0:00:13 > 0:00:15Who knew a seating plan could be this hard?
0:00:15 > 0:00:17I don't even know who half these people are.
0:00:18 > 0:00:20- Thank you, Rita.- No problem, sir.
0:00:20 > 0:00:25- I might have guessed I'd find my best man at the bar.- Dad!- Stephen.
0:00:25 > 0:00:27How's the blushing bride?
0:00:27 > 0:00:28Oh!
0:00:28 > 0:00:32Well, I've a few pre-wedding jitters, but I'll be fine.
0:00:32 > 0:00:3617 hotels in our portfolio and you had to choose this one.
0:00:36 > 0:00:39It's like the entire island moves at quarter speed.
0:00:39 > 0:00:42Karen, darling, I couldn't care less.
0:00:42 > 0:00:44I'm not here to work, I'm here for my wedding.
0:00:44 > 0:00:48- Now, is everything set with the welcome drinks?- Daddy?
0:00:48 > 0:00:49SHE SQUEALS
0:00:49 > 0:00:52I am so sorry! Oh, I wanted to be here when you arrived.
0:00:52 > 0:00:54But I was just so stressed from that plane.
0:00:54 > 0:00:55I literally had to get some Reiki.
0:00:55 > 0:00:58This is what you're marrying into, Diane.
0:00:58 > 0:01:00Not too late to make a run for it.
0:01:00 > 0:01:01LAUGHTER
0:01:03 > 0:01:05I mean, I may as well have not brought my phone at all.
0:01:05 > 0:01:07There is totes no service.
0:01:07 > 0:01:09People just think I've fallen off the earth.
0:01:11 > 0:01:13Mmm.
0:01:13 > 0:01:14And don't get me started
0:01:14 > 0:01:17on the bridesmaid's dress they're making me wear.
0:01:17 > 0:01:19I'm going to look like an overripe plum.
0:01:19 > 0:01:21It's basically horrendous.
0:01:24 > 0:01:26KNOCK AT DOOR
0:01:28 > 0:01:31- Your shirt, Mr Marston. - Thank you so much.
0:01:31 > 0:01:33Audrey, you're a life-saver.
0:01:35 > 0:01:37STEEL DRUMS PLAY
0:01:42 > 0:01:45Oh, thank you very much. How are you? Lovely to see you.
0:01:45 > 0:01:49- I'm glad you could come. It's lovely, thank you.- Where's Diane?
0:01:49 > 0:01:51- She'll be down in a minute. - The band are far too loud.
0:01:51 > 0:01:54- I have to talk to Oliver. - Your band is perfect.
0:01:54 > 0:01:58Everything's perfect, so for once stop fussing and have a drink, OK?
0:02:16 > 0:02:19We're so pleased to welcome so many dear friends
0:02:19 > 0:02:22- and family to the Marston Hotel, Saint Marie. - PHONE BEEPS
0:02:23 > 0:02:26I just want to talk you briefly through
0:02:26 > 0:02:28the running order for tomorrow.
0:02:30 > 0:02:33The wedding will start at 10:30 in the morning. Don't be late.
0:02:35 > 0:02:37Mr Marston. Is everything all right?
0:02:46 > 0:02:47LOCK BEEPS
0:02:50 > 0:02:51Diane? Let me in.
0:02:52 > 0:02:53I can't, I'm sorry!
0:02:55 > 0:02:56- ..passed her... - LOUD THUD
0:02:56 > 0:02:58SCREAMING
0:03:00 > 0:03:01Excuse me.
0:03:06 > 0:03:08Diane?
0:03:12 > 0:03:14HE WHIMPERS
0:03:14 > 0:03:16HE SOBS
0:03:16 > 0:03:18PANICKED BREATHING
0:03:18 > 0:03:20- Oh!- Oh!
0:04:09 > 0:04:11Suspect has entered the market.
0:04:11 > 0:04:13Blue T-shirt.
0:04:18 > 0:04:19Got him.
0:04:22 > 0:04:24Blue T-shirt.
0:04:24 > 0:04:2610 o'clock.
0:04:27 > 0:04:29OK, so, that's one teaspoon of turmeric
0:04:29 > 0:04:31and three teaspoons of chilli paste.
0:04:31 > 0:04:34No, Jack, it's three teaspoons of turmeric,
0:04:34 > 0:04:37- one teaspoon of chilli paste. - Oh, right!
0:04:37 > 0:04:39You wouldn't want to get that wrong, now, would you?
0:04:39 > 0:04:41- Blow your head clean off. - Not just your head!
0:04:43 > 0:04:44Oh!
0:04:44 > 0:04:45SHE LAUGHS
0:04:53 > 0:04:54Hey!
0:04:55 > 0:04:56Stop, police!
0:05:02 > 0:05:04Hey! Hey, wait! Come here!
0:05:04 > 0:05:05Come!
0:05:08 > 0:05:10Melon curry.
0:05:10 > 0:05:12Who'd have thought it was even a thing?
0:05:12 > 0:05:14Who tried it first?
0:05:14 > 0:05:16Can I get you a drink?
0:05:16 > 0:05:18I'm on duty.
0:05:18 > 0:05:19Oh, just a small one.
0:05:21 > 0:05:22THEY ARE OUT OF BREATH
0:05:22 > 0:05:25- Where is he?- I don't know.- OK...
0:05:31 > 0:05:34Now, Catherine, are you sure it isn't too big?
0:05:34 > 0:05:36I mean, there's only the two of us, you know that.
0:05:36 > 0:05:38- It will be fine, trust me. - It's very heavy.
0:05:38 > 0:05:40Here, would you hold this for a sec? You're under arrest.
0:05:40 > 0:05:43But then you look like a bright young man, you probably guessed as much.
0:05:43 > 0:05:45- What with the handcuffs and all. - Sir?
0:05:47 > 0:05:48You got him.
0:05:51 > 0:05:52- How...? - PHONE RINGS
0:05:52 > 0:05:54I don't know.
0:05:54 > 0:05:55Commissioner, what can I do for you?
0:05:57 > 0:05:59Gotcha.
0:05:59 > 0:06:01Be right there.
0:06:02 > 0:06:05- Right, lock this fella up. Meet me at the Marston Hotel.- Yes, sir.
0:06:05 > 0:06:07And bring the melon too, would you?
0:06:07 > 0:06:09CLUCKING
0:06:17 > 0:06:21Half an hour ago, a woman named Diane Smith appears to have
0:06:21 > 0:06:23thrown herself off her own balcony.
0:06:23 > 0:06:25Appears to have?
0:06:25 > 0:06:28There's no reason to believe it wasn't suicide.
0:06:28 > 0:06:32And what makes it especially tragic is that Miss Smith was due to
0:06:32 > 0:06:34marry Philip Marston tomorrow morning.
0:06:34 > 0:06:36- This is his hotel?- One of them.
0:06:36 > 0:06:39Philip is an old friend of Saint Marie.
0:06:39 > 0:06:42He employs about 100 islanders, so...
0:06:43 > 0:06:47..I need to be reassured that this matter will be handled with speed,
0:06:47 > 0:06:50discretion, tact and dignity.
0:06:50 > 0:06:51Don't you worry, Commissioner.
0:06:51 > 0:06:54Discretion, tact and dignity are my middle names.
0:06:56 > 0:06:58I mean, not really. It's actually Fintan.
0:06:58 > 0:07:01After the little-known St Fintan...
0:07:01 > 0:07:03You don't need to know that. It's fine.
0:07:11 > 0:07:14So, Mr Marston's booked out the whole hotel for the wedding?
0:07:15 > 0:07:18And all the guests were here in the terrace when Diane fell?
0:07:18 > 0:07:21Yes, regrettably many of our guests and several of my staff.
0:07:21 > 0:07:23And you were out here yourself keeping an eye on things?
0:07:23 > 0:07:25No, I was heading towards my office.
0:07:25 > 0:07:28I actually passed Mr Marston on his way upstairs.
0:07:28 > 0:07:31We'll need a list of who's staying in which room.
0:07:31 > 0:07:34I'm afraid we don't usually release that information.
0:07:34 > 0:07:36It would violate our guest privacy.
0:07:36 > 0:07:37I'm guessing you don't usually have
0:07:37 > 0:07:40guests chucking themselves off your balconies.
0:07:40 > 0:07:42Now, Diane's balcony, which one would that be?
0:07:43 > 0:07:46317, on the third floor.
0:07:47 > 0:07:51Anything else, I assure you, my staff will be happy to help.
0:07:51 > 0:07:52- Now, if you'll excuse me...- Right.
0:08:00 > 0:08:02Poor woman.
0:08:04 > 0:08:06So far, sir, the injuries are as expected.
0:08:08 > 0:08:09Yeah.
0:08:10 > 0:08:12- Well, that's intriguing.- Sir?
0:08:18 > 0:08:21- Nail varnish.- Yeah, but only on the one thumb.
0:08:22 > 0:08:23Is that a thing?
0:08:23 > 0:08:25A thing?
0:08:25 > 0:08:26A womanly thing?
0:08:27 > 0:08:29Having one nail a different colour to the rest,
0:08:29 > 0:08:31or using your bra as a makeshift pocket?
