0:00:03 > 0:00:06FOOTSTEPS APPROACH
0:00:13 > 0:00:17Signora, your school offers a chance for betterment, escape. >
0:00:17 > 0:00:18My daughter... >
0:00:24 > 0:00:26Isabella is 17 now,
0:00:26 > 0:00:29but what prospects are there for the daughter of a boat-builder?
0:00:29 > 0:00:32There's no future for us. No future but you.
0:00:34 > 0:00:36I am moved by your concern for your daughter.
0:00:38 > 0:00:43- I believe protecting the future of one's own is a sacred duty. - Signora...
0:00:44 > 0:00:47..she is my world.
0:00:55 > 0:00:57Then we will take your world.
0:00:57 > 0:00:59THEY LAUGH
0:00:59 > 0:01:01I knew it!
0:01:06 > 0:01:08Say goodbye to your daughter.
0:01:10 > 0:01:11Now, signora?
0:01:11 > 0:01:13Why wait?
0:01:13 > 0:01:15Time ticks.
0:01:20 > 0:01:23Be brave, my girl. Make me proud.
0:01:30 > 0:01:31Step into the light, my dear.
0:01:31 > 0:01:33DOOR OPENS
0:01:33 > 0:01:34That's it.
0:01:36 > 0:01:38DOOR SLAMS SHUT
0:01:42 > 0:01:46What say you, Francesco? Do you like her?
0:01:46 > 0:01:48Oh, I do, Mother.
0:01:48 > 0:01:50I do.
0:01:53 > 0:01:56Hey...!
0:01:57 > 0:01:59It's me! Hello!
0:01:59 > 0:02:01How are you?
0:02:01 > 0:02:05'The reason for this call is because I haven't told you for seven hours
0:02:05 > 0:02:07'that I love you, which is a scandal,
0:02:07 > 0:02:11'and even if we weren't getting married tomorrow, I'd ask you to marry me anyway.'
0:02:11 > 0:02:15Yes, I would, because you are smashing.
0:02:15 > 0:02:18MUSIC: "The Stripper" by David Rose
0:02:18 > 0:02:19Oh... Oh. Oh, blimey.
0:02:19 > 0:02:22I've... I've... I-I-I...
0:02:22 > 0:02:23I'll see you tomorrow.
0:02:23 > 0:02:26CHEERING AND WHISTLING
0:02:26 > 0:02:29ALL: Out! Out! Out!
0:02:29 > 0:02:32SHOUTING STOPS
0:02:32 > 0:02:34MUSIC CONTINUES
0:02:38 > 0:02:40Rory!
0:02:40 > 0:02:44That's a relief. I thought I'd burst out of the wrong cake. Again.
0:02:44 > 0:02:47That reminds me, there's a girl outside in a bikini.
0:02:47 > 0:02:50Could someone let her in, give her a jumper? Lucy. Lovely girl.
0:02:50 > 0:02:51(Diabetic.)
0:02:53 > 0:02:55Now, then. Rory.
0:02:56 > 0:02:58We need to talk about your fiancee.
0:03:01 > 0:03:03She tried to kiss me.
0:03:03 > 0:03:05THEY ALL GASP
0:03:07 > 0:03:12- Tell you what, though. You're a lucky man - she's a great kisser. - BREAKING GLASS
0:03:19 > 0:03:23Funny how you can say something in your head and it SOUNDS fine...
0:04:01 > 0:04:05Oh! The life out there, it dazzles.
0:04:05 > 0:04:09I mean, it blinds you to the things that are important.
0:04:09 > 0:04:14- I've seen it devour relationships and plans...- Ohhh!
0:04:14 > 0:04:16It's meant to do that.
0:04:16 > 0:04:21..because for one person to have seen all that,
0:04:21 > 0:04:23to taste the glory and then go back,
0:04:23 > 0:04:26it WILL tear you apart.
0:04:26 > 0:04:29So...I'm sending you somewhere.
0:04:29 > 0:04:31Together.
0:04:31 > 0:04:35- Whoa! What, like a date?- Anywhere you want, any time you want.
0:04:35 > 0:04:39One condition- it has to be amazing. The Moulin Rouge in 1890!
0:04:39 > 0:04:42The first Olympic Games! Think of it as a wedding present,
0:04:42 > 0:04:44because it's either this or tokens.
0:04:44 > 0:04:49It's a lot to take in, isn't it? Tiny box, huge room inside. What's that about? Let me explain.
0:04:49 > 0:04:53- It's another dimension.- It's basically another dimen... What?
0:04:53 > 0:04:57After Prisoner Zero, I've been reading up on all the latest scientific theories.
0:04:57 > 0:04:59FTL travel, parallel universes.
0:04:59 > 0:05:02I like the bit when someone says, "It's bigger on the inside!"
0:05:02 > 0:05:05I always look forward to that.
0:05:05 > 0:05:10So, this date. I'm kind of done with running down corridors.
0:05:10 > 0:05:15- What do you think, Rory? - How about somewhere...romantic?
0:05:15 > 0:05:17GOAT BLEATS
0:05:18 > 0:05:21METALLIC THRUMMING
0:05:25 > 0:05:26Venice!
0:05:27 > 0:05:29Venezia!
0:05:29 > 0:05:32La Serenissima!
0:05:32 > 0:05:35Impossible city. Preposterous city!
0:05:35 > 0:05:38Founded by refugees running from Attila the Hun.
