0:00:52 > 0:00:55It was a...a moment of madness.
0:00:57 > 0:00:58She was pretty and...
0:01:00 > 0:01:01..I was a fool.
0:01:01 > 0:01:02Who was she?
0:01:02 > 0:01:04Some intern.
0:01:04 > 0:01:05- When did this happen?- Mum!
0:01:07 > 0:01:09I have a right to know.
0:01:09 > 0:01:10The conference in Mexico.
0:01:13 > 0:01:15I am going to have to resign.
0:01:15 > 0:01:18- We shouldn't get ahead of ourselves. - No, I'll have no choice.
0:01:18 > 0:01:21Let's see how the papers run with it tomorrow.
0:01:24 > 0:01:28What about - "The Minister accepts full responsibility
0:01:28 > 0:01:29"for his actions..."?
0:01:29 > 0:01:31Darling, why don't you go to bed?
0:01:34 > 0:01:35I'm going to get some air.
0:01:38 > 0:01:40He'll be all right. Don't worry.
0:01:58 > 0:01:59Where have you been?
0:02:12 > 0:02:15OK, they're running it.
0:02:25 > 0:02:28Whoever leaked this was out to destroy me.
0:02:30 > 0:02:31You don't have to do this.
0:02:32 > 0:02:35I can resign now or I can wait to be sacked.
0:02:38 > 0:02:42Thank you all for your support. I've got a letter to write.
0:03:01 > 0:03:02GUNSHOT
0:03:02 > 0:03:04BIRDS CRY
0:03:04 > 0:03:05Sir, are you all right?
0:03:05 > 0:03:07What was that?
0:03:07 > 0:03:09Oh, Jacob!
0:03:09 > 0:03:10Dad?
0:03:10 > 0:03:11Dad!
0:03:47 > 0:03:49So, what do you think?
0:03:49 > 0:03:51Where is everything?
0:03:51 > 0:03:53Tidied away, Camille.
0:03:53 > 0:03:55Yes, but where, sir?
0:03:55 > 0:03:59"A place for everything, everything in its place."
0:03:59 > 0:04:00What brought this on?
0:04:00 > 0:04:02Oh, er, nothing.
0:04:02 > 0:04:03Sorry?!
0:04:03 > 0:04:05Come on, Chief. There's got to be a reason.
0:04:05 > 0:04:08- OK, if you must know...- Mm-hm.
0:04:08 > 0:04:11..I got up this morning and I couldn't find my trousers.
0:04:13 > 0:04:14I know that feeling.
0:04:15 > 0:04:17Yes, very funny.
0:04:17 > 0:04:20And I realised - I never know where anything is.
0:04:20 > 0:04:23You have to control your environment or it controls you.
0:04:23 > 0:04:26Oh, you've bought a self-help book, haven't you?
0:04:26 > 0:04:30A tidy mind breeds a tidy... something-something, Camille.
0:04:30 > 0:04:31PHONE RINGS
0:04:33 > 0:04:35I think your desk is ringing, Chief.
0:04:35 > 0:04:37I seem to have lost my phone.
0:04:38 > 0:04:39Don't worry, sir, I'll get it.
0:04:40 > 0:04:43You've got to have a system or otherwise it's just mess.
0:04:43 > 0:04:45Right, hold on.
0:04:45 > 0:04:47Um, sir, there's been a shooting.
0:04:47 > 0:04:49It sounds like a suicide.
0:04:50 > 0:04:53So, the day a Government Minister's exposed as having an affair...
0:04:53 > 0:04:56- He takes his own life. - What do you know about him...?
0:04:56 > 0:04:58Er, not much. His name's Jacob Doran.
0:04:58 > 0:04:59What was he like?
0:04:59 > 0:05:04Very popular, charismatic - a great ambassador for the island.
0:05:05 > 0:05:07Any wife and kids?
0:05:07 > 0:05:10One wife, Charlotte, and one son, Drew, I think.
0:05:10 > 0:05:12So what d'you think our chances are of getting
0:05:12 > 0:05:15in and out of here without any interference from top brass?
0:05:15 > 0:05:18- Detective Inspector.- Ah, Commissioner, so pleased to see you.
0:05:18 > 0:05:19Sir!
0:05:24 > 0:05:26So, what have we got?
0:05:26 > 0:05:31Well, sir, I've spoken to Mr Doran's Press Secretary, Theo Frazier.
0:05:31 > 0:05:33He said he found the body at about 7am this morning.
0:05:33 > 0:05:34He shot himself in the chest
0:05:34 > 0:05:37- and the gun's on the floor where he dropped it.- Is there a note?
0:05:37 > 0:05:38Yes, there is.
0:05:38 > 0:05:41"..the shame I brought to my office, to my family,
0:05:41 > 0:05:44"the only honourable action I can take is to end my life."
0:05:44 > 0:05:45His handwriting?
0:05:45 > 0:05:47Looks that way.
0:05:47 > 0:05:48And this is the gun?
0:05:50 > 0:05:52Interesting - the serial number's been filed off,
0:05:52 > 0:05:54this is an illegal gun.
0:05:54 > 0:05:56I wonder where he got it from?
0:05:56 > 0:05:57We don't know.
0:05:57 > 0:05:58The safe's open...
0:05:58 > 0:06:00What's in it?
0:06:00 > 0:06:02Well, the wife said there should be a few thousand dollars
0:06:02 > 0:06:04in cash, but there's no money,
0:06:04 > 0:06:06and there's something else...
0:06:07 > 0:06:10..the family kept their passports here.
0:06:10 > 0:06:12Here's the wife's one, here's the son's,
0:06:12 > 0:06:14but the Minister's passport is missing.
0:06:14 > 0:06:15Mmm, so...
0:06:15 > 0:06:17HE CHECKS THE WINDOW
0:06:17 > 0:06:18..it's all a bit odd...
0:06:18 > 0:06:20What are you thinking?
0:06:20 > 0:06:23The Minister came in here, wrote the letter, got out his gun
0:06:23 > 0:06:25and then...pop?
0:06:25 > 0:06:27Yes, it's what it looks like, isn't it?
0:06:27 > 0:06:30- But it's not what happened? - Well, it's the bullet hole, sir.
0:06:30 > 0:06:32That's the problem. You see...in my experience,
0:06:32 > 0:06:34suicides rarely ever shoot themselves through their clothes.
0:06:34 > 0:06:36They put the gun muzzle against their skin
0:06:36 > 0:06:38like they want to make sure they don't miss.
0:06:38 > 0:06:41It's macabre, but it's one of those things...
0:06:42 > 0:06:45..whereas this bullet's gone through a thick jacket,
0:06:45 > 0:06:48some old notes from a speech, it would appear, a shirt and a vest.
0:06:59 > 0:07:02Fidel, swab the, er, Minister's hands for gunshot residue?
0:07:02 > 0:07:04- I want to see whether he's fired the gun at all.- Yes, sir.
0:07:04 > 0:07:06Then search the grounds outside.
0:07:06 > 0:07:08See if there's any evidence of an intruder.
0:07:08 > 0:07:09- Um, sir.- Hmm?
0:07:09 > 0:07:13If he didn't take his own life, how come there was a suicide note?
0:07:13 > 0:07:16Well, maybe he was forced to write it or it's a fake, but I don't
0:07:16 > 0:07:19think this is a suicide. It's just been staged to look like one.
0:07:19 > 0:07:22If you ask me, this is murder.
0:07:22 > 0:07:25May I introduce Detective Inspector Humphrey Goodman
0:07:25 > 0:07:27and Detective Sergeant Camille Bordey.
0:07:27 > 0:07:28Hello.
0:07:28 > 0:07:32I'm sorry for your loss, this must be a terrible time for you all,
0:07:32 > 0:07:35- but we do have to ask a few questions.- Of course.
0:07:35 > 0:07:38I understand that you were the only people in the house
0:07:38 > 0:07:39when Mr Doran died.
0:07:39 > 0:07:41It was just the four of us. All night.
0:07:41 > 0:07:44And, er, no-one else arrived and no-one else left?
0:07:44 > 0:07:48- That's right.- No, it's not. Dad went for a walk, didn't he?
0:07:48 > 0:07:51You're Mr Doran's son, I take it. Drew?
0:07:51 > 0:07:55So could you tell us, um, when this walk was?
0:07:55 > 0:07:56It was 3am.
0:07:58 > 0:07:59Jacob said he needed some air.
0:07:59 > 0:08:02Did anyone see where he went?
0:08:03 > 0:08:05I was worried, so I went after him,
0:08:05 > 0:08:08um, but he'd gone into the garden and it was dark.
0:08:08 > 0:08:10I'm sorry. I don't know where he went,
0:08:10 > 0:08:13but he was gone about an hour.
0:08:13 > 0:08:15I remember the clock striking four as he got back.
0:08:20 > 0:08:22Do any of you know where Mr Doran got the gun from?
0:08:22 > 0:08:25No. I mean, Jacob hated guns.
0:08:25 > 0:08:27Er, did he perhaps keep a gun in the safe?
0:08:27 > 0:08:30The safe just contains family documents and money.
0:08:30 > 0:08:34And yet someone's emptied it of money and taken Mr Doran's passport.
