Episode 5

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0:00:08 > 0:00:11Hello, sir. Welcome to Saint Marie.

0:00:13 > 0:00:16- You're nervous.- Me?- Yeah! - Gosh, no way!

0:00:16 > 0:00:17I can't wait to see her.

0:00:17 > 0:00:20- Aunt Mary was always my most favourite aunt.- How come?

0:00:20 > 0:00:22Well, when I was growing up, and my parents had

0:00:22 > 0:00:25to take my brothers off to play rugby or cricket or some ball game

0:00:25 > 0:00:27or whatever, they'd always dump me with Aunt Mary.

0:00:27 > 0:00:28And what would you do?

0:00:28 > 0:00:30Oh, gosh. What wouldn't we do, Florence?

0:00:30 > 0:00:32But if it was raining we'd stay inside and do puzzles

0:00:32 > 0:00:33from the Puzzler Magazine

0:00:33 > 0:00:37or play Battleships or jigsaws, even.

0:00:37 > 0:00:39Aunt Mary would always let me do the edges.

0:00:39 > 0:00:40And that was...good?

0:00:40 > 0:00:41Ah, here they come!

0:00:47 > 0:00:48Aunt Mary!

0:00:48 > 0:00:50Over here!

0:00:56 > 0:00:58Humphrey!

0:00:58 > 0:01:01- Oh, how handsome you are.- Oh.

0:01:01 > 0:01:05Oh, let me take a good look at you.

0:01:05 > 0:01:07You don't look too bad yourself, Aunt Mary.

0:01:07 > 0:01:09Oh, you always say the right thing.

0:01:09 > 0:01:11Oh, oh, yes, of course, gosh.

0:01:11 > 0:01:14Er, Detective Sergeant Florence Cassell.

0:01:14 > 0:01:16Florence, this is Aunt Mary.

0:01:16 > 0:01:18- Lovely to meet you. - How do you do?

0:01:18 > 0:01:20Welcome to Saint Marie.

0:01:22 > 0:01:25So, Auntie, how was England when you left?

0:01:25 > 0:01:28Oh, freezing cold and dark as hell.

0:01:28 > 0:01:31Feel as if I haven't seen the sun for months.

0:01:31 > 0:01:33I can tell you, this is far more like it!

0:01:36 > 0:01:38Here we are.

0:01:38 > 0:01:41Now, I've been planning what we can do tomorrow,

0:01:41 > 0:01:46starting with a boat trip to the coral reef.

0:01:46 > 0:01:49- Now, hang on, it's here somewhere. - Oh!

0:01:49 > 0:01:50Oh. Hang on.

0:01:50 > 0:01:53Oh, is this? Yes, here we... Oh, dear, that's not very good.

0:01:53 > 0:01:55Humphrey.

0:01:55 > 0:01:57I can, er... I just...

0:01:57 > 0:01:59Ah, it looks like this,

0:01:59 > 0:02:01but just less tomato-soupy.

0:02:01 > 0:02:02SHE LAUGHS

0:02:02 > 0:02:03Or we can go to the rum museum,

0:02:03 > 0:02:07which is also less tomato-y in real life than it is in this photo.

0:02:07 > 0:02:08SHE LAUGHS

0:02:08 > 0:02:12Oh, look, as long as you've got time, I want to do it all.

0:02:13 > 0:02:14Good.

0:02:18 > 0:02:20Yeah, can I order room service?

0:02:20 > 0:02:23Just a burger and chips and two bottles of beer.

0:02:23 > 0:02:25No, thank you. That's great.

0:02:31 > 0:02:32SHE SIGHS

0:02:36 > 0:02:38BANGING, MUFFLED CRY

0:02:43 > 0:02:45BANGING, MUFFLED VOICES

0:02:54 > 0:02:56BANGING, SCREAM

0:03:19 > 0:03:21Oh.

0:03:23 > 0:03:25I'm on my way, madam.

0:03:32 > 0:03:36If there is anything there, then we will find it.

0:03:36 > 0:03:39Now, are you sure it was that room up there?

0:03:39 > 0:03:41Yes. I'm sure.

0:03:41 > 0:03:44I know you probably think I'm just a stupid old woman,

0:03:44 > 0:03:47but I'm sure I heard something.

0:03:47 > 0:03:49Oh, God.

0:03:49 > 0:03:51What?

0:03:51 > 0:03:52You're right.

0:03:53 > 0:03:55There is somebody there.

0:04:34 > 0:04:37Dwayne, JP, what's going on?

0:04:37 > 0:04:39I think he must've fallen from that top balcony, Chief.

0:04:39 > 0:04:42Body's bruised, trauma to the back of the head.

0:04:42 > 0:04:44All consistent with a fall.

0:04:44 > 0:04:46What about my aunt? Anyone know if she's OK?

0:04:46 > 0:04:48She's fine, sir. I've just been talking to her.

0:04:48 > 0:04:50- You have?- Yeah, but you should know,

0:04:50 > 0:04:52she witnessed the victim's death

0:04:52 > 0:04:54and she's saying it wasn't an accident.

0:04:54 > 0:04:56This is murder?

0:04:56 > 0:04:57Oh, great.

0:04:57 > 0:04:59Right, Dwayne, JP, process the scene

0:04:59 > 0:05:02and then get the paramedics to remove the body.

0:05:02 > 0:05:04I've got an aunt to interview.

0:05:04 > 0:05:06Gosh, well, that's a first.

0:05:09 > 0:05:11Oh, thank you, Freddie.

0:05:11 > 0:05:12Aunt Mary.

0:05:12 > 0:05:14Are you OK?

0:05:14 > 0:05:16I'm... I'm just a bit rattled.

0:05:16 > 0:05:18Freddie here's helping.

0:05:18 > 0:05:21This is my nephew. He's a detective inspector.

0:05:21 > 0:05:23Freddie Hamilton, hotel porter.

0:05:23 > 0:05:26DI Goodman. Thank you for looking after my aunt.

0:05:26 > 0:05:28Now, could I ask you, Mr Hamilton...

0:05:28 > 0:05:31Oh, please. Everybody calls me Freddie.

0:05:31 > 0:05:34Yes, Freddie. Er, was the deceased staying at the hotel?

0:05:34 > 0:05:38Yes, I've got his check-in details here.

0:05:38 > 0:05:41John Green, staying in room 33.

0:05:42 > 0:05:45It says he only arrived at the hotel today.

0:05:45 > 0:05:48Got a room booked in the name of John Green.

0:05:48 > 0:05:51You'll need to know what I saw, won't you?

0:05:51 > 0:05:53Yeah, yes, of course, if you're up to it.

0:05:53 > 0:05:54Oh, yes, of course.

0:05:54 > 0:05:56You see, I was asleep.

0:05:56 > 0:06:00I woke when I heard an altercation in the next room.

0:06:00 > 0:06:04So then I went downstairs into my sitting room

0:06:04 > 0:06:08and that's when I thought I heard what sounded like a scream

0:06:08 > 0:06:10as the poor man was pushed off his balcony.

0:06:10 > 0:06:14- Did you see who pushed him? - No, I didn't, but...

0:06:14 > 0:06:17straightaway afterwards I went to his room.

0:06:17 > 0:06:19You know, next to mine?

0:06:19 > 0:06:22I knocked on the door, but no answer.

0:06:22 > 0:06:24So I phoned down to reception and

0:06:24 > 0:06:27Freddie and I found the body together.

0:06:27 > 0:06:28Yes, er, what time was this?

0:06:28 > 0:06:29Ten past two.

0:06:29 > 0:06:32It had just gone two when you called me.

0:06:32 > 0:06:34Oh? Really?

0:06:35 > 0:06:37Sorry. Then it was two.

0:06:38 > 0:06:40Thank you, Auntie.

0:06:40 > 0:06:43Er, if you wouldn't mind bearing with us.

0:06:43 > 0:06:46Er, Freddie, we just have a couple more questions, if you would.

0:06:49 > 0:06:53OK. So, when did you know something was wrong?

0:06:53 > 0:06:55It had been a quiet shift, then the phone rang

0:06:55 > 0:07:00and that's when Miss Goodman said that she'd seen somebody fall.

0:07:00 > 0:07:03Then we found the body together.

0:07:03 > 0:07:06Did you see anyone leave or enter the hotel just before or

0:07:06 > 0:07:08- after Mr Green died?- No.

0:07:08 > 0:07:11Do you have any CCTV cameras at the hotel at all?

0:07:11 > 0:07:14We've got one CCTV camera in reception.

0:07:14 > 0:07:15I can get the disc for you.

0:07:15 > 0:07:17We'll want all the recordings since lunchtime today,

0:07:17 > 0:07:20- when Mr Green checked in, if that's OK?- Of course.

0:07:20 > 0:07:23Did you interact with the deceased at all today?

0:07:23 > 0:07:26I brought him a room-service dinner, about eight o'clock tonight.

0:07:26 > 0:07:28He was in good spirits

0:07:28 > 0:07:31and he was on his balcony, having a drink, reading a book.

0:07:31 > 0:07:34He'd already got a tip ready for me, so...

0:07:34 > 0:07:36- HE CHUCKLES - ..I wished him well and I left.

0:07:36 > 0:07:39He didn't seem troubled at all, or, I don't know,

0:07:39 > 0:07:40waiting for something?

0:07:40 > 0:07:42No, no. Not that I could see, no.

0:07:42 > 0:07:43Right.

0:07:43 > 0:07:45Do you know if Mr Green stayed here before?

0:07:45 > 0:07:47Not since I've been working here, no.

0:07:47 > 0:07:49How long's that?

0:07:49 > 0:07:51About 14 years.

0:07:51 > 0:07:53Right.

0:07:53 > 0:07:54So, what do you think, sir?

0:07:54 > 0:07:57That we're about to make ourselves very unpopular.

0:07:57 > 0:07:59- Mr Green's room here. - Thank you.

0:07:59 > 0:08:02OK, Dwayne, JP, I want you to wake up all the guests on this floor,

0:08:02 > 0:08:04ask who else saw or heard anything.

0:08:04 > 0:08:05Yes, sir!

0:08:05 > 0:08:07OK, Dwayne, how about you start at that end

0:08:07 > 0:08:10and I'll start that end and race each other back to the middle?

