0:00:02 > 0:00:05'New York. The city of a million stories.
0:00:06 > 0:00:12'Half of them are true. The other half just haven't happened yet.
0:00:15 > 0:00:18'Statues, the man said.
0:00:20 > 0:00:23'Living statues that moved in the dark.'
0:00:33 > 0:00:35So, will you take the case, Mr Garner?
0:00:36 > 0:00:38Sure. Why not?
0:00:38 > 0:00:40Because you don't believe me.
0:00:40 > 0:00:44For 25 a day, plus expenses, I'll believe any damn thing you like.
0:00:44 > 0:00:47But you don't believe that statues can move.
0:00:48 > 0:00:52And you're right, Mr Garner. They can't.
0:00:52 > 0:00:54Of course they can't...
0:00:59 > 0:01:00..when you're looking.
0:01:03 > 0:01:04Good night, Mr Grayle.
0:01:35 > 0:01:40'The address Grayle gave me was an apartment block near Battery Park.
0:01:40 > 0:01:43'He said it was where the statues lived.
0:01:43 > 0:01:47'I asked him why he didn't go look himself.
0:01:47 > 0:01:49'He didn't answer.
0:01:49 > 0:01:51'Grayle was the scariest guy I knew.
0:01:52 > 0:01:56'If something scared him, I kinda wanted to shake its hand.'
0:02:39 > 0:02:40Hello?
0:02:42 > 0:02:43Hello?
0:03:02 > 0:03:04What the...?
0:03:44 > 0:03:47Hello...anyone home?
0:04:07 > 0:04:10MUTTERING FROM THE NEXT ROOM
0:04:11 > 0:04:12Hello?
0:04:21 > 0:04:22Who are you?
0:04:24 > 0:04:26They're coming for you.
0:04:26 > 0:04:27They're going to send you back.
0:04:27 > 0:04:30Who's coming? Back where?
0:04:30 > 0:04:33In time. Back in time.
0:04:33 > 0:04:35I'm you.
0:04:38 > 0:04:41I'm...you!
0:05:29 > 0:05:31You gotta be kiddin' me!
0:06:08 > 0:06:11# Whoa, I'm an alien
0:06:11 > 0:06:13# I'm a legal alien
0:06:13 > 0:06:17# I'm an Englishman in New York... #
0:06:22 > 0:06:27"New York growled at my window, but I was ready for it.
0:06:27 > 0:06:31"My stocking seams were straight, my lipstick was combat-ready,
0:06:31 > 0:06:35"and I was packing cleavage that could fell an ox at twenty feet..."
0:06:35 > 0:06:38- Doctor, you're doing it again. - I'm reading!
0:06:38 > 0:06:40Aloud. Please could you not?
0:06:43 > 0:06:46- There's something different about you, isn't there?- What's the book?
0:06:46 > 0:06:51Melody Malone. She's a private detective in old town New York.
0:06:51 > 0:06:53"She's got ice in her heart and a kiss on her lips,
0:06:53 > 0:06:56"and a vulnerable side she keeps well hidden."
0:06:57 > 0:06:59- Oh, you've read it? - You read it. Aloud.
0:06:59 > 0:07:01And then went "Yowzah!"
0:07:01 > 0:07:04Only you could fancy someone in a book.
0:07:04 > 0:07:08- I'm just reading it. I just like the cover.- Ooh, can we see the cover?
0:07:08 > 0:07:11No, no, I'm busy. It's your hair!
0:07:11 > 0:07:14- Is it your hair? - Oh, shut up, it's the glasses.
0:07:14 > 0:07:17I'm wearing reading glasses now, on my nose, see? There you go.
0:07:17 > 0:07:21I don't like them. They make your eyes look all liney.
0:07:21 > 0:07:25No, actually, sorry. They're fine, carry on.
0:07:25 > 0:07:29OK, I'm going to go and get us some more coffee. Who wants more coffee? Me too, I'll go!
0:07:29 > 0:07:34- Rory, do I have noticeable lines on my eyes now?- Yes.
0:07:34 > 0:07:37- No.- You didn't look.
0:07:37 > 0:07:39I noticed them earlier - didn't notice them.
0:07:39 > 0:07:42I specifically remember NOT noticing them.
0:07:42 > 0:07:44You walk among fire pits, Centurion!
0:07:44 > 0:07:46Do I have to come over there?
0:07:46 > 0:07:50- Can if you like. - Well, we have company.
