:00:16. > :00:22.Hello it's Joel again and welcome to Doctor Who's greatest Monsters and
:00:23. > :00:27.Villains as voted for by you. This next entry will have you scared
:00:28. > :00:37.stiff. Literally. But who could it be? Shall I put you out of your
:00:38. > :00:42.misery? It's been two days, what are you waiting for. OK chill.
:00:43. > :00:45.Seriously. The monsters that are responsible for a whole generation
:00:46. > :00:48.of children, and indeed adults, being terrified of statues and
:00:49. > :00:51.developing dry eyeballs from a lack of blinking. Your second placed
:00:52. > :01:00.greatest monster and villain is of course? The Weeping Angels. They are
:01:01. > :01:04.coming. The angels are coming for you. But listen, don't blink, don't
:01:05. > :01:08.even blink. Blink and you are dead. They are faster than you could
:01:09. > :01:20.believe. Don't turn your back, don't look away and don't blink. The shear
:01:21. > :01:22.simplicity of their menace is what makes them so terrifying. Based on
:01:23. > :01:26.the children's game, Grandmas Footsteps - which basically trains
:01:27. > :01:29.kids to sneak up on the elderly. The idea that an everyday object that we
:01:30. > :01:32.take for granted like a statue, could actually be a deadly alien
:01:33. > :01:36.assassin, poised for attack. And much like someone who picks their
:01:37. > :01:44.nose in public, they will only do this when they think they aren't
:01:45. > :01:48.being watched. That's a cut guys. So now we have a reason for disliking
:01:49. > :01:51.those creepy performers in the town centre. It is believed that the
:01:52. > :01:57.Weeping Angels have been around since the start of the universe,
:01:58. > :02:01.along with dark matter and Brucie. They are an alien species that feed
:02:02. > :02:04.off the energy produced from sending people back through time and space.
:02:05. > :02:11.Which they do by simply touching you. The only way to ensure they
:02:12. > :02:15.don't get you, is to look at them. This puts them in a quantum locked
:02:16. > :02:19.state. Which is a science wiencey way of saying they turn to stone.
:02:20. > :02:24.That's why they cover their eyes. They are not weeping. They can't
:02:25. > :02:31.risk looking at each other. Their greatest asset is their greatest
:02:32. > :02:34.curse. And as if all this wasn't terrifying enough, even being in the
:02:35. > :02:38.presence of an Angel's image, be that a photo or on a tv screen,
:02:39. > :02:42.means they can manifest and still get you. As they say, "That which
:02:43. > :02:45.takes the image of an Angel, becomes itself an Angel." Coming in this
:02:46. > :02:48.next episode we see the Angels for the very first time when they
:02:49. > :02:51.terrorise, a yet to be really famous, Carey Mulligan. What does
:02:52. > :03:07.that mean? An image of an angel becomes itself an angel. For force
:03:08. > :03:12.clr She stumbles across the Angels and a Doctorless Tardis, which she
:03:13. > :03:16.must protect in his absence. Oh, need to put some money on the meter.
:03:17. > :03:20.And it also sees the first victim of the Angels being transported back to
:03:21. > :03:23.Hull in the 1920s. And if you are wondering what that must have been
:03:24. > :03:29.like, just visit Hull now. Seriously. What's going on? So here
:03:30. > :03:34.we are with the monsters that are the perfect deterrent to graveyard
:03:35. > :06:35.flower thieves. Don't blink in case you miss it. It is of
:06:36. > :06:41.Your life could depend on this. Don't blink!
:06:42. > :06:45.Don't even blink. Blink and you're dead.
:06:46. > :06:47.They are fast, faster than you can believe.
:06:48. > :07:20.Bit freaked. Need to talk. Making you a coffee.
:07:21. > :07:23.'Sally Sparrow, it's one in the morning.
:07:24. > :07:26.'You think I'm coming round at one in the morning?' No.
:07:27. > :07:31.'What's that on all those screens in your front room?'
:07:32. > :07:37.Oh, God! Sally, you've met my brother Larry, haven't you?
:07:38. > :08:25.You and me, girl investigators. Love it!
:08:26. > :09:44.What are you doing?! It could be a burglar!
:09:45. > :10:54.It's all a bit complicated. I'm not sure I understand it myself.
:10:55. > :10:58.I'm sorry, I feel really stupid, but I was told to make absolutely sure.
:10:59. > :11:14.Funny feeling, after all these years.
:11:15. > :11:43.Katherine Costello Nightingale. Is this a joke?
