0:00:07 > 0:00:10If I have not returned in an hour, you must fetch the police.
0:00:10 > 0:00:11Edmund!
0:00:12 > 0:00:15Don't fret, Effie, my dear. All will be well.
0:00:15 > 0:00:18But we must get to the bottom of this dark and queer business,
0:00:18 > 0:00:19no matter what the cost.
0:00:33 > 0:00:34Mrs Gillyflower!
0:00:34 > 0:00:38We have come about your husband, my dear. A tragedy.
0:00:38 > 0:00:40My husband?
0:00:40 > 0:00:42Your...late husband.
0:00:42 > 0:00:46There must be some mistake. My husband is quite well.
0:00:48 > 0:00:49MAN SCREAMING
0:00:54 > 0:00:57We are so very sorry for your loss.
0:01:00 > 0:01:03Hell fire! That's put me right off me mash.
0:01:03 > 0:01:05HE CHUCKLES
0:01:05 > 0:01:07- Another one!- Another?
0:01:07 > 0:01:10He's not the first I've had in 'ere looking like that.
0:01:10 > 0:01:14The Crimson Horror! That's what they're calling it!
0:01:14 > 0:01:17I have no interest in the deplorable excesses of the penny-dreadfuls.
0:01:17 > 0:01:20Hey, hey. Payment in advance, flower.
0:01:25 > 0:01:27Taking a big risk, you see, I am.
0:01:27 > 0:01:31They'd have my vitals for fiddle-strings if they knew
0:01:31 > 0:01:35I'd let you come to have a look at one of their precious stiffs.
0:01:35 > 0:01:37This "stiff" is my brother.
0:01:37 > 0:01:40I've come up from London to bring him home.
0:01:40 > 0:01:41Oh, aye?
0:01:41 > 0:01:43Thank you for agreeing to this meeting,
0:01:43 > 0:01:47I'm told you are the investigator to see if there are strange goings-on.
0:01:47 > 0:01:49I read of your brother's death.
0:01:49 > 0:01:51Another victim of the Crimson Horror, I believe?
0:01:51 > 0:01:53So it is claimed.
0:01:53 > 0:01:57He was a newspaper man. He and a young woman were working undercover.
0:01:57 > 0:02:01Tell me, Madame, do you know what an optogram is?
0:02:01 > 0:02:04It is a silly superstition, sir.
0:02:04 > 0:02:08The belief that the eye can retain an image of the last thing it sees.
0:02:24 > 0:02:25Good grief!
0:02:25 > 0:02:27Oh, God!
0:02:29 > 0:02:31LOUD CRASH
0:02:34 > 0:02:36Well, I'll be blowed!
0:02:36 > 0:02:40I think, Madame, that we'd better make plans to head North!
0:03:22 > 0:03:25According to my research, Sweetville's proprietor
0:03:25 > 0:03:29holds recruitment drives for her little community.
0:03:29 > 0:03:32She is only interested in the fittest and the most beautiful.
0:03:32 > 0:03:35You may rely on me, ma'am.
0:03:36 > 0:03:39I was, in fact, speaking to Jenny.
0:03:41 > 0:03:42Jenny?
0:03:44 > 0:03:48If this weak and fleshy boy is to represent us,
0:03:48 > 0:03:52I strongly recommend the issuing of scissor grenades,
0:03:52 > 0:03:55limbo vapour and triple-blast brain splitters.
0:03:55 > 0:03:57What for?
0:03:57 > 0:04:03Just generally. Remember, we are going to the North.
0:04:08 > 0:04:11Bradford, that Babylon for the Moderns,
0:04:11 > 0:04:14with its crystal light and its glitter.
0:04:14 > 0:04:19All aswarm with the wretched ruins of humanity.
0:04:19 > 0:04:23Men and women crushed by the devil's juggernaut!
0:04:23 > 0:04:25CROWD MURMUR IN AGREEMENT
0:04:25 > 0:04:29And moral turpitude can destroy the most delicate of lives.
0:04:29 > 0:04:33Believe me, I know. I know.
