0:00:11 > 0:00:15- How are we looking? - Oh...about ready, I think.
0:00:19 > 0:00:21Any thoughts on the, er, interference?
0:00:21 > 0:00:24Erm, a stray FM broadcast, possibly?
0:00:24 > 0:00:26But I've fitted some ferrite suppressors
0:00:26 > 0:00:29and some RF chokes. Just in case.
0:00:34 > 0:00:36Are you sure you want to go through with this?
0:00:36 > 0:00:39- I mean, the last time was very... - But she's so lonely.
0:00:42 > 0:00:44Excellent, then.
0:00:44 > 0:00:45Excellent.
0:00:54 > 0:00:59Caliburn House, night four, November 25th, 1974.
0:00:59 > 0:01:0211.04pm.
0:01:10 > 0:01:14I'm talking to the spirit that inhabits this house.
0:01:14 > 0:01:17Are you there? Can you hear me?
0:01:17 > 0:01:19QUIET STATIC HISSING
0:01:22 > 0:01:26I'm speaking to the lost soul that abides in this place.
0:01:26 > 0:01:28STATIC AND ELECTRONIC REVERBERATIONS
0:01:30 > 0:01:33Come to me. Speak to me.
0:01:34 > 0:01:37Let me show you the way home.
0:01:37 > 0:01:38Oh, ah!
0:01:40 > 0:01:44- DISTORTED SCREAMING - Let me show you the way home!
0:01:52 > 0:01:53SCREAMING
0:01:54 > 0:01:56Ah!
0:01:56 > 0:01:58Emma?
0:01:58 > 0:01:59She's so...
0:01:59 > 0:02:01So what?
0:02:02 > 0:02:03Dead.
0:02:05 > 0:02:07KNOCKING ON DOOR
0:02:09 > 0:02:11KNOCKING ON DOOR
0:02:20 > 0:02:21Boo!
0:02:21 > 0:02:23Hello, I'm looking for a ghost.
0:02:23 > 0:02:25And you are...?
0:02:25 > 0:02:26Ghostbusters!
0:03:03 > 0:03:04- I'm the Doctor.- Doctor what?
0:03:04 > 0:03:07If you like. And this is Clara.
0:03:07 > 0:03:10Ah, but you are very different!
0:03:11 > 0:03:13You are Major Alec Palmer.
0:03:13 > 0:03:15Member of the Baker Street Irregulars,
0:03:15 > 0:03:18the Ministry of Ungentlemanly Warfare.
0:03:18 > 0:03:19Specialised in espionage,
0:03:19 > 0:03:22sabotage and reconnaissance behind enemy lines.
0:03:22 > 0:03:26You're a talented watercolourist, professor of psychology
0:03:26 > 0:03:28AND...ghost hunter!
0:03:30 > 0:03:32Total pleasure. Massive.
0:03:32 > 0:03:33Actually, you're wrong.
0:03:33 > 0:03:36Professor Palmer spent most of the war as a POW.
0:03:36 > 0:03:38Actually, that's a lie told by a very brave man
0:03:38 > 0:03:39involved in very secret operations.
0:03:39 > 0:03:42The kind of man who keeps a Victoria Cross in a box in the attic, eh?
0:03:42 > 0:03:45But you know that! Because you're Emma Grayling...
0:03:47 > 0:03:49- ..the Professor's companion... - Assistant.
0:03:49 > 0:03:54It's 1974 - you're the assistant and "non-objective equipment".
0:03:54 > 0:03:57- Meaning "psychic". - Getting that. Bless you, though.
0:03:57 > 0:03:59Relax, Emma. He's Military Intelligence.
0:03:59 > 0:04:02- So what's all this in aid of? - Health and safety!
0:04:02 > 0:04:06Yeah, the Ministry got wind of what's going on down here.
0:04:06 > 0:04:09Sent me to check that everything's in order.
0:04:09 > 0:04:10They don't have the right.
0:04:10 > 0:04:12Don't worry, Guv'nor, I'll be out of your hair in five minutes. Oh!
0:04:12 > 0:04:17Oh, look! Oh, lovely. The ACR 99821.
0:04:17 > 0:04:19Oh, bliss, nice action on the toggle switches.
0:04:19 > 0:04:23You know, I do love a toggle switch.
0:04:23 > 0:04:26Actually, I like the word "toggle".
0:04:26 > 0:04:28Nice noun. Excellent verb.
0:04:28 > 0:04:30Oi, don't mess with the settings.
0:04:31 > 0:04:33What's that?
0:04:33 > 0:04:36Gadget. Health and safety. Classified, I'm afraid.
0:04:36 > 0:04:39You know, while the back room boffins work out a few kinks.
0:04:39 > 0:04:41What's it telling you?
0:04:41 > 0:04:43It's telling me that you haven't been exposed
0:04:43 > 0:04:45to any life-threatening transmundane emanations.
0:04:45 > 0:04:46So...
0:04:49 > 0:04:51..where's the ghost?
0:04:53 > 0:04:55Show me the ghost.
0:04:56 > 0:04:58EERIE WHOOSHING
0:05:00 > 0:05:01It's ghost time.
0:05:04 > 0:05:07I won't have this stolen out from under me, do you understand?
0:05:07 > 0:05:08Erm, no, not really, sorry.
0:05:08 > 0:05:10I will not have my work stolen,
0:05:10 > 0:05:13then be fobbed off with a pat on the back and a letter from the Queen.
0:05:13 > 0:05:16Never again! This is my house, Doctor, and it belongs to me.
0:05:17 > 0:05:20- This is actually your house?- It is.
0:05:20 > 0:05:21Sorry.
