Human Nature

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0:00:00 > 0:00:01Get down!

0:00:04 > 0:00:06- Did they see you?- I don't know.

0:00:06 > 0:00:11- I was too busy running!- It's important, did they see your face? - No.- Off we go.

0:00:16 > 0:00:19- They're following us.- But you've got a time machine!

0:00:19 > 0:00:23Stolen technology. They've got a Time Agent's Vortex Manipulator.

0:00:23 > 0:00:26Across the universe. They won't stop.

0:00:28 > 0:00:31Unless... I'll have to do it.

0:00:31 > 0:00:34- Martha, you trust me? - Of course.- It all depends on you.

0:00:34 > 0:00:36What does? What do I do?

0:00:36 > 0:00:41Take this watch, my life depends on it. This watch, Martha, this watch is...

0:00:55 > 0:00:56KNOCK AT DOOR

0:00:56 > 0:00:58Come in.

0:00:58 > 0:01:02- Pardon me, Mr Smith, you're not dressed.- It's all right, put it down.

0:01:06 > 0:01:08I was, um...

0:01:10 > 0:01:12Sorry. Sorry.

0:01:12 > 0:01:16Sometimes, I have these extraordinary dreams.

0:01:16 > 0:01:19- What about, sir?- I dream I'm this...

0:01:19 > 0:01:21adventurer,

0:01:21 > 0:01:24this daredevil, a madman.

0:01:24 > 0:01:26"The Doctor", I'm called.

0:01:26 > 0:01:29And last night I dreamt

0:01:29 > 0:01:31that you were there.

0:01:31 > 0:01:34As my...companion.

0:01:34 > 0:01:37A teacher and a housemaid? Impossible.

0:01:37 > 0:01:39I was a man from another world.

0:01:39 > 0:01:43Then it can't be true, because there's no such thing.

0:01:43 > 0:01:46This thing, the watch. It was...

0:01:50 > 0:01:56Funny how dreams slip away. But I remember one thing, it all took place in the future.

0:01:56 > 0:01:59In the year of Our Lord 2007.

0:01:59 > 0:02:03I can prove that wrong, sir. Here's the morning paper.

0:02:03 > 0:02:08It's Monday November 10th 1913 and you're completely human, sir.

0:02:08 > 0:02:12- As human as they come. - Hmm, that's me.

0:02:12 > 0:02:14Completely human.

0:02:55 > 0:02:58CHILDREN SING: # He who would valiant be

0:02:58 > 0:03:03# 'Gainst all disaster

0:03:03 > 0:03:08# Let him in constancy

0:03:08 > 0:03:12# Follow the master... #

0:03:13 > 0:03:16Morning, sir.

0:03:18 > 0:03:19Morning, sir.

0:03:19 > 0:03:23# There no discouragement shall make him once relent... #

0:03:26 > 0:03:28Headmaster.

0:03:28 > 0:03:29# His first avowed intent to be a pilgrim... #

0:03:29 > 0:03:32..advanced with little impediment.

0:03:32 > 0:03:36The French were all but spent, with only two battalions remaining.

0:03:36 > 0:03:41The final reserve force was charged with protecting Napoleon.

0:03:41 > 0:03:46But, by evening, the advance of the allied troops had forced them to retreat.

0:03:52 > 0:03:54Morning, sir.

0:03:54 > 0:03:56Yes, quite.

0:03:58 > 0:04:01Head in the clouds, that one.

0:04:01 > 0:04:04Don't know why you're so sweet on him.

0:04:04 > 0:04:11- He's kind to me. Not everyone's that considerate, what with me being... - A Londoner?- Exactly!

0:04:11 > 0:04:16Now then, you two. You're not paid to have fun, are you?

0:04:16 > 0:04:18Put a little backbone into it.

0:04:18 > 0:04:23- Yes, sir. Sorry, sir. - You, there. What's your name? - Martha, sir. Martha Jones.

0:04:23 > 0:04:29With hands like those how you can tell when something's clean?

0:04:30 > 0:04:33That's very funny, sir.

0:04:33 > 0:04:40- Don't answer back.- I'd answer back with my bucket over his head. - Oh, I wish!

0:04:40 > 0:04:42Just think, though.

0:04:42 > 0:04:46Soon boys like that'll be running the country.

0:04:46 > 0:04:481913.

0:04:48 > 0:04:50They might not.

0:04:52 > 0:04:54- Ma'am.- Good morning, Mr Smith.

0:04:54 > 0:04:56Oh! There we go.

0:04:56 > 0:05:00- Let me help you. - No, no, I've got it, no. Um.

0:05:00 > 0:05:02How best to retrieve...?

0:05:02 > 0:05:04If you could take these.

0:05:07 > 0:05:08- Good.- No harm done.

0:05:08 > 0:05:10So, how was Jenkins?

0:05:10 > 0:05:13Just a cold. He's missing his mother most of all.

0:05:13 > 0:05:17- We can't have that.- He's received a letter now, so he's chipper.

0:05:17 > 0:05:21- I appear to be holding your books. - Yes, so you are! Just let me...

0:05:21 > 0:05:24No, why don't I take half?

0:05:24 > 0:05:31- Brilliant idea. Perfect division of labour.- We make quite a team.- Don't we just?

