0:00:06 > 0:00:09- SHUTTER CLICKS - Nice. Nice, Sadie.
0:00:09 > 0:00:13Good. Good. Just under the beat. Lovely, darling.
0:00:13 > 0:00:17Rosey, keep your head up. Look at Sadie. Take notes.
0:00:17 > 0:00:21- I'm going to go backstage and get some shots, Nelson.- OK, Jay.
0:00:21 > 0:00:26Good, Sadie! Zoe, try to look as if you want to be here, yes?
0:00:28 > 0:00:33Well done. Better. Concentrate, no?
0:00:35 > 0:00:37Perfect, Eloise.
0:00:39 > 0:00:40Perfect.
0:00:40 > 0:00:45Let's just delay accepting, the Rome job's still a possibility.
0:00:45 > 0:00:48- Hey, has anyone seen my laptop? - It's where you last had it.
0:00:48 > 0:00:53- Thanks, Jay.- So there's great new place opened up on the beach for after the show.
0:00:53 > 0:00:57- Caribbean food, music.- Yeah, I'll be well up for that. Sadie?
0:00:57 > 0:01:00I think I'm going to keep my head down.
0:01:00 > 0:01:03Oh, come on, Sades. It's our last night on the island.
0:01:03 > 0:01:07- It'll be fun.- Sure. Why not?
0:01:07 > 0:01:09Right, right, right.
0:01:09 > 0:01:13Can I have your attention for a couple of minutes, please, ladies?
0:01:13 > 0:01:16Zoe, now!
0:01:16 > 0:01:18Right, just a few notes before tonight's show.
0:01:18 > 0:01:24Eloise, just keep on doing exactly what you are doing, it's fantastic.
0:01:24 > 0:01:28Rosey, a little more confidence, darling.
0:01:28 > 0:01:32- And, Sadie, can you soften your turns a little, yes? - KEYS TAP
0:01:32 > 0:01:36Zoe, as always, you need to focus.
0:01:36 > 0:01:39- Got it.- You might want to try slowing your walk a little, too.
0:01:39 > 0:01:43- Let them enjoy you. - Yeah. Well, thanks, Eloise.
0:01:43 > 0:01:46- Jay.- Yeah, just pretend I'm not there.
0:01:46 > 0:01:49And that's it. One hour to showtime.
0:01:49 > 0:01:52Get some rest, get focused,
0:01:52 > 0:01:55and don't forget...
0:01:55 > 0:01:56be fabulous!
0:02:04 > 0:02:09Have a good time. Oh, I've forgotten my key. I'll catch up.
0:02:09 > 0:02:12This may not be important to you, but it is everything to me.
0:02:12 > 0:02:15I didn't want you here in the first place,
0:02:15 > 0:02:17but now you are here, you'll do as I say, yes?
0:02:17 > 0:02:20Step out of line again and...
0:02:20 > 0:02:21that is it.
0:02:27 > 0:02:30Good evening, ladies and gentlemen.
0:02:30 > 0:02:33In aid of our local school, I present to you
0:02:33 > 0:02:37the stunning new lines from Saint Marie's favourite designer...
0:02:37 > 0:02:41- Nelson Benedict! - APPLAUSE
0:02:41 > 0:02:43MUSIC: Stone Cold Sober by Paloma Faith
0:02:43 > 0:02:47# I'll be the late-night lady you won't recognise
0:02:47 > 0:02:52# I'm a chameleon I'm always in disguise. #
0:02:52 > 0:02:53APPLAUSE
0:03:07 > 0:03:09APPLAUSE
0:03:19 > 0:03:21APPLAUSE
0:03:26 > 0:03:28Quickly, Zoe! Quickly!
0:03:28 > 0:03:30Ready.
0:03:30 > 0:03:33All right, that's it.
0:03:33 > 0:03:35Careful.
0:03:35 > 0:03:38OK. Zoe, scarf!
0:03:40 > 0:03:44- Come on, Nelson, you can do this. - CLOTH RIPS
0:03:44 > 0:03:47- I don't believe it! - I'll sort it.- How?
0:03:48 > 0:03:50Like this.
0:03:50 > 0:03:52Nelson, please.
0:03:54 > 0:03:57- Eloise, I need you here. - PHONE RINGS
0:03:57 > 0:04:00Agent. I need to take this. You can manage.
0:04:01 > 0:04:03Hi.
0:04:03 > 0:04:05APPLAUSE
0:04:05 > 0:04:06CHEERING
0:04:12 > 0:04:15Almost. Just the shoes.
0:04:15 > 0:04:17Oh, brilliant!
0:04:17 > 0:04:19APPLAUSE
0:04:24 > 0:04:26Come on. Let's go.
0:04:26 > 0:04:29WOMAN SCREAMS
0:04:29 > 0:04:31ALL GASP
0:05:06 > 0:05:09OK, so we said we'd talk and try to identify areas
0:05:09 > 0:05:11you think have room for improvement.
0:05:11 > 0:05:14Yes, vis-a-vis meeting members of the opposite sex.
0:05:14 > 0:05:17Well, actually meeting them would be an area we could improve upon.
0:05:17 > 0:05:19- Easily remedied.- Talking?
0:05:19 > 0:05:22- Finding the right subject. - Constructing a sentence.
0:05:22 > 0:05:25- You're talking now.- Yes, but you're not a date. If you were,
0:05:25 > 0:05:28the nerves would kick in, the mouth'd dry up, throat'd close and...
0:05:28 > 0:05:32- HE GASPS - Well, we can work on that.- Eating?
0:05:32 > 0:05:35What with the whole dry mouth and throat closed up thing,
0:05:35 > 0:05:37food goes down in lumps. It's a wonder I've not needed
0:05:37 > 0:05:40the Heimlich manoeuvre before now. And walking, legs like jelly.
0:05:40 > 0:05:43- PHONE RINGS And breathing's a bit of a problem. - It's Dwayne.- Oh.
0:05:43 > 0:05:45Hello?
0:05:47 > 0:05:50On our way. Paradise Beach Hotel.
0:05:50 > 0:05:52- There's been a murder.- Let's go.
0:05:59 > 0:06:01So, JP, what have we got?
0:06:01 > 0:06:04Earlier this evening the hotel was hosting a fashion show.
0:06:04 > 0:06:07As it was about to finish, one of the models, Zoe Mackay, 19,
0:06:07 > 0:06:10was found dead in a marquee. She appears to have been strangled.
0:06:10 > 0:06:12- And where are the other models now? - The hotel.
0:06:12 > 0:06:14Dwayne's looking after them.
0:06:17 > 0:06:19HUMPHREY SIGHS
0:06:19 > 0:06:20Poor girl.
0:06:22 > 0:06:25A small amount of blood at the corner of her mouth,
0:06:25 > 0:06:28which would indicate death by asphyxiation.
0:06:28 > 0:06:32And ligature marks around the victim's neck
0:06:32 > 0:06:34would seem to confirm it.
0:06:37 > 0:06:40- So what else do we know?- The models took turns on the catwalk.
0:06:40 > 0:06:45- Nelson helped them change.- Nelson? - The designer. Nelson Benedict.
0:06:45 > 0:06:48- Should I know who he is?- Originally from Saint Marie,
0:06:48 > 0:06:52he left some years ago to find his fortune. He's fairly well established.
0:06:52 > 0:06:54One of the models came off the catwalk
0:06:54 > 0:06:56and that's when Zoe was found dead.
0:06:56 > 0:07:00The other models and designer were here when she was killed and they're saying they didn't see anything?
0:07:00 > 0:07:03Could anyone from the audience have gained access and killed her?
0:07:03 > 0:07:06The area was fenced off and guarded by security.
0:07:06 > 0:07:08So, security there.
0:07:12 > 0:07:14And there's a swamp there,
0:07:14 > 0:07:16which means no-one's getting in that way.
0:07:16 > 0:07:19Don't they normally have legions of people,
0:07:19 > 0:07:21hair, make-up, that kind of thing?
0:07:21 > 0:07:23It was a charity event, sir,
0:07:23 > 0:07:26a fundraiser for Mr Benedict's old school.
0:07:26 > 0:07:31They wanted to keep costs to a minimum, so he and the models agreed they'd cover those jobs themselves.
0:07:31 > 0:07:32Right.
0:07:32 > 0:07:34HUMPHREY SIGHS
0:07:43 > 0:07:47- Why is she holding this? - She's a woman.
0:07:47 > 0:07:49Women wear these things.
0:07:49 > 0:07:53Will you be wanting to speak to the witnesses tonight, sir?
0:07:53 > 0:07:55What are you doing here?
0:07:58 > 0:08:00- Sir?- Hmm.
0:08:00 > 0:08:03- The witnesses?- Yes, witnesses. Yes.
0:08:06 > 0:08:08Well, ladies, I thought you might appreciate this
0:08:08 > 0:08:10after all you've been through.
0:08:16 > 0:08:20- Keep your mind on the job, JP. - It's just...I think I know her.
0:08:20 > 0:08:23And I'm best friends with Naomi Campbell.
0:08:23 > 0:08:25Hello.
0:08:25 > 0:08:28Thanks for coming, everyone, I know it's a difficult time.