0:05:38 > 0:05:42It was just a collection of little wooden huts in the marsh,
0:05:42 > 0:05:46but became one of the most powerful cities in the world.
0:05:46 > 0:05:51Constantly being invaded, constantly flooding...
0:05:51 > 0:05:55constantly... Just beautiful!
0:05:55 > 0:05:58Oh, you gotta love Venice.
0:05:58 > 0:06:02And so many people did. Byron, Napoleon, Casanova.
0:06:02 > 0:06:04Oooh, that reminds me. 1580.
0:06:04 > 0:06:07That's all right. Casanova doesn't get born for 145 years.
0:06:07 > 0:06:10Don't want to run into him. I owe him a chicken.
0:06:10 > 0:06:12You owe Casanova a chicken?
0:06:12 > 0:06:15- Long story. We had a bet. - Whoa, whoa, whoa, whoa, whoa!
0:06:15 > 0:06:17Papers, if you please.
0:06:17 > 0:06:20Proof of residency, current bill of medical inspection.
0:06:20 > 0:06:22There you go, fella.
0:06:22 > 0:06:26All to your satisfaction, I think you'll find.
0:06:26 > 0:06:28I am so sorry, Your Holiness.
0:06:28 > 0:06:30I didn't realise.
0:06:30 > 0:06:32No worries. You were just doing your job.
0:06:32 > 0:06:35Sorry, what exactly is your job?
0:06:35 > 0:06:36Checking for aliens.
0:06:36 > 0:06:40Visitors from foreign lands what might bring the plague with them.
0:06:40 > 0:06:44Oh, that's nice(!) See where you bring me? The plague!
0:06:44 > 0:06:46Don't worry, Viscountess.
0:06:46 > 0:06:50- Oh...- No, we're under quarantine here, no-one comes in, no-one goes out,
0:06:50 > 0:06:55and all because of the grace and wisdom of our patron, Signora Rosanna Calvierri.
0:06:55 > 0:06:59How interesting. I heard the plague died out years ago.
0:06:59 > 0:07:01Not out there.
0:07:01 > 0:07:04No, Signora Calvierri has seen it with her own eyes.
0:07:04 > 0:07:08- Streets are piled high with bodies, she said.- Did she, now?
0:07:11 > 0:07:13Oi!
0:07:13 > 0:07:15According to this, I am your eunuch!
0:07:15 > 0:07:18Oh, yeah, I'll explain later.
0:07:24 > 0:07:27Veils down, girls.
0:07:30 > 0:07:32(It's the Calvierri girls.)
0:07:41 > 0:07:45- What do you want?- Where's my Isabella?- What are you doing? Get away from there.
0:07:46 > 0:07:48Isabella!
0:07:51 > 0:07:53Isabella!
0:07:53 > 0:07:55It's me!
0:07:55 > 0:07:57Agh!
0:07:58 > 0:08:00Girls! Come along!
0:08:01 > 0:08:03She's gone.
0:08:08 > 0:08:11Isabella! It's me!
0:08:11 > 0:08:15- What was that about? - Isabella...
0:08:15 > 0:08:18I hate it when he does that!
0:08:24 > 0:08:25Who were those girls?
0:08:26 > 0:08:30- I thought everyone knew about the Calvierri school. - My first day here.
0:08:30 > 0:08:34Parents do all sorts of things to get their children into good schools.
0:08:34 > 0:08:37They move house, they change religion.
0:08:41 > 0:08:43So, why are you trying to get her out?
0:08:43 > 0:08:45Something happens in there.
0:08:45 > 0:08:48Something magical, something evil.
0:08:48 > 0:08:50My own daughter didn't recognise me.
0:08:50 > 0:08:53And the girl who pushed me away,
0:08:53 > 0:08:57her face...like an animal.
0:08:59 > 0:09:05I think it's time I met this Signora Calvierri.
0:09:07 > 0:09:10- DOOR CLOSES - Mother?
0:09:10 > 0:09:13Mummy's hydrating, Francesco.
0:09:13 > 0:09:16And we never interrupt Mummy when she's hydrating.
0:09:20 > 0:09:22We were accosted again.
0:09:22 > 0:09:24SHE GASPS
0:09:24 > 0:09:26A man made a grab for one of the girls.
0:09:28 > 0:09:32The longer we wait, the greater the risk of discovery.
0:09:32 > 0:09:35I mean, we've already converted more than enough.
0:09:35 > 0:09:38Surely it is time to introduce them to my brothers?
0:09:38 > 0:09:41I shall decide when we have enough.
0:09:41 > 0:09:44If it's more you want, let me take the girls into the city tonight.
0:09:44 > 0:09:47- We could.- We follow the plan.
0:09:48 > 0:09:50Let them hammer on our door...
0:09:50 > 0:09:53beg to be taken.
0:09:53 > 0:09:56BELL TOLLS
0:10:04 > 0:10:06And what have you been doing?
0:10:09 > 0:10:11Well...running.
0:10:11 > 0:10:17- And fighting. I've been scared. More scared than I thought was... - Did you miss me?
0:10:17 > 0:10:19I...
0:10:19 > 0:10:22I knew I'd be coming back.
0:10:23 > 0:10:26He was right. It blots out everything else.
0:10:26 > 0:10:29Rory...this is our date.
0:10:29 > 0:10:31Let's not do this, not now.
0:10:31 > 0:10:33FLUTTERING
0:10:33 > 0:10:34Ha!
0:10:34 > 0:10:41- We are in Venice and it's 1580. - SHE LAUGHS
0:10:41 > 0:10:42I know!
