0:00:02 > 0:00:03# Saint Marie
0:00:03 > 0:00:06# It's the land of peace
0:00:06 > 0:00:07# Saint Marie
0:00:09 > 0:00:12# Yes, island of liberty
0:00:12 > 0:00:14# Saint Marie
0:00:15 > 0:00:18# For you ever are my destiny. #
0:00:20 > 0:00:23SONG ENDS, CHEERING
0:00:23 > 0:00:26- Jah, Rastafari!- Bonfire!
0:00:26 > 0:00:28Blessed love! Blessed love to ya all.
0:00:28 > 0:00:32We have been Leon And The Ragers.
0:00:32 > 0:00:36Boy! They're even better than the first time around.
0:00:36 > 0:00:39I know it's like when Pink Floyd reunited in '05.
0:00:39 > 0:00:41That performance, I'm telling you,
0:00:41 > 0:00:44eclipsed every memory I had of them playing live.
0:00:44 > 0:00:46Well, that's not exactly the same, you know, Chief.
0:00:46 > 0:00:50This is real, proper music, reggae music. ..Bonfire!
0:00:50 > 0:00:52Let's not leave it so long next time, hey?
0:00:52 > 0:00:54MOBILE RINGS
0:00:57 > 0:00:59It's the commissioner.
0:00:59 > 0:01:02Commissioner, what can I do for you?
0:01:02 > 0:01:04We were on fire. Eh, Billy?
0:01:04 > 0:01:06Yeah, if you say so, Delmar.
0:01:06 > 0:01:09- What!- Come, come, come, man, we've got to do this!
0:01:09 > 0:01:11- Come on! Come on! - All right, all right.
0:01:11 > 0:01:14All for one, and one for all!
0:01:14 > 0:01:18All right, look, I'm going to grab a shower
0:01:18 > 0:01:21and then I'm hitting that bar. Who's in? Leon?
0:01:21 > 0:01:25Well, we have a radio interview, but when we're done, see me there!
0:01:25 > 0:01:28- Maya? You ready to party? - A quick one for me. No more.
0:01:28 > 0:01:30We'll see about that!
0:01:30 > 0:01:31Billy?
0:01:32 > 0:01:35REGGAE MUSIC BLARES
0:01:43 > 0:01:47- Daddy, that was wicked, man! Serious!- It was all right.
0:01:47 > 0:01:49It was more than all right. Trust me, Daddy.
0:01:49 > 0:01:51You sure everything's OK?
0:01:51 > 0:01:53Yeah, it just took it out of me that's all.
0:01:53 > 0:01:55But everything's going to be fine.
0:01:55 > 0:01:58You catch your breath. I'll grab us a drink from the bar.
0:01:58 > 0:02:00HE SINGS: Saint Marie
0:02:03 > 0:02:05My apologies for dragging you away.
0:02:05 > 0:02:07Not at all, it's not really my scene.
0:02:07 > 0:02:11So, you said it's the guitarist we're meeting, Billy Springer?
0:02:11 > 0:02:14I've been at a council meeting all afternoon. Had my phone off.
0:02:14 > 0:02:17When I came out, there was a message from Mr Springer,
0:02:17 > 0:02:19claiming he'd discovered new evidence on an old case.
0:02:19 > 0:02:22What old case would that be?
0:02:22 > 0:02:23His wife's murder.
0:02:23 > 0:02:26- HE KNOCKS - Dad! Open up! Please?
0:02:26 > 0:02:29- Everything all right? - It's Billy and he's not answering.
0:02:29 > 0:02:32- MAYA:- And the door's locked. - Here, let me try.
0:02:33 > 0:02:34HE RATTLES DOOR
0:02:34 > 0:02:36It's locked all right!
0:02:38 > 0:02:39The key's in the lock.
0:02:41 > 0:02:43OK, please, stand back.
0:02:43 > 0:02:45Hate doing this!
0:02:45 > 0:02:47CRASHING
0:02:47 > 0:02:48Dad!
0:02:53 > 0:02:55I'm sorry.
0:03:36 > 0:03:40Sir. Dwayne and JP have gone to pick up the crime-scene kit.
0:03:40 > 0:03:41Great stuff.
0:03:41 > 0:03:43Afternoon, Commissioner.
0:03:43 > 0:03:44DS Cassell.
0:03:44 > 0:03:45He shot himself?
0:03:45 > 0:03:47It appears to be the case.
0:03:47 > 0:03:49The room was locked from the inside.
0:03:49 > 0:03:52Had to bash the door down myself, actually.
0:03:52 > 0:03:53Yeah.
0:03:53 > 0:03:55So, it all points to suicide.
0:03:55 > 0:03:57Hmm. Except?
0:03:57 > 0:04:00Except, shortly before Billy went on stage,
0:04:00 > 0:04:03he called the commissioner and left a message.
0:04:03 > 0:04:05KEYPAD TONE
0:04:05 > 0:04:08- BILLY ON MESSAGE:- Selwyn, it's Billy, Billy Springer.
0:04:08 > 0:04:10Get back to me as soon as you get this.
0:04:10 > 0:04:13It's Jasmine, I know who killed her.
0:04:13 > 0:04:17I found a note. Selwyn, just get back to me, will ya?
0:04:17 > 0:04:19So, who's Jasmine?
0:04:19 > 0:04:21Billy's wife.
0:04:21 > 0:04:23She was murdered 30 years ago.
0:04:23 > 0:04:25We never caught the person that did it.
0:04:25 > 0:04:27But if he'd arranged to meet the commissioner
0:04:27 > 0:04:30to talk about his wife's murder. Why would he kill himself?
0:04:30 > 0:04:32It's exactly the question we've been asking.
0:04:32 > 0:04:35- And the only answer we've come up with is...- He wouldn't.
0:04:35 > 0:04:37- So, it was murder? - Staged to look like suicide.
0:04:37 > 0:04:40And we can only assume that whoever killed Jasmine
0:04:40 > 0:04:42has now also killed Billy.
0:04:42 > 0:04:45Because he'd found the evidence of the original murder?
0:04:45 > 0:04:49But I thought you said the door was locked on the inside.
0:04:49 > 0:04:52It was. And there are no other doors or windows,
0:04:52 > 0:04:55- so that's the only way in or out. - So, how did the killer do it?
0:04:55 > 0:04:57Well, there's the rub, Florence, we've no idea.
0:04:59 > 0:05:01What's that doing there?
0:05:05 > 0:05:08A fork, lying on the floor.
0:05:08 > 0:05:11An old one at that. It's all worn and starting to rust.
0:05:13 > 0:05:16I'll go and talk to Security on the stage door.
0:05:16 > 0:05:17Good idea, Commissioner.
0:05:17 > 0:05:20To get to the dressing room, you've got to go past him,
0:05:20 > 0:05:23so he might well have seen something.
0:05:23 > 0:05:25Florence, could you update Dwayne and JP?
0:05:25 > 0:05:27They need to search this dressing room from top to bottom,
0:05:27 > 0:05:30see if there's any sign of that note poor Billy was talking about.
0:05:30 > 0:05:32If the killer hasn't already taken it.
0:05:36 > 0:05:39- So, what did he say? - The only people who came and went
0:05:39 > 0:05:41to the dressing rooms after the concert
0:05:41 > 0:05:44were the band themselves and Kai.
0:05:44 > 0:05:46That means one of these four has to be Billy's killer?
0:05:46 > 0:05:50Except, if this is connected to Jasmine's murder
0:05:50 > 0:05:53all those years ago, Kai was just a baby, then.
0:05:53 > 0:05:56The one thing we can be sure of, he didn't kill his mother.
0:05:58 > 0:05:59Well, we need to speak to them.
0:06:01 > 0:06:04Now, I wonder if you could start by telling us how was he,
0:06:04 > 0:06:05Billy, over the last few days?
0:06:06 > 0:06:09We've been rehearsing for a couple of weeks
0:06:09 > 0:06:12and he seemed to be enjoying himself, wouldn't you say?
0:06:12 > 0:06:13That's not quite true.
0:06:14 > 0:06:18This morning, I went to Dad's and something had changed in him.
0:06:19 > 0:06:22- In what way?- He was distracted.
0:06:23 > 0:06:26Not himself, like something was bothering him.
0:06:26 > 0:06:28He spent the morning fixing the pickguard on his guitar.
0:06:28 > 0:06:31He said he had nerves about playing again, but...
0:06:31 > 0:06:33And you're not sure that's what it was?
0:06:33 > 0:06:36And were you aware of your father owning a gun?
0:06:38 > 0:06:40Did any of you know about it?
0:06:44 > 0:06:47So, after finishing the performance this afternoon,
0:06:47 > 0:06:50which, by the way, was excellent,
0:06:50 > 0:06:53could you just talk me through exactly what happened?
0:06:53 > 0:06:55Well, we played the encore
0:06:55 > 0:06:57and then we come off the stage,
0:06:57 > 0:07:00and then we headed back to the dressing room.
0:07:00 > 0:07:04I jumped in the shower. Got changed. And when I knocked on Billy's door
0:07:04 > 0:07:07to go to the after-show party, there was no answer.
0:07:07 > 0:07:09Then, Delmar, him knock on our doors
0:07:09 > 0:07:12so that we could see that Billy wasn't there.