0:08:31 > 0:08:33Not that I know of, sir.
0:08:34 > 0:08:36But it's a bit odd, don't you think?
0:08:36 > 0:08:38Hmm.
0:08:38 > 0:08:41Dwayne, JP, you can release the body.
0:08:42 > 0:08:44We should have a word with Mr Marston.
0:08:48 > 0:08:51- Huh?- You all right?- Yes.
0:08:51 > 0:08:54You keep on looking around. What is it?
0:08:54 > 0:08:57Good policing, JP! Always alert!
0:09:00 > 0:09:03Sorry to intrude, but DI Mooney
0:09:03 > 0:09:09and DS Cassell just need to ask a few brief questions as a formality.
0:09:09 > 0:09:12- It should take only a moment.- Sure.
0:09:12 > 0:09:15Go ahead.
0:09:15 > 0:09:17What do you need to know?
0:09:17 > 0:09:19- So, you're Mr Marston's son? - Stephen.
0:09:19 > 0:09:21- And these are my sisters... - Karen and Perl.
0:09:21 > 0:09:24Thank you, Stephen, we can speak for ourselves.
0:09:26 > 0:09:28Well, I'm so sorry for your loss.
0:09:29 > 0:09:32I just need to ask you if there was anything about Diane's
0:09:32 > 0:09:36behaviour that suggested she might be about to take her own life.
0:09:36 > 0:09:37Well...
0:09:37 > 0:09:39She, uh...
0:09:39 > 0:09:40HE CLEARS THROAT
0:09:42 > 0:09:43She sent me this.
0:09:44 > 0:09:47"I can't live with myself. I'm sorry."
0:09:47 > 0:09:50Any idea what she was referring to?
0:09:50 > 0:09:54There was a pretty brutal article in one of the UK papers this morning.
0:09:54 > 0:09:58Apparently Diane got knocked up when she was, like, 15 or whatever,
0:09:58 > 0:10:00and then just, like, totes abandoned the baby.
0:10:00 > 0:10:01Pearl...
0:10:03 > 0:10:04It was, er...
0:10:04 > 0:10:06It was years ago but...
0:10:06 > 0:10:08..she'd never forgiven herself.
0:10:08 > 0:10:11Right. And the article brought it all back again?
0:10:11 > 0:10:13- Yeah.- Totes.
0:10:15 > 0:10:18So, Mr Marston, after you received the text,
0:10:18 > 0:10:22you raced back to the room, room...317.
0:10:22 > 0:10:23Yes.
0:10:23 > 0:10:26When I got there, the door was on the chain.
0:10:26 > 0:10:31And I, er, I begged her to let me in and she shouted...
0:10:31 > 0:10:33I can't, I'm sorry!
0:10:33 > 0:10:34I barged the door open.
0:10:35 > 0:10:37But it was too late.
0:10:42 > 0:10:44I can't do this now.
0:10:46 > 0:10:48- Are we done, Inspector?- Yeah.
0:10:51 > 0:10:55Just one last thing, er, if you don't mind.
0:10:55 > 0:10:57Where were you all at the moment Diane died?
0:10:59 > 0:11:02Erm, I was in my room, getting ready for the party
0:11:02 > 0:11:04when I heard screaming.
0:11:04 > 0:11:07I went onto my balcony and saw Diane's body,
0:11:07 > 0:11:09I rushed straight down to Dad's room.
0:11:09 > 0:11:10Dad!
0:11:10 > 0:11:12Pearl was already there with Dad.
0:11:14 > 0:11:16You were with your father when he broke in?
0:11:16 > 0:11:18I got there just after.
0:11:18 > 0:11:20I was in my room, across the corridor...
0:11:20 > 0:11:21Diane?
0:11:21 > 0:11:23..when I heard...
0:11:23 > 0:11:24- BANGING - ..all the noise.
0:11:24 > 0:11:26Oh, God.
0:11:26 > 0:11:27Daddy?
0:11:29 > 0:11:31And what about you, Miss Marston?
0:11:33 > 0:11:34I was at the party...
0:11:34 > 0:11:36We're so pleased to welcome...
0:11:36 > 0:11:38..saying a few words.
0:11:38 > 0:11:41So there was definitely nobody else in the room with Diane?
0:11:41 > 0:11:42You heard Daddy,
0:11:42 > 0:11:45she was deffo alone and the door was basically locked.
0:11:45 > 0:11:50Look, 130 of our friends and family just witnessed Diane's death,
0:11:50 > 0:11:53all right? You can ask any one of them what happened.
0:11:53 > 0:11:55Now, please, could you leave us alone to grieve?
0:12:04 > 0:12:07- This is it, room 317.- Hm.
0:12:07 > 0:12:09And that's Pearl's room there?
0:12:12 > 0:12:14She'd locked herself in all right.
0:12:36 > 0:12:38She was barely more than a child herself.
0:12:38 > 0:12:41But why dig up the story now, 30 years later?
0:12:41 > 0:12:43Here's the text to Philip.
0:12:43 > 0:12:46"I can't live with myself. I'm sorry."
0:12:46 > 0:12:49Sent at 5:55pm.
0:12:49 > 0:12:53- Florence, you're a woman. - Yes, sir, I am.
0:12:53 > 0:12:56From what I recall of my wife's dressing table,
0:12:56 > 0:12:58leaving a lid off a nail varnish bottle,
0:12:58 > 0:13:00I mean, that's practically a crime.
0:13:00 > 0:13:01Of course.
0:13:01 > 0:13:03The liquid sets if you don't screw the lid down tight.
0:13:03 > 0:13:06It becomes... How do you say it?
0:13:06 > 0:13:08- Gloopy.- Gloopy, exactly.
0:13:08 > 0:13:10So if she was planning to kill herself,
0:13:10 > 0:13:14surely she would've taken a little bit more time to finish her nails.
0:13:14 > 0:13:15I mean, look around.
0:13:15 > 0:13:18She was a tidy person.
0:13:18 > 0:13:20Not the sort of woman to leave a cap unscrewed.
0:13:20 > 0:13:22But if she was interrupted...
0:13:22 > 0:13:24- You don't think it was a suicide. - No.
0:13:24 > 0:13:27I'm convinced Diane Smith was murdered.
0:13:27 > 0:13:29Because of one fingernail.
0:13:30 > 0:13:31Exactly.
0:13:37 > 0:13:39No-one seems to have seen anything.
0:13:39 > 0:13:42I mean, how is that even poss...?
0:13:44 > 0:13:46Dwayne, what are you doing?
0:13:46 > 0:13:47I'm not here.
0:13:47 > 0:13:50- What are you talking about? - I said I'm not here.
0:13:50 > 0:13:52But you are, I can see you.
0:13:52 > 0:13:54Not as long as that woman's coming this way you can't.
0:13:54 > 0:13:55Now, act natural.
0:13:58 > 0:14:01Dwayne Myers, is that you?
0:14:01 > 0:14:04I'm sorry, Dwayne who?
0:14:07 > 0:14:08He's behind that bush.
0:14:09 > 0:14:11Nope, nothing in there, JP.
0:14:12 > 0:14:13Oh, Audrey.
0:14:15 > 0:14:17Fancy seeing you here.
0:14:17 > 0:14:18So...
0:14:18 > 0:14:21..how's you been keeping these last few years?
0:14:21 > 0:14:26Tell that man that if I never see him again, it'll be too soon.
0:14:30 > 0:14:32I get it now.
0:14:32 > 0:14:35She's the reason you've been acting so weird since we got here.
0:14:35 > 0:14:37No way, Sherlock, you worked it out.
0:14:37 > 0:14:39What's she got against you?
0:14:39 > 0:14:41Let's just say we have history.
0:14:41 > 0:14:43Now, let's get out of here and fast.
0:14:46 > 0:14:49You are saying, despite all evidence to the contrary,
0:14:49 > 0:14:53- you don't believe Diane took her own life.- No.
0:14:53 > 0:14:56And just so I am clear,
0:14:56 > 0:14:58you have no concrete evidence to support this theory?
0:14:58 > 0:15:00Not as yet, no.
0:15:00 > 0:15:04Philip Marston confirmed that the door was locked on the inside
0:15:04 > 0:15:05and Diane was alone.
0:15:05 > 0:15:07It seems pretty clear to me.
0:15:07 > 0:15:10I think it's time to wrap this up.
0:15:10 > 0:15:13Trust me, Commissioner, I'd love to knock it on the head
0:15:13 > 0:15:16and get back to the shack and discover the joys of melon curry,
0:15:16 > 0:15:18but what if Diane Smith was murdered?
0:15:18 > 0:15:21And, to be honest, I don't know if I could live with that.
0:15:21 > 0:15:24On your head be it, Detective Inspector.
0:15:26 > 0:15:28Commissioner. OK, we're all done here, nothing to report,
0:15:28 > 0:15:31- see you at the station.- Hold on, Dwayne, we're changing tack.
0:15:31 > 0:15:34This is now a murder investigation.
0:15:34 > 0:15:36Murder?
0:15:36 > 0:15:37- Are you sure about this?- Oh, yes.
