0:00:02 > 0:00:05BIRDS SQUAWK AND TWEET
0:00:22 > 0:00:24It's a beautiful day.
0:00:32 > 0:00:34Hallucinogenic lipstick.
0:00:36 > 0:00:38She's here.
0:01:13 > 0:01:15Wrong! Wrong!
0:01:15 > 0:01:17Bit right, mostly wrong.
0:01:18 > 0:01:19I love museums.
0:01:19 > 0:01:21Yeah, great(!) Can we go to a planet now?
0:01:21 > 0:01:23Big space ship, Churchill's bunker...?
0:01:23 > 0:01:25You promised me a planet.
0:01:25 > 0:01:26Amy, this isn't any old asteroid.
0:01:26 > 0:01:31It's the Delerium Archive, final resting place of the headless monks, the biggest museum ever.
0:01:31 > 0:01:34You've got a time machine, why do you need museums?
0:01:34 > 0:01:36Wrong! Very wrong!
0:01:36 > 0:01:38Oooh, one of mine. Also one of mine.
0:01:39 > 0:01:42Oh, I see. It's how you keep score.
0:01:53 > 0:01:55Oh great, an old box.
0:02:01 > 0:02:04It's from one of the old starliners. A Home Box.
0:02:04 > 0:02:06What's a Home Box?
0:02:06 > 0:02:09Like a black box on a plane, except it homes.
0:02:09 > 0:02:15- Anything happens to the ship, the Home Box flies home, with all the flight data.- So?
0:02:15 > 0:02:18The writing, the graffiti - Old High Gallifreyan.
0:02:18 > 0:02:20The lost language of the Time Lords.
0:02:25 > 0:02:31There were days, there were many days, these words could
0:02:31 > 0:02:35- burn stars and raise up empires, and topple Gods. - What does it say?
0:02:39 > 0:02:41Hello, sweetie.
0:02:50 > 0:02:52ALARM BELL RINGS
0:03:10 > 0:03:12Party's over, Doctor Song.
0:03:12 > 0:03:15- Why are we doing this?- Cos someone on a space ship 12,000 years ago
0:03:15 > 0:03:17is trying to attract my attention.
0:03:17 > 0:03:21Let's see if we can get the security playback working.
0:03:30 > 0:03:35The party's over, Doctor Song, yet still you're on board.
0:03:37 > 0:03:42Sorry, Alistair. I needed to see what was in your vault.
0:03:42 > 0:03:47Do you all know what's down there? Any of you?
0:03:47 > 0:03:53Because I'll tell you something. This ship won't reach its destination.
0:03:53 > 0:03:57Wait till she runs. Don't make it look like an execution.
0:03:58 > 0:04:02Triple-seven, five, slash, three, four, nine by ten.
0:04:02 > 0:04:07Zero, twelve, slash, acorn. Oh, and I could do with an air corridor..
0:04:07 > 0:04:08What was that, what did she say?
0:04:08 > 0:04:10Co-ordinates!
0:04:10 > 0:04:13Like I said on the dance floor,
0:04:13 > 0:04:18you might want to find something to hang on to!
0:04:48 > 0:04:50Doctor?
0:04:50 > 0:04:52River?
0:04:52 > 0:04:53Follow that ship.
0:05:41 > 0:05:46- They've gone into warp drive, we're losing them! Stay close!- I'm trying!
0:05:46 > 0:05:47Use the stabilisers.
0:05:47 > 0:05:49There aren't any stabilisers!
0:05:49 > 0:05:50The blue switches!
0:05:50 > 0:05:52The blue ones don't do anything, they're just...blue.
0:05:52 > 0:05:54Yes, they're blue.
0:05:54 > 0:05:57They're the blue stabilisers!
0:06:01 > 0:06:03See?
0:06:04 > 0:06:08Yeah, well, it's just boring now, isn't it? They're boring-ers.
0:06:08 > 0:06:11They're blue boring-ers.
0:06:11 > 0:06:14Doctor, how come she can fly the TARDIS?
0:06:14 > 0:06:16You call that flying the TARDIS? Ha!
0:06:16 > 0:06:22OK. I've mapped the probability vectors, done a fold-back
0:06:22 > 0:06:26on the temporal isometry, charted the ship to its destination,
0:06:26 > 0:06:30and parked us right along side.
0:06:30 > 0:06:33Parked us? We haven't landed.
0:06:33 > 0:06:36Of course we've landed. I just landed her.
0:06:36 > 0:06:39But it didn't make the noise.
0:06:39 > 0:06:42- What noise?- You know, the...
0:06:42 > 0:06:44HE IMPERSONATES TARDIS
0:06:46 > 0:06:50It's not supposed to make that noise. You leave the brakes on.
0:06:50 > 0:06:52Yeah, well, it's a brilliant noise.
0:06:52 > 0:06:54I love that noise.
0:06:54 > 0:06:57Come along, Pond, let's have a look.
0:06:58 > 0:07:02- No, wait! Environment checks. - Oh, yes, sorry! Quite right.
0:07:02 > 0:07:04Environment checks.
0:07:07 > 0:07:08Nice out.
0:07:08 > 0:07:12We're somewhere in the Garn Belt. There's an atmosphere. Early indications suggest...
0:07:12 > 0:07:15We're on Alfava Metraxis, the seventh planet of the Dundra System.
