0:00:18 > 0:00:20I enjoyed today, Colin. Thanks.
0:00:20 > 0:00:22Me too.
0:00:22 > 0:00:23Better go and rest up
0:00:23 > 0:00:26if I'm going to have any energy for this dance tonight.
0:00:26 > 0:00:27You don't have to come, you know.
0:00:27 > 0:00:30I wouldn't miss it for the world!
0:00:30 > 0:00:31See you later, Colin.
0:00:37 > 0:00:40Well? Did you do it?
0:00:40 > 0:00:43I meant to. I planned to, but when it got down to it,
0:00:43 > 0:00:44I didn't have the courage.
0:00:44 > 0:00:47Colin. We're none of us getting younger!
0:00:47 > 0:00:49I'll do it tonight.
0:00:50 > 0:00:51What are you stuck on?
0:00:51 > 0:00:53Bloody 14 down.
0:00:55 > 0:00:57Orchestra, anagram of carthorse.
0:00:57 > 0:00:59HE LAUGHS
0:00:59 > 0:01:00Course it is!
0:01:03 > 0:01:04Oh, Jim!
0:01:05 > 0:01:08My computer's lost the wi-fi signal.
0:01:08 > 0:01:10Can you do that thing that you do?
0:01:10 > 0:01:14Sorry, Pam! It's just that I wanted to video-call Ben tonight.
0:01:14 > 0:01:17Oh, well, I'm sure Jim will be only too happy to help you out.
0:01:17 > 0:01:19I won't be long.
0:01:19 > 0:01:21Right then. Emma.
0:01:25 > 0:01:27You have got to tell her.
0:01:27 > 0:01:29We can't do this, not here.
0:01:29 > 0:01:32You've got until the dance tonight to tell her,
0:01:32 > 0:01:34otherwise I swear I'll tell her myself.
0:01:38 > 0:01:40KNOCK AT DOOR
0:01:40 > 0:01:43Well, then you'll have to get used to shiny trousers!
0:01:43 > 0:01:46< I love that you can still nag me from 2,000 miles away.
0:01:46 > 0:01:49I'm your mother - I can nag you from any distance!
0:01:49 > 0:01:51< I know that, that's the problem!
0:01:56 > 0:01:58UPBEAT MUSIC
0:02:20 > 0:02:21APPLAUSE
0:02:25 > 0:02:27- What's the matter with you? - Nothing, why?
0:02:29 > 0:02:31Face like a smacked arse again.
0:02:33 > 0:02:34I'll get us some drinks.
0:02:44 > 0:02:47- Have you seen Emma?- No. Is she coming?
0:02:47 > 0:02:50She said she was but, er, it's gone six.
0:02:50 > 0:02:51- What's wrong?- Well, it's Emma.
0:02:51 > 0:02:54She said she'd be here tonight, but I just tried her mobile,
0:02:54 > 0:02:57- she didn't answer.- Well, maybe I should go and check on her.
0:02:57 > 0:02:58What?
0:02:58 > 0:03:00- Judith, have you seen Emma? - Oh, not since this afternoon.
0:03:00 > 0:03:02She's not answering her phone.
0:03:02 > 0:03:04Oh, I'm sure she's fine. She'll be getting ready.
0:03:04 > 0:03:06No. Jim's right, we should go and check.
0:03:06 > 0:03:09- Come on, we'll go together. - We'll be back in five minutes.
0:03:12 > 0:03:16That's so sweet. He really cares about her, doesn't he?
0:03:16 > 0:03:18Who? Colin?
0:03:18 > 0:03:19Or Jim?
0:03:26 > 0:03:27Emma? You there?
0:03:27 > 0:03:28Emma?
0:03:28 > 0:03:30I can see her. Open the door.
0:03:31 > 0:03:33- It's locked!- Out the way.
0:04:19 > 0:04:22< So, you were the last person to see her?
0:04:32 > 0:04:34Dr Emma Redding. Retired.
0:04:34 > 0:04:36She made arrangements to go to a dance this evening,
0:04:36 > 0:04:37but she didn't show up.
0:04:37 > 0:04:40Two male residents came to her room after 6pm.
0:04:40 > 0:04:42They saw the body through the shutters,
0:04:42 > 0:04:46so they broke the door down but she was dead before they got to her.
0:04:51 > 0:04:52Was she alone?
0:04:52 > 0:04:54Yes.
0:04:54 > 0:04:56Cause of death?
0:04:56 > 0:04:57It looks like an overdose.
0:04:58 > 0:05:00Anyone know what Propenten is?
0:05:00 > 0:05:03- Ah, yes, they're sleeping pills. - How do you know that?
0:05:03 > 0:05:05I had an aunt. She was kind of highly strung.
0:05:05 > 0:05:06It's what she took.
0:05:07 > 0:05:09- Suicide note? - We haven't found one yet.
0:05:11 > 0:05:13Well, we know she didn't have a sweet tooth.
0:05:13 > 0:05:16She didn't eat her dessert but she did eat most of her main meal.
0:05:17 > 0:05:21So, three possibilities. Suicide, accident or murder.
0:05:21 > 0:05:23Well, accident is unlikely.
0:05:23 > 0:05:26- Because?- Because if you're taking sleeping pills, you'd have to take
0:05:26 > 0:05:27the whole packet for a fatal overdose
0:05:27 > 0:05:29and you can't do that accidentally.
0:05:29 > 0:05:31- Your aunt again?- Yes, sir.
0:05:31 > 0:05:34So that just leaves us with suicide or murder.
0:05:34 > 0:05:35- It's not suicide.- Oh?
0:05:35 > 0:05:38Well, it's pretty obvious if you consider the evidence.
0:05:38 > 0:05:40What evidence would that be?
0:05:40 > 0:05:42- The dress.- The dress?- Mmm-hmm.
0:05:42 > 0:05:44Well, if she was going to take her own life,
0:05:44 > 0:05:47why get out a special dress like this and not put it on?
0:05:48 > 0:05:51People who commit suicide prepare for it.
0:05:51 > 0:05:54What clothes to wear, what time of the day, it's a ritual.
0:05:54 > 0:05:58Why get out a dress like this if it's not part of the plan?
0:05:58 > 0:05:59You know what, Camille?
0:05:59 > 0:06:02Normally I would agree with you, but if this isn't a suicide,
0:06:02 > 0:06:04I don't think it's a murder, either.
0:06:04 > 0:06:06When you consider the evidence.
0:06:06 > 0:06:09And what evidence would that be?
0:06:09 > 0:06:10The door.
0:06:10 > 0:06:12It has a latch-lock and a bolt.
0:06:14 > 0:06:18Both were clearly broken when the residents forced it open. See?
0:06:18 > 0:06:19And I've been looking -
0:06:19 > 0:06:22there's no other way into the room other than through that door.
0:06:22 > 0:06:25And as the door was locked, how did the killer get out?
0:06:25 > 0:06:29- Chief?- So, Dr Redding was found dead in a room locked from the inside.
0:06:29 > 0:06:31No sign of a struggle, and an empty pack of sleeping pills
0:06:31 > 0:06:34beside her, and no possibility of anyone else being in here.
0:06:34 > 0:06:37Or in other words, if it looks like a duck, walks like a duck
0:06:37 > 0:06:39- and quacks like a duck... - It's a duck?- Exactly.
0:06:39 > 0:06:40She killed herself.
0:06:42 > 0:06:43But then there's the dress.
0:06:59 > 0:07:00Thank you.
0:07:03 > 0:07:05Mr and Mrs Chandler.
0:07:05 > 0:07:07Judith Musgrove. Colin Campbell.
0:07:07 > 0:07:09Good evening.
0:07:09 > 0:07:12Sylvaine tells us that you were close to, er, Dr Redding?
0:07:12 > 0:07:14So, can any of you tell me what kind of doctor she was?
0:07:14 > 0:07:16Of course. She was a surgeon.
0:07:16 > 0:07:20And then she worked in the cosmetic industry before she retired.
0:07:20 > 0:07:21Mmm-hmm. I see.
0:07:22 > 0:07:25We would like to get an idea of Emma's state of mind
0:07:25 > 0:07:27over the last few days and weeks.
0:07:27 > 0:07:30Emma's never been happier, and we all know why.
0:07:30 > 0:07:32Don't we, Colin?
0:07:34 > 0:07:38Emma and I, we'd been, erm, stepping out.
0:07:38 > 0:07:42We went to a concert today, in a church in Honore.
0:07:42 > 0:07:46Emma loved choral music, and we had a marvellous time.
0:07:46 > 0:07:49When you got back, how would you describe her mood?
0:07:49 > 0:07:51A little tired, but good.
0:07:51 > 0:07:52Happy? Content?
0:07:52 > 0:07:54I'd say so.
