopsy confirms that she didn't eat or drink
0:19:20 > 0:19:21anything after the champagne.
0:19:21 > 0:19:24We need to go back to that room and search it again.
0:19:24 > 0:19:27Dwayne, you do it. Maybe we've missed something, but er,
0:19:27 > 0:19:31that poison must have been administered somehow.
0:19:31 > 0:19:33Maybe Adam Frost went back to her room?
0:19:33 > 0:19:35Or, or,
0:19:35 > 0:19:37he could have set a trap for her.
0:19:37 > 0:19:39Because that's the thing about poison, isn't it?
0:19:39 > 0:19:42You don't have to be there when a person takes it.
0:19:42 > 0:19:44But if it was Adam - she let him in.
0:19:44 > 0:19:47So who stole the room key and why?
0:19:47 > 0:19:51OK, so, we have got Adam Frost, he admits to visiting her,
0:19:51 > 0:19:53sharing a glass of champagne then leaving at 2am.
0:19:53 > 0:19:56Paul Bevans and Max Leigh say they were in their rooms.
0:19:56 > 0:19:59Helen Walker was still en route from Los Angeles.
0:19:59 > 0:20:02Er, what about Simone?
0:20:02 > 0:20:03We know she was on duty.
0:20:03 > 0:20:04She has easy access to the keys,
0:20:04 > 0:20:07and can move around the hotel without being challenged.
0:20:07 > 0:20:11- But what motive could she have? - Well, right now, we haven't got a motive for any of them.
0:20:11 > 0:20:13Background checks?
0:20:13 > 0:20:16Paul Bevans, lives north of London with his mother,
0:20:16 > 0:20:19he's been with the airline his entire career, seems pretty clean.
0:20:19 > 0:20:23Yes, and I called the airline, and they confirmed Natasha's promotion.
0:20:23 > 0:20:26But steward Max Leigh was also up for the same job, so maybe he was unhappy.
0:20:26 > 0:20:27Why?
0:20:27 > 0:20:30Max Leigh's been working for the airline twice as long as Natasha.
0:20:30 > 0:20:33So why didn't he get the promotion?
0:20:33 > 0:20:36Ah, some time ago the airline were doing a 360 degree staff
0:20:36 > 0:20:39review - whatever that is - staff reports were assembled,
0:20:39 > 0:20:43and people were asked to appraise each other, you know, strengths,
0:20:43 > 0:20:44weaknesses and so on.
0:20:44 > 0:20:46This is the report for Max.
0:20:47 > 0:20:49And he doesn't come out of it well.
0:20:49 > 0:20:50Phew!
0:20:55 > 0:20:59"You're not focussed on the job, you're often late,
0:20:59 > 0:21:01"sometimes smelling of alcohol."
0:21:01 > 0:21:06Er, yeah, last night's alcohol, I was hung-over not drunk.
0:21:06 > 0:21:09Look, life is for living - right?
0:21:09 > 0:21:13And this job's hard enough, please and thank yous to a plane
0:21:13 > 0:21:17load of plebs all moaning cos they haven't been upgraded.
0:21:17 > 0:21:22At the end of a shift I like to let my hair down a little bit,
0:21:22 > 0:21:24we all do - well, most of us anyway.
0:21:24 > 0:21:25Is that a crime?
0:21:27 > 0:21:30Though as we've heard, Natasha wasn't a party girl.
0:21:30 > 0:21:31Bet she disapproved.
0:21:33 > 0:21:36Well, yeah, she was Miss Goody Two Shoes.
0:21:36 > 0:21:39It's quite a large case for cabin crew, isn't it?
0:21:42 > 0:21:46Have you tried transporting a sharp suit in one of those little
0:21:46 > 0:21:48wheel-along things?
0:21:48 > 0:21:49Let me tell you. Nightmare.
0:21:52 > 0:21:55It was Tash who complained about me, wasn't it?
0:21:55 > 0:21:57What makes you think it was her?
0:21:57 > 0:21:58She hated me.
0:21:58 > 0:22:00Why?
0:22:01 > 0:22:05She was jealous! I'm young and out partying and she was,
0:22:05 > 0:22:08like, this old, tired woman.
0:22:08 > 0:22:10She was 35!
0:22:11 > 0:22:13Must've been very difficult for you.
0:22:13 > 0:22:16You do this job twice as long as Natasha
0:22:16 > 0:22:17and everyone's sure she'd get promotion.
0:22:17 > 0:22:19So didn't bother me.
0:22:19 > 0:22:21No?
0:22:21 > 0:22:24All that extra hassle and work for an extra what, quid an hour,
0:22:24 > 0:22:26you can keep it.
0:22:26 > 0:22:30Look, it's just a job, OK? I wouldn't have killed her for it.
0:22:33 > 0:22:35If you're looking for a murder suspect,
0:22:35 > 0:22:38you're so looking in the wrong place.
0:22:38 > 0:22:40Where should we be looking?
0:22:42 > 0:22:43Paul Bevans.
0:22:44 > 0:22:47We were getting on the crew coach to bring us to the hotel.
0:22:47 > 0:22:50Tash was in a right state about something, she was all over Paul.
0:22:50 > 0:22:52Having a right go at him, she was.
0:22:52 > 0:22:54- What about?- I don't know exactly.
0:22:54 > 0:22:55I need it!
0:22:55 > 0:22:57Yeah! And you'll get it.
0:22:57 > 0:23:00OK? As soon as we leave the island, I promise.
0:23:03 > 0:23:04And that's all I heard.