:11:44. > :12:20.I was in the middle of London. You're in Hull.
:12:21. > :12:38.My grandmother. Katherine Costello Nightingale.
:12:39. > :12:44.Don't have that in London. There's no call for it. It's all Hull.
:12:45. > :13:09.My Kathy, your grandmother - they're practically identical.
:13:10. > :13:20."if my grandson has done as he promises he will,
:13:21. > :13:32."The third of the photographs is of my children.
:13:33. > :15:33."I suppose, unless I live to a really exceptional old age,
:15:34. > :15:37."I will be long gone as you read this.
:15:38. > :15:41."Don't feel sorry for me. I have led a good and full life.
:15:42. > :15:47."I've loved a good man and been well loved in return.
:15:48. > :15:53."He was the very first person I met in 1920."
:15:54. > :16:08."To take one breath in 2007 and the next in 1920
:16:09. > :16:11."is a strange way to start a new life,
:16:12. > :16:14."but a new life is exactly what I've always wanted."
:16:15. > :16:32."He works at the DVD store on Queen Street.
:16:33. > :16:59.Excuse me, I'm looking for Lawrence Nightingale.
:17:00. > :17:53.There it is. Sorry. Sorry again about the whole...
:17:54. > :18:02.What? What is it? What's the message?
:18:03. > :18:18.She said to say. She just sort of mentioned it.
:18:19. > :18:22.She loves you. There, that's nice, isn't it?
:18:23. > :18:40.Who is this guy? Sorry, the pause thing keeps slipping. Stupid thing.
:18:41. > :18:43.Last night at Kathy's, you had him on those screens. That same guy.
:18:44. > :18:46.Talking about, I dunno, blinking or something.
:18:47. > :18:48.Yeah, the bit about the blinking's great!
:18:49. > :18:51.I was checking to see if they were all the same.
:18:52. > :18:54.What were the same? What is this? Who is he? An Easter egg.
:18:55. > :19:01.You know how on DVDs they put extras on, documentaries and stuff?
:19:02. > :19:04.Sometimes they put on hidden ones, and they call them Easter eggs.
:19:05. > :19:07.You have to look for them, follow clues in the menu screen.
:19:08. > :19:19.There are 17 totally unrelated DVDs, all with him on,
:19:20. > :19:23.Not even the publishers know how he got there.
:19:24. > :19:27.I've talked to the manufacturers, right? They don't even know.
:19:28. > :19:37.Just sits there making random remarks.
:19:38. > :19:39.It's like we're hearing half a conversation.
:19:40. > :19:42.Me and the guys are always trying to work out the other half.
:19:43. > :19:46.When you say you and the guys, you mean the internet, don't you?
:19:47. > :20:01.People assume that time is a strict progression of cause to effect,
:20:02. > :20:04.but actually from a non-linear, non-subjective viewpoint,
:20:05. > :20:09.it's more like a big ball of wibbly-wobbly, timey-wimey stuff.
:20:10. > :20:18.Like you can hear me. Well, I CAN hear you.
:20:19. > :20:24.I've had enough now. I've had a long day and I've had bloody enough!
:20:25. > :20:35.The 17 DVDs. I thought you might be interested.
:20:36. > :20:57.Why does nobody ever just go to the police?
:20:58. > :21:09.Wester Drumlins, out by the estate. You've probably seen it.
:21:10. > :21:14.Could you just wait here for a minute?
:21:15. > :22:12.Er, Marcie, can you tell them I'm gonna be late for that thing?
:22:13. > :22:16.All of them? Over the last two years, yeah.
:22:17. > :22:24.So over the last two years the owners of all of these vehicles have
:22:25. > :22:32.driven up to Wester Drumlins House, parked outside and just disappeared.
:22:33. > :22:37.Ah! The pride of the Wester Drumlins collection.
:22:38. > :22:41.We found that there, too. Somebody's idea of a joke, I suppose.
:22:42. > :22:46.Well, it's a special kind of phone box for policemen.
:22:47. > :22:49.They used to have them all over. But this isn't a real one.
:22:50. > :22:52.The phone's just a dummy, and the windows are the wrong size.
:22:53. > :22:57.Ordinary Yale lock, but nothing fits.
:22:58. > :23:03.See, you're missing the big question.
:23:04. > :23:16.Aren't you on duty, Detective Inspector Shipton?
:23:17. > :23:23.Why? Because life is short and you are hot.
:23:24. > :23:40.Is that your phone number? Just my phone number.