0:10:42 > 0:10:44THEY BOTH LAUGH
0:10:50 > 0:10:52Flowers, signor?
0:11:09 > 0:11:11PIERCING SCREAM
0:11:11 > 0:11:12What was that?
0:11:24 > 0:11:26She'll be OK.
0:11:26 > 0:11:28Where are you... Amy! Come back!
0:11:43 > 0:11:47You have my daughter. Isabella!
0:11:47 > 0:11:49You're not coming in, stop there! We've told you...
0:11:49 > 0:11:52You have my daughter. Isabella!
0:11:52 > 0:11:55I demand you let me see my daughter.
0:11:55 > 0:11:59- Isabella! It's me! It's your father. - I'll arrest you...- Isabella!
0:12:16 > 0:12:18Hello, handsome.
0:12:22 > 0:12:23IN UNISON: Who are you?
0:12:39 > 0:12:43How are you doing that? I...am...loving it.
0:12:43 > 0:12:48You're like Houdini, only five scary girls, only he was shorter. WILL BE shorter. I'm rambling.
0:12:48 > 0:12:51IN UNISON: I'll ask you again, signor. Who are you?
0:12:51 > 0:12:55Why don't you check THIS out?
0:12:58 > 0:13:01Library card. Of course, it's with... He's...
0:13:01 > 0:13:03I need the spare.
0:13:03 > 0:13:07Pale, creepy girls who don't like sunlight
0:13:07 > 0:13:09and can't be seen in...
0:13:11 > 0:13:17Am I thinking what I think I'm thinking? But the city. Why shut down the city? Unless...
0:13:17 > 0:13:20IN UNISON: Leave now, signor. Or we shall call for the steward...
0:13:22 > 0:13:23..if you are lucky.
0:13:23 > 0:13:25Ooh!
0:13:25 > 0:13:27HISSING
0:13:29 > 0:13:32Tell me the whole plan.
0:13:32 > 0:13:34(One day that'll work.)
0:13:34 > 0:13:41Listen, I would love to stay here. This whole thing... I'm thrilled. Oh, this is Christmas!
0:13:41 > 0:13:42THEY HISS
0:13:42 > 0:13:45- Doctor!- I just met some vampires! - We just saw a vampire!
0:13:45 > 0:13:47BOTH TALK AT ONCE
0:13:47 > 0:13:50- And creepy girls and everything. - Vampires!
0:13:53 > 0:13:55We think we just saw a vampire.
0:13:55 > 0:13:58- Yeah, yeah, I know. Amy was just telling me.- Yeah!
0:13:58 > 0:14:01- The Doctor actually went to their house.- Oh. Right. Well...
0:14:01 > 0:14:04- OK, so...first we need to get back in there somehow.- What?!
0:14:04 > 0:14:08- How do we do that?- Back in where?! - Come and meet my new friend.
0:14:10 > 0:14:12As you saw, there's no clear way in.
0:14:12 > 0:14:14The House of Calvierri is like a fortress.
0:14:14 > 0:14:20But there's a tunnel underneath it, with a ladder and shaft that leads up into the house.
0:14:20 > 0:14:24I tried to get in once myself, but I hit a trapdoor.
0:14:24 > 0:14:28- You need someone on the inside. - No.- You don't know what I was going to say!
0:14:28 > 0:14:31We pretend you're an applicant for the school to get you inside
0:14:31 > 0:14:35- and tonight you come down and open the trapdoor to let us in.- Oh.
0:14:35 > 0:14:40- So you know what I was going to say! - Are you insane?- We don't have another option.- He said no, Amy.
0:14:40 > 0:14:41Listen to him.
0:14:41 > 0:14:43There is another option.
0:14:47 > 0:14:51I work at the Arsenale. We build the warships for the navy. THE DOCTOR SNIFFS
0:14:51 > 0:14:53Gunpowder.
0:14:53 > 0:14:56Most people just nick stationery from where they work.
0:14:56 > 0:15:01Look, I have a thing about guns and huge quantities of explosive.
0:15:01 > 0:15:05What do you suggest, then? We wait until they turn her into an animal?
0:15:09 > 0:15:11I'll be there three, four hours tops.
0:15:14 > 0:15:18No, no, no, no, no, no. It can't keep happening like this. This is how they go.
0:15:22 > 0:15:26But I have to know. We go together. Say you're my daughter.
0:15:26 > 0:15:29- What?! Don't listen to him! - Your daughter? You look about nine.
0:15:29 > 0:15:31Brother, then.
0:15:31 > 0:15:32Too weird. Fiance.
0:15:32 > 0:15:36I'm not having him run around telling people he's your fiance!
0:15:36 > 0:15:38No. No, you're right.
0:15:38 > 0:15:42- Thank you.- I mean, they've already seen the Doctor. You should do it.
0:15:45 > 0:15:47- Me?- Yeah! You can be my brother.
0:15:47 > 0:15:52Why is him being your brother weird, but with me, it's OK?
0:15:52 > 0:15:56- Actually, I thought you WERE her fiance.- Yeah, that's not helping.
0:15:56 > 0:15:58This whole thing is mental!
0:15:58 > 0:16:01- They're VAMPIRES, for God's sake. - We hope.
0:16:03 > 0:16:05So if they're not vampires...?
0:16:05 > 0:16:12Makes you wonder what could be so bad it doesn't actually mind us thinking it's a vampire?