0:05:31 > 0:05:35- These books, were they being taken in any particular direction?- Yes.

0:05:35 > 0:05:39Um, this way.

0:05:39 > 0:05:44Matron, give the boys a good head of steam, they'll wear themselves out.

0:05:44 > 0:05:48When it's just you and me, I'd rather you called me Nurse Redfern.

0:05:48 > 0:05:52Matron sounds rather, well, matronly.

0:05:52 > 0:05:56- Nurse Redfern.- Though we've known each other only two months, you could say "Joan".

0:05:56 > 0:05:59- Joan?- That's my name.- Obviously.

0:05:59 > 0:06:01- And it's John?- Yes, yes, it is, yes.

0:06:01 > 0:06:04John, the annual dance at the village hall tomorrow.

0:06:04 > 0:06:09It's nothing formal but rather fun. Do you think you'll go?

0:06:11 > 0:06:12Hadn't thought about it.

0:06:12 > 0:06:17It's been ages since I've been to a dance. Only no-one's asked me.

0:06:17 > 0:06:19Well!

0:06:19 > 0:06:22I should imagine that you'd be... I mean,

0:06:22 > 0:06:26I never thought you'd be one for... If you do! You may not.

0:06:26 > 0:06:29I probably won't. But even if I did, I couldn't...

0:06:29 > 0:06:31I wouldn't want to...

0:06:31 > 0:06:32The stairs. Right behind you.

0:06:36 > 0:06:40Stop it. I get boys causing less fuss than this.

0:06:40 > 0:06:42- But it hurts.- Is he all right?

0:06:42 > 0:06:46It's hardly good form to enter a master's study without knocking.

0:06:46 > 0:06:48Sorry, right, yeah.

0:06:48 > 0:06:49SHE KNOCKS

0:06:49 > 0:06:51But is he all right?

0:06:51 > 0:06:53They said you fell down the stairs.

0:06:53 > 0:06:56- Just a tumble. - Have you checked for concussion?

0:06:56 > 0:07:00I have, and I dare say I know a lot more about it than you.

0:07:01 > 0:07:03Sorry. I'll just...

0:07:03 > 0:07:05tidy your things.

0:07:05 > 0:07:10I was just telling Nurse Redfern - Matron - about my dreams.

0:07:10 > 0:07:13They are quite remarkable tales.

0:07:13 > 0:07:17I keep imagining that I'm someone else and that I'm hiding...

0:07:17 > 0:07:19Hiding? In what way?

0:07:19 > 0:07:23Um... They're almost every night.

0:07:23 > 0:07:26- This is going to sound silly. - Tell me.

0:07:26 > 0:07:31I dream, quite often, that I have two hearts.

0:07:31 > 0:07:34Well, then. I can be the judge of that. Let's find out.

0:07:43 > 0:07:45HEARTBEAT

0:07:48 > 0:07:50I can confirm the diagnosis.

0:07:50 > 0:07:53Just one heart, singular.

0:07:53 > 0:07:58I have, um, I have written down some of these dreams in the form of fiction.

0:07:59 > 0:08:03- Not that it would be of any interest.- I'd be very interested.

0:08:06 > 0:08:08Well, I've never actually

0:08:08 > 0:08:11shown it to anyone before.

0:08:11 > 0:08:14"A Journal of Impossible Things".

0:08:20 > 0:08:24Just look at these creatures, such imagination.

0:08:24 > 0:08:26It's become quite a hobby.

0:08:32 > 0:08:36But it's wonderful. And quite an eye for the pretty girls.

0:08:36 > 0:08:39She's just an invention. This character, Rose, I call her.

0:08:39 > 0:08:42Rose.

0:08:42 > 0:08:44She disappears later on.

0:08:49 > 0:08:51Oh, that's the box.

0:08:51 > 0:08:54The blue box, it's always there.

0:08:54 > 0:08:56Like a magic carpet.

0:08:56 > 0:08:59This box that transports me to faraway places.

0:08:59 > 0:09:01- Like a doorway?- Mm.

0:09:01 > 0:09:07I sometimes think how magical life would be if stories like this were true.

0:09:07 > 0:09:09If only.

0:09:09 > 0:09:13All just a dream.

0:09:13 > 0:09:16BELL RINGS

0:09:16 > 0:09:18Ma'am,

0:09:18 > 0:09:19that book.

0:09:19 > 0:09:22I'll look after it. Don't worry. He did say I could read it.

0:09:22 > 0:09:24But it's silly, that's all.

0:09:24 > 0:09:26Just stories.

0:09:26 > 0:09:31- Who is he, Martha?- I'm sorry?- It's like he's left the kettle on.

0:09:31 > 0:09:36He knows he has something to get back to, but he can't remember what.

0:09:36 > 0:09:40- That's just him.- You arrived with him. He found you employment, here at the school?

0:09:40 > 0:09:43I used to work for the family, he inherited me.

0:09:43 > 0:09:45Well, I'd be careful.

0:09:45 > 0:09:51You sometimes seem a little familiar with him. Best remember your position.

0:09:51 > 0:09:53Yes, ma'am.

0:09:55 > 0:09:57Ah, Latimer.