0:15:37 > 0:15:39Diane Smith's room is now a potential crime scene.
0:15:39 > 0:15:42I need a full forensic sweep. There's a head maid...
0:15:42 > 0:15:45Audrey, I think her name is, she'll help you get set up in there.
0:15:48 > 0:15:49Where you going?
0:15:49 > 0:15:52You heard the man, go and speak to Audrey.
0:15:52 > 0:15:53He asked you.
0:15:53 > 0:15:55Well, I'm delegating.
0:15:57 > 0:16:03- FLORENCE:- We have 130 guests, do we need to consider them all suspects?
0:16:03 > 0:16:05It's likely whoever killed Diane wanted to stop this wedding
0:16:05 > 0:16:07at all costs.
0:16:07 > 0:16:09Who'd be most affected by her becoming a Marston?
0:16:09 > 0:16:11One of the immediate family.
0:16:11 > 0:16:13Has to be.
0:16:16 > 0:16:19Karen was on the terrace giving a speech.
0:16:19 > 0:16:22Stephen was in his room getting ready...
0:16:22 > 0:16:25Dad, there's something I need to...
0:16:25 > 0:16:27Pearl was in her bathroom...
0:16:27 > 0:16:28- Dad.- Mm-hm...
0:16:28 > 0:16:31Sorry, love, yes? What is it?
0:16:31 > 0:16:33Are you going to be working all night? It's just...
0:16:33 > 0:16:36What time is it? You must be starving.
0:16:36 > 0:16:38I'm so sorry, love.
0:16:38 > 0:16:40The plan was I was going to try this new recipe
0:16:40 > 0:16:42- I got from Catherine, melon curry.- Ooh.
0:16:42 > 0:16:45If you can believe that!
0:16:45 > 0:16:47But I had to use the melon to arrest the drug mule
0:16:47 > 0:16:49and Florence thinks it might be evidence so...
0:16:49 > 0:16:51- I'm not even going to ask.- Wise.
0:16:51 > 0:16:55- Tell you what, why don't we go out? - OK.- Come on.
0:16:58 > 0:17:00So, what's on your mind?
0:17:00 > 0:17:03You remember our summer holidays on the west coast,
0:17:03 > 0:17:05how I never wanted them to end?
0:17:05 > 0:17:08Yeah, your mum and I had to practically force you into the car.
0:17:08 > 0:17:10And you were crying the whole way back to London.
0:17:10 > 0:17:14Then the next day, you're with your friends, happy as Larry again.
0:17:14 > 0:17:15What made you think of that?
0:17:17 > 0:17:18This arrived this morning.
0:17:20 > 0:17:23They need to know if I'm going to defer my place for another year.
0:17:27 > 0:17:29Right.
0:17:29 > 0:17:30And when do you need to decide by?
0:17:31 > 0:17:33Tomorrow.
0:17:33 > 0:17:36Well, there's no decision to be made.
0:17:36 > 0:17:40You're far too smart to waste that brain of yours sitting on a beach.
0:17:40 > 0:17:41When will you need to leave?
0:17:41 > 0:17:44There's a flight from Guadeloupe the day after tomorrow.
0:17:44 > 0:17:45Wow.
0:17:45 > 0:17:48I thought you were going to say a couple of months.
0:17:48 > 0:17:51Where will you stay? You'll need money.
0:17:51 > 0:17:55Well, Auntie Eileen says I can stay with her until I find a flat-share.
0:17:55 > 0:17:57Sounds like you've got it all worked out.
0:17:59 > 0:18:01Catherine, guess whose brilliant daughter
0:18:01 > 0:18:04is about to take up her place at university?
0:18:04 > 0:18:07- You're leaving us?- No.
0:18:07 > 0:18:09Well, I'll be back in the holidays.
0:18:09 > 0:18:11Your father is going to miss you.
0:18:11 > 0:18:13Er, are you joking?
0:18:13 > 0:18:16I've had enough of her cramping my style and getting under my feet.
0:18:17 > 0:18:19Thought she'd never leave.
0:18:24 > 0:18:26All right, thanks anyway.
0:18:26 > 0:18:28Yeah, appreciate your time.
0:18:28 > 0:18:32You immoral, spineless, parasitic, bottom-feeding hack.
0:18:34 > 0:18:37That was the journalist who wrote the story about Diane?
0:18:37 > 0:18:39Journalist is too polite a word for what he is.
0:18:39 > 0:18:41Not a shred of remorse.
0:18:41 > 0:18:43He said the story came from an anonymous tip-off,
0:18:43 > 0:18:45just landed on his desk.
0:18:45 > 0:18:48Someone is trying to discredit Diane, but why?
0:18:48 > 0:18:50Maybe they wanted to drive her to suicide.
0:18:50 > 0:18:54Or maybe they wanted to give her a motive to make it look like suicide.
0:18:54 > 0:18:57Sir, are you all right?
0:18:57 > 0:19:00You seem a little...edgy.
0:19:00 > 0:19:01Do I? Sorry, no.
0:19:01 > 0:19:02I'm fine.
0:19:04 > 0:19:07I mean, Siobhan's leaving the island tomorrow.
0:19:08 > 0:19:09Tomorrow?
0:19:09 > 0:19:11It's a good thing. She's going to uni
0:19:11 > 0:19:13and I'm happy for her, I really am.
0:19:13 > 0:19:15Yeah, really, really happy for her.
0:19:15 > 0:19:18Right, we're dealing with a family of billionaires.
0:19:18 > 0:19:21Let's not overlook the obvious. Dwayne, JP, see what you can glean
0:19:21 > 0:19:25- about the personal finances of these five.- Yes, sir.
0:19:25 > 0:19:28Right, what do we have so far about Diane Smith?
0:19:28 > 0:19:32Only child, parents died years ago.
0:19:32 > 0:19:37She joined the Marston Group as the head of HR three years ago.
0:19:37 > 0:19:40Before then, she worked in a number of hotels in London.
0:19:45 > 0:19:47Her CV's pretty impressive though.
0:19:47 > 0:19:50Always getting promoted, working her way up.
0:19:50 > 0:19:52- A grafter.- A workaholic.
0:19:52 > 0:19:55She even arranged an appointment the morning of her wedding, sir.
0:19:55 > 0:19:57With who?
0:19:57 > 0:19:59"Chris C - 9:30"?
0:19:59 > 0:20:02- Could've been about the wedding preparations.- Maybe.
0:20:02 > 0:20:04Well, let's find out who this Chris C is.
0:20:04 > 0:20:07Right, even though we don't yet have a how, the question is,
0:20:07 > 0:20:09why did one of these people want Diane Smith to die
0:20:09 > 0:20:11the night before her wedding?
0:20:11 > 0:20:14That is if we really believe it was a murder.
0:20:14 > 0:20:16Oh, ye of little faith. Dwayne, I'll tell you what.
0:20:16 > 0:20:19Prove me wrong, you'll never have to buy me a beer again.
0:20:19 > 0:20:20You're on.
0:20:23 > 0:20:26What about the children's mother, the first Mrs Marston?
0:20:26 > 0:20:28Died 15 years ago. Cancer.
0:20:28 > 0:20:30Karen is the oldest.
0:20:30 > 0:20:33She became managing director of the Marston Group
0:20:33 > 0:20:34when she was 20 years old.
0:20:34 > 0:20:38People now see it as much as her company as her father's.
0:20:38 > 0:20:41When I was 20 I was eating banana sandwiches and watching Crackerjack!
0:20:43 > 0:20:47Stephen is the company's global brand ambassador which,
0:20:47 > 0:20:49as far as I can tell,
0:20:49 > 0:20:53means he travels the world, staying as a guest in his own hotels.
0:20:53 > 0:20:55And what about her, Pearl, the youngest?
0:20:55 > 0:20:56Left school at 16.
0:20:56 > 0:20:59Tried her hand as an actress, did a few bit parts
0:20:59 > 0:21:00and some modelling work.
0:21:00 > 0:21:03In other words, she lives off her rich daddy.
0:21:03 > 0:21:06Totes. It means totally, I checked with Siobhan.
0:21:06 > 0:21:09Although, sir, there is a rota in Miss Smith's papers
0:21:09 > 0:21:12for Pearl Marston to do work experience in the group's hotel.
0:21:12 > 0:21:16Oh, sounds like Daddy's putting his foot down.
0:21:16 > 0:21:20And there's something else. We ran a PNC check and five weeks ago,
0:21:20 > 0:21:22Diane Smith called the police
0:21:22 > 0:21:25when a woman was banging on her door, shouting abuse.
0:21:25 > 0:21:26Who was doing the shouting?
0:21:28 > 0:21:29Pearl Marston.
0:21:32 > 0:21:33This won't take long, will it?
0:21:33 > 0:21:36If I don't get this massage soon I am literally going to die.
0:21:36 > 0:21:38Oh, sorry about that. But can you tell me,
0:21:38 > 0:21:41how did you feel about Diane becoming your stepmother?
0:21:41 > 0:21:44She was never going to be that.
0:21:44 > 0:21:46That's what you were arguing about
0:21:46 > 0:21:48the day you turned up on her doorstep.