0:04:35 > 0:04:37My own daughter.
0:04:37 > 0:04:42Blinded in a drunken rage by my late husband!
0:04:42 > 0:04:44AUDIENCE GASP
0:04:44 > 0:04:51Her once-beautiful eyes, pale and white as mistletoe berries.
0:04:52 > 0:04:55And what, my friends, is your story?
0:04:55 > 0:04:59Will you be found wanting when the End of Days is come,
0:04:59 > 0:05:03when judgement rains down upon us all?
0:05:03 > 0:05:07Or will you be preserved against the coming apocalypse?
0:05:08 > 0:05:13Do not despair! I offer a way out!
0:05:13 > 0:05:17There is a different path! Sweetville!
0:05:18 > 0:05:20CROWD GASP AND CLAMOUR
0:05:24 > 0:05:30Join us! Join us in this shining city on the hill!
0:05:32 > 0:05:39# Bring me my bow of burning gold
0:05:39 > 0:05:44# Bring me my arrows of desire... #
0:05:47 > 0:05:49You wish to join us, my dear?
0:05:49 > 0:05:51If it's all the same with you, ma'am.
0:05:51 > 0:05:54Oh, yes, dear. You'll do very nicely.
0:05:58 > 0:06:01If our strategy is to succeed, Jenny will infiltrate
0:06:01 > 0:06:04deep into the black heart of this place.
0:06:04 > 0:06:05And how will she locate the Doctor?
0:06:05 > 0:06:09To find him, she needs only to ignore all keep-out signs,
0:06:09 > 0:06:11go through every locked door,
0:06:11 > 0:06:15and run towards any form of danger that presents itself.
0:06:15 > 0:06:17Business as usual, then.
0:06:17 > 0:06:19Business as usual.
0:06:53 > 0:06:57Did you think I'd forgotten you, dear monster? Hmm?
0:06:57 > 0:06:59CRASH AND BANG
0:07:17 > 0:07:20I have travelled from London expressly to see Madame Vastra.
0:07:20 > 0:07:23If you'd be so kind as to announce me, my good man.
0:07:23 > 0:07:25Whom should I say is calling?
0:07:33 > 0:07:37It asked for permission to enter and then it fell over.
0:07:37 > 0:07:39What are we to make of it?
0:07:39 > 0:07:43I imagine Mr Thursday wants to know what progress we are making.
0:07:43 > 0:07:45The question is,
0:07:45 > 0:07:49how did the Doctor's image come to be preserved on a dead man's eye?
0:07:49 > 0:07:51It is a scientific impossibility.
0:07:51 > 0:07:54I wonder how Jenny is getting on.
0:07:54 > 0:07:56If she hasn't made contact by nightfall,
0:07:56 > 0:08:00I suggest a massive frontal assault on the factory, Madame.
0:08:00 > 0:08:03Casualties can be kept to perhaps as little as 80%.
0:08:03 > 0:08:07I think there may be subtler ways of proceeding, Strax.
0:08:07 > 0:08:09Suit yourself.
0:08:24 > 0:08:26I'm dead nervous, aren't you?
0:08:26 > 0:08:30They have to be sure, you see. Only the best for Sweetville!
0:08:30 > 0:08:33I hope me teeth don't let me down.
0:08:34 > 0:08:36I'm Abigail.
0:08:36 > 0:08:37Pleased to meet you.
0:08:37 > 0:08:40- You're not local, are you? - Nah. Up from London.
0:08:40 > 0:08:42Different here, I bet.
0:08:42 > 0:08:44Oh, yeah! Like a bleedin' horse-market.
0:08:46 > 0:08:49Do you know anyone who's come to live here?
0:08:49 > 0:08:51In Sweetville, I mean.
0:08:51 > 0:08:53I... I had a pal who come here three month back.
0:08:53 > 0:08:56She wrote to tell me how perfect it all were.
0:08:56 > 0:09:00Funny, though. I've not heard a peep from her since.
0:09:00 > 0:09:01Next, please! >
0:09:01 > 0:09:03Hang on. We're moving.