0:08:13 > 0:08:15Yes, you go to it, tiger.

0:08:15 > 0:08:17OK.

0:08:17 > 0:08:20So, no signs of break-in into the victim's room.

0:08:20 > 0:08:22We also need to dust the door handle and the door frame for prints.

0:08:22 > 0:08:26- Yes, sir.- Er, if you would, Freddie, thank you.

0:08:26 > 0:08:28Although, does the hotel record

0:08:28 > 0:08:30when the pass-keys are used to open the doors to the rooms?

0:08:30 > 0:08:32Yeah, I can print out the hotel key-card logs

0:08:32 > 0:08:34as soon as I get the CCTV discs.

0:08:34 > 0:08:35Thank you, Freddie.

0:08:39 > 0:08:40Right.

0:08:44 > 0:08:45OK.

0:08:46 > 0:08:48Let's see what happened here.

0:09:08 > 0:09:10How are you getting on, sir?

0:09:10 > 0:09:14Er, yes, well, Freddie just brought me the CCTV discs

0:09:14 > 0:09:19and the log, and if we look at room number 33...

0:09:19 > 0:09:21Oh, yes, wouldn't you know it?

0:09:21 > 0:09:24No key-card was used to access the room after 8pm tonight.

0:09:24 > 0:09:27So, John Green opened the door to the killer himself?

0:09:27 > 0:09:28Mm.

0:09:28 > 0:09:30How about you? How are you getting on?

0:09:30 > 0:09:31Oh, not much, sir.

0:09:31 > 0:09:34Although the victim works for a company based in Colchester

0:09:34 > 0:09:37called East Anglian Conservatories.

0:09:37 > 0:09:40OK, Chief, so we've spoken to all the other guests on the floor

0:09:40 > 0:09:43and we couldn't find anyone who heard or saw anything.

0:09:43 > 0:09:45They were all asleep.

0:09:45 > 0:09:47Although, sir, there was a woman five doors down

0:09:47 > 0:09:49who was on the same flight as Mr Green.

0:09:49 > 0:09:51She said she had a chat with him and liked him.

0:09:51 > 0:09:53He told her that he hadn't had a proper holiday

0:09:53 > 0:09:56for years and was looking forward to getting some sun,

0:09:56 > 0:09:57seeing some sights.

0:09:57 > 0:10:00I don't know, maybe it was a robbery.

0:10:00 > 0:10:02His money's still in his wallet.

0:10:02 > 0:10:05Whatever happened here, it looks like the victim was asleep

0:10:05 > 0:10:07or at least reading in bed

0:10:07 > 0:10:09and then something made him get up.

0:10:09 > 0:10:11Yes, a knock on the door, perhaps?

0:10:11 > 0:10:15Er, which made John Green come down here to let this person in

0:10:15 > 0:10:20and then this person pushed Mr Green off the balcony to his death

0:10:20 > 0:10:22and then made his or her escape

0:10:22 > 0:10:24without, as far as I can tell,

0:10:24 > 0:10:26leaving any indication as to who our killer is

0:10:26 > 0:10:29or, indeed, why John Green had to die.

0:10:29 > 0:10:31Hmm.

0:10:31 > 0:10:34This is not really adding up to a pile of very much.

0:10:43 > 0:10:45Aunt Mary.

0:10:45 > 0:10:46- You all right?- Yeah.

0:10:48 > 0:10:50I was just thinking about that poor man.

0:10:50 > 0:10:52Yes, yes, I know.

0:10:52 > 0:10:54Only, what with the case,

0:10:54 > 0:10:56I'm afraid I won't be able to spend much time with you

0:10:56 > 0:10:58over the next few days.

0:10:58 > 0:11:00Oh, don't worry about me. I'll be fine.

0:11:00 > 0:11:03- Are you sure?- Of course.

0:11:03 > 0:11:05Now you go and catch whoever did this.

0:11:09 > 0:11:11- I'll see you tomorrow.- Yeah.

0:11:33 > 0:11:34What's that, old chap?

0:11:34 > 0:11:36Someone coming?

0:11:37 > 0:11:38There is?

0:11:38 > 0:11:39DOOR BANGS

0:11:39 > 0:11:42Gosh, well, this is a development in our relationship.

0:11:42 > 0:11:44My very own guard lizard.

0:11:44 > 0:11:47Ah, who disappears at the first sign of danger.

0:11:48 > 0:11:49Ah, Florence!

0:11:49 > 0:11:50- Good morning, sir.- Morning.

0:11:52 > 0:11:54Are you OK?

0:11:54 > 0:11:56Yes, couldn't be better.

0:11:56 > 0:11:57Er, although I've been checking,

0:11:57 > 0:12:01and John Green's got no criminal record or criminal associates

0:12:01 > 0:12:03on the UK Police database or Interpol.

0:12:03 > 0:12:06Oh, and I've spoken to immigration, as well,

0:12:06 > 0:12:08and he's never been on Saint Marie before, either.

0:12:08 > 0:12:12- He hasn't?- No. This was his first visit to the island.

0:12:12 > 0:12:16Then how come he was murdered within hours of arriving here?

0:12:19 > 0:12:21Yes, well, if I hear anything further,

0:12:21 > 0:12:23I'll be the first to let you know, of course.

0:12:23 > 0:12:25Yes.

0:12:25 > 0:12:27All right, thank you, goodbye.

0:12:27 > 0:12:30Mr Green's boss, sir?

0:12:30 > 0:12:33Yes. He was rather shocked to hear the news.

0:12:33 > 0:12:35What did he have to say about the victim?

0:12:35 > 0:12:40Well, it's all rather sad, really, Dwayne.

0:12:40 > 0:12:42He said Mr Green was hard-working,

0:12:42 > 0:12:45honest, popular with staff and customers alike.

0:12:45 > 0:12:48Said he runs the office pub quiz team

0:12:48 > 0:12:52and last year he was a brilliant Secret Santa at the office Christmas party.

0:12:52 > 0:12:55So, Florence, tell me we've got something from the fingerprints

0:12:55 > 0:12:57we took from the victim's room.

0:12:57 > 0:13:00I'm sorry, but the only fingerprints I've been able to identify

0:13:00 > 0:13:02all belong to the victim,

0:13:02 > 0:13:04although you should know, the door handle to the room

0:13:04 > 0:13:07didn't have any prints on it at all. It had been completely wiped clean.

0:13:07 > 0:13:10Which suggests our killer knew what they were doing.

0:13:10 > 0:13:13Dwayne, how you getting on with the hotel's CCTV discs?

0:13:13 > 0:13:14Well, Chief, we've got two discs -

0:13:14 > 0:13:18one covering yesterday from 2pm to 2am

0:13:18 > 0:13:20and the other one from 2am onwards.

0:13:20 > 0:13:22This is the one I started with.

0:13:22 > 0:13:26And you can see here, your aunt Mary calls down to report the murder.

0:13:26 > 0:13:28Freddie goes off to find the body.

0:13:28 > 0:13:30And if we keep moving,

0:13:30 > 0:13:31it's later...

0:13:31 > 0:13:32There.

0:13:32 > 0:13:34We arrive to inspect the body.

0:13:34 > 0:13:36There is no evidence of the killer making their escape,

0:13:36 > 0:13:39but, then again, they could've left by another route.

0:13:39 > 0:13:40Good morning, everybody!

0:13:40 > 0:13:42Ah, JP!

0:13:42 > 0:13:45- How you doing, Chief?- Yes, I'm quite well, thank you.- Good.

0:13:45 > 0:13:48OK, so I've been back to the hotel, talking to staff,

0:13:48 > 0:13:50and a few people who spoke to Mr Green yesterday said

0:13:50 > 0:13:54that he was a really nice guy, friendly, typical holiday-maker,

0:13:54 > 0:13:56but I do have one lead.

0:13:56 > 0:13:58- You have? - Yes, I spoke to a receptionist

0:13:58 > 0:14:01and she says she organised a taxi for Mr Green at about 4pm.

0:14:01 > 0:14:02She did?

0:14:02 > 0:14:04Where did he go?

0:14:04 > 0:14:06From the hotel to the botanical gardens.

0:14:06 > 0:14:07He was gone for about an hour

0:14:07 > 0:14:10- and then another taxi brought him back again.- Well done, JP.

0:14:10 > 0:14:12Whatever I can do to help, Chief.

0:14:12 > 0:14:14And you know what? Maybe that's where John Green

0:14:14 > 0:14:15met the person who later killed him.

0:14:15 > 0:14:17I think we should go and check it out, Florence,

0:14:17 > 0:14:20although I'd like to pop in on the hotel on the way. I want to see how my aunt is.

0:14:20 > 0:14:22Good idea.

0:14:22 > 0:14:25Ah, Mr and Mrs Bachman, how have you been this past year?

0:14:25 > 0:14:27- Hello!- Oh!

0:14:27 > 0:14:30Oh, thank you.

0:14:30 > 0:14:33Good morning, Freddie. I wonder, have you seen my aunt today?

0:14:33 > 0:14:35She's at the beach-side bar with her friend.

0:14:35 > 0:14:37- Her friend?- Miss Lewis.- I'm sorry...

0:14:37 > 0:14:39Hello, Freddie.

0:14:39 > 0:14:42- Let me help you.- She has a friend?

0:14:54 > 0:14:56Auntie.

0:14:56 > 0:14:58Sir?

0:14:58 > 0:14:59Morning, Inspector.

0:14:59 > 0:15:01Detective Sergeant.

0:15:01 > 0:15:04The Commissioner came to find me. Check I was OK.

0:15:04 > 0:15:06Isn't that kind of him?

0:15:06 > 0:15:07You did, sir?

0:15:07 > 0:15:09And he's had the most brilliant idea.

0:15:09 > 0:15:13Because it's important you focus on the case now,

0:15:13 > 0:15:17and yet it would be terrible if your aunt's first day on the island

0:15:17 > 0:15:19should tarnish the rest of her stay here.

0:15:19 > 0:15:22So, the Commissioner's cleared his diary

0:15:22 > 0:15:24and he says he's going to show me the sights himself.

0:15:24 > 0:15:26Wow!