0:07:54 > 0:07:56She was excited about the dance
0:07:56 > 0:07:58and looking forward to speaking to her son.
0:07:58 > 0:08:02He lives in New York. I know she misses him... Missed him.
0:08:02 > 0:08:05They were always speaking to each other on the computer, you know.
0:08:05 > 0:08:07That's right. Her son is called Ben.
0:08:07 > 0:08:11They were chatting when I brought dinner to her earlier, around 5.30.
0:08:11 > 0:08:14- Did you hear what they were talking about?- Not really.
0:08:15 > 0:08:17And you all met her here on Saint Marie?
0:08:17 > 0:08:20Well, no, Pam and I first came across Emma in the '90s.
0:08:20 > 0:08:22I was in medical supplies,
0:08:22 > 0:08:25and my company had a contract with her hospital.
0:08:25 > 0:08:29Bit of a coincidence, isn't it, her ending up here?
0:08:29 > 0:08:32Well, hardly. It was my suggestion she came out here.
0:08:34 > 0:08:37She had terrible arthritis in her right ankle,
0:08:37 > 0:08:40that's why she took early retirement and also why she came out here.
0:08:40 > 0:08:43Because the sunshine helped with the pain.
0:08:43 > 0:08:45Was she in much pain?
0:08:46 > 0:08:48I suspect more than she let on.
0:08:48 > 0:08:50But she rarely complained.
0:08:50 > 0:08:54And you were expecting her at the dance this evening?
0:08:54 > 0:08:57Yes. That's why I was worried when she didn't turn up.
0:08:57 > 0:09:00She told me she wouldn't miss it for the world.
0:09:00 > 0:09:03It's possible we'll need formal statements from you all
0:09:03 > 0:09:06tomorrow, but for the moment, thank you for waiting behind.
0:09:14 > 0:09:17She was happy, excited to go to a dance this evening,
0:09:17 > 0:09:19surrounded by friends,
0:09:19 > 0:09:22not exactly the profile of someone who's about to commit suicide.
0:09:22 > 0:09:25Yes. In other words, if it looks like a duck,
0:09:25 > 0:09:28walks like a duck, quacks like a duck,
0:09:28 > 0:09:32it's looking more and more unlikely that it is, in fact, a duck.
0:10:37 > 0:10:39Question!
0:10:39 > 0:10:42If you wanted to poison someone or give them an overdose or something,
0:10:42 > 0:10:44but you didn't really want them to know what you were doing,
0:10:44 > 0:10:48which of course you wouldn't, how would you go about disguising it?
0:10:48 > 0:10:49Put it in their food?
0:10:49 > 0:10:51And you'd need a food with a strong flavour,
0:10:51 > 0:10:55something that assaulted their taste buds, rendered them inefficient.
0:10:55 > 0:10:56- Something like...- Curry?
0:10:56 > 0:10:58And Dr Redding's last meal was?
0:10:58 > 0:10:59Chicken curry.
0:10:59 > 0:11:02See, that's why her main meal was mostly eaten
0:11:02 > 0:11:04when her dessert wasn't even touched.
0:11:04 > 0:11:07How could it be? She was already dead.
0:11:07 > 0:11:09You were right, Camille.
0:11:09 > 0:11:11This isn't suicide. It's murder.
0:11:11 > 0:11:15But if the killer poisoned her food, they left the sleeping pills
0:11:15 > 0:11:17and the water to make it look like a suicide.
0:11:17 > 0:11:19- After they'd done that... - How did they get out?
0:11:19 > 0:11:22Leaving the door locked and bolted from the inside?
0:11:22 > 0:11:27OK, let's just, er, park that in the "still to be established" column
0:11:27 > 0:11:28for the moment.
0:11:28 > 0:11:30HE CLEARS HIS THROAT
0:11:30 > 0:11:32But if it is murder...
0:11:32 > 0:11:34We'd need to interview her friends again, and the staff.
0:11:34 > 0:11:37Then let's do that. Dwayne, background checks, er,
0:11:37 > 0:11:40finish checking through the victim's personal possessions.
0:11:40 > 0:11:43Fidel, chase up the lab results, get toxicology to look into the curry,
0:11:43 > 0:11:46and we need her autopsy booked in as soon as possible.
0:11:46 > 0:11:48I want to know what poison was in that curry.
0:11:48 > 0:11:49Come on, Camille!
0:11:54 > 0:11:56We need to get back in the victim's room again -
0:11:56 > 0:11:58we must be missing something.
0:11:58 > 0:12:01If she was murdered, there has to be another way out.
0:12:04 > 0:12:05The Chandlers - Pam and Jim -
0:12:05 > 0:12:07there was a little something going on between them,
0:12:07 > 0:12:10when he talked about the victim. It wasn't much, it was just
0:12:10 > 0:12:13the way she looked at him. What was that? It was jealousy, maybe.
0:12:13 > 0:12:15Something, something more sinister?
0:12:15 > 0:12:16- Erm...- What?
0:12:20 > 0:12:22Sorry. I should've called first.
0:12:25 > 0:12:26Humph?
0:12:27 > 0:12:30- Well, say something.- Yes. Right. Er...
0:12:31 > 0:12:32Maybe ask me what I'm doing here?
0:12:32 > 0:12:36Good. Yes, that's the one. Excellent! What are you doing here?
0:12:36 > 0:12:39The board sent me to Martinique for a week.
0:12:39 > 0:12:42I knew that you were only an hour away and I...
0:12:42 > 0:12:43should've phoned.
0:12:43 > 0:12:45Yes.
0:12:46 > 0:12:49Sorry. Er, Camille, this is Sally.
0:12:49 > 0:12:50My wife.
0:12:50 > 0:12:52My ex-wife.
0:12:52 > 0:12:53Are you an ex? How's that work?
0:12:53 > 0:12:57- Pleased to meet you. - I've heard so much about you.
0:12:57 > 0:12:59- Really?- Yes!- All good! All good!
0:12:59 > 0:13:02Er, you know, given the circumstances, anyway!
0:13:02 > 0:13:04Well, I'll leave you and...
0:13:04 > 0:13:07Oh, no, no, no! Of course, you're...you're working! But, erm...
0:13:07 > 0:13:09maybe we could meet later?
0:13:09 > 0:13:11Er, ye-yes. OK.
0:13:11 > 0:13:14- Six? Seven?- Absolutely.
0:13:14 > 0:13:15Which?
0:13:15 > 0:13:17Oh, 6.30.
0:13:17 > 0:13:19Er, where?
0:13:19 > 0:13:21There's a bar on the harbour. Catherine's?
0:13:23 > 0:13:26All right. I'll be there.
0:13:28 > 0:13:29I'm sorry to intrude.
0:13:31 > 0:13:32Bye.
0:13:38 > 0:13:40Are you all right?
0:13:40 > 0:13:42Yes, fine. Never better.
0:13:46 > 0:13:47What are we doing?
0:13:47 > 0:13:50- Going to the retirement home? - Of course! Of course!
0:14:00 > 0:14:04OK, so, the kitchen prepared two room service meals
0:14:04 > 0:14:06yesterday, both chicken curry.
0:14:06 > 0:14:10And Sylvaine took one of them to Judith Musgrove in her room,
0:14:10 > 0:14:12and the other she delivered to Emma Redding.
0:14:12 > 0:14:16Sylvaine doesn't think anyone could have tampered with the food
0:14:16 > 0:14:19while she was delivering it, and as at least one other guest had
0:14:19 > 0:14:22the same meal, it couldn't have been tampered with in the kitchen.
0:14:22 > 0:14:26- Are you listening to any of this? - Yes, every word. Go on.
0:14:27 > 0:14:31At 5:45pm, Sylvaine collected the empty plates from outside
0:14:31 > 0:14:35Judith's room, but Dr Redding hadn't put hers out.
0:14:35 > 0:14:38Not surprising as she was almost certainly dead by then.
0:14:38 > 0:14:41So Sylvaine is the last person to see the victim alive
0:14:41 > 0:14:44and she's the only person who could have doctored the curry...
0:14:45 > 0:14:47..so what if she's our killer?
0:14:49 > 0:14:50Sir?
0:14:53 > 0:14:56- Sir?- Mmm? - Why don't you take some time off?
0:14:56 > 0:14:57What for?
0:14:57 > 0:14:59To go and talk to your wife?
0:14:59 > 0:15:01- I heard everything you said. - Really?- Yes.
0:15:01 > 0:15:04Two room service meals, both of them chicken curry. The other one fine
0:15:04 > 0:15:07so it couldn't have been tampered with in the kitchen.
0:15:07 > 0:15:10Manager adamant it never left her sight, so maybe she's our killer.
0:15:10 > 0:15:12Why do you suppose she didn't phone?