0:09:57 > 0:10:01Latin translation. Blasted Catullus, I want it done by morning.

0:10:01 > 0:10:07- Yes, sir.- And no mistakes, I want it written in my best handwriting.

0:10:07 > 0:10:09But listen, Father says he's been promoted.

0:10:09 > 0:10:12That means more money, might get a better school.

0:10:12 > 0:10:14Ah, he should enjoy it, sir.

0:10:14 > 0:10:20My uncle had a six-month posting in Johannesburg. Says it was the most beautiful country on God's earth.

0:10:20 > 0:10:24- What are you talking about?- Africa. Your father.- Did you read my post?

0:10:24 > 0:10:27- What?- Who said Africa?

0:10:27 > 0:10:29I've only just read the word myself.

0:10:29 > 0:10:33- How did you know that?- I haven't... - Have you been spying on me?- No!

0:10:33 > 0:10:35I just guessed.

0:10:35 > 0:10:37What's that mean?

0:10:37 > 0:10:39I'm good at guessing, that's all.

0:10:39 > 0:10:40Idiot.

0:10:45 > 0:10:49Sometimes I say things and they turn out to be correct.

0:10:49 > 0:10:52Just little things, tiny things.

0:10:52 > 0:10:54I can't help it.

0:10:54 > 0:10:58It's just some sort of luck.

0:10:58 > 0:11:01- Never mind that, little toad. Who's for beer?- You've got beer?

0:11:01 > 0:11:06- Baxter's hidden a secret supply in Blackdown Woods. - What are you waiting for?

0:11:06 > 0:11:10Make sure the bursar's down the pub before you go.

0:11:10 > 0:11:13- Bottle for everyone, is it? - None for the filth.

0:11:13 > 0:11:15Hurry back, Baines, I'm parched!

0:11:19 > 0:11:21Ooh, it's freezing out here.

0:11:21 > 0:11:24- Why can't we have a drink inside? - Don't be ridiculous.

0:11:24 > 0:11:28You get these notions! It's all very well, those suffragettes, but that's London!

0:11:28 > 0:11:33Don't you just want to scream sometimes? Tell 'em?

0:11:33 > 0:11:38- Things must be different in your country.- They are. Thank God I'm not staying.

0:11:38 > 0:11:40You keep saying that.

0:11:40 > 0:11:44Just you wait. One more month and I'm as free as the wind.

0:11:44 > 0:11:49- Wish you could come with me. You'd love it.- Where you gonna go? - Anywhere. Look up there.

0:11:49 > 0:11:54Imagine you could go all the way out to the stars.

0:11:54 > 0:11:57You don't half say mad things.

0:11:57 > 0:12:00That's where I'll go. Into the sky, all the way out.

0:12:04 > 0:12:06Did you see that?

0:12:06 > 0:12:09- See what?- Did you see it, though?

0:12:09 > 0:12:11Up there, just for a second.

0:12:11 > 0:12:13There's nothing there.

0:12:52 > 0:12:55Matron? Are you all right?

0:12:55 > 0:12:57Did you see that? Something in the woods.

0:12:57 > 0:13:00- This light...- Anything wrong, ladies?

0:13:00 > 0:13:03Rather too cold to be standing around in the dark.

0:13:03 > 0:13:05There! Look, in the sky.

0:13:05 > 0:13:08Oh, that's beautiful.

0:13:08 > 0:13:10All gone!

0:13:10 > 0:13:13Commonly known as a meteorite.

0:13:13 > 0:13:16It's just rocks falling to the ground.

0:13:16 > 0:13:18- Came down in the woods.- No, no.

0:13:18 > 0:13:21They look close, but they're miles off.

0:13:21 > 0:13:24Nothing left but a cinder.

0:13:24 > 0:13:27I should escort you back to the school.

0:13:27 > 0:13:31- Ladies?- We're fine, thanks. - Then I shall bid you good night.

0:13:34 > 0:13:38Jenny, where was that? On the horizon, where the light was headed?

0:13:38 > 0:13:40That's by Cooper's Field.

0:13:40 > 0:13:42You can't just run off!

0:13:42 > 0:13:44It's dark, you'll break a leg!

0:14:24 > 0:14:26I say, hello?

0:14:29 > 0:14:31Was that some kind of aeroplane?

0:14:32 > 0:14:34Are you chaps all right?

0:14:42 > 0:14:44What?

0:14:52 > 0:14:54That's impossible.

0:15:07 > 0:15:09Some kind of door.

0:15:11 > 0:15:12Hello?

0:15:15 > 0:15:16Is anyone there?

0:15:30 > 0:15:32There you are.

0:15:32 > 0:15:35Nothing there, I told you so!

0:15:35 > 0:15:36That's Cooper's Field?

0:15:36 > 0:15:39As far as the eye can see. No falling star!

0:15:39 > 0:15:42I'm frozen to the bone, let's go.

0:15:42 > 0:15:45As your Mr Smith says, nothing to see.

0:15:52 > 0:15:55But I don't understand. Who are you?

0:15:55 > 0:15:57We are The Family.

0:15:57 > 0:16:01Far more important, who are you, little thing?

0:16:01 > 0:16:04My name's Baines. Jeremy Baines.