0:16:12 > 0:16:16So, basically, both of our parents are dead from getting the plague.
0:16:16 > 0:16:20I'm a gondola...driver...
0:16:20 > 0:16:24so...money's a bit tight...
0:16:25 > 0:16:27..so having my sister
0:16:27 > 0:16:33go to your school for special people would be brilliant.
0:16:35 > 0:16:41- Cheers.- Have we met? - I've just got one of those faces. - I wasn't talking to you.
0:16:41 > 0:16:48- She's got the same face... which is because she's my sister! - Carlo, explain yourself.
0:16:48 > 0:16:52- Why have you brought me this imbecile?- Signora, they have references from the King of Sweden.
0:16:52 > 0:16:54What?!
0:16:54 > 0:16:55Let me see.
0:17:04 > 0:17:07Well, now I can see what got my steward so excited.
0:17:07 > 0:17:08What say you, Francesco?
0:17:08 > 0:17:10Do you like her?
0:17:11 > 0:17:13Oh, I do, Mother.
0:17:14 > 0:17:15I do.
0:17:15 > 0:17:20Then we would be delighted to accept her. Say goodbye to your sister.
0:17:20 > 0:17:22Um...um...
0:17:24 > 0:17:27Tell Uncle...Doctor... I'll see you both pretty soon, OK?
0:17:30 > 0:17:32I'll be fine.
0:17:33 > 0:17:35A-Amy!
0:17:55 > 0:17:59There are clothes on the bed. Get changed and wait here.
0:17:59 > 0:18:03Blimey. This is private education, then?
0:18:10 > 0:18:11Hey. Hello.
0:18:11 > 0:18:13I'm Amy.
0:18:14 > 0:18:16What's your name?
0:18:16 > 0:18:18Isabella.
0:18:20 > 0:18:24Listen, we're going to get you out of here, but I need you to tell me what's going on.
0:18:24 > 0:18:27(What is this place? What are they doing?)
0:18:27 > 0:18:30They, um...they come at night.
0:18:30 > 0:18:34They gather around my bed and they take me to a room...
0:18:34 > 0:18:38with this green light and a chair with...with straps,
0:18:38 > 0:18:41as if for a surgeon.
0:18:41 > 0:18:43What happens in there?
0:18:45 > 0:18:46I wake up here.
0:18:48 > 0:18:52And the sunlight burns my skin like candle wax.
0:18:52 > 0:18:55BELL TOLLS
0:19:08 > 0:19:12- She'll be fine. - You can promise me that, can you?
0:19:26 > 0:19:29DISTANT CRIES AND GROANS
0:19:41 > 0:19:43We're here.
0:19:51 > 0:19:55Right. OK, I'll go first. If anything happens to me, go back...
0:19:55 > 0:19:57What happened?
0:19:57 > 0:19:58Between you and Amy?
0:20:00 > 0:20:01- You said she kissed you.- NOW?!
0:20:01 > 0:20:03You want to do this NOW?!
0:20:05 > 0:20:06I have a right to know.
0:20:06 > 0:20:08I'm getting married in 430 years.
0:20:14 > 0:20:16WIND HOWLS
0:20:23 > 0:20:25SHE SHRIEKS, GLASS BREAKS
0:20:25 > 0:20:29She was frightened, I was frightened, but we survived, and the relief of it...
0:20:29 > 0:20:31and so she kissed me.
0:20:32 > 0:20:34- And you kissed her back?- No.
0:20:34 > 0:20:35I kissed her mouth.
0:20:35 > 0:20:37Funny(!)
0:20:37 > 0:20:40Rory... Rory, she kissed me because I was there.
0:20:40 > 0:20:45- It would have been you, it SHOULD have been you.- Yeah.- Exactly. That's why I brought you here.
0:20:45 > 0:20:46GUST OF WIND
0:20:46 > 0:20:49(Can we go and see the vampires now, please?)
0:20:49 > 0:20:52Control yourself, child. AMY GASPS
0:20:52 > 0:20:54Get your hands off me.
0:20:54 > 0:20:56Psychic paper.
0:20:56 > 0:20:58Did you really think that would work on me?
0:21:09 > 0:21:10Push...
0:21:14 > 0:21:17Come on. There we are.
0:21:18 > 0:21:20Amy!
0:21:20 > 0:21:21(Where's Amy?
0:21:22 > 0:21:24(Amy.)
0:21:26 > 0:21:28I can't see a thing.
0:21:28 > 0:21:30Just as well I brought this, then.
0:21:32 > 0:21:34Ultraviolet. Portable sunlight.
0:21:34 > 0:21:37- Yours is bigger than mine. - Let's not go there.
0:21:37 > 0:21:41Where are you from? Did you fall through the chasm?
0:21:41 > 0:21:46- Mother this is pointless. Let's just start the process. - Hold your tongue, Francesco!
0:21:46 > 0:21:51I need to know what this girl is doing in a world of savages with psychic paper. Who are you with?
0:21:51 > 0:21:53I scarcely believe your idiot brother sent you.
0:21:53 > 0:21:58What are you doing in MY school?
0:21:58 > 0:22:00OK, I'll tell you.
0:22:00 > 0:22:03I'm from Ofsted.
0:22:03 > 0:22:06- SIGNORA CALVIERRA LAUGHS Put her in the chair.- No!
0:22:06 > 0:22:08Get your hands off me!
0:22:08 > 0:22:13Oh, make sport of me, will you? Tease me as if I were your dog?