0:08:28 > 0:08:29Let's start with introductions.
0:08:29 > 0:08:33I'm Detective Inspector Humphrey Goodman. DS Florence Cassell.
0:08:33 > 0:08:35HUMPHREY SIGHS
0:08:35 > 0:08:37Nelson Benedict, designer.
0:08:37 > 0:08:39I was hosting tonight's show.
0:08:39 > 0:08:41Jay Croker, photographer.
0:08:41 > 0:08:44- Sadie Mernier.- Rosey Fabrice.
0:08:44 > 0:08:46Eloise Ronson.
0:08:47 > 0:08:50Thank you. So, can I ask,
0:08:50 > 0:08:52which of you was it discovered Zoe?
0:08:52 > 0:08:56It was me. As she came off the catwalk, I went on,
0:08:56 > 0:09:00did my walk, returned and...
0:09:00 > 0:09:02ROSEY SCREAMS
0:09:02 > 0:09:05And how long were you on the...?
0:09:05 > 0:09:09- Catwalk.- Catwalk?- Less than a minute, 40 seconds or so.
0:09:09 > 0:09:13- Jay, you were out front, I assume? - Yeah, taking shots of the girls.
0:09:13 > 0:09:16Did you see anyone acting suspiciously? Anyone trying to get past security?
0:09:16 > 0:09:19No, but my attention was really on the catwalk, so...
0:09:19 > 0:09:23- And that was the camera you were using?- Yeah. It's got the entire show on it.
0:09:23 > 0:09:25- We'll need the memory card.- Sure.
0:09:34 > 0:09:35There you go.
0:09:35 > 0:09:37Thank you.
0:09:37 > 0:09:39So, apart from Jay and Rosey,
0:09:39 > 0:09:42everyone else was in the marquee when this happened?
0:09:44 > 0:09:46Miss Ronson, what were you doing?
0:09:46 > 0:09:49She was supposed to be helping me get Sadie into her dress.
0:09:49 > 0:09:51HUMPHREY LAUGHS
0:09:51 > 0:09:53What, you need two people to get someone into a dress?
0:09:53 > 0:09:57It's quite intricate, it ties at the back.
0:09:57 > 0:09:59The highlight of my show.
0:10:01 > 0:10:05- I was outside taking a call from my agent.- Is that usual during a show?
0:10:05 > 0:10:08Not in my experience.
0:10:11 > 0:10:14- Did anyone see you outside? - I certainly heard her.
0:10:14 > 0:10:16Oh, that's brilliant!
0:10:16 > 0:10:20Well, I fly out of here tomorrow, so I can be there by Thursday.
0:10:20 > 0:10:22My agent's number. Call her and check.
0:10:22 > 0:10:24We will. Thank you.
0:10:24 > 0:10:27So, Eloise taking a call,
0:10:27 > 0:10:30Nelson and Sadie in the changing are, Rosey on the catwalk,
0:10:30 > 0:10:33Jay out front taking photographs.
0:10:33 > 0:10:35What happened after Zoe was discovered?
0:10:35 > 0:10:41I...rushed out, asked if there was a doctor present, but...
0:10:41 > 0:10:44And the scarf that was used to kill Zoe?
0:10:44 > 0:10:47Part of her outfit.
0:10:47 > 0:10:50Can you think of a reason someone might have to hurt her?
0:10:50 > 0:10:54Has she fallen out with anyone since she's been here?
0:10:54 > 0:10:58We flew in two days ago and all we've done is sleep and work,
0:10:58 > 0:11:01she didn't have time to meet with anyone else.
0:11:03 > 0:11:05There was something, you know?
0:11:05 > 0:11:07I'd heard a little bit from Zoe myself,
0:11:07 > 0:11:09but, Sadie, you know best.
0:11:13 > 0:11:16- Zoe had some kind of a stalker. - What?!
0:11:16 > 0:11:18A stalker?
0:11:18 > 0:11:22He found out where she lived and started sending her letters.
0:11:22 > 0:11:27- It's been going on for a couple of months now.- Did she know who it was?
0:11:27 > 0:11:29No. She notified the police, but I don't think anything came of it.
0:11:29 > 0:11:34Police?! We all get strange letters, it comes with the territory.
0:11:34 > 0:11:37I think these were a bit different?
0:11:37 > 0:11:40We'll need to get in touch with UK police and get hold of that case file.
0:11:40 > 0:11:42All right, that's all for now. Thank you very much.
0:11:42 > 0:11:45If you think of anything else, then please do tell us.
0:11:45 > 0:11:47Oh, Mr Benedict...
0:11:47 > 0:11:50Zoe was found holding a stocking.
0:11:50 > 0:11:53- Part of your collection?- Stockings?
0:11:53 > 0:11:55- No.- Just thought I'd ask.
0:11:56 > 0:11:58Thank you.
0:12:46 > 0:12:49- Morning.- Morning, Number Two.
0:12:49 > 0:12:53- So, this stalker thing, I called the police in Blackpool.- Blackpool?
0:12:53 > 0:12:57- Yes, a big tower, donkeys, kiss-me-quick hats.- Kiss your what?
0:12:57 > 0:13:00It's like a trilby, you know? No, why would you?
0:13:00 > 0:13:03Well, Blackpool is Zoe's hometown in the UK.
0:13:03 > 0:13:06Anyway, I sent over copies of the letters from the stalker.
0:13:06 > 0:13:07Er, here we are.
0:13:09 > 0:13:15"I watch you every day, dreaming of us together forever, never apart."
0:13:15 > 0:13:20- Nothing threatening.- No, it reads rather like a sort of creepy fan mail.
0:13:20 > 0:13:23- He's clearly obsessed.- Yes, but if that is the case,
0:13:23 > 0:13:26why travel all the way here to kill her?
0:13:26 > 0:13:28So, the stalker isn't our killer?
0:13:28 > 0:13:30Well, we can't dismiss them entirely,
0:13:30 > 0:13:33but I can't help feeling...
0:13:33 > 0:13:37that whoever sent those letters did not murder Zoe Mackay.
0:13:37 > 0:13:39- Sir?- Yes.
0:13:39 > 0:13:41- Erm...- Oh, gosh!
0:13:41 > 0:13:43Yes. Thank you.
0:13:45 > 0:13:48Right. Come on.
0:13:48 > 0:13:51I'd like to take another look at this crime scene.
0:13:51 > 0:13:53MUSIC: Licking Stick by Desmond Dekker
0:14:08 > 0:14:11Right, for the moment, let's discount the possibility that Zoe was killed by her stalker.
0:14:11 > 0:14:15Security were posted front of house and there's a large swamp at the back of the marquee,
0:14:15 > 0:14:18so I'm not sure how he could have managed to get inside.
0:14:18 > 0:14:20Also, if she's telling the truth,
0:14:20 > 0:14:25Eloise was taking a phone call at the time, so she would've seen if an intruder had got in that way.
0:14:25 > 0:14:28Which means that the killer had to be someone who was already backstage during the show.
0:14:28 > 0:14:31That rules out the photographer, Jay, he was out front taking photos
0:14:31 > 0:14:34and security would have noticed if he'd gone backstage.
0:14:34 > 0:14:36So of all the four other suspects
0:14:36 > 0:14:38who were in the marquee during the fashion show...
0:14:38 > 0:14:42Rosey was on the catwalk, Sadie being dressed by Nelson.
0:14:42 > 0:14:45- Eloise outside on the phone.- Each of them has an alibi.
0:14:45 > 0:14:47So, who killed Zoe?
0:14:47 > 0:14:49And how?
0:14:55 > 0:14:57JP SNIFFS
0:14:57 > 0:14:58My cologne.
0:14:58 > 0:15:01Those models know quality when they see it...
0:15:01 > 0:15:03and smell it.
0:15:16 > 0:15:18Ah, Miss Fabrice!
0:15:18 > 0:15:21Please...come in.
0:15:28 > 0:15:30How can I be of assistance?
0:15:30 > 0:15:34It's probably nothing, but there's something I thought I should mention.
0:15:34 > 0:15:36Is it to do with Nelson?
0:15:37 > 0:15:40I saw you looking to him during the questioning last night.
0:15:41 > 0:15:44They didn't get on, Zoe and Nelson.
0:15:44 > 0:15:47He thought she lacked focus, never had her mind on the job.
0:15:47 > 0:15:51- In what way?- Zoe was always on her laptop or texting.
0:15:51 > 0:15:56That's hardly a motive to kill her. Why did Nelson dislike her so much?
0:15:56 > 0:16:00Zoe and I worked with each other last year on another of Nelson's shows.
0:16:00 > 0:16:04First day, she turned up still drunk from the previous night.
0:16:04 > 0:16:08- Didn't do too well on the catwalk. He was furious.- Still drunk?
0:16:08 > 0:16:12She realised her mistake, forever apologising to Nelson, but...
0:16:12 > 0:16:14He never forgave her?
0:16:14 > 0:16:18From the moment we arrived he was at Zoe, criticising her every move.
0:16:18 > 0:16:20You do as I say, yes?
0:16:20 > 0:16:24Step out of line again and...! This is your last chance, you understand?
0:16:24 > 0:16:30- And later, during the show... - I don't believe it!