0:15:12 > 0:15:13- Who?- Sally.
0:15:16 > 0:15:18Because she was afraid you would tell her not to come.
0:15:20 > 0:15:22PHONE RINGS
0:15:22 > 0:15:24Excuse me.
0:15:24 > 0:15:25Hello?
0:15:27 > 0:15:29Dwayne? Mm-hmm?
0:15:33 > 0:15:35Is everything all right, Mr Witton?
0:15:36 > 0:15:39Yep, just getting some air.
0:15:45 > 0:15:46Thank you.
0:15:50 > 0:15:52- Sir?- Here.
0:15:52 > 0:15:54The only way in or out of the chalet is through this door,
0:15:54 > 0:15:57which was locked and bolted from the inside. It's impossible.
0:15:57 > 0:15:58That was Dwayne.
0:15:58 > 0:16:02There were three entries in the victim's diary for yesterday.
0:16:02 > 0:16:05- The concert with Mr Campbell, the dance...- And?
0:16:05 > 0:16:08And a note to meet Judith Musgrove at 3pm.
0:16:08 > 0:16:11- Judith Musgrove. We spoke to her last night, didn't we?- Yes, we did.
0:16:11 > 0:16:13I wonder why she didn't feel the need to mention it then.
0:16:18 > 0:16:21- 14 points!- Mmm! Mm-hm!
0:16:22 > 0:16:25Miss Musgrove. Can we have a word, please?
0:16:25 > 0:16:26Of course.
0:16:26 > 0:16:28I'd better make myself scarce.
0:16:28 > 0:16:30No, stay, I'm sure it won't take very long.
0:16:30 > 0:16:32How can I help?
0:16:32 > 0:16:33You had an appointment
0:16:33 > 0:16:36to meet Dr Redding yesterday afternoon at three.
0:16:36 > 0:16:37I'm a retired solicitor.
0:16:37 > 0:16:40Emma made an appointment to see me about her will.
0:16:40 > 0:16:42She did?
0:16:42 > 0:16:44She changed her will just before she died?
0:16:44 > 0:16:48Actually, she didn't - that's why I didn't mention it last night.
0:16:48 > 0:16:51Everything looks absolutely in order.
0:16:51 > 0:16:54- Nothing that needs to be altered. - Oh, good.
0:16:54 > 0:16:57Everything was left to her husband, unless he predeceased her,
0:16:57 > 0:17:02in which case, her estate would go straight to her son, Ben.
0:17:02 > 0:17:04Her husband died a few years ago.
0:17:04 > 0:17:07And I was able to tell her not to worry about it.
0:17:07 > 0:17:10Her son would still inherit on her death.
0:17:10 > 0:17:14- Did she say why she felt the need to check her will?- No, she didn't.
0:17:14 > 0:17:16And how was she when you were with her?
0:17:16 > 0:17:20I thought she was pre-occupied. Worried, even.
0:17:22 > 0:17:26I'm sorry, I should've told you all this yesterday. Shouldn't I?
0:17:30 > 0:17:32I'm sorry, but I don't understand what the problem is.
0:17:32 > 0:17:35What's going on? It's like the fifth time I've called.
0:17:35 > 0:17:37My inspector's waiting for those results.
0:17:38 > 0:17:40No, I'll hold.
0:17:51 > 0:17:52Any luck?
0:17:52 > 0:17:56- Excuse me?- Finding out what happened to Dr Redding?
0:17:56 > 0:17:57It's, er, Mr...?
0:17:57 > 0:18:00- Witton. David Witton. - Were you a friend of hers?
0:18:00 > 0:18:03Of course. Everyone knew Emma.
0:18:03 > 0:18:05Life and soul of the party.
0:18:05 > 0:18:07- Close friends? - Well, not really.
0:18:08 > 0:18:11I've only been here six months.
0:18:11 > 0:18:15- Truth is, I'm still finding my feet. - Then why the interest?
0:18:15 > 0:18:18Just after a bit of gossip.
0:18:18 > 0:18:20It's like currency in here.
0:18:39 > 0:18:41GOAT BLEATS
0:18:57 > 0:19:00Well, thank you very much for your help, Mr Redding.
0:19:00 > 0:19:01No, no. Of course.
0:19:01 > 0:19:04As soon as we have any developments, we'll let you know. Bye.
0:19:07 > 0:19:09He and his mother were clearly very close.
0:19:09 > 0:19:11He said he only spoke to her for a few minutes yesterday,
0:19:11 > 0:19:13but she seemed her normal self.
0:19:13 > 0:19:14Really?
0:19:14 > 0:19:17And yet she was worried when she went through her will,
0:19:17 > 0:19:20so what changed? And why did she need a solicitor to look at it?
0:19:20 > 0:19:22Could it be a coincidence?
0:19:22 > 0:19:24That Emma got her will checked the same day she was murdered?
0:19:24 > 0:19:28No. No way. It's connected. But why?
0:19:28 > 0:19:30- Fidel?- Sir? - Background checks throw anything up?
0:19:30 > 0:19:33We have Colin Campbell. He was a Captain in the Army.
0:19:33 > 0:19:36Divorced five years ago, moved to Saint Marie.
0:19:36 > 0:19:39In a relationship with Dr Redding. Everyone said they were inseparable.
0:19:41 > 0:19:45- Right, Sally Musgrove?- Judith. - Judith, Judith Musgrove?
0:19:45 > 0:19:46Yeah, she's a retired solicitor.
0:19:46 > 0:19:48She's the home's longest-serving resident.
0:19:48 > 0:19:50No family, never married. But by all accounts,
0:19:50 > 0:19:52- she's a very good friend of the victim.- Hmm.
0:19:52 > 0:19:56- Jim and Sally Chandler? - Jim and Pam Chandler, sir.
0:19:57 > 0:20:00They're old friends of Emma's. Or rather he is.
0:20:00 > 0:20:02They worked together in the UK. Nothing showing for them.
0:20:02 > 0:20:05There was someone else we saw at the home.
0:20:05 > 0:20:06David Witton.
0:20:06 > 0:20:09- Do you have anything on him? - Yes. David Witton.
0:20:09 > 0:20:10Now, he's a retired teacher.
0:20:10 > 0:20:13He only came out to the island about six months ago.
0:20:13 > 0:20:16But by all accounts, he's a bit of a loner. Doesn't really mix much.
0:20:16 > 0:20:18And what about the manager - Sylvaine?
0:20:18 > 0:20:20Right. Nothing on file. But I rang my mother,
0:20:20 > 0:20:23cos she's good friends with Sylvaine's family.
0:20:23 > 0:20:25She told me Sylvaine's married, has a couple of kids,
0:20:25 > 0:20:27is involved in the local church and...
0:20:27 > 0:20:30Well, she just laughed when I asked if she could be a killer.
0:20:30 > 0:20:33And yet, if it was the curry that poisoned Emma...
0:20:33 > 0:20:36- Sylvaine is the only person who ever had access to it.- Hmm.
0:20:36 > 0:20:39- TELEPHONE RINGS - Honore Police Station.
0:20:39 > 0:20:41It's Dwayne. ..Yes, go on.
0:20:50 > 0:20:53You've been very helpful, sir. This is great.
0:20:53 > 0:20:55Thank you very much. Bye-bye.
0:20:57 > 0:20:58So what you got?
0:20:58 > 0:21:01I found these architect's drawings for the refurbishment of this bar
0:21:01 > 0:21:04in the victim's possessions, so I thought I'd check it out.
0:21:04 > 0:21:08- Turns out the bar was sold just under a year ago.- Who to?
0:21:08 > 0:21:09Colin Campbell.
0:21:09 > 0:21:13- But these plans were in Emma's room? - They sure were.
0:21:13 > 0:21:16But the thing is, this place is virtually worthless.
0:21:16 > 0:21:19Turtles started breeding here a while back. The bar was closed down
0:21:19 > 0:21:21and a preservation order slapped on the whole beach.
0:21:21 > 0:21:25There's no building and no possibility of any redevelopment.
0:21:25 > 0:21:29- So how come these plans exist?- And why were they in our victim's room?
0:21:32 > 0:21:36There's no law against foreigners owning property on the island.
0:21:36 > 0:21:40- Of course not. But the bar you bought is derelict.- Until we re-develop it.
0:21:40 > 0:21:44- So what's the plan?- I buy the bar - that's my investment.
0:21:44 > 0:21:47But developing it is going to cost at least 60,000.
0:21:47 > 0:21:50- And you planned to raise the money how?- Friends.- Oh?
0:21:50 > 0:21:53- Oh, Judith's already put some in. - How much?- 40K.
0:21:53 > 0:21:55SHE GASPS
0:21:55 > 0:21:57Judith's already given you 40,000?