0:09:11 > 0:09:12What you doin'?
0:09:12 > 0:09:14Do us a favour. Cause a distraction.
0:09:14 > 0:09:16What?
0:09:16 > 0:09:19Swoon. Have a funny turn. Fit of the vapours.
0:09:19 > 0:09:20Are you crackers?
0:09:20 > 0:09:23Go on. There's a guinea in it for you.
0:09:23 > 0:09:26Done.
0:09:26 > 0:09:28SHE SQUEALS AND GASPS
0:09:38 > 0:09:42MACHINERY CLUNKS
0:10:19 > 0:10:23Them new manufacturers can do 'orrible things to a person.
0:10:23 > 0:10:25'Orrible.
0:10:25 > 0:10:30I've pickled things in here that'd fair turn your hair
0:10:30 > 0:10:32snowy as top of Buckden Pike.
0:10:34 > 0:10:36You know what I'm looking for.
0:10:36 > 0:10:40Oh, aye. All them bits found in't canal.
0:10:40 > 0:10:42The Crimson Horror!
0:10:54 > 0:10:56It hardly seems possible.
0:10:56 > 0:10:58Eh?
0:10:58 > 0:10:59I think...
0:11:00 > 0:11:03I think I've seen these symptoms before.
0:11:03 > 0:11:05Oh, aye?
0:11:05 > 0:11:06A long time ago.
0:11:06 > 0:11:08Oh, aye? How long?
0:11:08 > 0:11:11About 65 million years!
0:11:16 > 0:11:19I trust you had a pleasant day, Mama?
0:11:19 > 0:11:20Tolerable.
0:11:23 > 0:11:26Will Mr Sweet ever join us for dinner, Mama?
0:11:26 > 0:11:30Mr Sweet is rather tired tonight, I fear.
0:11:35 > 0:11:39Dear me. How clumsy I'm getting.
0:11:39 > 0:11:41To keep the Devil at bay.
0:12:16 > 0:12:18CRASH IN DISTANCE
0:12:24 > 0:12:26CRASHING CONTINUES
0:12:50 > 0:12:52SHE JIGGLES DOOR HANDLE
0:13:00 > 0:13:02SHE SCREAMS
0:13:10 > 0:13:13All right, mate. You just stay calm now!
0:13:13 > 0:13:15LOUD THUMP
0:13:19 > 0:13:23I could open this door. Would you like that?
0:13:23 > 0:13:25SINGLE THUMP
0:13:25 > 0:13:26Thought you might.
0:13:28 > 0:13:33But you and me has got to come to an arrangement, savvy?
0:13:33 > 0:13:35ANOTHER THUMP, RUSTLING CHAINS
0:13:37 > 0:13:39Now, you stand well back. Do you hear me?
0:13:39 > 0:13:41I don't mean no harm to ya'.
0:13:41 > 0:13:45But you try anything funny and I'll leave you here to rot.
0:13:45 > 0:13:47Is that understood?
0:13:47 > 0:13:49REPEATED THUMPS
0:13:49 > 0:13:51Right.
0:14:01 > 0:14:03Doctor?
0:14:04 > 0:14:06HE MOANS
0:14:06 > 0:14:08What's happened to you?
0:14:08 > 0:14:10HE MOANS
0:14:14 > 0:14:16Can't you speak?
0:14:19 > 0:14:21SHE GASPS
0:14:23 > 0:14:25Right. We're getting out of here.
0:14:37 > 0:14:40Come on!
0:14:40 > 0:14:42LIFT CLUNKS
0:14:42 > 0:14:43Come on!
0:15:22 > 0:15:24Oh, my God.
0:15:39 > 0:15:44You're all I have, monster. But all will be well.
0:15:44 > 0:15:48Imperfect as we are, there be will room for us in the new Jerusalem!
0:16:00 > 0:16:05No... NO! Where are you, monster? Where are you?
0:16:09 > 0:16:12HE GRUNTS
0:16:12 > 0:16:14What is it? You want to go there?