:23:41. > :23:45.Not a promise, not a guarantee, not an IOU, just a phone number.
:23:46. > :23:49.And that's Sally...? Sally Shipton. Sparrow.
:23:50. > :23:55.I'm going now. Don't look at me. I'll phone you! Don't look at me.
:23:56. > :23:57.Phone you tomorrow. Don't look at me!
:23:58. > :25:42.Ordinary Yale lock, but nothing fits.
:25:43. > :25:52.Oh, the moon landing's brilliant. We went four times.
:25:53. > :25:55.Back when we had transport... Working on it!
:25:56. > :25:58.How did I get here? The same way we did. The touch of an angel.
:25:59. > :26:10.Fascinating race, the weeping angels.
:26:11. > :26:13.The only psychopaths in the universe to kill you nicely.
:26:14. > :26:20.The rest of your life used up and blown away in the blink of an eye.
:26:21. > :26:33.What in God's name are you talking about?
:26:34. > :26:36.Trust me. Just nod when he stops for breath.
:26:37. > :26:40.Tracked you down with this. This is my timey-wimey detector.
:26:41. > :26:44.Also, it can boil an egg at 30 paces,
:26:45. > :26:48.whether you want it to or not, so I've learned to stay away from hens.
:26:49. > :26:59.Normally, I'd offer you a lift home, but somebody nicked my motor.
:27:00. > :27:03.So I need you to take a message to Sally Sparrow.
:27:04. > :27:09.And I'm sorry, Billy, I am very, very sorry.
:27:10. > :28:18.She looks nice. Her name was Sally too.
:28:19. > :28:28.I often thought about looking for you before tonight,
:28:29. > :28:33.but apparently it would've torn a hole in the fabric of space and time
:28:34. > :28:37.and destroyed two thirds of the universe.
:28:38. > :28:43.Two thirds of the universe. Where'd you get that?
:28:44. > :28:48.There's a man in 1969. He sent me with a message for you.
:28:49. > :28:58.What does that mean? Is that it, look at the list?
:28:59. > :29:27.Have you noticed what all 17 DVDs have in common yet?
:29:28. > :29:31.I suppose it's hard for you, in a way.
:29:32. > :29:34.How could the Doctor have even known I had a list? I only just got this.
:29:35. > :29:38.I asked him how, but he said he couldn't tell me.
:29:39. > :29:48.Soon as I understand it, I'll come and tell you.
:29:49. > :29:59.He told me all those years ago that we'd only meet again this one time.
:30:00. > :30:15.But I've had something to look forward to.
:30:16. > :31:38.'Course, why?' I want you to meet me.
:31:39. > :31:53.OK, this is the one with the clearest sound.
:31:54. > :31:56.Slightly better picture quality on this one, but I don't...
:31:57. > :32:23.No, it sounds like he's replying, but he always says that.
:32:24. > :32:30.He can hear us. Oh, my God, you can really hear us!
:32:31. > :32:37.I've got a transcript, see, everything he says.
:32:38. > :32:41."Yep, that's me". "Yes, I do". "Yep, and this". Next it's...
:32:42. > :32:43.BOTH: Are you going to read out the whole thing?
:32:44. > :32:53.We're stuck. All of space and time, he promised me.
:32:54. > :32:57.Now I've got a job in a shop, I've got to support him! Martha! Sorry.
:32:58. > :33:05.1969, that's where you're talking from? 'Fraid so.
:33:06. > :33:11.You can't know exactly what I'll say, 40 years before I say it!
:33:12. > :33:16.I'm writing in your bits!! How? How is this possible?
:33:17. > :33:23.It's not what you think it is. Then what is it?
:33:24. > :33:32.And don't patronise me because people have died, and I'm not happy.
:33:33. > :33:39.People assume that time is a strict progression of cause to effect,
:33:40. > :33:42.but actually from a non-linear, non-subjective viewpoint,
:33:43. > :33:46.it's more like a big ball of wibbly-wobbly, timey-wimey stuff.
:33:47. > :33:49.Yeah, I've seen this bit before. You said that sentence got away from you.
:33:50. > :33:54.Next thing you're going to say is, "Well, I CAN hear you".
:33:55. > :33:57.Well, I CAN hear you. This isn't possible! No!
:33:58. > :34:02.Not hear you exactly, but I know everything you'll to say.
:34:03. > :34:04.Always gives me the shivers, that bit.
:34:05. > :34:06.How can you know what I'm going to say?
:34:07. > :34:09.Look to your left. What does he mean by, "Look to your left"?