0:21:57 > 0:22:00- That's right. - But that's still not enough.
0:22:00 > 0:22:03- Did you ever mention your plans to Dr- Redding? Of course.
0:22:03 > 0:22:06- How much money did you ask her for? - I never asked Emma for a penny.
0:22:06 > 0:22:09And yet, we found the plans for your bar in her room.
0:22:09 > 0:22:11Well, she took an interest, of course she did,
0:22:11 > 0:22:12but I didn't ask her to invest.
0:22:12 > 0:22:15You know there's a preservation order on that beach?
0:22:15 > 0:22:17You'll never be able to build on it.
0:22:17 > 0:22:19And yet you still took your friend's money?
0:22:19 > 0:22:22I intend to fight to get the order lifted.
0:22:22 > 0:22:25Let me make two predictions. One - I bet you never told Judith
0:22:25 > 0:22:28about the preservation order before you took her money.
0:22:28 > 0:22:30And two - the 40 grand she gave you is in an account
0:22:30 > 0:22:33- which you could clear out at any time.- What are you implying?
0:22:33 > 0:22:37Did Dr Redding refuse to give you the rest of the money you needed?
0:22:37 > 0:22:38No!
0:22:39 > 0:22:41Look, you've got me all wrong.
0:22:42 > 0:22:44The reason I was so worried
0:22:44 > 0:22:47when Emma didn't show up for the party that night
0:22:47 > 0:22:50was that I was going to ask her to marry me.
0:22:50 > 0:22:51I loved her.
0:22:55 > 0:22:57- HE SIGHS - So have Fidel get in touch
0:22:57 > 0:23:00with whoever's in charge of planning at the town hall.
0:23:00 > 0:23:03See if Colin Campbell stood any chance of lifting
0:23:03 > 0:23:05that preservation order on the beach bar.
0:23:05 > 0:23:06Do you think he's a con man?
0:23:06 > 0:23:09That maybe Emma Redding discovered what he was up to?
0:23:09 > 0:23:12Oh, so he poisoned her before she could tell Judith
0:23:12 > 0:23:16that she stood to lose 40,000? Well, it's a possible who and why.
0:23:16 > 0:23:18But we can't prove anyone killed her
0:23:18 > 0:23:20if we can't establish how they got out that bloody room.
0:23:23 > 0:23:28You know, maybe we can finish a little early, if you want to get home?
0:23:28 > 0:23:32- Mmm?- Have a shower. Get changed before your date.
0:23:32 > 0:23:36- Oh, it's hardly that, Camille. - Your wife came a long way to see you.
0:23:36 > 0:23:37It must be important.
0:23:39 > 0:23:41Sir? Camille?
0:23:41 > 0:23:42- The autopsy report.- Ah!
0:23:43 > 0:23:46The only food the pathologist found in the victim's stomach
0:23:46 > 0:23:49- was the curry, rice and beans. - Yes, her last meal, as we suspected.
0:23:49 > 0:23:51So have they identified the poison?
0:23:51 > 0:23:54Cause of death was a massive overdose of Propenten -
0:23:54 > 0:23:56the sleeping pills we found beside the body.
0:23:56 > 0:24:00All right, wasn't expecting that, but...
0:24:00 > 0:24:02Her killer must've got the sleeping pills,
0:24:02 > 0:24:03crushed them up and put them in the curry.
0:24:03 > 0:24:06Then he or she got into the room
0:24:06 > 0:24:08and staged the scene to look like suicide.
0:24:08 > 0:24:09Before getting through a door
0:24:09 > 0:24:12that was locked and bolted from the inside. How?
0:24:22 > 0:24:23HE SIGHS
0:24:23 > 0:24:27OK, could someone have given Emma the poison outside her room?
0:24:27 > 0:24:31- She goes inside and bolts the door herself?- No, no way.
0:24:31 > 0:24:32She was already in her room
0:24:32 > 0:24:34when the food was delivered on the video call to her son.
0:24:36 > 0:24:41The killer must've got the Propenten into the curry...somehow.
0:24:41 > 0:24:42Then Sylvaine has to be our killer.
0:24:42 > 0:24:45- No!- Yes! She's the only person who went near the curry.
0:24:45 > 0:24:47I'm sorry, I disagree. I don't think Sylvaine's the killer.
0:24:47 > 0:24:49Why would the manager of an old people's home
0:24:49 > 0:24:51want to kill one of her residents?
0:24:51 > 0:24:54Was there any indication Sylvaine and Emma didn't get on?
0:24:54 > 0:24:55Er, were they ever seen arguing?
0:24:55 > 0:24:58Well, according to the residents, Emma and Sylvaine got on very well.
0:24:58 > 0:25:00Exactly, also...
0:25:05 > 0:25:09Why would she want to lose one of her paying customers, hmm?
0:25:09 > 0:25:10I don't think it's Sylvaine.
0:25:10 > 0:25:14Someone else got to that curry and doctored it.
0:25:15 > 0:25:16But how?
0:25:16 > 0:25:20I've got the victim's credit card statements through. Nothing unusual.
0:25:20 > 0:25:24She did go out to eat a lot, though. Five times in the past ten days.
0:25:24 > 0:25:28- I crosschecked dates, but there's nothing in her diary.- Amounts?
0:25:28 > 0:25:31All of them 100, all from the same restaurant.
0:25:31 > 0:25:33- Must be two people. - OK, check it out.
0:25:33 > 0:25:37Well, erm... Ahem! I don't think we can achieve much more today.
0:25:37 > 0:25:40Er, let's go over everything again tomorrow morning.
0:25:40 > 0:25:43Hopefully, we'll have the results back on the curry.
0:25:43 > 0:25:46- It's not like you to be first to go, chief.- What?
0:25:46 > 0:25:48- You got a hot date? - HE LAUGHS
0:25:48 > 0:25:50DWAYNE LAUGHS
0:25:50 > 0:25:52A date? No, no, erm... I, er...
0:25:52 > 0:25:55Well, I mean, I would stay if there was, er, something to, er, do.
0:25:55 > 0:25:58- I mean, there is no rush... - No, no, no, no. You go.
0:25:58 > 0:26:01- We'll see you in the morning. - Right, ahem...
0:26:01 > 0:26:03I'll...
0:26:03 > 0:26:05Night, chief.
0:26:05 > 0:26:06HE LAUGHS Dwayne!
0:26:06 > 0:26:08What?
0:26:13 > 0:26:15MUSIC PLAYS
0:26:21 > 0:26:23Good evening. What can I get you?
0:26:23 > 0:26:25- Do you have a Pinot Grigio? - Sorry, no.
0:26:25 > 0:26:27I have a Sauvignon Blanc, it's quite dry.
0:26:27 > 0:26:29Right, that'll be lovely, thank you.
0:26:34 > 0:26:36- Well?- Well, what?
0:26:36 > 0:26:39- What is she like?- She only ordered a drink.- Come on, Maman!
0:26:39 > 0:26:42You've been serving in bars for 30 years, that's more than enough time!
0:26:44 > 0:26:48- She's a bitch, isn't she? - Actually, she was very sweet.
0:26:55 > 0:26:58REGGAE MUSIC PLAYS
0:27:12 > 0:27:14- HE CLEARS HIS THROAT - Hi.
0:27:14 > 0:27:20- Hi.- Sorry, am I late?- No. Like what you've done with your hair.
0:27:20 > 0:27:24- Oh, God! Does it look very stupid? - No! I like it. It's very Humph.
0:27:24 > 0:27:27Humphrey, what can I get you?
0:27:27 > 0:27:31Oh, I-I would like, erm, a beer, please, Catherine, thank you.
0:27:37 > 0:27:39I don't know what to say.
0:27:39 > 0:27:41That's all right. Nor do I.
0:27:42 > 0:27:44Hey! What's happened to his hair?
0:27:48 > 0:27:49Hey!
0:27:49 > 0:27:51There is one thing I've been meaning to tell you.
0:27:51 > 0:27:53You know the car alarms you hear when it's stopped raining?
0:27:53 > 0:27:56They're not car alarms, turns out they're...
0:27:56 > 0:27:59- BOTH: ..amazing frogs. - I know.- Course you do.
0:28:01 > 0:28:03- Thank you.- You're very welcome.
0:28:12 > 0:28:14Why aren't we married any more?
0:28:15 > 0:28:17I-I still don't really know what happened.
0:28:17 > 0:28:19I got your message and listened to it over and over.
0:28:19 > 0:28:22The thing is, it doesn't really tell me anything.
0:28:22 > 0:28:24Except, of course, that you didn't love me any more, which is...
0:28:24 > 0:28:27- HE LAUGHS NERVOUSLY - ..fair enough. It's just...
0:28:29 > 0:28:31- Did I do something wrong?- No.
