0:00:20 > 0:00:22Hello. Can we help you?
0:00:22 > 0:00:24My name is Tyler McCarthy.
0:00:24 > 0:00:27I have some very important information...
0:00:27 > 0:00:29about a murder.
0:00:29 > 0:00:30OK.
0:00:30 > 0:00:33- The murder of Julie Matlock. - Julie Matlock?
0:00:33 > 0:00:35Editor of the Saint Marie Times? That was about...
0:00:35 > 0:00:38I know. Eight years ago.
0:00:38 > 0:00:43Julie Matlock was murdered and Nadine Hunter was convicted for it.
0:00:43 > 0:00:48But the thing is - Nadine didn't do it. She couldn't have.
0:00:48 > 0:00:52She was with me that night, I swear to you.
0:00:52 > 0:00:54You got the wrong person.
0:01:32 > 0:01:34RATTLING IN SHACK
0:01:34 > 0:01:36Dad?
0:01:36 > 0:01:38HAMMERING AND CLATTERING
0:01:47 > 0:01:50CLANGING AND BANGING INSIDE
0:01:52 > 0:01:53Dad?
0:01:55 > 0:01:56Dad!
0:01:58 > 0:02:00- Did you call me? - What are you doing?
0:02:00 > 0:02:02Oh, I was just looking for a hammer and some nails,
0:02:02 > 0:02:05and I discovered this place. Isn't it fantastic?
0:02:06 > 0:02:10Yeah, fantastic(!) What are you going to do with all this stuff?
0:02:10 > 0:02:12Well, I'm throwing it out. There won't be room for it
0:02:12 > 0:02:15- if I'm going to get a bed in here. - A bed?
0:02:15 > 0:02:17My back's not made for a hammock.
0:02:18 > 0:02:21Ah, Florence. How are you? To what do we owe this pleasure?
0:02:21 > 0:02:26I'm good, sir. Thank you. I hope I'm not interrupting your holiday.
0:02:26 > 0:02:28No, not in the slightest.
0:02:28 > 0:02:30The Commissioner asked me to come and see you.
0:02:30 > 0:02:34We were hoping we could maybe borrow you.
0:02:34 > 0:02:37- Borrow me?- He was wondering if you can help with a new case.
0:02:37 > 0:02:40Well, it's more of an old case, but...
0:02:40 > 0:02:43- I'll explain on the way.- Hm, OK.
0:02:43 > 0:02:45Well, always happy to oblige.
0:02:45 > 0:02:49- Suppose I'd better smarten myself up.- You might need to iron a shirt.
0:02:49 > 0:02:51Good point.
0:02:53 > 0:02:58Eight years ago, I was on vacation here with my girlfriend.
0:02:58 > 0:03:00It was our last night, we had a big argument.
0:03:00 > 0:03:03Ended with both of us storming off. The festival was on.
0:03:03 > 0:03:05'I just fell into the nearest bar there was -
0:03:05 > 0:03:07'that's where I met Nadine.'
0:03:07 > 0:03:09Happy Saint Ursula's day.
0:03:09 > 0:03:13Neither of us were in a great place. Both drunk.
0:03:13 > 0:03:14One thing led to another...
0:03:16 > 0:03:17You spent the night together?
0:03:17 > 0:03:19Yeah.
0:03:19 > 0:03:22When I woke up the next morning, she had left. I never saw her again.
0:03:22 > 0:03:25And at the time, you weren't aware of the coverage of the murder?
0:03:25 > 0:03:27You hadn't read the newspapers or seen the news?
0:03:27 > 0:03:30I had no idea Nadine was arrested for murder.
0:03:30 > 0:03:33And how did you find out now?
0:03:33 > 0:03:36My marriage recently ended.
0:03:36 > 0:03:38Sorry. Same girl from this...?
0:03:39 > 0:03:42I know. Writing was on the wall.
0:03:42 > 0:03:45These last few months...
0:03:45 > 0:03:48I keep thinking about that night here on the island.
0:03:48 > 0:03:51About Nadine. I knew it was festival time again,
0:03:51 > 0:03:53so I came down here to see if I could find her.
0:03:53 > 0:03:56And that's when you found out what had happened?
0:03:58 > 0:04:00She died in prison -
0:04:00 > 0:04:02pneumonia -
0:04:02 > 0:04:05two years into her sentence.
0:04:05 > 0:04:08She didn't deserve that, any of it.
0:04:08 > 0:04:10She was innocent.
0:04:18 > 0:04:21So, what do you think, sir? It sounds plausible.
0:04:22 > 0:04:25No reason to make it up, as far as I can tell.
0:04:25 > 0:04:29- Nothing to gain from it. - I checked earlier with immigration
0:04:29 > 0:04:31and he was on the island eight years ago, like he says.
0:04:31 > 0:04:34He also fits the description Nadine Hunter gave of the man
0:04:34 > 0:04:37she claimed she spent the night with.
0:04:37 > 0:04:39So what do we do now?
0:04:39 > 0:04:41I don't think there's a choice, Florence.
0:04:41 > 0:04:46You - or should I say we - reopen the case.
0:04:48 > 0:04:51So, this is Nadine Hunter.
0:04:51 > 0:04:54And this is Julie Matlock - the woman she was accused of killing.
0:04:54 > 0:04:56We never found her body.
0:04:56 > 0:04:58- You remember the case, Dwayne? - Oh, yes.
0:04:58 > 0:05:01It was when DI Charlie Hulme was here.
0:05:01 > 0:05:04Julie Matlock was editor of the Saint Marie Times
0:05:04 > 0:05:06and quite a respected figure on the island.
0:05:06 > 0:05:09And what was her relationship to Nadine Hunter?
0:05:09 > 0:05:12Nadine worked under Julie at the paper, she was a photographer,
0:05:12 > 0:05:16- but there were definite tensions between them.- Oh, in what way?
0:05:16 > 0:05:20Well, you see, Miss Hunter was a little bit unstable.
0:05:20 > 0:05:22Dependent on alcohol and anti-depressants.
0:05:22 > 0:05:25- Not a great mix at the best of times.- Mm.
0:05:25 > 0:05:28Well, the night before the murder, they had a very public falling out.
0:05:28 > 0:05:31Julie had suspended Nadine from her job until she agreed
0:05:31 > 0:05:32to accept professional help.
0:05:32 > 0:05:36- And that's why she was suspected of killing Julie Matlock?- Mm-hm.
0:05:36 > 0:05:39Plus...Miss Hunter was a registered gun owner.
0:05:39 > 0:05:42When we searched her flat, there was no sign of the weapon.
0:05:42 > 0:05:44And-and her car was missing, too.
0:05:44 > 0:05:47We fished that out of the bay the following day.
0:05:49 > 0:05:52We found the gun in the boot, along with this -
0:05:52 > 0:05:55Julie Matlock's bloodied scarf.
0:05:55 > 0:05:58Now, the court didn't have a body but they had means,
0:05:58 > 0:06:02motive and, because she couldn't prove her alibi, opportunity.
0:06:02 > 0:06:04What's this?
0:06:04 > 0:06:07That's one of the reasons I can still remember the case.
0:06:07 > 0:06:11- It's creepy. We actually had the murder on tape.- Really?
0:06:11 > 0:06:13On the night it happened,
0:06:13 > 0:06:16Julie Matlock was working late at the newspaper offices.
0:06:16 > 0:06:19At 8:15pm, she phoned her daughter from her mobile and started leaving
0:06:19 > 0:06:22an answer-phone message. That's when she got shot.
0:06:22 > 0:06:24- RECORDING:- 'Hi, Gracey.
0:06:24 > 0:06:27'Look, I know I said we should do dinner but guess what? I'm still
0:06:27 > 0:06:29'at the office, I'm probably going to be here another...'
0:06:29 > 0:06:31GUNSHOT ON RECORDING Good Lord.
0:06:34 > 0:06:37The newspaper office, where it happened, is it still there?
0:06:37 > 0:06:39Oh, yes.
0:06:51 > 0:06:54So, all the staff are waiting downstairs,
0:06:54 > 0:06:56if you need to talk to any of them.
0:06:56 > 0:06:58Great. Talk me through it.
0:06:58 > 0:07:02What exactly happened here on the night of June the 22nd, 2009?
0:07:02 > 0:07:04On the afternoon of the murder,
0:07:04 > 0:07:07Julie Matlock's colleagues left at around 4:30.
0:07:07 > 0:07:09We've had a hell of a day. You all go.
0:07:09 > 0:07:11I'll stay here and finish up.
0:07:13 > 0:07:15So there was no-one else here, apart from Julie,
0:07:15 > 0:07:20until whoever did it turned up at some point and shot her at 8:15pm.
0:07:24 > 0:07:27So, where was she when it happened?