0:21:48 > 0:21:50That was nothing.
0:21:50 > 0:21:53I mean, she totes overreacted and it wasn't like I was a threat.
0:21:53 > 0:21:56Well, she must've felt threatened. Why would she call the police?
0:21:56 > 0:21:57To show me up to Dad.
0:21:57 > 0:21:59Diane never liked me.
0:21:59 > 0:22:04She thought I was lazy just because I don't have a job or whatevs.
0:22:04 > 0:22:06So she thought you should go to work for the family firm.
0:22:06 > 0:22:09I do work for the family firm.
0:22:09 > 0:22:10I'm a Marston.
0:22:10 > 0:22:13I'm promoting the brand every time I post online.
0:22:13 > 0:22:14What did she think I was going to do,
0:22:14 > 0:22:17put on a uniform and serve people?
0:22:17 > 0:22:20She couldn't let it go, you know what I mean?
0:22:20 > 0:22:21Totes.
0:22:22 > 0:22:24I mean, totally.
0:22:24 > 0:22:29Pearl, what do you think might have driven Diane to take her own life?
0:22:29 > 0:22:30It was the article.
0:22:30 > 0:22:33That's what tipped her over the edge, wasn't it?
0:22:33 > 0:22:36Well, possibly an unfortunate choice of words,
0:22:36 > 0:22:38under the circumstances.
0:22:43 > 0:22:45Thanks. Understood.
0:22:46 > 0:22:47That was Dwayne.
0:22:47 > 0:22:50There is no sign of a Chris C on the guest list,
0:22:50 > 0:22:54- in Diane's phone or on the hotel staff.- Hm.
0:22:54 > 0:22:57They've also been looking into the Marston finances,
0:22:57 > 0:23:00but their accountants are refusing to disclose anything.
0:23:00 > 0:23:02Well, you don't get to be this rich
0:23:02 > 0:23:04without knowing how to hide your assets.
0:23:04 > 0:23:06Who else would have access to this information?
0:23:06 > 0:23:10- Maybe their lawyers.- Yes, exactly.
0:23:10 > 0:23:13The family's lawyer was on the guest list for the wedding.
0:23:13 > 0:23:15Bet he's kicking his heels by the pool right now.
0:23:15 > 0:23:17- You should go and talk to him. - Why me?
0:23:17 > 0:23:19Because I've just noticed something vitally important.
0:23:19 > 0:23:21Look, Florence, "Vasco da Gama".
0:23:22 > 0:23:24Sir?
0:23:25 > 0:23:27"Marco Polo." Come on.
0:23:27 > 0:23:29- Where are we going? - To find Christopher Columbus.
0:23:30 > 0:23:33Would you excuse me a moment?
0:23:33 > 0:23:35The morning of her death Diane had a note in her diary,
0:23:35 > 0:23:37"Chris C, 9:30."
0:23:37 > 0:23:39Chris C wasn't who she was meeting, it was where.
0:23:39 > 0:23:43Christopher Columbus suite. So, my question to you, sir, is,
0:23:43 > 0:23:47who booked the room for that time, who was Diane meeting?
0:23:47 > 0:23:49I'm afraid there was no meeting.
0:23:49 > 0:23:51You haven't even checked the system.
0:23:51 > 0:23:52As general manager,
0:23:52 > 0:23:55I personally oversaw every last detail of this wedding.
0:23:55 > 0:23:57I know what was scheduled in every room in the hotel,
0:23:57 > 0:23:59down to the last minute.
0:23:59 > 0:24:02And I can assure you there was no meeting in that room at that time.
0:24:02 > 0:24:05Oh, I see.
0:24:05 > 0:24:07Well, we'll just have to take your word for it. Thanks.
0:24:09 > 0:24:11- Do you believe him? - Not for one second.
0:24:21 > 0:24:24So come on, Dwayne, the suspense is killing me.
0:24:24 > 0:24:27You have got to tell me what happened between you and Audrey.
0:24:27 > 0:24:29And which Audrey would this be?
0:24:29 > 0:24:34You know, "If I never see that man again, it'll be too soon" Audrey.
0:24:34 > 0:24:36- Oh, that Audrey.- Mm.
0:24:36 > 0:24:39So, is she an old girlfriend?
0:24:39 > 0:24:41Girlfriend is too strong a word, OK?
0:24:41 > 0:24:43We went out with each other for a couple of months
0:24:43 > 0:24:45around 10 years ago, that is all.
0:24:45 > 0:24:49Boy, that woman is angry.
0:24:49 > 0:24:52- I mean, what did you do to her? - I don't know!
0:24:52 > 0:24:56- You don't?- No, seriously. I have no idea.
0:24:56 > 0:24:59I mean, I can understand her being upset at losing me,
0:24:59 > 0:25:00she's only human.
0:25:00 > 0:25:02But this woman went crazy.
0:25:02 > 0:25:05She went around telling anyone who would listen that if she ever
0:25:05 > 0:25:08saw me again, she would cut off parts of me I'd rather keep.
0:25:08 > 0:25:10Well, if that was me,
0:25:10 > 0:25:13I'd want to know what I'd done to upset her.
0:25:13 > 0:25:15JP, whenever a woman is concerned,
0:25:15 > 0:25:19don't ever ask them why they're angry. It never ends well.
0:25:19 > 0:25:21Ah, perfect timing.
0:25:21 > 0:25:23So...
0:25:23 > 0:25:25..after I had no luck with the Marston accountants,
0:25:25 > 0:25:28I decided to run a check on all the currency exchanges on the island.
0:25:28 > 0:25:31- Smart thinking, Dwayne. - And I just received this.
0:25:32 > 0:25:35Three days before the death of Miss Smith, Stephen Marston
0:25:35 > 0:25:38took 20,000 out of the bureau de change in Port Louis
0:25:38 > 0:25:41- on the other side of the island. - 20,000, that's a lot of cash.
0:25:41 > 0:25:44- Drive over there, find out what you can.- Will do.
0:25:44 > 0:25:47- COMPUTER BEEPS - Oh, sir, the PM's in.
0:25:47 > 0:25:49Great, what does it say?
0:25:49 > 0:25:52"Massive blunt force trauma to the head and neck -
0:25:52 > 0:25:55"consistent with a fall from a considerable height."
0:25:56 > 0:25:58There's no mention of any other abrasions
0:25:58 > 0:26:01or cuts to the skin pre-mortem?
0:26:01 > 0:26:04No fibres or skin under her fingernails?
0:26:04 > 0:26:06- No defence wounds?- No, sir.
0:26:08 > 0:26:11So, nothing that suggests she was pushed, hey?
0:26:12 > 0:26:14Nothing that proves she wasn't.
0:26:17 > 0:26:19I don't know what you thought you were playing at.
0:26:19 > 0:26:21Pearl is a child, a sensitive child.
0:26:21 > 0:26:23She's just lost her stepmother for God's sake,
0:26:23 > 0:26:25- and there you are making all kinds of insinuations...- All I want,
0:26:25 > 0:26:28Mr Marston, is to make absolutely sure we know the full truth.
0:26:28 > 0:26:30Now, I believe Diane deserves nothing less.
0:26:30 > 0:26:33We know what happened. I was there. I saw it with my own two eyes.
0:26:33 > 0:26:35You knew Diane, I didn't.
0:26:35 > 0:26:37But from what little I do know,
0:26:37 > 0:26:40I struggle to believe that she would take her own life
0:26:40 > 0:26:42because of some rubbish written in a newspaper.
0:26:42 > 0:26:45Oh, it wasn't just the article, it was...
0:26:45 > 0:26:49- ..30 years of guilt and shame she'd been holding in...- Mr Marston,
0:26:49 > 0:26:52forgive me, now the last thing I want to do is add to your suffering.
0:26:52 > 0:26:55All Diane ever wanted was to bring this family together.
0:26:56 > 0:26:58I'm a very wealthy man.
0:26:58 > 0:27:00But she couldn't care less about the money.
0:27:00 > 0:27:03She loved me in spite of it, not because of it.
0:27:03 > 0:27:05And she was prepared to take it all on,
0:27:05 > 0:27:08- the name, the attention, my kids. - It can't have been easy for her.
0:27:08 > 0:27:11No, it wasn't, it was bloody awful, but she hung on in there.
0:27:11 > 0:27:14And they all came to love her in the end.
0:27:14 > 0:27:15Even Pearl.
0:27:15 > 0:27:18Although, I understand they were arguing
0:27:18 > 0:27:21over Pearl joining the company.
0:27:21 > 0:27:23You have children?
0:27:23 > 0:27:25- I have a daughter. - Then you'll know all too well
0:27:25 > 0:27:28the delicate balance between doing what they want and doing what's
0:27:28 > 0:27:31best for them in the long term, and Diane understood that, just as I do.
0:27:31 > 0:27:34- Of course.- Now, I know you think you have a job to do
0:27:34 > 0:27:37but this family has suffered enough.
0:27:37 > 0:27:40Diane took her own life, end of story.
0:27:40 > 0:27:44So you will drop this investigation right now.
0:27:48 > 0:27:50Glad we understand each other.