0:23:26 > 0:23:27Paul Bevans?
0:23:27 > 0:23:30No, I'm sorry, he went out just a little while ago.
0:23:30 > 0:23:32- Where?- He didn't say. I'm sorry.
0:23:34 > 0:23:35Thank you.
0:23:40 > 0:23:43'The police have been here again.
0:23:43 > 0:23:45'We need to talk.'
0:23:49 > 0:23:51If Max heard correctly,
0:23:51 > 0:23:54Natasha was saying she "needed" something - not "wanted" something.
0:23:54 > 0:23:56"Needed" something. From Paul Bevans.
0:23:56 > 0:23:58Money is the most obvious.
0:23:58 > 0:24:02There was a credit history report in his background check.
0:24:03 > 0:24:07Yes. Looks like most of his credit cards are maxed out.
0:24:07 > 0:24:10There are bank statements around here somewhere.
0:24:12 > 0:24:15Ah... Ah!
0:24:17 > 0:24:19Ah! Here we are.
0:24:19 > 0:24:22You're right, money goes out as soon as it comes in.
0:24:22 > 0:24:27Hang on a second, there's a large deposit here, three months ago.
0:24:27 > 0:24:2810,000 euros.
0:24:28 > 0:24:30His salary?
0:24:30 > 0:24:33Oh no, that went in as usual, the week before.
0:24:34 > 0:24:36Have you got Natasha's bank records?
0:24:36 > 0:24:38Yes, I have.
0:24:41 > 0:24:43Ha! There!
0:24:43 > 0:24:4410,000 euros?
0:24:44 > 0:24:45Yes.
0:24:45 > 0:24:47Why is he so much in debt?
0:24:47 > 0:24:49It might be something to do with his life-style.
0:24:49 > 0:24:52He wears an elastic band around his wrist, it's a
0:24:52 > 0:24:53classic addicts' device.
0:24:53 > 0:24:56They ping it whenever they get a craving, to remind
0:24:56 > 0:24:58them they're trying to quit.
0:24:58 > 0:24:59He's an addict?
0:24:59 > 0:25:02Yeah. And as the airlines take regular blood tests
0:25:02 > 0:25:05it must be something other than excessive drink or drugs.
0:25:05 > 0:25:08- Gambling?- That's my bet.
0:25:10 > 0:25:13- Dwayne?- Chief?
0:25:13 > 0:25:15If I wanted to play cards for money, where would I go?
0:25:15 > 0:25:18Somewhere dirtier than a casino,
0:25:18 > 0:25:20somewhere where a lack of credit wouldn't be an issue?
0:25:24 > 0:25:27MUSIC: "Money Money" by Horace Andy
0:25:37 > 0:25:41# Money, money, money, money Is the root of all evil
0:25:44 > 0:25:48# Money, money, money, money Is the root of all evil... #
0:25:54 > 0:25:57We hear you're having some financial difficulties.
0:25:57 > 0:25:59Not any more.
0:26:01 > 0:26:04We've seen your accounts - credit card bills, loans...
0:26:04 > 0:26:06Yeah, OK. I know that might not look great,
0:26:06 > 0:26:08but I've just been moving things around a little bit,
0:26:08 > 0:26:11you know, robbing Peter to pay Paul.
0:26:12 > 0:26:14Paul.
0:26:15 > 0:26:18We're not here to talk about your credit cards.
0:26:21 > 0:26:24Natasha loaned you some money, a lot of money.
0:26:36 > 0:26:39Yeah, it was an emergency.
0:26:39 > 0:26:41What emergency?
0:26:44 > 0:26:47Well, I'd had a bit of a run of bad luck in Macau and, erm...
0:26:47 > 0:26:50I was having a bit of trouble paying some guys off over there.
0:26:50 > 0:26:55- They wanted their money? - These guys, they break bones.
0:26:56 > 0:26:59I wouldn't have been able to work, my debts would've mounted up,
0:26:59 > 0:27:01and it would have been the end of everything.
0:27:01 > 0:27:06Tash stepped in, paid my debt off and saved my life.
0:27:08 > 0:27:12We believe that when you arrived at Saint-Marie she asked for it back?
0:27:12 > 0:27:14Yeah, that's right. She said she needed it.
0:27:14 > 0:27:17Must have put you under a bit of pressure?
0:27:17 > 0:27:20Yeah, and I didn't need her to make me feel pressurised.
0:27:20 > 0:27:22I was feeling that pressure already.
0:27:23 > 0:27:27I felt so guilty. I was just desperate to pay her back, you know.
0:27:29 > 0:27:31And, like I promised her,
0:27:31 > 0:27:33I would have.
0:27:38 > 0:27:41So, we have no clear suspect and no clear motive.
0:27:41 > 0:27:44But those two things are currently the least of our problems
0:27:44 > 0:27:47because despite forensics and the pathologist's report,
0:27:47 > 0:27:50we still have no idea how the poison was administered.
0:27:52 > 0:27:55It's not exactly going very well, is it?
0:27:55 > 0:27:59Right. So, the last person we believe to have seen Natasha,
0:27:59 > 0:28:02they each drank a glass of champagne
0:28:02 > 0:28:06before he, Adam Frost, returned to his room shortly after two.
0:28:06 > 0:28:10And he lied at first. He didn't tell us about visiting Natasha.
0:28:11 > 0:28:14Because he knew how it would look to Helen.
0:28:14 > 0:28:17Although he doesn't appear to have any reason at all to kill Natasha.
0:28:17 > 0:28:21Next we have First Officer Paul Bevans.