0:15:26 > 0:15:28Wow.

0:15:28 > 0:15:32And you're sure you can, er, spare the time, sir?

0:15:32 > 0:15:35It's a sacrifice I'm prepared to make...

0:15:39 > 0:15:40..for the case.

0:15:44 > 0:15:45Wonderful.

0:15:46 > 0:15:48Can I ask you a question?

0:15:49 > 0:15:52Did you see this man here yesterday?

0:15:52 > 0:15:53Thank you.

0:15:53 > 0:15:55Any progress, sir?

0:15:55 > 0:15:56I've spoken to reception

0:15:56 > 0:15:59and they don't remember seeing John Green here yesterday.

0:15:59 > 0:16:01And I can't find anyone who saw him, either.

0:16:01 > 0:16:03Although it is a big place.

0:16:03 > 0:16:06And there are hundreds of tourists here every day.

0:16:06 > 0:16:09I mean, what if they just didn't notice him?

0:16:14 > 0:16:15Still nothing.

0:16:19 > 0:16:22- Hey. You got to tell me what's going on.- Mm?

0:16:22 > 0:16:23You keep smiling to yourself.

0:16:25 > 0:16:27There's something up.

0:16:27 > 0:16:28Well, er,

0:16:28 > 0:16:31you're right, Dwayne, um...

0:16:31 > 0:16:33but you're not allowed to tell anyone, you know, because...

0:16:33 > 0:16:36Well, I don't really know how to put this, er...

0:16:36 > 0:16:37Whoa.

0:16:39 > 0:16:40I think...

0:16:41 > 0:16:43..I'm in love.

0:16:43 > 0:16:45You? In love?

0:16:45 > 0:16:47Yes it's... It's... It's Rosey.

0:16:47 > 0:16:49- Rosey?- Yes, I love her.

0:16:49 > 0:16:52And, you know, I keep on forgetting that that's how I feel, you know?

0:16:52 > 0:16:55So, I just find myself doing something like...

0:16:55 > 0:16:58like going through the immigration lists and then

0:16:58 > 0:17:01I suddenly remember and I just start to smile.

0:17:01 > 0:17:04I can't wait to tell her.

0:17:04 > 0:17:06Whoa, whoa, whoa, whoa, whoa.

0:17:06 > 0:17:08You're going to do what?

0:17:08 > 0:17:10Tell Rosey I love her.

0:17:10 > 0:17:11Are you crazy?

0:17:12 > 0:17:15You can't ever tell a woman you love her.

0:17:15 > 0:17:16- I can't?- No!

0:17:17 > 0:17:19Because once you tell a woman that,

0:17:19 > 0:17:20they own you.

0:17:22 > 0:17:24And the next thing you know, you'll be telling your friends you

0:17:24 > 0:17:27can't see them tonight because you fancy a "quiet night in".

0:17:27 > 0:17:29So I...

0:17:29 > 0:17:31I don't tell her I love her?

0:17:31 > 0:17:33No!

0:17:33 > 0:17:36Listen, JP.

0:17:36 > 0:17:38You want a healthy relationship with a woman, right?

0:17:38 > 0:17:41Yes, yes. That's... That's exactly what I want, Dwayne.

0:17:41 > 0:17:42Then never tell her the truth.

0:17:54 > 0:17:55How were the botanical gardens, sir?

0:17:55 > 0:17:57Not a thing. How about you?

0:17:58 > 0:18:01- I think I may be onto something, you know?- Really?

0:18:01 > 0:18:03- You are?- I said maybe.

0:18:03 > 0:18:05You see,

0:18:05 > 0:18:07I started on the other CCTV disc, you know,

0:18:07 > 0:18:09the one from the afternoon?

0:18:09 > 0:18:12And there's John Green checking in.

0:18:12 > 0:18:14He looks just like any other tourist, right, Chief?

0:18:14 > 0:18:18And here's you checking in your aunt Mary just moments later.

0:18:18 > 0:18:19Gosh, does my hair really look like that?

0:18:19 > 0:18:22OK, but if you go forward ten minutes

0:18:22 > 0:18:24this guy turns up.

0:18:24 > 0:18:26- And who is he? - His name's Neil Jenkins.

0:18:26 > 0:18:28He's a career criminal from the UK,

0:18:28 > 0:18:30who came to the island nine years ago.

0:18:30 > 0:18:33The police back in the UK asked us to keep an eye on him.

0:18:33 > 0:18:35He's done time for ABH - twice.

0:18:35 > 0:18:37- And you recognised him? - You better believe it.

0:18:37 > 0:18:40When he came here, I made sure I introduced myself to him.

0:18:40 > 0:18:42Is there any footage of him

0:18:42 > 0:18:44talking to John Green or interacting at all?

0:18:44 > 0:18:48- No, Chief.- Or anything else incriminating Mr Jenkins

0:18:48 > 0:18:49in Mr Green's murder?

0:18:49 > 0:18:51Yes. He's a known criminal

0:18:51 > 0:18:55and he was in the same hotel as the victim that afternoon.

0:18:55 > 0:18:57That's pretty tenuous, Dwayne,

0:18:57 > 0:19:01but if that's all we've got, let's go and pay Mr Jenkins a visit.

0:19:03 > 0:19:06Thanks so much for agreeing to see us.

0:19:06 > 0:19:09Always a pleasure to assist the local constabulary.

0:19:09 > 0:19:11How can we help?

0:19:11 > 0:19:13Well, it's, er... It's just that...

0:19:13 > 0:19:15Oh, wow!

0:19:15 > 0:19:17Um, it's er,

0:19:17 > 0:19:20just that your name came up as part of our enquiries.

0:19:20 > 0:19:21Really?

0:19:21 > 0:19:22Hello.

0:19:24 > 0:19:26Would you rather we had this conversation elsewhere?

0:19:26 > 0:19:28No.

0:19:28 > 0:19:31I haven't got any secrets from my wife. Ask away.

0:19:31 > 0:19:32OK.

0:19:33 > 0:19:36Were you at La Toubana Hotel yesterday?

0:19:36 > 0:19:38Yeah. Yeah.

0:19:38 > 0:19:39I'm a member of the gym there.

0:19:39 > 0:19:42What time did you arrive and leave?

0:19:45 > 0:19:46Got there about half past two.

0:19:46 > 0:19:48Went to the gym, came out,

0:19:48 > 0:19:49sat about in the sun for an hour.

0:19:49 > 0:19:51Got home about four o'clock.

0:19:51 > 0:19:54Does the name John Green mean anything to you?

0:19:54 > 0:19:55No. Don't think so. Ella?

0:19:57 > 0:19:59- What's that, sorry? - Do you know a John Green, love?

0:19:59 > 0:20:01No. Why?

0:20:02 > 0:20:04This is him.

0:20:04 > 0:20:06Please have a good look.

0:20:06 > 0:20:09Do you recognise him at all?

0:20:09 > 0:20:12No. Never seen him.

0:20:12 > 0:20:15And where were you both last night around, er, 2am?

0:20:15 > 0:20:18Well, I was in bed with my wife.

0:20:19 > 0:20:20What is all this?

0:20:20 > 0:20:21Can you prove that?

0:20:21 > 0:20:23HE SCOFFS

0:20:23 > 0:20:24No, darling.

0:20:24 > 0:20:28I was in bed with my wife, Ella. She'll alibi me.

0:20:28 > 0:20:31Oh, and I should tell you that I'm on sleeping pills,

0:20:31 > 0:20:34so come about midnight I was out for the count.

0:20:34 > 0:20:35- Isn't that right, dear?- Yeah.

0:20:35 > 0:20:39When I went to bed at midnight, Neil had been asleep for over an hour.

0:20:39 > 0:20:41Anyway, what's it matter where we were at 2am?

0:20:41 > 0:20:43- It's when this man was murdered at La Toubana Hotel.- No!

0:20:43 > 0:20:47All right, love. All right. And you think

0:20:47 > 0:20:49because I was in the area earlier in the day,

0:20:49 > 0:20:52that that man's death might have something to do with me? Eh?

0:20:52 > 0:20:54Well, unless you got any more questions, get out.

0:20:56 > 0:20:57Thanks for your help.

0:21:00 > 0:21:02Is it just a coincidence? I mean,

0:21:02 > 0:21:04the man had to be somewhere on the day of the murder

0:21:04 > 0:21:07and both he and his wife say he's got an alibi for the time

0:21:07 > 0:21:09John Green was killed.

0:21:09 > 0:21:13And I can't find any link to Neil Jenkins on Mr Green's phone, sir.

0:21:13 > 0:21:14That's hardly surprising.

0:21:14 > 0:21:17Neil Jenkins hasn't been back to the UK in the last nine years.

0:21:17 > 0:21:19And John Green has never been to Saint Marie before.

0:21:19 > 0:21:22Yeah, so how could the two men possibly have known each other?

0:21:22 > 0:21:24It's a very good point.

0:21:24 > 0:21:27Yes, but how about the other Brits currently on the island?

0:21:27 > 0:21:29JP, have you been through the list immigration sent over?

0:21:29 > 0:21:33I have, and I compared the names on the list to Mr Green's contacts

0:21:33 > 0:21:37on his phone and no-one he knows has arrived on the island.

0:21:37 > 0:21:40Also, sir, I've gone through Mr Green's e-mails

0:21:40 > 0:21:42and he was just a regular, normal guy.

0:21:42 > 0:21:45MOBILE PHONE RINGS Oh, er...

0:21:45 > 0:21:48Oh, gosh. Sorry, I'd better get this.

0:21:48 > 0:21:50Auntie!

0:21:50 > 0:21:51How are you?

0:21:51 > 0:21:54Oh, you're at Catherine's bar?

0:21:54 > 0:21:57How very clever of the Commissioner.

0:21:57 > 0:22:00Yes, we've actually got to finish up here, anyway.

0:22:00 > 0:22:02All right, see you then.

0:22:02 > 0:22:03OK, everyone,

0:22:03 > 0:22:05that's all we can do today.

0:22:05 > 0:22:08Er, but everything we've learnt about John Green tells us

0:22:08 > 0:22:11he was hard-working, honest...

0:22:11 > 0:22:13A good egg, no less.