0:08:34 > 0:08:37Er, which brings me to this morning.
0:08:37 > 0:08:39Where were you all when you heard the gunshot?
0:08:39 > 0:08:41I was up here on my own.
0:08:41 > 0:08:43And did you see anyone come or go from the study before
0:08:43 > 0:08:45or after the gunshot?
0:08:45 > 0:08:49No. I didn't see anyone arrive or leave before I got there.
0:08:49 > 0:08:51Um, who was next to arrive?
0:08:51 > 0:08:53It was me.
0:08:53 > 0:08:55And, er, where were you beforehand?
0:08:55 > 0:08:57I was downstairs.
0:08:57 > 0:08:59After Jacob went to write his note, I just, um,
0:08:59 > 0:09:01stayed in the living room.
0:09:01 > 0:09:02And Drew was with you?
0:09:02 > 0:09:03No. He'd gone to bed.
0:09:04 > 0:09:07- You were on your own as well?- Yeah.
0:09:07 > 0:09:10So to be clear - you were all in different parts
0:09:10 > 0:09:12of the house at the time of death
0:09:12 > 0:09:15and not one of you can alibi anyone else?
0:09:15 > 0:09:18We don't need to alibi anyone. Mr Doran took his own life.
0:09:19 > 0:09:20Yes, of course,
0:09:20 > 0:09:24Um, I can see where you're coming from with that, but, um...
0:09:25 > 0:09:28We think Mr Doran was murdered.
0:09:29 > 0:09:30No.
0:09:32 > 0:09:33That can't be.
0:09:33 > 0:09:36I'm sorry, but it looks like that may well be the case.
0:09:39 > 0:09:43Yes, um, and so we're sort of obliged to ask, um,
0:09:43 > 0:09:46the story in this morning's papers about Mr Doran's affair,
0:09:46 > 0:09:49um, is that...is that true?
0:09:54 > 0:09:57So there were only four people in the house all night.
0:09:57 > 0:09:59But no-one leaves at any times - except for one hour
0:09:59 > 0:10:01when Jacob goes for his walk.
0:10:01 > 0:10:03And at the precise moment he's murdered,
0:10:03 > 0:10:05not one of them is in sight of anyone else.
0:10:05 > 0:10:07Meaning any one of them could be our killer.
0:10:07 > 0:10:08But if one of them was the killer...?
0:10:08 > 0:10:10Then how did they kill the victim
0:10:10 > 0:10:13and then get out of the study without anyone noticing?
0:10:14 > 0:10:18It goes without saying, but with a Government Minister dead,
0:10:18 > 0:10:20well, if you need my help, you only have to ask.
0:10:23 > 0:10:26Chief! You'd better come and see this.
0:10:30 > 0:10:31What is it?
0:10:31 > 0:10:36Well, we had a good look around the place, no sign of any break-in,
0:10:36 > 0:10:37but Fidel's found some tyre prints.
0:10:37 > 0:10:39It's from a motorbike or a moped.
0:10:39 > 0:10:40Why is that of interest?
0:10:40 > 0:10:43Well, sir, we checked and the family don't own one,
0:10:43 > 0:10:45- but also it rained quite heavily last night.- Up until about 11pm.
0:10:45 > 0:10:47Yes, so if we can see these tracks...
0:10:47 > 0:10:49Then the bike must have been driven up here since then.
0:10:49 > 0:10:52Meaning there weren't just four people up here last night.
0:10:52 > 0:10:53There was a fifth person.
0:10:53 > 0:10:55What are the chances of tracking this bike down?
0:10:55 > 0:10:57It isn't going to be easy, you know, Chief.
0:10:57 > 0:10:59There are hundreds of bikes on the island
0:10:59 > 0:11:01and I reckon about five of them have paperwork.
0:11:01 > 0:11:03- Fidel, I'd like casts of these tyre tracks, please.- Yes, sir.
0:11:03 > 0:11:06And Dwayne, get Theo to take you to the Ministry.
0:11:06 > 0:11:08- We need Jacob's laptop and personal papers.- Yes, Chief.
0:11:08 > 0:11:10That just leaves you and me, Camille.
0:11:10 > 0:11:14- What was the name of the woman Jacob had his affair with?- Lena Bell.
0:11:14 > 0:11:15Lena Bell.
0:11:15 > 0:11:18Let's go and find out how she fits into the story.
0:11:19 > 0:11:21I still can't believe it.
0:11:21 > 0:11:23Can you tell us...
0:11:23 > 0:11:26how did you end up working for the Ministry of Commerce?
0:11:26 > 0:11:30I applied for an internship there last year. I enjoyed it.
0:11:30 > 0:11:34It felt important and I liked the work.
0:11:37 > 0:11:38So what happened?
0:11:38 > 0:11:40There was a trade conference in Mexico.
0:11:40 > 0:11:44Mr Doran asked me to go with him... as his aide.
0:11:44 > 0:11:47I got to be in the room where decisions were made
0:11:47 > 0:11:49and I think I did a good job.
0:11:49 > 0:11:51He told me I did
0:11:51 > 0:11:55when we went for dinner to celebrate that night.
0:11:55 > 0:11:58When we got back to the hotel, he ordered champagne to his room,.
0:11:58 > 0:12:03said we deserved a nightcap... so I went with him.
0:12:04 > 0:12:06He seduced you.
0:12:06 > 0:12:08The next day, I felt so ashamed.
0:12:08 > 0:12:11The moment I got back to Saint-Marie, I resigned
0:12:11 > 0:12:13and that was three weeks ago.
0:12:13 > 0:12:15Where have you been since yesterday evening?
0:12:15 > 0:12:18I haven't left the house, if that's what you mean.
0:12:18 > 0:12:20I haven't dared to.
0:12:20 > 0:12:22Do you know who told the newspaper about your affair?
0:12:22 > 0:12:25- I've no idea.- Was it you? - Why would I do that?
0:12:25 > 0:12:28Sometimes money to be made in stories like these.
0:12:28 > 0:12:29It wasn't me.
0:12:31 > 0:12:33Is there anyone else who can confirm
0:12:33 > 0:12:35that you've not left the house since yesterday?
0:12:35 > 0:12:37My godfather's been staying with me.
0:12:41 > 0:12:42Marlon!
0:12:42 > 0:12:44Oh! Here.
0:12:44 > 0:12:46Marlon, it's the police.
0:12:46 > 0:12:48I'm from St Lucia originally.
0:12:48 > 0:12:51When my family heard I was going to be in the papers,
0:12:51 > 0:12:52Marlon was on the first flight out here.
0:12:52 > 0:12:54Sure was.
0:12:54 > 0:12:58I'm Detective Inspector Humphrey Goodman. This is DS Bordey.
0:13:01 > 0:13:02Camille?
0:13:04 > 0:13:06Marlon? From St Lucia?
0:13:10 > 0:13:12You, er... Do you know each other?
0:13:13 > 0:13:15Not really. It was a long time ago.
0:13:18 > 0:13:21Oh. OK. Well, there we are, then.
0:13:21 > 0:13:23So, um...
0:13:23 > 0:13:24HE CHUCKLES
0:13:24 > 0:13:26Mr...?
0:13:26 > 0:13:27Croft.
0:13:28 > 0:13:31Mr Croft, er...when did you get to the island?
0:13:31 > 0:13:34- Three days ago. - And you've been here the whole time?
0:13:35 > 0:13:38OK, right, um, Camille do you have any...?
0:13:38 > 0:13:39No, OK, back to me.
0:13:39 > 0:13:44So, um, and since yesterday, you've both been in the house?
0:13:44 > 0:13:46We stayed up late last night.
0:13:46 > 0:13:50We worried what the papers was going to say but by 2am, I said, "Enough."
0:13:50 > 0:13:53So I sent Lena to bed, lock up
0:13:53 > 0:13:57and went to bed myself in the spare room at the back.
0:13:57 > 0:13:58I see.
0:14:00 > 0:14:04So, er, just to satisfy my curiosity,
0:14:04 > 0:14:05do either of you own a motorbike?
0:14:07 > 0:14:10I'm only here a few days, I've hired no vehicle.
0:14:10 > 0:14:14OK, well, that all seems pretty satisfactory.
0:14:14 > 0:14:15Er, do you have any...?
0:14:15 > 0:14:18No, course you don't, otherwise you would have asked them already.
0:14:18 > 0:14:20OK, thank you for your time.
0:14:20 > 0:14:24Right, er, so, er, I'm not one to pry or anything, and I loathe
0:14:24 > 0:14:26the word but I couldn't help but notice a bit of a "vibe" back there.
0:14:26 > 0:14:28How do you mean?
0:14:28 > 0:14:30Well, you know, between you and Lena's godfather.
0:14:30 > 0:14:34Look, if you do have a history with a witness, I kind of have to know.
0:14:34 > 0:14:37I think Marlon back there is my father.
0:14:37 > 0:14:39What?! Blimey!
0:14:40 > 0:14:41Camille?
0:14:44 > 0:14:50I was hoping, you know, if I saw you again, it wouldn't be like this.
0:14:50 > 0:14:51You're looking well.
0:14:53 > 0:14:56I'm only here for a couple of days, helping Lena,
0:14:56 > 0:14:58and then I'm on the first plane out.