0:07:15 > 0:07:19Oxygen-rich atmosphere, toxins in the soft band, 11-hour day, and...
0:07:20 > 0:07:23..chances of rain later.
0:07:23 > 0:07:25He thinks he's so hot when he does that.
0:07:25 > 0:07:27How come you can fly the TARDIS?
0:07:27 > 0:07:31- Oh, I had lessons from the very best. - Well, yeah.
0:07:31 > 0:07:35It's a shame you were busy that day.
0:07:35 > 0:07:38Right then, why did they land here?
0:07:40 > 0:07:41They didn't land.
0:07:41 > 0:07:43Sorry?
0:07:43 > 0:07:47You should've checked the Home Box - it crashed.
0:07:56 > 0:07:59Explain! Who is that and how did she do that museum thing?
0:07:59 > 0:08:02It's a long story and I don't know most of it. Off we go!
0:08:02 > 0:08:05- What are you doing?- Leaving. She's got where she wants to go,
0:08:05 > 0:08:08- let's go where we want to go. - Are you basically running away?
0:08:08 > 0:08:10- Yep.- Why?- Cos she's my future. - Can you run away from that?
0:08:10 > 0:08:13I can run away from anything I like. Time is not the boss of me.
0:08:13 > 0:08:16- Hang on, is that a planet out there? - Yes, of course it's a planet.
0:08:16 > 0:08:20You promised me a planet. Five minutes?
0:08:22 > 0:08:24- OK, five minutes!- Yes!
0:08:24 > 0:08:30But that's all, cos I'm telling you now, that woman is not dragging me into anything!
0:08:47 > 0:08:49What caused it to crash? Not me.
0:08:49 > 0:08:52Nah, the airlock would've sealed seconds after you blew it.
0:08:52 > 0:08:56According to the Home Box, the warp engines had a phase-shift.
0:08:56 > 0:09:00- No survivors.- A phase-shift would have to be sabotage. I did warn them.
0:09:00 > 0:09:06- About what?- Well, at least the building was empty. Aplan temple.
0:09:06 > 0:09:07Unoccupied for centuries.
0:09:09 > 0:09:12Aren't you going to introduce us?
0:09:14 > 0:09:17Amy Pond, Professor River Song.
0:09:17 > 0:09:20Ahhh, I'm going to be a Professor some day, am I?
0:09:20 > 0:09:23How exciting!
0:09:23 > 0:09:25Spoilers!
0:09:25 > 0:09:28Yeah, but who is she and how did she do that?
0:09:28 > 0:09:30She just left you a note in a museum!
0:09:30 > 0:09:32Two things always guaranteed to show up in a museum.
0:09:32 > 0:09:38The Home Box of category four starliner and, sooner or later, him.
0:09:38 > 0:09:41- It's how he keeps score.- I know.
0:09:41 > 0:09:43It's hilarious, isn't it?
0:09:43 > 0:09:45I'm nobody's taxi service!
0:09:45 > 0:09:47I'm not gonna be there to catch you
0:09:47 > 0:09:51every time you feel like jumping out of a space ship.
0:09:51 > 0:09:53And you are so wrong.
0:09:54 > 0:09:58There's one survivor.
0:09:58 > 0:10:01There's a thing in the belly of that ship that can't ever die.
0:10:08 > 0:10:11Now he's listening! You lot in orbit yet?
0:10:11 > 0:10:13Yeah, I saw it land. I'm at the crash site.
0:10:13 > 0:10:15Try and home in on my signal.
0:10:15 > 0:10:18Doctor, can you sonic me?
0:10:18 > 0:10:22I need to boost the signal so we can use it as a beacon.
0:10:24 > 0:10:28Ooh, Doctor! You soniced her(!)
0:10:28 > 0:10:30We have a minute. Shall we?
0:10:30 > 0:10:33Where were we up to?
0:10:33 > 0:10:37- Have we done the Bone Meadows? - What's the book?- Stay away from it.
0:10:38 > 0:10:40- What is it though?- Her diary.
0:10:40 > 0:10:43- Our diary.- Her past, my...future.
0:10:45 > 0:10:49Time travel. We keep meeting in the wrong order.
0:11:02 > 0:11:05You promised me an army, Doctor Song.
0:11:05 > 0:11:10No. I promised you the equivalent of an army. This is the Doctor.
0:11:12 > 0:11:16Father Octavian, Sir. Bishop, second class. 20 clerics at my command.
0:11:16 > 0:11:19The troops are already in the drop ship and landing shortly.
0:11:19 > 0:11:21Doctor Song was helping us with a covert investigation.
0:11:25 > 0:11:28Has Doctor Song explained what we're dealing with?
0:11:28 > 0:11:33Doctor, what do you know of the Weeping Angels?
0:11:35 > 0:11:39The Angel, as far as we know, is still trapped in the ship.
0:11:39 > 0:11:41Our mission is to get inside and neutralise it.
0:11:41 > 0:11:44We can't get through up top, we'd be too close to the drives.
0:11:45 > 0:11:52According to this, behind the cliff face, there's a network of catacombs leading right up to the temple.
0:11:52 > 0:11:58We can blow through the base of the cliffs, get into the entrance chamber, then make our way up.
0:11:58 > 0:12:00- Oh, good.- Good, sir?