0:22:13 > 0:22:16A bon oeuf, Florence.

0:22:16 > 0:22:18So, how come within hours of arriving on holiday,

0:22:18 > 0:22:20visiting an island he'd never been to before

0:22:20 > 0:22:23and travelling on his own, no less,

0:22:23 > 0:22:25someone got into this honest and well-liked man's room

0:22:25 > 0:22:28and brutally threw him to his death?

0:22:30 > 0:22:32Well, we had a lovely day, didn't we, Selwyn?

0:22:32 > 0:22:33Oh, yes.

0:22:33 > 0:22:38And it's so nice to hear the old stories about you, Inspector.

0:22:38 > 0:22:39What stories would these be?

0:22:39 > 0:22:42Well, I had no idea you had a family nickname.

0:22:42 > 0:22:43I... I don't.

0:22:43 > 0:22:46Oh, come on, Humphrey, you remember.

0:22:46 > 0:22:47I don't!

0:22:47 > 0:22:49You were about eight or nine years old.

0:22:49 > 0:22:52Back then, Humphrey had a quite a little tummy on him. In fact...

0:22:52 > 0:22:55In fact, he was almost entirely spherical.

0:22:55 > 0:22:57Auntie, you are not telling this story.

0:22:57 > 0:23:00And, er, we went to the local museum

0:23:00 > 0:23:04and they had this old gaol that we loved looking at.

0:23:04 > 0:23:06You ARE telling this story.

0:23:06 > 0:23:09And Humphrey was sitting on the wall outside.

0:23:09 > 0:23:11Only he fell off it and banged his head

0:23:11 > 0:23:14and that's when he got his family nickname.

0:23:14 > 0:23:15What was it?

0:23:15 > 0:23:17Humpty Dumpty!

0:23:17 > 0:23:19HE LAUGHS

0:23:21 > 0:23:22SHE SPEAKS FRENCH

0:23:24 > 0:23:26Are you all right, JP?

0:23:26 > 0:23:29Oh, er, yes. Yes, I'm totally fine.

0:23:30 > 0:23:31Thanks for asking.

0:23:34 > 0:23:35You look a bit confused.

0:23:38 > 0:23:39Well,

0:23:39 > 0:23:42to be honest with you, er...

0:23:42 > 0:23:44I am a bit confused.

0:23:44 > 0:23:45But why?

0:23:47 > 0:23:48Is it girl trouble?

0:23:48 > 0:23:52Well, no. No, it's the opposite, in fact.

0:23:52 > 0:23:54Or if you put it another way,

0:23:54 > 0:23:56yes.

0:23:56 > 0:23:58Yes, it is.

0:23:59 > 0:24:00No way, Chief?!

0:24:00 > 0:24:03Yes, I'm sorry, Dwayne, but it's true.

0:24:03 > 0:24:06It is my deepest and darkest secret.

0:24:06 > 0:24:09You used to perform magic shows?

0:24:09 > 0:24:11You should've seen them!

0:24:11 > 0:24:12He'd make a poster.

0:24:12 > 0:24:15"Humphrey's Marvellous Magic Show!"

0:24:16 > 0:24:18And he'd come out in a little bow tie

0:24:18 > 0:24:20and do all these wonderful card tricks.

0:24:20 > 0:24:22A little bow tie?

0:24:22 > 0:24:24Well, yes, I was only ten years old at the time,

0:24:24 > 0:24:27so it had to be quite small.

0:24:27 > 0:24:29Anyway, it's been a long day.

0:24:30 > 0:24:33Er, Humphrey, perhaps you'd escort me back to the hotel?

0:24:33 > 0:24:34Yes, of course, Auntie.

0:24:37 > 0:24:38Please.

0:24:38 > 0:24:40Thank you for a wonderful day.

0:24:40 > 0:24:42The pleasure was all mine, Aunt Mary.

0:24:45 > 0:24:47Thank you.

0:24:47 > 0:24:48I'll see you all soon.

0:24:48 > 0:24:51Bye-bye. Au revoir. Bye-bye.

0:24:52 > 0:24:53Same again, everyone?

0:24:53 > 0:24:55I'll give you a hand, Commissioner.

0:24:57 > 0:25:00- Dwayne, what have you done? - What?- The advice you gave JP!

0:25:00 > 0:25:02And what advice would that be?

0:25:02 > 0:25:05That JP must never tell Rosey that he's fallen in love with her.

0:25:05 > 0:25:08- Oh.- What did you do?- I...

0:25:08 > 0:25:10But... It's... It's...

0:25:10 > 0:25:13It's because... You know how it is, ladies -

0:25:13 > 0:25:16when men get too clingy...

0:25:16 > 0:25:18it puts you right off.

0:25:18 > 0:25:20If he loves her, he has to tell her.

0:25:20 > 0:25:23It's you he looks up to.

0:25:23 > 0:25:26You need to get him to tell Rosey how he feels about her.

0:25:27 > 0:25:28Ah!

0:25:37 > 0:25:41I'm sorry I didn't get to spend any time with you today.

0:25:41 > 0:25:43Oh, don't worry about it.

0:25:43 > 0:25:44I had a wonderful time.

0:25:44 > 0:25:46Yes.

0:25:46 > 0:25:49Although there was something I wanted to say, and, er...

0:25:50 > 0:25:53..I thought maybe I'd find the right time to say it,

0:25:53 > 0:25:55but maybe there never is a right time.

0:25:55 > 0:25:57What is it?

0:25:57 > 0:25:58Humphrey, look!

0:25:58 > 0:26:00That's John Green's room.

0:26:01 > 0:26:03My God, there's someone in there!

0:26:11 > 0:26:13This is the police! Who's there?!

0:26:25 > 0:26:26THUD

0:26:30 > 0:26:32HE BREATHES HEAVILY

0:26:39 > 0:26:41Aaargh!

0:26:41 > 0:26:44Argh! Oh! Ohh!

0:26:45 > 0:26:46FOOTSTEPS ON STAIRS

0:26:49 > 0:26:51SIREN BLARES

0:26:58 > 0:27:00Sir!

0:27:00 > 0:27:01- Oh, Florence.- Are you all right?

0:27:01 > 0:27:05He has a cut to his head and suspected concussion.

0:27:05 > 0:27:07They've got to take him in for observation,

0:27:07 > 0:27:09but he's going to be all right.

0:27:09 > 0:27:11I... I'm just a bit woozy and...

0:27:11 > 0:27:14a little bit hurty up there.

0:27:14 > 0:27:16What happened?

0:27:16 > 0:27:18Someone broke into John Green's hotel room.

0:27:18 > 0:27:20They were looking for something.

0:27:20 > 0:27:23But Humphrey didn't see who it was, or what they were looking for.

0:27:23 > 0:27:26You know, it's got to be our killer, Florence.

0:27:26 > 0:27:27OK, don't worry, sir.

0:27:27 > 0:27:31I'll get JP to work the scene and we'll discover who did this.

0:27:31 > 0:27:33Yes, I know you will. Thank you.

0:27:33 > 0:27:36But please, first, would you escort Mary to her room?

0:27:36 > 0:27:40No way - I'm not leaving your side after what happened.

0:27:40 > 0:27:42No, I'm coming to the hospital with you.

0:27:42 > 0:27:43OK, you can take him now.

0:27:48 > 0:27:50SIREN WAILS

0:28:05 > 0:28:08I've got some water and some grapes.

0:28:10 > 0:28:12Where did you get grapes from?

0:28:12 > 0:28:15Ah... A woman has to have her mystery.

0:28:15 > 0:28:18Before, you know...

0:28:18 > 0:28:19I got tonked...

0:28:22 > 0:28:23..you were trying to tell me something.

0:28:23 > 0:28:26So your memory's not affected.

0:28:28 > 0:28:29Unlike mine.

0:28:31 > 0:28:33I'm losing my marbles.

0:28:33 > 0:28:35What?

0:28:35 > 0:28:37Though some people would say I never had any in the first place,

0:28:37 > 0:28:39but, er...

0:28:39 > 0:28:40Well...

0:28:41 > 0:28:44..I went to the doctor, and he did some tests.

0:28:44 > 0:28:45You're not losing your marbles.

0:28:45 > 0:28:46Oh, I am, Humphrey.

0:28:46 > 0:28:48I forget things.

0:28:48 > 0:28:50We all forget things.

0:28:50 > 0:28:52I can't remember what day it is half the time.

0:28:52 > 0:28:53I know. But...

0:28:56 > 0:29:00..I forget recipes that I've been making my whole life, and...

0:29:00 > 0:29:02the names of friends.

0:29:04 > 0:29:07You know, I can't do logic puzzles any more.

0:29:07 > 0:29:08That's what you do.

0:29:09 > 0:29:11Puzzles.

0:29:12 > 0:29:14That's what we do.

0:29:14 > 0:29:15It's scary.

0:29:17 > 0:29:19I've had a wonderful life...

0:29:21 > 0:29:23..and now I'm going to forget it all.

0:29:26 > 0:29:30Well, that was my reason for this trip.

0:29:30 > 0:29:35I wanted to spend some time with you while I can still remember.

0:29:37 > 0:29:40And I wanted to be the one who told you.

0:29:42 > 0:29:44And now I have.

0:29:57 > 0:29:59So you reckon the chief will be OK, Sarge?

0:29:59 > 0:30:00He should be fine.

0:30:01 > 0:30:03Oh, JP...

0:30:03 > 0:30:05Did you discover what the intruder was looking for?

0:30:05 > 0:30:06Er...I'm sorry.

0:30:06 > 0:30:10I mean, the drawers were open, the victim's luggage was pulled apart...

0:30:10 > 0:30:13I mean, the intruder was definitely looking for something,

0:30:13 > 0:30:14but I have no idea what it was,

0:30:14 > 0:30:16or if he even found it before he ran away.

0:30:16 > 0:30:17Then what about fingerprints?

0:30:17 > 0:30:20No new prints on any other surfaces I could find.

0:30:20 > 0:30:22So the intruder was wearing gloves.

0:30:22 > 0:30:24- Almost certainly. - Like he was the first time.

0:30:24 > 0:30:25What have you got on your side?