0:07:12 > 0:07:14- What?- You seen Billy?
0:07:16 > 0:07:18And, Kai, where were you during this?
0:07:18 > 0:07:20I was out here getting us a drink and...
0:07:20 > 0:07:23- Everything all right?- You seen Billy?- I was just with him.
0:07:23 > 0:07:26And between seeing him alive and finding him dead,
0:07:26 > 0:07:28none of you heard a gunshot?
0:07:28 > 0:07:31I've always got music playing after a gig.
0:07:31 > 0:07:33Mind you, it was pretty loud, so...
0:07:33 > 0:07:36Tell me about it. That's all I could hear blasting away.
0:07:38 > 0:07:40Hmmm.
0:07:40 > 0:07:42And, tell me, did Billy mention Jasmine at all
0:07:42 > 0:07:46- at any point over the last few days?- Not that I remember.
0:07:46 > 0:07:51I know Mum was playing on his mind since the band started rehearsing.
0:07:51 > 0:07:53I knew it'd brought some memories back up.
0:07:59 > 0:08:03Billy called me this afternoon and left a message.
0:08:03 > 0:08:05He said he'd discovered a new piece of evidence
0:08:05 > 0:08:07that pointed to Jasmine's murderer
0:08:07 > 0:08:10and we believe it to be one of the members of this band.
0:08:10 > 0:08:12THEY SCOFF
0:08:12 > 0:08:14Wait, this is a joke, right?
0:08:14 > 0:08:16No, no joke.
0:08:16 > 0:08:18I'm sure you'll all agree, it's strange.
0:08:18 > 0:08:21Billy chose to take his own life just a couple of hours
0:08:21 > 0:08:23after making that call.
0:08:23 > 0:08:27He wouldn't. Not when he found out something about who killed Mum.
0:08:27 > 0:08:31You really think that Billy was murdered?
0:08:32 > 0:08:35And you think it was one of us three who did it?
0:08:35 > 0:08:39This moment in time, it's hard to draw any other conclusion.
0:08:42 > 0:08:44Ooh, er, just one last thing before we go.
0:08:45 > 0:08:49There was a rusty old fork in Mr Springer's dressing room.
0:08:49 > 0:08:51Any idea what it was doing there?
0:08:51 > 0:08:53It was Dad's.
0:08:53 > 0:08:55He lost the guitar capo once before...
0:08:55 > 0:08:58Sorry? "Guitar capo"?
0:08:58 > 0:09:01It's a device where you clamp on the strings to shorten the length.
0:09:01 > 0:09:04So, it can make a different key.
0:09:05 > 0:09:09And your father used a...a fork instead?
0:09:09 > 0:09:12Yes, and an elastic band to put it all in place.
0:09:12 > 0:09:16I mean, you could use a pen, pencil, cigarette lighter.
0:09:16 > 0:09:19But all Dad could find before the gig was a fork.
0:09:19 > 0:09:23Us musicians, we love to improvise, Inspector.
0:09:23 > 0:09:25Hmm, so what was it was doing on the floor?
0:09:25 > 0:09:28- Had he been using it today? - Sorry, Inspector,
0:09:28 > 0:09:30but does this have anything to do with Billy's murder?
0:09:30 > 0:09:32No, Ms Oprey.
0:09:32 > 0:09:34It certainly does not.
0:09:37 > 0:09:39Sir, were you involved
0:09:39 > 0:09:42in the original Jasmine Springer investigation?
0:09:42 > 0:09:47- It was my first serious case as a detective.- I see.
0:09:47 > 0:09:51And do you think you could bring us up to speed, at some point?
0:09:51 > 0:09:53If you've got time, of course.
0:09:53 > 0:09:54First thing tomorrow.
0:09:56 > 0:09:59They sit heavily, don't they, over the years?
0:09:59 > 0:10:01The ones that don't get solved.
0:10:04 > 0:10:05I'll see you tomorrow.
0:10:08 > 0:10:12Sir, we've searched the suspects and the dressing rooms
0:10:12 > 0:10:14and no sign of the note Billy Springer talked about.
0:10:14 > 0:10:17Really? So, where is it?
0:10:17 > 0:10:18The killer must've got rid of it.
0:10:18 > 0:10:21If it was paper, it wouldn't be hard to destroy it.
0:10:21 > 0:10:24So, the one piece of evidence we have that could finally solve
0:10:24 > 0:10:27a 30-year-old murder case no longer exists.
0:10:27 > 0:10:29HE SIGHS
0:10:31 > 0:10:33One of them murdered Jasmine Springer.
0:10:33 > 0:10:36And then, 30 years later, killed her husband, Billy.
0:10:36 > 0:10:37We just need to work out who.
0:10:39 > 0:10:43And how... Just how did they manage to make it look like,
0:10:43 > 0:10:45in every discernible way,
0:10:45 > 0:10:47Billy locked himself in his dressing room and then shot himself?
0:10:52 > 0:10:53Florence...!
0:10:53 > 0:10:57There appears to be a little old man asleep on our bench.
0:10:57 > 0:11:00Mm-hm. I can see that, sir. Should we wake him?
0:11:00 > 0:11:02Yeah, maybe give him a quick prod.
0:11:04 > 0:11:06Excuse me, sir.
0:11:06 > 0:11:08HE MURMURS
0:11:08 > 0:11:10HE SIGHS
0:11:12 > 0:11:15- What you doing here? - Oh, you're Nelson?
0:11:15 > 0:11:17- You're his dad.- Don't believe we've had the pleasure.
0:11:17 > 0:11:20DI Jack Mooney. It's a pleasure to make your acquaintance.
0:11:20 > 0:11:21This is DS Florence Cassell.
0:11:21 > 0:11:23Enchante.
0:11:25 > 0:11:27What do you want?
0:11:28 > 0:11:31Is that any way for a son to speak to his father, I ask you?
0:11:31 > 0:11:34We should probably go inside, crack on.
0:11:37 > 0:11:40So, you don't want to listen to my story?
0:11:40 > 0:11:42I come all the way here to talk to you...
0:11:42 > 0:11:44I thought Dwayne said his dad had gone?
0:11:44 > 0:11:46Dwayne told him to go, but his father said
0:11:46 > 0:11:48he won't disappear until they make peace.
0:11:51 > 0:11:55Oh, and, JP, could you get the gun and dressing room key to the lab
0:11:55 > 0:11:57- and have it checked for prints? - I will do, sir.
0:11:57 > 0:12:00Yeah, and, Florence, in the morning, would you see about digging out
0:12:00 > 0:12:04the original Jasmine Springer case file from the archives?
0:12:04 > 0:12:07Oh, look at the time! We can pick this up again in the morning.
0:12:07 > 0:12:09Yeah, I could do with nipping down to the harbour market
0:12:09 > 0:12:11before it closes.
0:12:11 > 0:12:13Bye. See you later.
0:12:18 > 0:12:20So, do you want to talk about it?
0:12:20 > 0:12:22No, there's nothing to talk about.
0:12:22 > 0:12:24In a day or so, he's going to disappear off again
0:12:24 > 0:12:26like he always does. And in about a week,
0:12:26 > 0:12:29it'll be like he was never even here.
0:12:29 > 0:12:30But, in the meantime,
0:12:30 > 0:12:33we've got a very important investigation to solve.
0:12:33 > 0:12:37So, I'm going to need you focused and on your case, OK?
0:12:37 > 0:12:39Yes, Dwayne.
0:12:39 > 0:12:40Good.
0:12:41 > 0:12:43I'll see you in the morning.
0:12:52 > 0:12:54If it's Ragers stuff you're after,
0:12:54 > 0:12:57you'd better go in with their first two albums.
0:12:57 > 0:13:01- Nelson!- You know, their earlier material was the real deal.
0:13:01 > 0:13:04Proper roots reggae, you know? Had something to say, you know?
0:13:04 > 0:13:07Yeah, well, I just want to get a flavour, that's all.
0:13:07 > 0:13:10My boat's over there. I've got some beers chilling in the fridge.
0:13:10 > 0:13:14We could shoot the breeze, you could tell me how Dwayne's been doing?
0:13:14 > 0:13:16Oh, well... I'd love that, Nelson,
0:13:16 > 0:13:19but I've got to get some work done on the case.
0:13:21 > 0:13:23But my shack is just around the bay.
0:13:23 > 0:13:26So, if you're passing and fancy a cuppa, feel free to pop in.
0:13:26 > 0:13:29- Might take you up that.- Night, then.
0:13:38 > 0:13:41KETTLE WHISTLES
0:13:41 > 0:13:43KETTLE QUIETENS
0:13:43 > 0:13:45What in the name of...?
0:13:45 > 0:13:47Morning, Jack-boy.
0:13:47 > 0:13:49Cup of tea do you?
0:13:49 > 0:13:52- Nelson? What...? - So, I woke up this morning.
0:13:52 > 0:13:54Realised I was out of milk.
0:13:54 > 0:13:56Then I remembered your kind offer.
0:13:56 > 0:13:58And here you are...?!
0:13:58 > 0:14:01Quite a spot you've got yourself here.
0:14:03 > 0:14:06I think it'll suit me down to the ground.
0:14:06 > 0:14:08Sorry? Suit you down to the...?
0:14:12 > 0:14:13Oh.