0:07:50 > 0:07:53I'll get a babysitter.
0:07:53 > 0:07:57Oh, do you know, it is so humiliating when you do that.
0:07:58 > 0:08:01- Coffee?- Coffee.
0:08:01 > 0:08:03Can I have a go?
0:08:05 > 0:08:10Oh, actually, that is much better.
0:08:10 > 0:08:12That is exciting.
0:08:12 > 0:08:16- Read to me!- I thought you didn't like my reading aloud.
0:08:16 > 0:08:18Shut up, and read me a story. Just don't go "Yowzah!"
0:08:18 > 0:08:20Ha, ha, ha...
0:08:21 > 0:08:25- Why did you do that?- I always rip out the last page of a book.
0:08:25 > 0:08:28Then it doesn't have to end. I hate endings.
0:08:29 > 0:08:34"As I crossed the street, I saw the thin guy,
0:08:34 > 0:08:36"but he didn't see me.
0:08:36 > 0:08:38"I guess that's how it began..."
0:08:53 > 0:08:56DISTANT CHILDLIKE GIGGLING
0:09:07 > 0:09:08MORE GIGGLING
0:09:14 > 0:09:16GIGGLING, CLOSER
0:09:21 > 0:09:24"I followed the skinny guy for two more blocks before he turned
0:09:24 > 0:09:27"and I could ask exactly what he was doing here.
0:09:27 > 0:09:30"He looked a little scared, so I gave him my best smile
0:09:30 > 0:09:32"and my bluest eyes..."
0:09:32 > 0:09:35Beware the yowzah. Do not, at this point, yowz.
0:09:39 > 0:09:42Doctor? What did the skinny guy say?
0:09:42 > 0:09:47"He said, 'I just went to get coffees for the Doctor and Amy.'
0:09:47 > 0:09:49"Hello, River."
0:09:51 > 0:09:53Hello, Dad.
0:09:53 > 0:09:54Where am I?
0:09:55 > 0:09:57How the hell did I get here?
0:09:57 > 0:09:59I haven't the faintest idea,
0:09:59 > 0:10:02but you'll probably want to put your hands up.
0:10:08 > 0:10:09Melody Malone?
0:10:09 > 0:10:11YOU'RE Melody?
0:10:13 > 0:10:15Get in!
0:10:15 > 0:10:18What's River doing in a book? What's Rory doing in a book?
0:10:18 > 0:10:22- He went to get coffee. Pay attention! - He went to get coffee and turned up in a book. How does that work?
0:10:22 > 0:10:24I don't know, we're in New York!
0:10:25 > 0:10:27What is going on?
0:10:29 > 0:10:32- Where did you get this book?- It was in my jacket.- How did it get there?
0:10:32 > 0:10:35How does anything get there? I've given up asking! Date, date,
0:10:35 > 0:10:38- does she mention a date? When is this happening?- Yes, hang on.
0:10:38 > 0:10:41Oh, April 3rd, 1938.
0:10:44 > 0:10:48- You didn't come here in the TARDIS, obviously.- Why?
0:10:48 > 0:10:50He couldn't have.
0:10:50 > 0:10:53Couldn't have? What does she mean? Couldn't have?
0:10:53 > 0:10:55This city's full of time distortions.
0:10:55 > 0:10:58It'd be impossible to land the TARDIS here.
0:10:58 > 0:11:03Like trying to land a plane in a blizzard. Even I couldn't do it.
0:11:03 > 0:11:06- Even who couldn't do it?- Don't you two fall out, she's only in a book.
0:11:08 > 0:11:111938. Easy one!
0:11:24 > 0:11:29- What was that?- 1938. We just bounced off it.
0:11:30 > 0:11:32So how did you get here?
0:11:32 > 0:11:34Vortex Manipulator.
0:11:34 > 0:11:39Less bulky than a TARDIS - a motorbike through traffic.
0:11:39 > 0:11:41You?
0:11:41 > 0:11:44I'm...not sure.
0:11:54 > 0:11:57- The Weeping Angels? - It makes sense.- It makes what?
0:11:57 > 0:11:59That's what happened to Rory. That's what the Angels do.
0:11:59 > 0:12:02It's their preferred form of attack. They zap you back in time,
0:12:02 > 0:12:05- let you live to death. - Well, we've got a time machine,
0:12:05 > 0:12:08- we can just go and get him, - Well, tried that, if you've noticed,
0:12:08 > 0:12:11and we are back where we started in 2012.