0:07:27 > 0:07:31According to the files, forensics found significant traces of bleach
0:07:31 > 0:07:33on and around her desk and chair,
0:07:33 > 0:07:36suggesting it was cleaned after the murder.
0:07:36 > 0:07:39Yes, and, erm, Julie's desk was that one over there.
0:07:41 > 0:07:44She was sitting here, working away,
0:07:44 > 0:07:48doing whatever editors do, when she decided to phone her daughter
0:07:48 > 0:07:51and say she wasn't going to make it to dinner.
0:07:52 > 0:07:56Any evidence to suggest where the gun was fired from?
0:07:56 > 0:07:59Not that I can find. No traces of gunshot residue.
0:07:59 > 0:08:01And without the body, it's...
0:08:01 > 0:08:04We don't know where the fatal bullet entered. Yeah.
0:08:08 > 0:08:10Could you just excuse me one moment?
0:08:44 > 0:08:45What's he doing?
0:08:50 > 0:08:52That's interesting.
0:08:52 > 0:08:55You think you know where the gun was fired from?
0:08:55 > 0:08:57Oh, haven't a clue, Florence.
0:08:57 > 0:09:01I'd say it's about 100% impossible to tell. JP...
0:09:01 > 0:09:02those crime scene reports,
0:09:02 > 0:09:06any mention of how the killer moved the victim after she'd been shot?
0:09:06 > 0:09:08Yes, sir.
0:09:08 > 0:09:10There was a fire door downstairs found open on the night.
0:09:10 > 0:09:12Leads onto the car park.
0:09:12 > 0:09:16It was assumed that the killer used the lift to get the body down there.
0:09:16 > 0:09:19So, whoever did it was familiar with the layout of the building.
0:09:19 > 0:09:22And they'd have needed a key to get in. Security had locked up
0:09:22 > 0:09:24for the night, leaving Mrs Matlock alone in the building.
0:09:24 > 0:09:27Yes, sir, the initial investigation concluded that it must have been
0:09:27 > 0:09:30one of the other employees here at the newspaper.
0:09:30 > 0:09:32So, who else had a key to the building?
0:09:32 > 0:09:33Well, apart from the security,
0:09:33 > 0:09:36only the other members of the senior editorial team.
0:09:36 > 0:09:37And who exactly were they?
0:09:37 > 0:09:40Julie's husband, Ian Matlock,
0:09:40 > 0:09:43her daughter, Grace,
0:09:43 > 0:09:47and journalists Tony Garrett
0:09:47 > 0:09:49and Kai Johnson.
0:09:49 > 0:09:52It's the same team still working here.
0:09:52 > 0:09:54There's just one thing.
0:09:54 > 0:09:56Part of the reason the original investigation focused in on
0:09:56 > 0:09:59Nadine Hunter was because she was the only one who couldn't prove
0:09:59 > 0:10:01where she was on the night of the murder,
0:10:01 > 0:10:04whereas these four all had rock solid alibis.
0:10:04 > 0:10:07Of course they did. It's typical.
0:10:09 > 0:10:12Look, I know this is very upsetting for you all.
0:10:12 > 0:10:15It's just... Well, this witness has come forward
0:10:15 > 0:10:17and we're duty bound to look into things.
0:10:17 > 0:10:20So, if we could just have a little chat,
0:10:20 > 0:10:22I'm sure we can clear everything up once and for all.
0:10:22 > 0:10:26Right. Day of the murder. According to the original statements,
0:10:26 > 0:10:28you all left here at 4:30pm,
0:10:28 > 0:10:30leaving Julie to finish up on her own.
0:10:30 > 0:10:33She more or less threw us out after Nadine Hunter turned up.
0:10:34 > 0:10:36Nadine?
0:10:36 > 0:10:38I'm here for my stuff.
0:10:38 > 0:10:41- We can send your things on... - Don't you touch me!
0:10:41 > 0:10:43We're not finished!
0:10:44 > 0:10:46She's totally lost it.
0:10:46 > 0:10:48The evening before,
0:10:48 > 0:10:51you were dining at the...
0:10:51 > 0:10:53at The Blue Orchid.
0:10:53 > 0:10:55She showed up, she was out of her head.
0:10:55 > 0:10:59I know what you're doing! You'll pay for this!
0:10:59 > 0:11:01Let me go!
0:11:05 > 0:11:09And she was so angry because Julie had suspended her from her job,
0:11:09 > 0:11:12- is that correct?- No, it's because she had a screw loose.- Gracey.
0:11:14 > 0:11:17She was...a damaged soul.
0:11:17 > 0:11:20Dad, how can you still stick up for her?
0:11:20 > 0:11:24Does anyone have any idea why she was so down in the dumps
0:11:24 > 0:11:26or, you know, so fond of the old drink?
0:11:26 > 0:11:27Wasn't there something about
0:11:27 > 0:11:30a guy who broke her heart years ago or something? At college?
0:11:30 > 0:11:32Who cares?
0:11:32 > 0:11:34Mum was a good friend to her.
0:11:34 > 0:11:36She was an ungrateful bitch.
0:11:36 > 0:11:40I think Nadine thought Julie wanted to get rid of her,
0:11:40 > 0:11:41whereas the fact is...
0:11:41 > 0:11:43She just wanted her to get professional help -
0:11:43 > 0:11:46that's why she suspended her.
0:11:46 > 0:11:51Let's be honest - none of us could work with her any more.
0:11:51 > 0:11:54So, next evening, night of the murder.
0:11:54 > 0:11:58Miss Matlock, your mother phoned and left that message.
0:11:58 > 0:12:00I take it you were out that evening.
0:12:00 > 0:12:03No, I was there but I was in the shower.
0:12:03 > 0:12:07I was at the house, too. Heard the phone ring, let it go to voice-mail.
0:12:07 > 0:12:10Grace played it when she came out the shower.
0:12:10 > 0:12:14'Hi, Gracey. Look, I know I said we should do dinner but guess what?
0:12:14 > 0:12:15'I'm still at the office.
0:12:15 > 0:12:17- 'I'm probably going to be here...' - GUNSHOT
0:12:17 > 0:12:19'I phoned dad straight away.'
0:12:19 > 0:12:22Dad?! Dad!
0:12:22 > 0:12:24'I was up at our beach house.
0:12:24 > 0:12:28'I phoned you lot straight away and got into the car.'
0:12:28 > 0:12:30And this beach house, is it nearby?
0:12:30 > 0:12:33- About 40 minutes by car.- Oh.
0:12:33 > 0:12:36OK. Well, that's very clear.
0:12:36 > 0:12:38So, night of the murder, Grace and Kai,
0:12:38 > 0:12:43- you were together at home and, Ian, you were at the beach house?- Yes.
0:12:43 > 0:12:48Mr Garrett, Tony, where were you that evening at about 8:15pm?
0:12:48 > 0:12:50It was festival night.
0:12:50 > 0:12:53I was in Denny's bar, along with half of Honore.
0:12:53 > 0:12:57Read the statements! That woman came into the office and threatened Mum!
0:12:57 > 0:13:00"We're not finished" - that's what she said, straight to her face.
0:13:00 > 0:13:02Remember?
0:13:04 > 0:13:06Whoever this man is and whatever he says,
0:13:06 > 0:13:08Nadine Hunter killed my mother.
0:13:08 > 0:13:10OK, well, thank you all.
0:13:14 > 0:13:17Ah, JP, could you get your hands on some hi-fi equipment?
0:13:17 > 0:13:21The best you can find - external speakers, the whole works.
0:13:21 > 0:13:23Let's see if there's any more background noises
0:13:23 > 0:13:26on that voice message, you know, the killer entering the room,
0:13:26 > 0:13:28footsteps, that sort of thing.
0:13:28 > 0:13:31Yeah, OK. Erm, my cousin's a DJ, I'm sure he'll have something.
0:13:31 > 0:13:33Brilliant, thanks!
0:13:34 > 0:13:36- Commissioner.- Commissioner.
0:13:37 > 0:13:42- Inspector, you answered the call to arms, I see.- Ah, yes, sir.
0:13:42 > 0:13:45If for no other reason than to get out from under my daughter's feet.
0:13:45 > 0:13:48Well, whatever the reason, I'm glad you're here.
0:13:48 > 0:13:50This is rather a delicate matter.
0:13:50 > 0:13:52Yes, I suppose it is a bit.
0:13:52 > 0:13:55You think there's any substance to what this man says?
0:13:55 > 0:13:59Well, I think we should proceed as though there is...
0:13:59 > 0:14:02until we manage to talk ourselves out of it.
0:14:07 > 0:14:09You seem worried, Commissioner.
0:14:09 > 0:14:13- I reckon I would be, too, if I was in your shoes.- I'm sorry?
0:14:13 > 0:14:18Erm, well, no, just if the verdict proved to be unsafe, well,
0:14:18 > 0:14:22wouldn't reflect brilliantly on your department now, would it?