0:16:30 > 0:16:32I thought he was going to lose it again.
0:16:32 > 0:16:35Hey, you were right to let us know.
0:16:35 > 0:16:37Thank you.
0:16:40 > 0:16:42Like my junior colleagues said,
0:16:42 > 0:16:45you did the right thing. Thank you very much.
0:16:50 > 0:16:52Oh, gosh! Mademoiselle.
0:16:52 > 0:16:54DWAYNE CLEARS HIS THROAT
0:16:54 > 0:16:59Wow! Look at that! The whole fashion show played out frame by frame.
0:16:59 > 0:17:01- Brilliant work, JP.- Thank you, sir.
0:17:01 > 0:17:03What did Miss Fabrice want?
0:17:03 > 0:17:06She came to tell us that Nelson had a few run-ins with Zoe.
0:17:06 > 0:17:10One at a fashion shoot last year, and he's lost it a few times since they arrived here.
0:17:10 > 0:17:13Which is interesting, because there's a charge of assault on his record.
0:17:13 > 0:17:16I've asked the police in Paris to send over the files.
0:17:16 > 0:17:19Also, Rosey mentioned that Zoe had a laptop.
0:17:19 > 0:17:22- It wasn't at the marquee.- Yes, we'll need to search her room at the hotel,
0:17:22 > 0:17:25see if it turns up there. Right, so background checks.
0:17:25 > 0:17:29Our victim...Zoe Mackay?
0:17:29 > 0:17:3119 years old from Blackpool, UK.
0:17:31 > 0:17:34Left school at 16 after being spotted by a talent scout
0:17:34 > 0:17:36from Bounce Modelling Agency.
0:17:36 > 0:17:39Our suspects. Nelson Benedict?
0:17:39 > 0:17:43Born Saint Marie, but left for London at the age of 18 to study fashion.
0:17:43 > 0:17:46He returned to host a charity fundraising fashion show
0:17:46 > 0:17:51and used Rosey Fabrice and Sadie Mernier as models, both island girls.
0:17:51 > 0:17:54- Good. Eloise Ronson? - 24 years old from London.
0:17:54 > 0:17:58She'd been modelling since she was 15 and is well-known on the circuit.
0:17:58 > 0:18:00She's the face of a high-street clothing chain
0:18:00 > 0:18:02and an international cosmetics range.
0:18:02 > 0:18:07- Rosey Fabrice?- 23. Born and raised in Chapeltown, Saint Marie.
0:18:07 > 0:18:11Won a scholarship to Saint Francis where she was a model student.
0:18:11 > 0:18:13That was a deliberate pun, right?
0:18:13 > 0:18:15HUMPHREY CHUCKLES
0:18:16 > 0:18:20- Wrong.- At college, as part of her final exams,
0:18:20 > 0:18:25she choreographed and performed a new work using local musicians
0:18:25 > 0:18:27focusing on the island's history.
0:18:27 > 0:18:29And you know that how?
0:18:29 > 0:18:33- She was in the year above me at school.- I thought you was making that up?
0:18:33 > 0:18:37So how come she didn't mention she knew you when she came in?
0:18:37 > 0:18:41Hmm. Obviously you made a huge impact.
0:18:43 > 0:18:48- Anyway, what was your impression of her?- Good family, friendly, easy-going.
0:18:48 > 0:18:53- Sadie Mernier?- From Saint Marie, now based in Manchester.
0:18:53 > 0:18:56- Good friends with Zoe.- OK.
0:18:56 > 0:19:00So, Zoe was killed within less than a 60 second timeframe
0:19:00 > 0:19:04between leaving the runway and then being discovered by Rosey Fabrice.
0:19:04 > 0:19:07But...all of our suspects have alibis.
0:19:07 > 0:19:10- Nelson and Sadie were busy changing. - Eloise on the phone.
0:19:10 > 0:19:14- Rosey was on stage.- So, who had the most opportunity to kill Zoe?
0:19:14 > 0:19:17- Eloise.- Because?- Because everybody else was in someone else's sight.
0:19:17 > 0:19:20So, prime suspect, Eloise.
0:19:20 > 0:19:23- Unless...- Let's play "what if".
0:19:25 > 0:19:28What if Nelson and Sadie are in on this together?
0:19:28 > 0:19:32- One of them killed Zoe, each giving the other an alibi.- Uh-huh.
0:19:32 > 0:19:36What if...Eloise hadn't taken the call from her agent?
0:19:36 > 0:19:40- They wouldn't have been left alone. - JP, want to talk us through?
0:19:40 > 0:19:46Over 500 frames from Jay's memory card taken during the show.
0:19:46 > 0:19:50There's even more of the rehearsals and backstage.
0:19:50 > 0:19:53Jay started taking photographs on the left side of the catwalk,
0:19:53 > 0:19:58moving round and ending up on the right side here.
0:19:58 > 0:20:01The frames run chronologically, starting at seven o'clock
0:20:01 > 0:20:05with Eloise being the first model on the runway,
0:20:05 > 0:20:09through to this frame taken at 7:25,
0:20:09 > 0:20:12by which time the models had appeared ten times each.
0:20:12 > 0:20:14And every time in a new outfit.
0:20:14 > 0:20:22Going through the time codes from 19:23:02 to...19:23:50,
0:20:22 > 0:20:24Zoe doing her thing.
0:20:24 > 0:20:29The most significant frame for us is this one here, 19:23:57,
0:20:29 > 0:20:32Zoe leaving for the last time as Rosey begins her final walk.
0:20:32 > 0:20:35That's the last shot of Zoe before she died.
0:20:39 > 0:20:40PHONE RINGS
0:20:42 > 0:20:43Honore Police.
0:20:43 > 0:20:5019:23:59 to 19:24:40,
0:20:50 > 0:20:52Rosey making her last appearance.
0:20:52 > 0:20:55And time code 19:24:44,
0:20:55 > 0:20:57We see her entering the marquee.
0:20:57 > 0:21:0247 seconds after Zoe left the catwalk, Rosey finds her dead.
0:21:02 > 0:21:04Which all the suspects say is correct because here
0:21:04 > 0:21:08time codes 19:25:04 to 19:25:09,
0:21:08 > 0:21:10after we last saw Rosey...
0:21:10 > 0:21:13Nelson appears on the catwalk asking if there's a doctor in the house.
0:21:13 > 0:21:16- Which was the last picture Jay took. - Thank you very much.
0:21:16 > 0:21:19That was our colleagues in Paris in regards to Nelson's arrest for assault.
0:21:19 > 0:21:21It was during a fashion show he was mounting. And, get this,
0:21:21 > 0:21:24the person assaulted was one of his models.
0:21:24 > 0:21:26She turned up late, he got physical.
0:21:26 > 0:21:31- Short fuse?- Tiny. They also said it wasn't the first time the police had attended one of his shows.
0:21:31 > 0:21:34Apparently, the man has some serious anger issues.
0:21:34 > 0:21:36Let's go and see what he has to say for itself.
0:21:36 > 0:21:40Dwayne, JP, whilst we're grappling with Nelson,
0:21:40 > 0:21:42I want you to search Zoe's room, see what you can find.
0:21:42 > 0:21:45- Oh, and great work, everyone. - Thanks, Chief.
0:21:47 > 0:21:49What is that smell?!
0:21:53 > 0:21:57How come you didn't tell me before you went to school with a model?
0:21:57 > 0:21:59- She wasn't a model then.- Any news, officers?
0:21:59 > 0:22:03Er, none at the moment, but I'm very hopeful.
0:22:03 > 0:22:06I have a job booked in Rome at the end of the week,
0:22:06 > 0:22:09- I'll still be able to make it, won't I?- Well, we've established a timeline...
0:22:09 > 0:22:11The investigation's ongoing.
0:22:11 > 0:22:13There's nothing to report yet.
0:22:18 > 0:22:20What was that all about?!
0:22:20 > 0:22:23These women have been traumatised, they need handling gently.
0:22:23 > 0:22:26I'm just trying to stay focused, Dwayne.
0:22:26 > 0:22:28I mean, one of them could be our killer.
0:22:28 > 0:22:31OK, you're right,
0:22:31 > 0:22:33one of them could be.
0:22:33 > 0:22:36What about the other two, eh? Hmm?
0:22:44 > 0:22:46A light petit dejeuner for me,
0:22:46 > 0:22:50an...early lunch for you, if you'd care?
0:22:50 > 0:22:53That's very kind, but, no.
0:22:53 > 0:22:54Oh, a little tea.
0:22:54 > 0:22:57Thank you.
0:22:57 > 0:22:59I can't imagine what it must be like in your line of business.
0:22:59 > 0:23:01- I mean, the adrenaline must be... - That is coffee.
0:23:01 > 0:23:04Oh, gosh! Yes, of course. Erm...
0:23:04 > 0:23:06- Let me.- Yes.
0:23:06 > 0:23:10Oh, thank you. Yes, the sky-high adrenaline levels,
0:23:10 > 0:23:12constantly on edge.
0:23:12 > 0:23:16- NELSON LAUGHS - It can be very...tense.
0:23:16 > 0:23:18And the models, getting them to do what you want,
0:23:18 > 0:23:22- when you want, the way you want. - I try to keep a level head.