0:30:25 > 0:30:28I'm trying to run background checks on Mr Green's contacts,

0:30:28 > 0:30:30but I'm struggling.

0:30:30 > 0:30:31He only knows about 30 people,

0:30:31 > 0:30:34and they're all from his home town, Colchester.

0:30:34 > 0:30:36It's just not much to go on.

0:30:36 > 0:30:38It's just like his credit report, Sarge.

0:30:38 > 0:30:41It's all above board, but where it lists previous residences,

0:30:41 > 0:30:43it's only got his Colchester address,

0:30:43 > 0:30:45which he moved into five years ago.

0:30:45 > 0:30:47There are no other addresses listed before then.

0:30:47 > 0:30:50But he must have lived somewhere before then.

0:30:50 > 0:30:52You know what?

0:30:52 > 0:30:55I think his passport was only issued five years ago.

0:30:58 > 0:30:59Yeah, it was.

0:31:01 > 0:31:02OK, everyone.

0:31:02 > 0:31:05I think we need to find out what John Green was up to

0:31:05 > 0:31:06before five years ago.

0:31:18 > 0:31:19What is it?

0:31:19 > 0:31:20Chicken soup.

0:31:20 > 0:31:21Mmm.

0:31:21 > 0:31:23Everyone needs chicken soup when they're ill.

0:31:23 > 0:31:25Yes, quite.

0:31:25 > 0:31:26Ahem...

0:31:30 > 0:31:32- What do you think? - Er, well, it's, er...

0:31:33 > 0:31:35It's delicious.

0:31:35 > 0:31:36SHE SIGHS

0:31:37 > 0:31:39Now...

0:31:39 > 0:31:41No over-exciting him.

0:31:41 > 0:31:42I've spoken to the doctor,

0:31:42 > 0:31:46and he needs complete bed rest for at least another day.

0:31:46 > 0:31:48OK?

0:31:48 > 0:31:49- Of course.- Yes.

0:32:00 > 0:32:03Nuts to that. You've made a breakthrough, haven't you?

0:32:03 > 0:32:05Yes, what she said.

0:32:05 > 0:32:08Well, sir, we finally realised we didn't have a single record

0:32:08 > 0:32:10for John Green from more than five years ago.

0:32:10 > 0:32:14It was like he didn't exist before 2011.

0:32:14 > 0:32:17That's when Sarge came up with her genius idea.

0:32:17 > 0:32:19What if he DIDN'T exist before 2011?

0:32:19 > 0:32:21Ah, that's not possible!

0:32:21 > 0:32:23It's not his real identity, is it?

0:32:23 > 0:32:25I got onto the police back in Essex,

0:32:25 > 0:32:27but at the right level this time - the superintendent -

0:32:27 > 0:32:30and she was able to confirm my suspicions

0:32:30 > 0:32:31and put me onto John Green's handler.

0:32:31 > 0:32:33John Green is not his real name, Chief.

0:32:33 > 0:32:36It's Marcus Knight. He was a crooked accountant

0:32:36 > 0:32:38who worked with a number of criminal families,

0:32:38 > 0:32:40and a load of diamond merchants from the East End of London.

0:32:40 > 0:32:41Oh, this is wonderful!

0:32:41 > 0:32:44But six years ago, he knew the police were closing in on him,

0:32:44 > 0:32:46so he turned his files over to them

0:32:46 > 0:32:49in return for a reduced sentence and a new identity.

0:32:49 > 0:32:51Yes, his evidence put seven other criminals in prison.

0:32:51 > 0:32:54Although the police still suspected Mr Knight had stolen the best part

0:32:54 > 0:32:57of a quarter of a million pounds from his clients before he went to the police.

0:32:57 > 0:33:00Not that they were able to prove it or recover the money.

0:33:00 > 0:33:02But once he'd served his time for false accounting,

0:33:02 > 0:33:04the Government gave Mr Knight a new name

0:33:04 > 0:33:05and put him in witness protection.

0:33:05 > 0:33:08- Brilliant! Well done, everyone. - We've already been onto immigration,

0:33:08 > 0:33:12and they say Marcus Knight visited the island six years ago.

0:33:12 > 0:33:14Just before he turned himself in to the UK police.

0:33:14 > 0:33:16He's been to the island before?

0:33:16 > 0:33:19In which case, Florence, you need to compile a list of all

0:33:19 > 0:33:22Marcus Knight's known associates before he went to prison,

0:33:22 > 0:33:25starting with those criminals he turned Queen's evidence against.

0:33:25 > 0:33:27Yes, sir.

0:33:27 > 0:33:29Ah...yes, well, well done, well done, everyone.

0:33:29 > 0:33:30Perhaps I'd better...

0:33:30 > 0:33:31- HE SIGHS - ..rest.

0:33:33 > 0:33:36HE SIGHS

0:33:51 > 0:33:53- MACHINERY BLEEPS - Hmm!

0:33:53 > 0:33:56- ALARMS RING - Don't worry, Aunt Mary, er...just a moment...

0:33:56 > 0:33:57Ah hello, hello.

0:33:57 > 0:33:59Sorry, er, don't know how that happened, but, er...

0:33:59 > 0:34:02now I've got you here, I wonder if you could help me.

0:34:02 > 0:34:04Because we're going to need a large whiteboard

0:34:04 > 0:34:06and some marker pens in varying colours.

0:34:06 > 0:34:07Thank you.

0:34:10 > 0:34:12I mean, after all, Auntie...

0:34:12 > 0:34:14what else do we do when we're confined indoors,

0:34:14 > 0:34:18if not solve some puzzles?

0:34:20 > 0:34:22You know what I can't help thinking, Auntie?

0:34:22 > 0:34:25That Marcus Knight is the Cretan from the riddle.

0:34:25 > 0:34:27Who?

0:34:27 > 0:34:31The man from Crete who says that all men from Crete are liars.

0:34:31 > 0:34:32I don't know that one.

0:34:32 > 0:34:35Yes, you do, the Epimenides Paradox - you taught it to me.

0:34:36 > 0:34:38You know, if he's from Crete, he's lying,

0:34:38 > 0:34:42and if he's telling the truth, then he can't be from Crete.

0:34:43 > 0:34:46I can't... can't remember it.

0:34:46 > 0:34:49Sorry, I told you, it's not what it was.

0:34:49 > 0:34:50Don't worry.

0:34:50 > 0:34:52All I'm saying is

0:34:52 > 0:34:56that nothing we know about Marcus Knight can be presumed to be true.

0:34:56 > 0:34:58So what I keep coming back to is,

0:34:58 > 0:35:03what if he never actually went to the botanical gardens at all?

0:35:03 > 0:35:04I see.

0:35:04 > 0:35:06Well, where do you think he went?

0:35:09 > 0:35:10No idea.

0:35:11 > 0:35:12Hmm.

0:35:12 > 0:35:16Although Dwayne said Marcus Knight stole a quarter of a million pounds

0:35:16 > 0:35:18before he went to prison six years ago.

0:35:18 > 0:35:21Yes, and Dwayne also said that Marcus came out to the island

0:35:21 > 0:35:22six years ago, as well.

0:35:22 > 0:35:24Shortly before he turned himself in to the police.

0:35:24 > 0:35:28So maybe he's been hiding his money on the island all this time!

0:35:28 > 0:35:30Good grief, Auntie, I wonder if you're right.

0:35:30 > 0:35:35So if he DIDN'T go to the botanical gardens, I wonder where he did go.

0:35:35 > 0:35:37Well, where else is there nearby?

0:35:37 > 0:35:41Somewhere he could have kept a quarter of a million pounds safe

0:35:41 > 0:35:44- for six years. - Well, gosh, I don't really know.

0:35:44 > 0:35:46I mean, there's just a few shops up there. There's a...

0:35:46 > 0:35:49a chemist, and... and a laundry, I think, and...

0:35:49 > 0:35:50And then there's just a...

0:35:52 > 0:35:54Good grief!

0:35:54 > 0:35:55There's also a bank!

0:35:55 > 0:35:58Do you want to ring Florence, or shall I?

0:35:58 > 0:36:00I can confirm that a Marcus Knight

0:36:00 > 0:36:04took out a safety deposit box with us in February of 2010.

0:36:04 > 0:36:05Six years ago?

0:36:05 > 0:36:08Yes, and three days ago, he presented himself and his key

0:36:08 > 0:36:11to the branch, emptied his box, closed down the account,

0:36:11 > 0:36:12and handed back his key.

0:36:12 > 0:36:15Do you know what he'd been keeping here in those six years?

0:36:15 > 0:36:18I don't. But I know it fitted inside a brown holdall.

0:36:20 > 0:36:23But we never found no brown holdall in his room.

0:36:25 > 0:36:29OK, so the killer took the bag of money when he killed Marcus Knight.

0:36:29 > 0:36:32Yes, because it was full of a quarter of a million pounds.

0:36:32 > 0:36:33And just imagine, Sarge,

0:36:33 > 0:36:36the money's been sitting in that bank all this time.

0:36:36 > 0:36:39All you'd need is a key, and all of the cash is yours.

0:36:39 > 0:36:40You're right.

0:36:40 > 0:36:41About what?

0:36:41 > 0:36:43Where was the key all this time?

0:36:43 > 0:36:45- How do you mean?- OK...

0:36:45 > 0:36:47Imagine - you're Marcus Knight.

0:36:47 > 0:36:50You've put a load of money in a safety deposit box,

0:36:50 > 0:36:52and you know you're going to prison.

0:36:52 > 0:36:54What are you going to do with the key?

0:36:54 > 0:36:56- Give it to someone for safekeeping. - But who?

0:36:57 > 0:36:59OK, Dwayne, go back to the bank

0:36:59 > 0:37:02and get the key Mr Knight used to open his safety deposit box.

0:37:02 > 0:37:04I think we need to test it for fingerprints.

0:37:04 > 0:37:07Ah-ha-ha!

0:37:11 > 0:37:13Find anything yet, JP?

0:37:13 > 0:37:16Seven points of comparison. That's admissible in court.

0:37:16 > 0:37:18Who does the fingerprint belong to?

0:37:18 > 0:37:19JP SIGHS

0:37:19 > 0:37:20Neil Jenkins.