0:14:20 > 0:14:23- Morning, everyone. - Ah, what a beautiful day, Chief.
0:14:23 > 0:14:25Ah, yes, Dwayne, isn't it just...?
0:14:25 > 0:14:29Ah, everything all right, Chief?
0:14:29 > 0:14:31Yeah, yeah, everything's grand.
0:14:31 > 0:14:32Couldn't be better.
0:14:32 > 0:14:36- Ooh, good, it's the commissioner. Morning, sir.- Inspector.
0:14:36 > 0:14:39You're just in time. We're about to make a start going over everything.
0:14:39 > 0:14:42Florence, did you manage to dig out the Jasmine Springer file?
0:14:42 > 0:14:44Yes, sir. It's over there.
0:14:44 > 0:14:47Perhaps you'd like to reacquaint yourself with everything, sir?
0:14:48 > 0:14:53Good. Now, the shooting of Billy Springer.
0:14:54 > 0:14:59Now, we believe that Billy's killer is one of our three band-mates.
0:14:59 > 0:15:01Delmar Brown,
0:15:01 > 0:15:02Maya Oprey
0:15:02 > 0:15:04and Leon Laroche.
0:15:04 > 0:15:07Whoever it was, we already know their motive for killing him.
0:15:07 > 0:15:09DWAYNE MURMURS Yes, Dwayne?
0:15:09 > 0:15:10To stop him from revealing
0:15:10 > 0:15:13- that they murdered Jasmine Springer 30 years ago.- Correct.
0:15:13 > 0:15:17Now, if we're to work out who killed Billy Springer in the present,
0:15:17 > 0:15:19we need to open up a cold case from 30 years ago...
0:15:20 > 0:15:24..and work out who killed Jasmine Springer in the past.
0:15:24 > 0:15:28Commissioner, perhaps you'd like to fill us in on the original case?
0:15:37 > 0:15:40On the 3rd of June, 1988,
0:15:40 > 0:15:42officers were called to Sirens' Point
0:15:42 > 0:15:44at the north end of the island.
0:15:44 > 0:15:48Jasmine Springer's body had been discovered by a dog walker.
0:15:48 > 0:15:52Having recently been promoted to Detective Constable,
0:15:52 > 0:15:53I attended the scene.
0:15:53 > 0:15:56The postmortem confirmed that she'd been strangled
0:15:56 > 0:15:57with her own neck-scarf.
0:15:57 > 0:16:00There'd been a spate of violent muggings at the time
0:16:00 > 0:16:02and as her jewellery had been taken
0:16:02 > 0:16:05and her handbag emptied of any valuables,
0:16:05 > 0:16:10we assumed her death to be at the hands of our unidentified mugger.
0:16:10 > 0:16:15And whoever killed her dumped her body at Sirens' Point.
0:16:15 > 0:16:18In light of yesterday's murder,
0:16:18 > 0:16:20it does now appear
0:16:20 > 0:16:23that we may have got the original investigation somewhat, um...
0:16:25 > 0:16:26..wrong.
0:16:29 > 0:16:31So, three suspects.
0:16:31 > 0:16:34Who did it? Was it Delmar Brown?
0:16:34 > 0:16:37Er, Mr Brown is 53 years old. He's the band's drummer.
0:16:37 > 0:16:41He currently works as a general manager over at Johnson's Bar,
0:16:41 > 0:16:42just outside of town.
0:16:42 > 0:16:46And that place attracts a very questionable clientele.
0:16:46 > 0:16:48Er, yes, that's right, sir.
0:16:48 > 0:16:52And Delmar's got a few charges on file. But nothing too major.
0:16:52 > 0:16:55Right, who's next? This fella, Leon Laroche.
0:16:55 > 0:17:00OK, The Ragers' front man, somewhat of a local celebrity.
0:17:00 > 0:17:04He earns a living now singing at hotels and on cruise ships.
0:17:04 > 0:17:08Firmly bitten by the showbiz bug, eh? And what about Maya Oprey?
0:17:08 > 0:17:11Er, 49 years old, she runs her own business.
0:17:11 > 0:17:14A real estate company. From what I can tell, she's the only one
0:17:14 > 0:17:17whose made a success of her life after the band split.
0:17:17 > 0:17:18Mm-hm, fair play to her.
0:17:20 > 0:17:22Our victim.
0:17:22 > 0:17:24Billy Springer.
0:17:24 > 0:17:26Dwayne, you're the biggest Ragers fan here, possibly anywhere.
0:17:26 > 0:17:29Well, he's the lead guitarist and the song-writing talent of the band.
0:17:29 > 0:17:31It took a few years for them to get their sound,
0:17:31 > 0:17:35but by their early 20s, they were a big thing on the island.
0:17:35 > 0:17:36And what about the split?
0:17:36 > 0:17:38Happened shortly after Jasmine's murder, yeah?
0:17:38 > 0:17:41Right! But things had been shaky in the band well before that.
0:17:41 > 0:17:44- Oh?- You see, in the summer of 1988,
0:17:44 > 0:17:47they'd planned this big European tour to raise their profile,
0:17:47 > 0:17:49but Jasmine put a halt to it halfway through.
0:17:49 > 0:17:54- Do we know why?- Billy had always had addiction issues.
0:17:54 > 0:17:57All the pressures and stresses of touring
0:17:57 > 0:18:00had caused him to start drinking and using drugs again.
0:18:00 > 0:18:02So, when they got back in the studio,
0:18:02 > 0:18:06there was still a lot of their resentment and tensions.
0:18:06 > 0:18:09Well, we should look into these tensions and how deep they ran.
0:18:09 > 0:18:13Isn't going to be easy, given the murder happened 30 years ago.
0:18:13 > 0:18:14I can dig out our suspects' financial
0:18:14 > 0:18:16and phone records from the time.
0:18:16 > 0:18:19Great! And we should work through press coverage
0:18:19 > 0:18:22of the band back in the day. And, Dwayne and JP,
0:18:22 > 0:18:25could you go over to Billy's house, give it the once over?
0:18:25 > 0:18:27- Yes, Chief.- Do your thing.
0:18:29 > 0:18:31Commissioner, would I be right in thinking
0:18:31 > 0:18:34that you'll want to stay involved with this one?
0:18:34 > 0:18:36And why would you think that, Inspector?
0:18:36 > 0:18:39Well, just with your connection to it and...
0:18:39 > 0:18:42The last thing I want is to get in the way.
0:18:43 > 0:18:45You know where I am if you need me.
0:18:51 > 0:18:56Wow! If you'd have told me I would be visiting Billy Springer's house,
0:18:56 > 0:18:59I never would've believed it, you know, JP!
0:19:01 > 0:19:03I just wish it was under different circumstances.
0:19:05 > 0:19:07But there's no time for wallowing, JP.
0:19:07 > 0:19:09I wasn't. You were.
0:19:09 > 0:19:12Listen, you take upstairs. I'll look downstairs.
0:19:12 > 0:19:14And no shirking while you're at it!
0:19:14 > 0:19:16When do I ever shirk?
0:19:16 > 0:19:17Hm!
0:19:19 > 0:19:21# Saint Marie... #
0:19:22 > 0:19:24HE STRUMS
0:19:26 > 0:19:28Florence!
0:19:28 > 0:19:30There's a string missing on Billy's guitar.
0:19:30 > 0:19:33The top one. The E string, if memory serves me correctly.
0:19:33 > 0:19:35It must've broken when he was playing.
0:19:35 > 0:19:37- That can happen, can't it? - Yeah, it's not uncommon.
0:19:37 > 0:19:40It's just... I don't remember seeing it happen.
0:19:40 > 0:19:42Sir, I think you might be right.
0:19:42 > 0:19:45What, you didn't notice it break either?
0:19:45 > 0:19:48No, sir, about Jasmine calling a halt to the tour.
0:19:48 > 0:19:50- It had quite a financial impact.- Oh?
0:19:50 > 0:19:52According to the checks I've run,
0:19:52 > 0:19:56there was nothing suspicious going on in Leon or Maya's bank accounts
0:19:56 > 0:20:00at the time. But the drummer, Delmar Brown, lost a lot of money.
0:20:00 > 0:20:02Looks like he bankrolled the tour.
0:20:02 > 0:20:06So, when it was cancelled, he lost over 50,000.
0:20:06 > 0:20:09Not a small amount back in the '80s - or today for that matter!
0:20:09 > 0:20:11Certainly enough to leave him hacked off with Jasmine.
0:20:11 > 0:20:13ALERT CHIMES
0:20:16 > 0:20:19Postmortem and lab results are through.
0:20:19 > 0:20:22- And what do they say? - Cause Of Death as you'd expect.
0:20:22 > 0:20:25Only partial prints found on the dressing room key. Not identifiable.
0:20:25 > 0:20:28And striation marks on the bullet
0:20:28 > 0:20:31match those of the gun found in Billy's hand.
0:20:31 > 0:20:33Any prints found on the gun?
0:20:33 > 0:20:37Two sets. Billy Springer's and, well, well, well,
0:20:37 > 0:20:39would you believe it? It looks like we've now got
0:20:39 > 0:20:41two reasons to talk to Delmar.
0:20:43 > 0:20:45Why do you own a gun, Mr Brown?
0:20:46 > 0:20:47For protection, you know?