0:23:22 > 0:23:26Uh-huh. You didn't, though, on December 10th, 2014, did you?
0:23:26 > 0:23:29Euro Fashion Week,
0:23:29 > 0:23:31when you assaulted one of your models, Doreen Hutton.
0:23:31 > 0:23:34- The date's right, isn't it?- Uh-huh.
0:23:34 > 0:23:37There are other incidents, five to be exact.
0:23:37 > 0:23:40The...the pressure gets to me sometimes.
0:23:40 > 0:23:43Like when Zoe turned up drunk to your show last year?
0:23:43 > 0:23:46Or when you were overheard shouting to her before this show?
0:23:46 > 0:23:49Or when she ripped the dress before she stepped onto the catwalk?
0:23:49 > 0:23:53The incident with Doreen Hutton, unforgivable.
0:23:53 > 0:23:56The others...were misunderstandings.
0:23:56 > 0:23:59Did the red mist descend again yesterday, Nelson? Hmm?
0:23:59 > 0:24:03Did Zoe not show you enough respect, is that it? Did you lose your temper?
0:24:03 > 0:24:09Zoe had let me down before and I was letting her know, in no uncertain terms, not to let it happen again.
0:24:09 > 0:24:14- The stupid girl! She didn't realise how lucky she was.- Lucky?
0:24:14 > 0:24:17Zoe was handed it on a plate,
0:24:17 > 0:24:20given the kind of success others have fought years to achieve.
0:24:20 > 0:24:22I came from nothing.
0:24:22 > 0:24:25Fought tooth and nail to get where I am.
0:24:25 > 0:24:29That is why I'm so passionate about what I do and why sometimes I...
0:24:29 > 0:24:32lose it when others don't feel the same.
0:24:32 > 0:24:36This is my life, DI Goodman.
0:24:36 > 0:24:38All I have!
0:24:41 > 0:24:43So, how are you chaps getting on with the search? Anything of use?
0:24:43 > 0:24:47Well, Chief, we found Zoe's mobile.
0:24:47 > 0:24:50No threatening text or answerphone messages, but there was one thing.
0:24:50 > 0:24:51JP?
0:24:53 > 0:24:55- Mobile phone number?- It was in her dialled-numbers log.
0:24:55 > 0:24:59She called that number two days ago and hasn't it before or since as far as we can tell.
0:24:59 > 0:25:03- Can you trace it?- Pay-as-you-go. We called it ourselves, but it keeps going to voicemail.
0:25:03 > 0:25:06So it doesn't belong to any of the suspects?
0:25:06 > 0:25:09Intriguing. Keep trying, Dwayne, you never know, they may pick up.
0:25:09 > 0:25:12There wasn't any sighting of the other stocking, was there?
0:25:12 > 0:25:15- These things normally come as a pair, I believe.- No, sir.
0:25:15 > 0:25:18- And Zoe's laptop hasn't turned up either.- So, maybe our killer took it.
0:25:18 > 0:25:20If so, why and what's on it?
0:25:20 > 0:25:23Have a word with the hotel staff, ask them to keep their eyes peeled.
0:25:23 > 0:25:27- Should I apply for search warrants, sir?- No, that'll take for ever, JP.
0:25:27 > 0:25:30So...
0:25:30 > 0:25:32let's try a different approach.
0:25:35 > 0:25:37Sorry to disturb you, Miss Mernier, this isn't...
0:25:37 > 0:25:40- ..an official request as I don't have...- the necessary warrant.
0:25:40 > 0:25:43- But I wondered if you wouldn't mind me...- searching your room?
0:25:43 > 0:25:45It's part of our ongoing investigation.
0:25:45 > 0:25:48- And although I could get a warrant, it could...- take some time.
0:25:48 > 0:25:52And it would be better all round if we could eliminate you from our enquiries as soon as we can.
0:25:54 > 0:25:56- Thanks...- Thanks... - Thanks very much.
0:25:56 > 0:25:58- ..very much.- ..very much.
0:25:58 > 0:26:00Would it be possible to come in?
0:26:00 > 0:26:03Tell me what it is and I'll tell you if it's there.
0:26:03 > 0:26:07- It's confidential.- But if I let you in and you find it, I'll see it and know what it is.
0:26:07 > 0:26:11So, why don't you just tell me what you're looking for and I can tell you if I have it?
0:26:11 > 0:26:14- Look, it might have been stolen... - Are you calling me a thief?
0:26:14 > 0:26:17- No.- Well, then you have no need to search my room.
0:26:19 > 0:26:24Chief, Eloise is hiding something, I can feel it in my water.
0:26:24 > 0:26:26She has the weakest alibi, she is our prime suspect.
0:26:26 > 0:26:28No luck with Zoe's laptop,
0:26:28 > 0:26:31but they did say that yesterday morning,
0:26:31 > 0:26:33Eloise had requested to be given her own room.
0:26:33 > 0:26:36She and Zoe had been sharing.
0:26:36 > 0:26:38- They'd fallen out over something? - Putting it mildly.
0:26:38 > 0:26:41Eloise told the receptionist she didn't want stay another night
0:26:41 > 0:26:45- in the same room as "that interfering bitch".- How charming.
0:26:45 > 0:26:48So, Eloise requests a room on her own, Zoe is murdered,
0:26:48 > 0:26:52- and now she's refusing a search. JP, get to court, get a warrant, please.- Yes, Chief.
0:26:52 > 0:26:56- Dwayne, keep an eye on Eloise.- Don't worry, Chief, I won't let her out of my sight.
0:26:56 > 0:26:58Yes, of that I have no doubt.
0:26:58 > 0:27:03Thank you. Eloise's agent's confirmed they were speaking at the time Zoe was murdered.
0:27:03 > 0:27:07- We're still waiting for phone records to back it up.- Thanks, Florence.
0:27:07 > 0:27:10So, security here at the site.
0:27:10 > 0:27:13Swamp here at the back.
0:27:13 > 0:27:18Catwalk here. And marquee where Zoe was killed here.
0:27:18 > 0:27:20At the time Zoe was murdered,
0:27:20 > 0:27:24Eloise was here taking a call from her agent.
0:27:24 > 0:27:28Nelson and Sadie...said they heard Eloise talking on the phone
0:27:28 > 0:27:30shortly before the body was discovered.
0:27:30 > 0:27:34Sadie was being dressed by Nelson, so they alibi each other. OK.
0:27:34 > 0:27:37Rosey was on the catwalk at the time of the murder.
0:27:37 > 0:27:40Photographs taken by Jay prove this to be true.
0:27:40 > 0:27:42But even if we rule her out,
0:27:42 > 0:27:47I am at a complete loss as to how one of the other three might have been able to do it either.
0:27:47 > 0:27:50- The postmortem results have arrived. - Ah, good.
0:27:50 > 0:27:55- 'JP.'- I'll be waiting a while for that warrant, the court is closed for lunch.
0:27:55 > 0:27:57I can't stay here all day,
0:27:57 > 0:28:00there are natural functions that need attending to.
0:28:00 > 0:28:02There's movement.
0:28:02 > 0:28:04Yes, confirm that.
0:28:04 > 0:28:06The target is on the move.
0:28:09 > 0:28:13The postmortem's confirmed death by asphyxiation.
0:28:13 > 0:28:16The pressure exerted caused her windpipe to fracture.
0:28:16 > 0:28:18So, she died quickly, small mercies.
0:28:18 > 0:28:25Also, the lab has been unable to recover any fingerprints from either the stocking or the scarf.
0:28:25 > 0:28:28Ah, yes, the stocking.
0:28:30 > 0:28:32Satin Noir stockings, 15 denier.
0:28:32 > 0:28:34I hardly notice I'm wearing them.
0:28:34 > 0:28:38A luxury I can afford, a luxury... I deserve.
0:28:38 > 0:28:40You do that a little too well.
0:28:40 > 0:28:42Yes, quoting their advertisement.
0:28:42 > 0:28:46I know this is trying to tell us something.
0:28:48 > 0:28:50What exactly is it trying to say?
0:29:00 > 0:29:02I knew it.
0:29:12 > 0:29:15Available only on the black market,
0:29:15 > 0:29:19Camadathol is a fat-burning drug which enhances weight loss.
0:29:19 > 0:29:22According to this, it's widely used in the modelling world.
0:29:22 > 0:29:25Hmm. Illegal. Anyone found in possession of the drug
0:29:25 > 0:29:27could face a lengthy spell in prison,
0:29:27 > 0:29:31- which would explain why Eloise was reluctant for you to search her room, Dwayne.- Hmm.
0:29:31 > 0:29:34Maybe that's why she wanted out of the room she was sharing with Zoe.
0:29:34 > 0:29:36Maybe Zoe had discovered the drugs.
0:29:36 > 0:29:40Eloise was under contract to more than one high-street company pushing her girl-next-door image.
0:29:40 > 0:29:44Which means if Zoe exposed her, she would lose everything.
0:29:44 > 0:29:46Time to pay her a visit.
0:29:54 > 0:29:57Zoe discovered you were using drugs, didn't she?
0:29:57 > 0:29:59We argued.