0:28:01 > 0:28:05- What was he doing here? - Erm... Nothing, no. Just...
0:28:05 > 0:28:08He just wanted to know how the investigation was going, yes.
0:28:08 > 0:28:10How did you get on with the lawyer?
0:28:10 > 0:28:13He'd been in the sun drinking cocktails since breakfast,
0:28:13 > 0:28:16so it wasn't hard to get him talking.
0:28:16 > 0:28:20I even persuaded him to print out a copy of this on the hotel computer.
0:28:20 > 0:28:22What's this? A prenuptial agreement.
0:28:22 > 0:28:25Apparently it caused a big family rift.
0:28:25 > 0:28:29Diane refused to sign it with Philip's blessing.
0:28:29 > 0:28:30So who did want her to sign it?
0:28:30 > 0:28:33Who had this drawn up in the first place?
0:28:33 > 0:28:36The managing director, Karen Marston.
0:28:43 > 0:28:45Afternoon, Miss Marston. Can we have a word?
0:28:45 > 0:28:47Not right now, I'm on a timer.
0:28:47 > 0:28:49Ah, it's police business, I'm afraid.
0:28:49 > 0:28:51You could always run besides me.
0:28:51 > 0:28:54You must be joking, we'd need a team of paramedics and an ambulance.
0:29:04 > 0:29:07So, they tell me that you're the real brains of the Marston clan.
0:29:07 > 0:29:10You've met my siblings, I'm the only brains.
0:29:10 > 0:29:11So it all rests on you.
0:29:11 > 0:29:14Quite a burden to have thrust upon you at the age of 22.
0:29:14 > 0:29:19I dragged Dad kicking and screaming into the 21st century.
0:29:19 > 0:29:22When I started, we were still serving fish finger and chips
0:29:22 > 0:29:23in the restaurants,
0:29:23 > 0:29:25now we have three Michelin stars across the group.
0:29:25 > 0:29:29- You must be very proud of what you've achieved.- I am.
0:29:29 > 0:29:32And Diane wasn't just your father's fiancee,
0:29:32 > 0:29:35- she was also your head of HR. - I hired her.
0:29:35 > 0:29:40- So you trusted her enough to take a key role in your business.- Yes.
0:29:40 > 0:29:42Yeah, but not enough to let your father marry her
0:29:42 > 0:29:43without signing a prenup.
0:29:46 > 0:29:48It wasn't personal.
0:29:48 > 0:29:52I have a duty to protect our company, to protect my father.
0:29:52 > 0:29:54Did he need protecting?
0:29:54 > 0:29:56He was leaving himself wide open. He was leaving us wide open.
0:29:56 > 0:30:00Yet he took her side. Now, that must've been hurtful.
0:30:00 > 0:30:02You've given your whole life to this company
0:30:02 > 0:30:05and he was prepared to risk everything for her -
0:30:05 > 0:30:06a woman you'd hired.
0:30:08 > 0:30:11I don't know what you're implying but I suggest you tread carefully.
0:30:11 > 0:30:14This conversation's on tape and we have excellent lawyers.
0:30:15 > 0:30:18I can't believe she threatened to sue you
0:30:18 > 0:30:22just because she didn't like your questions. What a family.
0:30:22 > 0:30:23Well, you know what they say.
0:30:23 > 0:30:25If you want to know what God thinks of money,
0:30:25 > 0:30:27look at who he gives it too.
0:30:27 > 0:30:31Dwayne, JP, how did you get on at Port Louis?
0:30:31 > 0:30:33Well, sir, we went to the bureau de change
0:30:33 > 0:30:36and the lady actually remembers serving Stephen Marston.
0:30:36 > 0:30:37When he got the 20,000,
0:30:37 > 0:30:40he got back into the taxi and drove off.
0:30:40 > 0:30:41Any idea where he went?
0:30:41 > 0:30:43We found the taxi driver he used.
0:30:43 > 0:30:45He took him to an address up in the hills,
0:30:45 > 0:30:47number 4 Rue du Plessis,
0:30:47 > 0:30:51- but no-one was in. - Who lives at 4 Rue du Plessis?
0:30:51 > 0:30:53Well, it's owned by a woman called Julie Francois
0:30:53 > 0:30:56but we checked the address and no-one was home.
0:30:57 > 0:31:01Well, whoever she is, why was Stephen delivering 20,000?
0:31:01 > 0:31:03Blackmail?
0:31:03 > 0:31:06Mmm. Or did she play some part in Diane's death?
0:31:06 > 0:31:09Either way, let's try her house again in the morning.
0:31:11 > 0:31:14So, this is Siobhan's last night on the island.
0:31:14 > 0:31:15Mm.
0:31:15 > 0:31:17I hope you're planning something special, you know?
0:31:17 > 0:31:21- Send her back to London with a Caribbean glow.- Oh, yeah.
0:31:21 > 0:31:23I thought I might make dinner at the shack.
0:31:23 > 0:31:25I've got this great recipe for melon curry.
0:31:27 > 0:31:29What?
0:31:29 > 0:31:33All due respect, I think you can do a bit better than that.
0:31:33 > 0:31:35Which part? The melon curry or...?
0:31:35 > 0:31:36- Both.- The whole thing.
0:31:38 > 0:31:40What do you suggest? I mean, Siobhan said she wanted
0:31:40 > 0:31:43to do something that captures the essence of the Caribbean.
0:31:52 > 0:31:55- Dwayne?- Dwayne.
0:31:56 > 0:31:58How can she still be angry after ten years?
0:31:59 > 0:32:01Who holds a grudge that long?
0:32:02 > 0:32:03What did I do?
0:32:03 > 0:32:06Well, if the thing is still bothering you,
0:32:06 > 0:32:08why don't you go and talk to her?
0:32:08 > 0:32:11Are you mad? You saw the way she was looking at me.
0:32:11 > 0:32:14If looks could kill, my photo would be up on that white board
0:32:14 > 0:32:16right now with the inspector circling her name.
0:32:16 > 0:32:18Then suit yourself. OK? As long as you're happy
0:32:18 > 0:32:21to go the rest of your life never knowing the truth.
0:32:26 > 0:32:27You're going to miss her.
0:32:29 > 0:32:30It's a funny old thing.
0:32:30 > 0:32:32I knew it was coming,
0:32:32 > 0:32:37just...don't think I admitted to myself it'd be so soon.
0:32:37 > 0:32:38I was the same with Camille.
0:32:40 > 0:32:43You spend all this time teaching them to be independent
0:32:43 > 0:32:45and then wonder why they want to leave.
0:32:48 > 0:32:54The fact is it's not us who cut the apron strings, it's them.
0:32:56 > 0:32:57You're right.
0:32:57 > 0:33:01Siobhan's been independent since she was about three years old.
0:33:01 > 0:33:03I'm the one who... Well,
0:33:03 > 0:33:06I've never lived on my own before, put it that way.
0:33:06 > 0:33:07Dad, it's your turn.
0:33:07 > 0:33:10- Oh, no, I don't think so. - Come on, Dad. Be brave.
0:33:10 > 0:33:12Limbo's not really my area.
0:33:21 > 0:33:24HE GROANS
0:33:24 > 0:33:25Dad?
0:33:25 > 0:33:26I think I've broken my spine.
0:33:26 > 0:33:28HE GROANS
0:33:38 > 0:33:39Oh, sir.
0:33:39 > 0:33:42How are you? Here, sit down.
0:33:42 > 0:33:46Oh, thanks, Florence, but it's actually less painful to stand.
0:33:46 > 0:33:49So, I've been searching through Diane's laptop.
0:33:49 > 0:33:51It's all work files.
0:33:51 > 0:33:55I just checked a CV for Oliver Fitzwarren, the hotel manager,
0:33:55 > 0:33:57and look...
0:33:57 > 0:34:01Before this job, he'd never worked in a hotel.
0:34:01 > 0:34:04Looks like he's a failed banker. So how did he get the gig?
0:34:04 > 0:34:07He and Stephen Marston were at school together.
0:34:07 > 0:34:08Jobs for the boys.
0:34:10 > 0:34:12HE GROANS
0:34:14 > 0:34:17Commissioner. Good morning.
0:34:17 > 0:34:19To what do we owe the...? HE GROANS
0:34:19 > 0:34:22- Are you quite all right? - Fine. Thank you.
0:34:22 > 0:34:25Yes. Just a slight limbo related injury.
0:34:25 > 0:34:27Speaking of low bars,
0:34:27 > 0:34:30would you mind explaining why I spent much of last night
0:34:30 > 0:34:34talking Philip Marston out of launching an official complaint?
0:34:34 > 0:34:35Come on. That's absurd.
0:34:35 > 0:34:36No.
0:34:36 > 0:34:39No, no, no, no.
0:34:39 > 0:34:41What is absurd is that
0:34:41 > 0:34:44even when Mr Marston asked you to step back
0:34:44 > 0:34:46you persisted in haranguing his children
0:34:46 > 0:34:48with these baseless theories.
0:34:48 > 0:34:52Haranguing? That's... No, that's completely unfair now.