0:16:04 > 0:16:09- Please can I go? - I'm so sorry, Baines, Jeremy Baines.

0:16:09 > 0:16:12But I don't think you can ever leave.

0:16:12 > 0:16:15But who are you?

0:16:15 > 0:16:20- Why can't I see you? - Why would you want to see us?

0:16:20 > 0:16:21To know what you look like.

0:16:21 > 0:16:24Oh, that's easily answered.

0:16:24 > 0:16:28Because very soon we will look so familiar.

0:16:28 > 0:16:29HE SCREAMS

0:16:33 > 0:16:36Where is he? Promises a beer and then vanishes into the night.

0:16:39 > 0:16:42There he is, let him in.

0:16:53 > 0:16:55Baines, you dolt! Thought you'd been caught.

0:16:58 > 0:17:02Well, then? Where is it, man? Where's the blessed beer?

0:17:02 > 0:17:04There was no beer. It was gone.

0:17:04 > 0:17:06Damn, I've been waiting!

0:17:06 > 0:17:09Pretty poor show, Baines, I have to say.

0:17:09 > 0:17:11HE SNIFFS

0:17:11 > 0:17:14What's the matter? Caught the sniffles?

0:17:14 > 0:17:17Yes, I must have. It was cold.

0:17:17 > 0:17:19Very cold.

0:17:19 > 0:17:23Don't spread it about, I don't want your germs!

0:17:23 > 0:17:25Might as well get some sleep.

0:17:25 > 0:17:30Come on, chaps. Maybe tomorrow. I think Jackson's got beer in the pavilion.

0:18:19 > 0:18:22Hello.

0:18:22 > 0:18:25Talking to a machine.

0:18:41 > 0:18:42Get down!

0:18:55 > 0:18:56They're following us.

0:18:56 > 0:18:58They can follow us wherever we go.

0:18:58 > 0:19:01Across the universe. They're never gonna stop.

0:19:01 > 0:19:05- You trust me, don't you? - Of course I do. - Cos it all depends on you.

0:19:10 > 0:19:15Martha, this watch is me.

0:19:15 > 0:19:17Right, OK. Gotcha. No, hold on.

0:19:17 > 0:19:19Completely lost.

0:19:19 > 0:19:22Those creatures are hunters. They sniff out anyone.

0:19:22 > 0:19:25Being a Time Lord - I'm unique. They could track me down.

0:19:25 > 0:19:27And the good news is?

0:19:27 > 0:19:31They can smell me, but they haven't seen me. And their life spans are running out.

0:19:31 > 0:19:33So, we hide. Wait for them to die.

0:19:33 > 0:19:35But they can track us down.

0:19:35 > 0:19:37That's why I've got to do it.

0:19:37 > 0:19:40I have to stop being a Time Lord.

0:19:40 > 0:19:42I'm going to become human.

0:19:55 > 0:20:00Never thought I'd use this. Oh, but all the times I've wondered.

0:20:00 > 0:20:02What does it do?

0:20:02 > 0:20:04Chameleon Arch.

0:20:04 > 0:20:07Rewrites my biology. Changes every single cell in my body.

0:20:07 > 0:20:09I've set it to human.

0:20:09 > 0:20:12The TARDIS will invent a life story for me,

0:20:12 > 0:20:16find a setting and integrate me. It can't do it for you, you improvise.

0:20:16 > 0:20:18I'll have residual awareness to let you in.

0:20:18 > 0:20:22If you're going to rewrite every single cell, isn't it gonna hurt?

0:20:22 > 0:20:24Oh, yeah.

0:20:24 > 0:20:25It hurts.

0:20:48 > 0:20:49This working?

0:20:49 > 0:20:51Martha!

0:20:51 > 0:20:54Here's a list of instructions, for when I'm human.

0:20:54 > 0:20:58One, don't let me hurt anyone. We can't have that, you know what humans are like.

0:20:58 > 0:21:03Two, don't worry about the TARDIS, I'll put it on emergency power so they can't detect it.

0:21:03 > 0:21:05Just let it hide away. Four...

0:21:05 > 0:21:09No, wait a minute, three. No getting involved in big historical events.

0:21:09 > 0:21:11Four, you.

0:21:11 > 0:21:15Don't let me abandon you. And five...

0:21:15 > 0:21:16TAPE REWINDS

0:21:16 > 0:21:20But there was a meteor, what am I supposed to do then?

0:21:20 > 0:21:22And 23.

0:21:22 > 0:21:28If anything goes wrong, if they find us, Martha, then you know what to do. Open the watch.

0:21:28 > 0:21:31Everything I am is kept safe in there.

0:21:31 > 0:21:35I've put a perception filter on it, so the human me won't know. To him, it's just a watch.

0:21:35 > 0:21:38Don't open it unless you have to.

0:21:38 > 0:21:42Cos once it's open, then The Family will be able to find me.

0:21:42 > 0:21:44It's all down to you, Martha.

0:21:44 > 0:21:46Your choice.

0:21:47 > 0:21:50Oh, and thank you.

0:21:53 > 0:21:56I wish you'd come back.

0:21:56 > 0:21:59KNOCK AT DOOR

0:21:59 > 0:22:03- You told me to come and collect that book, sir.- Good lad, yes.