0:12:11 > 0:12:14- We didn't start in a graveyard. Why are we here?- Don't know.
0:12:14 > 0:12:18Probably causally linked somehow, doesn't matter. Extractor fans on!
0:12:18 > 0:12:20Well, we're going to get there somehow.
0:12:20 > 0:12:22- We're in the rest of the book. - What?- Page 43.
0:12:22 > 0:12:25- You're going to break something. - I'm what?
0:12:25 > 0:12:27"Why do you have to break mine?", I asked him.
0:12:27 > 0:12:30He frowned and said "Because Amy read it in a book and now I have no choice."
0:12:30 > 0:12:33Stop, no, no! Stop!
0:12:33 > 0:12:39- You can't read ahead. You mustn't, and you can't do that. - But we've already been reading it.
0:12:39 > 0:12:41Just the stuff that's happening now, in parallel with us,
0:12:41 > 0:12:43- that's as far as we go. - But it could help us find Rory!
0:12:43 > 0:12:45And if you read ahead and find that Rory dies?
0:12:45 > 0:12:49This isn't any old future, Amy, it's ours.
0:12:49 > 0:12:52Once we know what's coming, it's fixed.
0:12:52 > 0:12:55I'm going to break something, because you told me that I'm going to do it.
0:12:55 > 0:12:58- No choice now. - Time can be rewritten.
0:12:58 > 0:13:00Not once you've read it.
0:13:01 > 0:13:04Once we know what's coming, it's written in stone.
0:13:14 > 0:13:17Ah. Early Qin dynasty, I'd say.
0:13:17 > 0:13:18Correct.
0:13:18 > 0:13:22Are you an archaeologist as well as a detective?
0:13:24 > 0:13:27OK, landing a plane in a timey-wimey blizzard.
0:13:27 > 0:13:30I could push through, but if I'm out by a nanosecond,
0:13:30 > 0:13:33the engines will phase and I'll shatter the planet.
0:13:33 > 0:13:35- I need landing lights. - Landing lights?
0:13:35 > 0:13:38Yes, I need a signal to lock on to. What did she say? Early what dynasty?
0:13:38 > 0:13:43Early Qin, just as you say. You're very well-informed.
0:13:43 > 0:13:47And you're very afraid. That's an awful lot of locks for one door.
0:13:52 > 0:13:56- River, I'm translating.- It's a gift of the TARDIS, it hangs around.
0:13:56 > 0:14:00This one, put him somewhere uncomfortable.
0:14:00 > 0:14:06- With the babies, sir?- Yes, why not? Give him to the babies.
0:14:06 > 0:14:07Ah-ah-ah-ow-ow...
0:14:16 > 0:14:20The lights are out. You'll last longer with these.
0:14:22 > 0:14:24What do you care?
0:14:24 > 0:14:26It's funnier.
0:14:31 > 0:14:33HIGH-PITCHED GIGGLING
0:14:33 > 0:14:34Hello?
0:14:42 > 0:14:45Ah, hello, yes.
0:14:47 > 0:14:49Special commission from the Emperor!
0:14:53 > 0:14:55Hello, sweetie.
0:14:55 > 0:15:01Let's see, crime boss with a collecting fetish.
0:15:02 > 0:15:07Whatever you don't let anyone else see has got to be your favourite.
0:15:07 > 0:15:10Or possibly your girlfriend.
0:15:15 > 0:15:18So, girlfriend, then.
0:15:20 > 0:15:24- What are you doing? - Oh, you know, texting a boy.
0:15:28 > 0:15:29BEEPING
0:15:31 > 0:15:32Landing lights!
0:15:34 > 0:15:36We have a signal. Locking on.
0:15:40 > 0:15:44These things are all over, but people don't seem to notice.
0:15:44 > 0:15:47It never moves while you're looking.
0:15:47 > 0:15:49Oh, I know how they work.
0:15:49 > 0:15:55So I understand. Melody Malone, the detective who investigates Angels.
0:15:56 > 0:15:58Badly damaged.
0:15:58 > 0:16:02I wanted to know if it could feel pain.
0:16:02 > 0:16:05You realise it's screaming? The others can hear.
0:16:07 > 0:16:10Is that why you need all the locks?
0:16:15 > 0:16:19You're going to tell me all about these creatures.
0:16:19 > 0:16:21And you're going to do it quickly.
0:16:21 > 0:16:23RIVER GASPS
0:16:29 > 0:16:31HIGH-PITCHED, CHILDLIKE GIGGLING
0:16:35 > 0:16:37Hello, is someone there?