0:14:26 > 0:14:29But I've had a brief look through the case files and, from what
0:14:29 > 0:14:32I've seen, Charlie Hulme was a good detective, very thorough.
0:14:32 > 0:14:35So if a mistake was made, then I'm sure it wasn't due to
0:14:35 > 0:14:36negligence or lack of effort.
0:14:40 > 0:14:42Keep me in the loop, Inspector.
0:14:42 > 0:14:44Absolutely.
0:14:56 > 0:15:00- Pep talk?- Something like that.
0:15:00 > 0:15:02- RECORDING:- '..but guess what? I'm still at the office.
0:15:02 > 0:15:05- 'I'm probably going to be here...' - GUNSHOT
0:15:06 > 0:15:09Something there, isn't there? In the background?
0:15:09 > 0:15:11'..but guess what? I'm still at the office.
0:15:11 > 0:15:14- 'I'm probably going to be here...' - GUNSHOT
0:15:14 > 0:15:17TWO-BEAT MECHANICAL SOUND PLAYS
0:15:17 > 0:15:20Yes, it's like, erm, a rumble.
0:15:20 > 0:15:23JP, do you think you could isolate that sound?
0:15:23 > 0:15:27- Oh, er, I could call my cousin, he might be able to.- Excellent!
0:15:27 > 0:15:28You got something there, Dwayne?
0:15:28 > 0:15:31Well, Nadine Hunter didn't have any next of kin,
0:15:31 > 0:15:33so the prison authorities sent over
0:15:33 > 0:15:35all her possessions to us when she died.
0:15:35 > 0:15:37Clothes.
0:15:38 > 0:15:39Leonard Cohen CD.
0:15:42 > 0:15:44Copy of Wuthering Heights.
0:15:47 > 0:15:49What's this?
0:15:49 > 0:15:51- Lock of hair?- Mm-hm.
0:15:51 > 0:15:53- Did she have children?- No.
0:15:53 > 0:15:56Maybe it belongs to her college sweetheart?
0:15:56 > 0:15:59It's a bit weird, isn't it? Keeping a lock of your boyfriend's hair?
0:15:59 > 0:16:02Mmm. I suppose. Although, an auntie of mine,
0:16:02 > 0:16:04she had her heart broken by the local chiropodist.
0:16:04 > 0:16:06To this day, she's holding on to a pair of his socks he left behind,
0:16:06 > 0:16:08like there's a chance he'll come back for them.
0:16:15 > 0:16:18Maybe Nadine was just a hopeless romantic.
0:16:18 > 0:16:19Maybe.
0:16:19 > 0:16:22OK. Why don't we go over what we know so far
0:16:22 > 0:16:25about the victim and our suspects?
0:16:25 > 0:16:30Julie Matlock, 47, met husband Ian at Manchester University,
0:16:30 > 0:16:33where they edited the student paper.
0:16:33 > 0:16:36They settled in Saint Marie 18 years ago. Seemed a happy couple.
0:16:36 > 0:16:39They were close to finishing a beach house on the coast
0:16:39 > 0:16:43when Mrs Matlock was murdered. They were building the house themselves.
0:16:43 > 0:16:46Kai Johnson, 35.
0:16:46 > 0:16:51Oh, we looked at him very closely. He had a record as long as your arm.
0:16:51 > 0:16:55Assault. Demanding money with menaces. Drug dealing.
0:16:55 > 0:16:57They put him in a youth rehabilitation programme
0:16:57 > 0:17:00and got him an apprenticeship at the newspaper.
0:17:00 > 0:17:02Looks like he turned his life around
0:17:02 > 0:17:04and bagged the boss' daughter.
0:17:04 > 0:17:07Grace Matlock, 30. Their only child.
0:17:07 > 0:17:09Not the high achiever her mum was, struggled at school,
0:17:09 > 0:17:11didn't go to university.
0:17:11 > 0:17:15Only ever worked for her parents as a copy editor.
0:17:15 > 0:17:19So, husband, daughter and her boyfriend. This guy, Tony Garret.
0:17:19 > 0:17:21Well, he's been at the paper for years,
0:17:21 > 0:17:24way before the Matlock's even took it over.
0:17:24 > 0:17:26Right. And what sort of a man is he?
0:17:26 > 0:17:29Likes a party, but a decent enough guy.
0:17:29 > 0:17:33Then there's the original prime suspect, Nadine Hunter,
0:17:33 > 0:17:36who now, out of the blue, has an alibi for the night of the murder.
0:17:40 > 0:17:43Well, look, I don't think we're going to achieve much more tonight.
0:17:43 > 0:17:44Why don't we call it a day?
0:17:44 > 0:17:47- Gets my vote.- Whoa, whoa, whoa.
0:17:47 > 0:17:49You are aware of the visiting Inspector rule, right?
0:17:49 > 0:17:51Er, not sure that I am Dwayne, no.
0:17:51 > 0:17:52It's an old Saint Marie tradition.
0:17:52 > 0:17:55You see, when an Inspector visits from another region,
0:17:55 > 0:17:59he takes us all to the nearest bar and buys us a drink.
0:17:59 > 0:18:03- That wouldn't be a rule you've just made up yourself now, would it?- No.
0:18:07 > 0:18:09I might've made it up a little,
0:18:09 > 0:18:12but Catherine's bar at the end of a hard day
0:18:12 > 0:18:13is a bit of a tradition.
0:18:13 > 0:18:17A very civilised tradition, if I may say so.
0:18:17 > 0:18:20And here's the lady herself.
0:18:20 > 0:18:23Catherine, meet Inspector Jack Mooney from the UK.
0:18:23 > 0:18:28- Lovely to meet you. - Jack. Welcome to Saint Marie.
0:18:28 > 0:18:32- Are you visiting the island? - Well, I thought I was.
0:18:32 > 0:18:34He's helping us out.
0:18:34 > 0:18:37Oh, and...Catherine is set to become our next mayor.
0:18:37 > 0:18:41Well, there's the little matter of the election first.
0:18:42 > 0:18:43I'll get your drinks.
0:18:45 > 0:18:49- So, this festival I keep hearing about.- Hm. Saint Ursula's Day.
0:18:49 > 0:18:52Which Saint Ursula is it? There's at least two that I know of.
0:18:52 > 0:18:55There was one who was martyred by the Huns.
0:18:55 > 0:18:57The poor girl, she got it in the neck - literally.
0:18:57 > 0:18:59And then there's Saint Ursula Micaela Morata -
0:18:59 > 0:19:02- she actually had the gift of bilocation.- Bilocation?
0:19:02 > 0:19:04Yeah, the ability to be in two places at once. So which one is it?
0:19:04 > 0:19:07The one where you drink a lot of rum and party wildly in the street.
0:19:07 > 0:19:09Ah, I like her the best.
0:19:09 > 0:19:11Thought I'd find you in the nearest bar.
0:19:11 > 0:19:13Ah, Siobhan, come and join us.
0:19:13 > 0:19:16Catherine, this is my daughter Siobhan.
0:19:16 > 0:19:19Welcome! Shall I get another beer?
0:19:19 > 0:19:22Well, one won't hurt, I suppose.
0:19:22 > 0:19:23Oh! The slippery slope!
0:19:23 > 0:19:25This is how it all starts.
0:19:25 > 0:19:27One! One only.
0:19:27 > 0:19:29Cheers, sir.
0:19:29 > 0:19:31Oh, thank you.
0:19:36 > 0:19:38You know what we need?
0:19:38 > 0:19:40More willpower?
0:19:40 > 0:19:41A grown-up.
0:19:41 > 0:19:43Wouldn't hurt.
0:19:47 > 0:19:51Remember when you were little? You were so fascinated by the stars
0:19:51 > 0:19:55- you wouldn't let me close your bedroom curtains.- I remember.
0:19:58 > 0:20:02And on cloudy nights I used to tell you there were no stars
0:20:02 > 0:20:04because the batteries had run out.
0:20:06 > 0:20:09Backfired a bit on me there! You took the battery out of every toy
0:20:09 > 0:20:12you owned and had them ready for me at bedtime...
0:20:13 > 0:20:15..to turn the stars back on.
0:20:15 > 0:20:19And you said that they were the wrong size batteries.
0:20:19 > 0:20:21So I did.
0:20:21 > 0:20:24- Sorry about that.- It's OK.
0:20:26 > 0:20:29Mum got me the glow in the dark ones to stick on the window.
0:20:29 > 0:20:31Ah.
0:20:31 > 0:20:35Just like your mum, tidying up after my mess.
0:20:40 > 0:20:41I really miss her.
0:20:43 > 0:20:45I know you do, love.
0:20:51 > 0:20:52Me, too.
0:21:16 > 0:21:18CLATTERING
0:21:22 > 0:21:27Thanks a million. You're a star. Goodbye.
0:21:27 > 0:21:28What's going on?