0:34:52 > 0:34:55You've yet to show me a single piece of evidence
0:34:55 > 0:34:58which suggests Diane Smith didn't take her own life.
0:35:00 > 0:35:03We're working on it. We just need a bit more time.
0:35:03 > 0:35:07Unless you present me with something tangible by the end of the day
0:35:07 > 0:35:09I'm overruling you and closing this case down.
0:35:10 > 0:35:12Is that clear?
0:35:13 > 0:35:14Yes, sir.
0:35:20 > 0:35:22Florence...
0:35:22 > 0:35:24..please tell me you have something.
0:35:24 > 0:35:25I have something.
0:35:25 > 0:35:26Thanks, but that didn't help.
0:35:26 > 0:35:28No, I really have something.
0:35:30 > 0:35:33I found it in a folder marked "wedding admin".
0:35:33 > 0:35:37At first, I thought it was music cos it's a sound file, but listen.
0:35:39 > 0:35:41- RECORDING:- There's nothing to worry about.
0:35:41 > 0:35:43- I assure you the situation's in hand.- No, I'm not having this.
0:35:43 > 0:35:46We'll sort it out when I'm there, Saturday morning.
0:35:46 > 0:35:48- That's the day of your... - It'll only take ten minutes
0:35:48 > 0:35:51for you to sign the statement and don't even think about trying
0:35:51 > 0:35:53- to get out of it or I'll call the police.- I assure you...
0:35:53 > 0:35:57We can assume that's Diane Smith's voice, but who is she talking to?
0:35:57 > 0:36:00That's clearly Oliver, the manager of the hotel
0:36:00 > 0:36:02and Stephen's old school friend.
0:36:02 > 0:36:05PHONE RINGS "I assure you." It's practically a catchphrase.
0:36:05 > 0:36:08Although it's not very reassuring.
0:36:08 > 0:36:10- JP.- Morning, sir.
0:36:10 > 0:36:13Me and Dwayne are back at Julie Francois' house
0:36:13 > 0:36:17and it's still all locked up but we found a neighbour who knows her.
0:36:17 > 0:36:19She says that she lives here on her own.
0:36:19 > 0:36:23And - check this - she works at the Marston hotel as a maid.
0:36:23 > 0:36:26Why would Stephen be visiting a hotel maid with 20,000?
0:36:26 > 0:36:28It's a hell of a tip.
0:36:28 > 0:36:30Dwayne's got an ex-girlfriend there, Audrey Lefevre,
0:36:30 > 0:36:33and I bet she'll give us every information that we need to know
0:36:33 > 0:36:36about Miss Francois if we ask nicely.
0:36:36 > 0:36:38- Oh, you do, do you?- Mm.
0:36:38 > 0:36:43- That's perfect. You two see what you can get on Julie Francois.- Yes, sir.
0:36:45 > 0:36:48- RECORDING:- The situation's in hand. - No, I am not having this.
0:36:48 > 0:36:50We'll sort it out when I'm there, Saturday morning.
0:36:50 > 0:36:53That's the day of your...
0:36:53 > 0:36:56I assume this was to take place in the Christopher Columbus suite.
0:36:56 > 0:36:59Look, I assure you, there's nothing untoward here.
0:36:59 > 0:37:01It's just we...
0:37:01 > 0:37:04..we take the privacy of our guests very seriously.
0:37:04 > 0:37:06Oliver...
0:37:06 > 0:37:08..we've done a bit of background on you.
0:37:08 > 0:37:11Fired from your last job for insider trading.
0:37:11 > 0:37:14You only got this one because an old school chum pulled some strings.
0:37:14 > 0:37:16I'm an outstanding GM.
0:37:16 > 0:37:18This place is like a well oiled machine.
0:37:18 > 0:37:21You realise lying to a police officer is a criminal offence.
0:37:24 > 0:37:27All right, look, it wasn't about me. It was...
0:37:27 > 0:37:29..it was about Stephen.
0:37:29 > 0:37:31What was the statement she wanted you to sign?
0:37:31 > 0:37:34She was trying to bring formal charges against him.
0:37:34 > 0:37:37Her own fiance's son! I refused to sign.
0:37:37 > 0:37:39Unlike Diane, I'm loyal.
0:37:39 > 0:37:41What kind of charges?
0:37:41 > 0:37:42The last time Stephen was here,
0:37:42 > 0:37:46he had an encounter with one of our maids.
0:37:46 > 0:37:48It was just Stephen being Stephen.
0:37:48 > 0:37:51She blew it out of all proportion.
0:37:51 > 0:37:52Sexual harassment.
0:37:52 > 0:37:56This maid, was her name, by any chance, Julie Francois?
0:37:57 > 0:38:01Did Stephen Marston know that his future stepmother was about to
0:38:01 > 0:38:04bring a charge of sexual harassment against him?
0:38:04 > 0:38:05Of course he did.
0:38:10 > 0:38:13Well, I must say, you both look a bit overdressed for the seaside.
0:38:13 > 0:38:15You could at least loosen your tie.
0:38:15 > 0:38:19Oh, Monique, drinks for my guests here. Anything they want.
0:38:19 > 0:38:21Thanks, but we're not your guests.
0:38:21 > 0:38:26Right, of course. You're on duty. Too bad.
0:38:26 > 0:38:30Mm! Still, though, drop by any time, mention my name,
0:38:30 > 0:38:32you'll be looked after.
0:38:32 > 0:38:34You know what I was wondering?
0:38:34 > 0:38:36What exactly does a global brand ambassador do.
0:38:36 > 0:38:40Much as it sounds. They call it snagging in the trade.
0:38:40 > 0:38:42I make sure everything's up to scratch,
0:38:42 > 0:38:44from the cocktails to the curtains.
0:38:44 > 0:38:48You mean you get to help yourself to whatever you fancy - food, drinks...
0:38:48 > 0:38:50..staff?
0:38:50 > 0:38:52Like Julie Francois for example.
0:38:58 > 0:39:01All right, whatever you've heard, it wasn't how she said.
0:39:01 > 0:39:03- No?- No.
0:39:03 > 0:39:05You didn't try to force yourself on her?
0:39:05 > 0:39:08No, I... Look, I wasn't trying to frighten her.
0:39:08 > 0:39:10It was just a bit of fun. I was drunk. It was...
0:39:10 > 0:39:13Oh, well, that makes it fine.
0:39:13 > 0:39:16You were aware that Diane was trying to bring charges against you?
0:39:16 > 0:39:21Bless her. Diane was typical HR. Such a stickler for procedure.
0:39:21 > 0:39:23Had she told your father?
0:39:23 > 0:39:24No.
0:39:24 > 0:39:27He'd have taken it in his stride. He's a man of the world.
0:39:27 > 0:39:31Are you sure about that? Because it strikes me that assaulting maids
0:39:31 > 0:39:33is not exactly on-brand.
0:39:33 > 0:39:35If this had come out, you'd have lost your job.
0:39:35 > 0:39:38If you can call it a job. Let's say lifestyle.
0:39:38 > 0:39:42We know what you were willing to do to buy Julie's silence -
0:39:42 > 0:39:43pay 20,000.
0:39:47 > 0:39:49But how were you planning to silence Diane?
0:39:51 > 0:39:53No. No, I didn't.
0:39:54 > 0:39:58All right, we had our differences but I did not want her to die.
0:40:03 > 0:40:04Karen, the eldest daughter.
0:40:04 > 0:40:07Frustrated by Diane's refusal to sign a prenup,
0:40:07 > 0:40:09scared of losing half her company.
0:40:09 > 0:40:11But that would only happen if they divorced
0:40:11 > 0:40:13and there's nothing to suggest that was on the cards.
0:40:13 > 0:40:17Not to mention the 130 witnesses that can place her at the party.
0:40:17 > 0:40:18Stephen, the son.
0:40:18 > 0:40:20Desperate to contain a sexual assault charge.
0:40:20 > 0:40:22But he tried to buy Julie off.
0:40:25 > 0:40:27Pearl, the youngest daughter.
0:40:27 > 0:40:29Even I'd be hard pushed to suggest a fear of work experience
0:40:29 > 0:40:31as a motive for murder.
0:40:31 > 0:40:35Sir, even if we had a motive,
0:40:35 > 0:40:37we still come back to the same question.
0:40:37 > 0:40:41Diane was alone in her room with the door on the chain.
0:40:41 > 0:40:44She sent a final text message.
0:40:44 > 0:40:45Philip heard her call out and...
0:40:45 > 0:40:48An entire hotel worth of guests saw her land on the terrace.
0:40:48 > 0:40:49I know, I know, I know.
0:41:04 > 0:41:07Be good enough to call the Commissioner, would you, Florence?
0:41:07 > 0:41:09Tell him...
0:41:09 > 0:41:11..the Diane Smith case is closed.
0:41:15 > 0:41:17JACK GROANS
0:41:20 > 0:41:21Looks like I'll never have to
0:41:21 > 0:41:23buy another beer for the rest of my life.
0:41:27 > 0:41:30- Here. You shouldn't be doing that. - It's fine.
0:41:30 > 0:41:32I'm a big girl. I can carry my own suitcases.
0:41:34 > 0:41:36You won't forget to feed Harry?