0:29:59 > 0:30:02Zoe said she was disgusted.
0:30:02 > 0:30:05Said if word got out I was using these things,
0:30:05 > 0:30:07young girls might follow my example.
0:30:07 > 0:30:09Did she threaten to expose you?
0:30:09 > 0:30:13As far as she was concerned the dealers were the bad guys,
0:30:13 > 0:30:14I was one of the victims.
0:30:14 > 0:30:17Taking the drugs was wrong,
0:30:17 > 0:30:20but there are girls who are younger, slimmer.
0:30:20 > 0:30:24And if the client wants thin, they get thin.
0:30:25 > 0:30:28Where did you get the drugs from, Eloise?
0:30:28 > 0:30:31- A guy in London.- We need a name.
0:30:31 > 0:30:34No name, just a number.
0:30:34 > 0:30:37You send a text, a kid arrives on a bike,
0:30:37 > 0:30:39you pay the cash and don't ask questions.
0:30:39 > 0:30:41We'll need that number, if we may.
0:30:48 > 0:30:51I love my job more than anything in the world
0:30:51 > 0:30:56and I don't want to lose it, but I would never ever have killed Zoe in order to keep it.
0:30:56 > 0:30:58I would never do that.
0:30:59 > 0:31:02Why is Zoe's diary in your room?
0:31:09 > 0:31:12So, what's the deal with you and the model Rosey?
0:31:12 > 0:31:15- What do you mean? - Spill the beans, man.
0:31:15 > 0:31:18- There's nothing to spill.- All right.
0:31:21 > 0:31:23DWAYNE HUMS TO HIMSELF
0:31:23 > 0:31:27I used to like her, along with every other boy in school.
0:31:27 > 0:31:30In her final year, the last day of term,
0:31:30 > 0:31:35- I left her a flower on her desk. - Oh, say it with flowers - nice.
0:31:35 > 0:31:38I obviously said the wrong thing. I mean, I never saw her again.
0:31:38 > 0:31:42And when she came in today, she didn't know me from Adam.
0:31:42 > 0:31:45Zoe's diary. I'm going to work my way through,
0:31:45 > 0:31:47see if it throws anything up.
0:31:47 > 0:31:50JP, can you get on to the police in London. Pass them that number.
0:31:50 > 0:31:53Tell them that's the contact that Eloise was using to buy Camadathol.
0:31:53 > 0:31:55Sir, hang on.
0:31:55 > 0:31:59This is the number Zoe called from her mobile two days ago.
0:31:59 > 0:32:03- She called Eloise's dealer? - Zoe wasn't a user, was she?
0:32:03 > 0:32:05She told Eloise she hated drugs.
0:32:05 > 0:32:07News back from Zoe's Internet server.
0:32:07 > 0:32:09Nothing much of interest.
0:32:09 > 0:32:12The usual e-mail between her and her family back in the UK.
0:32:12 > 0:32:16But there was quite a bit of correspondence with a fashion magazine based in London.
0:32:16 > 0:32:19It turns out Zoe was writing an article called Life In The Industry.
0:32:19 > 0:32:22That's probably why she was always on her laptop.
0:32:22 > 0:32:25Also, Eloise's phone records have come through and they check out.
0:32:25 > 0:32:28The call she said she received from her agent covers the time Zoe was murdered.
0:32:28 > 0:32:32So, Eloise's alibi stands. Let's go over what we've got.
0:32:32 > 0:32:36Nelson, furious regarding Zoe's previous behaviour,
0:32:36 > 0:32:39and Eloise fearing she'd be exposed as a drug user.
0:32:39 > 0:32:43- No motives for the other suspects so far.- Where are we with the financial checks?
0:32:43 > 0:32:45- They'll be with us in the morning. - PHONE RINGS
0:32:45 > 0:32:48Also, we need to check out Zoe's social media profile,
0:32:48 > 0:32:51Facebook, the other one, the tweeter, see if anything leaps out.
0:32:51 > 0:32:55Now, Zoe left the catwalk here.
0:32:55 > 0:33:00Less than a minute later, as Rosey entered the marquee here,
0:33:00 > 0:33:02she was found dead, strangled.
0:33:02 > 0:33:05Our killer has to be one of those four people
0:33:05 > 0:33:08who had access to the marquee during the fashion show.
0:33:08 > 0:33:11- But they all have alibis.- So how did one of them manage to kill her?
0:33:11 > 0:33:16Sir, that was the hotel, they've found a laptop. It could be Zoe's.
0:33:16 > 0:33:20- I could collect it on my way home. - Fantastic. Absolutely brilliant, JP.
0:33:20 > 0:33:23OK, let's leave it there for now. Sleep on things, back tomorrow
0:33:23 > 0:33:26bright-eyed and, dare I say, bushy-tailed.
0:33:26 > 0:33:29- Night, Chief.- Night-night.
0:33:29 > 0:33:32Erm, Florence, Catherine's bar, a drink maybe?
0:33:32 > 0:33:34- Sure.- Good.
0:33:34 > 0:33:36CHATTER
0:33:41 > 0:33:43You. It was you.
0:33:43 > 0:33:46Sadie, you are drunk. Go to bed.
0:33:46 > 0:33:49- Calm down, Sadie.- Get off me! Murderer!- Sadie, darling.
0:33:49 > 0:33:51- Murderer!- Come on.
0:33:53 > 0:33:56- Do you need some help? - We can manage.
0:33:56 > 0:33:59Sadie. Sadie! Are you OK?
0:34:07 > 0:34:11The first time I saw you, I just knew you were the one.
0:34:13 > 0:34:15You and only you.
0:34:16 > 0:34:19S-S-Shining...
0:34:19 > 0:34:20like a diamond.
0:34:26 > 0:34:30- That's a lyric from a song, right? - Yes, a fusion of a few, to be honest.
0:34:30 > 0:34:34The best advice I can give is...just to be yourself.
0:34:34 > 0:34:39- But I've myself for the past 30-odd years and it hasn't brought me much success.- Rubbish!
0:34:39 > 0:34:42- You were married.- To a woman I met on a date my mum arranged.
0:34:42 > 0:34:46- Before your wife, there were others? - Hundreds.
0:34:47 > 0:34:49A few.
0:34:49 > 0:34:53- One.- See, you don't take yourself too seriously.
0:34:53 > 0:34:57- And that's such an attractive quality in a man.- You think?- Hmm.
0:34:57 > 0:34:59Make a woman laugh and you're halfway there.
0:34:59 > 0:35:01HUMPHREY SIGHS
0:35:01 > 0:35:02What about Catherine?
0:35:02 > 0:35:05Try and make her smile. Oh, come on.
0:35:05 > 0:35:07You can do this.
0:35:07 > 0:35:09HUMPHREY SIGHS
0:35:12 > 0:35:14- Same again, Humphrey?- No.
0:35:14 > 0:35:16Oh, yes. Yes.
0:35:19 > 0:35:24- Erm...I was just laughing with Florence.- About?
0:35:24 > 0:35:27Well...the time I played rugby at school.
0:35:27 > 0:35:30I did my best, but all anyone could say was, "Nice try."
0:35:30 > 0:35:33Ah, that was kind of them.
0:35:33 > 0:35:35No, it's...it's a joke.
0:35:35 > 0:35:37Rugby? Try, you see.
0:35:37 > 0:35:40It's like a goal. No, OK.
0:35:40 > 0:35:42All right. Ah, yes, yes,
0:35:42 > 0:35:46why can't you hear a pterodactyl going to the toilet?
0:35:46 > 0:35:50- A what?- Pterodactyl. A lizardy, flying dinosaur thing.
0:35:50 > 0:35:53- In the toilet?- No, not your toilet. It's extinct.
0:35:53 > 0:35:56But if it could go to the toilet, why wouldn't you hear it?
0:35:58 > 0:35:59Cos the P is silent.
0:35:59 > 0:36:02- P?- Pterodactyl.
0:36:02 > 0:36:04It doesn't begin with a T, it's a P.
0:36:04 > 0:36:06P-T...
0:36:06 > 0:36:08E...
0:36:08 > 0:36:11Oh, never mind. SHE LAUGHS
0:36:11 > 0:36:13BOTH LAUGH
0:36:15 > 0:36:18Here all week. Just before the bingo.
0:36:25 > 0:36:2719:23:08.
0:36:27 > 0:36:3219:23... 19:23:11. Oh, goodness! There are so many of these.
0:36:32 > 0:36:35Ah, JP, any luck with the laptop?
0:36:35 > 0:36:38A guest at the hotel found it when they were snorkelling.
0:36:38 > 0:36:40The killer must have thrown it in the sea.
0:36:40 > 0:36:43- It's in a pretty bad way.- OK, well get someone from the lab to pick it up,
0:36:43 > 0:36:45see if they can recover anything from the hard drive.
0:36:45 > 0:36:48I was hoping it might give us what we need to crack this.
0:36:48 > 0:36:50Ah, Florence, Zoe's diary, anything?
0:36:50 > 0:36:51Still working my way through.
0:36:51 > 0:36:55Zoe's made a couple of entries in regard to her friendship with Sadie.
0:36:55 > 0:36:59A couple of incidents of them falling out, but nothing so far suggests murder.