0:21:28 > 0:21:31I bought a bed. Have a look.
0:21:32 > 0:21:35- When did you organise that? - Last night at the bar.
0:21:35 > 0:21:37I mentioned it to Dwayne, who said he knew a man who knew a man
0:21:37 > 0:21:40whose auntie might be able to help. And what do you know?
0:21:40 > 0:21:43Now all I need is a pillow and some sheets and I'm right as rain.
0:21:43 > 0:21:45Er, mattress?
0:21:45 > 0:21:48Oh, yeah, a mattress.
0:21:48 > 0:21:50I might have to have another word with Dwayne.
0:21:53 > 0:21:58TO HIMSELF: She left the offices there...hmm...went to Port Royal.
0:21:58 > 0:22:02When did she go, when did she go to Port Royal? Hmm. Oh...
0:22:04 > 0:22:06Who's he talking to?
0:22:08 > 0:22:10Why did she, why did she do that?
0:22:10 > 0:22:13OK, then she stayed...
0:22:15 > 0:22:19Sir? You OK?
0:22:19 > 0:22:21Me? Great. Couldn't be better.
0:22:21 > 0:22:25What about yourself, Florence? Getting anywhere with Julie's diary?
0:22:25 > 0:22:29Only this. She scribbled something on the page before her last day -
0:22:29 > 0:22:31it's a five-digit number.
0:22:31 > 0:22:33"1-9-8-7-1".
0:22:33 > 0:22:36It's hardly a phone number, not enough digits.
0:22:36 > 0:22:37It's not a pin number, either.
0:22:37 > 0:22:40I'll see if I can find something else it could relate to.
0:22:40 > 0:22:42- Sir?- Yes, JP?
0:22:42 > 0:22:46There's something here in Julie's inbox. It's a resignation e-mail
0:22:46 > 0:22:50from Tony Garret sent two days before Julie was killed. It reads -
0:22:50 > 0:22:53"Dear Julie, while I still stand by the articles, I regret that
0:22:53 > 0:22:55"in certain respects my behaviour may have fallen
0:22:55 > 0:22:57"short of your expectations.
0:22:57 > 0:23:00"I therefore have no option but to tender my resignation.
0:23:00 > 0:23:02"Yours, Tony Garret."
0:23:02 > 0:23:06The classic non-apology apology. I wonder what that's all about?
0:23:06 > 0:23:08I'll keep going back.
0:23:08 > 0:23:10Let me see if I can find out what these articles were about.
0:23:10 > 0:23:14Might be worth paying a visit to the paper. Check the archives.
0:23:14 > 0:23:16Dwayne, how you getting on with financial checks?
0:23:16 > 0:23:20The original investigation only focused on the victim's finances -
0:23:20 > 0:23:22oh, and Nadine Hunter's -
0:23:22 > 0:23:25- so I started to look into the other four suspects.- And?
0:23:25 > 0:23:27And Ian Matlock's credit card statements
0:23:27 > 0:23:28make for interesting reading.
0:23:28 > 0:23:31In the two months before Julie's death, there's two -
0:23:31 > 0:23:35no, three - payments to somewhere called Cupid's Arrow.
0:23:35 > 0:23:37Cupid's Arrow?
0:23:37 > 0:23:40Yes, that's a high-end lingerie shop on the other side of the island.
0:23:43 > 0:23:45So I hear.
0:23:45 > 0:23:48Then we have afternoon champagne at the Bay Cove Hotel
0:23:48 > 0:23:51and a payment to the florists every day for a month.
0:23:51 > 0:23:55- Spoiling his wife, eh? - What? Those kind of places
0:23:55 > 0:23:58aren't usually where men go to shop for their wives!
0:23:58 > 0:24:01Present company excepted.
0:24:01 > 0:24:03And what about the afternoon champagne?
0:24:03 > 0:24:06Julie Matlock was a workaholic.
0:24:06 > 0:24:08If you ask me, it wasn't his wife.
0:24:08 > 0:24:12- Wasn't there an insurance payout? - Half a million
0:24:12 > 0:24:15and the husband was the beneficiary.
0:24:16 > 0:24:20Florence, looks like you and I need to pay Ian Matlock a visit.
0:24:25 > 0:24:27Sorry about the weather, sir.
0:24:27 > 0:24:28Reminds me of home.
0:24:28 > 0:24:31Ooh, this is some house they built for themselves.
0:24:32 > 0:24:35So, you need clarification on something?
0:24:35 > 0:24:39Yes, Ian, that's exactly what we need - a bit of clarification.
0:24:40 > 0:24:43Now, what was it needed clarifying?
0:24:45 > 0:24:47Ah, yes. Here it is.
0:24:47 > 0:24:49Can you tell us what you were doing at the Bay Cove hotel
0:24:49 > 0:24:53on May 18th and again on the 3rd of June 2009,
0:24:53 > 0:24:55shortly before your wife was murdered?
0:24:57 > 0:25:01There's lots of other dates, but we'll start with those two for now.
0:25:02 > 0:25:03Er, the...
0:25:05 > 0:25:07The Bay Cove Hotel?
0:25:07 > 0:25:08Yeah.
0:25:08 > 0:25:11Would you like the dates again?
0:25:13 > 0:25:15I suspect you know damn well what I was doing.
0:25:18 > 0:25:21I have no way of knowing what you were doing, Mr Matlock.
0:25:21 > 0:25:24Locking yourself away in a hotel room with champagne
0:25:24 > 0:25:28and sexy lingerie all afternoon could mean lots of different things.
0:25:30 > 0:25:32I'm sorry. It's not exactly a chapter of my life I'm proud of.
0:25:32 > 0:25:35You were having an affair?
0:25:36 > 0:25:38Even the most perfect of marriages get into a rut.
0:25:38 > 0:25:41Although, if I'm honest, it wasn't my marriage in a rut,
0:25:41 > 0:25:44- it was me. A mid-life crisis. - Hmm.
0:25:44 > 0:25:48- Can I ask, who was it you were seeing?- She was a travel rep,
0:25:48 > 0:25:50only on the island for a few weeks at a time,
0:25:50 > 0:25:53and Julie was away on work a lot and...
0:25:55 > 0:25:59..I was vain and stupid and I wanted to feel like the big man.
0:25:59 > 0:26:02- And did your wife ever find out? - No. God, she'd have killed me.
0:26:08 > 0:26:11It was a few months that summer. I came to my senses and ended it.
0:26:12 > 0:26:15It had nothing to do with my wife's death, I swear.
0:26:25 > 0:26:29You know, I was still at college in 2009.
0:26:29 > 0:26:32Me, I was getting my heart broken.
0:26:32 > 0:26:35You? Getting your heart broken?
0:26:35 > 0:26:37You better believe it! Big time.
0:26:38 > 0:26:42Monica Cannon. Gorgeous girl.
0:26:42 > 0:26:44Kind, sweet, looked like a model.
0:26:44 > 0:26:48- So what happened?- I broke it off.
0:26:48 > 0:26:50Why?
0:26:51 > 0:26:52It was nothing.
0:26:52 > 0:26:54I can't even remember.
0:26:57 > 0:27:00OK, there was a slight height issue.
0:27:00 > 0:27:03She was taller than me, a lot taller!
0:27:03 > 0:27:05You dumped her just for that?!
0:27:05 > 0:27:08There were people looking and laughing!
0:27:08 > 0:27:10Ah!
0:27:10 > 0:27:12Here we go, look -
0:27:12 > 0:27:14"Tony Garret Investigates."
0:27:14 > 0:27:17"Allegations Rock Calder Hill Private School".
0:27:17 > 0:27:19What's the date on that?
0:27:19 > 0:27:21May 4th, 2009.
0:27:23 > 0:27:24May 4th, 2009.
0:27:24 > 0:27:27It carries on the following week.
0:27:27 > 0:27:30You know, I remember this, JP. One of the teachers was fooling around
0:27:30 > 0:27:33- with some of his older students. - What do you reckon, Dwayne?
0:27:33 > 0:27:36You think this could be the article that Tony Garret was talking about
0:27:36 > 0:27:39- in his resignation letter? - It could be, you know!
0:27:39 > 0:27:41I think I'll call the Inspector.
0:27:52 > 0:27:55Caught with a rum and coconut water at 5:00pm.
0:27:55 > 0:27:57Guilty as charged!
0:27:57 > 0:28:02But then, if every police officer looked like you...
0:28:02 > 0:28:04I wouldn't mind being arrested.
0:28:05 > 0:28:08Unfortunately, Tony, most police officers look like me.
0:28:09 > 0:28:10To what do I owe the honour?
0:28:10 > 0:28:12- Calder Hill.- The school?
0:28:12 > 0:28:14That's the one. And Josh Kingsley.
0:28:14 > 0:28:18Oh, yes - Kingsley - the handsome English teacher and his
0:28:18 > 0:28:21extra-curricular activities.