0:28:33 > 0:28:35Right. Good.
0:28:35 > 0:28:38I just got a bit lost, Humph.
0:28:38 > 0:28:41Like I didn't know who I was any more.
0:28:41 > 0:28:43Like I was drowning in this never-ending whirlpool
0:28:43 > 0:28:47of niceness and understanding and routine.
0:28:47 > 0:28:50Days and conversations just merging into one another
0:28:50 > 0:28:53until I couldn't tell them apart any more.
0:28:53 > 0:28:58Everything was just a blob. Just a soggy, fat, huge, predictable blob.
0:28:58 > 0:29:01- I'm sorry. - You don't need to apologise.
0:29:01 > 0:29:04This wasn't about you, Humph, this was me. It was all me.
0:29:06 > 0:29:08I thought I wanted something different.
0:29:08 > 0:29:11Something...new and exciting.
0:29:11 > 0:29:13SHE LAUGHS
0:29:13 > 0:29:17You think I'd get it, wouldn't you? Being a botanist, I mean?
0:29:17 > 0:29:19Well, the grass isn't always greener.
0:29:19 > 0:29:21HE LAUGHS
0:29:23 > 0:29:24I miss how smart you are.
0:29:33 > 0:29:35I'm starting to realise that letting you go...
0:29:37 > 0:29:40..may well qualify as the biggest mistake I've ever made.
0:29:43 > 0:29:45Humph, I just need...
0:29:49 > 0:29:51Humph...
0:29:56 > 0:29:58Uh-oh.
0:30:16 > 0:30:19Sir?
0:30:19 > 0:30:22Ah! Just gathering my thoughts for the day ahead.
0:30:22 > 0:30:23Mmm.
0:30:28 > 0:30:31I'm sorry, Camille, if I've been a little bit, er...
0:30:31 > 0:30:35preoccupied since Sally arrived. It's very unprofessional of me.
0:30:35 > 0:30:37- No, it isn't.- No, no, it is. A lady lost her life.
0:30:37 > 0:30:41We're duty-bound to put everything else aside
0:30:41 > 0:30:43- until we find the person responsible.- Mm-hm.
0:30:46 > 0:30:48So how was it? Last night? HE LAUGHS
0:30:48 > 0:30:50Yes, well, we went to your mother's bar.
0:30:50 > 0:30:53- I thought we would see you. - Oh, no, I was, erm...
0:30:53 > 0:30:55I was busy. So?
0:30:57 > 0:31:00Camille, would you mind very much if I didn't talk about it?
0:31:00 > 0:31:02- Not just yet.- Oh...
0:31:02 > 0:31:04- Of course.- Thank you.
0:31:11 > 0:31:16- So, we had the toxicology report back first thing.- Mm-hm?
0:31:16 > 0:31:19The lab tested the curry from Emma's room
0:31:19 > 0:31:22and they found no trace of Propenten in it.
0:31:23 > 0:31:26- But all she ate that night was that curry.- Mm-hm.
0:31:26 > 0:31:28She overdosed on Propenten. It had to be in the curry!
0:31:28 > 0:31:31The lab says not. It really was just a plate of curry.
0:31:31 > 0:31:34Then how did the killer get her to overdose? How was she killed?
0:31:35 > 0:31:38Why does nothing about this case make any sense?
0:31:38 > 0:31:40Now, a woman makes sure her will is in order.
0:31:40 > 0:31:43We then later find her alone, dead from a sleeping pill overdose,
0:31:43 > 0:31:45the empty packet of pills beside her,
0:31:45 > 0:31:48no traces of drugs found in the food she ate before she died,
0:31:48 > 0:31:50and the door is locked and bolted from the inside.
0:31:50 > 0:31:52What if it's suicide after all?
0:31:52 > 0:31:54I don't believe it.
0:31:54 > 0:31:55Neither do I.
0:31:59 > 0:32:03- Sally wants to give it another go.- Oh.
0:32:03 > 0:32:06Said she'd made a terrible mistake.
0:32:06 > 0:32:08OK.
0:32:08 > 0:32:11- And...is that what you want? - I don't know.
0:32:11 > 0:32:13Yeah. Of course.
0:32:15 > 0:32:18She called me this morning and asked me to meet her for dinner tonight.
0:32:18 > 0:32:21That's good. Isn't it?
0:32:21 > 0:32:23- I think she'll want an answer. - I'm sure she will.
0:32:23 > 0:32:25- So what do I say? - Depends on how you feel.
0:32:29 > 0:32:33- Maybe I should just concentrate on the job in hand.- Good idea.- Right!
0:32:33 > 0:32:35Put everything else out of my mind
0:32:35 > 0:32:38and concentrate on who killed Sally Redding.
0:32:38 > 0:32:40Emma! Emma Redding!
0:32:47 > 0:32:48Hey!
0:32:48 > 0:32:51- Ah, chief!- Yes?- I went to that restaurant last night.
0:32:51 > 0:32:54You know, the one where Emma had been using her credit card?
0:32:54 > 0:32:57I got them to match their CCTV with the dates and times
0:32:57 > 0:32:59- of the transactions. - Yes, and what did you find?
0:32:59 > 0:33:02She was there with the same person every time.
0:33:02 > 0:33:04Right, well, Colin Campbell, I presume,
0:33:04 > 0:33:05seeing as he's her boyfriend.
0:33:05 > 0:33:07It wasn't Colin.
0:33:08 > 0:33:11Turns out her dining companion was...
0:33:11 > 0:33:12Jim Chandler.
0:33:15 > 0:33:17Hmm, I wonder if Mrs Chandler knew about this.
0:33:32 > 0:33:35You've gotta come out here. You'd love it!
0:33:35 > 0:33:37Seriously! WOMAN LAUGHS
0:33:37 > 0:33:39- Bye! WOMAN VIA COMPUTER:- 'Aw, bye, Pam!'
0:33:39 > 0:33:40Aw!
0:33:40 > 0:33:42- Good afternoon.- Oh!
0:33:42 > 0:33:45It's a friend of mine, stuck in south east London.
0:33:45 > 0:33:48Can you imagine? When she could be out here!
0:33:48 > 0:33:50- Is your husband here? - Can I help you?
0:33:50 > 0:33:53Yes, er, we'd just like a quick word.
0:33:55 > 0:33:57Yeah, OK, erm, maybe we'd be best
0:33:57 > 0:34:00down at the dining area. It's quieter there.
0:34:00 > 0:34:02- Yes, of course.- Nonsense!
0:34:02 > 0:34:06Anything you have to say, you can say in front of me.
0:34:06 > 0:34:07Can't you?
0:34:09 > 0:34:10- Yes, course.- Well, then...
0:34:12 > 0:34:14How can I help?
0:34:14 > 0:34:16Well, we're, er, trying to establish
0:34:16 > 0:34:18the exact nature of your relationship with Emma Redding.
0:34:18 > 0:34:22We know you've been having private meals with her in town
0:34:22 > 0:34:24on at least six different occasions.
0:34:24 > 0:34:26Yes, you've known each other for years.
0:34:26 > 0:34:29Indeed, it was you who suggested she come out to the island,
0:34:29 > 0:34:30so I must ask again -
0:34:30 > 0:34:32what was the nature of your relationship with Emma?
0:34:34 > 0:34:36Jim?
0:34:36 > 0:34:38You think we were having an affair?
0:34:39 > 0:34:41Well, were you?
0:34:47 > 0:34:50Eight years ago, I had cancer, of the colon.
0:34:52 > 0:34:56We spotted it early, had a bit of surgery and we cut the tumour out.
0:34:58 > 0:35:00That's why Pam and I came out here.
0:35:00 > 0:35:03We decided... life was for the living.
0:35:05 > 0:35:09I still go for regular checkups, of course I do, and...the last one...
0:35:11 > 0:35:13..my blood count was high.
0:35:15 > 0:35:16What?
0:35:18 > 0:35:21They wanted me to go in for more tests...
0:35:21 > 0:35:23and I found myself asking Emma's advice,
0:35:23 > 0:35:26just as an old friend and a doctor.
0:35:26 > 0:35:28And she said she'd go with me.
0:35:33 > 0:35:34The bastard's back.
0:35:39 > 0:35:43- VOICE CRACKS: Why didn't you tell me? - I didn't want to burden you.
0:35:43 > 0:35:44Not again.
0:35:44 > 0:35:47That's why I told Emma it had to be a secret.
0:35:49 > 0:35:52- But I, I, I thought...- I know.
0:35:52 > 0:35:53I'm sorry.
0:35:56 > 0:35:59The restaurant we went to was right next to the hospital.
0:35:59 > 0:36:03Most of the time, I was begging Emma to look after my Pammy for me.
0:36:07 > 0:36:08PAM SOBS
0:36:11 > 0:36:13It's all right. It's all right.