0:22:13 > 0:22:15Well, this dog has a bite, girl.
0:22:19 > 0:22:22Doctor...
0:22:24 > 0:22:28If we cancel now, we lose the deposit on the village hall, the salsa band...
0:22:28 > 0:22:30Ohhh.
0:22:34 > 0:22:39- What happened to them?- They've had all the moisture taken out of them.
0:22:53 > 0:22:54Mother...
0:22:54 > 0:22:58where you drink from her, may we share?
0:22:58 > 0:23:00I'm so thirsty.
0:23:01 > 0:23:03Of course, darling.
0:23:03 > 0:23:05That's what vampires do, right?
0:23:05 > 0:23:07They drink your blood and replace it with their own.
0:23:07 > 0:23:13- Yeah, except they haven't just had their blood taken, but all the water in their bodies.- Why did they die?
0:23:13 > 0:23:17Why aren't they like the girls in the school?
0:23:18 > 0:23:21Maybe not everyone survives the process.
0:23:27 > 0:23:29You know what's dangerous about you?
0:23:29 > 0:23:34It's not that you make people take risks. It's that you make them want to impress you.
0:23:36 > 0:23:38You make it so they don't want to let you down.
0:23:40 > 0:23:45You have no idea how dangerous you make people to themselves when you're around.
0:23:45 > 0:23:47VOICES IN UNISON: Who are you?
0:23:54 > 0:23:55We should run. Run!
0:23:57 > 0:23:59This is how it works.
0:24:01 > 0:24:04First, we drink you until you're dry.
0:24:06 > 0:24:10Then...we fill you with our blood.
0:24:10 > 0:24:13It rages through you like a fire,
0:24:13 > 0:24:15changing you,
0:24:15 > 0:24:18until one morning you awake
0:24:18 > 0:24:21and your humanity is a dream...
0:24:21 > 0:24:23now faded.
0:24:25 > 0:24:27Or you die.
0:24:27 > 0:24:28HE CHUCKLES
0:24:28 > 0:24:31- That can happen.- And if I survive?
0:24:31 > 0:24:37Then there are 10,000 husbands waiting for you in the water.
0:24:38 > 0:24:40Yeah, sorry.
0:24:40 > 0:24:43I'm kind of engaged.
0:24:59 > 0:25:01CLATTERING
0:25:01 > 0:25:04Oh! Rory, come on!
0:25:04 > 0:25:06AMY GASPS
0:25:11 > 0:25:13Cab for Amy Pond?
0:25:16 > 0:25:20- AMY SCREAMS - She bit me!
0:25:20 > 0:25:25- This rescue plan, not exactly watertight, is it?- Ha-ha!
0:25:26 > 0:25:27Rory!
0:25:27 > 0:25:28- Amy!- Quickly, through here!
0:25:32 > 0:25:33Seal the house.
0:25:33 > 0:25:37- They're not vampires!- What?! - I saw them, I saw her.
0:25:37 > 0:25:39They're not vampires. They're aliens!
0:25:39 > 0:25:42- Classic!- That's GOOD news?!
0:25:42 > 0:25:44What is wrong with you people?!
0:25:47 > 0:25:50Come on, move!
0:25:50 > 0:25:52Ha-ha!
0:25:54 > 0:25:57Keep moving! Come on, guys.
0:26:01 > 0:26:02Quickly.
0:26:02 > 0:26:05Get out. Quick!
0:26:06 > 0:26:08Oh...
0:26:08 > 0:26:11- BELL TOLLS - Come on, run!
0:26:11 > 0:26:13I can't!
0:26:14 > 0:26:17LOUD CRACKLING
0:26:17 > 0:26:18Oh!
0:26:18 > 0:26:21HE GROANS
0:26:29 > 0:26:32- Is he dead?- No, he's breathing.
0:26:42 > 0:26:46And so in memory of the children lost to the silence,
0:26:46 > 0:26:50the traitor is delivered to the arms of those she betrayed.
0:26:54 > 0:26:56Do you expect me to drown?
0:26:57 > 0:26:59I'm Venetian!
0:26:59 > 0:27:01I can swim!
0:27:01 > 0:27:04We can all swim!
0:27:11 > 0:27:13Something touched my leg.
0:27:18 > 0:27:21They're all around me!
0:27:22 > 0:27:24They bite!
0:27:30 > 0:27:32Now leave us.
0:27:43 > 0:27:45Mother!
0:27:47 > 0:27:49Change your form...
0:27:49 > 0:27:52or my brothers will think they are being fed twice today.
0:27:57 > 0:27:59Not long now.
0:27:59 > 0:28:01It's not long.
0:28:12 > 0:28:14WOLF WHISTLE
0:28:14 > 0:28:19Long way from Saturnyne, aren't you...Sister of the Water?
0:28:21 > 0:28:23No, let me guess.
0:28:23 > 0:28:25The owner of the psychic paper.
0:28:25 > 0:28:29Then I take it you're a refugee, like me?
0:28:32 > 0:28:34I'll make you a deal. An answer for an answer.
0:28:36 > 0:28:38You're using a perception filter.
0:28:38 > 0:28:43It doesn't change your features, but manipulates the brainwaves of the person looking at you.
0:28:43 > 0:28:47But seeing one of you for the first time in, say, a mirror,
0:28:47 > 0:28:52the brain doesn't know what to fill the gap with, so leaves it blank...
0:28:53 > 0:28:57- ..hence no reflection. - Your question?