0:37:21 > 0:37:25- I don't know what you're talking about.- Marcus Knight is the real name of John Green,

0:37:25 > 0:37:30the man who was murdered only hours after you were seen at his hotel.

0:37:30 > 0:37:32The man you told us you didn't know.

0:37:32 > 0:37:34Even though he visited you six years ago.

0:37:34 > 0:37:38Which is when he left his safety deposit key with you, didn't he?

0:37:38 > 0:37:42A safety deposit key we just retrieved from the bank,

0:37:42 > 0:37:45and we were able to lift a clean fingerprint belonging to you

0:37:45 > 0:37:46off the key fob.

0:37:46 > 0:37:49Which implicates you in his murder,

0:37:49 > 0:37:52unless you can explain how your fingerprint got there.

0:37:52 > 0:37:54All right.

0:37:54 > 0:37:55All right, I admit...

0:37:57 > 0:38:00..that I knew that John was really Marcus.

0:38:00 > 0:38:01Yeah.

0:38:01 > 0:38:04He used to be my company accountant years ago.

0:38:04 > 0:38:06So why did you lie to us?

0:38:06 > 0:38:08Because I wanted to protect his secret.

0:38:08 > 0:38:10- Which was...?- Look...

0:38:10 > 0:38:12before Marcus handed himself over to the Old Bill,

0:38:12 > 0:38:16he siphoned off a lot of cash for himself,

0:38:16 > 0:38:19and he was going to store it in the bank for when he came out.

0:38:19 > 0:38:22Now, he asked me to look after the key.

0:38:23 > 0:38:26The day that he came back, we arranged a meeting.

0:38:26 > 0:38:28We went to the hotel, sat out on the balcony, had a few beers,

0:38:28 > 0:38:32talked about old times, you know, compared war wounds, it was lovely.

0:38:32 > 0:38:36And then I gave him the key so that he could go to the bank.

0:38:36 > 0:38:39And you got on after all this time?

0:38:39 > 0:38:40Yeah, of course we got on.

0:38:40 > 0:38:42I mean, everyone loved Marcus, didn't they?

0:38:42 > 0:38:44I mean, I actually said to him

0:38:44 > 0:38:46that he ought to cancel his reservation at the hotel,

0:38:46 > 0:38:50and he should spend the rest of his holidays with us. Didn't I, darling?

0:38:50 > 0:38:52- What was that? - I said that he could spend

0:38:52 > 0:38:54the rest of the holidays with us.

0:38:54 > 0:38:55Yes!

0:38:55 > 0:38:59- And he would have done if he hadn't died, the poor man. - So you knew Marcus Knight, as well?

0:38:59 > 0:39:02He was Neil's accountant, so I suppose I knew him to say hello to.

0:39:02 > 0:39:04And you both admit you knew about the money

0:39:04 > 0:39:07Mr Knight had been keeping at the bank all this time?

0:39:07 > 0:39:11- I didn't know about any money. - Look, all right, all right... All right, that's true.

0:39:11 > 0:39:12Ella didn't know about the money.

0:39:12 > 0:39:14It wasn't my secret to share - simple as that.

0:39:14 > 0:39:16Even though last time I was here,

0:39:16 > 0:39:19you told me you had no secrets from your wife.

0:39:19 > 0:39:23You see, this is the problem we've got, Mr Jenkins.

0:39:23 > 0:39:26We know you couldn't have got Mr Knight's money out of the bank

0:39:26 > 0:39:27while he was in prison.

0:39:27 > 0:39:30Because Mr Knight was the only one who could get it out.

0:39:30 > 0:39:33So this is what we're thinking.

0:39:33 > 0:39:36Once you were sure Mr Knight had his money, you went to his room

0:39:36 > 0:39:40in the middle of the night, killed him, and stole it for yourself.

0:39:42 > 0:39:43Listen...

0:39:45 > 0:39:47You're forgetting one thing, all right?

0:39:50 > 0:39:53I had an alibi for the night that he was murdered.

0:39:53 > 0:39:56So where were you last night just before midnight?

0:39:56 > 0:39:57I was asleep. Why?

0:39:57 > 0:40:00- Can you prove that?- I've done nothing wrong here, all right?

0:40:00 > 0:40:02All I did was look after a key for an old friend.

0:40:02 > 0:40:05So unless you have got a warrant or you're going to charge me,

0:40:05 > 0:40:08then I've finished helping the police with their enquiries,

0:40:08 > 0:40:09so out!

0:40:15 > 0:40:18I'm telling you, Neil Jenkins is our killer!

0:40:18 > 0:40:21He's a known criminal, he's been looking after the key,

0:40:21 > 0:40:23and he knows the bag contained money.

0:40:23 > 0:40:26But, Dwayne, he's already a rich man.

0:40:26 > 0:40:29Why would he need to kill for money?

0:40:29 > 0:40:30We need the inspector.

0:40:31 > 0:40:33if Neil Jenkins killed Marcus,

0:40:33 > 0:40:36he'll have taken the bag of money and hidden the cash somewhere.

0:40:36 > 0:40:39So, JP, how's your research going?

0:40:39 > 0:40:42Well, we already know a lot about Neil Jenkins,

0:40:42 > 0:40:45so I decided to do a few background checks on his wife.

0:40:45 > 0:40:49And I've discovered she was on the police computer

0:40:49 > 0:40:52under her maiden name, Ella Thomas.

0:40:52 > 0:40:5615 years ago - about a year or so before she married Neil -

0:40:56 > 0:40:58she was cautioned for running a fake perfume stall

0:40:58 > 0:41:00in London on Oxford Street.

0:41:00 > 0:41:04She also has a serious amount of debts on her credit cards.

0:41:04 > 0:41:07Oh, so she's not as innocent as she pretends to be.

0:41:07 > 0:41:10But how did she know that Marcus was collecting the money that day, mm?

0:41:10 > 0:41:14Her husband said he never told Ella about the bag of money.

0:41:14 > 0:41:15You know what?

0:41:15 > 0:41:19We still don't know why the killer returned to the scene of the crime.

0:41:20 > 0:41:22I think we should find out, don't you?

0:41:22 > 0:41:25No, sir, sir! The doctors said you had to stay in bed.

0:41:25 > 0:41:27Yes, I know, but what do doctors know?

0:41:27 > 0:41:28HE CHUCKLES

0:41:28 > 0:41:30Oh...hold on!

0:41:30 > 0:41:32CRASH

0:41:32 > 0:41:34Oh... Don't worry, I'm fine.

0:41:34 > 0:41:37Ah! And I hope you don't mind, but for the remainder of the case,

0:41:37 > 0:41:40I am co-opting the help of a civilian expert.

0:41:41 > 0:41:43Aunt Mary.

0:41:44 > 0:41:47So, the killer gets back in here,

0:41:47 > 0:41:49but what are they looking for?

0:41:50 > 0:41:52And did they find it?

0:41:52 > 0:41:54Almost certainly not, sir.

0:41:54 > 0:41:55I mean, seeing as you interrupted them.

0:41:55 > 0:41:57Yes, but it was down here

0:41:57 > 0:42:00that the original fight for the money must have been,

0:42:00 > 0:42:01because...

0:42:01 > 0:42:05Mr Knight was thrown over this balcony here.

0:42:05 > 0:42:07Sir, it has to be Neil Jenkins.

0:42:07 > 0:42:09He's the only person on the whole island

0:42:09 > 0:42:11who knew there was a bag full of money.

0:42:11 > 0:42:15- Well, yes, we keep saying that, but, you know, I wonder if that's true. - How do you mean?

0:42:15 > 0:42:18Well, this whole case has been the wrong way round from the start, hasn't it?

0:42:18 > 0:42:21I mean, John Green wasn't even John Green.

0:42:23 > 0:42:27So what if the one proven crook in this case...

0:42:29 > 0:42:30..isn't the crook after all?

0:42:32 > 0:42:34I mean, Neil's already rich,

0:42:34 > 0:42:36so why would he need to kill for money?

0:42:36 > 0:42:39And yes, in fact, what if the secret of the money...

0:42:39 > 0:42:40wasn't...

0:42:40 > 0:42:42even...

0:42:42 > 0:42:43a secret?

0:42:43 > 0:42:44WOMAN SINGS IN DISTANCE

0:42:44 > 0:42:46Yes, but why kill that night?

0:42:46 > 0:42:48SINGING CONTINUES

0:42:50 > 0:42:51Singing!

0:42:55 > 0:42:56Well, I'll be blowed.

0:42:56 > 0:42:59'We went to the hotel, sat out on the balcony, had a few beers,

0:42:59 > 0:43:00'talked about old times.'

0:43:00 > 0:43:03I said, "Look, why don't you cancel your reservation at the hotel,

0:43:03 > 0:43:05"come and spend the rest of your holidays with us?"

0:43:05 > 0:43:08- Yes, er...what time was this? - Ten past two.

0:43:12 > 0:43:15THAT'S why you'd kill that night...

0:43:15 > 0:43:17and why the secret's not a secret!

0:43:18 > 0:43:20But, wait, that's not possible.

0:43:22 > 0:43:23(Maybe that's not impossible.)

0:43:26 > 0:43:30DOOR LATCH CLICKS

0:43:31 > 0:43:33Good grief!

0:43:33 > 0:43:34You know who killed Marcus Knight?

0:43:34 > 0:43:36Aunt Mary...

0:43:36 > 0:43:38- That's your room next door, isn't it?- That's right.

0:43:38 > 0:43:41Then I need the log of who opened what doors that afternoon.

0:43:41 > 0:43:43I need to know who was in Room 32!

0:43:47 > 0:43:48Mr and Mrs Jenkins.

0:43:48 > 0:43:50Why do you want to meet us up here?

0:43:50 > 0:43:54Well, you want to know who killed your good friend, Marcus Knight, don't you?

0:43:56 > 0:43:57Of course.

0:43:57 > 0:43:59Please...

0:43:59 > 0:44:01Now, Neil...

0:44:01 > 0:44:05You and Marcus went to his room the afternoon he was killed, didn't you?

0:44:05 > 0:44:07What of it?

0:44:07 > 0:44:09Freddie, if you would, please.

0:44:09 > 0:44:11LOCK BLEEPS

0:44:11 > 0:44:14That's not Marcus's room. It was that one over there.