0:05:21 > 0:05:22You went to the bank and said,
0:05:22 > 0:05:25"You know that gigantic old haunted house on the moors?
0:05:25 > 0:05:27"The one the dossers are too scared to doss in?
0:05:27 > 0:05:29"The one the birds are too scared to fly over?"
0:05:29 > 0:05:32And then you said, "I'd like to buy it, please, with my money."
0:05:32 > 0:05:35Yes, I did, actually.
0:05:35 > 0:05:37That's incredibly brave. CREAKING
0:05:38 > 0:05:43Listen, Major, we just need to know what's going on here.
0:05:43 > 0:05:45- For the Ministry?- You know I can't answer that.
0:05:48 > 0:05:49Very well...
0:05:51 > 0:05:52..follow me.
0:06:00 > 0:06:03So what's an empathic psychic?
0:06:03 > 0:06:08Sometimes I...sense feelings. The way a telepath can sense thoughts.
0:06:08 > 0:06:10Sometimes, though. Not always.
0:06:10 > 0:06:15The most compassionate people you'll ever meet, empathics.
0:06:15 > 0:06:16And the loneliest.
0:06:16 > 0:06:19I mean, exposing themselves to all those hidden feelings -
0:06:19 > 0:06:23all that guilt, pain and sorrow and...
0:06:23 > 0:06:24- Doctor?- Yes?
0:06:24 > 0:06:25Shh.
0:06:26 > 0:06:28Would you, er, care to have a look?
0:06:32 > 0:06:35Caliburn House is over 400 years old
0:06:35 > 0:06:38but she's been here much longer...
0:06:39 > 0:06:40..the Caliburn Ghast.
0:06:44 > 0:06:47She's mentioned in local Saxon poetry and Parish folk tales.
0:06:47 > 0:06:51The Wraith of the Lady, the Maiden in the Dark...
0:06:52 > 0:06:54..the Witch of the Well.
0:06:56 > 0:06:59Is she real? As in, actually real?
0:06:59 > 0:07:01Oh, she's real.
0:07:01 > 0:07:04In the 17th century, a local clergyman saw her.
0:07:04 > 0:07:06He wrote that her presence was accompanied
0:07:06 > 0:07:11by a "dreadful knocking, as if the Devil himself demanded entry."
0:07:13 > 0:07:15During the war, American airmen stationed here
0:07:15 > 0:07:17left offerings of tinned Spam.
0:07:17 > 0:07:21The tins were found in 1965, bricked up in the servants' pantry,
0:07:21 > 0:07:23along with a number of handwritten notes,
0:07:23 > 0:07:25appeals to the Ghast...
0:07:25 > 0:07:29"For the love of God, stop screaming."
0:07:29 > 0:07:31EERIE SCREAMING
0:07:32 > 0:07:34She never changes.
0:07:36 > 0:07:37The angle's different, the framing,
0:07:37 > 0:07:41but she's always in exactly the same position. Why is that?
0:07:41 > 0:07:43We don't know.
0:07:43 > 0:07:45She's an objective phenomenon.
0:07:45 > 0:07:47But objective recording equipment can't detect her...
0:07:47 > 0:07:50Without the presence of a powerful psychic.
0:07:50 > 0:07:53Absolutely. Very well done.
0:07:53 > 0:07:55EERIE SCREAMING
0:07:57 > 0:07:58She knows I'm here...
0:08:00 > 0:08:01..I can feel her...
0:08:03 > 0:08:04..calling out to me.
0:08:05 > 0:08:07What's she saying?
0:08:09 > 0:08:11"Help me."
0:08:21 > 0:08:25"The Witch of the Well".
0:08:25 > 0:08:26So where's the well?
0:08:28 > 0:08:31A copy of the oldest plan that we could find,
0:08:31 > 0:08:35there is no well on the property. None that we could find, anyway.
0:08:39 > 0:08:41CLARA GASPS
0:08:41 > 0:08:43- THEY WHISPER:- You coming?- Where? - To find the ghost.
0:08:43 > 0:08:46- Why would I want to do that? - Because you want to, come on.
0:08:46 > 0:08:48Well, I dispute that assertion.
0:08:52 > 0:08:54- STILL WHISPERING:- I'm giving you a face.
0:08:54 > 0:08:56Can you see me? Look at my face.
0:08:58 > 0:08:59Fine.
0:09:04 > 0:09:06Dare me.
0:09:06 > 0:09:08I dare you. No takesie-backsies.
0:09:12 > 0:09:14Ha-ha-ha-ha!
0:09:15 > 0:09:17The Music Room is the heart of the house.
0:09:29 > 0:09:32Say we actually find her. What do we say?
0:09:32 > 0:09:35We ask how she came to be...
0:09:35 > 0:09:36whatever she is.
0:09:37 > 0:09:38- Why?- Because I don't know.
0:09:38 > 0:09:41And ignorance is...
0:09:41 > 0:09:43what's the opposite of bliss?
0:09:43 > 0:09:47- Carlisle.- Yes! Yes, Carlisle. Ignorance is Carlisle.
0:10:03 > 0:10:05SCRAPING AND GROWLING
0:10:24 > 0:10:26Is he really from the Ministry?
0:10:26 > 0:10:28Er, I don't know.
0:10:29 > 0:10:32He's certainly got the right demeanour.
0:10:32 > 0:10:34Capricious...brilliant.
0:10:36 > 0:10:37Deceitful.
0:10:37 > 0:10:40Yes! Ha...he's a liar...
0:10:42 > 0:10:47..but, you know, that's often the way that it is...
0:10:47 > 0:10:50when someone's...seen a thing or two.