0:28:21 > 0:28:24Under pressure to repay a 10,000 euro debt to Natasha.
0:28:24 > 0:28:28- Boy, that's a lot of money.- Although he has the money to pay her back.
0:28:28 > 0:28:31He did today. Yesterday may have been a completely different matter.
0:28:31 > 0:28:34Though I have to say, he did seem grateful for her help.
0:28:35 > 0:28:39Tash stepped in, paid my debt off and saved my life.
0:28:43 > 0:28:45He doesn't sound like a man
0:28:45 > 0:28:47who hated the victim enough to take her life.
0:28:47 > 0:28:50Max, on the other hand, clearly had little time for Natasha,
0:28:50 > 0:28:52thought she was a goody two shoes
0:28:52 > 0:28:55and had spoken ill of him to the airline. Motive enough for murder?
0:28:55 > 0:28:58Professional jealousy? The senior steward promotion,
0:28:58 > 0:29:01- everyone thought it would go to Natasha.- And they were right.
0:29:01 > 0:29:03But he says he didn't want the promotion.
0:29:03 > 0:29:06All that extra hassle and work for an extra quid an hour,
0:29:06 > 0:29:10- you can keep it. - If he is to be believed.
0:29:11 > 0:29:13Unless there's something else we don't know,
0:29:13 > 0:29:15it doesn't feel like a strong enough motive.
0:29:15 > 0:29:18And yet he is the suspect who least liked Natasha.
0:29:18 > 0:29:20Which brings us to the lovely Simone Magon.
0:29:20 > 0:29:24- What?- Go on.
0:29:24 > 0:29:28She had the opportunity, she could have easily taken the second key
0:29:28 > 0:29:30to gain access to the room.
0:29:30 > 0:29:32Yes, but Dwayne, wouldn't she have put it back afterwards?
0:29:32 > 0:29:35- It's still missing.- Yeah, I'm not convinced she's linked.
0:29:35 > 0:29:38- Me neither.- But I heard her on the phone earlier.
0:29:38 > 0:29:41The police have been here again. We need to talk.
0:29:41 > 0:29:45I still can't see a link between her and the victim.
0:29:45 > 0:29:48Yes, but if I dig around a bit I might find one.
0:29:48 > 0:29:51No, Camille's right. I appreciate your thoughts and won't dismiss her,
0:29:51 > 0:29:55- but there's really not enough to make her a suspect.- Great(!)
0:29:57 > 0:30:00OK, it's late. Let's come at it again fresh in the morning.
0:30:00 > 0:30:02Yes, you're probably right.
0:30:02 > 0:30:05Attack it again in the morning with clear minds.
0:30:05 > 0:30:08And you don't want to miss the Tropical Caribbean Cabaret.
0:30:08 > 0:30:12- HE LAUGHS - I'm sorry. What?
0:30:12 > 0:30:15The inspector wants to see the real Saint-Marie.
0:30:16 > 0:30:19Well, he's not going to find it at the Tropical Caribbean Cabaret!
0:30:19 > 0:30:22- A lie, Fidel?- A true. It's only for the tourists, Sir.
0:30:22 > 0:30:24Even I think it's cheap and tacky!
0:30:27 > 0:30:30- You were going to tell me, right? - Of course!
0:30:30 > 0:30:32We can't let you do it, Chief.
0:30:34 > 0:30:37- OK, do you want to see the real Saint-Marie?- Yes.
0:30:37 > 0:30:40MUSIC: "Boom Shaka Laka" by Hopeton Lewis
0:30:43 > 0:30:46- I love it! - He'll be dancing any minute now.
0:30:46 > 0:30:49I should have a little food first.
0:30:49 > 0:30:51What do you recommend?
0:30:51 > 0:30:56- The most authentic, traditional, island dish.- Yes, please!
0:30:56 > 0:31:00- You like spicy food? - Hotter the better!
0:31:00 > 0:31:03Ah, so you won't need that. I'll get you the staff special.
0:31:03 > 0:31:06It's a shame the boys couldn't join us.
0:31:06 > 0:31:09Fidel had some family stuff he couldn't get out of.
0:31:09 > 0:31:13- And Dwayne?- He said he wanted to catch up on some work.
0:31:13 > 0:31:15Yeah, I know!
0:31:37 > 0:31:40MUSIC: "Red Blood" by Vin Gordon
0:31:51 > 0:31:53- Oh!- Ah!
0:31:53 > 0:31:57- Here we are. - Is that what I think it is?
0:31:57 > 0:31:59Mmm. Saint-Marie confit poulet.
0:31:59 > 0:32:02- Con-con..confit...pou...? - Chicken stew.
0:32:02 > 0:32:04Ah!
0:32:04 > 0:32:08- My mother's speciality. - It looks fantastic! Thank you.
0:32:08 > 0:32:12- You're so welcome, I'll get you some bowls.- Thank you.
0:32:17 > 0:32:19SHE LAUGHS
0:32:22 > 0:32:24Ah.
0:32:44 > 0:32:46Ah.
0:32:48 > 0:32:52- Mm, it's magnificent.- Yes. - Mm, the flavours and spices.
0:32:53 > 0:32:56- It's not too hot for you? - No, it's perfect. OK.
0:32:59 > 0:33:01What's in it?
0:33:01 > 0:33:03Garlic, ginger, chilli...
0:33:04 > 0:33:07..and there's a bondamanjak in there too.
0:33:07 > 0:33:09Bon-bonda...bo-bo-bonda?