0:36:59 > 0:37:02Well, let me know if anything comes up. Dwayne, financial checks?
0:37:02 > 0:37:04Well, all the suspects are solvent.
0:37:04 > 0:37:07It seems like Zoe had her feet very firmly on the ground.
0:37:07 > 0:37:10Paid herself a small monthly salary and saved the rest.
0:37:10 > 0:37:12But the most interesting thing is
0:37:12 > 0:37:16I tracked her finances back to her first agency, Bounce.
0:37:16 > 0:37:19And it turns out that Jay Croker was one of the company directors,
0:37:19 > 0:37:22that is before it went into liquidation.
0:37:22 > 0:37:24Really? Jay didn't mention that.
0:37:24 > 0:37:27- See if there's anything else you can dig up, please.- Yes, Chief. - BEEPING
0:37:29 > 0:37:31BEEPING
0:37:31 > 0:37:33Zoe's phone.
0:37:33 > 0:37:35Looks like she programmed it.
0:37:35 > 0:37:38Set an alarm to remind her to call her parents.
0:37:38 > 0:37:40BEEPING
0:37:42 > 0:37:44HUMPHREY SIGHS
0:37:49 > 0:37:51Hello. What's this?
0:37:52 > 0:37:54Something in the background.
0:37:56 > 0:37:59- Get that enlarged, please, JP. - Chief?- Yes.
0:37:59 > 0:38:04Found a couple of articles on Bounce, Jay Croker's modelling agency.
0:38:04 > 0:38:07- It seems like they've had quite a lot of bad press.- Really? What for?
0:38:07 > 0:38:10Erm, "A toxic culture in which young clients
0:38:10 > 0:38:13"were encouraged and on some occasions bullied
0:38:13 > 0:38:16"into taking extreme and dangerous measures to lose weight."
0:38:16 > 0:38:19- And Zoe was part of all this? - She led the walk-out.
0:38:19 > 0:38:22She openly criticised what was going on there
0:38:22 > 0:38:24and took most of the clients with her to a different agency.
0:38:24 > 0:38:27Which would explain why she was so annoyed with Eloise for taking Camadathol.
0:38:27 > 0:38:30It seems Zoe was evidently more than just a pretty face,
0:38:30 > 0:38:33a girl with quite a moral code.
0:38:33 > 0:38:37And not scared of expressing her opinions about the less glamorous side of the industry.
0:38:37 > 0:38:41To the extent that she caused Jay Croker's business to go bankrupt.
0:38:41 > 0:38:43It says motive to me.
0:38:43 > 0:38:46But Jay was photographing the show when Zoe was murdered.
0:38:46 > 0:38:50- There's no way he could be our killer, he can't be in two places at the same time.- True.
0:38:50 > 0:38:54Very true, but nonetheless why did he lie, Florence? Why lie?
0:38:54 > 0:38:57I think it's time I had a chat with Mr Croker, don't you?
0:39:02 > 0:39:05Come in. You'll have to excuse the mess.
0:39:05 > 0:39:09Oh, mess and I are very old friends.
0:39:09 > 0:39:11Oh, well...
0:39:11 > 0:39:14Er...what's this?
0:39:14 > 0:39:18It's a way of getting a very expensive looking effect on the cheap.
0:39:18 > 0:39:19See, check this out.
0:39:24 > 0:39:28A small aperture creates a rippled circular halo.
0:39:28 > 0:39:32While a wider aperture creates a kind of psychedelic haze.
0:39:32 > 0:39:35- It's all low-def, really, but effective.- Low-def?
0:39:35 > 0:39:39And a fraction of the cost of an equivalent filter.
0:39:41 > 0:39:43The extra cash must come in handy...
0:39:43 > 0:39:45since you've been declared bankrupt.
0:39:45 > 0:39:47JAY SIGHS
0:39:47 > 0:39:53Why didn't you tell us that Zoe was signed to your agency...Bounce?
0:39:53 > 0:39:56For a long time, I couldn't stand the sight of that girl.
0:39:56 > 0:39:58On account of the walk-out of clients she instigated?
0:39:58 > 0:40:01Oh, you've been doing your homework.
0:40:01 > 0:40:04First of all, I had nothing to do with the way that agency ended up.
0:40:04 > 0:40:07I didn't even know what was going on.
0:40:07 > 0:40:09You weren't aware that young girls
0:40:09 > 0:40:13that your company was supposedly looking after were becoming anorexic, bulimic?
0:40:13 > 0:40:16I was hardly ever there. I was a silent partner,
0:40:16 > 0:40:20no involvement apart from putting up half the money.
0:40:20 > 0:40:23- If I'd known what was going on... - You would have put a stop to it?
0:40:23 > 0:40:26Yes. Yes, of course I would.
0:40:28 > 0:40:30Oh, hang on a minute.
0:40:31 > 0:40:35- You're not accusing me of killing Zoe?- She made things public, you lost everything.
0:40:35 > 0:40:39- That's one hell of a motive, Jay. - I'm not saying she didn't damage me,
0:40:39 > 0:40:41but she did the right thing and I don't blame her.
0:40:43 > 0:40:45But let's just say I did kill her.
0:40:47 > 0:40:52How? I was out front photographing the show.
0:40:52 > 0:40:54How? How did I do it?
0:40:56 > 0:41:00- Ah, Chief.- Sir.- Yes.- I think you need to see this.
0:41:00 > 0:41:03The enlarged section of the photograph you requested. My God!
0:41:05 > 0:41:07In your wildest dreams did you ever imagine
0:41:07 > 0:41:12that you would be looking at a photograph of the victim actually being killed?
0:41:15 > 0:41:18Rosey was on the catwalk when it happened,
0:41:18 > 0:41:20so we can rule her out as our killer.
0:41:20 > 0:41:25- And Jay was out front.- Unwittingly taking a photograph of the murder as it happened.
0:41:25 > 0:41:27- So it can't be him.- Correct.
0:41:27 > 0:41:29So, as we originally suspected,
0:41:29 > 0:41:33it has to be one of the three people in the marquee. Nelson, Eloise or Sadie?
0:41:33 > 0:41:36- Sir?- Yes.- Remember I mentioned
0:41:36 > 0:41:39Zoe and Sadie's friendship was on the strain?
0:41:39 > 0:41:43A week ago, just before they left the UK for Saint Marie,
0:41:43 > 0:41:47Zoe writes that Sadie had started to get even more intense,
0:41:47 > 0:41:51to the extent that Sadie told Zoe she was in love with her.
0:41:51 > 0:41:55- OK. And what, Zoe didn't feel the same?- No.
0:41:55 > 0:41:58Two days later, she told Sadie they should spend less time together.
0:41:58 > 0:42:01But it's not the first time this has gone on.
0:42:01 > 0:42:02If you go back eight months,
0:42:02 > 0:42:05exactly the same thing happened between them.
0:42:05 > 0:42:09Sadie started getting close, getting clingy, and Zoe pushed her away.
0:42:09 > 0:42:12But what's interesting in the last time this happened,
0:42:12 > 0:42:17two days later Zoe received her first letter from the stalker.
0:42:17 > 0:42:19Wait, you think that Sadie
0:42:19 > 0:42:22was the one sending Zoe the stalker letters?
0:42:27 > 0:42:28Excuse me.
0:42:28 > 0:42:31Mind if we join you?
0:42:31 > 0:42:33Thank you. Erm...
0:42:33 > 0:42:34Yes, erm...
0:42:36 > 0:42:40Er, we came across Zoe's diary.
0:42:40 > 0:42:47It didn't tell us much we didn't already know, but what it did tell us is that you and her were very close.
0:42:47 > 0:42:51- Good friends.- It can be quite a lonely business, I imagine.
0:42:51 > 0:42:55- It must be nice when you meet someone you can get on with. - It's rare.
0:42:55 > 0:42:57People can be quite cold.
0:42:57 > 0:43:00I thought I'd got used to it.
0:43:00 > 0:43:02Until you met Zoe.
0:43:02 > 0:43:04Someone I could talk to,
0:43:04 > 0:43:08who didn't judge me for being too thin or too fat,
0:43:08 > 0:43:10too small or too tall.
0:43:10 > 0:43:13Someone who liked me for being me.
0:43:15 > 0:43:17Zoe said much the same in her diary.
0:43:20 > 0:43:25I know you wanted a little bit more than friendship,
0:43:25 > 0:43:27a little bit more than Zoe was prepared to give.
0:43:27 > 0:43:29I can't talk about this.
0:43:29 > 0:43:34Erm, excuse me. I'm sorry, but this is a murder enquiry and you are a suspect. Please, sit down.
0:43:41 > 0:43:45When we first met, she asked me how I was.
0:43:45 > 0:43:48Not who I was or what I'd done,
0:43:48 > 0:43:51who I knew, what my day rate was,
0:43:51 > 0:43:53- but how- I- was.
0:43:53 > 0:43:55She took an interest, you know?
0:43:55 > 0:43:58And I just...just fell for her.
0:43:58 > 0:44:01I thought I could tell her anything.
0:44:02 > 0:44:05- So I told her.- That you were in love with her?
0:44:05 > 0:44:09But she...she didn't feel the same.