0:44:14 > 0:44:17Don't worry, all will become clear. Please.

0:44:20 > 0:44:23You see, all along, you had to be our killer, Neil.

0:44:23 > 0:44:26Only you knew about Marcus's bag of money.

0:44:26 > 0:44:27And yet...

0:44:27 > 0:44:30Marcus was your one-time company secretary.

0:44:30 > 0:44:32You'd even, er...looked after the key to his safe deposit box

0:44:32 > 0:44:35for the last six years.

0:44:35 > 0:44:38This is not the behaviour of someone who has hate in his heart.

0:44:41 > 0:44:44- You didn't kill him. - Too damn right I didn't.

0:44:44 > 0:44:46But it made me realise - excuse me, Aunt Mary -

0:44:46 > 0:44:49that there was someone else on the island

0:44:49 > 0:44:52who could have known about that money.

0:44:52 > 0:44:54And that was you, Ella.

0:44:54 > 0:44:57Because even if you didn't tell your wife about the bag of money, well...

0:44:57 > 0:44:59I mean, Ella was still here six years ago

0:44:59 > 0:45:02when Marcus dropped that money off.

0:45:02 > 0:45:04He could have told her all about it then.

0:45:04 > 0:45:06You already have a criminal past.

0:45:06 > 0:45:07Selling fake perfume.

0:45:07 > 0:45:09And you're maxed out on your credit cards.

0:45:09 > 0:45:11You need the money.

0:45:11 > 0:45:12It's not that bad.

0:45:14 > 0:45:15I didn't kill him!

0:45:15 > 0:45:16No.

0:45:18 > 0:45:20Because that honour belongs to you, Freddie.

0:45:20 > 0:45:22What?

0:45:22 > 0:45:23You killed Marcus Knight.

0:45:24 > 0:45:27What? I don't understand. Why would I do that?

0:45:27 > 0:45:29I know! I mean...

0:45:29 > 0:45:33how did you even know there was a bag of cash to steal in the first place?

0:45:34 > 0:45:35Well, let's see.

0:45:35 > 0:45:37Because, as a porter...

0:45:37 > 0:45:39you have one particular skill, don't you?

0:45:39 > 0:45:42And that is remembering names and faces.

0:45:42 > 0:45:45Ah, Mr and Mrs Bachmann, how have you been this past year?

0:45:45 > 0:45:47HE LAUGHS

0:45:48 > 0:45:51So I think your suspicions were raised

0:45:51 > 0:45:55the moment Mr Knight returned to the hotel after a gap of six years,

0:45:55 > 0:45:57saying his name was now Mr Green.

0:45:57 > 0:46:00Afternoon! I've got a room booked in the name John Green.

0:46:00 > 0:46:03When a well-known island crook arrived soon after,

0:46:03 > 0:46:07we think you decided to find out what was going on.

0:46:09 > 0:46:11Because although you never used your pass-key

0:46:11 > 0:46:15to enter Marcus's room that night - I mean, you'd never be so stupid -

0:46:15 > 0:46:19the hotel records do show that you were in this room

0:46:19 > 0:46:21for 25 minutes that afternoon -

0:46:21 > 0:46:23the room next door to Mr Knight's.

0:46:25 > 0:46:27Even though there were no guests staying here.

0:46:27 > 0:46:29So why is that, Freddie?

0:46:29 > 0:46:32It was when you heard the story of a bag of cash

0:46:32 > 0:46:35containing a quarter of a million pounds.

0:46:35 > 0:46:37You know what the tragedy is?

0:46:38 > 0:46:40Marcus would possibly still be alive

0:46:40 > 0:46:42if you hadn't invited him to move into your house

0:46:42 > 0:46:44for the rest of the holiday.

0:46:44 > 0:46:46Because it made Freddie realise,

0:46:46 > 0:46:51if he wanted his bag of money for himself, he'd have to act fast.

0:46:51 > 0:46:53When you got to deliver room service to Marcus that night,

0:46:53 > 0:46:56I mean, I think you checked for the bag of money -

0:46:56 > 0:46:57of course you did -

0:46:57 > 0:47:00but you also made sure that you left the door on the latch,

0:47:00 > 0:47:03so you wouldn't need to use your pass-key later on, didn't you?

0:47:03 > 0:47:07As you knew the hotel logged every time a key is used.

0:47:07 > 0:47:10I... I was downstairs on reception when he was killed.

0:47:10 > 0:47:12Oh, yeah, that's right, you were, weren't you?

0:47:12 > 0:47:15Yes, the CCTV footage proves it.

0:47:15 > 0:47:17If you would, please, JP?

0:47:17 > 0:47:18Yes, Chief.

0:47:21 > 0:47:24Because you're right, Freddie.

0:47:24 > 0:47:27Here you are, just after 2am, minding your own business.

0:47:29 > 0:47:31And here's the phone call from Aunt Mary, er...

0:47:31 > 0:47:32phoning down to reception,

0:47:32 > 0:47:35telling you that someone's fallen from their balcony.

0:47:35 > 0:47:38Oh, and there you are, getting your torch and going to help.

0:47:38 > 0:47:41So how on earth could you possibly be the killer?

0:47:41 > 0:47:43I mean, you never left reception.

0:47:45 > 0:47:47But then I remembered...

0:47:48 > 0:47:50..when we first interviewed you,

0:47:50 > 0:47:54Aunt Mary said she phoned down to reception at 2:10am.

0:47:55 > 0:47:58But you corrected her, and said it was more like two.

0:47:58 > 0:48:00It had just gone two when you called me.

0:48:00 > 0:48:03It was only a difference of ten minutes. What did it matter?

0:48:03 > 0:48:06Well, as it happens, quite a lot.

0:48:08 > 0:48:10So, thank you, Mary.

0:48:10 > 0:48:12You weren't confused that night.

0:48:12 > 0:48:14Or forgetful in any way.

0:48:14 > 0:48:17It was ten past two when you rang down.

0:48:17 > 0:48:19And it was in this missing ten minutes

0:48:19 > 0:48:21that Freddie committed murder.

0:48:21 > 0:48:22First...

0:48:22 > 0:48:25he waited until he had to swap the CCTV discs over at 2am,

0:48:25 > 0:48:26as we know.

0:48:26 > 0:48:28Well, Chief, we've got two discs.

0:48:28 > 0:48:31One covering from 2pm yesterday to 2am,

0:48:31 > 0:48:33and the other one from 2am onwards.

0:48:33 > 0:48:35But he didn't put in the new disc. Not yet, anyway.

0:48:35 > 0:48:37You see, at this stage,

0:48:37 > 0:48:39he was just planning to carry out a quick robbery,

0:48:39 > 0:48:41get back to reception and then put the new disc in

0:48:41 > 0:48:44before anyone noticed his absence.

0:48:44 > 0:48:46Which is what he did - go into Marcus' room,

0:48:46 > 0:48:49letting himself in without using his key.

0:48:49 > 0:48:50And then?

0:48:51 > 0:48:53Well, we can't know for sure.

0:48:53 > 0:48:55But we do know Marcus woke up.

0:49:00 > 0:49:02Did he threaten to call the police, Freddie?

0:49:04 > 0:49:07Or were you always prepared to kill for that money?

0:49:07 > 0:49:09I mean, either way, you knew you couldn't back down.

0:49:09 > 0:49:11You had to get that money at all costs!

0:49:18 > 0:49:20And when you got back down to reception,

0:49:20 > 0:49:23I imagine you were just in... in a desperate panic,

0:49:23 > 0:49:25wishing you could have your time over again.

0:49:25 > 0:49:27And that's when you realised.

0:49:28 > 0:49:29The disc wasn't recording!

0:49:31 > 0:49:32You COULD have your time over again!

0:49:32 > 0:49:36All you needed to do was set the wall clock back to 2am

0:49:36 > 0:49:39before starting the next DVD.

0:49:39 > 0:49:42So that when Aunt Mary rang down a few minutes later

0:49:42 > 0:49:45to report the murder, you now appeared to have an alibi

0:49:45 > 0:49:47for the moments leading up to the murder.

0:49:48 > 0:49:51It was like you never left reception.

0:49:51 > 0:49:53Except when you look closely,

0:49:53 > 0:49:56you can see the brown holdall at your feet.

0:49:57 > 0:49:59All you then needed to do was return the wall clock

0:49:59 > 0:50:01to the real time later on

0:50:01 > 0:50:03after you'd taken the disc out to give to us.

0:50:03 > 0:50:06I mean, it was only ever a few minutes out, anyway.

0:50:06 > 0:50:08- But why?- Why? I know.

0:50:10 > 0:50:12I mean, after all, Freddie's got no criminal record.

0:50:12 > 0:50:15There's been no hint he's stolen from guests before.

0:50:15 > 0:50:17But then, I imagine no-one's brought in

0:50:17 > 0:50:20a quarter of a million pounds in hard cash before.

0:50:21 > 0:50:22So why?

0:50:22 > 0:50:26I mean, in a world where you get by on dollar tips here and there...

0:50:26 > 0:50:29I imagine that amount of money was just a bit too hard to resist,

0:50:29 > 0:50:30eh, Freddie?

0:50:30 > 0:50:31I mean, plus, it's stolen.

0:50:31 > 0:50:33So if someone took it,

0:50:33 > 0:50:35Marcus would never be able to report its theft to the police.

0:50:35 > 0:50:37Easy money, really.

0:50:38 > 0:50:40I imagine the temptation was just too great,

0:50:40 > 0:50:41eh, Freddie?

0:50:41 > 0:50:42Chief!

0:50:44 > 0:50:47You were right. I searched Freddie's house and found it. But...

0:50:47 > 0:50:48Thank you, Dwayne.

0:50:48 > 0:50:50Finally, the bag of money!

0:50:50 > 0:50:53- Chief, I really think you should... - One moment, Dwayne.

0:50:53 > 0:50:56All along, we've been trying to work out who killed Marcus Knight.

0:50:56 > 0:50:58And the answer is...

0:50:58 > 0:51:02anyone who wanted to get their hands on a quarter of a million pounds.

0:51:06 > 0:51:07I did try.