0:14:58 > 0:14:59I know. You said.
0:15:15 > 0:15:18- Chief.- Dwayne.- Ah, sir, I've got the tyre tracks here.
0:15:18 > 0:15:20It looks like the bike was a moped.
0:15:20 > 0:15:22Excellent. Good work, Fidel.
0:15:22 > 0:15:24And I've got the Minister's personal files from his office
0:15:24 > 0:15:26- and his laptop.- Jolly good.
0:15:30 > 0:15:33Is everything all right, sir?
0:15:33 > 0:15:35Yes, well, I don't know.
0:15:36 > 0:15:39Lena Bell's got her godfather staying with her
0:15:39 > 0:15:41and you'll never guess who it is.
0:15:41 > 0:15:42Who is he?
0:15:42 > 0:15:43Camille's father.
0:15:43 > 0:15:45He's on the island?
0:15:45 > 0:15:47Yes, and I rather get the impression they don't get on.
0:15:47 > 0:15:50Yes, um, Camille doesn't really talk about her dad.
0:15:50 > 0:15:52- Really. What happened? - That maco?
0:15:54 > 0:15:56You know, he walked out on her and her mother when she was a kid.
0:15:56 > 0:15:59Yes, and I don't think she's seen him since.
0:15:59 > 0:16:01Yes, I see. That would explain a lot.
0:16:04 > 0:16:05Hello, Camille.
0:16:11 > 0:16:12Maman, he's here.
0:16:12 > 0:16:14Who is, darling?
0:16:14 > 0:16:15Marlon.
0:16:17 > 0:16:19Marlon Croft.
0:16:19 > 0:16:22Sorry, your father is on the island?
0:16:22 > 0:16:24Yes.
0:16:24 > 0:16:26He was looking for you?
0:16:26 > 0:16:27Don't worry. He's not here for me -
0:16:27 > 0:16:30or you, I don't think - it's just bad luck.
0:16:33 > 0:16:34Are you OK?
0:16:34 > 0:16:36- Yes.- You spoke to him?
0:16:36 > 0:16:38Yes, but I'm fine, honestly.
0:16:39 > 0:16:41So what did you talk about?
0:16:41 > 0:16:45He just said he was on the island to help his goddaughter...
0:16:45 > 0:16:46Oh.
0:16:46 > 0:16:49..and she's the woman Jacob Doran had an affair with.
0:16:52 > 0:16:54Whatever reason that man's on the island,
0:16:54 > 0:16:59- it won't be to help his goddaughter. - Hmm.
0:17:00 > 0:17:01Hmm?
0:17:02 > 0:17:06- Nice and neat, please, Dwayne. Nice and neat.- Sir?- Yes.
0:17:06 > 0:17:09The suicide note. It's definitely the victim's handwriting.
0:17:09 > 0:17:11Ah, well, maybe he was forced to write the note.
0:17:11 > 0:17:13You know, "Write the note or we shoot you.
0:17:13 > 0:17:16"Oh, thanks for the note. Now we shoot you."
0:17:16 > 0:17:18I know but that's the thing.
0:17:18 > 0:17:22You see, Jacob used a fountain pen, right? So if he'd been forced
0:17:22 > 0:17:25to write this, there'd be spots of ink, there'd be palm smudges.
0:17:25 > 0:17:31Look, the letter formation, it remains consistent throughout.
0:17:31 > 0:17:33There's nothing rushed or forced about this letter at all, sir.
0:17:33 > 0:17:35It's the real deal.
0:17:35 > 0:17:37- So Jacob wrote the suicide letter? - Yes.
0:17:37 > 0:17:38Hmm.
0:17:38 > 0:17:42Ah, Camille...you OK?
0:17:43 > 0:17:45- Of course.- Why shouldn't I be?
0:17:45 > 0:17:47Ah, no reason. Just thought I'd ask.
0:17:48 > 0:17:49So! What have we..?
0:17:51 > 0:17:52Let's have that there.
0:17:53 > 0:17:56No, that's not quite right.
0:17:56 > 0:17:58There we go. There.
0:17:58 > 0:18:01Ah, perfect.
0:18:01 > 0:18:03So...
0:18:03 > 0:18:05Jacob Doran, Saint-Marie's Minister of Commerce,
0:18:05 > 0:18:07sleeps with one of his interns, Lena Bell.
0:18:07 > 0:18:09- Was this his first affair?- Er...
0:18:09 > 0:18:10But when I spoke to Theo,
0:18:10 > 0:18:13he kind of admitted that Jacob had a string of women over the years.
0:18:13 > 0:18:15- Really?- Can we get back to the...?
0:18:15 > 0:18:17He also said that Jacob made sure his family never found out.
0:18:17 > 0:18:19In my experience, the wife always knows.
0:18:19 > 0:18:21In which case, the wife's got a motive.
0:18:21 > 0:18:25Yes, but we're not doing motive yet. OK, everything in order.
0:18:25 > 0:18:29So, as I was saying. Jacob and Lena have their affair.
0:18:29 > 0:18:31How did the newspaper find out about it?
0:18:31 > 0:18:32You know what I think?
0:18:32 > 0:18:35Only a few people could have known about the affair
0:18:35 > 0:18:38and one of them must have been Marlon.
0:18:38 > 0:18:41You think he sold out his own goddaughter to the media?
0:18:41 > 0:18:43If there was money to be made from it,
0:18:43 > 0:18:45it would explain what he's doing on the island.
0:18:45 > 0:18:46Do you think we might be able to get
0:18:46 > 0:18:50- the Commissioner to lean on the paper?- It's worth a try.- Dwayne...
0:18:50 > 0:18:51I'm on it, Chief.
0:18:51 > 0:18:54So, once the Minister knows the story's about to break,
0:18:54 > 0:18:56he tells his Press Secretary, his wife and his son.
0:18:56 > 0:18:58And they all stay up together all night.
0:18:58 > 0:19:02Except for one hour at 3am when Jacob goes for a walk on his own.
0:19:02 > 0:19:05That's right, which is when he may have met the person
0:19:05 > 0:19:07who rode up to the house on the bike.
0:19:07 > 0:19:10As dawn rises, Jacob goes to his study
0:19:10 > 0:19:14and writes a suicide note, which we believe is real,
0:19:14 > 0:19:18but before he can kill himself, his murderer shoots him dead.
0:19:18 > 0:19:21With an illegal pistol, sir, that's had its serial number filed off.
0:19:21 > 0:19:23- No, quite right. - And don't forget, sir,
0:19:23 > 0:19:26the killer also emptied the safe of cash and the Minister's passport.
0:19:26 > 0:19:27That's right! He did.
0:19:33 > 0:19:37- And none of it makes any sense. - It doesn't?
0:19:37 > 0:19:40No, because if Fidel is right and the suicide note is real,
0:19:40 > 0:19:43why does the killer need to kill a man whose
0:19:43 > 0:19:45already in the process of killing himself?
0:19:45 > 0:19:46OK, thank you very much.
0:19:46 > 0:19:48- The Commissioner's going to see what he can do.- Good.
0:19:48 > 0:19:50Then I'd like you to find the bike
0:19:50 > 0:19:52that was up at the house in the middle of the night.
0:19:52 > 0:19:54- There's every chance that the rider is our killer.- Right, Chief.
0:19:54 > 0:19:57And Fidel, if you go through Jacob's laptop and files -
0:19:57 > 0:19:59- See if you can find anything for us...- Yes, sir.
0:19:59 > 0:20:01..which just leaves you and me, Camille.
0:20:01 > 0:20:03Now I think we need to talk to Charlotte again,
0:20:03 > 0:20:05because if Jacob was a serial adulterer, there's every
0:20:05 > 0:20:09chance that this was the affair that pushed her over the edge.
0:20:10 > 0:20:13Gosh. What a lovely dress.
0:20:13 > 0:20:15It was such a happy day...
0:20:15 > 0:20:18Yes, it looks like it. Um...
0:20:19 > 0:20:21..how long were you married?
0:20:21 > 0:20:2231 years.
0:20:22 > 0:20:23Wow.
0:20:25 > 0:20:26- Are you married?- No.
0:20:26 > 0:20:29Yes, I am. Well, I mean... Sorry, I'm not,
0:20:29 > 0:20:33although actually, of course, I am. It's complicated.
0:20:34 > 0:20:37- Do you remember your wedding day? - Oh, God, no way I'd forget it.
0:20:37 > 0:20:40I had shooting pains down my right arm, the stress of being in
0:20:40 > 0:20:43the centre of attention like that, the cake, the walking up the aisle,
0:20:43 > 0:20:49er, while also being profound, of course, and extremely moving.
0:20:51 > 0:20:55I thought I didn't have to worry about anything ever again.
0:20:55 > 0:20:58We were husband and wife, for richer, for poorer,
0:20:58 > 0:21:01in sickness and in health, until death do us part.
0:21:03 > 0:21:07Mrs Doran, as far as you know, was this your husband's first affair?
0:21:14 > 0:21:16The first time was awful,
0:21:16 > 0:21:20but I'd just had Drew and I had to make a decision -
0:21:20 > 0:21:23to leave Jacob, the father of my child...