0:16:53 > 0:16:55LIGHT FOOTSTEPS MOVE AWAY
0:17:01 > 0:17:03MORE FOOTSTEPS
0:17:07 > 0:17:10FOOTSTEPS AND GIGGLING
0:17:10 > 0:17:12SOUNDS CHANGE DIRECTION
0:17:16 > 0:17:17MATCH SCRAPES AGAINST BOX
0:17:17 > 0:17:19Come on, come on...
0:17:25 > 0:17:28The Angels are predators, they're deadly.
0:17:28 > 0:17:29What do you want with them?
0:17:29 > 0:17:31I'm a collector.
0:17:31 > 0:17:35What collector could resist these? I'm only human.
0:17:35 > 0:17:38That's exactly what they're thinking.
0:17:39 > 0:17:41What's that? What's happening?
0:17:42 > 0:17:44Is it an earthquake?
0:17:44 > 0:17:46TARDIS WHIRRS
0:17:50 > 0:17:51What is this?!
0:17:53 > 0:17:56Oh, you bad boy. You could burn New York!
0:17:58 > 0:18:00What does that mean?!
0:18:00 > 0:18:04It means, Mr Grayle, just you wait till my husband gets home!
0:18:06 > 0:18:07GRAYLE EXCLAIMS
0:18:10 > 0:18:14- Come on! - Just a moment, final checks.
0:18:14 > 0:18:15Since when?
0:18:30 > 0:18:31Rory?
0:18:33 > 0:18:34Rory?
0:18:37 > 0:18:39Rory?
0:18:39 > 0:18:41Sorry I'm late, honey.
0:18:41 > 0:18:42Traffic was hell.
0:18:49 > 0:18:50Shock.
0:18:52 > 0:18:55- He'll be fine. - Not if I can get loose.
0:19:01 > 0:19:05So where are we now, Dr Song? How's prison?
0:19:05 > 0:19:08Oh, I was pardoned ages ago. And it's Professor Song to you.
0:19:10 > 0:19:12- Pardoned?- Hmm.
0:19:12 > 0:19:16Turns out the person I killed never existed in the first place.
0:19:16 > 0:19:18Apparently, there's no record of him.
0:19:18 > 0:19:21It's almost as if someone's gone around deleting himself
0:19:21 > 0:19:24from every database in the universe.
0:19:24 > 0:19:27You said I got too big.
0:19:27 > 0:19:29And now no-one's ever heard of you.
0:19:29 > 0:19:30Didn't you used to be somebody?
0:19:30 > 0:19:33- Weren't you the woman who killed the Doctor?- Doctor who?
0:19:36 > 0:19:37She's holding you very tight.
0:19:37 > 0:19:39At least she didn't send me back in time.
0:19:39 > 0:19:42- I doubt she's strong enough. - Well, I need my a hand back,
0:19:42 > 0:19:46so which is it going to be? Are you going to break my wrist or hers?
0:19:48 > 0:19:52Oh, no, really? Why do you have to break mine?
0:19:52 > 0:19:54Because Amy read it in a book.
0:19:54 > 0:19:56And now I have no choice.
0:19:59 > 0:20:00You see?
0:20:00 > 0:20:04- What book?- Your book.
0:20:04 > 0:20:07Which you haven't written yet, so we can't read.
0:20:07 > 0:20:10I see. I don't like the cover much.
0:20:10 > 0:20:13But if River's going to write that book, she'd make it useful, yeah?
0:20:13 > 0:20:16I'll certainly try. But we can't read ahead. It's too dangerous.
0:20:16 > 0:20:18I know. But there must be something we can look at.
0:20:18 > 0:20:21What, a page of handy hints? Previews? Spoiler free?
0:20:22 > 0:20:24Chapter titles?
0:20:32 > 0:20:34- He's in the cellar.- Gimme!
0:20:42 > 0:20:45Doctor?
0:20:45 > 0:20:47Doctor, what is it, what's wrong? tell me!
0:20:47 > 0:20:51Doctor, what is it, tell me!
0:20:55 > 0:20:58OK, I know that face. Calm down, talk to me.
0:20:58 > 0:21:02- No!- Talk to me, Doctor!- No!
0:21:02 > 0:21:06Get your wrist out. You get your wrist out without breaking it!
0:21:06 > 0:21:08How?
0:21:08 > 0:21:12I don't know, just do it, change the future!