0:20:47 > 0:20:50There are some bad sorts that come into this place.
0:20:50 > 0:20:53The kind of people that you do not want to be owing money to.
0:20:55 > 0:20:57I take the gun with me most places.
0:20:57 > 0:20:58Just in case.
0:20:58 > 0:21:00Who in the band knew you had it?
0:21:02 > 0:21:05We were rehearsing hard 24/7.
0:21:05 > 0:21:06Maybe one of them saw it in my bag.
0:21:10 > 0:21:12Tell me, Delmar.
0:21:12 > 0:21:16Back in '85, the band went on tour to Europe, but it was cut short.
0:21:16 > 0:21:18Now you lost a lot of money, didn't you?
0:21:18 > 0:21:21Mmm. Just over 50,000.
0:21:22 > 0:21:23Yeah.
0:21:23 > 0:21:25My granny left it to me.
0:21:25 > 0:21:28It was supposed to pay for me to go to law school in America,
0:21:28 > 0:21:33but, instead, I chose to invest it in the band's future.
0:21:33 > 0:21:35Not the best decision you ever made?
0:21:36 > 0:21:39My family kept on telling me to have a backup plan.
0:21:39 > 0:21:42- But you ignored them?- And you know it would have paid off.
0:21:42 > 0:21:44Those first few gigs in Europe,
0:21:44 > 0:21:47man, we were getting some serious attention.
0:21:47 > 0:21:50Right up until Jasmine Springer interfered.
0:21:51 > 0:21:53You must've really resented her?
0:21:57 > 0:21:58Listen.
0:21:58 > 0:22:01Every single thing that is wrong in my life now...
0:22:02 > 0:22:04..is down to that woman.
0:22:04 > 0:22:06Everything.
0:22:06 > 0:22:09But it does not mean that I killed her.
0:22:11 > 0:22:13Hello? Mm-hm.
0:22:13 > 0:22:15Sure. We're on our way.
0:22:16 > 0:22:19Dwayne. They've got something for us over at the victim's house.
0:22:19 > 0:22:21MUFFLED: Oh! Good stuff.
0:22:27 > 0:22:30Well, Chief, we really didn't find much connecting to
0:22:30 > 0:22:33either Jasmine's or Billy's time with the band.
0:22:33 > 0:22:35However, JP was searching Billy's bedroom
0:22:35 > 0:22:37when he came across something of importance.
0:22:37 > 0:22:40Would you like to update the chief, JP?
0:22:40 > 0:22:44Ah, yes, so these photo albums are from Billy's bedroom.
0:22:44 > 0:22:46There was a chest of drawers stuffed full of them, and...
0:22:46 > 0:22:49All mainly of Kai as he was growing up.
0:22:51 > 0:22:54These three are from between 1990 and 1993.
0:22:54 > 0:22:59'92. That would be a couple of years after Jasmine was murdered.
0:22:59 > 0:23:01It's Maya. She features a lot.
0:23:01 > 0:23:04And when I say a lot, I mean, a heck of a lot.
0:23:04 > 0:23:06Hmm. Here. Mm-hm.
0:23:07 > 0:23:10Er, Dwayne, would you like to do the talking?
0:23:12 > 0:23:13If I must.
0:23:13 > 0:23:15As you can see, Chief.
0:23:15 > 0:23:18They had many days out, holidays.
0:23:18 > 0:23:21Used to spend a lot of time here at the house.
0:23:21 > 0:23:25You know, everyday things like cooking, TV,
0:23:25 > 0:23:27Maya was always there.
0:23:27 > 0:23:30There, there, there. And then after two years, she stops appearing.
0:23:30 > 0:23:32So, what are you saying?
0:23:32 > 0:23:35There's more to Billy and Maya's relationship than she let on?
0:23:35 > 0:23:36We think it's possible, sir.
0:23:36 > 0:23:39If you didn't know any better, looking at these photos -
0:23:39 > 0:23:41you'd be convinced Maya was a part of the family.
0:23:41 > 0:23:44Let's get hold of Kai. See if he can shed any more light on this.
0:23:44 > 0:23:46Yes, Chief. Hm.
0:23:48 > 0:23:50JP, is everything OK with Dwayne?
0:23:50 > 0:23:52I don't know, sir.
0:23:52 > 0:23:54I think his dad being around
0:23:54 > 0:23:57is bothering him more than he'd like to admit.
0:23:59 > 0:24:01HE SIGHS
0:24:01 > 0:24:04After Mum's death, Dad really lost it.
0:24:04 > 0:24:06He got back on the booze, drugs.
0:24:06 > 0:24:09- You were just a few months old then? - My auntie took me in.
0:24:11 > 0:24:13Dad wasn't really up for raising a kid.
0:24:13 > 0:24:16- So, what happened? - Various people tried to intervene,
0:24:16 > 0:24:19but he just shut everybody out.
0:24:19 > 0:24:21Until Maya stepped in.
0:24:21 > 0:24:23Somehow she managed to get through to him.
0:24:23 > 0:24:25- He got clean?- He went to rehab.
0:24:25 > 0:24:28The full works.
0:24:28 > 0:24:30And then when I was about two, he took me back in
0:24:30 > 0:24:33and started being a dad again and he never looked back.
0:24:33 > 0:24:35So, what...?
0:24:36 > 0:24:40Maya stuck around after your dad sorted himself out?
0:24:40 > 0:24:42She was really there for him.
0:24:42 > 0:24:44Helped him learn to live without my mum.
0:24:46 > 0:24:50After a couple of years, Maya stops appearing in the photos.
0:24:50 > 0:24:52- Why?- I was about five.
0:24:52 > 0:24:56And one night, they have a massive argument.
0:24:56 > 0:24:58Never heard Dad so angry.
0:24:58 > 0:25:01And then the next day, she gone.
0:25:01 > 0:25:03Did you ever find out what happened?
0:25:03 > 0:25:06What she wanted was more than friendship.
0:25:06 > 0:25:08She was in love with Dad.
0:25:08 > 0:25:11That night they argued, she suggested they get married.
0:25:11 > 0:25:13But Billy didn't feel the same?
0:25:13 > 0:25:16He said he could never love anybody else.
0:25:16 > 0:25:19He felt angry at Maya for even thinking that he could.
0:25:20 > 0:25:23You don't think this has something to do with my mum's murder?
0:25:25 > 0:25:29And we're west facing here, so the view at sunset is pretty special.
0:25:29 > 0:25:32Why don't you go and take a look around without me?
0:25:32 > 0:25:33Thank you very much.
0:25:35 > 0:25:38I'm with clients here, so if we could keep this brief?
0:25:38 > 0:25:40We'll try our very best, Maya. Shall we?
0:25:43 > 0:25:46I must say, I'm very impressed.
0:25:46 > 0:25:51You've really made something of yourself since the band split.
0:25:51 > 0:25:53I had no choice.
0:25:53 > 0:25:55As my father always said,
0:25:55 > 0:25:57"Don't waste time clinging to dreams that never come true."
0:25:57 > 0:26:00Sounds like a wise man, yeah.
0:26:00 > 0:26:02Tell me, Maya, would you say the same applies
0:26:02 > 0:26:06- when it comes to affairs of the heart?- Sorry? You lost me.
0:26:06 > 0:26:08You were in love with Billy, weren't you?
0:26:08 > 0:26:12We know you were. A few years after Jasmine died, you told him so.
0:26:12 > 0:26:14That's right, isn't it?
0:26:14 > 0:26:15At first, it was fine.
0:26:15 > 0:26:18Billy was young, playing the field,
0:26:18 > 0:26:20I thought when it come to settling down,
0:26:20 > 0:26:22finding the right girl that mattered, it'd be me.
0:26:22 > 0:26:23But then, Jasmine came along?
0:26:25 > 0:26:28I was convinced it wouldn't last.
0:26:28 > 0:26:30But on it went.
0:26:30 > 0:26:32They got engaged. Married. Had a son.
0:26:32 > 0:26:35And all the time, I sat there on the sidelines telling myself,
0:26:35 > 0:26:38"Any minute now, he'll realise he chose the wrong girl."
0:26:39 > 0:26:42I can see where you're going with this, Inspector.
0:26:42 > 0:26:43And where's that, Maya?
0:26:44 > 0:26:46You're wondering if I killed Jasmine Springer
0:26:46 > 0:26:49so I could have Billy all to myself.
0:26:53 > 0:26:55I may have resented Jasmine,
0:26:55 > 0:26:58but I could never have harmed her,
0:26:58 > 0:27:02because I knew that would have hurt Billy, and that, I could never do.
0:27:04 > 0:27:06Now, if you'll excuse me?
0:27:12 > 0:27:13What's that saying,
0:27:13 > 0:27:17"The love that lasts the longest is the love that's never returned."
0:27:17 > 0:27:20It's very true, sir. But very sad.
0:27:22 > 0:27:26MUSIC: The Israelites by Desmond Dekker
0:27:38 > 0:27:40HE SIGHS
0:27:46 > 0:27:49Oh, for the love of...!
0:27:55 > 0:27:57GUITAR STRUMS NEARBY
0:27:58 > 0:28:02Ah, Jack-boy! Good day at the office?
0:28:02 > 0:28:04So, you're sleeping here now?