0:21:25 > 0:21:27..or turn a blind eye to his infidelity.
0:21:27 > 0:21:29And you're OK with that?
0:21:29 > 0:21:31When you're married to a successful man like Jacob,
0:21:31 > 0:21:33you have to make allowances.
0:21:35 > 0:21:38So why didn't you tell us this before?
0:21:38 > 0:21:41Because Drew doesn't know about the other affairs...
0:21:43 > 0:21:47..and I don't want him to find out. He idolised his father.
0:21:47 > 0:21:49We'll be as discreet as we can.
0:21:49 > 0:21:52Then all I ask is that you catch my husband's killer...
0:21:54 > 0:21:57..cos I want to see who did this behind bars for a very long time.
0:22:09 > 0:22:10ALERT ON LAPTOP
0:22:28 > 0:22:29Um, thank you.
0:22:31 > 0:22:35So what do you think? Could Charlotte be our killer?
0:22:35 > 0:22:38I don't know. I think she loved Jacob.
0:22:39 > 0:22:41And if she's always known about the affairs...?
0:22:41 > 0:22:43And if Theo's always known about the affairs...?
0:22:43 > 0:22:47Then the news would have only been a surprise to Drew that night.
0:22:47 > 0:22:49But, then, if you caught your dad having an affair,
0:22:49 > 0:22:51you wouldn't kill him, would you?
0:22:51 > 0:22:54Depends on what kind of relationship you had with your father.
0:22:54 > 0:22:56Ah, yes, yes.
0:22:56 > 0:22:57Um...
0:22:59 > 0:23:01..so, if you don't mind me asking, that is,
0:23:01 > 0:23:05- if it's not too personal, which it is, frankly...- Look.
0:23:05 > 0:23:07There's nothing to tell, OK?
0:23:16 > 0:23:20My mother and Marlon only were together a few years.
0:23:20 > 0:23:24They had me. Marlon never came to terms with being a father.
0:23:26 > 0:23:30Anyway, when I was six years old, he walked out on both of us,
0:23:30 > 0:23:34moved to St Lucia and, er, I've never seen him since.
0:23:34 > 0:23:38Right. That's tough. Thank you.
0:23:38 > 0:23:42- I've always had my mother.- Right.
0:23:44 > 0:23:48So, just to calibrate, you don't think Marlon's the murderer?
0:23:49 > 0:23:53I can't answer that. I don't know him.
0:24:01 > 0:24:03So you haven't sold a moped in the last few weeks?
0:24:04 > 0:24:09OK, if you hear any different any time soon, let me know, you see.
0:24:09 > 0:24:10Oh.
0:24:11 > 0:24:16- I'm going to find this bike if it kills me, you know?- Biscuit?
0:24:16 > 0:24:17You trying to ruin my figure, Chief?
0:24:17 > 0:24:19OK, so the pathologist's report is in.
0:24:19 > 0:24:21Jacob was killed by a single shot to the heart
0:24:21 > 0:24:22fired at point-blank range.
0:24:22 > 0:24:26The bullet was a .38 calibre, fired by the gun we found at the scene,
0:24:26 > 0:24:28only the victim's fingerprints were found on it.
0:24:28 > 0:24:30Suggesting it was suicide.
0:24:30 > 0:24:33Yes, but the swabs Fidel took from Jacob's hands showed
0:24:33 > 0:24:36no traces of gunshot residue on them anywhere.
0:24:36 > 0:24:39- So, Jacob didn't fire the gun. - Yes, but he was shot.
0:24:39 > 0:24:42So the killer must have put the gun in Jacob's hand
0:24:42 > 0:24:45to make it look like suicide, and that is a biscuit to me.
0:24:49 > 0:24:51So, Camille, what have you got....?
0:24:51 > 0:24:54Sorry. So sorry. What...what do you have there?
0:24:54 > 0:24:57- The witnesses' phone records have come in.- Mm.
0:24:57 > 0:24:58- Sir?- Yes.
0:24:58 > 0:25:02I went through Jacob's files last night, but as I fired
0:25:02 > 0:25:06up his computer, I discovered that someone had removed the hard drive.
0:25:06 > 0:25:08Now, according to Jacob's secretary,
0:25:08 > 0:25:11- the only person who could remove that drive is Jacob himself.- Really?
0:25:11 > 0:25:14Yes. Jacob kept his laptop under lock and key when he wasn't there,
0:25:14 > 0:25:15but don't worry -
0:25:15 > 0:25:18I got the IT department to put this together for me.
0:25:18 > 0:25:19And what's on that?
0:25:19 > 0:25:20A copy of every document
0:25:20 > 0:25:22the Ministry's created in the past four years.
0:25:22 > 0:25:26A copy of all the files on Jacob's laptop are on here...somewhere.
0:25:26 > 0:25:29But that means Jacob was destroying evidence
0:25:29 > 0:25:30the day before he was killed.
0:25:30 > 0:25:33Why? So we have a wife,
0:25:33 > 0:25:34a son...
0:25:35 > 0:25:39..the young lover, the young lover's godfather, a press secretary,
0:25:39 > 0:25:41and a victim who was in the process of killing himself.
0:25:41 > 0:25:43Who is the killer?
0:25:43 > 0:25:46Sir, I think I may know.
0:25:46 > 0:25:48- You do?- It's Lena's phone records.
0:25:48 > 0:25:52Look, she's been dialling the same number two or three times a day.
0:25:52 > 0:25:54- Going back six months. - Who was she calling?
0:25:54 > 0:25:56Easy, it's got to be Jacob.
0:25:56 > 0:25:58It'll be during the, er, "sexy texts" stage
0:25:58 > 0:26:00of their relationship, you know.
0:26:00 > 0:26:04Er, no, it's not Jacob - but you're close.
0:26:06 > 0:26:07Drew, what is this?
0:26:11 > 0:26:14In that case, um, could you hand over your phone, please,
0:26:14 > 0:26:17because I'm pretty sure it still has plenty of texts from Lena on it?
0:26:17 > 0:26:20- Your phone, please.- You don't need my phone. You're right.
0:26:20 > 0:26:24Me and Lena met in a bar last year, hit it off, you know,
0:26:24 > 0:26:26- started seeing each other. - You didn't tell me.
0:26:26 > 0:26:28Yes, because I don't tell you everything.
0:26:28 > 0:26:30I'm not a child any more.
0:26:30 > 0:26:33She wanted a career in politics, I knew I could help.
0:26:33 > 0:26:34How?
0:26:34 > 0:26:37I told her to apply for an internship in Dad's department.
0:26:37 > 0:26:40Did your father know she was your girlfriend?
0:26:40 > 0:26:42Didn't even know we knew each other.
0:26:42 > 0:26:44When did you discover he'd slept with her?
0:26:44 > 0:26:47When she got back from Mexico. She told me.
0:26:47 > 0:26:50And how did that make you feel?
0:26:50 > 0:26:53- I was sick. I couldn't believe it. - And then...?
0:26:53 > 0:26:54Well, I was angry.
0:26:54 > 0:26:56With Lena?
0:26:56 > 0:26:58Yes, but it wasn't her fault, not the way she told it.
0:26:58 > 0:27:01It was Dad - he seduced my girlfriend.
0:27:01 > 0:27:03Why do you think Lena didn't tell us any of this?
0:27:03 > 0:27:05She was probably trying to protect me.
0:27:05 > 0:27:07And why didn't you tell us?
0:27:07 > 0:27:09Because I had nothing to do with my dad's suicide.
0:27:09 > 0:27:12You still think your father killed himself?
0:27:12 > 0:27:15Have you found a single piece of evidence
0:27:15 > 0:27:17that categorically proves he didn't?
0:27:20 > 0:27:22I knew it.
0:27:34 > 0:27:37Jay! Jay! Vinny.
0:27:39 > 0:27:40Is that your bike?
0:27:42 > 0:27:43Hold it.
0:27:52 > 0:27:53Lovely.
0:27:53 > 0:27:57- So, Drew has known about Lena for weeks.- Yes.
0:27:57 > 0:27:59So he could have been planning the murder
0:27:59 > 0:28:01ever since he found out about Mexico.
0:28:01 > 0:28:02Yes, but how would he know
0:28:02 > 0:28:04that Jacob was going to commit suicide that night?
0:28:04 > 0:28:05No, good point.
0:28:05 > 0:28:08And why even bother going through with killing a man
0:28:08 > 0:28:10when he was going to kill himself anyway?
0:28:11 > 0:28:15Good morning, team. How's the case going?
0:28:15 > 0:28:18Well, sir, it's all good in some respects
0:28:18 > 0:28:20and then, in other respects, it is less good.
0:28:20 > 0:28:24- On balance?- It is pretty heavily weighted on the "less good"' side
0:28:24 > 0:28:26of the seesaw, sir, but it's early days yet.
0:28:26 > 0:28:28Did you get anywhere with the newspaper, sir?
0:28:28 > 0:28:30I spoke to the paper's editor
0:28:30 > 0:28:32who point blank refused to reveal his source.
0:28:32 > 0:28:34The only thing he would tell me
0:28:34 > 0:28:37was that the story came from someone "close to Jacob".
0:28:37 > 0:28:40OK, but, um, if they're close to Jacob, then it...