0:33:10 > 0:33:15Yeah, it's like a scotch bonnet chilli as a flavour thing.
0:33:16 > 0:33:19But the trick is you have to keep that whole,
0:33:19 > 0:33:22if it bursts it's too hot and it just ruins the dish.
0:33:22 > 0:33:24- Mm, tomato.- No, no, no!
0:33:24 > 0:33:26Oh, my! That's the chilli.
0:33:26 > 0:33:29The Scotch bonnet chilli, you've just had the bonnet...
0:33:29 > 0:33:31- SHE LAUGHS - It's OK.
0:33:32 > 0:33:34Yes? HE MUTTERS
0:33:38 > 0:33:40Ah!
0:33:40 > 0:33:42Maman?
0:33:42 > 0:33:44- HE RETCHES - Maman!
0:33:44 > 0:33:46Maman!
0:33:49 > 0:33:51- HE WHIMPERS - MAMAN?
0:34:02 > 0:34:05You find anything?
0:34:10 > 0:34:12HE GASPS
0:34:18 > 0:34:21No? HE MOUTHS
0:34:21 > 0:34:23Drink another!
0:34:23 > 0:34:25Do you think I should call an ambulance?
0:34:25 > 0:34:27He should be OK if he keeps drinking milk.
0:34:32 > 0:34:34HE GROANS
0:34:34 > 0:34:36Again. Drink.
0:34:42 > 0:34:45CROWD GASP
0:34:49 > 0:34:52HE BURPS
0:35:05 > 0:35:08- Morning.- Ah, another shirt!
0:35:08 > 0:35:12Yes! I couldn't really wear last night's with everything.
0:35:13 > 0:35:16- How are you, by the way? - Better, thank you.
0:35:16 > 0:35:19My mother was very worried, I mean, we all were.
0:35:19 > 0:35:22Yes, I think I owe your mother for a lot of milk.
0:35:22 > 0:35:25- Don't worry about that! - But Fidel, you should see her car!
0:35:25 > 0:35:28I don't care about her car! You shouldn't have been there!
0:35:28 > 0:35:29What's going on?
0:35:29 > 0:35:32Simone Magon's lodged an official complaint against Dwayne.
0:35:32 > 0:35:35- Police harassment. - Dwayne? I thought we agreed?
0:35:35 > 0:35:37I know, Chief, but I was following a lead.
0:35:37 > 0:35:41- What lead?- Well, when I say "lead" I mean "hunch".
0:35:41 > 0:35:44Dwayne, listen to me and listen to me good.
0:35:44 > 0:35:46You stay away from her from now on, you understand? That's an order.
0:35:46 > 0:35:50- What?- Dwayne? Fidel's right, OK? You messed up.
0:35:50 > 0:35:52You need to go and apologise to her,
0:35:52 > 0:35:54tell her we're acting on bad information,
0:35:54 > 0:35:57- and hopefully she'll retract her complaint.- She won't!
0:35:57 > 0:36:00- You don't know what she's like! - Dwayne! Apologise.
0:36:01 > 0:36:03All right, I'll apologise.
0:36:07 > 0:36:09- What? Now?- Yes, now.
0:36:09 > 0:36:12Come on, I'll go with you.
0:36:14 > 0:36:16HE GRUMBLES
0:36:16 > 0:36:20- Shall we get to work? - Yes, let's.
0:36:21 > 0:36:24The answer must be in here somewhere!
0:36:24 > 0:36:27She was poisoned but there was no poison in the room.
0:36:27 > 0:36:29It wasn't in the glass or the champagne.
0:36:29 > 0:36:33Yet no one forced her to take the poison - no cuts, no bruises.
0:36:34 > 0:36:37What are you looking...
0:36:37 > 0:36:39Ah, the timeline!
0:36:39 > 0:36:42Right.
0:36:43 > 0:36:45We know that Natasha was last seen alive at midnight
0:36:45 > 0:36:47when she left the others.
0:36:47 > 0:36:50She dies at 2:30. So between those times
0:36:50 > 0:36:53we believe that she returned to her room after leaving the others.
0:36:53 > 0:36:56And we also knew that she returned to her room
0:36:56 > 0:37:00because Natasha wrote that it was 1:00am in one of the postcards.
0:37:00 > 0:37:02What else did she write in that postcard?
0:37:02 > 0:37:06- That she had some exciting news. - Which we assumed was her promotion.
0:37:07 > 0:37:10But she can't have written about the promotion in the postcard...
0:37:10 > 0:37:14Because according to Adam Frost, she didn't know by then!
0:37:14 > 0:37:16Until he arrived half an hour later.
0:37:16 > 0:37:18So we need to call our contact at the airline,
0:37:18 > 0:37:21find out who knew about the promotion and when.
0:37:24 > 0:37:27You've felt really distant since I got here.
0:37:27 > 0:37:31- Sorry, it's just such a shock. - I know. Poor Tash.
0:37:32 > 0:37:36- That's it though, isn't it? I mean, there's nothing else?- Mmm?
0:37:39 > 0:37:41You still love me?
0:37:42 > 0:37:45Yeah, yeah. Of course.
0:37:49 > 0:37:52No, no, that's all. Thank you. Bye.
0:37:55 > 0:37:57The decision was made in London in the early evening
0:37:57 > 0:37:59on the day of the murder.
0:37:59 > 0:38:02Because of the time difference, her line manager
0:38:02 > 0:38:04decided not to contact Natasha until the following morning.
0:38:04 > 0:38:08When she couldn't reach Natasha direct, she spoke to Adam Frost.