0:12:00 > 0:12:02Catacombs, probably dark ones. Dark catacombs, great(!)
0:12:02 > 0:12:06Technically, I think it's called a maze of the dead.
0:12:06 > 0:12:08You can stop any time you like.
0:12:08 > 0:12:11- Father Octavian?- Excuse me, sir.
0:12:14 > 0:12:18You're letting people call you "sir". You never do that.
0:12:20 > 0:12:24So, whatever a Weeping Angel is, it's really bad, yeah?
0:12:24 > 0:12:27Now that's interesting...
0:12:27 > 0:12:30You're still here. Which part of "Wait in the TARDIS till I tell you it's safe"
0:12:30 > 0:12:33- was so confusing?- Ooh, are you all Mr Grumpy Face today?
0:12:33 > 0:12:36A Weeping Angel, Amy, is the deadliest,
0:12:36 > 0:12:40most powerful, most malevolent life form evolution has ever produced,
0:12:40 > 0:12:41and one is trapped inside that wreckage
0:12:41 > 0:12:44and I'm supposed to climb in with a screwdriver and a torch,
0:12:44 > 0:12:46and assuming I survive the radiation,
0:12:46 > 0:12:48and the whole ship doesn't blow up in my face,
0:12:48 > 0:12:50do something clever which I haven't thought of yet.
0:12:50 > 0:12:54That's my day, that's what I'm up to. Any questions?
0:12:54 > 0:12:55Is River Song your wife?
0:12:55 > 0:12:59Cos she's someone from your future, and the way she talks to you,
0:12:59 > 0:13:02I've never seen anyone do that.
0:13:02 > 0:13:04She's kinda like, you know, "Heel, boy!"
0:13:04 > 0:13:07She's Mrs Doctor from the future, isn't she?
0:13:07 > 0:13:11- Is she gonna be your wife one day? - Yes.
0:13:12 > 0:13:18You're right. I am definitely Mr Grumpy Face today.
0:13:18 > 0:13:20Doctor? Doctor!
0:13:21 > 0:13:24Oops! Her indoors!
0:13:24 > 0:13:25Father Octavian!
0:13:26 > 0:13:29Why do they call them Father?
0:13:29 > 0:13:31He's their Bishop, they're his clerics.
0:13:31 > 0:13:34It's the 51st Century, the Church has moved on.
0:13:46 > 0:13:50What do you think? It's from the security cameras in the Byzantium vault.
0:13:50 > 0:13:53I ripped it when I was on board. Sorry about the quality.
0:13:53 > 0:13:57- It's four seconds. I've put it on loop.- Yeah. It's an Angel. Hands covering its face.
0:13:57 > 0:14:00You've encountered the Angels before?
0:14:00 > 0:14:01Once, on Earth, a long time ago.
0:14:01 > 0:14:04But those were scavengers, barely surviving.
0:14:04 > 0:14:05It's just a statue.
0:14:05 > 0:14:07- It's a statue when you see it. - Where did it come from?
0:14:07 > 0:14:10Oh, pulled from the ruins of Razbahan, end of last century.
0:14:10 > 0:14:13It's been in private hands ever since, dormant all that time.
0:14:13 > 0:14:16There's a difference between dormant and patient.
0:14:16 > 0:14:19What's that mean, it's a statue when you see it?
0:14:19 > 0:14:24The Weeping Angels can only move if they're unseen. So legend has it.
0:14:24 > 0:14:27No, it's not legend. It's a quantum lock.
0:14:27 > 0:14:31In the sight of any living creature, the Angels literally cease to exist.
0:14:31 > 0:14:34They're just stone. The ultimate defence mechanism.
0:14:34 > 0:14:36What, being a stone?
0:14:36 > 0:14:40Being a stone... until you turn your back.
0:14:44 > 0:14:46The hyperdrive would've split on impact.
0:14:46 > 0:14:49The whole ship will be flooded with radiation, cracked electrons,
0:14:49 > 0:14:53- gravity storms, deadly to almost any living thing.- Deadly to an Angel?
0:14:53 > 0:14:57Dinner to an Angel. The longer we leave it, the stronger it will grow. Who built that temple?
0:14:57 > 0:15:02The Aplans. The indigenous life-form. They died out 400 years ago.
0:15:02 > 0:15:07200 years later, the planet was terraformed. Currently there are six billion human colonists.
0:15:07 > 0:15:11You lot, you're everywhere! Like rabbits! I'll never get done saving you.
0:15:11 > 0:15:17- Sir, if there is a clear and present danger to the local population... - Oh, there is. Bad as it gets.
0:15:17 > 0:15:19Bishop, lock and load!
0:15:19 > 0:15:23Verger, how we doing with those explosives? Dr Song, with me.
0:15:23 > 0:15:25Two minutes. Sweetie, I need you.
0:15:26 > 0:15:30Anybody need me? Nobody?
0:15:44 > 0:15:47I found this. Definitive work on the Angels.
0:15:47 > 0:15:50Well, the only one. Written by a madman, it's barely readable,
0:15:50 > 0:15:52but I've marked a few passages.
0:15:52 > 0:15:56Not bad, bit slow in the middle, didn't you hate his girlfriend? No, hang on, wait, wait!
0:15:56 > 0:16:00Dr. Song? Did you have more than one clip of the Angel?
0:16:00 > 0:16:02No, just the four seconds.