0:22:03 > 0:22:06The Definitive Account of Mafeking by Aitchinson Price.

0:22:06 > 0:22:08Where did I put it?

0:22:08 > 0:22:12I wanted a word. Your marks aren't quite good enough.

0:22:12 > 0:22:13I'm top ten of my class.

0:22:13 > 0:22:17Now be honest, Timothy. You should be the very top.

0:22:17 > 0:22:21You're a clever boy, you seem to be hiding it. Where is that book?

0:22:21 > 0:22:26I know why. Keeping your head low avoids the mockery of your classmates.

0:22:26 > 0:22:30- No man should hide himself, don't you think?- Yes, sir.

0:22:30 > 0:22:35If you're clever, be proud of it. Use it!

0:22:35 > 0:22:38ECHOING VOICE: Time Lord!

0:22:38 > 0:22:41ECHOING VOICES WHISPER

0:22:41 > 0:22:44'The secret lies within. I'm trapped.'

0:22:44 > 0:22:47'I'm caged inside the cold metal and the dark.'

0:22:47 > 0:22:50'But waiting. Always waiting.'

0:22:52 > 0:22:56Fascinating details about the siege. Are you all right?

0:22:56 > 0:22:58Yes, sir. Fine, sir.

0:22:58 > 0:23:00Right then. Good.

0:23:00 > 0:23:02And remember, use that brain of yours.

0:23:02 > 0:23:05ECHOING VOICE: 'Power of a Time Lord.'

0:23:07 > 0:23:10You're not looking yourself. Anything bothering you?

0:23:10 > 0:23:13No, sir. Thank you, sir.

0:23:32 > 0:23:35'You are not alone. Keep me hidden.'

0:23:37 > 0:23:40FEMALE VOICE: 'And infinite flight, burn with light...'

0:23:46 > 0:23:47BELL RINGS

0:23:50 > 0:23:52Come along now.

0:23:54 > 0:23:56Come along, Jenkins.

0:24:08 > 0:24:12MALE VOICE: 'There is a trace, but somehow scattered.

0:24:12 > 0:24:14'The scent is confused.

0:24:14 > 0:24:18'Nevertheless, we'd best arm ourselves.'

0:24:18 > 0:24:20Activate the soldiers.

0:24:35 > 0:24:38That is my property!

0:24:38 > 0:24:41You are trespassing on my land! Who's in there?

0:24:41 > 0:24:44Is it one of those idiot boys from the school, is it?

0:24:44 > 0:24:50Come on, let's be... Well, how did you?

0:24:52 > 0:24:56No! No! Help me!

0:24:56 > 0:24:57Help me!

0:25:12 > 0:25:14GIRL SCREAMS

0:25:19 > 0:25:21Concentrate!

0:25:27 > 0:25:30Hutchinson, excellent work.

0:25:30 > 0:25:32Cease fire!

0:25:32 > 0:25:35- Good day, Headmaster.- Your crew's on fine form today!

0:25:35 > 0:25:37Headmaster, we could do better.

0:25:37 > 0:25:40- Latimer's being deliberately shoddy. - I'm trying my best.

0:25:40 > 0:25:44You need to be better! Those targets are tribesmen, from the Dark Continent.

0:25:44 > 0:25:46That's the problem, sir.

0:25:46 > 0:25:48They only have spears.

0:25:48 > 0:25:53Latimer takes it upon himself to make us realise how wrong we are.

0:25:53 > 0:25:57I hope, Latimer, that one day you may have a just and proper war

0:25:57 > 0:25:59in which to prove yourself. Now resume firing.

0:26:06 > 0:26:08SHELLS EXPLODE

0:26:08 > 0:26:10MEN SHOUT

0:26:12 > 0:26:15One minute past the hour.

0:26:15 > 0:26:16It's now.

0:26:16 > 0:26:20Hutchinson, this is the time. It's now.

0:26:20 > 0:26:24Stoppage! Immediate action!

0:26:24 > 0:26:27Didn't I tell you, sir? The boy's useless!

0:26:27 > 0:26:32- Permission to give Latimer a beating, sir?- It's your class, Mr Smith.- Permission granted.

0:26:32 > 0:26:33Come with me, oik!

0:26:37 > 0:26:39HE SNIFFS

0:26:40 > 0:26:42Anything the matter, Baines?

0:26:42 > 0:26:45I thought...

0:26:45 > 0:26:48No, sir. Nothing, sir.

0:26:49 > 0:26:51As you were, Mr Smith.

0:26:53 > 0:26:55Ah, Pemberton, Smythe, Wicks!

0:26:55 > 0:26:58Take post. Ah!

0:26:58 > 0:27:01Nurse Redfern.

0:27:01 > 0:27:06- I'll give you back your journal soon. - No, you don't have to.

0:27:06 > 0:27:08Excuse me, Mr Smith.

0:27:08 > 0:27:11I was just thinking about the day my husband was shot.

0:27:25 > 0:27:30His name was Oliver. He died at the battle of Spion Kop.

0:27:30 > 0:27:33We were childhood sweethearts.

0:27:33 > 0:27:36But, you see, I was angry with the Army, for such a long time.