0:38:08 > 0:38:11So Adam couldn't have known about it the night before?
0:38:11 > 0:38:14So, the question has to be...
0:38:14 > 0:38:17If he was less than truthful about his reasons for visiting
0:38:17 > 0:38:19Natasha in the early hours of the morning,
0:38:19 > 0:38:23why else would he be visiting her at 1:30am and drinking champagne?
0:38:23 > 0:38:26What do you think?
0:38:29 > 0:38:32It's a little early for that, isn't it?
0:38:32 > 0:38:35Is it my drinking you'd like to discuss or is there something else?
0:38:35 > 0:38:37Perhaps you'd feel more comfortable having
0:38:37 > 0:38:39this conversation down at the station?
0:38:39 > 0:38:41Adam and I don't have secrets.
0:38:44 > 0:38:46It's about Natasha.
0:38:46 > 0:38:50You didn't go to Natasha's room to tell her about the promotion.
0:38:50 > 0:38:53So the big question is...
0:38:53 > 0:38:56why did you go to her room to share a bottle of champagne?
0:38:58 > 0:39:00It's all perfectly innocent.
0:39:02 > 0:39:06Adam, listen to me, what you say now, this is really serious.
0:39:06 > 0:39:09This is a murder enquiry.
0:39:09 > 0:39:11Baby?
0:39:19 > 0:39:21I'm sorry.
0:39:21 > 0:39:23You and Natasha?
0:39:23 > 0:39:27I tried to end it, I swear I did. But...I loved her.
0:39:28 > 0:39:30I'm so sorry.
0:39:30 > 0:39:33You were carrying on behind my back, making me look stupid,
0:39:33 > 0:39:36- laughing at me!- No!
0:39:36 > 0:39:38No, I swear that wasn't the case.
0:39:38 > 0:39:40- How long?- Does it matter?
0:39:40 > 0:39:42Yeah, it bloody matters!
0:39:42 > 0:39:44Six months?
0:39:46 > 0:39:48Bloody cabin crew!
0:39:48 > 0:39:51Always at it!
0:40:03 > 0:40:05I suppose people have got over worse.
0:40:09 > 0:40:11People who have got less than us.
0:40:11 > 0:40:13If you want to try...
0:40:16 > 0:40:19I loved her because I didn't love you any more.
0:40:21 > 0:40:23I'm sorry.
0:40:36 > 0:40:39At least I don't have anything to hide any more.
0:40:39 > 0:40:41I can be honest.
0:40:44 > 0:40:48Natasha and I, we decided to make a go of it.
0:40:48 > 0:40:50That was the real reason we were celebrating.
0:40:51 > 0:40:54- New beginnings? - New beginnings.
0:40:55 > 0:40:58We'd put in an offer on a house in Provence.
0:40:59 > 0:41:02It was Tash's dream.
0:41:02 > 0:41:05The bank, the estate agents, our solicitors -
0:41:05 > 0:41:08I'll give you their details. They'll confirm everything.
0:41:09 > 0:41:10I loved her.
0:41:14 > 0:41:17- I believe he didn't kill her. - Because he loved her?
0:41:17 > 0:41:20- Because he's a pilot. - What's that got to do with it?
0:41:20 > 0:41:24Pilots are level-headed. Considered. They plan things.
0:41:24 > 0:41:27- They're very precise. - You just described a murderer.
0:41:35 > 0:41:38Maybe Natasha spurned him. She wasn't interested,
0:41:38 > 0:41:40she wanted to end it, who knows?
0:41:40 > 0:41:42We only have Adam's word they were in love.
0:41:42 > 0:41:45- Even though they were buying a farm? - Again, we only have his word.
0:41:45 > 0:41:48Even if his lawyer confirmed the purchase,
0:41:48 > 0:41:52she may have still tried to end it. Maybe decided to buy it on her own?
0:41:52 > 0:41:53Could she afford to do that?
0:41:53 > 0:41:56- Might explain why she was asking Paul to repay his loan.- Excuse me.
0:41:56 > 0:41:59But I think we may owe Dwayne an apology.
0:42:04 > 0:42:05Simone Magon's phone records.
0:42:05 > 0:42:09Dwayne requested them at the start of the investigation. Look here.
0:42:09 > 0:42:11- UK mobile number.- Yep.
0:42:11 > 0:42:15And here and here and here - all to the same mobile number.
0:42:15 > 0:42:17- Whose number was it?- Max Leigh.
0:42:18 > 0:42:20Max and Simone?
0:42:20 > 0:42:21Even though...
0:42:23 > 0:42:25I don't know any of them, really.
0:42:25 > 0:42:28They tend to keep themselves to themselves.
0:42:28 > 0:42:31So, that's why I saw them together.
0:42:31 > 0:42:34Why would Simone choose not to tell us she knows Max?
0:42:34 > 0:42:36She's hiding something. As is Max.
0:42:36 > 0:42:39remember how quickly he turned the spotlight on to Paul.
0:42:39 > 0:42:41If you're looking for a murder suspect,
0:42:41 > 0:42:44you are SO looking in the wrong place.
0:42:44 > 0:42:46But what links them?
0:42:46 > 0:42:50- It's not love.- Money? - I've been telling you.
0:42:50 > 0:42:53It's the only thing Simone and her family are interested in.
0:42:54 > 0:42:58And how would a small-time criminal make money from an air steward
0:42:58 > 0:42:59flying in and out of the country?
0:42:59 > 0:43:03- By bringing something in and selling it on?- Smuggling.
0:43:03 > 0:43:05Finally looks like we're getting somewhere with the case.