0:36:18 > 0:36:20Camille, get in touch with Jim Chandler's doctor,
0:36:20 > 0:36:22- confirm his story, would you?- Yes.
0:36:22 > 0:36:24- Chief?- Mmm?
0:36:24 > 0:36:27I've just spoken to a friend of mine at the Planning Department, and it
0:36:27 > 0:36:29turns out that the beach where Colin bought his bar was only ever
0:36:29 > 0:36:31SUSPECTED of being a turtle nesting site.
0:36:31 > 0:36:33If he challenged the preservation order,
0:36:33 > 0:36:35there's every chance he'd get it overturned.
0:36:35 > 0:36:39And worse than that, if he's a con man, he's a very bad one.
0:36:39 > 0:36:41I spoke to his bank.
0:36:41 > 0:36:44He opened a joint account with Judith Musgrove.
0:36:44 > 0:36:46There's 40,000 in it.
0:36:46 > 0:36:48But no-one's ever touched a cent.
0:36:51 > 0:36:53So.
0:36:53 > 0:36:56Colin's not a con man, and Jim wasn't having an affair.
0:36:56 > 0:37:00Who killed Dr Emma Redding? Why?
0:37:00 > 0:37:02- And how?- Thank you very much.
0:37:02 > 0:37:05- Sir, I might have found another suspect.- Who?
0:37:05 > 0:37:09OK, so I've been looking into David Witton, and here's the thing.
0:37:09 > 0:37:10- He had a daughter.- Had?
0:37:10 > 0:37:13That's right. Because she went into hospital ten years ago.
0:37:13 > 0:37:15It was routine surgery to have gallstones removed,
0:37:15 > 0:37:18but the operation went wrong. She died in the operating theatre.
0:37:18 > 0:37:20And guess who the surgeon was who operated on her?
0:37:20 > 0:37:21Emma Redding.
0:37:32 > 0:37:34You know, don't you?
0:37:34 > 0:37:37What are you doing here, Mr Witton?
0:37:37 > 0:37:39Either of you got any kids?
0:37:39 > 0:37:40No.
0:37:40 > 0:37:43Your life changes when you become a parent.
0:37:43 > 0:37:48It's like...there was a before, but now you know - your child's
0:37:48 > 0:37:51the reason you're alive, why you're on the planet.
0:37:51 > 0:37:53Dr Emma Redding was your daughter's surgeon.
0:37:53 > 0:37:55Joanna. Her name was Joanna.
0:37:56 > 0:38:00Her mother and me, our marriage didn't survive. How could it?
0:38:01 > 0:38:05I convinced myself that I had to find out who had done this,
0:38:05 > 0:38:08the surgeon who killed Joanna.
0:38:08 > 0:38:09So you came to Saint Marie?
0:38:11 > 0:38:13You make it sound so simple.
0:38:14 > 0:38:17When I knew she was out here...
0:38:17 > 0:38:19I only ever wanted to see her, to talk to her,
0:38:19 > 0:38:22find out what kind of person she was.
0:38:22 > 0:38:27See if she was haunted by the girl who died on her operating table.
0:38:28 > 0:38:31But when it came down to it...
0:38:31 > 0:38:34I didn't even have the courage to tell her who I was.
0:38:39 > 0:38:42You know, I didn't know true loneliness
0:38:42 > 0:38:44until I came to a retirement home.
0:38:45 > 0:38:47I mean, look at them.
0:38:52 > 0:38:54Everyone's got someone.
0:38:59 > 0:39:02You probably think I killed her, don't you?
0:39:02 > 0:39:03Did you?
0:39:03 > 0:39:07There were times when I could've done. Maybe even would have done.
0:39:08 > 0:39:10But no.
0:39:10 > 0:39:11I didn't.
0:39:25 > 0:39:28You were right, Fidel, David Witton only came here
0:39:28 > 0:39:29because of Emma Redding.
0:39:29 > 0:39:32Oh, so what do you think? Is he our prime suspect?
0:39:32 > 0:39:33Well, he's certainly got a motive.
0:39:33 > 0:39:35What's the problem?
0:39:35 > 0:39:38I don't know, he seemed genuine. I don't think he's our killer.
0:39:38 > 0:39:40Yeah, well, this case is weird anyway.
0:39:40 > 0:39:43If the killer can get out through a locked and bolted door,
0:39:43 > 0:39:46there's no point in catching them. How we going to keep them locked up?
0:39:46 > 0:39:49- You know something, he's got a point.- Yes!
0:39:49 > 0:39:51Well, I'll see you both in the morning.
0:39:51 > 0:39:54- Have a good night, Camille. - Where's the Chief?
0:39:54 > 0:39:57- Ah! He has a date.- What?!
0:39:57 > 0:39:59Yeah.
0:39:59 > 0:40:01- You're kidding me!- Mmm-mm.
0:40:01 > 0:40:03- Eh...- Who with?
0:40:08 > 0:40:09WAVES CRASH ON SHORE
0:40:13 > 0:40:15- Hi!- Hi.
0:40:15 > 0:40:17- Am I late?- No.
0:40:17 > 0:40:19- I brought you one of these. - What is it?
0:40:19 > 0:40:20Try it, you'll love it.
0:40:20 > 0:40:23It's like the whole of the Caribbean but in a glass.
0:40:26 > 0:40:27Oh!
0:40:27 > 0:40:29It's a bit strong.
0:40:29 > 0:40:32Well, it's basically neat rum. That's why it's so Caribbean.
0:40:32 > 0:40:35Yeah. Give me a gin and slim any time!
0:40:35 > 0:40:36HE LAUGHS ANXIOUSLY
0:40:37 > 0:40:41- Good day?- Not really.- Oh?
0:40:41 > 0:40:43No, I've got this case that's driving me a bit mad.
0:40:43 > 0:40:45- You see, there's this woman... - Excuse me?
0:40:45 > 0:40:49Could I possibly swap this for a gin and slimline tonic?
0:40:49 > 0:40:51- Of course.- Thank you.
0:40:53 > 0:40:55Have you thought about what I said?
0:40:55 > 0:40:57I've thought of little else.
0:40:57 > 0:40:58Well?
0:40:58 > 0:40:59- Well...- Chief!
0:41:00 > 0:41:04Ah! Dwayne, Fidel. Hello.
0:41:04 > 0:41:07Er... Sally, this is Dwayne, Fidel - we work together.
0:41:07 > 0:41:09- Very nice to meet you. - You too.
0:41:09 > 0:41:11- Mrs Goodman, welcome to Saint Marie. - Thank you.
0:41:11 > 0:41:14- Well, we'll leave you two alone, shall we? Fidel!- Sir.
0:41:14 > 0:41:17- Bye.- Bye.- Bye.
0:41:18 > 0:41:21- Oh, they seem nice.- Yes, they are.
0:41:21 > 0:41:24- (What are you doing?) - Having a beer.
0:41:24 > 0:41:26No, no, no, no. You promised me you wouldn't come in here!
0:41:26 > 0:41:28- HE promised.- I- didn't commit.
0:41:28 > 0:41:29He made me.
0:41:29 > 0:41:32You see, this is exactly why I didn't want to tell you.
0:41:33 > 0:41:35- For you.- ...and fell out the window.
0:41:35 > 0:41:36SHE LAUGHS
0:41:40 > 0:41:42I have missed you.
0:41:44 > 0:41:48Yeah, see, this is the bit where you say you've missed me too, and then...
0:41:48 > 0:41:49Course I miss you.
0:41:51 > 0:41:53So?
0:41:54 > 0:41:56Something you said yesterday.
0:41:57 > 0:42:00I wrote it down. Sorry, er...
0:42:00 > 0:42:04I thought it was important to remember the words you said.
0:42:08 > 0:42:12You said you were drowning in a never-ending
0:42:12 > 0:42:16whirlpool of niceness, understanding and routine.
0:42:16 > 0:42:18God, that's sounds awful.
0:42:18 > 0:42:24Everything was a soggy, fat, huge, predictable blob.
0:42:24 > 0:42:27- Humph, look...- Just let me finish.
0:42:27 > 0:42:28OK?
0:42:29 > 0:42:31See, you're right.
0:42:31 > 0:42:33Sorry, you WERE right, I mean.
0:42:33 > 0:42:34To feel that way.
0:42:36 > 0:42:37It's exactly how it was.
0:42:37 > 0:42:39For me too.
0:42:40 > 0:42:42What?
0:42:42 > 0:42:46I thought if we could get away, start anew, find something
0:42:46 > 0:42:50different together, find something exciting...
0:42:51 > 0:42:55..get out of our soggy blob, we could be like we used to be.
0:42:55 > 0:42:57That's what I wanted too.