0:28:57 > 0:29:01- Why can we see your big teeth? - Self-preservation over-rides the mirage.
0:29:01 > 0:29:06The subconscious perceives the threat and tries to alert the conscious brain.
0:29:06 > 0:29:07- Where's Isabella?- My turn.
0:29:09 > 0:29:12Where are you from?
0:29:12 > 0:29:15- Gallifrey. - You should be in a museum.
0:29:15 > 0:29:18Or in a mausoleum.
0:29:18 > 0:29:19Why are you here?
0:29:20 > 0:29:23We ran from the silence.
0:29:23 > 0:29:24Why are you here?
0:29:24 > 0:29:27Wedding present. The silence?
0:29:30 > 0:29:31There were cracks.
0:29:33 > 0:29:34Some were tiny...
0:29:37 > 0:29:39..some were as big as the sky.
0:29:41 > 0:29:44Through some we saw worlds and people
0:29:44 > 0:29:47and through others we saw silence...
0:29:49 > 0:29:51..and the end of all things.
0:29:52 > 0:29:58We fled to an ocean like ours and the crack snapped shut behind us...
0:29:59 > 0:30:02..and Saturnyne was lost.
0:30:03 > 0:30:06So Earth is to become Saturnyne Mark II?
0:30:06 > 0:30:08And you can help me.
0:30:09 > 0:30:13We can build a new society here, as others have.
0:30:15 > 0:30:17What do you say?
0:30:17 > 0:30:19Hmm.
0:30:30 > 0:30:32Where's Isabella?
0:30:33 > 0:30:36- Isabella? - The girl who saved my friend.
0:30:37 > 0:30:39Oh, deserters must be executed.
0:30:39 > 0:30:41Any general will tell you that.
0:30:41 > 0:30:43I need an answer, Doctor.
0:30:43 > 0:30:45A partnership.
0:30:48 > 0:30:53- Any which way you choose. - I don't think that's such a good idea, do you?
0:30:53 > 0:30:56I'm a Time Lord.
0:30:56 > 0:30:57You're a big fish.
0:31:00 > 0:31:02Think of the children.
0:31:02 > 0:31:05Carlo!
0:31:05 > 0:31:06You're right.
0:31:06 > 0:31:08We're nothing alike.
0:31:08 > 0:31:12I will bend the heavens to save my race, while YOU philosophise.
0:31:12 > 0:31:14This ends today.
0:31:14 > 0:31:19I'll tear down the House of Calvierri, stone by stone.
0:31:19 > 0:31:22Take your hands off me, Carlo.
0:31:26 > 0:31:28And you know why?
0:31:29 > 0:31:31You didn't know Isabella's name.
0:31:31 > 0:31:33DOOR OPENS
0:31:33 > 0:31:36You didn't know Isabella's name.
0:31:43 > 0:31:44< Open the gates.
0:31:50 > 0:31:52Attend!
0:31:53 > 0:31:55Attend!
0:31:57 > 0:32:00The storm is coming!
0:32:05 > 0:32:07- Argh!- Mummy...
0:32:10 > 0:32:12What's wrong with your perception filter?
0:32:12 > 0:32:15That idiot child must have damaged it when she kicked me...
0:32:24 > 0:32:26SHE PANTS
0:32:26 > 0:32:29Now...assemble the girls.
0:32:29 > 0:32:32I have a job for them.
0:32:33 > 0:32:36ELECTRONIC WHIRRING
0:32:38 > 0:32:39You're fine.
0:32:41 > 0:32:42Open wide.
0:32:44 > 0:32:45- Mm-mm.- Mm-mm.
0:32:45 > 0:32:48Argh!
0:32:48 > 0:32:51I need to think. Come on brain, think, think. Think!
0:32:51 > 0:32:55- Think!- If they're fish people, it explains why they hate the sun.
0:32:55 > 0:33:00- Stop talking, brain thinking.- It's the school thing I don't understand. - Stop talking, brain thinking.
0:33:00 > 0:33:03- I say we take the fight to them. - Ah-ah-ah!- What?
0:33:03 > 0:33:04Ah!
0:33:04 > 0:33:09Her planet dies, so they flee through a crack in space and time, and end up here,
0:33:09 > 0:33:11then she closes off the city and, one by one,
0:33:11 > 0:33:16changes people into creatures like her to start a new gene pool. Got it. Then what?
0:33:16 > 0:33:20They come from the sea, they can't survive for ever on land, so what's she going to do?
0:33:22 > 0:33:27Unless she's going to do something to the environment to make the city habitable...
0:33:27 > 0:33:30She said, "I shall bend the heavens to save my race."
0:33:30 > 0:33:32Bend the heavens...
0:33:32 > 0:33:36Bend...the heavens...
0:33:36 > 0:33:41- She's going to sink Venice. - She's...she's going to sink Venice?
0:33:41 > 0:33:44And repopulate it with the girls she's transformed.
0:33:44 > 0:33:48You can't repopulate somewhere with just women.
0:33:48 > 0:33:50You need...blokes.
0:33:50 > 0:33:52- She's got blokes. - Where?- In the canal.
0:33:52 > 0:33:56She said, "There are 10,000 husbands waiting in the water."
0:33:56 > 0:33:59Only the male offspring survived the journey here.
0:33:59 > 0:34:01She's got 10,000 children swimming in the canals,
0:34:01 > 0:34:05waiting for Mum to make them some compatible girlfriends. Ew.