0:43:08 > 0:43:10Of course.
0:43:10 > 0:43:12Of course.
0:43:15 > 0:43:16Max...
0:43:17 > 0:43:18..and Simone.
0:43:19 > 0:43:21The same...
0:43:22 > 0:43:23..case.
0:43:23 > 0:43:27- What now?- You wouldn't mind us looking in your case, would you?
0:43:27 > 0:43:29Help yourself.
0:43:30 > 0:43:31- Drugs?- Guns?
0:43:33 > 0:43:34Nothing.
0:43:37 > 0:43:39You already delivered, didn't you?
0:43:39 > 0:43:41Where will we find Simone?
0:43:41 > 0:43:42I know. Come on.
0:43:43 > 0:43:44You stay with him.
0:43:52 > 0:43:53There she is!
0:44:06 > 0:44:08Drugs? Guns?
0:44:10 > 0:44:12- Cigarettes?- Duty free.
0:44:14 > 0:44:18Cigarettes, perfume, spirits - Max brought them in on his flights,
0:44:18 > 0:44:22- Simone sold them to local bars and shops.- I told you she was no good.
0:44:22 > 0:44:25It doesn't feel like a big enough motive for murder, though, does it?
0:44:25 > 0:44:28It's big enough for Max. if Natasha found out,
0:44:28 > 0:44:32- it's the end of his career.- Hmm. - And Simone could lose her job.
0:44:33 > 0:44:37Yes, but Simone could have slipped the poison to Natasha at any time,
0:44:37 > 0:44:41as could Max. Why was she killed on her own, in her room?
0:44:41 > 0:44:44And how was the poison administered?
0:44:44 > 0:44:46And why did the killer take the second key?
0:44:52 > 0:44:54She came back to her room, seemingly well.
0:44:54 > 0:44:57She wrote postcards to her family. Adam Frost came.
0:44:57 > 0:45:01She and Adam drank champagne. He left. She didn't.
0:45:01 > 0:45:03What did she do in that last half-hour or so?
0:45:03 > 0:45:06We know she didn't eat or drink anything.
0:45:06 > 0:45:09Yet she was poisoned. It makes no sense.
0:45:12 > 0:45:17She finished packing... and she was found here.
0:45:20 > 0:45:22What did she see?
0:45:22 > 0:45:24What was the last thing she saw?
0:45:33 > 0:45:35Gloves!
0:45:57 > 0:45:59That is our poison.
0:45:59 > 0:46:02Let's see if Fidel can get a print off it.
0:46:07 > 0:46:09I don't understand how we missed it.
0:46:09 > 0:46:12We searched every spot in that room - twice.
0:46:12 > 0:46:16- I know I did. - It doesn't make any sense.
0:46:16 > 0:46:19How can something just suddenly turn up like that?
0:46:19 > 0:46:21BEEPING
0:46:21 > 0:46:22We've got a match.
0:46:24 > 0:46:25Adam Frost?
0:46:27 > 0:46:28Yes.
0:46:28 > 0:46:30Yes, just as I thought.
0:46:33 > 0:46:35Well, let's go and pick him up.
0:46:35 > 0:46:40But...it still doesn't tell us the poison was administered.
0:46:40 > 0:46:43Maybe Adam will tell us?
0:46:43 > 0:46:44Hang on a sec.
0:46:46 > 0:46:47There's something in here. Look.
0:46:54 > 0:46:55Looks like a hair.
0:46:55 > 0:46:58We can send it to the lab, get a DNA check.
0:46:58 > 0:47:00It doesn't look like a human hair.
0:47:00 > 0:47:02It's an...animal?
0:47:05 > 0:47:06Wait a minute...
0:47:09 > 0:47:10Erm...
0:47:10 > 0:47:12"animal"?
0:47:17 > 0:47:20Think I heard it was her first time at the hotel,
0:47:20 > 0:47:22her first time on the island.
0:47:23 > 0:47:26- New beginnings.- New beginnings.
0:47:27 > 0:47:31- That's just the gossipy world of biccy-chuckers.- Ah!
0:47:40 > 0:47:41It's a goat hair!
0:47:42 > 0:47:43Sorry?
0:47:43 > 0:47:47The hair in the bottle belongs to a goat.
0:47:48 > 0:47:50Makes sense(!)
0:47:55 > 0:47:57No!
0:47:59 > 0:48:00Oh, you are a genius.
0:48:04 > 0:48:06Our murderer's a genius.
0:48:06 > 0:48:09An absolute, bloomin' genius!
0:48:09 > 0:48:13Right, let's get everyone together at the hotel!
0:48:25 > 0:48:26Thank you all for coming.
0:48:26 > 0:48:29Like we all had a choice.
0:48:29 > 0:48:33Natasha Thiebert died from poisoning, this much we know.
0:48:33 > 0:48:35She was murdered.
0:48:35 > 0:48:39The things that eluded us, until a short while ago, anyway,
0:48:39 > 0:48:42were not just the who,
0:48:42 > 0:48:44but also the how
0:48:44 > 0:48:45and why?
0:48:45 > 0:48:47It's a bit of a mess, actually.
0:48:47 > 0:48:50First, we must look at motive.
0:48:50 > 0:48:52Who here had the motive?
0:48:52 > 0:48:57Max was stealing duty free stock from the airline.
0:48:57 > 0:49:03- Simone was selling those goods on to local bars and shops.- And?!
0:49:03 > 0:49:05Both stood to lose their jobs, if discovered.