0:28:40 > 0:28:41it could be Charlotte
0:28:41 > 0:28:44or Drew or Theo...
0:28:45 > 0:28:46..or Lena, even.
0:28:46 > 0:28:49Yes, you're right - they're all pretty close to Jacob.
0:28:49 > 0:28:51In fact, the only one it couldn't be is Marlon.
0:28:51 > 0:28:52Fidel!
0:28:52 > 0:28:53Oh.
0:28:54 > 0:28:56Commissioner.
0:28:56 > 0:28:59- Dwayne. - How d'you get on? Any progress?
0:28:59 > 0:29:01A little, but it can wait, though.
0:29:01 > 0:29:05- Not at all - we're all ears. - But it's just that I'd rather not...
0:29:05 > 0:29:07No, tell us who is our mystery man on the bike
0:29:07 > 0:29:10and soon-to-be prime suspect in the murder.
0:29:10 > 0:29:11It's my father, isn't it?
0:29:14 > 0:29:18I'm sorry, Camille. Marlon borrowed a bike the day before the murder.
0:29:18 > 0:29:20He then returned the bike to the owner yesterday afternoon.
0:29:20 > 0:29:22I've checked the bike's tyres
0:29:22 > 0:29:24against the casts Fidel took from the scene.
0:29:24 > 0:29:26It was your father who was up at the victim's house
0:29:26 > 0:29:27on the night of the murder.
0:29:29 > 0:29:32So we'd better find out why he's been lying to us. Sir.
0:29:37 > 0:29:38- Oh, Chief...- Yes?
0:29:38 > 0:29:40- There was something else.- Really?
0:29:40 > 0:29:43When I was asking around, I heard a rumour that maybe Jacob was a little
0:29:43 > 0:29:46bit too close to a local businessman - a guy called Desmond Colbert.
0:29:46 > 0:29:49- Who's he? - He owns a rum distillery.
0:29:49 > 0:29:51It's been rumoured that he's got links to the underworld,
0:29:51 > 0:29:53but nothing's ever been proven. CAR HORN BEEPS
0:29:53 > 0:29:56Ah, right. Um, sorry, but if I don't go now, she'll go without me.
0:29:56 > 0:29:58You know what she's like, sir... Fiery!
0:29:58 > 0:30:00Go, Inspector.
0:30:00 > 0:30:03SHE BEEPS HORN
0:30:15 > 0:30:17Look, it's not like you think.
0:30:17 > 0:30:18Then how is it?
0:30:18 > 0:30:22Mr Croft, we can prove that the bike you had access to was
0:30:22 > 0:30:23up at Jacob's the night he got killed.
0:30:23 > 0:30:27So you've got two options. One, tell us the truth.
0:30:27 > 0:30:29Or two, we can arrest you on suspicion of murder.
0:30:29 > 0:30:30She's got a point.
0:30:30 > 0:30:33Man, all right, I admit it.
0:30:33 > 0:30:35I was at the dead guy's house.
0:30:35 > 0:30:39But I was gone long before any shooting started.
0:30:39 > 0:30:41Why should we believe any word you say?
0:30:44 > 0:30:47All right, I'll tell you. So I sent Lena to bed,
0:30:47 > 0:30:50like I told you, at 2am. But you're right.
0:30:50 > 0:30:52I lined up the bike first.
0:30:52 > 0:30:54Not sure if I was going to use it.
0:30:54 > 0:30:57But the more I thought about it, the more I reckoned,
0:30:57 > 0:30:58this is Jacob's fault.
0:30:58 > 0:31:02I wanted to put the squeeze on him. Sort out some compensation
0:31:02 > 0:31:03for Lena.
0:31:04 > 0:31:07You mean, demand money with menaces?
0:31:07 > 0:31:09Remind him of his obligations.
0:31:09 > 0:31:11You went up there in the middle of the night?
0:31:11 > 0:31:13It was for Lena. It mattered.
0:31:14 > 0:31:16What time d'you get there?
0:31:16 > 0:31:17A bit before 4am,
0:31:17 > 0:31:21Jacob was already up. He was in the garden.
0:31:21 > 0:31:24- Was there anyone else with him? - No. He was on his own.
0:31:24 > 0:31:26Looked like he'd come back from the beach.
0:31:26 > 0:31:29So I told him he owed Lena for what he'd done to her.
0:31:29 > 0:31:31To be honest,
0:31:31 > 0:31:34I got the feeling he'd agree to anything just to get rid of me.
0:31:34 > 0:31:36So he took me inside the house.
0:31:36 > 0:31:38Did anyone else see you while you were inside?
0:31:38 > 0:31:41- No. He made sure of that. - What is this?
0:31:41 > 0:31:42One moment, Lena.
0:31:42 > 0:31:43What happened next?
0:31:43 > 0:31:45I waited outside the study.
0:31:45 > 0:31:47He went in and came out with a cheque.
0:31:47 > 0:31:49- He didn't give you cash? - It was a cheque.
0:31:49 > 0:31:51Was there anyone else in the study with him?
0:31:51 > 0:31:52I couldn't see.
0:31:52 > 0:31:55Once I got the money, I was on the bike and I was out of there again.
0:31:55 > 0:31:57I don't understand. You were at Jacob's house?
0:31:57 > 0:32:00Sure. Marlon here was getting you some money.
0:32:00 > 0:32:02- How much was it? - What money?
0:32:02 > 0:32:05Now hold on! I was waiting for the right moment...
0:32:13 > 0:32:15Your mum wants you home,
0:32:15 > 0:32:19so I got Jacob to give me some money to cover your flights.
0:32:21 > 0:32:23- What time was Jacob killed?- 7am.
0:32:23 > 0:32:25So, you should know.
0:32:25 > 0:32:29At 7am, I was at the airport - it's when the desk opened -
0:32:29 > 0:32:33buying my goddaughter a return flight ticket to St Lucia.
0:32:34 > 0:32:37OK, well, thank you very much for that.
0:32:38 > 0:32:41Marlon was definitely at the airport buying a plane
0:32:41 > 0:32:43ticket at the exact same time Jacob was being
0:32:43 > 0:32:45murdered on the other side of the island.
0:32:45 > 0:32:47And the bank say that he paid the cheque into his account
0:32:47 > 0:32:48at 9:06am that morning.
0:32:48 > 0:32:51And Jacob had thousands of dollars in his safe, so we're told -
0:32:51 > 0:32:53so why did he write Marlon a cheque?
0:32:53 > 0:32:57Why not just pay Marlon with the cash in the safe?
0:32:57 > 0:33:00It's bizarre, it's...
0:33:00 > 0:33:04cheque, cash, cash, cheque... OK.
0:33:04 > 0:33:06We can strike Marlon from the investigation,
0:33:06 > 0:33:09he is not our murderer.
0:33:11 > 0:33:15Fidel, d'you get anywhere with the data from the Ministry's hard drive?
0:33:15 > 0:33:18Well, sir, I've isolated as many of the documents connecting
0:33:18 > 0:33:20Jacob to the rum trade as I could find.
0:33:20 > 0:33:22Bills of lading or export licenses and so on.
0:33:22 > 0:33:24There's about 500 that I've printed out already
0:33:24 > 0:33:27- 500?! - Yeah, but don't worry, sir.
0:33:27 > 0:33:30Juliet's cooking up a fearsome roti and kalalu tonight.
0:33:30 > 0:33:32The plan is for Dwayne and me to split this in two
0:33:32 > 0:33:35- and go through it together. - Really?
0:33:35 > 0:33:37No! That is what I told him, Chief.
0:33:37 > 0:33:39He'll be working through the files
0:33:39 > 0:33:41and I'll be working through the roti, the kalalu and beer.
0:33:41 > 0:33:43Yeah, probably.
0:33:43 > 0:33:44Ha, right, er, well, it's, er, it's getting late.
0:33:44 > 0:33:47Let's, um, knock off tonight and pick this up again tomorrow.
0:33:53 > 0:33:54And, um, Camille.
0:33:54 > 0:33:56Mm-hm.
0:33:56 > 0:33:59You, um...fancy a drink maybe?
0:33:59 > 0:34:00Bite to eat?
0:34:00 > 0:34:01No.
0:34:01 > 0:34:05Or if it's, er, it's fun you're after, there's always um...
0:34:05 > 0:34:06travel battleships.
0:34:06 > 0:34:08I beg your pardon?
0:34:08 > 0:34:09Guerre bateaux, as you probably call it.
0:34:09 > 0:34:11Oh!
0:34:11 > 0:34:13Although, I, I lost a submarine a couple of weeks ago, um,
0:34:13 > 0:34:14it shouldn't matter so much.
0:34:14 > 0:34:16It's, er, essentially just a pen and paper game,
0:34:16 > 0:34:18we could draw up a couple of grids and...
0:34:18 > 0:34:20No, no, no, no. Thank you. I...I'll go home.
0:34:40 > 0:34:42Camille...?
0:34:47 > 0:34:49What are you doing on the island?
0:34:49 > 0:34:52I told you. I'm here to help Lena.
0:34:52 > 0:34:53I don't believe you.
0:34:53 > 0:34:55Why don't you believe me?