0:42:57 > 0:42:59Only you didn't, did you, Sal?
0:43:02 > 0:43:04You didn't come with me.
0:43:04 > 0:43:06I was here...
0:43:06 > 0:43:09..waiting for our fresh start, and you left me
0:43:09 > 0:43:12a message on an answer-phone.
0:43:12 > 0:43:16I was trying to save us, and you were trying to save yourself.
0:43:25 > 0:43:27So...
0:43:29 > 0:43:31I found different...
0:43:33 > 0:43:36..and I found new, and I found exciting...
0:43:37 > 0:43:39..and I did all that without you.
0:43:40 > 0:43:44- I'm someone else now, Sal. - Don't be ridiculous.
0:43:44 > 0:43:48It's true, Sally. I'm rum punch and you're still gin and slim.
0:43:49 > 0:43:50God...
0:43:52 > 0:43:53You're dumping me?
0:43:53 > 0:43:57Sorry, Sal, it's not what I wanted.
0:43:57 > 0:43:58It's just what happened.
0:44:00 > 0:44:01What you made happen.
0:44:11 > 0:44:14- One of us should go over there, no? - Not me, sir!
0:44:16 > 0:44:17I'll go.
0:44:26 > 0:44:29The first time, you walked out - and now her?
0:44:29 > 0:44:31You weren't here the first time.
0:44:31 > 0:44:33I was hiding.
0:44:33 > 0:44:35Oh.
0:44:40 > 0:44:43So, can I ask what happened?
0:44:43 > 0:44:45It's finished.
0:44:45 > 0:44:47I thought she said she'd made a mistake.
0:44:47 > 0:44:49Yes, she did. She was wrong.
0:44:51 > 0:44:53- I'm sorry.- Don't be.
0:44:55 > 0:44:57Is there anything I can do?
0:44:57 > 0:44:58Yes, yes, there is, actually.
0:44:58 > 0:45:00OK.
0:45:00 > 0:45:03What any self-respecting colleague would do in the circumstances.
0:45:04 > 0:45:07Get me extremely drunk and then pour me into a cab.
0:45:07 > 0:45:11It's a deal. Maman! Two rum punches, please.
0:45:13 > 0:45:16Oh, wow. And keep them coming!
0:45:16 > 0:45:17OK!
0:45:38 > 0:45:40SHE SIGHS
0:45:42 > 0:45:45- Morning!- Morning, sir!- Chief. - Ah, Camille!- Mmm....
0:45:45 > 0:45:46Everything all right?
0:45:46 > 0:45:51I'm not sure how I got into the cab last night, assume it was you,
0:45:51 > 0:45:53- so thank you.- Why aren't you hurting?
0:45:53 > 0:45:56Bacon, egg, sausage, baked beans, two slices of fried bread.
0:45:56 > 0:45:57You should try it. Right.
0:45:57 > 0:46:00- I've been thinking, the crow and the pitcher.- What?
0:46:00 > 0:46:01You know, the old fable.
0:46:01 > 0:46:04A crow finds a pitcher of water one day and wants a drink,
0:46:04 > 0:46:07but the thing is, the neck of the jug is too long for him
0:46:07 > 0:46:09to reach down to the water.
0:46:09 > 0:46:11So he tries and he tries and he tries
0:46:11 > 0:46:13until he realises he needs a new approach.
0:46:13 > 0:46:16Rather than trying to reach down, he gets pebbles and drops them
0:46:16 > 0:46:19in to the pitcher and brings the water up to him.
0:46:21 > 0:46:22I'm not with you, sir, sorry.
0:46:22 > 0:46:24A fresh approach.
0:46:24 > 0:46:25Your point being?
0:46:25 > 0:46:28We've spent our whole time trying to reach down to the water,
0:46:28 > 0:46:31so why not make the water reach up to us?
0:46:36 > 0:46:37One minute.
0:46:38 > 0:46:40HE WHISTLES MOCKING "CUCKOO" SOUND
0:46:40 > 0:46:41SHE GROANS
0:46:41 > 0:46:43HUMPHREY GRUNTS
0:46:43 > 0:46:44CAMILLE GASPS
0:46:44 > 0:46:46Let me open the door for you!
0:46:46 > 0:46:47Step away from the door!
0:46:50 > 0:46:52Oof! Ugh!
0:46:52 > 0:46:53HUMPHREY GROANS
0:46:56 > 0:46:57Are you OK, sir?
0:46:59 > 0:47:03So, two men break down a door - that requires a lot of force.
0:47:03 > 0:47:04I don't understand.
0:47:04 > 0:47:08Don't worry, Camille, neither do I, but we've hit a brick wall
0:47:08 > 0:47:10and I'm trying to come at it from a different angle.
0:47:10 > 0:47:12Boy, it's lucky the door was only bolted, chief,
0:47:12 > 0:47:14and not locked as well, or I reckon it would
0:47:14 > 0:47:18- definitely have felt like a brick wall.- No.
0:47:18 > 0:47:21- Wait! Maybe you're right! - About what?
0:47:21 > 0:47:22But what does that mean?
0:47:22 > 0:47:26If the door was bolted first... Yes, of course! But the curry...
0:47:26 > 0:47:28How can you kill someone by putting sleeping pills in a curry
0:47:28 > 0:47:30without putting sleeping pills in the curry?
0:47:30 > 0:47:31ALL: You can't.
0:47:31 > 0:47:35How can you take any trace of the pills out of the curry after it's been eaten?
0:47:35 > 0:47:36ALL: You can't do that either.
0:47:36 > 0:47:38Yet if the only explanation is that someone did,
0:47:38 > 0:47:41- then that's what must have happened. - He must be still drunk.
0:47:41 > 0:47:43I heard that, Dwayne. Unless it's different.
0:47:43 > 0:47:44What if the door isn't the door,
0:47:44 > 0:47:47or at least not the door that we thought it was?
0:47:47 > 0:47:49What if the curry wasn't the curry?
0:48:02 > 0:48:07CAMILLE: 'Sylvaine doesn't think anyone could have tampered with her food whilst she was delivering it.'
0:48:07 > 0:48:08SHE LAUGHS
0:48:09 > 0:48:11Gordon Bennett!
0:48:11 > 0:48:12Who?
0:48:12 > 0:48:14That's why it didn't make sense!
0:48:14 > 0:48:16You know who the killer is?
0:48:16 > 0:48:18And how they got out of the locked room?
0:48:18 > 0:48:20You know what? I think I do.
0:48:20 > 0:48:22I just need to make a phone call first.
0:48:48 > 0:48:51Good afternoon.
0:48:51 > 0:48:54As each one of you has at one time or another fallen under
0:48:54 > 0:48:57the spotlight of our suspicion,
0:48:57 > 0:49:00I felt that you were all owed an explanation.
0:49:00 > 0:49:01WOMAN GASPS
0:49:03 > 0:49:05Sorry! Something wrong with that step.
0:49:06 > 0:49:10I felt you were all owed an explanation of how
0:49:10 > 0:49:11Emma Redding was killed.
0:49:11 > 0:49:14So she was killed?
0:49:14 > 0:49:18Yes, she was. And what's more, her killer is in this room.
0:49:27 > 0:49:28Why you looking at me?
0:49:28 > 0:49:31Because Emma Redding was killed by the curry you took to her room.
0:49:31 > 0:49:33I didn't do anything!
0:49:33 > 0:49:37Don't worry, I know you didn't kill anyone.
0:49:37 > 0:49:39Because after you put the tray down
0:49:39 > 0:49:41was when the real killer entered the room.
0:49:43 > 0:49:44And that was you...
0:49:45 > 0:49:47Me? No!
0:49:48 > 0:49:49..wasn't it...
0:49:53 > 0:49:54..Judith?
0:49:54 > 0:49:57What are you talking about?!
0:49:57 > 0:50:02But tell me, when did you get hold of Emma's sleeping pills?
0:50:02 > 0:50:05It wouldn't have been hard. Not for a, er... For a good friend.
0:50:08 > 0:50:11But as for the trick of how you got into and out of a locked room,
0:50:11 > 0:50:12that was harder to work out.
0:50:12 > 0:50:16But then I realised, that's why Emma looked at her will
0:50:16 > 0:50:19that afternoon. It was at your suggestion.
0:50:19 > 0:50:21And it was very clever.
0:50:21 > 0:50:23Because not only did it allow you to tell us
0:50:23 > 0:50:26that Emma was not her usual, upbeat self...
0:50:26 > 0:50:29Thought she was pre-occupied. Worried, even.
0:50:29 > 0:50:32Then suggested she was maybe getting her affairs in order...
0:50:32 > 0:50:34It also gave you access to Emma's room,
0:50:34 > 0:50:36where, of course, she kept a chalet key.