0:49:05 > 0:49:10We know that Max already suspected Natasha of reporting him
0:49:10 > 0:49:13to the airline for other misdemeanours.
0:49:13 > 0:49:16And then we have First Officer Paul Bevans,
0:49:16 > 0:49:17a gambler, who owed Natasha money.
0:49:17 > 0:49:20I had it yesterday. I could have paid it all back.
0:49:20 > 0:49:22But not today?
0:49:23 > 0:49:24Or the day before.
0:49:25 > 0:49:28Adam Frost's motive may well have been different.
0:49:28 > 0:49:31He was in love with her. They were having an affair.
0:49:31 > 0:49:33What?
0:49:33 > 0:49:34Did you know?
0:49:38 > 0:49:41I wouldn't have killed her. I loved her.
0:49:42 > 0:49:43You say you loved her, but did she love you?
0:49:43 > 0:49:46We only have your word for that.
0:49:47 > 0:49:50And, finally, there's Helen.
0:49:50 > 0:49:51Me?!
0:49:51 > 0:49:54As the truth of Adam and Natasha's affair was revealed,
0:49:54 > 0:49:56it gave you the clearest motive of all -
0:49:56 > 0:49:58to get rid of a love rival.
0:50:00 > 0:50:03- I only found out about the affair yesterday.- So YOU say.
0:50:03 > 0:50:08But then, as we know, the cabin crew world is a gossipy little world.
0:50:08 > 0:50:12You can think what you like. I wasn't even here.
0:50:12 > 0:50:15No, you're absolutely right. You were on a flight en route
0:50:15 > 0:50:17to Saint-Marie when the murder took place.
0:50:21 > 0:50:24Which brings us rather neatly onto opportunity.
0:50:24 > 0:50:27Who had the opportunity?
0:50:27 > 0:50:29The spare key to Natasha's room went missing.
0:50:29 > 0:50:32Now, any one of you could have stolen it from reception.
0:50:32 > 0:50:33Except me.
0:50:33 > 0:50:39But that... But that doesn't tell us how the poison was administered.
0:50:39 > 0:50:41You see, when we searched that room,
0:50:41 > 0:50:43we couldn't find anything containing the poison.
0:50:43 > 0:50:47And yet, today, strangely enough, we did.
0:50:47 > 0:50:52Today, we found a bottle with Adam's fingerprints all over it.
0:50:53 > 0:50:57Hotel shampoos. I've thrown away hundreds all over the world.
0:50:57 > 0:50:59I'm sure you have, but this one is different.
0:50:59 > 0:51:01How?
0:51:01 > 0:51:05Because this one contains the poison used to murder Natasha Thiebert.
0:51:10 > 0:51:12So, how did we not find this sooner?
0:51:12 > 0:51:15Incompetence by our forensic team?
0:51:15 > 0:51:16Or just an oversight?
0:51:16 > 0:51:20Frankly, I don't believe the first, for a second,
0:51:20 > 0:51:24and the second is pretty unlikely.
0:51:24 > 0:51:26So, if we didn't miss it,
0:51:26 > 0:51:28then it had to have been planted by someone much later.
0:51:29 > 0:51:33Planted by someone who wanted to frame Adam Frost...
0:51:34 > 0:51:38..using the missing key, once again, in order to do so.
0:51:38 > 0:51:41Once again, yes.
0:51:41 > 0:51:44You see, the key was taken before,
0:51:44 > 0:51:46but it wasn't used to murder Natasha...
0:51:48 > 0:51:51..but taken so there was an independent eye-witness
0:51:51 > 0:51:53to the discovery of the body.
0:51:53 > 0:51:55Isn't that right...
0:51:56 > 0:51:57..Helen?
0:52:05 > 0:52:06Me?
0:52:07 > 0:52:11How could I have killed her when I wasn't even here?
0:52:13 > 0:52:17And that is what is absolutely brilliant about this -
0:52:17 > 0:52:22your cast-iron alibi. But as Sergeant Best pointed out...
0:52:22 > 0:52:24That's the thing about poison, isn't it?
0:52:24 > 0:52:26You don't have to be there when the person takes it.
0:52:28 > 0:52:30I don't have to listen to this.
0:52:30 > 0:52:31Oh, yes, you do.
0:52:31 > 0:52:33Sit.
0:52:35 > 0:52:41Helen, please, don't hide your genius.
0:52:41 > 0:52:47What you did, awful as it was, was also bloody brilliant.
0:52:48 > 0:52:51Aside from the key. You really should have put that back,
0:52:51 > 0:52:55shouldn't you? But then, if you had, you wouldn't have made
0:52:55 > 0:52:57your biggest mistake.
0:52:57 > 0:53:00Adam declared his love for Natasha.
0:53:00 > 0:53:03I suppose people have got over worse,
0:53:03 > 0:53:06people with less than us,
0:53:06 > 0:53:08if you want to try?
0:53:09 > 0:53:12If Adam had accepted your olive branch at that very moment,
0:53:12 > 0:53:14you may well have got away with this murder.
0:53:16 > 0:53:17But he didn't, did he?
0:53:17 > 0:53:20I was with Tash because I didn't want to be with you any more.
0:53:22 > 0:53:25I loved her, because I didn't love you. I'm sorry.
0:53:25 > 0:53:29And at that very moment, you hatched a new plan, didn't you?
0:53:29 > 0:53:32To frame Adam for the murder you committed.
0:53:35 > 0:53:38Using the missing key, you let yourself in.