0:21:20 > 0:21:23Rory?
0:21:25 > 0:21:27No! They're Angels.
0:21:27 > 0:21:29Baby Angels.
0:21:29 > 0:21:34Did they get Rory? Where is he, did they take him?
0:21:34 > 0:21:36Yes, I think so, yes.
0:21:36 > 0:21:38FAINT CHILDREN'S LAUGHTER
0:21:54 > 0:21:57So, is this what's going to happen?
0:21:57 > 0:21:59We just keep chasing him and they keep pulling him further back?
0:21:59 > 0:22:00He isn't back in time.
0:22:00 > 0:22:04I'm reading a displacement, but there are no temporal markers.
0:22:04 > 0:22:07He's been moved in space, not in time -
0:22:07 > 0:22:10and not that far from here, by the look of it.
0:22:11 > 0:22:13You got out?
0:22:13 > 0:22:15So, where is he?
0:22:31 > 0:22:34Well, come on, come on, come on, where is he?
0:22:34 > 0:22:36If it was that easy, I'd get you to do it.
0:22:36 > 0:22:39How did you get your wrist out without breaking it?
0:22:39 > 0:22:41You asked, I did. Problem?
0:22:41 > 0:22:44You just changed the future.
0:22:44 > 0:22:48It's called marriage, honey. Now, hush, I'm working.
0:22:48 > 0:22:51She's good, have you noticed? Really, really good.
0:22:51 > 0:22:53Ah, wherever it is, it's within a few blocks.
0:22:53 > 0:22:54There's a car out front - shall we steal it?
0:22:54 > 0:22:56Show me!
0:22:56 > 0:22:58RIVER CRIES OUT
0:23:22 > 0:23:26OK, when all those numbers on both units go to zero,
0:23:26 > 0:23:29that's when we've got a lock, OK?
0:23:30 > 0:23:31- It's how we find Rory.- Got it.
0:23:34 > 0:23:36Why did you lie to me?
0:23:40 > 0:23:45When one's in love with an ageless god who insists on the face
0:23:45 > 0:23:50of a 12-year-old, one does one's best to hide the damage.
0:23:52 > 0:23:54It must hurt.
0:23:54 > 0:23:59Yes. The wrist is pretty bad too.
0:24:13 > 0:24:17No! No, stop that, stop that. Stop it!
0:24:19 > 0:24:22There we go. How's that?
0:24:24 > 0:24:28Well, let's see, shall we?
0:24:29 > 0:24:32That was a stupid waste of regeneration energy -
0:24:32 > 0:24:35nothing is gained by you being a sentimental idiot.
0:24:35 > 0:24:38- River...- No, you embarrass me! - River!
0:24:44 > 0:24:46Tell you what - stick to the science part.
0:24:56 > 0:24:58OK, so why did you lie?
0:24:59 > 0:25:01Never let him see the damage.
0:25:07 > 0:25:11And never, ever let him see you age.
0:25:11 > 0:25:15He doesn't like endings.
0:25:19 > 0:25:21There you are...
0:25:22 > 0:25:25Got it. He's at a place called Winter Quay.
0:25:25 > 0:25:27The car, yes - let's go.
0:25:45 > 0:25:49WIND WHISTLES
0:26:48 > 0:26:50Why would they send him here?
0:26:50 > 0:26:53Why not zap him back in time, like they normally do?
0:26:53 > 0:26:55We'll know that when we know what this place is.
0:26:55 > 0:26:58Winter Quay.
0:27:09 > 0:27:10- Rory?- He's close.
0:27:10 > 0:27:12Rory!
0:27:15 > 0:27:17- Rory!- Amy.
0:27:21 > 0:27:23Doctor, look at this.
0:27:24 > 0:27:25Why's it smiling?
0:27:30 > 0:27:31Amy, Rory.
0:27:31 > 0:27:34Get out of here! Don't look at anything, don't touch...
0:27:34 > 0:27:36Who's that?
0:27:38 > 0:27:39Amy...
0:27:41 > 0:27:43Amy, please.
0:27:51 > 0:27:55Amy...
0:27:55 > 0:27:58Please, please.
0:28:06 > 0:28:08Rory?
0:28:15 > 0:28:16He's you.
0:28:24 > 0:28:25Amy.
0:28:37 > 0:28:39Will someone please tell me what is going on?
0:28:47 > 0:28:49I'm sorry, Rory.
0:28:50 > 0:28:51But you just died.