0:27:36 > 0:27:38You still are.

0:27:38 > 0:27:42I find myself at school, watching boys learn how to kill.

0:27:42 > 0:27:46- Isn't discipline good for them?- Does it have to be military discipline?

0:27:46 > 0:27:51- If there's another war, those boys won't find it so amusing. - Well, Great Britain's at peace.

0:27:51 > 0:27:54Long may it reign.

0:27:54 > 0:27:58In one of your stories, you wrote about next year.

0:27:58 > 0:28:02- 1914.- That was just a dream.

0:28:02 > 0:28:05All those images of mud and wire.

0:28:05 > 0:28:07You told of a shadow,

0:28:07 > 0:28:10a shadow falling across the entire world.

0:28:10 > 0:28:13Then we can be thankful it's not true.

0:28:13 > 0:28:18I'll admit mankind doesn't need warfare and bloodshed to prove itself.

0:28:18 > 0:28:22Everyday life can provide honour and valour and... Let's hope from now on, this...

0:28:22 > 0:28:26this country can find its heroes in smaller places.

0:28:31 > 0:28:33In the most...

0:28:36 > 0:28:38ordinary of...

0:28:38 > 0:28:40of deeds.

0:28:52 > 0:28:53SHE SCREAMS

0:29:06 > 0:29:07BABY CRIES

0:29:07 > 0:29:09Are you all right?

0:29:09 > 0:29:10Lucky.

0:29:12 > 0:29:13That was luck?

0:29:13 > 0:29:18Nurse Redfern, might I invite you to the village dance this evening?

0:29:18 > 0:29:21- As my guest?- You extraordinary man!

0:29:25 > 0:29:28Oh, it's all becoming clear now!

0:29:28 > 0:29:32The Doctor is the man you'd like to be, doing impossible things with cricket balls.

0:29:32 > 0:29:35Well, I've discovered a talent, that's true.

0:29:35 > 0:29:39- But The Doctor has an eye for the ladies.- The devil! - A girl in every fireplace.

0:29:39 > 0:29:43Ah, now there I have to protest, Joan. That is hardly me.

0:29:43 > 0:29:46Says the man dancing with me tonight.

0:29:46 > 0:29:48That scarecrow's all askew.

0:29:54 > 0:29:59- Ever the artist. Where did you learn to draw?- Gallifrey. - Is that in Ireland?

0:30:00 > 0:30:03- Yes. It must be.- You're not Irish?

0:30:03 > 0:30:07No. My father, Sidney, was a watchmaker from Nottingham.

0:30:07 > 0:30:10And my mother, Verity, was...

0:30:12 > 0:30:15Erm, well, she was a nurse, actually.

0:30:15 > 0:30:18- Oh, we make such good wives. - Really? Right.

0:30:18 > 0:30:20Yes!

0:30:21 > 0:30:22Well, my work is done!

0:30:22 > 0:30:26- What d'you think?- A masterpiece. - I've all sorts of skills today.

0:30:40 > 0:30:42Can I see?

0:30:47 > 0:30:49Oh, goodness.

0:30:49 > 0:30:51Do I look like that?

0:30:51 > 0:30:53You sure that's not me?

0:30:53 > 0:30:56Definitely this page. Do you like it?

0:30:56 > 0:31:00- You've made me far too beautiful. - Well, that's how I see you.

0:31:01 > 0:31:05Widows aren't meant to be beautiful. The world would rather we stopped.

0:31:07 > 0:31:10Is that fair?

0:31:10 > 0:31:12That we stop?

0:31:14 > 0:31:16That's not fair at all.

0:31:31 > 0:31:35I've never... Um...

0:31:41 > 0:31:43DOOR OPENS

0:31:43 > 0:31:47Martha! What have I told you about entering unannounced!

0:31:49 > 0:31:51Wasn't on the list!

0:31:55 > 0:31:58TAPE REWINDS

0:31:58 > 0:32:00Four, you.

0:32:00 > 0:32:02Don't let me abandon you.

0:32:02 > 0:32:04That's no good!

0:32:04 > 0:32:07What about what you didn't tell me? What about women?

0:32:07 > 0:32:10Oh, no, you didn't think of that.

0:32:10 > 0:32:12What the hell am I supposed to do?

0:32:12 > 0:32:16Thank you.

0:32:16 > 0:32:20You had to, didn't you?

0:32:20 > 0:32:22Had to fall in love with a human.

0:32:23 > 0:32:25And it wasn't me.

0:32:27 > 0:32:32- WOMAN: 'Darkness is coming! - DOCTOR: 'Keep me away from the false and empty man.'

0:32:32 > 0:32:35MAN: 'Last of the Time Lords. Last of their wise and ancient race.'

0:32:35 > 0:32:38WOMAN'S VOICE: '..the faces of men...'

0:33:00 > 0:33:01THEY SNIFF

0:33:09 > 0:33:13Who's that playing silly beggars? Nearly broke me neck!

0:33:13 > 0:33:15Who's that, then?

0:33:15 > 0:33:17Is it you, Saul?

0:33:25 > 0:33:26SHE SCREAMS

0:33:29 > 0:33:31I don't understand.

0:33:31 > 0:33:35It's Mr Clark, isn't it?