0:28:04 > 0:28:08Saves me going back and forth to the boat. You don't mind, do you?
0:28:08 > 0:28:12- Er...- And in return, I'm cooking us dinner.
0:28:12 > 0:28:14A proper Caribbean feast.
0:28:14 > 0:28:17Oh, right! Well, that's very kind of you, Nelson. Thank you.
0:28:17 > 0:28:19So, why don't we crack this open
0:28:19 > 0:28:22and have ourselves a little pre-prandial rum. What do you say?
0:28:22 > 0:28:24Well, I was going to do a bit of work.
0:28:24 > 0:28:27I suppose, a little one might warm up the brain cells a bit.
0:28:27 > 0:28:28I'll fetch the glasses.
0:28:30 > 0:28:33Anybody fancy a beer at Catherine's? Dwayne?
0:28:33 > 0:28:36Um, I certainly wouldn't say no.
0:28:36 > 0:28:39- Sarge?- You go ahead. - What, you found something?
0:28:39 > 0:28:41It's a lease document belonging to the victim
0:28:41 > 0:28:43for a property down by Sandy Bay.
0:28:43 > 0:28:45Kai never mentioned that to us.
0:28:45 > 0:28:48From what I can tell, Billy took the lease out a couple of years
0:28:48 > 0:28:51after Jasmine's death. I should go take a look.
0:28:51 > 0:28:55- Well, you want us to come with you? - It's fine. You get off.- OK.
0:29:12 > 0:29:14Hello?
0:29:14 > 0:29:15Is anyone in here?
0:29:49 > 0:29:52Jasmine...
0:29:52 > 0:29:54SHUTTER CLATTERS
0:29:56 > 0:29:58Who's there?
0:29:58 > 0:30:00SHE SIGHS
0:30:09 > 0:30:12- JACK STRUMS GUITAR - No, no, no, no, no!
0:30:12 > 0:30:15Reggae's all about the down beat.
0:30:15 > 0:30:18Calypso is the up beat.
0:30:18 > 0:30:21NELSON PLAYS REGGAE CHORD
0:30:21 > 0:30:23I might have to admit defeat on this, Nelson.
0:30:23 > 0:30:27To be honest, music's more of a spectator sport for me.
0:30:27 > 0:30:29That's what they call the chop.
0:30:29 > 0:30:32Or the strike.
0:30:32 > 0:30:35- Or, my favourite the chikky-chikky. - "Chikky-chikky", I like it!
0:30:35 > 0:30:37It's the hit on the off beat
0:30:37 > 0:30:40that's at the heart of every reggae song written.
0:30:40 > 0:30:41HE STRUMS
0:30:41 > 0:30:43# Better must come one day
0:30:43 > 0:30:47# Better must come
0:30:47 > 0:30:50# Better that they conquer me
0:30:50 > 0:30:53# Better must come. #
0:30:53 > 0:30:57HE STRUMS CRESCENDO
0:30:57 > 0:31:00That's brilliant, Nelson! HE CLAPS
0:31:00 > 0:31:02Did you never think of making a go of this?
0:31:02 > 0:31:05Oh, I tried, man, I tried.
0:31:05 > 0:31:07It's what took me to London.
0:31:07 > 0:31:09But it never really happened for me.
0:31:11 > 0:31:13Why did you never come back?
0:31:13 > 0:31:15Pride.
0:31:15 > 0:31:19You know, I left here saying I'd make something of myself.
0:31:19 > 0:31:20And when I didn't,
0:31:20 > 0:31:25I guess I didn't want my family home to know that I had failed them.
0:31:25 > 0:31:29You see, when they're thousands of miles away,
0:31:29 > 0:31:31you never think you're hurting anyone.
0:31:32 > 0:31:35Then I saw Dwayne in London.
0:31:35 > 0:31:37He had such anger in his eyes.
0:31:39 > 0:31:40Such bitterness.
0:31:43 > 0:31:47I've left it too late with him, Jack-boy, haven't I?
0:31:47 > 0:31:48No, just...
0:31:50 > 0:31:52He'll... He'll come around.
0:31:52 > 0:31:54Just...might need a bit more time.
0:31:56 > 0:31:57It's the rum talking.
0:31:59 > 0:32:02Look, I should probably go get some sleep.
0:32:02 > 0:32:05- I better get some work done. - Goodnight.
0:32:05 > 0:32:06Goodnight, Nelson.
0:32:29 > 0:32:33- Morning, Chief.- Dwayne! - Apologies for the early visit,
0:32:33 > 0:32:36- but we've had a breakthrough in the case.- Oh, right! Well, that's great.
0:32:36 > 0:32:40Oh, um, er...
0:32:41 > 0:32:45Sorry, Chief, I didn't realise you had company.
0:32:45 > 0:32:48So, that's why you snuck off early, eh? "Working from home", eh?
0:32:48 > 0:32:49Nice one!
0:32:49 > 0:32:51No, Dwayne.
0:32:51 > 0:32:53- It wasn't like that.- Yeah, I bet!
0:32:53 > 0:32:56So, who is it? Who's the lucky lady?
0:32:56 > 0:33:00- Huh? There's no lucky lady, Dwayne. - Morning, Son.
0:33:02 > 0:33:05- What's he doing here? - Jack-boy here invited me to stay.
0:33:05 > 0:33:07Well, that's not quite how it happened...
0:33:07 > 0:33:09We been having a quite a high old time of it, haven't we?
0:33:09 > 0:33:12I wouldn't go that far, Nelson!
0:33:12 > 0:33:14We better get going, you know, Chief.
0:33:14 > 0:33:15We've got a lot of work to do.
0:33:17 > 0:33:19Maybe see you later, Dwayne?
0:33:23 > 0:33:25Thanks a lot, Chief.
0:33:25 > 0:33:27Dwayne, I'm sorry I didn't tell you about Nelson,
0:33:27 > 0:33:28but it's not how he says it was.
0:33:28 > 0:33:30The man just sort of invited himself here.
0:33:30 > 0:33:33Yes, well, that's him! Give the man an inch and he'll take a mile.
0:33:33 > 0:33:36I wouldn't want you to think I'm taking his side in any of this.
0:33:36 > 0:33:39The man is a leech. He's forced his way into your life
0:33:39 > 0:33:41the way he's trying to force his way back into mine.
0:33:41 > 0:33:43Oh, but it won't be for long.
0:33:43 > 0:33:47Give it a couple of days, he'll be gone before you know it.
0:33:47 > 0:33:50Are you sure about this? From what he was saying last night,
0:33:50 > 0:33:54- I think he wants to stay, make it up to you...- OK! We'll see.
0:33:54 > 0:33:58Give it a day or two. And he'll be out of both of our hair.
0:33:58 > 0:34:01This place is full of Jasmine's stuff.
0:34:01 > 0:34:04Clothes. Books. Jewellery. Everything that belonged to her.
0:34:04 > 0:34:06So, Billy held on to it all? Fair play to him.
0:34:06 > 0:34:08And this is where he put it?
0:34:08 > 0:34:11Yes, there's also his things from his time with the band, as well.
0:34:11 > 0:34:15- We've been going through it all since first light.- Good.
0:34:15 > 0:34:19You should also know, sir, that someone had already broken in here.
0:34:19 > 0:34:21- Gone through the boxes. - What were they looking for?
0:34:21 > 0:34:25Probably the evidence Billy told the commissioner he'd found.
0:34:25 > 0:34:28You mean, the note? So, Billy didn't take it with him to the concert?
0:34:28 > 0:34:31Question is, did whoever was here, find it?
0:34:33 > 0:34:34Well, what have we got?
0:34:34 > 0:34:38Well, sir, there's nothing here that might point to a motive
0:34:38 > 0:34:40or suspect from Jasmine's murder.
0:34:40 > 0:34:42But we did find these amongst Billy's stuff.
0:34:42 > 0:34:43It's to do with the band.
0:34:43 > 0:34:45All the session tapes from the Ragers' studio recordings.
0:34:45 > 0:34:48Yeah, these here are from their last session before they split.
0:34:48 > 0:34:50They were recorded the same day Jasmine was murdered.
0:34:50 > 0:34:53- June 5th, 1988. - Won't that just be the songs
0:34:53 > 0:34:55they were recording that day?
0:34:55 > 0:34:58Er, more than likely.
0:34:58 > 0:35:00But we wondered if maybe between takes,
0:35:00 > 0:35:02there might've been something that was said.
0:35:02 > 0:35:04You know, how things were between the band.
0:35:04 > 0:35:07And do you know anywhere we might be able to play these?
0:35:07 > 0:35:10Er, we could try the Sunshine Recording Studio.
0:35:10 > 0:35:11That's where the Ragers made all their albums.
0:35:11 > 0:35:14Right, well, why don't you fellas head over there,
0:35:14 > 0:35:17- listen to what's on them. Definitely worth a try.- OK!- Yeah.
0:35:32 > 0:35:36I do hope, Inspector, considering that we have a double murder
0:35:36 > 0:35:39on our hands, that that fork hasn't become the sole focus
0:35:39 > 0:35:42- of your attention.- Absolutely not, sir. Of course not. I...
0:35:42 > 0:35:45HE SIGHS I was just...
0:35:45 > 0:35:48I came for an update on how the investigation was progressing.