0:10:51 > 0:10:54Experience makes liars of us all.
0:10:54 > 0:10:55We lie about who we are...
0:10:57 > 0:10:59..about what we've done...
0:10:59 > 0:11:00And how we feel?
0:11:03 > 0:11:06Yes...always,
0:11:07 > 0:11:08..always that.
0:11:13 > 0:11:16You know, I have to...have to be getting on with things
0:11:16 > 0:11:19The, erm, the equipment and so forth.
0:11:19 > 0:11:21Of course.
0:11:27 > 0:11:32Ah, the Music Room. The heart of the house.
0:11:33 > 0:11:34Do you feel anything?
0:11:36 > 0:11:37No.
0:11:37 > 0:11:38Your pants are so on fire.
0:11:38 > 0:11:40JUDDERING BEEPS
0:11:47 > 0:11:50Do you feel like you're being watched?
0:11:50 > 0:11:52What does being watched feel like?
0:11:52 > 0:11:55Is it that funny tickly feeling on your neck?
0:11:55 > 0:11:57- That's the chap.- Then, yes, a bit.
0:11:57 > 0:11:59Well, quite a big bit.
0:12:05 > 0:12:07CREAKING
0:12:13 > 0:12:15CREAKING AND SCRAPING
0:12:17 > 0:12:19I think she's here.
0:12:22 > 0:12:25Cold spot. Spooky.
0:12:26 > 0:12:28Cold...warm.
0:12:29 > 0:12:33Cold...warm...cold...warm...
0:12:33 > 0:12:36- cold...warm...cold. - CREAKING
0:12:40 > 0:12:41Doctor?
0:12:41 > 0:12:43CREAKING
0:12:44 > 0:12:46- Doctor!- What?
0:12:46 > 0:12:48I'm not happy.
0:12:49 > 0:12:50No.
0:12:52 > 0:12:54SCRAPING AND CREAKING
0:12:56 > 0:12:57Hey!
0:13:16 > 0:13:18THUDDING
0:13:20 > 0:13:21What was that?
0:13:21 > 0:13:23THUDDING
0:13:32 > 0:13:33Does it seem colder?
0:13:40 > 0:13:42HE COUGHS AND EXHALES
0:13:46 > 0:13:48She's coming.
0:13:50 > 0:13:52THUDDING
0:13:52 > 0:13:54OK, what is that?
0:13:54 > 0:13:57It's a very loud noise.
0:13:57 > 0:14:00It's a very loud, very angry noise.
0:14:00 > 0:14:03- But what's making it?! - I don't know. Are you making it?
0:14:03 > 0:14:05THUDDING
0:14:07 > 0:14:09- Doctor?- Yes?
0:14:09 > 0:14:11- I may be a teeny, tiny bit terrified.- Yes?
0:14:11 > 0:14:13- But I'm still a grown-up. - Mainly, yes, and...?
0:14:13 > 0:14:16There's no need to actually hold my hand.
0:14:16 > 0:14:18- Clara?- Yes?
0:14:18 > 0:14:20I'm not holding your hand.
0:14:22 > 0:14:24THEY SCREAM
0:14:31 > 0:14:34- Has this happened before?- Never!
0:14:34 > 0:14:36Camera! Camera!
0:14:38 > 0:14:40GLASS CRACKING
0:14:47 > 0:14:50EERIE DISTORTED SHOUTING
0:14:54 > 0:14:56Doctor?!
0:14:56 > 0:14:58EERIE SHOUTING
0:15:01 > 0:15:02'Help me!'
0:15:02 > 0:15:05THUDDING AND CREAKING
0:15:05 > 0:15:07Doctor.
0:15:19 > 0:15:21WHOOSHING
0:15:34 > 0:15:36Ugh!
0:15:37 > 0:15:39I'd rather have a nice cup of tea.
0:15:39 > 0:15:42Me too.
0:15:42 > 0:15:45Whisky's the eleventh most disgusting thing ever invented.
0:15:49 > 0:15:53I had a little peek at your records, back at the Ministry.
0:15:53 > 0:15:56You've certainly seen a thing or two in your time -
0:15:56 > 0:15:59disrupting U-Boat operations across the North Sea,
0:15:59 > 0:16:01sabotaging railway lines across Europe,
0:16:01 > 0:16:06Operation Gibbon, the one with the carrier pigeons - brilliant!
0:16:06 > 0:16:08I do love a carrier pigeon.
0:16:08 > 0:16:12I did my duty but then so did thousands of others -
0:16:12 > 0:16:14MILLIONS of others...
0:16:15 > 0:16:17..I was just lucky enough to come back.
0:16:17 > 0:16:20Yes, but how does that man, that war hero, end up here,
0:16:20 > 0:16:23in a lonely old house, looking for ghosts?
0:16:27 > 0:16:29Because I killed...
0:16:29 > 0:16:31and I caused to have killed...
0:16:32 > 0:16:36..I sent young men and women to their deaths...
0:16:38 > 0:16:41..but here I am, still alive, and...
0:16:41 > 0:16:46it does tend to haunt you. Living, after so much of...
0:16:47 > 0:16:48..the other thing.
0:16:50 > 0:16:55So, you and Professor Palmer, have you ever...y'know?
0:16:55 > 0:16:57No.
0:16:57 > 0:17:00Why not? You do know how he feels about you, don't you?
0:17:00 > 0:17:02You of all people?
0:17:03 > 0:17:04I don't know.
0:17:05 > 0:17:10People like me...sometimes, we get our signals mixed up.
0:17:10 > 0:17:13We think people are feeling the way we want them to feel...