0:51:10 > 0:51:11Where's the money?

0:51:12 > 0:51:14There wasn't any.

0:51:14 > 0:51:17- FREDDIE SIGHS - When I opened the bag it was just...

0:51:18 > 0:51:20..that.

0:51:20 > 0:51:21Yes, of course.

0:51:23 > 0:51:25That's why you broke back into the room the following night.

0:51:25 > 0:51:28Because you were still searching for the money.

0:51:28 > 0:51:31You didn't find it that time, either, did you? Not with me interrupting.

0:51:31 > 0:51:32Argh!

0:51:42 > 0:51:45There never was any money.

0:51:45 > 0:51:46What a waste of a life.

0:51:49 > 0:51:51Take him away, Dwayne.

0:51:52 > 0:51:55CELL DOOR SLAMS AND LOCKS

0:51:55 > 0:51:59OK, well, I think this calls for a celebration,

0:51:59 > 0:52:01don't you think, Auntie Mary?

0:52:01 > 0:52:03Oh, yes, I think so, Dwayne.

0:52:03 > 0:52:06JP? Sarge? A celebratory drink?

0:52:06 > 0:52:07Yes? Let's go.

0:52:07 > 0:52:09- Sir?- Mmm?

0:52:09 > 0:52:11We're going for a drink.

0:52:11 > 0:52:12No.

0:52:12 > 0:52:15- Yes, of course. - What is it, Humphrey?

0:52:15 > 0:52:17Well, I'm sorry, Auntie, it's just, er...

0:52:17 > 0:52:21Why would you put a load of old mementoes into a safety deposit box?

0:52:21 > 0:52:23Cos it's his old identity, sir.

0:52:23 > 0:52:25I mean, he'd want to keep it safe.

0:52:25 > 0:52:27Yes, no, I get that, JP, it's just...

0:52:27 > 0:52:29- HE SIGHS - ..why keep it safe in the Caribbean?

0:52:29 > 0:52:32I mean, why not just put it into storage in the UK?

0:52:32 > 0:52:34And...

0:52:34 > 0:52:37if his possessions are worthy of a safety deposit box...

0:52:37 > 0:52:38HE SIGHS

0:52:38 > 0:52:40..then why not the money?

0:52:40 > 0:52:42Sir...

0:52:42 > 0:52:44We've looked. There's no money in that bag.

0:52:44 > 0:52:45So where did he put the cash?

0:52:45 > 0:52:47Maybe there never was any cash.

0:52:47 > 0:52:51Yeah, but he told Neil Jenkins he was here to collect his money.

0:52:53 > 0:52:58Then what if the bag itself is the money?

0:52:58 > 0:53:03With all due respect, Auntie Mary, the bag's not even worth 20.

0:53:03 > 0:53:04Yes, but what if it was?

0:53:05 > 0:53:09Yes, because, erm... What was Marcus's job again? He...

0:53:10 > 0:53:13..wasn't just an accountant to Neil Jenkins, was he?

0:53:13 > 0:53:16That's right, he worked for a diamond merchants'.

0:53:16 > 0:53:17Chief...

0:53:17 > 0:53:20We looked inside and out - there's nowhere to hide anything.

0:53:20 > 0:53:22And yet...

0:53:22 > 0:53:24in the world of logic puzzles...

0:53:24 > 0:53:27It's always your assumptions that lead you astray.

0:53:27 > 0:53:29Ha...

0:53:29 > 0:53:30Yes, it is, isn't it?

0:53:32 > 0:53:33No way!

0:53:33 > 0:53:35He knows where the money is.

0:53:37 > 0:53:38HE SIGHS

0:53:46 > 0:53:47HUMPHREY CHUCKLES

0:53:49 > 0:53:53Now THAT'S how I'd hide a quarter of a million pounds.

0:53:55 > 0:53:57Ahem...

0:53:57 > 0:53:58JP...

0:53:58 > 0:54:02Oh, Dwayne, don't worry. I haven't told Rosey how I feel.

0:54:02 > 0:54:05I've followed your advice down to the letter.

0:54:05 > 0:54:08Ah, good, but possibly it wasn't quite the best advice.

0:54:08 > 0:54:10Mmm? It wasn't?

0:54:10 > 0:54:12You see, JP, I've got a friend.

0:54:12 > 0:54:14- Yes, I... I know. - No, no, no, I mean...

0:54:14 > 0:54:16I've got a FRIEND.

0:54:16 > 0:54:20- Oh, you've got a FRIEND?- That's what I said - I've got a FRIEND.

0:54:20 > 0:54:22- It isn't me, by the way.- No.

0:54:22 > 0:54:24But this friend of mine, he sort of nearly, kind of,

0:54:24 > 0:54:27fell for this girl real bad.

0:54:27 > 0:54:29And the one thing I sometimes wonder...

0:54:29 > 0:54:30- Your friend.- Huh?

0:54:30 > 0:54:33The one thing your friend sometimes wonders...

0:54:33 > 0:54:37Oh, of course, the one thing my friend sometimes wonders is...

0:54:37 > 0:54:41what if he had told her how really serious he was about her?

0:54:43 > 0:54:45You think that might have...

0:54:45 > 0:54:47- turned out a bit different?- No.

0:54:49 > 0:54:51But your advice...

0:54:51 > 0:54:53- Your friend's advice...- Mm?

0:54:53 > 0:54:56I should tell Rosey I love her.

0:54:56 > 0:54:58Yes, and soon!

0:54:58 > 0:55:01Because this friend of mine, he's got two female friends

0:55:01 > 0:55:03who are waiting to beat him up really bad if you don't.

0:55:04 > 0:55:06- Mmm?- OK.

0:55:06 > 0:55:08OK!

0:55:08 > 0:55:09Ah...

0:55:18 > 0:55:20Ah, JP! Everything OK?

0:55:20 > 0:55:22Everything's just fine, Dwayne.

0:55:22 > 0:55:24You see, everything's just fine.

0:55:24 > 0:55:28Ah, and you both look like you need a little Ti' Punch, eh?

0:55:30 > 0:55:31I need at least two!

0:55:31 > 0:55:33Dwayne!

0:55:33 > 0:55:37So you know...we couldn't have done it without you, Auntie.

0:55:37 > 0:55:38It was quite an adventure!

0:55:38 > 0:55:39Yes, I'll say!

0:55:41 > 0:55:45So, your, er...memory was tip-top.

0:55:45 > 0:55:48And your puzzle-solving abilities were even...

0:55:48 > 0:55:50tip-top-erer.

0:55:50 > 0:55:51SHE LAUGHS

0:55:55 > 0:55:56You know, this has been...

0:55:56 > 0:55:58one rocking-chair moment.

0:55:58 > 0:56:00What's one of those?

0:56:00 > 0:56:05When I'm sitting in my rocking chair and everything starts to go...

0:56:06 > 0:56:11..I think there are some things I won't be able to forget.

0:56:11 > 0:56:14Like...this.

0:56:14 > 0:56:16Like...

0:56:16 > 0:56:17you, Humpty.

0:56:20 > 0:56:22So, Inspector.

0:56:22 > 0:56:26I just found this pack of cards by the backgammon set.

0:56:26 > 0:56:27Oh, gosh.

0:56:27 > 0:56:28Mary...

0:56:30 > 0:56:32..do you think we should ask your nephew

0:56:32 > 0:56:36to perform one of his famous magic tricks, hmm?

0:56:36 > 0:56:38Oh, absolutely, Selwyn.

0:56:38 > 0:56:41No, look, really, gosh, I mean, it's been so long.

0:56:41 > 0:56:43- I just don't...- Come on, Humphrey!

0:56:43 > 0:56:45- HUMPHREY SIGHS - Come on, Chief.

0:56:46 > 0:56:48All right, then, JP.

0:56:48 > 0:56:49Pick a card, any card.

0:56:49 > 0:56:51OK.

0:56:51 > 0:56:54Now, don't let me see it. Show it to your friends...

0:56:54 > 0:56:56and then place it back in the pack.

0:56:59 > 0:57:01Don't let me see it!

0:57:01 > 0:57:04Now, I can't possibly know what your card is.

0:57:04 > 0:57:08And by shuffling this pack, I can't possibly know WHERE your card is.

0:57:08 > 0:57:09Ah...

0:57:09 > 0:57:10But...

0:57:11 > 0:57:13Tell me...

0:57:13 > 0:57:15did you choose a red card?

0:57:15 > 0:57:17Yes.

0:57:17 > 0:57:18Was it a diamond?

0:57:18 > 0:57:20No.

0:57:20 > 0:57:22It wasn't? Are you sure?

0:57:22 > 0:57:23Er, yes, sir.

0:57:23 > 0:57:25And that's exactly what I expected you to say,

0:57:25 > 0:57:28because the card you chose was two of hearts!

0:57:30 > 0:57:32Oh, er, sorry, it's been a while. Ahem...

0:57:32 > 0:57:34Ladies and gentlemen...

0:57:34 > 0:57:35two of hearts!

0:57:37 > 0:57:40Ahem. Right, just bear with me. Wait, wait, here we go.

0:57:40 > 0:57:41Two of hearts!

0:57:43 > 0:57:44It was, erm...

0:57:44 > 0:57:46- Queen of hearts.- Two of hearts!

0:57:46 > 0:57:48Oh...

0:57:48 > 0:57:51Ah...it's got to be here somewhere. Wait, wait, wait, one second,

0:57:51 > 0:57:52it's coming...

0:57:52 > 0:57:53Two of hearts...

0:57:53 > 0:57:56The two of hearts...

0:57:56 > 0:57:57Catherine...

0:57:57 > 0:58:00There isn't even a two of hearts in this pack!

0:58:00 > 0:58:01Oh(!)

0:58:05 > 0:58:07Welcome to Le Calmar Saint Marie.

0:58:07 > 0:58:09Let the food do the talking.

0:58:09 > 0:58:11In here!

0:58:11 > 0:58:14Definitely attacked from behind, turn round and then booph!

0:58:16 > 0:58:18Hey! You little bl...

0:58:20 > 0:58:23Out of breath, Grandad?

0:58:23 > 0:58:25My next lesson in the art of courtship.

0:58:25 > 0:58:28We want to have the full experience.