0:35:48 > 0:35:51Well, sir, I have to admit,
0:35:51 > 0:35:54the Jasmine Springer murder,
0:35:54 > 0:35:56it's proving slow-going at the moment.
0:35:56 > 0:36:00- And the Billy Springer case?- Equally slow-going, to be brutally honest.
0:36:00 > 0:36:02- They're both really quite... - Slow-going?
0:36:02 > 0:36:05Well that's about the size of it, sir. Sorry.
0:36:05 > 0:36:06Chief, check your e-mail.
0:36:06 > 0:36:09You should have a sound file e-mailed over to you
0:36:09 > 0:36:11- from the studio.- What is it?
0:36:11 > 0:36:12It's a conversation caught on tape
0:36:12 > 0:36:14during a break at a recording session.
0:36:14 > 0:36:16Now, most of the band and sound engineers
0:36:16 > 0:36:20had gone to get a coffee, but they left the reel still turning.
0:36:20 > 0:36:26- So, who is it heard talking?- Jasmine Springer.- And Leon Laroche.
0:36:26 > 0:36:28- JASMINE ON RECORDING:- I'm sorry, but Billy needs to know.
0:36:28 > 0:36:31- LEON, ON RECORDING: - Please, Jasmine, don't tell him!
0:36:31 > 0:36:34- I can't keep lying to him! - But he can't know what we've done.
0:36:36 > 0:36:38- They were having an affair! - I'd say so, Chief.
0:36:38 > 0:36:42And a few hours after telling Leon she was going to reveal it to Billy,
0:36:42 > 0:36:44Jasmine turns up dead.
0:36:44 > 0:36:45Meaning Billy never finds out.
0:36:47 > 0:36:49Would you care to tag along on this one, sir?
0:36:49 > 0:36:52One, two, one, two.
0:36:52 > 0:36:55Mic check, mic check.
0:36:55 > 0:36:57One, two, one, two...
0:36:58 > 0:37:00Afternoon.
0:37:01 > 0:37:04Not exactly Wembley Arena, is it, Mr Laroche?
0:37:04 > 0:37:07Well, you know,
0:37:07 > 0:37:10I go to where the music takes me.
0:37:10 > 0:37:13And it's brought you all the way to Claire and Barry Thompson's
0:37:13 > 0:37:15silver wedding anniversary. Fair play to you.
0:37:15 > 0:37:17Commissioner, perhaps you'd like to kick things off?
0:37:17 > 0:37:19Thank you, Inspector.
0:37:19 > 0:37:21I think the best place to start
0:37:21 > 0:37:23would be with Mr Laroche telling us about the affair
0:37:23 > 0:37:25he had with Jasmine Springer?
0:37:25 > 0:37:28I don't know what you're talking about, all right?
0:37:28 > 0:37:32I'd...appreciate it if you didn't lie to us, Mr Laroche.
0:37:32 > 0:37:35We've already wasted enough time on this case.
0:37:35 > 0:37:37Close to 30 years.
0:37:37 > 0:37:41Look, Billy was going through a rough patch, right?
0:37:41 > 0:37:43He pushed the people that loved him away.
0:37:43 > 0:37:46- Jasmine, you mean? - I tried to help her through it.
0:37:46 > 0:37:50- By sleeping with her? - She was a grown-up.
0:37:50 > 0:37:51She knew what she was doing.
0:37:51 > 0:37:53She was also vulnerable.
0:37:53 > 0:37:55Her husband was an addict.
0:37:55 > 0:37:57She needed support, Leon, a friend.
0:37:57 > 0:38:00I'm not saying I acted with much dignity.
0:38:00 > 0:38:03But you know, we all make mistakes in our youth.
0:38:03 > 0:38:05How long did it last?
0:38:05 > 0:38:08- A few months. No more. - And Billy never suspected?
0:38:08 > 0:38:11Most of the time back then, Billy was either drunk or stoned or both.
0:38:12 > 0:38:15Jasmine and I, we were discreet.
0:38:15 > 0:38:18I hired a little place up in the hills, so we wouldn't get catch.
0:38:18 > 0:38:22But when she threatened to confess all to Billy,
0:38:22 > 0:38:25the thought of him discovering your betrayal was too much...
0:38:26 > 0:38:27..so you killed her.
0:38:27 > 0:38:30I understand how this must look, right.
0:38:30 > 0:38:33But you, you have to understand something.
0:38:33 > 0:38:35We were in a band.
0:38:35 > 0:38:37It was a wild time.
0:38:37 > 0:38:40Relationships, they can get a little blurred
0:38:40 > 0:38:42when you're living like that.
0:38:42 > 0:38:45So, what are you saying? That Billy wouldn't have minded?
0:38:45 > 0:38:47I'm saying it wouldn't have been the first time
0:38:47 > 0:38:50- things in the band get a little... - Dysfunctional?
0:38:50 > 0:38:53Billy finding out about our fling, yes, man,
0:38:53 > 0:38:55it would have complicate things.
0:38:55 > 0:38:58But not so much that I thinks that the only solution
0:38:58 > 0:39:00would be to kill his wife!
0:39:06 > 0:39:08We'll get there, sir.
0:39:09 > 0:39:11Just might take us a bit more time.
0:39:11 > 0:39:14That's what I said to Billy Springer all those years ago.
0:39:15 > 0:39:19I assured him we'd solve it with a little time.
0:39:19 > 0:39:20We never did.
0:39:23 > 0:39:25It's not your fault, sir.
0:39:26 > 0:39:29You can only go where the evidence takes you.
0:39:29 > 0:39:31And everything pointed to a mugging.
0:39:31 > 0:39:34But I wasn't convinced it was just a mugging.
0:39:34 > 0:39:37The escalation in violence felt too marked.
0:39:37 > 0:39:40To me, it was too much of a stretch
0:39:40 > 0:39:44to go from threatening someone for their handbag
0:39:44 > 0:39:47to strangling the life out of them.
0:39:47 > 0:39:50And did you raise this at the time, sir, with your senior officers?
0:39:50 > 0:39:52I did.
0:39:52 > 0:39:54But I was a mere junior detective.
0:39:54 > 0:39:56It's hard to get your voice heard,
0:39:56 > 0:39:59when all you've got going for you is your lack of experience.
0:39:59 > 0:40:02Yeah, we've all been there, sir.
0:40:02 > 0:40:06You speak out, convinced an injustice has been done,
0:40:06 > 0:40:10and all you're met with is indifference and inaction.
0:40:12 > 0:40:15As you said, Inspector,
0:40:15 > 0:40:20such cases do indeed sit heavy over the years.
0:40:20 > 0:40:23I need for us to put this right.
0:40:23 > 0:40:25We will, sir. We will.
0:40:27 > 0:40:30Delmar Brown. Maya Oprey. Leon Laroche.
0:40:30 > 0:40:34Three suspects. Three motives. Two murders.
0:40:34 > 0:40:37And as yet, no idea which of them is our killer.
0:40:37 > 0:40:38June the 5th, 1988.
0:40:38 > 0:40:41Jasmine Springer was murdered and the scene staged
0:40:41 > 0:40:43to look like a robbery gone wrong.
0:40:43 > 0:40:4630 years later, her husband, Billy Springer, was shot dead
0:40:46 > 0:40:50and that crime scene staged to look like a suicide.
0:40:50 > 0:40:54Leaving us puzzling just how did our killer manage to shoot Billy
0:40:54 > 0:40:56and then escape from the crime scene
0:40:56 > 0:40:58with the door locked on the inside?
0:41:00 > 0:41:05So, any thoughts or any ideas on how we crack this trickiest of cases?
0:41:08 > 0:41:09Well, maybe we should call it a night.
0:41:09 > 0:41:11Approach things again fresh in the morning.
0:41:11 > 0:41:13You're probably right, Florence.
0:41:20 > 0:41:22Nelson?
0:41:32 > 0:41:34THEY EXCHANGE GREETINGS
0:41:37 > 0:41:39It's all right. I'll go.
0:41:40 > 0:41:42Dwayne! Please...
0:41:42 > 0:41:45Just tell me what I have to do to make it up to you, huh?
0:41:45 > 0:41:47Whatever it is, I'll do it, Son.
0:41:47 > 0:41:50Then do what we both know you always do and leave the island.
0:41:52 > 0:41:54Stay and finish your drink.
0:42:01 > 0:42:03- Dwayne.- Catherine.
0:42:03 > 0:42:05Everything all right?
0:42:05 > 0:42:06Fine. Why wouldn't it be?
0:42:11 > 0:42:15I know how hurt your mother was when he abandoned her.
0:42:15 > 0:42:16And if she was alive today,
0:42:16 > 0:42:19she'd be even angrier to see him back here now.
0:42:19 > 0:42:23That doesn't mean you can't give him another chance.
0:42:23 > 0:42:25- He's really trying.- I know he is.
0:42:26 > 0:42:29Look, all I want to tell him is that it's OK with us.
0:42:29 > 0:42:32And that we are good. I just don't believe
0:42:32 > 0:42:34that he deserves my forgiveness.
0:42:34 > 0:42:36And maybe he doesn't.
0:42:38 > 0:42:43But if forgiving him might finally bring YOU some peace,
0:42:43 > 0:42:47maybe it doesn't matter if he deserves it or not.