0:17:15 > 0:17:18..you know, when they are special to us.
0:17:19 > 0:17:22When, really, there's nothing there.
0:17:22 > 0:17:23Oh, this is there.
0:17:24 > 0:17:27- How do you know? - Because it's obvious.
0:17:27 > 0:17:30It sticks out like a...big chin.
0:17:32 > 0:17:36See, I was alone and unmarried and...
0:17:36 > 0:17:39I didn't mind dying. I mean, not for that cause.
0:17:39 > 0:17:42It was a very, very fine cause...
0:17:42 > 0:17:44defeating the enemy.
0:17:44 > 0:17:47And if you could contact them, what would you say?
0:17:48 > 0:17:51- Well, I'd very much like to thank them.- Uh-huh.
0:17:55 > 0:17:56Ping!
0:17:58 > 0:17:59What do you think she is?
0:18:02 > 0:18:05- Not what I thought she'd be. - What did you think she'd be?- Fun.
0:18:07 > 0:18:09Can I borrow your camera?
0:18:10 > 0:18:11Ta.
0:18:13 > 0:18:15What about you...and the Doctor?
0:18:15 > 0:18:17Oh, I don't think so.
0:18:18 > 0:18:20- Good.- Sorry?
0:18:21 > 0:18:23Don't trust him...
0:18:23 > 0:18:26there's a sliver of ice in his heart.
0:18:28 > 0:18:29Clara! >
0:18:41 > 0:18:44SHE WHISPERS: I've got this weird feeling it's looking at me.
0:18:44 > 0:18:45It doesn't like me.
0:18:45 > 0:18:47The TARDIS is like a cat -
0:18:47 > 0:18:50a bit slow to trust but you'll get there in the end.
0:18:57 > 0:18:59KNOCKING ON DOOR
0:19:02 > 0:19:05Hey!
0:19:05 > 0:19:07WHIRRING
0:19:09 > 0:19:11You need a place to keep this.
0:19:11 > 0:19:13I've got one.
0:19:13 > 0:19:15Or I had one...
0:19:15 > 0:19:17I think I had one.
0:19:17 > 0:19:19Look around, see if you find it.
0:19:19 > 0:19:21Did I have one?
0:19:21 > 0:19:22Am I going mad?
0:19:22 > 0:19:24No, not in here!
0:19:24 > 0:19:27How do you expect her to like you?
0:19:27 > 0:19:30She's SOAKING wet! It's a health and safety nightmare.
0:19:32 > 0:19:34Sorry.
0:19:34 > 0:19:35METALLIC GURGLING
0:19:35 > 0:19:38So...where we going?
0:19:38 > 0:19:40Nowhere. We're staying right here.
0:19:40 > 0:19:43Right here, on this exact spot - if I can work out how to do it.
0:19:43 > 0:19:45So, when are we going?
0:19:45 > 0:19:47HE LAUGHS
0:19:47 > 0:19:49Oh, that is good. That is top-notch.
0:19:49 > 0:19:50And the answer is...?
0:19:50 > 0:19:53- We're going always. - "We're going always."
0:19:53 > 0:19:55- TOTALLY!- That's not actually a sentence.
0:19:55 > 0:19:58Well, it's got a verb in it. What do you think?
0:19:59 > 0:20:02- Colour's a bit boisterous. - I think it brings out my eyes.
0:20:02 > 0:20:03Makes my eyes hurt.
0:20:05 > 0:20:07METALLIC THRUMMING
0:20:11 > 0:20:13Did you see where he went?
0:20:13 > 0:20:15I could hear an engine but I can't see any lights.
0:20:22 > 0:20:24BUZZING
0:20:32 > 0:20:35Back off! Hot suit! Hot, hot, hot!
0:20:35 > 0:20:36When are we?
0:20:36 > 0:20:40About six billion years ago. It's a Tuesday, I think.
0:20:55 > 0:20:56Back in a mo.
0:20:58 > 0:20:59Are you all right?
0:21:00 > 0:21:01Totally. Peachy keen.
0:21:01 > 0:21:04OK, then. Well, don't press any buttons or pull any levers,
0:21:04 > 0:21:05or make any funny faces.
0:21:05 > 0:21:08Actually, don't move. Stand completely still.
0:21:08 > 0:21:11Don't breathe. Well, you can breathe...
0:21:11 > 0:21:13but shallow breaths.
0:21:16 > 0:21:18WIND GUSTING
0:21:30 > 0:21:32SHE SIGHS
0:21:34 > 0:21:36DOOR CLOSING
0:21:38 > 0:21:40What's wrong?
0:21:40 > 0:21:43Did the TARDIS say something to you? Are you being mean?
0:21:43 > 0:21:45No, it's not that.
0:21:45 > 0:21:49Have we just watched the entire life cycle of the Earth? Birth to death?
0:21:49 > 0:21:50Yes!
0:21:50 > 0:21:51And you're OK with that?
0:21:54 > 0:21:56Yes.
0:21:56 > 0:21:59How can you be?
0:21:59 > 0:22:02The TARDIS. She's...time.
0:22:02 > 0:22:06We... Wibbly vortex and so on.
0:22:06 > 0:22:09- That's not what I mean.- OK...
0:22:09 > 0:22:11some help? Context?
0:22:11 > 0:22:12Cheat sheet?
0:22:14 > 0:22:18- Something?- I mean, one minute you're in 1974, looking for ghosts
0:22:18 > 0:22:20but all you have to do is open your eyes
0:22:20 > 0:22:22and talk to whoever's standing there.
0:22:22 > 0:22:23To you, I haven't been born yet...