0:16:02 > 0:16:06This book is wrong! What's wrong with this book, it's wrong.
0:16:32 > 0:16:36Oh, it's so strange when you go all baby-face. How early is this for you?
0:16:36 > 0:16:38Very early.
0:16:38 > 0:16:40So you don't know who I am yet?
0:16:40 > 0:16:43How do you know who I am? I don't always look the same.
0:16:43 > 0:16:45I've got pictures of all your faces.
0:16:45 > 0:16:48You never show up in the right order though. I need the spotter's guide.
0:16:48 > 0:16:51Pictures? Why aren't there pictures?
0:17:24 > 0:17:29You're just a recording. You can't move.
0:17:50 > 0:17:51Doctor!
0:17:57 > 0:17:59Doctor!
0:17:59 > 0:18:02This whole book - it's a warning, about the Weeping Angels.
0:18:02 > 0:18:05So why no pictures? Why not show us what to look out for?
0:18:05 > 0:18:09- There was a bit about images. - Yes! Hang on...
0:18:09 > 0:18:12'That which holds the image of an angel becomes itself an angel.'
0:18:16 > 0:18:19Doctor!
0:18:19 > 0:18:24What does that mean? "An image of a Angel becomes itself an Angel."
0:18:27 > 0:18:29Doctor! It's in the room!
0:18:29 > 0:18:32- Amy!- Doctor!
0:18:32 > 0:18:35Are you all right? What's happening?
0:18:35 > 0:18:39Doctor! Doctor, it's coming out of the television. The Angel is here.
0:18:39 > 0:18:41Don't take your eyes off it!
0:18:41 > 0:18:43- It can't move if you're looking. - What's wrong?- It's deadlocked.
0:18:43 > 0:18:45- There is no deadlock. - Don't even blink, Amy!
0:18:45 > 0:18:49- Doctor!- What are you doing? - Cutting the power.
0:18:49 > 0:18:52It's using the screen, I'm turning the screen off.
0:18:52 > 0:18:56- It's no good, it's deadlocked the whole system.- There's no deadlock.
0:18:56 > 0:18:57- There is now!- Help me!
0:18:57 > 0:19:00- Amy! Can you turn it off?- Doctor! - The screen, can you turn it off?
0:19:00 > 0:19:02- I tried.- Try again but don't take your eyes off the Angel.
0:19:02 > 0:19:08- I'm not!- Each time it moves, it'll move faster. Don't even blink.
0:19:08 > 0:19:12I'm not blinking! Have you ever tried not blinking?
0:19:28 > 0:19:31- It just keeps switching back on! - Yeah, it's the Angel.
0:19:32 > 0:19:34But it's just a recording.
0:19:34 > 0:19:39No, anything that takes the image of an Angel is an Angel.
0:19:39 > 0:19:42- What are you doing? - I'm trying to cut through.
0:19:42 > 0:19:46- It's not even warm.- There is no way in, it's not physically possible.
0:19:46 > 0:19:48Doctor! What's it gonna do to me?
0:19:48 > 0:19:53- Just keep looking at it. Don't stop looking!- Just tell me.
0:19:53 > 0:19:57Just tell me. Tell me!
0:19:57 > 0:20:01Amy, not the eyes. Look anywhere but don't look at the eyes.
0:20:01 > 0:20:03- Why?- What is it?
0:20:03 > 0:20:05"The eyes are not the windows of the soul, they are the doors.
0:20:05 > 0:20:07"Beware what may enter there."
0:20:07 > 0:20:10- Doctor, what did you say? - Don't look at the eyes!
0:20:10 > 0:20:14No, about images, what did you say about images?
0:20:14 > 0:20:17Whatever holds the image of an angel, is an angel.
0:20:18 > 0:20:22OK... Hold this.
0:20:22 > 0:20:26One, two, three, four...
0:20:29 > 0:20:31DOOR OPENS
0:20:32 > 0:20:34I froze it!
0:20:34 > 0:20:37There was a sort of blip on the tape and I froze it on the blip.
0:20:37 > 0:20:41It wasn't the image of an angel any more. That was good, yeah?
0:20:41 > 0:20:44It was, wasn't it? That was pretty good.
0:20:44 > 0:20:46- That was amazing!- River, hug Amy.
0:20:46 > 0:20:49- Why?- Cos I'm busy.- I'm fine.
0:20:49 > 0:20:52- You're brilliant!- Thanks. Yeah.
0:20:52 > 0:20:53I kind of creamed it, didn't I?
0:20:53 > 0:20:57- So it was here? That was the Angel? - That was a projection of the Angel.
0:20:57 > 0:21:02It's reaching out, getting a good look at us. It's no longer dormant.
0:21:05 > 0:21:06It's gone positive!
0:21:08 > 0:21:10Doctor! We're through!
0:21:10 > 0:21:14OK. Now it starts.
0:21:21 > 0:21:23- Coming?- Yeah, coming.
0:21:23 > 0:21:26There's just...something in my eye.
0:21:38 > 0:21:41Do we have a gravity globe?
0:21:41 > 0:21:42Grav globe.
0:21:43 > 0:21:46Where are we? What is this?
0:21:46 > 0:21:49It's an Aplan mortarium.
0:21:49 > 0:21:51Sometimes called a maze of the dead.
0:21:51 > 0:21:52And what's that?