0:43:03 > 0:43:05Nelson?
0:43:05 > 0:43:07Are you decent?
0:43:22 > 0:43:25Well, Harry. Fancy a brew?
0:43:27 > 0:43:30Yep, looks like it's just you and me again, old fella.
0:43:55 > 0:43:57HE MUMBLES TO HIMSELF
0:44:05 > 0:44:07The key's in the lock...
0:44:08 > 0:44:11There's a fork lying on the floor...
0:44:11 > 0:44:13There's a string missing on Billy's guitar.
0:44:13 > 0:44:15The top one, the E string...
0:44:15 > 0:44:19Us musicians, we love to improvise, Inspector...
0:44:19 > 0:44:21Why kill Jasmine?
0:44:21 > 0:44:25- Question is, did whoever was here, find it?- You mean the note?
0:44:25 > 0:44:28He spent the morning fixing the pickguard of his guitar...
0:44:29 > 0:44:31No...
0:44:31 > 0:44:33Not possible.
0:44:33 > 0:44:34Is it?
0:44:34 > 0:44:37Everybody! I need a screwdriver!
0:44:37 > 0:44:38A screwdriver? OK.
0:44:38 > 0:44:40Are you feeling all right?
0:44:40 > 0:44:42Top of the world, Florence.
0:44:42 > 0:44:44I think I've finally worked out how our killer shot Billy
0:44:44 > 0:44:48- and then left the room locked on the inside.- Well done, Chief!
0:44:48 > 0:44:50And in a few moments' time, if I'm right about this,
0:44:50 > 0:44:52we'll also know WHO did it.
0:44:53 > 0:44:54You were right, Florence,
0:44:54 > 0:44:57whoever killed Billy never found our missing piece of evidence.
0:44:57 > 0:45:00You don't think Billy had it with him in the dressing room?
0:45:00 > 0:45:03Oh, no, it was there, right in front of our eyes. Has been all along.
0:45:03 > 0:45:06You see the one thing I've learnt about reggae,
0:45:06 > 0:45:09this piece of the guitar here takes a right battering.
0:45:09 > 0:45:12And Billy's old pickguard was all rusty and worn,
0:45:12 > 0:45:14so he had to replace it with a new one.
0:45:15 > 0:45:16No way.
0:45:20 > 0:45:23Florence, I need you to dig out our financial checks for me.
0:45:23 > 0:45:25- Yes, sir.- And Dwayne! JP!
0:45:25 > 0:45:29- It's that time. Gather up the suspects!- Yes, sir.
0:45:34 > 0:45:36You know what I like most about going to a gig?
0:45:36 > 0:45:39It's the half hour or so before the band come on stage.
0:45:39 > 0:45:40That sense of anticipation
0:45:40 > 0:45:44as you're all standing there waiting for it all to start.
0:45:44 > 0:45:49Of course, anticipation is one thing we're not short of here today.
0:45:49 > 0:45:52For some people, this moment has been 30 years in the making -
0:45:52 > 0:45:55for 30 years, poor Kai has been wondering who killed his mother,
0:45:55 > 0:45:57and for the same amount of time,
0:45:57 > 0:45:59the island's Commissioner Of Police
0:45:59 > 0:46:03has been left burdened by the one murder he never solved.
0:46:03 > 0:46:06Well, today, the waiting's over.
0:46:06 > 0:46:08We now know not only who killed Jasmine Springer,
0:46:08 > 0:46:11but also who killed her husband, Billy...
0:46:18 > 0:46:19..don't we, Leon?
0:46:21 > 0:46:23It wasn't me, man!
0:46:23 > 0:46:27No? Well, why don't we start with the murder of Billy Springer?
0:46:27 > 0:46:30As the band came off stage after playing their gig.
0:46:30 > 0:46:32They all returned to their dressing rooms.
0:46:32 > 0:46:37But moments later, Leon came back out, entered Billy's room
0:46:37 > 0:46:39and proceeded to shoot him dead.
0:46:42 > 0:46:47Leon knew Delmar's post-gig ritual of playing his music loud.
0:46:47 > 0:46:49So, the gunshot was never heard,
0:46:49 > 0:46:52giving Leon time to stage the scene to look like suicide.
0:46:52 > 0:46:55So, when we arrived and broke down the door, we found the room locked,
0:46:55 > 0:46:58the key in the inside and the gun in Billy's hand.
0:46:58 > 0:47:01Leading us to conclude that Billy killed himself.
0:47:01 > 0:47:03So, just how did Leon manage this?
0:47:05 > 0:47:06Well, this is how.
0:47:06 > 0:47:08Leon took the key from the door.
0:47:08 > 0:47:11Went out into the corridor and locked it.
0:47:11 > 0:47:14He then proceeded to shoulder-barge the door, breaking the lock.
0:47:14 > 0:47:16Returning to the room,
0:47:16 > 0:47:19he closed the door and put the key back in the lock.
0:47:19 > 0:47:22And this done, he did something I believe all musicians are good at.
0:47:22 > 0:47:26Delmar, you even said it yourself, "Musicians love to improvise".
0:47:26 > 0:47:28And that's what Leon did.
0:47:28 > 0:47:30He improvised with what he had to hand.
0:47:30 > 0:47:33Just as Billy had improvised when he was about to go on stage
0:47:33 > 0:47:37and he realised he'd lost his guitar capo.
0:47:37 > 0:47:41So, from Billy's little tin of guitar paraphernalia,
0:47:41 > 0:47:44Leon took the fork.
0:47:44 > 0:47:47From his guitar he removed a single guitar string,
0:47:47 > 0:47:51and with just these two items he was able to wedge the door on the inside
0:47:51 > 0:47:53of the dressing room.
0:47:53 > 0:47:55So, first, place the fork on the floor
0:47:55 > 0:47:58with the guitar string looped around the prongs.
0:47:58 > 0:48:01He then slid the ends of the string under the door.
0:48:01 > 0:48:03And then, out in the corridor,
0:48:03 > 0:48:05he pulled the strings hard.
0:48:05 > 0:48:07Wedging the fork so it appeared the door was locked.
0:48:07 > 0:48:09He then pulled out the string,
0:48:09 > 0:48:11put it in his pocket,
0:48:11 > 0:48:12and sauntered casually back
0:48:12 > 0:48:14to his own dressing room.
0:48:14 > 0:48:18So, we broke down the door a few moments later
0:48:18 > 0:48:20We found the room locked,
0:48:20 > 0:48:22the key on the inside,
0:48:22 > 0:48:25we naturally assumed that Billy had locked himself
0:48:25 > 0:48:28into his room before shooting himself.
0:48:28 > 0:48:31Now I imagine you didn't think we'd pay too much attention
0:48:31 > 0:48:33to a rusty old fork lying on the floor.
0:48:33 > 0:48:36I mean, how could that possibly have anything to do
0:48:36 > 0:48:37with Billy taking his own life?
0:48:37 > 0:48:41But once you know Billy was murdered,
0:48:41 > 0:48:43then even something as innocent as a fork
0:48:43 > 0:48:46suddenly starts to look suspicious.
0:48:48 > 0:48:50So, why did Leon do all this?
0:48:50 > 0:48:52Why the sudden need to kill Billy?
0:48:53 > 0:48:54Kai, you said yourself
0:48:54 > 0:48:57that Jasmine had been playing on your father's mind
0:48:57 > 0:49:00since the band got back together over the past few weeks.
0:49:00 > 0:49:02And I think that's why he paid a visit
0:49:02 > 0:49:06to somewhere that he hadn't been to for close to 30 years.
0:49:06 > 0:49:08The place where he'd hidden all your mother's possessions
0:49:08 > 0:49:10after she died.
0:49:12 > 0:49:16And I think that's where he found the incriminating document.
0:49:16 > 0:49:18This is what prompted him to call the commissioner,
0:49:18 > 0:49:22tell him that he found new evidence proving who Jasmine's killer was.
0:49:22 > 0:49:27It says, "Sirens' Point. 8pm. Leon."
0:49:27 > 0:49:29This proves categorically
0:49:29 > 0:49:31that Jasmine's body was found at Sirens' Point
0:49:31 > 0:49:33not because she was dumped there
0:49:33 > 0:49:35after being killed during a botched mugging.
0:49:35 > 0:49:37But because she was invited there
0:49:37 > 0:49:39by Leon Laroche and callously murdered.
0:49:41 > 0:49:43That right, Leon?
0:49:43 > 0:49:46As Billy told no-one apart from the commissioner
0:49:46 > 0:49:48about his discovery of the new evidence,
0:49:48 > 0:49:49we assume you overheard him
0:49:49 > 0:49:53leaving the phone message asking for the police's help.
0:49:53 > 0:49:56It's Jasmine. I know who killed her. I found a note.
0:49:56 > 0:50:00In that moment, you realised you needed to kill Billy
0:50:00 > 0:50:02and recover the proof that he had.
0:50:02 > 0:50:06Except, the note had gone missing. So, after you'd killed him.
0:50:06 > 0:50:08You must've searched that dressing room high and low
0:50:08 > 0:50:09but you couldn't find it!
0:50:09 > 0:50:13Which means it was you that broke into Billy's beach hut,
0:50:13 > 0:50:16- looking for the note.- That's right, but it wasn't there either, was it?