:34:10. > :34:22.So I've got a complete transcript of the whole conversation.
:34:23. > :34:25.Wait till this hits the net. This will explode the egg forums.
:34:26. > :34:29.I've got a copy of the finished transcript. It's on my autocue.
:34:30. > :34:41.You're reading from a transcript of a conversation you're still having?
:34:42. > :34:55.They've taken the blue box, haven't they?
:34:56. > :35:02.That's my favourite, I have it on a T-shirt! What do you mean, angels?
:35:03. > :35:13.What does that mean? Lonely assassins, they were called.
:35:14. > :35:24.They are quantum-locked. They don't exist when being observed.
:35:25. > :35:34.In the sight of any living thing, they literally turn to stone.
:35:35. > :35:39.Course, a stone can't kill you either.
:35:40. > :35:44.But then you turn your head away, then you blink, and oh, yes, it can!
:35:45. > :35:54.Their greatest asset is their greatest curse.
:35:55. > :35:59.The loneliest creatures in the universe.
:36:00. > :36:04.And I'm sorry, I am very, very sorry, it's up to you now.
:36:05. > :36:07.What am I supposed to do? The blue box, my time machine.
:36:08. > :36:11.There is a world of time energy in there they could feast on forever.
:36:12. > :36:13.The damage they can do can switch off the sun.
:36:14. > :36:24.There's no more from you on the transcript, that's all I've got.
:36:25. > :36:27.I dunno what stopped you talking, but I can guess. They're coming.
:36:28. > :36:53.I'll rewind him! What good would that do?!
:36:54. > :37:04.Keep looking at it, keep looking at it!!
:37:05. > :37:08.There's just one, right, there's just this one.
:37:09. > :37:11.We're OK if we keep staring at this one statue, everything will be fine.
:37:12. > :37:23.Remember what he said, don't even blink!
:37:24. > :37:47.They've locked it. They've locked us in! Why?
:37:48. > :37:53.A key I took last time I was here. They followed me to get it back.
:37:54. > :37:55.I led them to the blue box! Now they've got that!
:37:56. > :38:00.I'll check the back door, you wait here.
:38:01. > :38:04.Give them the key, give them what they want!
:38:05. > :38:07.Sally, no, what if they come behind me?!
:38:08. > :38:53.Larry! They've blocked off the back door, but there's a cellar.
:38:54. > :38:56.There might be a way out, delivery hatch or something.
:38:57. > :39:31.You can't move so long as I can see you.
:39:32. > :39:33.Whole world in the box, the Doctor says.
:39:34. > :39:42.Hope he's not lying, cos I don't see how else we're getting out.
:39:43. > :39:59.Oh, my God! It's turning out the lights!
:40:00. > :40:06.Quickly! I can't find the lock! Sally, hurry up!
:40:07. > :40:09.They're getting faster, Sally, come on!
:40:10. > :40:49.Please insert the disc and prepare for departure.
:40:50. > :40:53.Looks like a DVD player. There's a slot.
:40:54. > :41:13.They're trying to get in! Well, hurry up!
:41:14. > :41:57.He tricked them, The Doctor tricked them. They're looking at each other.
:41:58. > :42:30.Can you mind the shop? I'm just nipping next door for some milk.
:42:31. > :42:54.It's over. How did the Doctor know where to write the words on the wall?
:42:55. > :42:58.Where did he get all that information from?
:42:59. > :43:01.Look, some things you never find out. And that's OK.
:43:02. > :43:15.Ever think this might be getting in the way of...other things?
:43:16. > :43:56.there's a sort of thing happening, fairly important we stop it.
:43:57. > :44:03.We don't have time for this! Migration's started!
:44:04. > :44:06.Look, sorry, I've got a bit of a complex life.
:44:07. > :44:08.Things don't always happen to me in order.
:44:09. > :44:15.Oh, my God! Of course, you're a time traveller.
:44:16. > :44:19.It hasn't happened yet! None of it, it's still in your future! What?
:44:20. > :44:26.Oh, for God's sake, it was me all along. You got it all from me!
:44:27. > :44:32.One day you're going to get stuck in 1969.
:44:33. > :44:38.Yeah, listen, got to dash...things happening.
:44:39. > :44:45.OK. No worries, on you go. See you around, some day.
:44:46. > :45:55.We're going to the end of the universe.
:45:56. > :46:18.Utopia is? The last of the humans scattered across the night.
:46:19. > :46:24.Not even the Time Lords came this far. We should leave.