0:34:55 > 0:34:57Because I know what you're like.
0:34:57 > 0:35:00You've not seen me for 25 years
0:35:00 > 0:35:02and you know exactly what I'm like?
0:35:04 > 0:35:05I've heard the stories.
0:35:05 > 0:35:07From your mother, you mean?
0:35:07 > 0:35:08Yes.
0:35:08 > 0:35:12Camille, I think about you every day.
0:35:14 > 0:35:16I've even written you letters.
0:35:16 > 0:35:18I haven't posted them but they're written.
0:35:18 > 0:35:20Then why haven't you sent them?
0:35:20 > 0:35:23- Be... - Because it was easier not to?
0:35:25 > 0:35:27I don't know what your mother told you.
0:35:27 > 0:35:30But you should know the truth.
0:35:30 > 0:35:35My being out of your life, I was only doing as I was asked.
0:35:35 > 0:35:37What she asked of me...
0:35:51 > 0:35:53How's the new organised regime going?
0:35:53 > 0:35:55Oh, it's made all the difference, Catherine.
0:35:55 > 0:35:59A place for everything, and, er, everything in its...place.
0:35:59 > 0:36:03I just need to learn where those new places are. Ah!
0:36:03 > 0:36:05- Oh, Camille - a drink? - No.
0:36:05 > 0:36:06Camille?
0:36:06 > 0:36:08I need to ask you something.
0:36:10 > 0:36:11What? What is it?
0:36:11 > 0:36:13Because I don't want to take his side.
0:36:13 > 0:36:15Whose side? What's going on?
0:36:17 > 0:36:20Marlon told me he didn't leave us when we were in St Lucia.
0:36:20 > 0:36:22You walked out on him, and that's why
0:36:22 > 0:36:26the two of us moved back here. It's a lie, isn't it?
0:36:26 > 0:36:28He's lying?
0:36:28 > 0:36:31Well, I...I...
0:36:31 > 0:36:33You walked out on him?
0:36:33 > 0:36:35It was you that walked out on him?
0:36:37 > 0:36:39Camille, I can explain...
0:36:39 > 0:36:42It's yes or no, Maman. Did you walk out on my father?
0:36:47 > 0:36:48Camille...
0:36:49 > 0:36:51Camille?
0:36:53 > 0:36:54Keep the change.
0:36:59 > 0:37:02- Camille, just hold on a moment! - What?
0:37:03 > 0:37:05I just wanted to know if you were OK?
0:37:05 > 0:37:08She has lied to me my entire life.
0:37:08 > 0:37:12Ah, yes, I gathered as much, but, um, maybe you should go back...
0:37:12 > 0:37:14I don't want to hear what she has to say.
0:37:14 > 0:37:15OK.
0:37:15 > 0:37:17We could go for that drink, in another bar of course.
0:37:17 > 0:37:20I mean, if you want to talk about it. Or not?
0:37:20 > 0:37:21That also works.
0:37:21 > 0:37:24Good night, Humphrey.
0:37:42 > 0:37:43Ah! Morning, Camille!
0:37:43 > 0:37:45Morning, sir.
0:37:49 > 0:37:51- So I was just wondering...- What?
0:37:52 > 0:37:53Are you, er, are you OK?
0:37:53 > 0:37:55Of course I'm OK.
0:37:55 > 0:37:56OK!
0:37:58 > 0:38:01Listen, just make sure you call us as soon as the boat has docked, OK?
0:38:01 > 0:38:02All right.
0:38:02 > 0:38:03Er, what's going on?
0:38:03 > 0:38:05Well, Chief, it took us most of the night,
0:38:05 > 0:38:07but the answers were in the files, just like you said.
0:38:07 > 0:38:08What have you found?
0:38:08 > 0:38:10First, we didn't see anything because there's nothing
0:38:10 > 0:38:13illegal about the outward shipments of rum from the island,
0:38:13 > 0:38:15but it's what gets imported back into Saint-Marie that's interesting.
0:38:15 > 0:38:17It is?
0:38:17 > 0:38:19Yes, because every time a boat comes to the island it's full of cotton
0:38:19 > 0:38:22or timber or whatever's being imported from wherever it's been to.
0:38:22 > 0:38:25But every time a boat comes from South Africa, there are always
0:38:25 > 0:38:28four crates for delivery to a company called Burwick Trading.
0:38:28 > 0:38:29Who are Burwick Trading?
0:38:29 > 0:38:32They're a local company with no apparent income,
0:38:32 > 0:38:36no head office, no staff - but they do have one owner.
0:38:36 > 0:38:37Who is it?
0:38:37 > 0:38:40Jacob Doran - our recently-deceased Minister for Commerce.
0:38:40 > 0:38:43It looks like he's been illegally importing goods from South Africa.
0:38:43 > 0:38:45Fantastic. Great work, guys. What's he importing?
0:38:45 > 0:38:46We don't know, sir,
0:38:46 > 0:38:49but the next delivery to Burwick Trading arrives in port today.
0:38:49 > 0:38:51And when we impound it, we'll finally find out what this case
0:38:51 > 0:38:53is really all about.
0:38:53 > 0:38:55Yes, and why the killer wanted to kill someone who was
0:38:55 > 0:38:57- already in the process of killing himself.- Yes.
0:38:57 > 0:38:59Ah, er, Camille...
0:39:10 > 0:39:12I'm just asking for a chance to explain.
0:39:16 > 0:39:20When you were three, Marlon got a job in St Lucia.
0:39:20 > 0:39:23We went with him. And we were happy.
0:39:24 > 0:39:27After a while it was the same old Marlon,
0:39:27 > 0:39:31came and went as he pleased. He couldn't hold down a job.
0:39:33 > 0:39:35I put up with his ways for so long.
0:39:37 > 0:39:39Then, one morning, he took you to the beach.
0:39:41 > 0:39:46By nightfall, he still hadn't come back. I was going frantic.
0:39:48 > 0:39:50Eventually I found you...on your own.
0:39:53 > 0:39:57Marlon was in a bar nearby, playing cards.
0:39:57 > 0:40:00He had forgotten he had you with him.
0:40:03 > 0:40:08It was the day I realised he couldn't be a father to you.
0:40:10 > 0:40:15So I brought you back home. To Saint-Marie.
0:40:17 > 0:40:19It was what I thought was best for you.
0:40:38 > 0:40:39We need to go to the port.
0:40:46 > 0:40:49OK, so the boat is here but the crates for Jacob's
0:40:49 > 0:40:52- company are not getting unloaded, they're staying on board.- Why's that?
0:40:52 > 0:40:54I don't know but the next port of call is Mexico.
0:40:54 > 0:40:56Which is where Lena went with Jacob.
0:40:56 > 0:40:57Yes, it was, wasn't it?
0:40:57 > 0:40:59Forget about Lena, it's not about her.
0:40:59 > 0:41:00How do you know?
0:41:00 > 0:41:03Because look who's about to get on board.
0:41:16 > 0:41:18Good morning, Mr Frazier!
0:41:18 > 0:41:19What are you doing here?
0:41:19 > 0:41:21I think we could ask you the same question.
0:41:21 > 0:41:23Police, we're boarding your boat!
0:41:34 > 0:41:36Honestly, I have no idea what is down there.
0:41:36 > 0:41:38Dwayne.
0:41:38 > 0:41:39Dwayne.
0:41:47 > 0:41:49Ohh!
0:42:00 > 0:42:03- Ti mal. - I know this looks bad.
0:42:03 > 0:42:05You have no idea.
0:42:05 > 0:42:08Well, I reckon we know where Jacob got his handgun from now, eh?
0:42:08 > 0:42:09Yes, aye.
0:42:09 > 0:42:11Yes, ay...I'd say that was excellent.
0:42:14 > 0:42:17For a long time, I've suspected Jacob was using his
0:42:17 > 0:42:21position in the Ministry to carve out some kind of sideline.
0:42:21 > 0:42:25A few months back, I discovered Burwick Trading was owned by him.
0:42:25 > 0:42:28He was up to something illegal, but I couldn't prove it.
0:42:28 > 0:42:30So you decided to deal with him another way.
0:42:30 > 0:42:34At the very least, Jacob had to be removed from power,
0:42:34 > 0:42:37so when I discovered he had another one of his affairs...
0:42:37 > 0:42:40So you were the person close to Jacob who went to the newspaper?
0:42:40 > 0:42:42I promise you, if I'd known he was gun-running,
0:42:42 > 0:42:45I would have come straight to you.
0:42:45 > 0:42:48So when I came down here, I was trying to get the boat impounded.
0:42:48 > 0:42:49It's true, sir.
0:42:49 > 0:42:52The harbour master says Mr Frazier's been trying to get him
0:42:52 > 0:42:56to call the police - he suspected this boat contained contraband.
0:42:56 > 0:42:58Right, everyone, what does this mean?
0:42:58 > 0:43:01It means Jacob Doran was a criminal.
0:43:01 > 0:43:04Yes, the kind of criminal you want to kill.
0:43:04 > 0:43:05Who knew about the gun-running?
0:43:05 > 0:43:08Can we believe Theo when he said he didn't?
0:43:10 > 0:43:13I don't know but if Theo really didn't know about it,
0:43:13 > 0:43:15then maybe nobody did.