0:21:52 > 0:21:56Well, if you happen to be a creature of living stone...
0:22:04 > 0:22:07..the perfect hiding place.
0:22:08 > 0:22:11I guess this makes it a bit trickier.
0:22:11 > 0:22:12A bit, yeah.
0:22:12 > 0:22:16A stone angel on the loose amongst stone statues.
0:22:16 > 0:22:18Harder than I'd prayed for.
0:22:18 > 0:22:20A needle in a haystack.
0:22:20 > 0:22:24A needle that looks like hay. A hay-like needle. Of death.
0:22:24 > 0:22:27A hay-alike needle of death in a haystack of, er, statues.
0:22:27 > 0:22:29No, yours was fine.
0:22:29 > 0:22:32Right. Check every single statue in this chamber.
0:22:32 > 0:22:35You know what you're looking for. Complete visual inspection.
0:22:35 > 0:22:37One question - how do we fight it?
0:22:37 > 0:22:39We find it, and hope.
0:22:44 > 0:22:48He doesn't know yet, does he? Who and what you are.
0:22:48 > 0:22:50It's too early in his time stream.
0:22:50 > 0:22:54Well, make sure he doesn't work it out, or he's not gonna help us.
0:22:54 > 0:22:57I won't let you down.
0:22:57 > 0:23:01Believe you me, I have no intention of going back to prison.
0:23:03 > 0:23:05Sir? Side chamber. One visible exit.
0:23:07 > 0:23:10Check it out. Angelo, go with him.
0:23:57 > 0:24:01- You all right?- Yeah, I'm fine.
0:24:01 > 0:24:04So, what's a maze of the dead?
0:24:04 > 0:24:06Oh, it's not as bad as it sounds.
0:24:06 > 0:24:09It's just a labyrinth with dead people buried in the walls.
0:24:09 > 0:24:12OK, that was fairly bad.
0:24:12 > 0:24:17Right give me your arm...
0:24:17 > 0:24:20This won't hurt a bit.
0:24:21 > 0:24:24- Ow!- There, you see. I lied.
0:24:24 > 0:24:26It's a viro-stabiliser.
0:24:26 > 0:24:31Stabilises your metabolism against radiation, drive burn, anything.
0:24:31 > 0:24:35- You're going to need it when we get up to that ship.- So what's he like?
0:24:35 > 0:24:38In the future, I mean.
0:24:38 > 0:24:43- Cos you know him in the future, don't you?- The Doctor?
0:24:43 > 0:24:45Well, the Doctor's the Doctor.
0:24:45 > 0:24:49Oh, well that's very helpful.
0:24:49 > 0:24:51Mind if I write that down?
0:24:51 > 0:24:54- Yes, we are.- Sorry, what?
0:24:54 > 0:24:58- Talking about you. - I wasn't listening, I'm busy.
0:24:58 > 0:24:59Ah. The other way up.
0:25:04 > 0:25:07- Yeah.- You're so his wife.
0:25:07 > 0:25:11Oh, Amy, Amy, Amy! This is the Doctor we're talking about.
0:25:11 > 0:25:14- Do you really think it could be anything that simple?- Yep.
0:25:16 > 0:25:19You're good. I'm not saying you're right...
0:25:19 > 0:25:25but you are very good.
0:25:30 > 0:25:34- CLERIC:- Can you believe this? We're hunting statues.
0:25:35 > 0:25:38SECOND CLERIC: Better than chasing lava snakes.
0:25:40 > 0:25:42Actually, lava snakes weren't that bad.
0:26:12 > 0:26:15STONE RUMBLES
0:26:17 > 0:26:21Who's there? Is someone there?
0:26:24 > 0:26:25Angelo?
0:26:27 > 0:26:29Angelo!
0:26:34 > 0:26:36Christian, is that you?
0:26:36 > 0:26:39- OVER RADIO: - Angelo, come and see this.
0:26:44 > 0:26:47- What is it?- Just come and see it.
0:26:48 > 0:26:51It's not a school trip. Just tell me.
0:26:51 > 0:26:54No, really, come and see.
0:27:10 > 0:27:12GUNFIRE
0:27:18 > 0:27:20Sorry. Sorry, I thought...
0:27:20 > 0:27:22I thought it looked at me.
0:27:22 > 0:27:26- We know what the Angel looks like. Is that the Angel?- No, sir.
0:27:26 > 0:27:29No, sir, it is not! According to the Doctor, we are facing an enemy
0:27:29 > 0:27:31of unknowable power and infinite evil.
0:27:31 > 0:27:38So it would be good, it would be very good, if we could all remain calm in the presence of decor.
0:27:38 > 0:27:39- What's your name?- Bob, sir.
0:27:39 > 0:27:43- Ah, that's a great name. I love Bob.- It's a Sacred Name.
0:27:43 > 0:27:50- We all have Sacred Names, they're given to us in the service of the Church.- Sacred Bob.
0:27:50 > 0:27:53More like Scared Bob now, eh?
0:27:53 > 0:27:54Yes, sir.
0:27:54 > 0:27:55Ah, good.
0:27:55 > 0:27:58Scared keeps you fast.
0:27:58 > 0:28:02Anyone in this room who isn't scared is a moron.
0:28:03 > 0:28:04Carry on.
0:28:08 > 0:28:11We'll be moving into the maze in two minutes.