0:34:05 > 0:34:11I mean, I've been around a bit, but, really, that's...that's... Ew.
0:34:11 > 0:34:13CLATTERING
0:34:14 > 0:34:17The people upstairs are very noisy.
0:34:17 > 0:34:19There aren't any people upstairs.
0:34:19 > 0:34:21I knew you were going to say that.
0:34:21 > 0:34:23Did anyone else know he was going to say that?
0:34:23 > 0:34:25CREAKING
0:34:25 > 0:34:27(Is it the vampires?)
0:34:27 > 0:34:30Like I said, they're not vampires.
0:34:30 > 0:34:32Fish from space.
0:34:32 > 0:34:35THUMP, GLASS BREAKS
0:34:41 > 0:34:43Aren't we on the second floor?
0:34:52 > 0:34:54ELECTRONIC WHIRRING
0:34:54 > 0:34:57What's happened to them?
0:34:57 > 0:35:00There's nothing left of them. They've been fully converted.
0:35:00 > 0:35:05Blimey, fish from space have never been so...buxom.
0:35:05 > 0:35:06OK...
0:35:06 > 0:35:09Move. Come on.
0:35:13 > 0:35:16Give me the lamp.
0:35:16 > 0:35:19Go, go, go, guys! Keep moving, go, go go!
0:35:21 > 0:35:25- Stay away from the door, Doctor. - No! Guido! What are you doing?!
0:35:25 > 0:35:28I'm not leaving you. What are you doing?!
0:35:30 > 0:35:32ELECTRONIC WHIRRING
0:35:33 > 0:35:34Come on. That's it...
0:35:36 > 0:35:37Come on.
0:35:37 > 0:35:38Guido!
0:35:38 > 0:35:40BIRD FLUTTERS
0:35:40 > 0:35:42GUIDO CHUCKLES
0:35:42 > 0:35:43Come on.
0:35:43 > 0:35:45Come on. Come on!
0:35:51 > 0:35:54We are Venetians!
0:36:07 > 0:36:12Right, to begin, let's fill the sky with fire.
0:36:26 > 0:36:27Yes!
0:36:27 > 0:36:30In sight of the Lord, protect and keep us!
0:36:39 > 0:36:43- Rosanna's initiating the final phase.- We need to stop her. Come on!
0:36:43 > 0:36:48- No, no. Get back to the TARDIS. - You can't stop her on your own. - We don't discuss this!
0:36:48 > 0:36:51I tell you to do something, Amy, and you do it.
0:36:52 > 0:36:53Huh?
0:36:55 > 0:36:57Thank you.
0:36:58 > 0:37:02Yeah... You're welcome.
0:37:02 > 0:37:06SCREAMING
0:37:14 > 0:37:16Oh, my God! What is going on?
0:37:16 > 0:37:19The sky, it's like it's boiling.
0:37:39 > 0:37:41ELECTRONIC WHIRRING
0:37:41 > 0:37:44You're too late.
0:37:44 > 0:37:46Such determination...
0:37:47 > 0:37:50..just to save one city.
0:37:50 > 0:37:55Hard to believe it's the same man that let an entire race turn to cinders and ash.
0:37:55 > 0:38:00Now you can watch as my people take their new kingdom.
0:38:00 > 0:38:03The girls have gone, Rosanna.
0:38:04 > 0:38:06You're lying.
0:38:06 > 0:38:07Shouldn't I be dead?
0:38:09 > 0:38:10Hmm?
0:38:11 > 0:38:17Rosanna, please, help me. There are 200,000 people in this city.
0:38:17 > 0:38:18So save them.
0:38:18 > 0:38:21BEEPING
0:38:23 > 0:38:25CRASH!
0:38:26 > 0:38:29LIGHTNING CRACKS
0:38:36 > 0:38:39Amy, run!
0:38:40 > 0:38:42This way, you freak!
0:38:42 > 0:38:44Don't!
0:38:44 > 0:38:48This...this...this way, you big, stupid, great...SpongeBob!
0:38:48 > 0:38:52The only thing I've seen uglier than you is...your mum!
0:38:52 > 0:38:53Huh?
0:38:57 > 0:38:59No...
0:38:59 > 0:39:02Did you just say something about Mummy?
0:39:04 > 0:39:06Ha! Ha!
0:39:08 > 0:39:09Shh...
0:39:09 > 0:39:11Shoo...shh...
0:39:11 > 0:39:13Agh!
0:39:18 > 0:39:19Ah...
0:39:20 > 0:39:23HE CHUCKLES
0:39:28 > 0:39:29Careful!
0:39:34 > 0:39:36- Hit him!- Agh...
0:39:36 > 0:39:39RORY GRUNTS
0:39:39 > 0:39:42This way, bring him this way! Rory!
0:39:52 > 0:39:53Ew! You stink of fish.
0:39:53 > 0:39:58Well, I'm hardly going to smell of cheese and biscuits(!)
0:40:00 > 0:40:02Ow!
0:40:06 > 0:40:08Hey! Mummy's boy.
0:40:18 > 0:40:20Ohhh...
0:40:20 > 0:40:21- Oh...- That was lucky.
0:40:21 > 0:40:24CHICKENS CLUCK
0:40:24 > 0:40:27Why did you make the sign of the cross, you numpty?
0:40:27 > 0:40:31Oh, oh, right! I'm being reviewed now, am I(?)
0:40:35 > 0:40:36Hmm!
0:40:36 > 0:40:38Now we go help the Doctor.