0:43:15 > 0:43:17Yes, well, we're so close - we have to be!
0:43:17 > 0:43:18Why was he killed?
0:43:21 > 0:43:22Camille...?
0:43:22 > 0:43:23What?
0:43:23 > 0:43:26Um... Um, can I just say something?
0:43:30 > 0:43:33Look, I know it's none of my business, so you're
0:43:33 > 0:43:36welcome to tell me to shut up, or butt out,
0:43:36 > 0:43:38although God knows what "butt out" actually means...
0:43:38 > 0:43:42Anyway, um, the point is, I have no idea what
0:43:42 > 0:43:45your mum said to you, or what she's like, really.
0:43:45 > 0:43:47I've only been on the island a short while - but, erm, I do
0:43:47 > 0:43:52know what you're like, I think, a bit, and I just want to say
0:43:52 > 0:43:55that you couldn't have been more welcoming to me.
0:43:55 > 0:43:57You're kind, you're warm-hearted, funny,
0:43:57 > 0:44:00forgiving - and God knows you have to be forgiving to work with me.
0:44:00 > 0:44:06Um, but the, ah, the thing is, is that whatever problems you
0:44:06 > 0:44:10have with Catherine, don't accuse her of being a bad mother because
0:44:10 > 0:44:14from where I'm standing, I'd say she's done a pretty fantastic job.
0:44:22 > 0:44:23Hold on. Sir?
0:44:23 > 0:44:27- Yes.- If Jacob was a crook, then that changes everything, doesn't it?
0:44:27 > 0:44:29Yes, it certainly does.
0:44:29 > 0:44:31So who killed him, then?
0:44:31 > 0:44:33Well, let's start with what we know.
0:44:33 > 0:44:37For example, I think we now know why he had an illegal gun to hand.
0:44:37 > 0:44:38It belonged to Jacob.
0:44:38 > 0:44:41Which means his murder was never really about the affair, was it?
0:44:41 > 0:44:44It was about gun-running, plain and simple.
0:44:44 > 0:44:46Which might also explain why he was killed, even though
0:44:46 > 0:44:48he was going to kill himself anyway.
0:44:48 > 0:44:49Do you think it was an execution?
0:44:49 > 0:44:51Well, maybe it was a message, you know.
0:44:51 > 0:44:53You step out of line, you're going to get killed.
0:44:53 > 0:44:55Yes, which also explains why he didn't want us
0:44:55 > 0:44:56looking at the hard drive.
0:44:56 > 0:44:58The only person who could remove that drive is Jacob himself.
0:44:58 > 0:45:00It contained evidence of his arms dealings.
0:45:00 > 0:45:03- And why the bullet went through the clothes.- It was murder.
0:45:03 > 0:45:05And why there were tyre tracks.
0:45:05 > 0:45:07Because Marlon was up there that night.
0:45:07 > 0:45:09So we are left with the suicide note, Jacob's night-time walk
0:45:09 > 0:45:12and the theft of the cash and passport from the safe.
0:45:12 > 0:45:14Oh, but the cash is easy. If you see the cash, you take it.
0:45:14 > 0:45:16But why also take the victim's passport?
0:45:16 > 0:45:18All I can think is that you want to impersonate him.
0:45:18 > 0:45:20But everyone knows what Jacob looks like,
0:45:20 > 0:45:21you'd never get away with it.
0:45:21 > 0:45:24The only person who could possibly use that passport is Jacob.
0:45:24 > 0:45:26And he can't use it because he is dead.
0:45:29 > 0:45:31Wait a minute... Or could he?
0:45:33 > 0:45:35Sir?!
0:45:35 > 0:45:39But we know he was going to commit suicide, so what does that mean?
0:45:39 > 0:45:44That goes there. Ah, and there...that's impossible.
0:45:44 > 0:45:49That goes there. Passport...ha!
0:45:49 > 0:45:52So that explains why he wiped his hard drive and the illegal gun,
0:45:52 > 0:45:54yes! And the bullet through the clothes,
0:45:54 > 0:45:57and the tyre tracks, but not the 3am walk.
0:46:02 > 0:46:07No, of course, the 3am walk. And that finally explains why!
0:46:08 > 0:46:10You know, don't you?
0:46:10 > 0:46:13You've got ink on your shirt.
0:46:13 > 0:46:15And you've made a serious mess of that board.
0:46:15 > 0:46:17I think it suits you, Chief.
0:46:18 > 0:46:21You're right. You are bloody well right.
0:46:33 > 0:46:36That's better.
0:46:36 > 0:46:37Right, I think we've got
0:46:37 > 0:46:40a killer to catch...just as soon as I've changed my shirt.
0:46:54 > 0:46:56So how do you want to play this?
0:46:56 > 0:46:59By, um, going to the beach.
0:46:59 > 0:47:01- What?- Why?
0:47:01 > 0:47:03There's something we've got to find.
0:47:11 > 0:47:14I think it was better when he was trying to be neat and tidy.
0:47:14 > 0:47:17No, Dwayne. There's a method in his madness.
0:47:17 > 0:47:18There's got to be.
0:47:22 > 0:47:24Mind you, I'm not saying he's not mad, OK?
0:47:24 > 0:47:26I'm just saying there's a method to it, that's all.
0:47:26 > 0:47:28Look mad to me.
0:47:38 > 0:47:39He says he doesn't need any help.
0:47:39 > 0:47:43Oh, he needs help, all right. Medical help.
0:47:43 > 0:47:45Ah!
0:47:53 > 0:47:55And he wouldn't tell you what he was looking for?
0:47:55 > 0:47:58He just said he wanted it to be a surprise.
0:47:58 > 0:48:01HE YELLS
0:48:01 > 0:48:02No way?
0:48:02 > 0:48:03Found it!
0:48:07 > 0:48:09- What is it?- Hold on.
0:48:10 > 0:48:14One moment and you'll be able to see.
0:48:14 > 0:48:15Yeah, we saw that.
0:48:15 > 0:48:17How the hell did you know that was there?
0:48:17 > 0:48:19Come on, you all knew there'd be a bag buried on the beach,
0:48:19 > 0:48:21- you must have done? - Sure!
0:48:21 > 0:48:23Go on, Officer. Open it.
0:48:23 > 0:48:24No, no, no, no, You do it.
0:48:24 > 0:48:27Oh, I don't need to. I already know what's in it.
0:48:29 > 0:48:30- Open it up!- Hold on!
0:48:33 > 0:48:35Method to the madness!
0:48:40 > 0:48:42Thank you all for joining us.
0:48:42 > 0:48:44You've found out who killed Dad?
0:48:44 > 0:48:46We have.
0:48:49 > 0:48:52Marlon, we know you came here that night...
0:48:56 > 0:48:57..but by the time Jacob was killed,
0:48:57 > 0:49:01you were on the other side of the island buying your plane tickets.
0:49:01 > 0:49:03Which also puts you in the clear, Lena.
0:49:03 > 0:49:06After all, there was only one set of tyre tracks up to the house
0:49:06 > 0:49:08that night - and they belonged to Marlon.
0:49:08 > 0:49:10So you didn't kill him either.
0:49:13 > 0:49:16And then there were three.
0:49:16 > 0:49:19You see, the key to this case has always been
0:49:19 > 0:49:20the riddle at the heart of it.
0:49:22 > 0:49:24Why did the killer kill a man who was
0:49:24 > 0:49:27already in the process of killing himself?
0:49:27 > 0:49:28It's, it's bizarre.
0:49:29 > 0:49:31But as in a lot of riddles, the answer, in the end,
0:49:31 > 0:49:33was quite simple.
0:49:35 > 0:49:37He wasn't killing himself.
0:49:37 > 0:49:40Well, he was. We saw the letter.
0:49:40 > 0:49:42Fidel?
0:49:42 > 0:49:45The suicide note was real enough. But it was also fake.
0:49:45 > 0:49:47That's not possible.
0:49:47 > 0:49:50Oh, it's possible, it's just a little paradoxical...
0:49:50 > 0:49:52POT SMASHES
0:49:52 > 0:49:55..but then, in the end, no more puzzling than the other
0:49:55 > 0:49:56paradoxes in this case.
0:49:56 > 0:50:00For example, why was it Jacob's press secretary who gave
0:50:00 > 0:50:03the story of his boss's infidelity to the newspaper?
0:50:03 > 0:50:05It was you?
0:50:05 > 0:50:07I had no choice.
0:50:07 > 0:50:08But why? He, he was a good man.
0:50:10 > 0:50:11Apart from the affairs?
0:50:14 > 0:50:15Yes. Apart from the affairs.
0:50:15 > 0:50:17And the gun-running?
0:50:18 > 0:50:19What are you talking about?
0:50:19 > 0:50:22- You really didn't know? - Know what?
0:50:22 > 0:50:24Your husband was an illegal arms dealer.
0:50:27 > 0:50:29No!
0:50:29 > 0:50:31He was importing guns from South Africa and shipping them to Mexico.
0:50:31 > 0:50:35It's true, Charlotte. I've seen the evidence with my own eyes.
0:50:35 > 0:50:37Theo's right.