0:22:25 > 0:22:28..and to you, I've been dead 100 billion years.
0:22:30 > 0:22:33Is my body out there somewhere? In the ground?
0:22:35 > 0:22:37Yes, I suppose it is.
0:22:37 > 0:22:41But here we are, talking. So I am a ghost.
0:22:42 > 0:22:43To you, I'm a ghost...
0:22:45 > 0:22:47..we're all ghosts to you.
0:22:47 > 0:22:49We must be nothing.
0:22:50 > 0:22:53No...no...
0:22:53 > 0:22:55you're not that.
0:22:55 > 0:22:57Then what are we? What can we possibly be?
0:23:04 > 0:23:08You are the only mystery worth solving.
0:23:17 > 0:23:19METALLIC THRUMMING
0:23:34 > 0:23:36What's wrong?
0:23:37 > 0:23:40I just saw something I wish I hadn't.
0:23:40 > 0:23:41What did you see?
0:23:43 > 0:23:45That...everything ends.
0:23:46 > 0:23:49No, not everything. Not love...
0:23:51 > 0:23:52..not always.
0:23:53 > 0:23:56Right! Done! That's it, gather round, gather round.
0:23:56 > 0:23:57Roll up! Roll up!
0:23:57 > 0:23:59BUZZING
0:24:01 > 0:24:03The Ghast of Caliburn House -
0:24:03 > 0:24:06never changing, trapped in a moment of fear and torment
0:24:06 > 0:24:08but what if she's not?
0:24:09 > 0:24:13What if she's just trapped somewhere time runs more slowly
0:24:13 > 0:24:14than it does here?
0:24:14 > 0:24:17What if a second to her was 100,000 years to us?
0:24:17 > 0:24:22And what if somebody has a magic box - a blue box, probably -
0:24:22 > 0:24:24what if said somebody could take a snapshot of her,
0:24:24 > 0:24:26say, every few million years?
0:24:31 > 0:24:33She's not a ghost...
0:24:33 > 0:24:35but she's definitely a lost soul.
0:24:35 > 0:24:38Her name's Hila Tacorian.
0:24:39 > 0:24:41She's a pioneer, a time traveller -
0:24:41 > 0:24:43or at least she will be, in a few hundred years.
0:24:43 > 0:24:45Time travel's not possible. The paradoxes...
0:24:45 > 0:24:47Resolve themselves, by and large.
0:24:47 > 0:24:49How long has she been alone?
0:24:49 > 0:24:50Well, time travel's a funny old thing.
0:24:50 > 0:24:55I mean, from her perspective, she crash landed...three minutes ago.
0:24:55 > 0:24:57Crash landed? Where?
0:24:58 > 0:25:01She's in a pocket universe...
0:25:01 > 0:25:02a distorted echo of our own -
0:25:02 > 0:25:05they happen sometimes but never last for long.
0:25:14 > 0:25:16Our universe - Hila Tacorian's here.
0:25:16 > 0:25:18In a pocket universe.
0:25:18 > 0:25:23You're a lantern, shining across the dimensions, guiding her home.
0:25:23 > 0:25:25Back to the land of the living.
0:25:28 > 0:25:30But what's she running from?
0:25:30 > 0:25:33Well, that's the best bit. We don't know yet. Shall we see?
0:25:33 > 0:25:35BUZZING
0:25:41 > 0:25:42Oh.
0:25:43 > 0:25:44What is that?
0:25:46 > 0:25:47I don't know.
0:25:49 > 0:25:51Still! Not to worry!
0:25:51 > 0:25:53So, what do we do?
0:25:53 > 0:25:54Not "we", you...
0:25:56 > 0:25:59..you save Hila Tacorian because you're Emma Grayling.
0:25:59 > 0:26:01You are the lantern -
0:26:01 > 0:26:04the rest of us are just along for the ride, I'm afraid.
0:26:05 > 0:26:09We need some sturdy rope and a blue crystal from Metebelis Three.
0:26:09 > 0:26:11Plus, some Kendal Mint Cake.
0:26:25 > 0:26:26Don't do it.
0:26:27 > 0:26:31- I'm sorry?- Nobody asked her to risk her life. This woman.
0:26:31 > 0:26:32She doesn't deserve...
0:26:34 > 0:26:37Whoever she is - however brilliant, however brave, she's not you.
0:26:37 > 0:26:40She's not worth risking a single hair on your head. Not to me!
0:26:46 > 0:26:47Tell me what I'm thinking.
0:26:49 > 0:26:50I can't...
0:26:52 > 0:26:54..I don't have your gift.
0:26:54 > 0:26:55You don't need it...
0:26:57 > 0:26:59..just look at me and tell me.
0:27:08 > 0:27:10There you are, you read my mind.
0:27:13 > 0:27:16- Can't you just...y'know?- What?
0:27:16 > 0:27:19Fly the TARDIS into the parallel universe?
0:27:19 > 0:27:23Ah, it's not a parallel universe. It's a POCKET universe.
0:27:23 > 0:27:25Plus, it is collapsing.
0:27:25 > 0:27:28I mean, the TARDIS could get in there, all right,
0:27:28 > 0:27:31but entropy would bleed her power sources, you see?
0:27:31 > 0:27:34Trap her there until the entire universe decayed
0:27:34 > 0:27:36back into the quantum foam.
0:27:36 > 0:27:41Which would take about three minutes, give or take, you know.
0:27:41 > 0:27:43ELECTRONIC BUZZING
0:27:46 > 0:27:50- What is that? - A subset of the Eye of Harmony.
0:27:50 > 0:27:51- I don't...- Of course you don't.