0:41:36 > 0:41:38- Who's Harry? - I know you love him really.
0:41:38 > 0:41:40Let's just say we've come to an understanding.
0:41:40 > 0:41:44I mash up his mango and he doesn't sneak up on me in the shower,
0:41:44 > 0:41:45when I'm most vulnerable.
0:41:45 > 0:41:46Besides, the more I look at him,
0:41:46 > 0:41:48the more he remains me of your Auntie Bridget.
0:41:48 > 0:41:50Thick-skinned?
0:41:50 > 0:41:52No. Beady eyes and bandy legs.
0:41:52 > 0:41:54And the sneaking up on me in the shower.
0:42:01 > 0:42:02Going to miss you.
0:42:02 > 0:42:03I'll miss you too.
0:42:05 > 0:42:07Listen, you don't need to come with me to the airport.
0:42:07 > 0:42:10- No, I'd like to, of course.- Why?
0:42:10 > 0:42:13Either way, we've got to say goodbye.
0:42:13 > 0:42:16It's nicer to do it here than in some horrible departure lounge.
0:42:22 > 0:42:26- Text me as soon as you land. - I will.- Yeah. Don't forget now.
0:42:29 > 0:42:32- I love you, Dad. - Oh, shut up. Don't start me off.
0:42:40 > 0:42:41Love you too, kiddo.
0:42:48 > 0:42:50- ANSWERPHONE: - This is Jack and Siobhan.
0:42:50 > 0:42:52We're not here so please leave a message.
0:42:52 > 0:42:53BEEP
0:42:53 > 0:42:55This is Selwyn Patterson.
0:42:55 > 0:42:57I just spoke to DS Cassell
0:42:57 > 0:43:00and I gather you closed the Diane Smith case.
0:43:00 > 0:43:02I'm glad you saw sense in the end.
0:43:02 > 0:43:04JACK GROANS
0:43:23 > 0:43:26Oh. She's gone, my scaly friend.
0:43:26 > 0:43:28Skedaddled. Flown the coop.
0:43:29 > 0:43:30Oh, well.
0:43:34 > 0:43:36You're hungry?
0:43:36 > 0:43:38Well, that's not my problem now, is it?
0:43:40 > 0:43:41Fine. All right.
0:43:41 > 0:43:43But just a snack.
0:43:50 > 0:43:52It's like she was never here.
0:43:55 > 0:43:57She was never here.
0:43:57 > 0:44:00I was in my room, getting ready for the party.
0:44:00 > 0:44:01I barged the door open.
0:44:01 > 0:44:03I was in my room across the corridor.
0:44:03 > 0:44:04I was at the party.
0:44:12 > 0:44:13Where is it?
0:44:16 > 0:44:18Look, Florence!
0:44:18 > 0:44:20It's in the room list.
0:44:20 > 0:44:23Look at the numbers. HE LAUGHS
0:44:23 > 0:44:24Do you see it yet?
0:44:24 > 0:44:26I'm sorry, sir. See what?
0:44:26 > 0:44:28Who killed Diane Smith.
0:44:29 > 0:44:33Afternoon. DI Mooney would like you all to join him on the terrace.
0:44:33 > 0:44:35Oh, for God's sake. What is it now?
0:44:35 > 0:44:38There's some fresh information about the death of Miss Smith.
0:44:38 > 0:44:41- Well, I can't come, I've got a Pilates class.- No, no. Come on.
0:44:41 > 0:44:44Let's hear what he has to say for himself this time.
0:44:44 > 0:44:46You go if you want.
0:44:46 > 0:44:48I've had enough of that man and his ridiculous theories.
0:44:48 > 0:44:50I need to check on the refurb in Miami.
0:44:55 > 0:44:56Where is Karen?
0:44:56 > 0:44:59She was called away to a meeting at the last minute. Miami.
0:45:04 > 0:45:06Police! Stop!
0:45:17 > 0:45:19Stop!
0:45:19 > 0:45:22Let me...go!
0:45:22 > 0:45:23Ah!
0:45:24 > 0:45:25Agh!
0:45:30 > 0:45:32Ah, fair play to you, Florence.
0:45:34 > 0:45:36What the hell's going on? Selwyn, what is this?
0:45:36 > 0:45:39- Why is my daughter in handcuffs? - I was wondering about that.
0:45:39 > 0:45:41I apologise for the delay.
0:45:41 > 0:45:43I find it always holds things up
0:45:43 > 0:45:45when one of your suspects tries to do a runner.
0:45:45 > 0:45:47Suspect? I hope you're not implying that my daughter...
0:45:47 > 0:45:49I'm not implying anything, Mr Marston.
0:45:49 > 0:45:51I'm stating clearly and categorically
0:45:51 > 0:45:53and for the avoidance of doubt
0:45:53 > 0:45:56that Diane Smith's killer is sitting right here.
0:45:56 > 0:45:57Killer? What?
0:45:57 > 0:46:00We all know, the night she died, Diane was troubled
0:46:00 > 0:46:04after a nasty story appeared in the British press, dragging up her past.
0:46:07 > 0:46:10We can only imagine her state of mind as she was getting ready,
0:46:10 > 0:46:13sitting there, steeling herself to face everyone,
0:46:13 > 0:46:14painting her fingernails.
0:46:14 > 0:46:16She only managed to paint one nail,
0:46:16 > 0:46:18her left thumb,
0:46:18 > 0:46:20when there was a knock on the door.
0:46:22 > 0:46:23As she got up to answer it,
0:46:23 > 0:46:26she didn't even replace the lid on the bottle,
0:46:26 > 0:46:29thinking she'd be back any second to finish the job.
0:46:29 > 0:46:30But that wasn't to be
0:46:30 > 0:46:33because the person at the door had other plans -
0:46:33 > 0:46:34murder.
0:46:36 > 0:46:38So who was it?
0:46:38 > 0:46:40Who was it who knocked at the door?
0:46:44 > 0:46:45It was Pearl.
0:46:49 > 0:46:52Sweet, wide-eyed Pearl,
0:46:52 > 0:46:56who I assume not only hired a PI to dig up the dirt on Diane
0:46:56 > 0:46:59but then leaked the story to a carefully chosen tabloid.
0:47:02 > 0:47:04What are you talking about? Pearl's not capable...
0:47:04 > 0:47:06Selwyn, do something about this.
0:47:08 > 0:47:09Carry on, Inspector.
0:47:10 > 0:47:13I suppose you're going to tell us next
0:47:13 > 0:47:15it was Pearl who pushed her off the balcony.
0:47:15 > 0:47:17Well, close, but not quite.
0:47:17 > 0:47:19She WAS pushed, only it wasn't Pearl.
0:47:23 > 0:47:25It was you, wasn't it, Stephen?
0:47:25 > 0:47:27What? You're insane.
0:47:27 > 0:47:29That's ludicrous.
0:47:29 > 0:47:32Diane was alone in the room, the door was locked, I was there.
0:47:32 > 0:47:35Yes, you were, but the point is, you see, she wasn't.
0:47:35 > 0:47:39The killer was never in the room and neither was the victim.
0:47:39 > 0:47:41And you're saying that's me, that I'm the killer?
0:47:41 > 0:47:43Yeah, one of them, along with your accomplices.
0:47:46 > 0:47:47Well, your two sisters.
0:47:47 > 0:47:49I've got 130 witnesses
0:47:49 > 0:47:52who will confirm I was downstairs at the party.
0:47:52 > 0:47:55Well, of course you were, but that was all part of the plan,
0:47:55 > 0:47:57to distract everyone's attention away
0:47:57 > 0:47:59from what was happening above you.
0:47:59 > 0:48:03We're so pleased to welcome so many dear friends and family.
0:48:03 > 0:48:05Karen, tell him he's wrong.
0:48:08 > 0:48:11Now, look, I have no idea what Pearl said to Diane
0:48:11 > 0:48:13when she knocked on the door.
0:48:13 > 0:48:15She must have spun her a story
0:48:15 > 0:48:19about Stephen needing to see her urgently, a matter of life or death,
0:48:19 > 0:48:20which indeed it was.
0:48:20 > 0:48:22Stephen needs to see you, now.
0:48:26 > 0:48:31With Diana out of the room, Pearl set about her part of the plan.
0:48:31 > 0:48:34She chained the door behind her
0:48:34 > 0:48:37and then, using Diane's phone,
0:48:37 > 0:48:39sent a text message to her father.
0:48:43 > 0:48:45After years of wanting to be an actress,
0:48:45 > 0:48:47Pearl finally found the perfect role.
0:48:47 > 0:48:49Diane?
0:48:49 > 0:48:52It wasn't Diane who called out, "I can't, I'm sorry!"
0:48:52 > 0:48:54It was Pearl, imitating her voice.
0:48:54 > 0:48:55I can't, I'm sorry!
0:48:56 > 0:48:58You took a gamble that your father, in his panic,
0:48:58 > 0:49:00wouldn't spot the difference.
0:49:02 > 0:49:04See, it's all a matter of perception
0:49:04 > 0:49:06and that's why Philip didn't catch the killer red-handed
0:49:06 > 0:49:09when he smashed his way into the room only seconds later
0:49:09 > 0:49:13because the only person in the room at that moment was you.