0:40:40 > 0:40:42Rightio.
0:40:42 > 0:40:45SCREAMING
0:40:52 > 0:40:54BELL TOLLS
0:41:03 > 0:41:05Open the gates!
0:41:14 > 0:41:17It's the Almighty! Look at the sky!
0:41:21 > 0:41:24- Get out! I need to stabilise the storm.- We're not leaving you.- Right,
0:41:24 > 0:41:30so one minute it's, "You make people a danger to themselves," the next it's, "We're not leaving you!"
0:41:30 > 0:41:33But if one of you gets squashed or blown up or eaten, who gets...
0:41:33 > 0:41:36THEY ALL SCREAM
0:41:39 > 0:41:41- What was that? - Nothing. Bit of an earthquake.
0:41:41 > 0:41:47- Earthquake?- Manipulate the elements, it can trigger earthquakes. But don't worry about them.- No?- No.
0:41:47 > 0:41:51Worry about the tidal waves caused by the earthquake.
0:41:51 > 0:41:55Right, Rosanna's throne is the control hub but she's locked the program,
0:41:55 > 0:41:58so tear out every single wire and circuit in the throne. Go crazy.
0:41:58 > 0:42:04Hit it with a stick, anything. We need it to shut down and re-route control to the secondary hub,
0:42:04 > 0:42:06which I'm guessing will also be the generator.
0:42:11 > 0:42:13BEEPING
0:42:15 > 0:42:16ELECTRONIC WHIRRING
0:42:16 > 0:42:18BELL TOLLING LOUDLY
0:42:24 > 0:42:26HE GROANS
0:42:34 > 0:42:36Shut up! Shut up.
0:42:36 > 0:42:38That's better!
0:42:51 > 0:42:52Ohh!
0:42:52 > 0:42:55Oh. OK.
0:43:01 > 0:43:03THUNDER RUMBLES
0:43:03 > 0:43:04There he is!
0:43:15 > 0:43:17Come on!
0:43:25 > 0:43:27- Come on!- Come on!
0:43:41 > 0:43:43BIRDSONG
0:43:58 > 0:44:01CHEERING AND APPLAUSE
0:44:01 > 0:44:03You did it!
0:44:08 > 0:44:10WHIRRING AND BEEPING
0:44:13 > 0:44:16CONTINUOUS TONE
0:44:16 > 0:44:18TONE STOPS
0:44:40 > 0:44:41Rosanna!
0:44:41 > 0:44:45One city to save an entire species.
0:44:46 > 0:44:49Was that so much to ask?
0:44:49 > 0:44:52I told you, you can't go back and change time.
0:44:52 > 0:44:56You mourn but you live.
0:44:56 > 0:44:58I know, Rosanna, I did it.
0:45:00 > 0:45:02Tell me, Doctor...
0:45:04 > 0:45:07..can your conscience carry the weight of another dead race?
0:45:08 > 0:45:10Remember us.
0:45:13 > 0:45:15Dream of us.
0:45:18 > 0:45:19No...
0:45:19 > 0:45:21No!
0:45:44 > 0:45:47Now, then? What about you two, eh?
0:45:47 > 0:45:50Next stop Leadworth Register Office?
0:45:50 > 0:45:53Maybe I can give you away.
0:45:55 > 0:45:57It's fine.
0:45:57 > 0:46:01Drop me back where you found me. I'll just say you've...
0:46:01 > 0:46:02Stay.
0:46:02 > 0:46:04With us. Please.
0:46:04 > 0:46:06Just for a bit.
0:46:06 > 0:46:08I want you to stay.
0:46:08 > 0:46:10Fine with me.
0:46:10 > 0:46:12Yeah?
0:46:12 > 0:46:15Yes, I would like that.
0:46:15 > 0:46:18Nice one. I will pop the kettle on.
0:46:18 > 0:46:20Hey, look at this.
0:46:20 > 0:46:23Got my spaceship, got my boys.
0:46:23 > 0:46:25My work here is done.
0:46:26 > 0:46:29- We are not her boys.- Yeah, we are.
0:46:29 > 0:46:31Yeah, we are.
0:46:33 > 0:46:35Rory, listen to that.
0:46:35 > 0:46:40What? All I can hear is...silence.
0:46:43 > 0:46:45'There were cracks.
0:46:45 > 0:46:49'Through some we saw silence and the end of all things.'
0:46:56 > 0:46:58Oh, look at you both, five years later.
0:46:58 > 0:47:00Time to sleep.
0:47:00 > 0:47:02Or are you waking up?
0:47:02 > 0:47:05If you're the Time Lord, let's call me the Dream Lord.
0:47:05 > 0:47:09Two worlds, here in the time machine...
0:47:09 > 0:47:14and there in the village that time forgot. One is real...
0:47:14 > 0:47:17the other's fake.
0:47:17 > 0:47:19Trouble is, Rory, Amy, which is which?
0:47:19 > 0:47:21So here's your challenge.
0:47:21 > 0:47:24If you die in the dream, you wake up in reality.
0:47:24 > 0:47:27- Ask me what happens if you die in reality?- What happens?
0:47:27 > 0:47:30You die, stupid. That's why it's called reality.
0:47:31 > 0:47:37Pick a world, and this nightmare will all be over.
0:47:37 > 0:47:40This is going to be a tricky one.
0:47:59 > 0:48:03Subtitles by Red Bee Media Ltd
0:48:03 > 0:48:07E-mail subtitling@bbc.co.uk