0:28:21 > 0:28:23Quite a series of articles.
0:28:23 > 0:28:26Were you sure those girls were telling you the truth?
0:28:26 > 0:28:28The truth has many faces.
0:28:28 > 0:28:30I still had to investigate.
0:28:30 > 0:28:32Ah, we read them, the articles, they were excellent.
0:28:32 > 0:28:36But not an awful lot of evidence. One statement later retracted.
0:28:36 > 0:28:38I talked to a lot of people,
0:28:38 > 0:28:40that guy was crossing the line.
0:28:40 > 0:28:43- So you didn't get it wrong? - No, I didn't.
0:28:43 > 0:28:47Hm. Well, why then did you offer to resign over it?
0:28:50 > 0:28:52Julie accused me of embellishing the truth.
0:28:52 > 0:28:58..because you're lazy. Lazy and self-satisfied. And you lied to me.
0:28:58 > 0:28:59It's over for you, Tony.
0:29:01 > 0:29:04After all we'd been through, she should have stuck by me.
0:29:04 > 0:29:06- Must have stung a bit, though. - Yes, it did.
0:29:06 > 0:29:09And, two days later, Julie is dead and your resignation withdrawn.
0:29:11 > 0:29:14- You think I killed her? - Well, you couldn't have.
0:29:14 > 0:29:17If I remember rightly, you were in the bar all night.
0:29:17 > 0:29:20Yes, I was. I could find a dozen witnesses in an hour.
0:29:20 > 0:29:23Oh, there's no need for that, Tony, no need at all.
0:29:23 > 0:29:25No, we're just tidying things up here a bit,
0:29:25 > 0:29:27keep the powers that be happy.
0:29:27 > 0:29:31Whatever the rights and wrongs of that investigation,
0:29:31 > 0:29:33Nadine Hunter killed Julie.
0:29:33 > 0:29:35End of story.
0:29:35 > 0:29:37OK!
0:29:37 > 0:29:40Rum and coconut water. May I?
0:29:40 > 0:29:41Sure.
0:29:43 > 0:29:45Never came across that before.
0:29:45 > 0:29:46You should try it.
0:29:46 > 0:29:49Not on duty! Thank you.
0:29:57 > 0:30:01Ian Matlock, Tony Garret - both had motives.
0:30:01 > 0:30:04Yes, but Tony Garret had a bar full of witnesses who all said
0:30:04 > 0:30:08he was there at 8:15 - the same time Julie Matlock got shot.
0:30:08 > 0:30:09Well, the same goes for Ian Matlock.
0:30:09 > 0:30:12There's records of a call made from Grace's home phone
0:30:12 > 0:30:15and answered on Ian's landline at the beach house at 8:16 pm.
0:30:15 > 0:30:18Well, the beach house was a 40-minute drive
0:30:18 > 0:30:20from the newspaper office where Julie was shot.
0:30:20 > 0:30:23Neither Ian or Tony were anywhere near the scene of the crime
0:30:23 > 0:30:25- when it happened.- None of them were.
0:30:25 > 0:30:27PHONE BEEPS But if Nadine Hunter's innocent,
0:30:27 > 0:30:30it must be one of them, it simply must be.
0:30:30 > 0:30:32Er, sir, that's my cousin Eddie,
0:30:32 > 0:30:35he's found a bit of kit to isolate the sound on that CD.
0:30:35 > 0:30:37- I'll head over there now.- Great.
0:30:39 > 0:30:41Oh, you found her! Good man!
0:30:41 > 0:30:43What you doin' sneaking up on me, man?
0:30:43 > 0:30:45Found who?
0:30:45 > 0:30:47Oh, Dwayne's reconnecting with an old flame.
0:30:47 > 0:30:52- He had a bit of a thing with her in 2009.- Hmm. What happened?
0:30:52 > 0:30:53They didn't see eye to eye.
0:30:55 > 0:30:57You think you're funny?
0:31:10 > 0:31:12Hello?
0:31:12 > 0:31:15Ah, Mr McCarthy. How are you? Come in.
0:31:15 > 0:31:19I was just wondering if there'd been any developments.
0:31:19 > 0:31:21Only, I'm leaving in a day.
0:31:21 > 0:31:22We're progressing.
0:31:22 > 0:31:24So you haven't found anything, then?
0:31:24 > 0:31:26Well, there's an awful lot to get through -
0:31:26 > 0:31:30forensic reports, statements, physical evidence.
0:31:30 > 0:31:34- The fact that it all happened eight years ago doesn't help.- No.
0:31:34 > 0:31:36Must've been quite a night -
0:31:36 > 0:31:39to bring you back here after all these years.
0:31:39 > 0:31:44It was. I've never met anyone like her before or since.
0:31:47 > 0:31:49I don't know what I'm doing.
0:31:49 > 0:31:54My marriage falls apart and the first thing I do is hop on a plane,
0:31:54 > 0:31:57chasing some one night stand from years ago.
0:31:57 > 0:31:59My father always told me
0:31:59 > 0:32:02you never really know what you're looking for until you find it.
0:32:02 > 0:32:045,000 miles is a long way to go
0:32:04 > 0:32:06if you don't know what you're looking for.
0:32:10 > 0:32:13Well, look, if we manage to prove Nadine's innocence and arrest
0:32:13 > 0:32:15whoever did commit that murder,
0:32:15 > 0:32:17well, then I'd say your trip hasn't been wasted.
0:32:19 > 0:32:22- Goodnight, Inspector.- Goodnight.
0:32:32 > 0:32:36So, whoever did this let themselves into the building
0:32:36 > 0:32:38and then shot Julie while she was on the phone
0:32:38 > 0:32:40leaving a message for her daughter.
0:32:40 > 0:32:44We know they then removed all signs of the killing,
0:32:44 > 0:32:47cleaned up the crime scene and disposed of the body.
0:32:47 > 0:32:50Where that body is is something we don't know.
0:32:54 > 0:32:58We also know that Nadine Hunter's car was pushed into the sea
0:32:58 > 0:33:01and, when it was recovered, all that we could find
0:33:01 > 0:33:04was the potential murder weapon and the victim's bloodied scarf,
0:33:04 > 0:33:06which would indicate that whoever did this was trying to frame
0:33:06 > 0:33:08Nadine Hunter for the murder.
0:33:11 > 0:33:13Ahh!
0:33:15 > 0:33:18Which begs the question, why her?
0:33:18 > 0:33:21Why kill Julie Matlock and then frame Nadine for it?
0:33:21 > 0:33:25Maybe, somehow, they knew Nadine would struggle to prove her alibi?
0:33:25 > 0:33:27Maybe.
0:33:27 > 0:33:31But now that's no longer the case, the playing field has been levelled,
0:33:31 > 0:33:34leaving us with four people, all of whom might have done it.
0:33:34 > 0:33:36But they can all prove they were somewhere else at the time
0:33:36 > 0:33:38that Julie was killed.
0:33:40 > 0:33:44Sir? We've isolated the noise from the CD.
0:33:44 > 0:33:47And? Did you find anything?
0:33:47 > 0:33:49Well, listen.
0:33:52 > 0:33:55TWO-BEAT MECHANICAL SOUND PLAYS
0:33:55 > 0:33:57What is that?
0:33:57 > 0:34:00Personally, I think it sounds like something mechanical.
0:34:00 > 0:34:02Or someone tapping?
0:34:02 > 0:34:05- No, no, no, no, no, - it's a horse! - A horse?
0:34:05 > 0:34:09Yes. On the beach - in the distance.
0:34:09 > 0:34:11You can't hear it?
0:34:11 > 0:34:13Listen!
0:34:13 > 0:34:15And that's as loud as your cousin can get it?
0:34:15 > 0:34:18- He can't bring it out any more? - I'm afraid not, sir.
0:34:18 > 0:34:20OK. Thanks, JP.
0:34:22 > 0:34:26This timeline. Port Royal, that's a place on the island, right?
0:34:26 > 0:34:28- Yes. It's small harbour town on the northern coast.- Yeah.
0:34:28 > 0:34:31And we know that Julie Matlock was there for a short time
0:34:31 > 0:34:33- the day she was murdered. - That's right.
0:34:33 > 0:34:36A taxi driver gave a statement that he took Julie to Port Royal,
0:34:36 > 0:34:40she asked him to wait for her, he said it was about 15 minutes,
0:34:40 > 0:34:42then he drove her back to her office.
0:34:42 > 0:34:45- Did we ever establish what she was doing there?- No.
0:34:45 > 0:34:46OK.
0:34:46 > 0:34:48Look, I know it's a long time ago,
0:34:48 > 0:34:50but it's about the only thing we haven't double-checked.
0:34:50 > 0:34:54Why don't we go there and we'll talk to whoever we can find, OK?
0:34:54 > 0:34:57Right. Before we pull the plug.