0:33:35 > 0:33:37What have I done wrong?

0:33:40 > 0:33:42Nothing at all.

0:33:42 > 0:33:45In fact,

0:33:45 > 0:33:47you're just what we need, girl.

0:33:47 > 0:33:49She works at the school.

0:33:49 > 0:33:54Whatever's happening seems to be centred around that establishment.

0:33:54 > 0:33:57The faintest of traces, but they all lead back there.

0:33:59 > 0:34:00It's Baines, isn't it?

0:34:00 > 0:34:03This isn't very funny, sir.

0:34:03 > 0:34:07Stop talking, cease and desist, there's a good girl!

0:34:07 > 0:34:11Mother of Mine is dying to meet you.

0:34:11 > 0:34:16And here she is.

0:34:16 > 0:34:19- Stop mocking me, sir.- No!

0:34:19 > 0:34:23Mother of Mine just needs a shape.

0:34:23 > 0:34:26We go through shapes so very fast.

0:34:26 > 0:34:30Yours is perfectly adequate,

0:34:30 > 0:34:31if a little grim.

0:34:33 > 0:34:36Mother of Mine,

0:34:36 > 0:34:38embrace her.

0:34:45 > 0:34:46You look wonderful.

0:34:46 > 0:34:51You'd best give me some warning, can you actually dance?

0:34:52 > 0:34:55Um, I'm not certain.

0:34:55 > 0:34:57There's a surprise.

0:34:57 > 0:35:01- Is there anything you're certain about?- Yes.

0:35:01 > 0:35:03Yes.

0:35:07 > 0:35:09Come and look what I've got.

0:35:09 > 0:35:13Mr Pool didn't want his afternoon tea, so there's enough for two.

0:35:15 > 0:35:18- What are you standing there for? - SHE SNIFFS

0:35:18 > 0:35:19You all right?

0:35:19 > 0:35:21I must have a cold coming on.

0:35:23 > 0:35:26I keep thinking about them but I don't know what to do.

0:35:26 > 0:35:28- About who? - Mr Smith and Matron.

0:35:28 > 0:35:33- Cos it's never gonna last. He's going to leave in a few weeks.- Why?

0:35:33 > 0:35:38- His contract comes to an end and she's gonna be heartbroken. - Leave for where?

0:35:38 > 0:35:41All sorts of places.

0:35:41 > 0:35:44- I wish I could tell you. But it's complicated.- In what way?

0:35:44 > 0:35:46I just can't.

0:35:46 > 0:35:48It sounds so interesting.

0:35:48 > 0:35:51Tell me. Tell me now.

0:35:54 > 0:35:56- Would you like some tea? - Yes, thanks.

0:35:56 > 0:36:01I could put a nice bit of gravy in the pot and some mutton.

0:36:01 > 0:36:03Or sardines and jam, how about that?

0:36:04 > 0:36:08- I like the sound of that.- Right.

0:36:08 > 0:36:09Hold on a tick.

0:36:32 > 0:36:34- They've found us!- It's ridiculous. - I warned you.

0:36:34 > 0:36:38They've found us and I've seen them, they look like people, like us!

0:36:38 > 0:36:40You've got to open the watch.

0:36:42 > 0:36:45Where is it?

0:36:45 > 0:36:47Oh, my God, where's it gone?

0:36:47 > 0:36:51- What are you talking about?- You had a watch, a fob watch, right there.

0:36:51 > 0:36:54- I don't remember. - What concern is it of yours?

0:36:54 > 0:36:55But we need it!

0:36:55 > 0:36:59Doctor, we're hiding from aliens, and they've got Jenny!

0:36:59 > 0:37:01They've possessed her or copied her or something!

0:37:01 > 0:37:04- You've got to tell me, where's the watch?- Oh! I see!

0:37:04 > 0:37:07Cultural differences.

0:37:08 > 0:37:10It must be confusing for you.

0:37:10 > 0:37:14Martha, this is what we call a story.

0:37:14 > 0:37:17Oh, you complete...

0:37:17 > 0:37:21This is not you. This is 1913!

0:37:21 > 0:37:23Good. This is 1913.

0:37:23 > 0:37:26I'm sorry, I'm really sorry, but I've got to snap you out of this.

0:37:26 > 0:37:30- Martha!- Wake up! You're coming back to the TARDIS with me.

0:37:30 > 0:37:33How dare you? I won't go anywhere with an insane servant!

0:37:33 > 0:37:37Martha, you are dismissed! You will leave these premises immediately!

0:37:37 > 0:37:40The nerve of it! The absolute cheek!

0:37:40 > 0:37:44- You think I'm a fantasist, what about her?- The funny thing is, you did have a fob watch.

0:37:44 > 0:37:46Right there. Don't you remember?

0:37:50 > 0:37:51Oh, sorry.

0:37:51 > 0:37:53Sorry.

0:37:53 > 0:37:55Martha?!

0:37:55 > 0:37:59Not now, Tim, busy!

0:38:10 > 0:38:12Mr Smith?

0:38:13 > 0:38:16No-one home.

0:38:16 > 0:38:18The maid was hiding something.

0:38:18 > 0:38:21A secret around this Mr Smith.