0:44:09 > 0:44:12- Couldn't.- You wrote the stalker letters, didn't you?
0:44:12 > 0:44:15You sent them because you felt you were losing her.
0:44:15 > 0:44:20She was pushing you away, so you sent her those letters to scare her,
0:44:20 > 0:44:22to make her feel frightened,
0:44:22 > 0:44:25so that she would turn to someone for support. Turn to you.
0:44:26 > 0:44:31I wanted her to know how much of a good friend I could be...
0:44:31 > 0:44:33if she let me.
0:44:33 > 0:44:36Now she's gone...
0:44:37 > 0:44:40..and I can't tell her how sorry I am...
0:44:41 > 0:44:44..and tell her how much I loved her,
0:44:44 > 0:44:46because it's too late.
0:44:48 > 0:44:50It's too late!
0:45:06 > 0:45:09- What is it?- I...
0:45:09 > 0:45:12I've got this one in one in a million photo of Zoe's murder, OK?
0:45:12 > 0:45:15Brilliant. But it's these others ones,
0:45:15 > 0:45:19the ones taken either side of the killer photo.
0:45:19 > 0:45:23I...I don't know, there's something about them.
0:45:23 > 0:45:25HUMPHREY SIGHS
0:45:25 > 0:45:27Who killed Zoe?
0:45:27 > 0:45:30How did they manage to do it and why was she holding
0:45:30 > 0:45:33a 15-denier stocking in her left hand when we found her body?
0:45:33 > 0:45:36Well, Chief, if you get the whiff of rum from that stocking,
0:45:36 > 0:45:39my uncle Denis could be the prime suspect. He used to use
0:45:39 > 0:45:42my auntie's old cast-offs to filter his bootleg booze.
0:45:42 > 0:45:45LAUGHTER But how did he do that?
0:45:45 > 0:45:48He used to wrap the stocking around a pipe in the still
0:45:48 > 0:45:50to filter the sediments.
0:45:50 > 0:45:52Yes, of course he did.
0:45:52 > 0:45:54He doesn't do it any more, though.
0:45:54 > 0:45:56He only did it once.
0:45:56 > 0:45:59Yes, of course he did.
0:45:59 > 0:46:00Stockings? No.
0:46:04 > 0:46:08That's why she was holding a stocking! That is why!
0:46:08 > 0:46:10Zoe's phone.
0:46:11 > 0:46:15Which is all very well, but, erm, why?
0:46:15 > 0:46:18Why? That is the question.
0:46:18 > 0:46:21- A mobile phone number? - She called it two days ago.
0:46:23 > 0:46:26Zoe was writing an article called Life In The Industry.
0:46:26 > 0:46:30The drugs, of course! The drugs, the ones Eloise had!
0:46:30 > 0:46:34- Excellent, JP. Get them tested for prints. Top priority!- Yes, Chief.
0:46:36 > 0:46:39I want all the suspects at the hotel in one hour.
0:46:43 > 0:46:45Good afternoon.
0:46:49 > 0:46:51Thanks for coming.
0:46:51 > 0:46:53HUMPHREY SIGHS
0:46:54 > 0:46:57This case has introduced me to a world I knew very little about,
0:46:57 > 0:47:01the world of fashion, a world where appearance is everything.
0:47:01 > 0:47:05And that's what's at the heart of this case, how something looks.
0:47:05 > 0:47:08An image. One image in particular.
0:47:13 > 0:47:15ALL GASP
0:47:15 > 0:47:17Yes, apologies.
0:47:17 > 0:47:19I know how upsetting this must be.
0:47:24 > 0:47:29Zoe's murder presented us with a bit of a puzzle.
0:47:29 > 0:47:34How did one of you manage to kill her when you each had an alibi?
0:47:34 > 0:47:38Nelson helping Sadie, Eloise on the phone to her agent,
0:47:38 > 0:47:41Rosey on the catwalk, Jay taking photographs.
0:47:41 > 0:47:44At one point, we thought it could've been Zoe's stalker,
0:47:44 > 0:47:47but something about that didn't quite ring true.
0:47:47 > 0:47:50- So, who did it? - Well, it could have been you.
0:47:50 > 0:47:55A charge for assault on file, anger issues, Zoe had a bad attitude
0:47:55 > 0:47:59and didn't show you the respect you think you deserved. More than enough motive.
0:47:59 > 0:48:03- But that doesn't make me a murderer. - No. No, it doesn't.
0:48:03 > 0:48:06Sadie, you got close to Zoe.
0:48:06 > 0:48:10You even sent her letters meant to bring you closer together.
0:48:10 > 0:48:14But how could you kill someone you so obviously loved?
0:48:15 > 0:48:18Eloise, you shared a room with Zoe.
0:48:18 > 0:48:20She found out about your drug use.
0:48:20 > 0:48:24- Had she exposed you, you'd have lost everything.- I couldn't.
0:48:25 > 0:48:27There's no way...
0:48:27 > 0:48:30- I...- I know.
0:48:30 > 0:48:34- Rosey.- It wasn't you because you were photographed on the catwalk
0:48:34 > 0:48:36at the exact time the killer struck.
0:48:36 > 0:48:39And Jay took the photographs, so it couldn't have been you.
0:48:41 > 0:48:43Yes, or could it?
0:48:43 > 0:48:44HUMPHREY LAUGHS
0:48:46 > 0:48:50- How could I be in two places at the same time?- You couldn't.
0:48:50 > 0:48:54But, like I said, this is all about image or how things appear to be.
0:48:54 > 0:48:58And what if you could appear to be somewhere you weren't?
0:49:00 > 0:49:02The photographs.
0:49:02 > 0:49:04Your piece de resistance.
0:49:04 > 0:49:06You couldn't possibly have killed Zoe,
0:49:06 > 0:49:08because you captured the very second she was killed.
0:49:08 > 0:49:10I don't understand.
0:49:10 > 0:49:12Well, it's really rather simple.
0:49:12 > 0:49:16You see, two days ago, Zoe programmed an alarm on her mobile phone -
0:49:16 > 0:49:18um, a reminder to call her parents...
0:49:19 > 0:49:23..and it got me thinking, you didn't actually need to be there
0:49:23 > 0:49:25when the photographs were taken -
0:49:25 > 0:49:30not if you programmed your camera to continue taking photographs
0:49:30 > 0:49:33whilst you made your way into the marquee and murdered Zoe.
0:49:34 > 0:49:38You simply set your camera to automatic mode,
0:49:38 > 0:49:42and with the audience's attention above the catwalk,
0:49:42 > 0:49:44you slipped beneath it unnoticed.
0:49:46 > 0:49:49Without anyone being aware of what you were up to,
0:49:49 > 0:49:52you made your way under the catwalk.
0:49:53 > 0:49:55But one of us would have seen him.
0:49:55 > 0:49:57Not if he had his timings right...
0:49:57 > 0:49:59It takes two people to get someone into a dress?
0:49:59 > 0:50:01Quite intricate.
0:50:01 > 0:50:03..which he did.
0:50:03 > 0:50:06Jay had total access to the backstage area during rehearsals.
0:50:06 > 0:50:09I'm going to get some shots of the girls backstage, Nelson.
0:50:09 > 0:50:11He knew where everyone was supposed to be, and when.
0:50:11 > 0:50:15Nelson and Eloise helping Sadie into the dress, Rosie on the catwalk -
0:50:15 > 0:50:18as it was, Eloise ended up outside the marquee
0:50:18 > 0:50:20taking a phone call from her agent,
0:50:20 > 0:50:22but that didn't upset things too much -
0:50:22 > 0:50:24she, like the others, was still entirely oblivious
0:50:24 > 0:50:26to Jay's presence inside that tent,
0:50:26 > 0:50:29and with everyone in their place,
0:50:29 > 0:50:31you had less than a minute to get backstage, kill Zoe,
0:50:31 > 0:50:34make your way back out front again and recover your camera
0:50:34 > 0:50:36and take the final shots of the night -
0:50:36 > 0:50:39leaving it to look once more like no-one,
0:50:39 > 0:50:44especially you, could possibly have got backstage to commit murder.
0:50:44 > 0:50:48After that, you let the talk of Zoe's stalker back in England
0:50:48 > 0:50:51misdirect us into thinking that's who our killer was...
0:50:51 > 0:50:54There was something, you know. Zoe had some type of a stalker.
0:50:54 > 0:50:58..except what you didn't know was, the letters that Zoe had been sent
0:50:58 > 0:51:03weren't those of a crazed obsessive intent on harming her.
0:51:03 > 0:51:06They were written by someone who only had Zoe's best interests at heart.
0:51:06 > 0:51:08Someone who loved her.
0:51:09 > 0:51:12Over 500 photographs,
0:51:12 > 0:51:15one of them conveniently catching the killer in action,
0:51:15 > 0:51:18giving you the perfect alibi.
0:51:18 > 0:51:20I assume that was planned, Jay.
0:51:21 > 0:51:24That you wanted us to find it.
0:51:24 > 0:51:27It's rather audacious, really.
0:51:27 > 0:51:28This...
0:51:30 > 0:51:32..is the photograph we enlarged,
0:51:32 > 0:51:34only to discover that within it was the image
0:51:34 > 0:51:38of Zoe's actual murder taking place.