0:29:06 > 0:29:08This place is policed by Angels.
0:29:08 > 0:29:10Every time you try to escape, you get zapped back in time.
0:29:10 > 0:29:13So this place belongs to the Angels? They built it?
0:29:13 > 0:29:16Displacing someone back in time creates time energy,
0:29:16 > 0:29:19and that is what the Angels feed on.
0:29:19 > 0:29:23But normally, it's a one-off - a hit and run.
0:29:23 > 0:29:25If they could keep hold of their victims,
0:29:25 > 0:29:28feed off their time energy over and over again...
0:29:32 > 0:29:35This place is a farm. A battery farm.
0:29:35 > 0:29:38- How many Angels in New York? - They've taken over every statue in the city.
0:29:38 > 0:29:39The Angels take Manhattan!
0:29:39 > 0:29:42Because they can, because they've never had
0:29:42 > 0:29:45a food source like this one. The city that never sleeps.
0:29:45 > 0:29:46RUMBLING FROM OUTSIDE
0:29:46 > 0:29:48What was that?
0:29:52 > 0:29:55I don't know. But I think they're coming for you.
0:29:57 > 0:30:00What does that mean? What is going to happen to me?
0:30:00 > 0:30:03What is physically going to happen?
0:30:03 > 0:30:05The Angels will come for you.
0:30:05 > 0:30:09They'll zap you back in time to this very spot, 30, 40 years ago.
0:30:10 > 0:30:15And you'll live out the rest of your life in this room,
0:30:15 > 0:30:17until you die in that bed.
0:30:20 > 0:30:21And will Amy be there?
0:30:21 > 0:30:22No.
0:30:22 > 0:30:25How do you know?
0:30:25 > 0:30:28Because he was so pleased to see you again.
0:30:31 > 0:30:37OK. Well, they haven't taken me yet. What if I just run?
0:30:37 > 0:30:39What if I just get the hell out of here?
0:30:39 > 0:30:41- Then that never happens. - It's already happened.
0:30:41 > 0:30:45You've just witnessed your own future.
0:30:45 > 0:30:47- Doctor, he's right. - No, he isn't.
0:30:47 > 0:30:49If Rory got out, it would create a paradox.
0:30:49 > 0:30:52RUMBLING COMES CLOSER What is that?
0:30:52 > 0:30:55This is the Angels' food source. The paradox poisons the well.
0:30:55 > 0:30:56It could kill them all.
0:30:56 > 0:30:59This whole place would literally un-happen.
0:30:59 > 0:31:01It would be almost impossible.
0:31:01 > 0:31:03Loving the "almost".
0:31:03 > 0:31:08But to create a paradox like that takes almost unimaginable power.
0:31:08 > 0:31:11What have we got? Tell me, come on, what?
0:31:15 > 0:31:18I won't let them take him. That's what we've got.
0:31:18 > 0:31:20RUMBLING GETS LOUDER
0:31:20 > 0:31:25Whatever that thing is, it's getting closer.
0:31:25 > 0:31:26Rory, even if you got out,
0:31:26 > 0:31:29you'd have to keep running for the rest of your life.
0:31:29 > 0:31:32They would be chasing you for ever.
0:31:32 > 0:31:35Well, then. Better get started.
0:31:35 > 0:31:37Husband - run!
0:31:42 > 0:31:44River - I'm not sure this can work.
0:31:44 > 0:31:45Husband - shut up!
0:31:57 > 0:32:00- Up!- What good's up? - Better than down!
0:32:02 > 0:32:07- We can't keep doing this. - Any ideas?- Yeah, the usual! Run!
0:32:27 > 0:32:29OK! Fire escape.
0:32:29 > 0:32:32I always wanted to visit the Statue Of Liberty.
0:32:32 > 0:32:34I guess she got impatient.
0:32:39 > 0:32:41- What? What is it, what? - Just keep your eyes on that.
0:32:41 > 0:32:43Is there a way down?
0:32:44 > 0:32:48Er...no.
0:32:48 > 0:32:49But there's a way out.
0:32:51 > 0:32:53What are you doing?
0:32:56 > 0:32:58Rory, what are you doing?
0:33:00 > 0:33:01Rory...
0:33:01 > 0:33:04- Stop it. You'll die. - Yeah, twice,
0:33:04 > 0:33:06in the same building on the same night.
0:33:06 > 0:33:08Who else could do that?
0:33:08 > 0:33:09Just come down. Please.