0:35:05 > 0:35:08- Hello! Hi, how are you?- Bonjour.
0:35:08 > 0:35:12- Have you seen this woman before?- No.
0:35:17 > 0:35:20I really don't know anything about it.
0:35:20 > 0:35:24- Come on. - Thank you. Have a good day.
0:35:28 > 0:35:29Let's go.
0:35:33 > 0:35:35- Sir?- Anything?
0:35:35 > 0:35:38Nothing. There's still a couple of warehouses
0:35:38 > 0:35:41and a safety deposit box place we haven't been to yet.
0:35:41 > 0:35:43Safety deposit box?
0:35:44 > 0:35:481-9-8-7-1 - the five-digit code.
0:35:48 > 0:35:50It's this way, sir.
0:35:59 > 0:36:02He didn't recognise Julie Matlock's photograph,
0:36:02 > 0:36:06but he's checked his files and the box was registered in her name.
0:36:07 > 0:36:101-9-8-7-1.
0:36:10 > 0:36:12Bingo.
0:36:16 > 0:36:18Pictures...
0:36:18 > 0:36:21and a comp slip.
0:36:21 > 0:36:24"Maxwell Private Detectives".
0:36:24 > 0:36:27This is Kai, her daughter's boyfriend.
0:36:27 > 0:36:30And who are these clowns he's hanging out with?
0:36:37 > 0:36:38She had me followed?
0:36:38 > 0:36:41She didn't believe that you were a reformed character.
0:36:41 > 0:36:46- She was looking for proof - looks like she found it.- Yeah.
0:36:46 > 0:36:49Wouldn't look good to Grace if she knew you were still hanging around
0:36:49 > 0:36:51- with those fellas. - What's your point?
0:36:51 > 0:36:53Our point is, Kai, if you knew about this,
0:36:53 > 0:36:55you had a powerful motive to kill Julie.
0:36:57 > 0:36:59Of course I knew Julie was trying to get rid of me -
0:36:59 > 0:37:02she begged Grace to dump me, she was desperate.
0:37:04 > 0:37:06She even tried to pay me off.
0:37:09 > 0:37:11That was the real Julie.
0:37:11 > 0:37:15She may have banged on about getting people out of the gutter,
0:37:15 > 0:37:18until a piece of gutter trash got anywhere near her or Grace.
0:37:18 > 0:37:21Did you tell Grace that Julie tried to buy you off?
0:37:21 > 0:37:22Yes, and she was furious.
0:37:24 > 0:37:25The night she died,
0:37:25 > 0:37:28Grace was supposed to have dinner with her mum, sort things out.
0:37:28 > 0:37:32- But you're saying you didn't know you were being followed?- No.
0:37:32 > 0:37:34You were dealing, though?
0:37:34 > 0:37:37One time. That was it.
0:37:38 > 0:37:41I was up to my neck in debt and I did what I had to.
0:37:41 > 0:37:43One deal to get away from it for good.
0:37:43 > 0:37:45And you definitely didn't know about these pictures?
0:37:45 > 0:37:48Of course I didn't!
0:37:48 > 0:37:52Wait! You actually think I killed her?
0:37:53 > 0:37:57I love Grace. You really think I'd kill her mother?
0:38:10 > 0:38:11- DWAYNE:- 'Honore Police.'
0:38:11 > 0:38:16Dwayne, how are ya? Were Kai's fingerprints on those photographs?
0:38:16 > 0:38:19No, not Kai's. We found Julie's, as expected.
0:38:19 > 0:38:23- But there was another set of prints on there.- Belonging to who?
0:38:23 > 0:38:24Grace Matlock.
0:38:30 > 0:38:32When did you first see them?
0:38:33 > 0:38:35Your fingerprints are all over them.
0:38:35 > 0:38:38She showed them to me the day before she died.
0:38:39 > 0:38:42I couldn't believe she did something like that.
0:38:42 > 0:38:44But, then again,
0:38:44 > 0:38:47she was like a dog with a bone when she wanted something.
0:38:47 > 0:38:49All my life she tried to force me into things,
0:38:49 > 0:38:52tell me what to do, make decisions for me.
0:38:52 > 0:38:54I'd had enough.
0:38:54 > 0:38:57I'm telling you, Gracey, he'll never change. He's trouble.
0:38:59 > 0:39:03Told her I didn't care. She could do what she wanted with them.
0:39:03 > 0:39:05But she knew that if she gave them to the police,
0:39:05 > 0:39:08got him into trouble, she'd lose me forever.
0:39:08 > 0:39:11- Never speak to her again.- Did you tell Kai that Julie had these?
0:39:11 > 0:39:14No. Why would I?
0:39:14 > 0:39:17You think I want to admit my own mother would do something like this?
0:39:17 > 0:39:21- Well, didn't you want to warn him? - I didn't need a photo to do that.
0:39:21 > 0:39:24Let's just say I made it clear that if I ever caught him dealing
0:39:24 > 0:39:27I'd leave him. I knew that if he loved me he'd stop.
0:39:27 > 0:39:30And it paid off. Look at us now.
0:39:30 > 0:39:33We make each other happy, we're about to have a baby.
0:39:33 > 0:39:36Mum may have had these photos, but she couldn't do anything with them.
0:39:36 > 0:39:38She knew it.
0:39:43 > 0:39:45HE EXHALES
0:39:45 > 0:39:50DWAYNE WHISTLES CHEERILY
0:39:50 > 0:39:51Why are you so cheerful?
0:39:51 > 0:39:53Am I?
0:39:55 > 0:39:58You got in touch with Monica Cannon, haven't you?
0:39:58 > 0:40:01Of course. I messaged her, she got back.
0:40:01 > 0:40:05That's great news, Dwayne, man!
0:40:05 > 0:40:07So when are you going to meet her?
0:40:07 > 0:40:09Who said I was?
0:40:11 > 0:40:13Tonight at the festival.
0:40:14 > 0:40:18JACK GRUMBLES
0:40:19 > 0:40:21You alright, sir?
0:40:21 > 0:40:24Yes. I'm fine, thank you, Florence.
0:40:24 > 0:40:25Yeah.
0:40:27 > 0:40:30But maybe we should just go over it one last time.
0:40:33 > 0:40:36A woman was shot dead in her office.
0:40:36 > 0:40:38Her body was never found.
0:40:38 > 0:40:40There are five suspects -
0:40:40 > 0:40:44one of them was wrongly convicted of her murder - which leaves four.
0:40:44 > 0:40:46What do we know about these four people?
0:40:46 > 0:40:48- They all had motives.- Exactly.
0:40:48 > 0:40:52- They all had access.- Exactly. - They all had alibis.- Exactly.
0:40:52 > 0:40:55MUSIC OUTSIDE, PEOPLE CHEERING
0:40:55 > 0:40:57What's that music?
0:40:57 > 0:41:02- That's the festival, you know, Saint Ursula's.- Oh, yeah.
0:41:02 > 0:41:05They sound like they're having a lot more fun than we are.
0:41:05 > 0:41:09Maybe we should call it a day. We're not getting anywhere here
0:41:09 > 0:41:13- and...you are still on holiday, remember?- You're right.
0:41:13 > 0:41:16Maybe a bit of breathing space would do us the world of good.
0:41:16 > 0:41:20UPBEAT MUSIC PLAYS
0:41:24 > 0:41:27- Welcome to Saint Marie, sir! - Yes.
0:41:27 > 0:41:30- And Happy Saint Ursula's Day to you both.- Thank you.
0:41:33 > 0:41:35Ay-ay-ay!
0:41:36 > 0:41:38Wow!
0:41:38 > 0:41:41Smells like an aftershave factory.
0:41:41 > 0:41:43You think it's too much?
0:41:43 > 0:41:46- No.- No.
0:41:46 > 0:41:48Oh, good!
0:41:50 > 0:41:53There she is. I'm going in!
0:41:53 > 0:41:54Wish me luck.
0:42:02 > 0:42:05I thought you said this woman was taller than Dwayne.
0:42:05 > 0:42:07That's what he said.
0:42:07 > 0:42:09Then who's that?
0:42:09 > 0:42:11It's a long time since they last met.
0:42:11 > 0:42:13Maybe Monica's shrunk a little bit.
0:42:17 > 0:42:20MUSIC PLAYS LOUDLY
0:42:39 > 0:42:41What happened with Monica?
0:42:41 > 0:42:44I can't believe I mixed them up!
0:42:44 > 0:42:47Monica Ridley is the model, the one taller than me.
0:42:47 > 0:42:51And the other one is Monica Cannon, whose father was in the circus.
0:42:51 > 0:42:54- Circus?!- It's a long story.
0:42:54 > 0:42:55Or a short one!
0:42:56 > 0:43:00I wonder what Saint Ursula would have made of all this.
0:43:00 > 0:43:02- What?- Saint Ursula!