0:28:11 > 0:28:15You stay with Christian and Angelo. Guard the approach.
0:28:23 > 0:28:26Isn't there a chance this lot's just gonna collapse?
0:28:26 > 0:28:30- There's a whole ship up there. - Incredible builders, the Aplans.
0:28:30 > 0:28:34Had dinner with their chief architect once. Two heads are better than one.
0:28:34 > 0:28:35You mean you helped him?
0:28:35 > 0:28:37No, I mean he had two heads.
0:28:37 > 0:28:39That book. The very end, what did it say?
0:28:39 > 0:28:44- Hang on.- Read it to me.
0:28:44 > 0:28:50"What if we had ideas that could think for themselves? What if one day our dreams no longer needed us?
0:28:50 > 0:28:54"When these things occur and are held to be true, the time will be upon us.
0:28:54 > 0:28:58"The time of Angels."
0:28:58 > 0:29:01OVER RADIO: Hey, Angelo. Christian?
0:29:02 > 0:29:04Where are you?
0:29:12 > 0:29:15Are we there yet? It's a hell of a climb.
0:29:15 > 0:29:20The maze is on six levels representing the ascent of the soul. Only two levels to go.
0:29:20 > 0:29:23Lovely species, the Aplans.
0:29:23 > 0:29:27- We should visit them some time. - I thought they were all dead?
0:29:27 > 0:29:30So's Virginia Woolf. I'm on her bowling team.
0:29:30 > 0:29:32Very relaxed, sort of cheerful.
0:29:32 > 0:29:36That's having two heads. You're never short of a snog with an extra head.
0:29:36 > 0:29:40- Doctor, there's something. I don't know what it is... - Yeah, something wrong.
0:29:40 > 0:29:43Don't know what it is yet either, working on it. Then they had laws
0:29:43 > 0:29:45against self-marrying and what was that about?
0:29:45 > 0:29:50But that's the church for you. Erm, no offence, Bishop.
0:29:50 > 0:29:53Quite a lot taken, if that's all right, Doctor.
0:30:00 > 0:30:04Lowest point in the wreckage is only about 50 feet up from here.
0:30:04 > 0:30:08- That way.- Church had a point, if you think about it.
0:30:08 > 0:30:11The divorces must have been messy.
0:30:12 > 0:30:13Oh!
0:30:13 > 0:30:15What's wrong?
0:30:18 > 0:30:19Oh.
0:30:27 > 0:30:29Exactly.
0:30:29 > 0:30:31How could we not notice that?
0:30:31 > 0:30:34Low level perception filter, or maybe we're thick.
0:30:34 > 0:30:38- What's wrong, sir?- Nobody move. Everyone stay exactly where they are. Bishop, I am truly sorry.
0:30:38 > 0:30:42- I've made a mistake and we are all in danger.- What danger?
0:30:45 > 0:30:47The Aplans.
0:30:47 > 0:30:49The Aplans?
0:30:49 > 0:30:51- They've got two heads. - I get that. So?
0:30:51 > 0:30:53So why don't the statues?
0:30:54 > 0:30:59Everyone, over there. Just move, don't ask questions, don't speak.
0:31:04 > 0:31:09OK. I want you all to switch off your torches.
0:31:09 > 0:31:12- Sir?- Just do it.
0:31:16 > 0:31:21OK. I'm going to turn off this one too, just for a moment.
0:31:21 > 0:31:23Are you sure about this?
0:31:23 > 0:31:25No.
0:31:30 > 0:31:32Oh, my God! They've moved.
0:31:48 > 0:31:50They're Angels.
0:31:50 > 0:31:53- All of them!- But they can't be.
0:31:53 > 0:31:56Clerics, keep watching them.
0:32:03 > 0:32:09Every statue in this maze, every single one, is a Weeping Angel.
0:32:09 > 0:32:11They're coming after us.
0:32:26 > 0:32:29- OVER RADIO:- Bob, come and see this.
0:32:29 > 0:32:32Angelo?
0:32:32 > 0:32:35Come and see what we've found.
0:32:35 > 0:32:38Are you with Christian? The Bishop said you'd be five minutes.
0:32:38 > 0:32:41I'm here, Bob. Come and see this.
0:32:41 > 0:32:43Where are you?
0:32:43 > 0:32:48Through the arch, Bob. Honestly, you've got to come and see this.
0:32:48 > 0:32:49What have you found?
0:32:49 > 0:32:51Come and see.
0:32:51 > 0:32:53No. What is it?
0:32:53 > 0:32:55Come and see.
0:33:20 > 0:33:23There was only one Angel on the ship. Just the one, I swear.
0:33:23 > 0:33:25Could they have been here already?
0:33:25 > 0:33:28- The Aplans, how did they die out? - Nobody knows.
0:33:28 > 0:33:30- We know.- They don't look like Angels.
0:33:30 > 0:33:32And they're not fast. You said they were fast.
0:33:32 > 0:33:35They should have had us by now.
0:33:35 > 0:33:38- They're dying. Losing their form. They've been here for centuries, starving.- Losing their image.
0:33:38 > 0:33:43- And their image is their power. Power. Power!- Doctor?
0:33:43 > 0:33:46Don't you see? All that radiation spilling out, the drive burn.