0:50:46 > 0:50:51And when you had that, you were ready to commit murder, weren't you?
0:50:51 > 0:50:53You ordered chicken curry that night,
0:50:53 > 0:50:55which you then poisoned with sleeping pills.
0:50:59 > 0:51:02You then went to Emma's room and pretended there'd been a mix up.
0:51:02 > 0:51:05You'd ordered fish, the other curry that night,
0:51:05 > 0:51:06but you'd got her chicken.
0:51:06 > 0:51:09Which was the one risk you took.
0:51:09 > 0:51:12Because there was a witness to the switchover, wasn't there?
0:51:12 > 0:51:15Even though that witness was thousands of miles away at the time.
0:51:15 > 0:51:19Emma was on a video call to her son when you went into the room.
0:51:19 > 0:51:21In fact, you were relying on that fact - she was distracted.
0:51:21 > 0:51:24You just had to hope that we wouldn't ask him
0:51:24 > 0:51:26if anyone else came into the room.
0:51:26 > 0:51:28And why would we? Her death was so obviously a suicide.
0:51:28 > 0:51:30We rang Emma's son.
0:51:30 > 0:51:33He heard you come in whilst he was still talking to Emma.
0:51:33 > 0:51:36I think they've got our dinners mixed up.
0:51:36 > 0:51:39I've got your chicken curry and you'll have my fish.
0:51:39 > 0:51:40Thanks, Judith.
0:51:44 > 0:51:45So, love...
0:51:45 > 0:51:49Once Emma had finished speaking to her son, she ate her dinner.
0:51:51 > 0:51:54And, as we'd already suspected, the flavours of the curry hid
0:51:54 > 0:51:57the taste of the overdose that was about to kill her.
0:51:57 > 0:52:00By the time she realised what was happening, it was just too late.
0:52:00 > 0:52:01DR REDDING GROANS
0:52:07 > 0:52:11At which point, it was now time to make it look like a suicide.
0:52:11 > 0:52:13Mmm. First, you needed some leftovers that had no trace
0:52:13 > 0:52:17of sleeping pills in. That was easy. You already had Emma's curry.
0:52:17 > 0:52:20And you already had her key, so you could let yourself in.
0:52:27 > 0:52:31You then made sure you left Emma's empty packet of sleeping
0:52:31 > 0:52:35pills at her side, and a glass of water.
0:52:35 > 0:52:37It was then the work of a moment to replace the incriminating
0:52:37 > 0:52:39curry with the plate you brought.
0:52:39 > 0:52:43And now the scene was set for the final part of the illusion.
0:52:43 > 0:52:46You were going to get out of a locked room.
0:52:46 > 0:52:49All it took was a little re-enactment to realise
0:52:49 > 0:52:50how you did it.
0:52:50 > 0:52:53See, first you opened the latch lock,
0:52:53 > 0:52:56but made sure the steel bolt was closed.
0:52:56 > 0:52:58The door frame was old. It wouldn't have been too hard to break
0:52:58 > 0:53:02the bolt, not for someone who was already prepared to commit murder.
0:53:04 > 0:53:07But then, having smashed only one of the locks, you left,
0:53:07 > 0:53:11using the other lock to secure the door.
0:53:11 > 0:53:14You then placed the plate of poisoned curry on a tray
0:53:14 > 0:53:18outside your own room, knowing that Sylvaine would carry it away later.
0:53:19 > 0:53:22An almost perfect murder.
0:53:22 > 0:53:25Because when the door was finally smashed in,
0:53:25 > 0:53:27you knew that we'd find the remnants of two bust locks
0:53:27 > 0:53:30and presume that they were both broken at the same time.
0:53:34 > 0:53:36The suicide wasn't a suicide,
0:53:36 > 0:53:39The curry wasn't THE curry, and the locked
0:53:39 > 0:53:42and bolted door wasn't locked and bolted, it was just locked.
0:53:45 > 0:53:50You know, I should've realised when David here said that he didn't know
0:53:50 > 0:53:53true loneliness until he came here.
0:53:55 > 0:53:58Because he's right. Everyone here has someone else.
0:53:59 > 0:54:02And you had Colin, didn't you?
0:54:02 > 0:54:05Always doing the crossword together. Always there for one another.
0:54:05 > 0:54:07In fact, you waited on him hand and foot -
0:54:07 > 0:54:09like an old married couple, if you didn't know any better.
0:54:09 > 0:54:13You even put 40,000 of your own money into Colin's bar,
0:54:13 > 0:54:16never even checking for a moment whether it was a non-starter or not.
0:54:16 > 0:54:18Proving love really is blind.
0:54:18 > 0:54:22It must have been wonderful to finally find a companion...
0:54:22 > 0:54:24and then Emma came along.
0:54:24 > 0:54:27- COLIN:- 'The reason that I was so worried that Emma hadn't shown up
0:54:27 > 0:54:31'for the dance that night was that I was going to ask her to marry me.
0:54:31 > 0:54:33'I loved her.'
0:54:34 > 0:54:36You wanted Colin for yourself.
0:54:36 > 0:54:39And you were prepared to do anything possible to get him back.
0:54:41 > 0:54:44You killed out of jealousy, pure and simple.
0:54:51 > 0:54:53SHE SOBS
0:54:53 > 0:54:55I'm so sorry!
0:55:00 > 0:55:02SOBBING CONTINUES
0:55:05 > 0:55:06Take her away.
0:55:28 > 0:55:33- I hear congratulations are in order. - Thank you, sir.
0:55:33 > 0:55:38But there was something else I wanted to say.
0:55:39 > 0:55:42A little bird tells me that your wife was here.
0:55:44 > 0:55:49- Yes, sir.- There was also talk of a reconciliation.
0:55:49 > 0:55:53- Well, sir, erm... - I'd hate to lose you, Inspector.
0:55:53 > 0:55:55And I'm sure your team feel the same.
0:55:55 > 0:55:58Don't worry, sir. I'm not going anywhere.
0:55:58 > 0:56:01Well, not for the foreseeable future, anyway.
0:56:02 > 0:56:06Er, Sally and me, well, Sally and I...
0:56:06 > 0:56:08it's not really worked out, sir.
0:56:09 > 0:56:12Oh. I see.
0:56:12 > 0:56:15Then I am sorry for you.
0:56:16 > 0:56:17But I'm pleased for us.
0:56:20 > 0:56:22Same here.
0:56:29 > 0:56:30RAUCOUS LAUGHTER
0:56:30 > 0:56:32SONG: "HOT, HOT, HOT"
0:56:32 > 0:56:33Oh, hey!
0:56:34 > 0:56:36Who's for a dance, then?
0:56:36 > 0:56:38That would be me, Dwayne Myers. Come on!
0:56:38 > 0:56:42- Me too!- Two for the price of one, eh?
0:56:42 > 0:56:43DWAYNE LAUGHS
0:56:43 > 0:56:45Yes, sir.
0:56:48 > 0:56:52I'm sorry, sir, about you and Mrs Goodman.
0:56:52 > 0:56:56Oh, don't be, Fidel. These things happen.
0:56:56 > 0:56:58Hm. I must say I was surprised.
0:56:58 > 0:57:01- Not half as much as I was.- Oh?
0:57:03 > 0:57:04Can you keep a secret, Fidel?
0:57:04 > 0:57:06Yes, sir, I can.
0:57:06 > 0:57:09Well, the thing is, I was just about to change my mind
0:57:09 > 0:57:11and tell Sally that we should try and make another go of it,
0:57:11 > 0:57:14when I looked across the room and saw something.
0:57:16 > 0:57:19- What?- Sergeant Camille Bordey.
0:57:26 > 0:57:27So, erm...
0:57:28 > 0:57:30- ..you... - ..love Camille?
0:57:32 > 0:57:35Well, yes, I think I very probably do.
0:57:37 > 0:57:39I don't know why it's taken me so long.
0:57:39 > 0:57:42I mean, look at her.
0:57:43 > 0:57:44She's wonderful.
0:57:47 > 0:57:50You know what, sir? You should tell her.
0:57:51 > 0:57:55Heavens, no. And risk spoiling all this?
0:57:55 > 0:57:59No, things are best left as they are.
0:58:02 > 0:58:05- DWAYNE:- Bye, bye, bye, bye, bye, bye, bye!
0:58:05 > 0:58:07That was good, eh?!
0:58:07 > 0:58:08LAUGHTER
0:58:08 > 0:58:12- Everything OK?- Yes, everything is just as it should be. Cheers.
0:58:12 > 0:58:14- Cheers!- Salut!
0:58:14 > 0:58:16CHATTERING
0:58:16 > 0:58:18- DWAYNE:- Beautiful!
0:58:18 > 0:58:20GIGGLING
0:58:20 > 0:58:21LAUGHTER