0:27:51 > 0:27:54Be weird if you did, I barely do myself. Right, you, sit down.
0:27:54 > 0:27:58All the way...from Metebelis Three.
0:28:01 > 0:28:02What does it do?
0:28:02 > 0:28:06It amplifies your natural abilities - like a microphone.
0:28:06 > 0:28:07Or a pooper-scooper!
0:28:07 > 0:28:09CLOCKS TICKING
0:28:09 > 0:28:10What exactly is this arrangement?
0:28:10 > 0:28:12A psychochronograph.
0:28:12 > 0:28:16Forgive me, but isn't it all a bit, well...make-do and mend?
0:28:16 > 0:28:18Non-psychic technology won't work where I'm going.
0:28:18 > 0:28:20All I need to do is dive into another dimension,
0:28:20 > 0:28:22find the traveller, help her escape the monster,
0:28:22 > 0:28:25get home before the entire dimension collapses and Bob's your uncle.
0:28:25 > 0:28:27Doctor?
0:28:27 > 0:28:29Will it hurt?
0:28:29 > 0:28:31No.
0:28:31 > 0:28:34Well, yes. Probably. A bit. Well, quite a lot.
0:28:34 > 0:28:35I don't know. It might be agony.
0:28:35 > 0:28:38To be perfectly honest, I'll be interested to find out.
0:28:38 > 0:28:40CLOCKS TICKING
0:28:46 > 0:28:48THEY EXHALE
0:28:48 > 0:28:52I'm talking to the lost soul that abides in this place.
0:28:57 > 0:29:00I'm speaking to Hila Tacorian.
0:29:05 > 0:29:07SHE BREATHES DEEPLY
0:29:10 > 0:29:12ELECTRONIC WHIZZING
0:29:13 > 0:29:15WHIRRING
0:29:16 > 0:29:18GLASS SHATTERS
0:29:20 > 0:29:22WIND GUSTS
0:29:27 > 0:29:32See? The Witch of the Well! It's a wormhole!
0:29:32 > 0:29:37A reality well! A door to the echo universe. Ready?
0:29:37 > 0:29:39READY!
0:29:45 > 0:29:46Geronimo.
0:29:46 > 0:29:48Wah...
0:29:51 > 0:29:53Whoa...
0:29:55 > 0:29:57Doctor!
0:29:57 > 0:29:59ROPE WHIZZES OUT
0:29:59 > 0:30:00Whoa!
0:30:20 > 0:30:21Hila!
0:30:22 > 0:30:24Hila!
0:30:24 > 0:30:26Hila Tacorian!
0:30:28 > 0:30:30WHOOSHING
0:30:35 > 0:30:36SCAMPERING
0:30:43 > 0:30:45SCAMPERING
0:30:47 > 0:30:49WHOOSHING AND SCAMPERING
0:30:50 > 0:30:52One...
0:30:53 > 0:30:54..two...
0:30:54 > 0:30:56three!
0:30:56 > 0:30:59'Help me!
0:30:59 > 0:31:01'Help!'
0:31:04 > 0:31:05Ah! Hila Tacorian, I presume.
0:31:05 > 0:31:07Who are you?
0:31:07 > 0:31:09Collapsing universe. You and me, dead, two minutes.
0:31:09 > 0:31:13- No time, complete sentences - abandon planet!- Wait!
0:31:13 > 0:31:15There's something in the mist.
0:31:15 > 0:31:17Then run! Run!
0:31:18 > 0:31:20WHOOSHING AND BUZZING
0:31:24 > 0:31:28'Doctor, Doctor!
0:31:28 > 0:31:29'Come home.'
0:31:29 > 0:31:30SNARLING
0:31:30 > 0:31:32'Doctor, come home!'
0:31:36 > 0:31:37Not that way. Which means...
0:31:39 > 0:31:41..probably...
0:31:41 > 0:31:43- What's wrong?- You know that exit I mentioned?- Yes?
0:31:43 > 0:31:45I seem to have misplaced it.
0:31:45 > 0:31:46SCAMPERING
0:31:55 > 0:31:56'Doctor!'
0:31:56 > 0:31:58This way!
0:31:58 > 0:32:01DOCTOR...come home!
0:32:05 > 0:32:08- 'Doctor, we're here!' - Whoa!- What's that?
0:32:08 > 0:32:10An echo house, in an echo universe.
0:32:10 > 0:32:14Clever psychic, that is just top-notch.
0:32:17 > 0:32:18Doctor!
0:32:23 > 0:32:24Doctor!
0:32:30 > 0:32:33GROWLING AND SCRATCHING
0:32:33 > 0:32:35It's looking for a way in.
0:32:35 > 0:32:36THUDDING
0:32:39 > 0:32:41DOOR BREAKS
0:32:42 > 0:32:44I'm not strong enough!
0:32:44 > 0:32:46Just a few more seconds!
0:32:46 > 0:32:48SHE SCREAMS
0:32:54 > 0:32:58Grab the rope, give it three tugs! Quick as you like!
0:32:58 > 0:33:00INTERMITTENT BUZZING
0:33:00 > 0:33:02- What about you?- I'll be next.
0:33:16 > 0:33:17Ah!
0:33:25 > 0:33:26THUDDING
0:33:26 > 0:33:28Oh, that's what that noise was! Lovely.
0:33:28 > 0:33:30SHE GASPS
0:33:33 > 0:33:34No!
0:33:54 > 0:33:56WHOOSHING
0:33:57 > 0:33:58WHOOSHING
0:33:59 > 0:34:00SNARLING
0:34:05 > 0:34:07Oh, dear.