0:38:21 > 0:38:24We've both scented him. He was plain and simple human.

0:38:24 > 0:38:28Maybe he knows something. Where is he?

0:38:31 > 0:38:36- She's infatuated. You're a dangerous man.- You've taken my arm in public. - I'm very scared.

0:38:36 > 0:38:39Spare a penny for the veterans of the Crimea, sir?

0:38:39 > 0:38:42Yes, of course. There you are.

0:38:53 > 0:38:59Ladies and gentlemen, please take your partners for a waltz.

0:39:11 > 0:39:13You CAN dance!

0:39:13 > 0:39:16Quite surprised myself!

0:39:17 > 0:39:18Sorry!

0:39:27 > 0:39:29I think this might help.

0:39:31 > 0:39:36That makes it easy, Son of Mine. Because Daughter of Mine is already there.

0:39:36 > 0:39:38We're invited to the dance.

0:39:44 > 0:39:47Oh. Staff entrance, I think, Miss.

0:39:47 > 0:39:49Yeah, well, think again, mate.

0:40:07 > 0:40:09Please, don't. Not again.

0:40:09 > 0:40:13He's different from any other man you've ever met, right?

0:40:13 > 0:40:19- Yes.- And sometimes he says these strange things, like people and places you've never heard of?

0:40:19 > 0:40:21But it's deeper than that.

0:40:21 > 0:40:26Sometimes, when you look in his eyes, you know, you just know, that there's something else in there.

0:40:26 > 0:40:29Something hidden.

0:40:29 > 0:40:33Behind the eyes, something hidden away. In the dark.

0:40:33 > 0:40:35I don't know what you mean.

0:40:35 > 0:40:37Yes, you do.

0:40:38 > 0:40:45I don't mean to be rude, but the awful thing is, it doesn't even matter what you think.

0:40:45 > 0:40:48But you're nice, and you're lucky.

0:40:48 > 0:40:51I just want to say sorry for what I'm about to do.

0:40:51 > 0:40:53Oh, now really, Martha.

0:40:53 > 0:40:56This is getting out of hand. I insist you leave.

0:40:56 > 0:40:59Do you know what this is?

0:40:59 > 0:41:00Name it.

0:41:00 > 0:41:02Go on. Name it.

0:41:02 > 0:41:06John, what is that silly thing? John?

0:41:15 > 0:41:17You're not John Smith.

0:41:17 > 0:41:20You're called The Doctor.

0:41:20 > 0:41:22The man in your journal, he's real.

0:41:22 > 0:41:24He's you.

0:41:26 > 0:41:29Evening all. Spare a penny, sir?

0:41:29 > 0:41:31I didn't spare YOU.

0:41:32 > 0:41:33HE SCREAMS

0:41:52 > 0:41:56You will be silent! All of you!

0:41:58 > 0:41:59I said silence!

0:41:59 > 0:42:02Mr Clark? What's going on?

0:42:04 > 0:42:06EVERYBODY SCREAMS

0:42:06 > 0:42:10Mr Smith, forget everything I told you. Don't say anything.

0:42:10 > 0:42:12We asked for SILENCE!

0:42:15 > 0:42:17Now then.

0:42:17 > 0:42:20We have a few questions for Mr Smith.

0:42:20 > 0:42:23No, better than that.

0:42:23 > 0:42:26The teacher. He's The Doctor!

0:42:26 > 0:42:30- I heard them talking. - You took human form?

0:42:30 > 0:42:32I was born human, as were you, Baines!

0:42:32 > 0:42:35And Jenny, and you, Mr Clark.

0:42:35 > 0:42:37What is going on? This is madness!

0:42:37 > 0:42:41Ooh, and a human brain, too. Simple, thick and dull!

0:42:41 > 0:42:44But he's no good like this.

0:42:44 > 0:42:46We need a Time Lord.

0:42:46 > 0:42:49Easily done.

0:42:52 > 0:42:56- Change back.- I don't know what you mean.- Change back!

0:42:56 > 0:42:58I literally do not know...

0:42:58 > 0:43:01- Get off!- She's your friend.

0:43:01 > 0:43:06- Doesn't this scare you enough to change back? - I don't know what you mean!

0:43:06 > 0:43:10Wait a minute. The maid told me about Smith and the Matron.

0:43:10 > 0:43:13- That woman, there. - Then let's have YOU!

0:43:17 > 0:43:20Have you enjoyed it, Doctor? Being human?

0:43:20 > 0:43:25Has it taught you wonderful things? Are you better, richer, wiser?

0:43:25 > 0:43:27Then let's see you answer this.

0:43:27 > 0:43:30Which one of them do you want us to kill?

0:43:30 > 0:43:33Maid or Matron?

0:43:33 > 0:43:35Your friend...

0:43:35 > 0:43:39or your lover? Your choice!

0:44:33 > 0:44:35We are the Family of Blood.

0:44:44 > 0:44:46- Save us.- I am not The Doctor.

0:44:46 > 0:44:50He was like the storm in the heart of the sun. He's ancient and forever.

0:44:50 > 0:44:54He burns at the centre of time and he can see the turn of the universe.

0:44:56 > 0:44:58Subtitles by Red Bee Media Ltd, 2007