0:33:09 > 0:33:12This is the right thing to do. This will work.
0:33:12 > 0:33:14If I die now, it's a paradox, right?
0:33:14 > 0:33:18The paradox kills the Angels, tell me I'm wrong.
0:33:18 > 0:33:21Go on, please, because I'm really scared.
0:33:25 > 0:33:30Oh, great. The one time you can't manage it.
0:33:39 > 0:33:41Amy...
0:33:41 > 0:33:45..I think I'm going to need a little help here.
0:33:46 > 0:33:48Just stop it!
0:33:48 > 0:33:50Just think it through. This will work, this will kill the Angels.
0:33:50 > 0:33:52- It'll kill you too.- Will it?
0:33:52 > 0:33:54River said this place would be erased from time,
0:33:54 > 0:33:57never exist. If this place never existed, what did I fall off?
0:33:57 > 0:33:59- You think you'll come back to life? - When don't I?
0:33:59 > 0:34:02And anyway, what else is there?
0:34:02 > 0:34:04Dying of old age downstairs, never seeing you again?
0:34:04 > 0:34:09Amy, please, if you love me,
0:34:09 > 0:34:12trust me, and push.
0:34:16 > 0:34:17- I can't.- You have to.
0:34:17 > 0:34:21Could you? If it was me, could you do it?
0:34:25 > 0:34:30To save you, I could do anything.
0:34:54 > 0:34:57- Prove it.- I can't take you too. - You said we'd come back to life.
0:34:59 > 0:35:01Money-where-your-mouth-is time.
0:35:01 > 0:35:02Amy...
0:35:02 > 0:35:03Shut...up.
0:35:04 > 0:35:08Together. Or not at all.
0:35:09 > 0:35:11What the hell are you doing?!
0:35:11 > 0:35:13Changing the future.
0:35:15 > 0:35:18It's called marriage.
0:35:21 > 0:35:23Amy!
0:35:23 > 0:35:25Amy!
0:35:27 > 0:35:29Amy!
0:35:44 > 0:35:48Doctor!
0:35:51 > 0:35:53What's happening?
0:35:55 > 0:35:57The paradox. It's working!
0:35:57 > 0:36:00The paradox is working!
0:36:16 > 0:36:19Where are we?
0:36:19 > 0:36:21Back where we started.
0:36:21 > 0:36:23You collapsed the timeline, the paradox worked,
0:36:23 > 0:36:25we all pinged back where we belong.
0:36:25 > 0:36:29- What, in a graveyard?- This happened the last time. Why always here?
0:36:29 > 0:36:32Does it matter? We could've blown New York off the planet.
0:36:32 > 0:36:35I can't take the TARDIS back there, the timelines are too scrambled.
0:36:37 > 0:36:39I could have lost you both.
0:36:39 > 0:36:41Don't ever do that again.
0:36:41 > 0:36:44What did we do?
0:36:44 > 0:36:46We fixed it, we solved the problem.
0:36:46 > 0:36:49I was talking to myself.
0:36:55 > 0:36:56It could do with a repaint.
0:36:57 > 0:36:59I've been busy.
0:36:59 > 0:37:01Does the bulb on top need changing?
0:37:01 > 0:37:03I just changed it.
0:37:03 > 0:37:06So. Rory and Amy, then.
0:37:06 > 0:37:08Yes. I know, I know.
0:37:08 > 0:37:10I'm just saying.
0:37:10 > 0:37:13They're going to get terribly bored hanging round here all day.
0:37:13 > 0:37:16- Doctor.- Ha!- Next time, could we could just go to the pub?
0:37:16 > 0:37:20I want go to the pub right now. Are there video games there?
0:37:20 > 0:37:21I love video games.
0:37:21 > 0:37:23Right, family outing, then.
0:37:30 > 0:37:32Amy - come and see this.
0:37:32 > 0:37:37- What?- There's a gravestone here for someone with the same name as me!
0:37:37 > 0:37:39What?
0:37:42 > 0:37:44Doctor!
0:37:46 > 0:37:48Where the hell did that come from?
0:37:48 > 0:37:51It's a survivor. Very weak, but keep your eyes on it.
0:37:51 > 0:37:52Where's Rory?
0:38:04 > 0:38:05I'm sorry.
0:38:06 > 0:38:08Amelia...
0:38:09 > 0:38:11..I'm so sorry.
0:38:12 > 0:38:17No. No, we can just go and get him in the TARDIS. One more paradox...