0:34:07 > 0:34:10TARDIS CLOISTER BELL TOLLS
0:34:10 > 0:34:11Oh...dear.
0:34:13 > 0:34:14WHOOSHING
0:34:15 > 0:34:18- Where are you?- WHOOSHING
0:34:21 > 0:34:22BELL KEEPS TOLLING
0:34:22 > 0:34:26Wake up! WAKE UP! Open the thing!
0:34:26 > 0:34:29- I'm sorry.- Don't be sorry. Don't be. What you did...
0:34:29 > 0:34:31- Wasn't enough, she needs to do it again.- She can't.
0:34:31 > 0:34:33- Look at her.- She HAS to!
0:34:38 > 0:34:39We can't leave him.
0:34:42 > 0:34:46I know you feel that you can't do this, Emma, but...
0:34:46 > 0:34:49look at that woman over there. You saved her.
0:34:49 > 0:34:52She's only here because of your strength and so am I.
0:34:59 > 0:35:01Oh, come ON!
0:35:01 > 0:35:03Let me in, you grumpy old cow!
0:35:03 > 0:35:05ELECTRIC BUZZING
0:35:05 > 0:35:07Whoa!
0:35:07 > 0:35:09I was as lost as her...
0:35:09 > 0:35:12but being with you...
0:35:12 > 0:35:15you give me a reason to be, Emma.
0:35:15 > 0:35:17You brought me back from the dead.
0:35:35 > 0:35:38- What's this now? - The TARDIS Voice Visual Interface.
0:35:38 > 0:35:41I'm programmed to select the image of a person you esteem.
0:35:41 > 0:35:43Of several billion such images in my databanks,
0:35:43 > 0:35:47- this one best meets the criterion. - Oh, you are a cow. I knew it!
0:35:47 > 0:35:49Whatever. You have to help the Doctor.
0:35:49 > 0:35:51The Doctor is in the pocket universe.
0:35:51 > 0:35:52You can enter the pocket universe.
0:35:52 > 0:35:54The entropy would drain the energy from my heart.
0:35:54 > 0:35:57In four seconds, I'd be stranded. In ten, I'd be dead.
0:35:57 > 0:36:00You're talking but all I hear is, "Meh, meh, meh."
0:36:00 > 0:36:02Come on, let's go!
0:36:02 > 0:36:04Hey, hey, hey!
0:36:05 > 0:36:06Doctor?
0:36:09 > 0:36:12Can you hear me?
0:36:12 > 0:36:13DOCTOR?!
0:36:16 > 0:36:17Oh, come ON!
0:36:22 > 0:36:25Doctor? Can you hear me?
0:36:35 > 0:36:38Ah! Whoa! WAH!
0:36:38 > 0:36:39Doctor...
0:36:41 > 0:36:44'Doctor, we're here. Come home!'
0:36:44 > 0:36:46Emma?
0:36:49 > 0:36:51WHOOSHING AND SNARLING
0:36:55 > 0:36:56What do you want?
0:36:58 > 0:37:01To frighten me, I suppose, eh?
0:37:01 > 0:37:03Because that's what you do. You hide...
0:37:03 > 0:37:05EERIE LAUGHING
0:37:05 > 0:37:09..you're the bogeyman under the bed. Seeking whom you may devour.
0:37:16 > 0:37:18Ah! Ah.
0:37:18 > 0:37:20WHOOSHING AND LAUGHING
0:37:22 > 0:37:26You want me to be afraid? Then well done.
0:37:26 > 0:37:28RATTLING
0:37:28 > 0:37:32I am the Doctor...and I am afraid.
0:37:32 > 0:37:34EERIE LAUGHTER
0:37:36 > 0:37:38'Wah!'
0:37:39 > 0:37:42Oh, oh! Whoa!
0:37:42 > 0:37:48Doctor...hurry!
0:37:50 > 0:37:52EERIE LAUGHTER
0:37:56 > 0:37:59So why am I still here, huh?
0:37:59 > 0:38:02Why not just...eat me?
0:38:03 > 0:38:04Huh?
0:38:05 > 0:38:06Come on.
0:38:09 > 0:38:10Because you still need me!
0:38:10 > 0:38:12SNARLING
0:38:12 > 0:38:14Yeah, you need me to piggyback you across.
0:38:14 > 0:38:16THE DOCTOR LAUGHS
0:38:16 > 0:38:17WHOOSHING
0:38:18 > 0:38:21To which I say...
0:38:23 > 0:38:26..come on then, big boy...
0:38:26 > 0:38:27chase me.
0:38:32 > 0:38:34EERIE CALLING
0:38:37 > 0:38:39Ah!
0:38:39 > 0:38:41SNARLING
0:38:42 > 0:38:44'Woo-hoo! Woo!'
0:38:45 > 0:38:48Ha-ha!
0:38:48 > 0:38:49Woo-hoo!
0:38:50 > 0:38:51'Woo!'
0:38:59 > 0:39:01SHE SCREAMS
0:39:06 > 0:39:08SHE GASPS
0:39:14 > 0:39:15Ah! Oh!
0:39:20 > 0:39:22THE PROFESSOR LAUGHS
0:39:36 > 0:39:38You wanted a word?
0:39:38 > 0:39:40- Well, if that's...- That's fine.
0:39:44 > 0:39:46You didn't come here for the ghost, did you?
0:39:46 > 0:39:48- No.- You came here for me.
0:39:48 > 0:39:50- Yes.- Why?
0:39:50 > 0:39:53- I needed to ask you something. - Then ask.- Clara...
0:39:53 > 0:39:54Yes?
0:39:58 > 0:40:00- What is she?- She's a girl.