0:50:16 > 0:50:18Because Billy was clever.
0:50:18 > 0:50:20He wasn't going to risk leaving the note lying around
0:50:20 > 0:50:23when he went on stage. No! He took it with him.
0:50:23 > 0:50:25Hidden in the pickguard of his guitar.
0:50:25 > 0:50:28But I don't understand, why would Leon murder Jasmine?
0:50:28 > 0:50:31We found a recording from the studio you were all at
0:50:31 > 0:50:33the day Jasmine was killed.
0:50:33 > 0:50:37In it, Jasmine was heard telling Leon she wanted to confess to Billy
0:50:37 > 0:50:38what had gone on between them.
0:50:38 > 0:50:40We assumed they were having an affair
0:50:40 > 0:50:42and when we confronted Leon about this,
0:50:42 > 0:50:44he confirmed that's exactly what it was.
0:50:44 > 0:50:47But while it was true, that they had indeed engaged in an affair,
0:50:47 > 0:50:51what wasn't true was that their argument that day in the studio,
0:50:51 > 0:50:52it wasn't just about Jasmine
0:50:52 > 0:50:55revealing details of the affair to Billy.
0:50:55 > 0:50:57It was about more than that, wasn't it, Leon?
0:50:57 > 0:51:00When Leon admitted the affair, he told us he hired a small place
0:51:00 > 0:51:03up in the hills for him and Jasmine to go to.
0:51:03 > 0:51:06I hired a little place up in the hills, so we wouldn't get catch.
0:51:06 > 0:51:08But during the investigation,
0:51:08 > 0:51:10we went through all the financial checks
0:51:10 > 0:51:12from the year Jasmine was killed,
0:51:12 > 0:51:15and there was nothing suspicious about Leon's bank accounts.
0:51:15 > 0:51:17That's right, I'm sure that a sudden monthly outgoing
0:51:17 > 0:51:19for an extra property would have stood out,
0:51:19 > 0:51:22particularly to a thorough detective like DS Cassell here.
0:51:22 > 0:51:25So, we went through the finances again
0:51:25 > 0:51:28just a while ago and we were right.
0:51:28 > 0:51:31No sign of him renting a property in 1988.
0:51:31 > 0:51:33But there was evidence
0:51:33 > 0:51:36of Leon renting a house a year earlier than that.
0:51:37 > 0:51:40So, why the discrepancy in Leon's timeline of events?
0:51:42 > 0:51:45Kai, you were two months old when your mother died,
0:51:45 > 0:51:49a year after Leon rented that property,
0:51:49 > 0:51:53and, therefore, a year since he and your mother had their affair.
0:51:55 > 0:51:58I'm sorry that this is how you have to find out.
0:51:59 > 0:52:02I think it should come from you, don't you think?
0:52:05 > 0:52:07Kai is my son.
0:52:07 > 0:52:09Not Billy's.
0:52:09 > 0:52:12That's what Jasmine was going to tell Billy.
0:52:12 > 0:52:15And having not got through to her at the studio that afternoon,
0:52:15 > 0:52:17you gave her a note suggesting
0:52:17 > 0:52:20she meet you later on that night at Sirens' Point.
0:52:23 > 0:52:25I didn't mean to kill her.
0:52:26 > 0:52:29I thought she'd come round to what I was saying.
0:52:29 > 0:52:31But she was so stubborn! She wouldn't listen!
0:52:35 > 0:52:37I didn't know how else to stop her.
0:52:37 > 0:52:41I take it you assumed Jasmine had just binned this?
0:52:42 > 0:52:45But, unfortunately for you, Leon, she forgot she had it.
0:52:47 > 0:52:50All these years, it sat in the pocket of the jacket
0:52:50 > 0:52:51she wore to the studio that day.
0:52:51 > 0:52:54And it was only when Billy was finally able to face
0:52:54 > 0:52:57going through her possessions decades later, that he found it.
0:53:00 > 0:53:03How could you do that to her?
0:53:05 > 0:53:07SCUFFLING AND GRUNTING
0:53:07 > 0:53:10Easy, easy...
0:53:15 > 0:53:18He did it because, in his mind, if Billy had ever found out,
0:53:18 > 0:53:21that'd be the end of everything.
0:53:21 > 0:53:23This was no messy musicians' fling.
0:53:23 > 0:53:25No, it was more serious than that.
0:53:26 > 0:53:29Having to give up the son that Billy had raised for a year.
0:53:29 > 0:53:32- The son he loved. - It would have destroy him.
0:53:32 > 0:53:36- And the band.- And, ultimately, that's all you care about, isn't it?
0:53:36 > 0:53:38Course it is!
0:53:40 > 0:53:44You're the lead singer. The front man. It's all about you.
0:53:44 > 0:53:46Even now, all this time later,
0:53:46 > 0:53:48you're desperately pursuing the spotlight.
0:53:48 > 0:53:51Any little bit of attention at all you can find to feed your ego!
0:53:52 > 0:53:55You didn't care about Jasmine or Billy,
0:53:55 > 0:53:57or even your son, Kai.
0:53:57 > 0:53:59It's all about you.
0:53:59 > 0:54:01Always was.
0:54:05 > 0:54:09Arrest him, please, for the murders of Jasmine and Billy Springer.
0:54:09 > 0:54:10Up, come on.
0:54:13 > 0:54:15Thank you, Inspector.
0:54:15 > 0:54:17Any time, sir.
0:54:23 > 0:54:26Congratulations to cracking the case.
0:54:26 > 0:54:28It was no mean feat.
0:54:28 > 0:54:30Yes, a double-murder spanning 30 years.
0:54:30 > 0:54:32Two for the price of one, if you will.
0:54:32 > 0:54:33You think he's all right?
0:54:33 > 0:54:37It's not like Dwayne to go off on his own, you know?
0:54:37 > 0:54:38I know he expected Nelson to do a runner.
0:54:38 > 0:54:41I'm just not sure he thought it would be quite so soon.
0:54:41 > 0:54:43I'll take him one of these.
0:54:50 > 0:54:53- Here. Get that into you. - Oh, thanks.
0:54:57 > 0:54:59You doing OK?
0:54:59 > 0:55:01You know what? I am.
0:55:01 > 0:55:04For the first time, I've actually got some clarity in my life.
0:55:04 > 0:55:06Really?!
0:55:06 > 0:55:09- I need to make peace with the old man.- Right. I see.
0:55:09 > 0:55:13Well, good for you, Dwayne. Being the bigger man and all that.
0:55:13 > 0:55:14I like it.
0:55:16 > 0:55:18Just... If you don't mind me asking,
0:55:18 > 0:55:21how are you going to do that, now he's gone?
0:55:21 > 0:55:23Ah, that's the thing, Chief.
0:55:26 > 0:55:29I've decided that I'm going to go and look for him.
0:55:29 > 0:55:30I see!
0:55:30 > 0:55:32But I may need some time off...
0:55:32 > 0:55:34If that's OK, of course!
0:55:34 > 0:55:36Of course. Take as much time as you need.
0:55:37 > 0:55:38Thank you, Chief!
0:55:38 > 0:55:40BOTTLES CLINK
0:55:43 > 0:55:45No way! It can't be!
0:55:45 > 0:55:49Dwayne! You're not going to believe this!
0:55:50 > 0:55:53Jack-boy! Dwayne!
0:55:53 > 0:55:56I don't think I do believe it.
0:55:56 > 0:55:59- Help!- What the heck are you doing?!
0:55:59 > 0:56:00The boat sank!
0:56:00 > 0:56:01What a loser!
0:56:01 > 0:56:03HE GROANS
0:56:03 > 0:56:06I'm going to have to go and get him, you know, Chief!
0:56:06 > 0:56:08He's not getting any younger.
0:56:08 > 0:56:10And neither am I!
0:56:12 > 0:56:15- What's going on?- Is that Nelson?
0:56:15 > 0:56:17It is indeed,
0:56:17 > 0:56:19and we're rescuing him.
0:56:29 > 0:56:32Where in blazes was you going?
0:56:32 > 0:56:35- Dominica?- I wasn't going anywhere.
0:56:35 > 0:56:37So, why you went out in your boat, then?
0:56:37 > 0:56:38I was moving it around the bay.
0:56:38 > 0:56:41Turtle Pete said I could moor it at his place.
0:56:41 > 0:56:44You mean, you wasn't leaving the island?
0:56:44 > 0:56:47I told you, like it or lump it, I'm not going anywhere.
0:56:47 > 0:56:50Whoa! And you must let me buy you all a drink!
0:56:50 > 0:56:52- What?- As a thank you.
0:56:52 > 0:56:54One drink! You cheapskate!
0:56:54 > 0:56:56You mean, we save your life for one drink?
0:56:56 > 0:57:00Don't worry about that. The drinks will be on the house.
0:57:04 > 0:57:05I'll look after you, Nelson...
0:57:05 > 0:57:08- Thanks, Catherine. - Come on, let's get you dry...
0:57:09 > 0:57:12He's going to want my spare room back, isn't he?
0:57:12 > 0:57:14Almost definitely, sir.
0:57:16 > 0:57:19Probably want my clothes, as well, and my shoes!
0:57:21 > 0:57:24I'm going to have to move in with you, Florence! Only joking!