0:51:38 > 0:51:41The other ten or so images are the ones that were taken around it,
0:51:41 > 0:51:43and there was something about them that bothered me,
0:51:43 > 0:51:45something that I couldn't quite get my head round,
0:51:45 > 0:51:49and then it hit me - they were all framed identically.
0:51:49 > 0:51:52The angle didn't change once.
0:51:52 > 0:51:54And you presumed we'd never notice.
0:51:54 > 0:51:56But unfortunately for you, we did.
0:51:56 > 0:51:58And it was all thanks to this.
0:52:00 > 0:52:02If it hadn't been for Officer Myers' dear old uncle Dennis
0:52:02 > 0:52:05and his illegal booze still, we might never have got there.
0:52:05 > 0:52:08You told me how you could slip a plastic bottle
0:52:08 > 0:52:11over your camera lens to get a certain effect.
0:52:11 > 0:52:15A budget-price photographer's trick to get the effect you wanted.
0:52:15 > 0:52:16Well, I had a look on the internet.
0:52:16 > 0:52:18There are others.
0:52:18 > 0:52:21A stocking stretched across the lens
0:52:21 > 0:52:25will create an effect known as a diffusion.
0:52:25 > 0:52:29Quite well-known amongst the photographic fraternity.
0:52:29 > 0:52:31And while Dwayne's uncle Dennis used to use his stocking
0:52:31 > 0:52:33to filter alcohol...
0:52:34 > 0:52:38..you used yours to filter light.
0:52:38 > 0:52:40You see, I think you had the stocking in your pocket
0:52:40 > 0:52:42when you murdered Zoe MacKay.
0:52:42 > 0:52:44We'll need the memory card.
0:52:44 > 0:52:48It's where you carry all the tools of your trade.
0:52:49 > 0:52:52So, what reason would I have to kill Zoe?
0:52:52 > 0:52:56Our killer discovered that Zoe was writing an article
0:52:56 > 0:53:00for a prominent magazine about life as a model -
0:53:00 > 0:53:04an expose, guaranteed to ruffle a few feathers. But whose feathers?
0:53:04 > 0:53:07- SCOFFS:- This is... This is ridiculous.
0:53:07 > 0:53:09Three days ago, Zoe fell out with Eloise,
0:53:09 > 0:53:11when she discovered she was taking Camadathol.
0:53:11 > 0:53:14We know that she led the march away from your agency
0:53:14 > 0:53:16once she discovered that drug use was being encouraged.
0:53:16 > 0:53:19That was two years ago - so why would I kill her now?
0:53:19 > 0:53:22The day after she came to Saint Marie,
0:53:22 > 0:53:24Zoe made a call to the dealer who supplied Eloise.
0:53:24 > 0:53:26I assume that she somehow copied the number
0:53:26 > 0:53:30when you weren't looking, Eloise - but why make that call here?
0:53:30 > 0:53:32Why not do it in the UK?
0:53:32 > 0:53:34After all, that's where the supply was.
0:53:34 > 0:53:38Unless, of course, Zoe suspected the dealer was on the island.
0:53:40 > 0:53:43Unless she thought the dealer was you.
0:53:43 > 0:53:45See, we checked your mobile number,
0:53:45 > 0:53:48and it didn't match up with the call Zoe had placed,
0:53:48 > 0:53:50but that's because I think you've got two phones, Jay -
0:53:50 > 0:53:52one for day-to-day stuff...
0:53:52 > 0:53:53PHONE RINGS
0:53:53 > 0:53:56..and one for business. Your drug trade.
0:53:57 > 0:53:59I have absolutely no idea what you're talking about.
0:53:59 > 0:54:02This is the number Zoe dialled.
0:54:06 > 0:54:09PHONE RINGS
0:54:10 > 0:54:11I think it's for you, Jay.
0:54:18 > 0:54:21You blamed your former business partner for pushing drugs
0:54:21 > 0:54:23onto the models at your agency,
0:54:23 > 0:54:26but it was you, and Zoe knew that.
0:54:26 > 0:54:28You stumbled across Zoe's laptop.
0:54:28 > 0:54:30Where you last had it.
0:54:30 > 0:54:32You realised that it was her that had caught you.
0:54:32 > 0:54:34Discovered that she was about to expose you,
0:54:34 > 0:54:37and destroy your reputation all over again.
0:54:37 > 0:54:41But you weren't going to let that happen - not for a second time.
0:54:41 > 0:54:43Because this time you were going to kill her.
0:54:43 > 0:54:45You waited for your cue.
0:54:45 > 0:54:48For Rosie to step onto the catwalk - and once she'd gone,
0:54:48 > 0:54:50all you needed was for Zoe to return.
0:54:52 > 0:54:54As you strangled her,
0:54:54 > 0:54:56as she fought for her life, arms flailing,
0:54:56 > 0:54:59I think she was reaching out, grabbing.
0:55:00 > 0:55:03Without your knowledge, the stocking ended up in her clutch.
0:55:08 > 0:55:10Caught out by a single stocking.
0:55:10 > 0:55:12So close, Jay.
0:55:14 > 0:55:15So close.
0:55:24 > 0:55:25Mind your head.
0:55:27 > 0:55:29Excuse me, do you have a moment?
0:55:29 > 0:55:31Of course I do!
0:55:31 > 0:55:33Sorry, I meant him.
0:55:33 > 0:55:35Mm...?
0:55:35 > 0:55:37I knew that. I was just teasing.
0:55:37 > 0:55:39It's for you.
0:55:39 > 0:55:41MUSIC: You Can Get It If You Really Want by Jimmy Cliff
0:55:41 > 0:55:44I really wanted to say, but couldn't...
0:55:44 > 0:55:46The time wasn't right, and...
0:55:46 > 0:55:50That is, I didn't want to compromise you, or...
0:55:50 > 0:55:52I wanted to ask if you are the same JP
0:55:52 > 0:55:54that was in the year below me at school.
0:55:57 > 0:55:58Were you the guy that left that flower for me
0:55:58 > 0:56:00on that last day of term?
0:56:00 > 0:56:02Wow, you remember that?
0:56:03 > 0:56:06I thought it was really sweet.
0:56:06 > 0:56:09I looked for you to say thank you, but you'd gone.
0:56:09 > 0:56:11I didn't know where you lived, and now...
0:56:11 > 0:56:13you're here!
0:56:13 > 0:56:14Ahem...
0:56:14 > 0:56:16Here I am!
0:56:16 > 0:56:19She's giving him the brush-off. Look, she's going.
0:56:19 > 0:56:24Cupid fires his arrow and the victim's dead in seconds.
0:56:24 > 0:56:27Poor JP.
0:56:27 > 0:56:31# You can get it if you really want
0:56:31 > 0:56:33# You can get it if you really want... #
0:56:33 > 0:56:37But his face and body language was screaming defeat and heartache.
0:56:37 > 0:56:40- Looks can obviously be deceptive! - Mm.
0:56:41 > 0:56:44- Great!- Good luck to him.
0:56:44 > 0:56:47No, it's not about luck. It's about confidence.
0:56:47 > 0:56:49And who'd have thought he'd have the confidence
0:56:49 > 0:56:51to pull a woman like that?
0:57:06 > 0:57:08Act normal, as if nothing happened.
0:57:13 > 0:57:16JP looks like he's having a lot of fun.
0:57:16 > 0:57:17They seem to be getting on really well.
0:57:17 > 0:57:19Who would have thought, eh?
0:57:19 > 0:57:21Maybe we should ask him for a few tips.
0:57:21 > 0:57:22Well, not you, obviously.
0:57:22 > 0:57:26You're having no trouble at all in that department, Chief.
0:57:26 > 0:57:28Thought you might need this.
0:57:28 > 0:57:30Thank you, Catherine.
0:57:34 > 0:57:36HE SIGHS
0:57:36 > 0:57:38- Same again?- Please.
0:57:38 > 0:57:40Only this time I'll have it in a glass.
0:57:42 > 0:57:44HE LAUGHS
0:57:44 > 0:57:47She was obviously enjoying your company...
0:57:47 > 0:57:50- until you...- Until - yes, we were getting on famously.
0:57:50 > 0:57:52Then she asked me for the time.
0:57:53 > 0:57:56Oh, well. Back to the drawing board.
0:57:56 > 0:57:58- You'll get there.- Yes, one day.
0:57:58 > 0:58:00One day.
0:58:00 > 0:58:02Funny thing is, I don't even wear a watch.
0:58:04 > 0:58:07I've known Cedric since I was 13 years old.
0:58:07 > 0:58:10He thought I could do better and I believed him.
0:58:10 > 0:58:13I put the phone in his coffin myself.
0:58:13 > 0:58:16Why have only one pillow...
0:58:16 > 0:58:18without a pillow case?
0:58:18 > 0:58:20Someone held it over his face.
0:58:20 > 0:58:21He WAS murdered.
0:58:21 > 0:58:23I'm worried about Dwayne.
0:58:23 > 0:58:26I've looked up to these men my whole life,
0:58:26 > 0:58:29and I'm starting to wonder if I've got it all wrong.