0:53:38 > 0:53:40You'd already stolen a bottle from Adam's room,
0:53:40 > 0:53:43knowing it would have his fingerprints on it. You emptied it,
0:53:43 > 0:53:45cleaned it and put the poison in.
0:53:45 > 0:53:48You knew that when it was found, it would implicate him.
0:53:48 > 0:53:53Yeah, this is all very clever, but it doesn't explain how I killed her
0:53:53 > 0:53:56when I was 38,000 feet in the sky.
0:53:56 > 0:53:59Ah, yes, good point. It's a very good point.
0:53:59 > 0:54:02And that's how using the bottle to frame Adam was your downfall.
0:54:02 > 0:54:05Because the clue to how you did it was a hair
0:54:05 > 0:54:07in this bottle of poison.
0:54:08 > 0:54:11Animal hair.
0:54:13 > 0:54:16See, Natasha was well known for writing postcards home
0:54:16 > 0:54:20from wherever she landed. You'd shared a room with her often enough
0:54:20 > 0:54:22to know her routine and, shortly after Adam left,
0:54:22 > 0:54:25having packed her case and got everything ready to leave
0:54:25 > 0:54:26and while you were 38,000 feet
0:54:26 > 0:54:30up in the sky, you murdered Natasha Thiebert!
0:54:36 > 0:54:37Helen...
0:54:37 > 0:54:40you bought the poison in Tibet
0:54:40 > 0:54:42and, using a make-up brush -
0:54:42 > 0:54:45a make-up brush, made from goat hair,
0:54:45 > 0:54:49as I discovered, the best ones generally are -
0:54:49 > 0:54:50you coated the Saint Marie stamps...
0:54:52 > 0:54:56..before passing them on to Natasha,
0:54:56 > 0:54:59knowing she was about to fly to Saint Marie for the first time,
0:54:59 > 0:55:02to put in her lucky-dip bag, to use to send a postcard home.
0:55:05 > 0:55:08After discovering the affair, you coated the stamps,
0:55:08 > 0:55:10in order to murder your love rival
0:55:10 > 0:55:16and to ensure you had a brilliant, cast-iron alibi.
0:55:16 > 0:55:19After all, as you pointed out,
0:55:19 > 0:55:23how could you possibly kill anyone from 38,000 feet?
0:55:23 > 0:55:26You can't prove any of this.
0:55:26 > 0:55:28Oh, I wouldn't be so sure.
0:55:28 > 0:55:31You see, I reckon that tiny little goat hair,
0:55:31 > 0:55:33with your DNA all over it...
0:55:35 > 0:55:38..is probably all the proof I'd need.
0:55:42 > 0:55:43Take her away.
0:55:46 > 0:55:48Is the fat lady singing?
0:55:48 > 0:55:49Oh, yes!
0:55:57 > 0:56:01- It was all about love and jealousy? - Love makes the world go around.
0:56:01 > 0:56:04- Mmm.- And jealousy makes it stop.
0:56:04 > 0:56:08Anyway, well done, everyone!
0:56:08 > 0:56:09A job well done, I think.
0:56:09 > 0:56:11CLINKING
0:56:11 > 0:56:15Cheers. I still think we should have arrested that Simone, though.
0:56:15 > 0:56:17A few cigarettes never hurt anybody.
0:56:18 > 0:56:22I suppose that's not strictly true, but you get my gist.
0:56:22 > 0:56:26No, if I'm going to, er, blend in with the locals more,
0:56:26 > 0:56:29be at one with Saint Marie, then, I suppose, locking up
0:56:29 > 0:56:33- half the shop and bar owners, wouldn't really help, would it?- Hmm.
0:56:33 > 0:56:35I suppose not.
0:56:35 > 0:56:38So, you're still keen to blend in?
0:56:38 > 0:56:39Absolutely.
0:56:39 > 0:56:43Although, as much as we all loved your new shirts,
0:56:43 > 0:56:46it's nice to see you back in your usual attire.
0:56:46 > 0:56:48Very true, Fidel. You can blend in,
0:56:48 > 0:56:50but you don't have to change your personality
0:56:50 > 0:56:51or your shirt.
0:56:51 > 0:56:53Amen.
0:56:53 > 0:56:57CLINKING
0:56:59 > 0:57:02Which is exactly why, I'm going to leave the colourful shirts
0:57:02 > 0:57:04to the locals...like you.
0:57:07 > 0:57:09And as you like them so much,
0:57:09 > 0:57:12I look forward to seeing YOU wearing them.
0:57:12 > 0:57:16- Me?- Yeah, I don't think that will work, Sir.
0:57:16 > 0:57:21Chief, I don't think I could, erm, pull off that look!
0:57:21 > 0:57:24- Me, neither. - Course you can.- I don't...
0:57:24 > 0:57:25I insist.
0:57:36 > 0:57:40CHEERING AND APPLAUSE
0:57:50 > 0:57:52CHEERING AND LAUGHTER
0:57:54 > 0:57:56DISTANT RUMBLING
0:58:00 > 0:58:02- GUNSHOT - Sir, are you all right?
0:58:02 > 0:58:03Dad!
0:58:03 > 0:58:06The day a government minister's exposed as having an affair...
0:58:06 > 0:58:07He takes his own life.
0:58:07 > 0:58:10I don't think this is a suicide. It's been staged to look like one.
0:58:10 > 0:58:13If you ask me, this is murder.
0:58:13 > 0:58:17I want to see who did this behind bars for a very long time.
0:58:17 > 0:58:20- Camille?- Do you know each other?
0:58:20 > 0:58:23- I think Marlon is my father.- What?!