0:38:17 > 0:38:18..would rip New York apart.
0:38:18 > 0:38:21- That's not true, I don't believe you.- Mother, it's true.
0:38:25 > 0:38:27Amy, what are you doing?
0:38:27 > 0:38:31Rory's gravestone, there's room for one more name, isn't there?
0:38:31 > 0:38:33What do you mean? Back away from the Angel,
0:38:33 > 0:38:35come back to the TARDIS. We'll figure something out.
0:38:35 > 0:38:40- The Angel - would it send me back to the same time, to him? - I don't know. Nobody knows.
0:38:40 > 0:38:43- But it's my best shot, yeah?- No.
0:38:43 > 0:38:45Doctor, shut up! Yes. Yes, it is.
0:38:45 > 0:38:48- Amy...- Well, then. I just have to blink, right?
0:38:48 > 0:38:51- No! - It'll be fine. I know it will.
0:38:52 > 0:38:56I'll be with him, like I should be. Me and Rory together.
0:38:59 > 0:39:01Melody?
0:39:01 > 0:39:02Stop it, just, just stop it!
0:39:09 > 0:39:13You look after him and you be a good girl,
0:39:13 > 0:39:14and you look after him.
0:39:14 > 0:39:18You are creating fixed time.
0:39:18 > 0:39:20I will never be able to see you again.
0:39:20 > 0:39:23I'll be fine. I'll be with him.
0:39:23 > 0:39:28Amy, please, just come back into the TARDIS.
0:39:29 > 0:39:31Come along, Pond, please.
0:39:37 > 0:39:39Raggedy man, goodbye!
0:39:47 > 0:39:48No!
0:40:19 > 0:40:25River, they were your parents.
0:40:26 > 0:40:31I'm sorry, I didn't even think.
0:40:31 > 0:40:35- It doesn't matter. - Of course it matters.
0:40:35 > 0:40:41What matters is this. Doctor - don't travel alone.
0:40:44 > 0:40:46Travel with me, then.
0:40:49 > 0:40:52Whenever and wherever you want...
0:40:54 > 0:40:57but not all the time.
0:40:57 > 0:40:58One psychopath per TARDIS, don't you think?
0:41:08 > 0:41:10OK. This book I've got to write - Melody Malone.
0:41:10 > 0:41:13I presume I send it to Amy to get it published?
0:41:13 > 0:41:15Yes. Yes.
0:41:17 > 0:41:20I'll tell her to write an afterword.
0:41:23 > 0:41:25For you.
0:41:30 > 0:41:32Maybe you'll listen to her.
0:41:41 > 0:41:42The last page!
0:42:00 > 0:42:03'Afterword, by Amelia Williams.
0:42:03 > 0:42:05'Hello, old friend.
0:42:07 > 0:42:09'And here we are, you and me, on the last page.
0:42:11 > 0:42:15'By the time you read these words, Rory and I will be long gone.
0:42:15 > 0:42:18'So know that we lived well, and were very happy.
0:42:19 > 0:42:23'And above all else, know that we will love you always.
0:42:25 > 0:42:28'Sometimes I do worry about you, though.
0:42:28 > 0:42:32'I think once we're gone, you won't be coming back here for a while,
0:42:32 > 0:42:37'and you might be alone, which you should never be.
0:42:37 > 0:42:38'Don't be alone, Doctor.
0:42:40 > 0:42:41'And do one more thing for me.
0:42:43 > 0:42:46'There's a little girl waiting in a garden.
0:42:46 > 0:42:51'She's going to wait a long while, so she's going to need a lot of hope.
0:42:51 > 0:42:54'Go to her. Tell her a story.
0:42:54 > 0:42:55'Tell her that if she's patient,
0:42:55 > 0:42:59'the days are coming that she'll never forget.
0:42:59 > 0:43:02'Tell her she'll go to sea and fight pirates.
0:43:02 > 0:43:04'She'll fall in love with a man
0:43:04 > 0:43:09'who'll wait 2,000 years to keep her safe.
0:43:09 > 0:43:12'Tell her she'll give hope to the greatest painter who ever lived
0:43:12 > 0:43:14'and save a whale in outer space.
0:43:15 > 0:43:21'Tell her, this is the story of Amelia Pond.
0:43:21 > 0:43:24'And this how it ends.'
0:43:25 > 0:43:30METALLIC THRUMMING
0:43:54 > 0:43:58Subtitles by Red Bee Media Ltd