0:43:02 > 0:43:04No, thanks, sir - I ate earlier!
0:43:04 > 0:43:06You enjoying yourself, Dad?
0:43:06 > 0:43:09- Yeah!- Good!
0:43:09 > 0:43:11- They could turn the music down a bit, though.- What?
0:43:11 > 0:43:14- The music - it's very loud. - Very what?!
0:43:14 > 0:43:16Loud!
0:43:16 > 0:43:17Loud! It's very...
0:43:17 > 0:43:19- RECORDING:- '..probably going to be here another...'
0:43:19 > 0:43:21GUNSHOT Good Lord!
0:43:23 > 0:43:26Something there, isn't there, in the background?
0:43:26 > 0:43:29Forensics found significant traces of bleach
0:43:29 > 0:43:31on and around her desk and chair.
0:43:31 > 0:43:33A lock of hair?
0:43:35 > 0:43:38What is it? Are you OK, Dad?
0:43:38 > 0:43:40That's it! I've got it!
0:43:40 > 0:43:44- Got what?- Thank you, Saint Ursula!
0:43:44 > 0:43:46JP, we need to run a DNA test.
0:43:46 > 0:43:50- Dwayne!- Huh?- We need something called a structural imaging radar.
0:43:50 > 0:43:53- Fire service might have one. - But it's almost midnight!
0:43:53 > 0:43:57We'll wake up whoever we need to. This has to be done tonight.
0:43:57 > 0:44:00- Ooh, Siobhan... - It's fine, Dad. Go.
0:44:22 > 0:44:24- You OK, sir?- Yeah.
0:44:26 > 0:44:28Oh, good(!) The Commissioner's here.
0:44:34 > 0:44:38Question - how many saints are there in the Catholic Church?
0:44:42 > 0:44:44- Go on, have a guess.- A thousand?
0:44:44 > 0:44:4710,221 - at the last count.
0:44:47 > 0:44:50There's so many of them it's hard to tell who's who any more.
0:44:50 > 0:44:53Take yesterday - Saint Ursula's Day. But which Ursula?
0:44:53 > 0:44:55There's at least two that I know about -
0:44:55 > 0:44:57the one who was martyred by the Hun
0:44:57 > 0:45:00and the other one who had the gift of bilocation.
0:45:00 > 0:45:03Sorry, but have we come here for a theology lesson?
0:45:03 > 0:45:05No, sorry, Tony, not at all.
0:45:05 > 0:45:08We're here because the killer of Julie Matlock also had
0:45:08 > 0:45:10the gift of bilocation.
0:45:10 > 0:45:12They were in two places at once.
0:45:12 > 0:45:15See, there are two victims in this case.
0:45:15 > 0:45:18There's Julie Matlock, demanding editor,
0:45:18 > 0:45:21fiercely-protective mother, domineering wife.
0:45:21 > 0:45:25And there was also Nadine Hunter, charismatic but haunted woman,
0:45:25 > 0:45:27born under an unlucky star.
0:45:27 > 0:45:31Depression, alcoholism, a college sweetheart buried in the past.
0:45:31 > 0:45:32And then, to cap it all off,
0:45:32 > 0:45:36she's convicted for a murder she did not commit.
0:45:36 > 0:45:38- Did not?- No.
0:45:38 > 0:45:42I believe that Nadine Hunter is innocent of the crime.
0:45:44 > 0:45:48But what do we know about the real killer, whoever that might be?
0:45:48 > 0:45:50What do we know about them?
0:45:50 > 0:45:53Well, for a start, they had a key to this building.
0:45:53 > 0:45:55And they also knew that Julie was working late
0:45:55 > 0:45:57the evening she disappeared.
0:45:57 > 0:46:00In other words - it had to be one of you.
0:46:00 > 0:46:02- Come on.- For God's sake.
0:46:02 > 0:46:06No, no, despite the protestations, you all had motives.
0:46:06 > 0:46:10But - and here's the thing - all of you can prove beyond doubt
0:46:10 > 0:46:13that you were not in this building at 8:15pm
0:46:13 > 0:46:16on Thursday the 22nd of June, 2009 -
0:46:16 > 0:46:20- Saint Ursula's Day. - Exactly. So why are we here, then?
0:46:20 > 0:46:23We're here because I want to play you something.
0:46:23 > 0:46:27This is the background noise on the message that Julie left
0:46:27 > 0:46:29on Grace's answer-phone.
0:46:30 > 0:46:33If you could just listen for a moment.
0:46:34 > 0:46:38TWO-BEAT MECHANICAL SOUND PLAYS
0:46:42 > 0:46:44Hmm. Sounds like a metronome.
0:46:44 > 0:46:46Or someone tapping.
0:46:46 > 0:46:50Now, just leaving aside what you do hear. What don't you hear?
0:46:52 > 0:46:55What you don't hear is music and singing
0:46:55 > 0:46:59and thousands of people out in the streets celebrating Saint Ursula.
0:46:59 > 0:47:01The carnival passes right along this street here.
0:47:01 > 0:47:04It's so loud my ears are still ringing from last night,
0:47:04 > 0:47:07yet there are no carnival sounds here.
0:47:07 > 0:47:10See? The grill was open,
0:47:10 > 0:47:12but not a peep.
0:47:12 > 0:47:13I'm sorry, you've lost me now.
0:47:13 > 0:47:17My apologies, Ian. I'll try and get to the point.
0:47:17 > 0:47:21It's true that none of you were here on that fateful evening.
0:47:21 > 0:47:25- But then here's the thing - neither was Julie.- But she was.
0:47:25 > 0:47:27Well, this is what I couldn't quite get.
0:47:27 > 0:47:31Our killer, who was under such extraordinary time pressure,
0:47:31 > 0:47:34decided to clean up after themselves, lugging a dead weight
0:47:34 > 0:47:36down the corridor and into the lift,
0:47:36 > 0:47:39and then waiting for an opportune moment to drag the body outside
0:47:39 > 0:47:42and put it in the boot of a car.
0:47:42 > 0:47:44Why would they do that?
0:47:44 > 0:47:47I was thinking about this for ages.
0:47:47 > 0:47:51It wasn't until I realised what it was you COULDN'T hear
0:47:51 > 0:47:54on the background noises - the carnival -
0:47:54 > 0:47:56and then it suddenly twigged.
0:47:56 > 0:47:58It was like bingo!
0:47:58 > 0:48:02The killer wanted us to think that Julie was killed here,
0:48:02 > 0:48:05- but she wasn't. - But why would someone do that?
0:48:05 > 0:48:07Well, to give themselves an alibi.
0:48:07 > 0:48:09It was a stroke of genius.
0:48:09 > 0:48:11Hold on. On the answer-phone message,
0:48:11 > 0:48:13Mum says she's in the office.
0:48:13 > 0:48:16That's another example of the killer's genius.
0:48:16 > 0:48:19We're dealing with a very creative individual here.
0:48:19 > 0:48:24But, unfortunately for them, they made one tiny little mistake.
0:48:24 > 0:48:28That sound on the answer-phone message gives them away.
0:48:31 > 0:48:36TWO-BEAT MECHANICAL SOUND PLAYS
0:48:36 > 0:48:38Trust me, we spent an awful lot of time trying to figure out
0:48:38 > 0:48:41what that was. Ho, ho, ho, yeah.
0:48:41 > 0:48:43We went through the whole shoot and shebang,
0:48:43 > 0:48:46rumbles and mechanical sounds - a horse even made an appearance.
0:48:46 > 0:48:51It rang a distant bell with me but I couldn't quite place it.
0:48:53 > 0:48:54My dad was very good with his hands.
0:48:54 > 0:48:57When I was about ten, he built an extension onto our house.
0:48:57 > 0:49:00My granny had come to live with us and my sister, she couldn't carry on
0:49:00 > 0:49:03sleeping on the couch forever now, could she?
0:49:03 > 0:49:05Anyway, to cut a long story short,
0:49:05 > 0:49:08I used to help him out at the weekends
0:49:08 > 0:49:10and I remember shovelling cement into a mixer.
0:49:12 > 0:49:15And that's what that sound is - a cement mixer.
0:49:17 > 0:49:20Now, where would Julie be anywhere near a cement mixer?
0:49:20 > 0:49:22They were close to finishing a beach house on the coast
0:49:22 > 0:49:25when Mrs Matlock was murdered.
0:49:26 > 0:49:28At the beach house...
0:49:30 > 0:49:32..the one you'd been building yourselves,
0:49:32 > 0:49:35- which is where you shot her.- No.
0:49:40 > 0:49:43The exact movements of yourself and Julie on that evening
0:49:43 > 0:49:46will only ever be known by you.
0:49:46 > 0:49:49But one thing's for sure, when Julie was done at work,
0:49:49 > 0:49:51you picked her up from the office.