0:33:46 > 0:33:48The crash wasn't an accident - it was a rescue mission,
0:33:48 > 0:33:52for the Angels. We're in the middle of an army and it's waking up.
0:33:52 > 0:33:54We need to get out of here fast.
0:33:54 > 0:33:58Bob, Angelo, Christian, come in, please. Any of you, come in!
0:33:58 > 0:34:01OVER RADIO: It's Bob, sir. Sorry, sir.
0:34:01 > 0:34:06Bob, are Angelo and Christian with you? All the statues are active.
0:34:06 > 0:34:09- I repeat, all the statues are active!- I know, sir.
0:34:09 > 0:34:12Angelo and Christian are dead, sir. The statues killed them, sir.
0:34:12 > 0:34:15Bob, Sacred Bob, it's me, the Doctor. Where are you now?
0:34:15 > 0:34:17- I'm talking to my... - Yeah, yeah, yeah, shut up!
0:34:17 > 0:34:20I'm on my way up to you, sir, I'm homing on your signal.
0:34:20 > 0:34:23Well done, Bob. Scared keeps you fast, told you.
0:34:23 > 0:34:25Your friends, Bob, what did the Angel do to them?
0:34:25 > 0:34:27- Snapped their necks, sir.- That's odd.
0:34:27 > 0:34:30That's not how the Angels kill you, they displace you in time.
0:34:30 > 0:34:33Unless they needed the bodies for something.
0:34:33 > 0:34:39Bob, did you check their data packs for vital signs? We may be able to initiate a rescue plan.
0:34:39 > 0:34:42Don't be an idiot! The Angels don't leave you alive!
0:34:42 > 0:34:44Bob, keep running, but tell me, how did you escape?
0:34:44 > 0:34:48I didn't escape, sir. The Angel killed me, too.
0:34:51 > 0:34:54What do you mean the Angel killed you?
0:34:54 > 0:34:57Snapped my neck, sir. Wasn't as painless as I expected
0:34:57 > 0:35:00but it was pretty quick, so that was something.
0:35:00 > 0:35:02If you're dead, how can I be talking to you?
0:35:02 > 0:35:05You're not talking to me, sir. The Angel has no voice.
0:35:05 > 0:35:08It stripped my cerebral cortex and re-animated a version
0:35:08 > 0:35:12of my consciousness to communicate with you. Sorry about the confusion.
0:35:12 > 0:35:14So when you say you're on your way up...
0:35:14 > 0:35:17- It's the Angel that's coming, sir, yes.- No way out.
0:35:17 > 0:35:19- Then we get out through the wreckage.- Go, go, go.
0:35:19 > 0:35:23- All of you run!- Doctor?- Yes, I'm coming, just go, go, go!
0:35:26 > 0:35:30Called you an idiot. Sorry, but there's no way we could have rescued your men.
0:35:30 > 0:35:34I know that, sir. And when you've flown away in your little blue box,
0:35:34 > 0:35:36I'll explain that to their families.
0:35:41 > 0:35:47- Angel Bob, which Angel am I talking to? The one from the ship?- Yes, sir.
0:35:47 > 0:35:49The other Angels are still restoring.
0:35:49 > 0:35:52Ah, so the Angel is not in the wreckage. Thank you.
0:35:54 > 0:35:56Don't wait for me, go, run.
0:35:56 > 0:35:58I can't!
0:35:58 > 0:36:01No, really I can't.
0:36:01 > 0:36:05- Why not?- Look at it. Look at my hand. It's stone!
0:36:17 > 0:36:21Well. There it is - the Byzantium.
0:36:23 > 0:36:26Well, it's got to be 30 feet. How do we get up there?
0:36:28 > 0:36:31Check all these exits. I want them all secure.
0:36:31 > 0:36:36- You looked into the eyes of an Angel, didn't you? - I couldn't stop myself. I tried.
0:36:36 > 0:36:40- Listen. It's messing with your head. Your hand is not made of stone. - It is. Look at it!
0:36:40 > 0:36:43It's in your mind. I promise you. You can move that hand.
0:36:43 > 0:36:46- You can let go.- I can't, OK? I've tried and I can't. It's stone.
0:36:46 > 0:36:50The Angel is gonna come and it's gonna turn this light off,
0:36:50 > 0:36:53and then there's nothing I can do to stop it.
0:36:53 > 0:36:56- So do it, concentrate, move your hand!- I can't.
0:36:56 > 0:36:58- Then we're both going to die. - You're not going to die.
0:36:58 > 0:37:01They'll kill the lights.
0:37:01 > 0:37:03You've got to go, you know you have.
0:37:03 > 0:37:07You've got all that stuff with River and that's all got to happen. You can't die here!
0:37:07 > 0:37:10Time can be re-written, it doesn't work like that.
0:37:12 > 0:37:15- Keep your eyes on it. Don't blink. - Run!
0:37:15 > 0:37:18You see, I'm not going, I'm not leaving you here.
0:37:18 > 0:37:21I don't need you to die for me, Doctor, do I look that clingy?
0:37:21 > 0:37:24- You can move your hand. - It's stone.- It's not stone!
0:37:24 > 0:37:26Those people up there will die without you.
0:37:26 > 0:37:29If you stay here with me, you'll have as good as killed them.
0:37:29 > 0:37:33Amy Pond, you are magnificent. And I'm sorry.