0:50:37 > 0:50:40He wanted Jacob removed from power,
0:50:40 > 0:50:43but you'd already achieved that by the time the article
0:50:43 > 0:50:47about his affair had been published, so you didn't kill him either.
0:50:50 > 0:50:52And then there were two.
0:50:52 > 0:50:55Doting wife, loyal to the last.
0:50:55 > 0:50:58And a young son who'd just been betrayed
0:50:58 > 0:51:01when his father had slept with his girlfriend.
0:51:01 > 0:51:05See, that's what I realised about this earlier today - this case was
0:51:05 > 0:51:09never about Jacob's affair, or his gun-running - not directly anyway.
0:51:11 > 0:51:13I didn't kill him!
0:51:13 > 0:51:17You're right. You didn't kill him. It was your mother.
0:51:17 > 0:51:19Charlotte, you killed Jacob Doran.
0:51:19 > 0:51:20No!
0:51:20 > 0:51:22I told you.
0:51:22 > 0:51:25I stood by Jacob our whole marriage - despite the affairs.
0:51:25 > 0:51:27And that's why he had to die.
0:51:27 > 0:51:30Because that night you discovered that you may have
0:51:30 > 0:51:33stood by your husband, but he wasn't going to stand by you.
0:51:33 > 0:51:34Was he?
0:51:34 > 0:51:37We found your husband's bag on the beach.
0:51:37 > 0:51:40It's the bag that tells us his suicide note was fake.
0:51:40 > 0:51:42While also being real.
0:51:42 > 0:51:44And only you could have worked it out.
0:51:44 > 0:51:48Only you went after him when he went for his walk.
0:51:48 > 0:51:51You didn't lose him, like you told us. You followed him.
0:51:51 > 0:51:54I think you sensed that Jacob was up to something.
0:51:56 > 0:51:59So you followed him down to the beach which is where you
0:51:59 > 0:52:01saw him burying the bag in the sand.
0:52:01 > 0:52:03You didn't know what was in it.
0:52:03 > 0:52:05But you were going to find out.
0:52:10 > 0:52:14Once Jacob left, you dug up the bag and found clothes, money,
0:52:14 > 0:52:16passport and a gun.
0:52:16 > 0:52:18All the things he'd need to carry out his plan.
0:52:18 > 0:52:20Which was quite simple, really.
0:52:20 > 0:52:22With the publication of his affair,
0:52:22 > 0:52:24Jacob knew his days as a minister were numbered.
0:52:24 > 0:52:27How long before his replacement discovered that Jacob had been
0:52:27 > 0:52:32abusing his position in the Ministry and dealing in illegal weapons?
0:52:32 > 0:52:35So he decided to fake his own death and skip the country.
0:52:35 > 0:52:39First, he placed a bag with everything he'd need to run away.
0:52:39 > 0:52:40And then he wrote a note,
0:52:40 > 0:52:43telling the world he was going to commit suicide.
0:52:45 > 0:52:49He then planned to go down to the beach where he'd undress
0:52:49 > 0:52:50and step into the sea,
0:52:50 > 0:52:55so it would look like he'd swum out into the ocean to his own death.
0:52:55 > 0:52:57When in reality, all he had to do was swim
0:52:57 > 0:52:59further along the beach to where he planted his bag.
0:52:59 > 0:53:03And get dressed in the clothes he'd placed there earlier.
0:53:03 > 0:53:07Meaning he was now free to leave the island, or no doubt on the next
0:53:07 > 0:53:10boat he could get to his gun-running friends in Mexico.
0:53:10 > 0:53:12Not that you knew the specific details, I'm sure,
0:53:12 > 0:53:14but you got the general drift.
0:53:15 > 0:53:17Jacob was abandoning you.
0:53:17 > 0:53:21And after all those decades you'd stood by him.
0:53:21 > 0:53:24While he'd concentrated on his career rather than you.
0:53:24 > 0:53:26After all the affairs and now it was
0:53:26 > 0:53:27him who was running out on you.
0:53:27 > 0:53:30You weren't prepared to let that happen.
0:53:30 > 0:53:31They're running it.
0:53:31 > 0:53:34So you made a plan. When you came back from the beach that
0:53:34 > 0:53:36night, you brought something with you.
0:53:36 > 0:53:38Your husband's gun.
0:53:38 > 0:53:40So as you told us,
0:53:40 > 0:53:44you believed in your marriage vows. You were husband and wife.
0:53:45 > 0:53:49Together. Forever. Till death do you part!
0:53:52 > 0:53:54GUNSHOT
0:53:54 > 0:53:57But when you killed him, you knew you only had seconds to
0:53:57 > 0:53:58set the scene.
0:53:59 > 0:54:02Your son was in his room...
0:54:02 > 0:54:03Theo was on the veranda.
0:54:03 > 0:54:06They'd both have heard the gunshot.
0:54:06 > 0:54:08So how did you escape without being seen?
0:54:10 > 0:54:12This is what we realised - we don't think you did.
0:54:14 > 0:54:16Because, in the confusion, who would notice
0:54:16 > 0:54:20if you had entered the room through the door, or from behind it?
0:54:25 > 0:54:26Dad!
0:54:28 > 0:54:30I'm sorry.
0:54:32 > 0:54:33Please.
0:54:51 > 0:54:54Thank you. But I'm going to stay on the island
0:54:54 > 0:54:56a bit longer, I think.
0:55:16 > 0:55:19Right, erm, I think I'll just...yes.
0:55:24 > 0:55:29You know, I'm glad I finally got to meet you.
0:55:29 > 0:55:30You are?
0:55:30 > 0:55:33All my life, you've been like a spectre.
0:55:33 > 0:55:35A shadow hanging over me.
0:55:35 > 0:55:37And now I'm not?
0:55:37 > 0:55:39Now I know exactly who you are.
0:55:41 > 0:55:42Camille, I should have done more.
0:55:44 > 0:55:45You did just enough.
0:55:46 > 0:55:48You left me to be raised by mother -
0:55:48 > 0:55:51and that's the best gift you could have given me.
0:55:53 > 0:55:54I want to give you something.
0:55:56 > 0:55:57What is it?
0:55:57 > 0:56:00It's my address. In St Lucia. Maybe one day...?
0:56:00 > 0:56:05You write to me. Then we'll see.
0:56:28 > 0:56:32Man alive, that is what I call getting a round in.
0:56:32 > 0:56:35Come on, Chief, it's thirsty work catching criminals, you know.
0:56:35 > 0:56:37Camille!
0:56:39 > 0:56:41Camille, you have to believe me,
0:56:41 > 0:56:44I only ever wanted to do what was best for you.
0:56:44 > 0:56:46You did.
0:56:46 > 0:56:47I did?
0:56:47 > 0:56:50You did the best for me every day of my life.
0:56:50 > 0:56:51Oh!
0:56:58 > 0:57:02You know what, Catherine? In your bar, I feel positively French.
0:57:02 > 0:57:03You do?
0:57:03 > 0:57:06Yes, so I think it only right that we celebrate your culture
0:57:06 > 0:57:08in the only way I know how.
0:57:09 > 0:57:11This is not French.
0:57:11 > 0:57:13What could be more French than French cricket?
0:57:13 > 0:57:15What....?
0:57:15 > 0:57:18- Catherine, you're too short for a long leg!- Oh, thank you!
0:57:18 > 0:57:21And you're too long for a short leg. Fidel!
0:57:21 > 0:57:22I want you at extra cover on the boundary
0:57:22 > 0:57:24but look sharp, I want you in on the one.
0:57:24 > 0:57:25Yeah, OK!
0:57:25 > 0:57:27And what am I supposed to do?
0:57:27 > 0:57:29Just hit it.
0:57:29 > 0:57:31Don't worry - it takes time for even the best players to
0:57:31 > 0:57:32get their eye in.
0:57:32 > 0:57:33Allez.
0:57:34 > 0:57:36Ready?
0:57:36 > 0:57:38- Yes, sir! - Play!
0:57:42 > 0:57:44CHEERING
0:57:46 > 0:57:47That's a six, Chief.
0:57:47 > 0:57:49- That is not a six! - What?!
0:57:49 > 0:57:50It hasn't even hit the ground.
0:57:50 > 0:57:52Are you serious?
0:57:52 > 0:57:53I can still catch it!
0:57:53 > 0:57:54- Where you going?- No!
0:57:54 > 0:57:56- Yes!- No!
0:57:56 > 0:57:57Yes!
0:58:07 > 0:58:10Howzat!
0:58:10 > 0:58:12So have you ever seen a Bonelli's eagle, Alec?
0:58:12 > 0:58:13It's OK to say no.
0:58:13 > 0:58:16- Someone should teach him some manners.- Yes. They probably should.
0:58:16 > 0:58:18It's Mr Talbot, he's going without you!
0:58:18 > 0:58:19He's trying to see the Green first.
0:58:19 > 0:58:21Oh!
0:58:22 > 0:58:23- SCREAMING - The world of...
0:58:23 > 0:58:26bird watching may be slightly more cut-throat than one might assume.
0:58:26 > 0:58:29So you said you had a date tonight? What does he do for a living?
0:58:29 > 0:58:30Models swimwear.
0:58:30 > 0:58:32GUNSHOT