0:49:53 > 0:49:56But not before you manufactured some excuse to slip back in here
0:49:56 > 0:49:59and wipe down that desk with bleach -
0:49:59 > 0:50:02to make it appear as if somebody had cleaned up after a murder.
0:50:02 > 0:50:05In the absence of the police finding a body,
0:50:05 > 0:50:07well, this was the next best thing.
0:50:07 > 0:50:11You then drove back to the beach house...
0:50:11 > 0:50:14where you persuaded Julie to cancel her dinner date with Grace.
0:50:14 > 0:50:16I imagine it was something along the lines of,
0:50:16 > 0:50:18"Give her more space," or, you know,
0:50:18 > 0:50:20"The more you push her the more you'll drive her away,"
0:50:20 > 0:50:24that sort of thing. You then tell Julie to phone Grace
0:50:24 > 0:50:26and say that she was working late at the office.
0:50:26 > 0:50:28Just tell her you're still at work.
0:50:28 > 0:50:30So Julie picks up the phone
0:50:30 > 0:50:35and you wait while she tells Grace this lie about where she is.
0:50:35 > 0:50:39Hi, Gracey. Look, I know I said we should do dinner but guess what?
0:50:39 > 0:50:41I'm still at the office, probably going to be here another...
0:50:45 > 0:50:47This is just mad.
0:50:52 > 0:50:54Dad?!
0:50:54 > 0:50:56This makes no sense.
0:50:56 > 0:50:58Why would I do any of this?
0:50:58 > 0:51:00Well, you told us yourself
0:51:00 > 0:51:02that your marriage had got into a bit of a rut.
0:51:02 > 0:51:05Although, if I'm honest, it wasn't my marriage in a rut, it was me.
0:51:08 > 0:51:10The fact that you were having an affair,
0:51:10 > 0:51:13it makes me think it was more than that.
0:51:13 > 0:51:15You were unhappy, an unhappy man,
0:51:15 > 0:51:18fed up with your marriage to Julie,
0:51:18 > 0:51:21and that's why you strayed.
0:51:21 > 0:51:24But this summer fling you had,
0:51:24 > 0:51:27it wasn't with some travel rep whose name you can't recall.
0:51:27 > 0:51:29No.
0:51:30 > 0:51:32It was Nadine Hunter.
0:51:34 > 0:51:37But for Nadine, it wasn't just a fling.
0:51:37 > 0:51:40She was head over heels in love with you.
0:51:41 > 0:51:47And for a woman like Nadine, love is all-consuming, intense, extreme.
0:51:50 > 0:51:53She kept this lock of hair in her prison cell.
0:51:53 > 0:51:55It was one of the few things she had.
0:51:55 > 0:51:57We were wondering whether she had a child,
0:51:57 > 0:51:58or was it her college sweetheart's?
0:51:58 > 0:52:02And then the penny dropped and we ran a DNA test.
0:52:02 > 0:52:04It's yours, Ian. This is your hair.
0:52:10 > 0:52:13But of course you didn't feel the same way about Nadine.
0:52:13 > 0:52:16She was erratic and unstable - more so now that she was in love.
0:52:16 > 0:52:18So when she stormed into the restaurant
0:52:18 > 0:52:19that you and Julie were at...
0:52:19 > 0:52:22I know what you're doing! You'll pay for this.
0:52:22 > 0:52:24..you ushered her out of there, out of the restaurant.
0:52:24 > 0:52:27She's emotional, she's in no fit state to drive.
0:52:28 > 0:52:31And that's probably when you got a hold of the car keys.
0:52:32 > 0:52:33You get her into a cab.
0:52:36 > 0:52:41It's unsettling, but maybe you're thinking she'll calm down,
0:52:41 > 0:52:44she might sober up and realise it's all over between you.
0:52:44 > 0:52:46But she came to the office the next day.
0:52:46 > 0:52:48We're not finished!
0:52:48 > 0:52:50See, everybody thought she was talking to Julie,
0:52:50 > 0:52:52but it was you she was speaking to.
0:52:52 > 0:52:55You knew you had to do something.
0:52:55 > 0:52:58If the truth about you and Nadine came out...
0:52:58 > 0:53:00well, that was it.
0:53:01 > 0:53:03Julie was not a woman to cross.
0:53:03 > 0:53:05You'd literally be left with nothing -
0:53:05 > 0:53:06no house, no fancy motorbike.
0:53:06 > 0:53:08You had to think quickly.
0:53:08 > 0:53:11You knew where Nadine's car was.
0:53:11 > 0:53:14You also knew she kept a gun in her car.
0:53:14 > 0:53:16So, after the murder...
0:53:16 > 0:53:18you place the weapon
0:53:18 > 0:53:21and Julie's bloodied scarf
0:53:21 > 0:53:22in Nadine's car
0:53:22 > 0:53:24before pushing it into the sea.
0:53:29 > 0:53:32You saw your problem with Nadine as an opportunity,
0:53:32 > 0:53:35an opportunity to bring to an end your unhappy marriage
0:53:35 > 0:53:38and also to get rid of the mistress you'd lost interest in...
0:53:39 > 0:53:41..leaving you to continue living in the manner
0:53:41 > 0:53:43to which you'd grown accustomed.
0:53:43 > 0:53:46All you had to do was get rid of the two women in your life,
0:53:46 > 0:53:49Julie and Nadine.
0:53:49 > 0:53:52Kill one and frame the other.
0:53:54 > 0:53:58Everything you've just said is based on conjecture
0:53:58 > 0:54:00and circumstantial evidence.
0:54:00 > 0:54:02Ah...no.
0:54:02 > 0:54:04Not strictly true.
0:54:13 > 0:54:16These are scans that we just ran
0:54:16 > 0:54:19of the foundations of your house and grounds.
0:54:21 > 0:54:25And underneath the veranda of the house you and she built
0:54:25 > 0:54:27lies the body of Julie Matlock.
0:54:31 > 0:54:33Quite literally concrete proof.
0:54:36 > 0:54:38Say it's not true.
0:54:42 > 0:54:43Dad!
0:54:44 > 0:54:48Dwayne, JP, can you please do the honours?
0:55:10 > 0:55:13Good work, Inspector.
0:55:17 > 0:55:19Well done, sir. You did it.
0:55:19 > 0:55:21We did it.
0:55:27 > 0:55:31So...whatever happened to, er, Monica Ridley?
0:55:31 > 0:55:34Who, her? I looked her up.
0:55:34 > 0:55:37- Married with four kids.- Oh!
0:55:37 > 0:55:41Ah, well. Well, maybe she named one of them Dwayne.
0:55:41 > 0:55:43You're not funny, you know.
0:55:43 > 0:55:45Maybe she just wasn't the one!
0:55:51 > 0:55:53I'll get over it.
0:55:53 > 0:55:54That didn't take long.
0:55:54 > 0:55:57Hmm. You better believe it.
0:56:01 > 0:56:03Ah!
0:56:03 > 0:56:07- So, you solved your first case on Saint Marie.- Good evening.
0:56:07 > 0:56:11Look who I found on the way - a charming young lady.
0:56:11 > 0:56:14I hear you solved the case. Well done, Dad.
0:56:14 > 0:56:17Ah, no, no. Very much a team effort.
0:56:17 > 0:56:19Congratulations, Inspector Mooney.
0:56:19 > 0:56:21Very tenacious work.
0:56:21 > 0:56:25Yeah, well, I can be quite tenacious, if I may say so.
0:56:25 > 0:56:26You have to be when you're a parent.
0:56:26 > 0:56:29Creeping in from the festival at four o'clock this morning.
0:56:29 > 0:56:32- She thinks I don't know. - You were asleep.
0:56:32 > 0:56:36So you see, Commissioner, tenacity - minimum requirement in our house.
0:56:36 > 0:56:39You called it "our house" - the shack.
0:56:39 > 0:56:40It's a figure of speech.
0:56:40 > 0:56:44You will be staying a little longer though, won't you?
0:56:47 > 0:56:49Why is everyone looking at me?
0:56:49 > 0:56:51Drinks for everyone!
0:56:51 > 0:56:53About time!
0:56:55 > 0:56:59Cheers. To an amazing team. Well done.
0:57:02 > 0:57:05I hope I can count on your vote today.
0:57:05 > 0:57:06Who else would I vote for, huh?
0:57:06 > 0:57:09Mayoral candidate Victor Pearce
0:57:09 > 0:57:11was casting his vote when one of these suspects managed to
0:57:11 > 0:57:13stick a knife in his back.
0:57:13 > 0:57:16That only leaves one person - Catherine Bordey!
0:57:16 > 0:57:18Siobhan!
0:57:18 > 0:57:21- That lizard's back! - He's called Harry.
0:57:21 > 0:57:23Maybe someone should level the playing field.
0:57:23 > 0:57:26- There's something I really need to go and do first.- What's that?
0:57:26 > 0:57:28Catch a killer.