0:49:13 > 0:49:15- You were in the bathroom...- Diane?
0:49:15 > 0:49:18..when you heard the commotion, but not your own.
0:49:18 > 0:49:20You were in Diane's bathroom,
0:49:20 > 0:49:23simply hiding until Philip had gone out onto the balcony.
0:49:23 > 0:49:25Daddy?
0:49:26 > 0:49:29This doesn't make any sense. If...if...
0:49:29 > 0:49:32..if Diane wasn't even in the room then how exactly did she die?
0:49:32 > 0:49:35It's a good question, Mr Marston...
0:49:36 > 0:49:38..which I'm coming to right now.
0:49:39 > 0:49:41As best man,
0:49:41 > 0:49:43Stephen was tasked with the allocation of the rooms.
0:49:43 > 0:49:48Now, the room you shared with Diane was room 317 on the third floor.
0:49:48 > 0:49:51But Stephen's room was 417,
0:49:51 > 0:49:54directly above you on the fourth floor.
0:49:54 > 0:49:57Knowing that Pearl would send Diane up to see him,
0:49:57 > 0:49:58Stephen waited for her to arrive.
0:49:58 > 0:50:02- Diane.- I can't stay...
0:50:02 > 0:50:04Then I imagine all you had to do was
0:50:04 > 0:50:06provoke her into some sort of an argument...
0:50:06 > 0:50:08..say, about Julie Francois,
0:50:08 > 0:50:12and then somehow cajole her out onto the balcony,
0:50:12 > 0:50:15until you heard the signal from the room below - four little words.
0:50:15 > 0:50:17- PEARL:- I can't, I'm sorry!
0:50:21 > 0:50:23And with everyone watching Karen make her speech,
0:50:23 > 0:50:25no-one saw it happen.
0:50:25 > 0:50:27THUD
0:50:35 > 0:50:37It was Pearl's idea.
0:50:37 > 0:50:40- Karen, tell them it was... - Shut up! Shut up!
0:50:40 > 0:50:43You knew the autopsy wouldn't be able to tell us
0:50:43 > 0:50:46whether Diane fell from the third floor or the fourth
0:50:46 > 0:50:49as long as you sold the illusion that Diane was in her room
0:50:49 > 0:50:52and that everyone else only arrived after your dad had broken in.
0:50:52 > 0:50:54Dad! Dad!
0:50:54 > 0:50:57Who would believe that any of you could have been behind the murder,
0:50:57 > 0:50:59let alone all three of you.
0:51:01 > 0:51:02None of you are denying it.
0:51:04 > 0:51:07Tell him it's a lie. Tell him!
0:51:10 > 0:51:11Why?
0:51:14 > 0:51:15We didn't want her.
0:51:22 > 0:51:23A friend of mine said recently
0:51:23 > 0:51:26it's not the parents who cut the apron strings.
0:51:26 > 0:51:28She was right.
0:51:31 > 0:51:34There comes a moment when most children, they feel the need
0:51:34 > 0:51:36to find their own lives.
0:51:38 > 0:51:40None of you three ever did.
0:51:40 > 0:51:44Now, why would you, when you had everything you ever wanted on tap?
0:51:44 > 0:51:46And when you spend your life in a series of hotels
0:51:46 > 0:51:49with your name on it, the Marston family name,
0:51:49 > 0:51:52there's one word that you never hear,
0:51:52 > 0:51:54until Diane Smith came into your lives.
0:51:54 > 0:51:56For the first time you heard the word "no".
0:51:59 > 0:52:02Each of you had a reason to feel threatened by Diane.
0:52:02 > 0:52:04She wasn't going to forget about a sexual assault charge
0:52:04 > 0:52:06or let you sidestep getting a job
0:52:06 > 0:52:09or let you pressure her into signing a prenup.
0:52:09 > 0:52:12Diane wasn't going to be bought or bullied.
0:52:13 > 0:52:16So you reacted the way all spoilt children do.
0:52:16 > 0:52:19Except it wasn't just your toys you threw out of the pram.
0:52:22 > 0:52:23Take them away.
0:52:48 > 0:52:50I'll catch up with you.
0:52:53 > 0:52:55- So you arrested them.- Yes.
0:52:55 > 0:52:58Audrey, whatever he was in the past,
0:52:58 > 0:53:01the Dwayne Myers I know now is a good man.
0:53:01 > 0:53:05OK, what's he done so bad that you can't forgive him?
0:53:14 > 0:53:18While you were dating her you also had a fling with her sister?
0:53:18 > 0:53:19Dorothy is Audrey's sister?
0:53:19 > 0:53:21And her auntie!
0:53:21 > 0:53:23Wait, wait. Alice is her auntie?
0:53:23 > 0:53:25Oh, Lord.
0:53:25 > 0:53:27No wonder the woman never forgave you, Dwayne,
0:53:27 > 0:53:29if you were working your way through her whole family.
0:53:29 > 0:53:31Hey, hold on a minute. That's a bit harsh.
0:53:31 > 0:53:33Harsh? You know how she found out?
0:53:33 > 0:53:36- How?- Because you gave them all identical bracelets.
0:53:36 > 0:53:40Well, Turtle Pete had a good deal going on - buy one, get two free.
0:53:43 > 0:53:46And she didn't say anything about her cousin Valerie in Sandy Bay?
0:53:47 > 0:53:49You.
0:53:49 > 0:53:51What?
0:53:54 > 0:53:55Are you going to be OK?
0:53:55 > 0:53:56Oh, I think so, sir.
0:53:58 > 0:54:01I should probably scold you for endangering yourself and a suspect.
0:54:01 > 0:54:04I should probably apologise for doubting you.
0:54:04 > 0:54:07Oh, well. What do you say we call it quits?
0:54:07 > 0:54:09Excellent work, Detective Inspector.
0:54:11 > 0:54:14I believe you just raised the bar.
0:54:15 > 0:54:16Thank you, sir.
0:54:18 > 0:54:19I have to ask.
0:54:20 > 0:54:25- How did you...?- Oh, well, she just painted one thumbnail, you see,
0:54:25 > 0:54:29and she'd left the lid off the pot, which, of course, makes it gloopy.
0:54:36 > 0:54:38DWAYNE LAUGHS
0:54:39 > 0:54:44Ah, well, nice work, chief.
0:54:44 > 0:54:46I never doubted you.
0:54:46 > 0:54:48I appreciate that, Dwayne.
0:54:48 > 0:54:50Looks like you'll be buying the beers from now on.
0:54:50 > 0:54:52Wait, no. That's not what we agreed.
0:54:55 > 0:54:56Chief!
0:54:57 > 0:54:59I'm parched.
0:55:04 > 0:55:05KNOCKING
0:55:09 > 0:55:10Dwayne.
0:55:11 > 0:55:13A bet's a bet.
0:55:13 > 0:55:14Good man, yourself. Come in.
0:55:20 > 0:55:21KNOCKING
0:55:25 > 0:55:29So, we were just passing and we thought you might be hungry.
0:55:29 > 0:55:31Well, that's very thoughtful of you.
0:55:32 > 0:55:35I'm never going to be able to manage all that on my own.
0:55:35 > 0:55:38- Don't worry about that, sir.- OK.
0:55:43 > 0:55:45KNOCKING
0:55:49 > 0:55:52I thought cos it's your first night without Siobhan,
0:55:52 > 0:55:56I would keep you company with a bowl of... What else?
0:55:56 > 0:55:57No, it's not!
0:55:59 > 0:56:02Wow. That's amazing, Catherine. Come in. Come in.
0:56:11 > 0:56:12Hm.
0:56:16 > 0:56:17When did that happen?
0:56:20 > 0:56:22LAUGHTER
0:56:22 > 0:56:25OK, drinks all round.
0:56:25 > 0:56:26One more for Audrey.
0:56:26 > 0:56:29Hey, that's not funny.
0:56:29 > 0:56:32Melon curry. Who'd have thought?
0:56:32 > 0:56:33Nice.
0:56:36 > 0:56:37Mm!
0:56:37 > 0:56:39- It's amazing.- Oh, really?
0:56:39 > 0:56:41- Oh!- Let's try this.
0:56:44 > 0:56:47You all ready, ladies and gents? Your table awaits.
0:56:47 > 0:56:48An American poker player
0:56:48 > 0:56:50just dropped dead in the middle of a game.
0:56:50 > 0:56:52With Florence out of action, I might need you to step up.
0:56:52 > 0:56:54- I've just had a promotion. - Temporary.
0:56:54 > 0:56:56- As Detective.- Acting detective.
0:56:56 > 0:56:58- And this tournament, it's a big deal?- You better believe it.
0:56:58 > 0:57:00The winner goes home with 3 million.
0:57:00 > 0:57:01The paramedics suspect poisoning.
0:57:01 > 0:57:03The four of us, five if you count the dealer,
0:57:03 > 0:57:06were alone at that table for an hour and a half.
0:57:06 > 0:57:09- Why would I want to kill Bobby Rodrigues?- Besides the 3 million?