0:37:33 > 0:37:35It's OK. I understand.
0:37:35 > 0:37:37You've got to leave me.
0:37:37 > 0:37:40Oh, no, I'm not leaving you, never. I'm sorry about this.
0:37:40 > 0:37:42- See, not stone. Now run!- You bit me!
0:37:42 > 0:37:44Yep and you're alive.
0:37:44 > 0:37:46I've got a mark! Look at my hand!
0:37:46 > 0:37:49- Yeah, and you're alive, did I mention?- Blimey, your teeth!
0:37:49 > 0:37:51Have you got space teeth?
0:37:51 > 0:37:53Alive. All I'm saying.
0:37:56 > 0:37:59The statues are advancing along all corridors.
0:37:59 > 0:38:01And, sir, my torch keeps flickering.
0:38:01 > 0:38:04- They all do. - So does the gravity globe.
0:38:04 > 0:38:06Clerics, we're down to four men. Expect incoming.
0:38:06 > 0:38:08Yeah, it's the Angels.
0:38:08 > 0:38:11They're coming. And they're draining the power for themselves.
0:38:11 > 0:38:14Which means we won't be able to see them.
0:38:14 > 0:38:16- Which means we can't stay here. - There are more incoming!
0:38:16 > 0:38:20- Any suggestions?- The statues are advancing on all sides and we don't
0:38:20 > 0:38:25- have the climbing equipment to reach the Byzantium.- There's no way up, no way back, no way out.
0:38:25 > 0:38:28No pressure, but this is usually when you have a really good idea.
0:38:31 > 0:38:34- There's always a way out. - ECHOES:- (There's always a way out.)
0:38:36 > 0:38:38There's always a way out.
0:38:38 > 0:38:40Doctor?
0:38:40 > 0:38:44- Can I speak to the Doctor, please? - Hello, Angels. What's your problem?
0:38:44 > 0:38:50Your power will not last much longer, and the Angels will be with you shortly. Sorry, sir.
0:38:50 > 0:38:55- Why are you telling me this? - There's something the Angels are very keen you should know before the end.
0:38:55 > 0:38:59- Which is?- I died in fear. - I'm sorry?
0:38:59 > 0:39:01You told me my fear would keep me alive
0:39:01 > 0:39:04but I died afraid, in pain and alone.
0:39:04 > 0:39:07You made me trust you, and when it mattered, you let me down.
0:39:07 > 0:39:09What are they doing?
0:39:09 > 0:39:11They're trying to make him angry.
0:39:11 > 0:39:15I'm sorry, sir. The Angels were very keen for you to know that.
0:39:15 > 0:39:19Well then, the Angels have made their second mistake
0:39:19 > 0:39:21because I'm not going to let that pass.
0:39:21 > 0:39:25I'm sorry you're dead, Bob, but I swear to whatever is left of you, they will be sorrier.
0:39:25 > 0:39:29- But you're trapped, sir, and about to die.- Yeah. I'm trapped.
0:39:29 > 0:39:32Speaking of traps, this trap has got a great big mistake in it.
0:39:32 > 0:39:34A great big, whopping mistake!
0:39:34 > 0:39:37- What mistake, sir?- Trust me.
0:39:37 > 0:39:40- Yeah.- Trust me?
0:39:40 > 0:39:41- Always.- You lot - trust me?
0:39:44 > 0:39:47- Sir, two more incoming! - We have faith, sir.
0:39:47 > 0:39:50Then give me your gun.
0:39:52 > 0:39:56I'm about to do something incredibly stupid and dangerous.
0:39:56 > 0:39:59- When I do...jump.- Jump where?
0:39:59 > 0:40:01Just jump, high as you can.
0:40:01 > 0:40:04- Come on, leap of faith, Bishop. On my signal.- What signal?
0:40:04 > 0:40:05You won't miss it.
0:40:05 > 0:40:07Sorry, can I ask again? You mentioned a mistake?
0:40:07 > 0:40:12Oh, big mistake. Huge. There's one thing you never put in a trap, if you're smart,
0:40:12 > 0:40:17if you value your continued existence, if you have any plans about seeing tomorrow,
0:40:17 > 0:40:20there is one thing you never, ever put in a trap.
0:40:20 > 0:40:22And what would that be, sir?
0:40:23 > 0:40:25Me!
0:40:46 > 0:40:49Subtitles by Red Bee Media Ltd
0:40:49 > 0:40:52E-mail subtitling@bbc.co.uk
0:40:55 > 0:40:59Do not blink...
0:41:00 > 0:41:03What's happening to me? Doctor, it's coming I can feel it.
0:41:03 > 0:41:06If you open your eyes now for more than a second, you will die.
0:41:07 > 0:41:11That's like the crack from my bedroom wall when I was a little girl.
0:41:11 > 0:41:15- That's extremely very not good.- The power's failing.- We're surrounded.
0:41:15 > 0:41:17In the dark we're finished.
0:41:17 > 0:41:21On my count then... Three, two, one.
0:41:21 > 0:41:23Fire!
0:41:23 > 0:41:26Keep your eyes shut and keep moving.
0:41:26 > 0:41:28- You have to do this. - It's never going to work.
0:41:28 > 0:41:31- What else have you got?- We're not leaving without you. - Oh, yes you are.
0:41:31 > 0:41:34- Doctor, come on!- Argh!