0:40:00 > 0:40:02Yes, but what kind of girl? Specifically.
0:40:03 > 0:40:05She's a perfectly ordinary girl.
0:40:07 > 0:40:09- Very pretty...- Hm. - ..very clever...- Hm.
0:40:11 > 0:40:13..more scared than she let's on.
0:40:14 > 0:40:16And that's it, is it?
0:40:16 > 0:40:18Why? Is that not enough?
0:40:29 > 0:40:31Where will you go?
0:40:31 > 0:40:34He can't take me home. History says I went missing.
0:40:34 > 0:40:37- He can change history? - No, no, no, I can't, actually.
0:40:37 > 0:40:40- There are fixed points in time, you see...- Hi.- What?
0:40:43 > 0:40:45I knew you were there...
0:40:45 > 0:40:47I could feel you.
0:40:47 > 0:40:48I know...
0:40:50 > 0:40:52- Have we...?- We can't have.
0:40:52 > 0:40:54You haven't even been born yet.
0:40:54 > 0:40:59No, you can't have met but she can be your great, great, great, great,
0:40:59 > 0:41:01great-granddaughter.
0:41:01 > 0:41:05Yours too, of course! But you'd guessed that already, hadn't you?
0:41:07 > 0:41:08Oh...
0:41:08 > 0:41:10apparently not.
0:41:10 > 0:41:12- The paradoxes... - Resolve themselves, by and large.
0:41:12 > 0:41:15That's why the psychic link was so powerful -
0:41:15 > 0:41:18blood calling to blood.
0:41:18 > 0:41:20Out of time. Not everything ends, eh?
0:41:20 > 0:41:22Not love. Not always.
0:41:22 > 0:41:25Doctor, what about, what about...us?
0:41:25 > 0:41:27Emma and me?
0:41:28 > 0:41:31- What about you? - Well, what's supposed to happen?
0:41:31 > 0:41:33I mean, what do we do now?
0:41:33 > 0:41:35Hold hands...
0:41:35 > 0:41:39that's what you're meant to do. Keep doing that and don't let go.
0:41:39 > 0:41:40That's the secret.
0:41:44 > 0:41:45'Doctor!'
0:41:46 > 0:41:48'I'm not happy.'
0:41:48 > 0:41:50Yeah, you need me to piggyback you across!
0:41:50 > 0:41:52I'm not holding your hand.
0:41:53 > 0:41:55I'm so...slow!
0:41:55 > 0:41:58I am slow, I'm notorious for it, that's always been my problem,
0:41:58 > 0:42:02- but I get there in the end. Oh, yes. - Doctor?- How do sharks make babies?
0:42:02 > 0:42:04Carefully?
0:42:04 > 0:42:05No, no, no - happily!
0:42:05 > 0:42:08Sharks don't actually smile. They're just...
0:42:08 > 0:42:11- Well, they've got lots and lots of teeth - they're quite eaty.- Exactly!
0:42:11 > 0:42:14But birds do it, bees do it - even educated FLEAS do it.
0:42:14 > 0:42:17Every lonely monster needs a companion.
0:42:19 > 0:42:20There's two of them?!
0:42:22 > 0:42:25It's the oldest story in the universe - this one, or any other.
0:42:25 > 0:42:28Boy and girl fall in love, get separated by events -
0:42:28 > 0:42:30war, politics, accidents in time.
0:42:30 > 0:42:34She's thrown out of the HEX, or he's thrown into it.
0:42:34 > 0:42:37Since then they've been yearning for each other across time and space -
0:42:37 > 0:42:41across dimensions - this isn't a ghost story,
0:42:41 > 0:42:43it's a...love story!
0:42:46 > 0:42:47Sorry.
0:42:49 > 0:42:52Excuse me! Excuse me! Sorry to interrupt the rest of your life.
0:42:52 > 0:42:53So...
0:42:53 > 0:42:55tiny favour to ask...
0:43:00 > 0:43:03I'm sorry! I understand now!
0:43:03 > 0:43:07- SNARLING - I can take you to her!
0:43:07 > 0:43:10I can take you to a safe place far away from here!
0:43:10 > 0:43:12You can be together!
0:43:12 > 0:43:13WHOOSHING
0:43:13 > 0:43:16Well, come on, then! She's WAITING!
0:43:16 > 0:43:18SNARLING
0:43:25 > 0:43:30Well, hello again, you old Romeo, you!
0:43:30 > 0:43:32Now...here she comes.
0:43:32 > 0:43:35'Ha-ha! Woo!'
0:43:35 > 0:43:38Ah!
0:43:38 > 0:43:39'Woo!'
0:43:39 > 0:43:41Get ready to jump.
0:43:46 > 0:43:48You're running away with a spaceman in a box,
0:43:48 > 0:43:51anything could happen to you.
0:43:51 > 0:43:53It's good salvage...I can smell it.
0:43:53 > 0:43:55Clara, where is she? She's still on board.
0:43:55 > 0:43:58If you help me get her out, you get the machine,
0:43:58 > 0:44:00the salvage of a lifetime.
0:44:00 > 0:44:03- Multiple life forms onboard the TARDIS.- What do you keep in here?
0:44:03 > 0:44:05What are you, eh? A trick, a trap?
0:44:05 > 0:44:08We do what we came for. Tear this ship apart.
0:44:08 > 0:44:11If we're going to die here, you're going to tell me what they are.
0:44:11 > 0:44:13I can't!
0:44:13 > 0:44:14Where are we going?
0:44:14 > 0:44:15The centre of the TARDIS.
0:44:38 > 0:44:42Subtitles by Red Bee Media Ltd