0:16:14 > 0:16:16HE GRUNTS LOUDER
0:16:21 > 0:16:23HE MOANS
0:16:38 > 0:16:41THRUMMING
0:16:47 > 0:16:49- Ah! Missed me?- Doctor!
0:16:49 > 0:16:52Jenny! Jenny, Jenny, Jenny!
0:16:52 > 0:16:54Just when you think your favourite
0:16:54 > 0:16:58lock-picking Victorian chambermaid will never turn up!
0:16:58 > 0:16:59Jenny!
0:17:03 > 0:17:07You've no idea how good that feels! Right! Mrs Gillyflower!
0:17:07 > 0:17:09We've got to stop her! And then there's Clara. Poor Clara.
0:17:09 > 0:17:11- Where's Clara?- Clara?
0:17:11 > 0:17:13- Doctor, wait! - Can't. Clara. Got to find.
0:17:13 > 0:17:17What happened to you? How long have you been like that?
0:17:17 > 0:17:20Days. Weeks. Don't know. Long story. I'll keep it short.
0:17:22 > 0:17:24METALIC THRUMMING
0:17:24 > 0:17:29OK. Not London 1893.
0:17:29 > 0:17:32Yorkshire 1893. Near enough.
0:17:32 > 0:17:35You're making a habit of this. Getting us lost.
0:17:35 > 0:17:38Sorry. It's much better than it used to be.
0:17:38 > 0:17:40I once spent a hell of a long time trying to get
0:17:40 > 0:17:42a gobby Australian to Heathrow Airport.
0:17:42 > 0:17:45- What for?- Search me. Anyway...
0:17:45 > 0:17:47A WOMAN SCREAMS
0:17:48 > 0:17:50Brave heart, Clara!
0:17:55 > 0:17:57It's another one, don't you see? Another victim!
0:17:57 > 0:17:59Why won't any one of you listen?
0:17:59 > 0:18:00We'll listen.
0:18:01 > 0:18:04Mrs Winifred Gillyflower. An astonishing woman.
0:18:04 > 0:18:07A prize-winning chemist and mechanical engineer. So why...
0:18:07 > 0:18:11Why has she decided to open up a match factory in her old home town?
0:18:11 > 0:18:14And no-one who ever goes to live there ever seems to come out.
0:18:19 > 0:18:21Same as the rest.
0:18:21 > 0:18:24All dead from causes unknown and their flesh...glowing.
0:18:24 > 0:18:27Like something manky in a coal cellar.
0:18:27 > 0:18:31They keep turning up in't canal. The Crimson Horror!
0:18:31 > 0:18:36Ooh. Good name. Hey, that's good, isn't it? The Crimson Horror!
0:18:38 > 0:18:40I wonder what it is.
0:18:41 > 0:18:44Do you know the old Romany superstition, Clara?
0:18:44 > 0:18:47That the eye of a dead person retains an image of
0:18:47 > 0:18:48the last thing it sees?
0:18:48 > 0:18:50Nonsense, of course.
0:18:50 > 0:18:52Unless the chemical composition of the body
0:18:52 > 0:18:54has been massively corrupted.
0:19:00 > 0:19:05Wow. This is nasty. An organic poison. A sort of venom.
0:19:05 > 0:19:08And you think it's connected to Sweetville?
0:19:08 > 0:19:09I do.
0:19:09 > 0:19:11Well, then, we need a plan!
0:19:13 > 0:19:18Doctor and Mrs Smith. Oh, yes. You'll do very nicely.
0:19:18 > 0:19:21- IN YORKSHIRE ACCENT: - Oh, grand. Smashing.
0:19:21 > 0:19:24Eh, the missus and I couldn't be more chuffed, could we, love?
0:19:27 > 0:19:31Sweetville will provide you with everything you need.
0:19:31 > 0:19:34You won't have to worry about a thing...ever again.
0:19:34 > 0:19:36- The name. Sweetville.- Yes?
0:19:36 > 0:19:39Why not name it after yourself? After all, it's your creation.
0:19:39 > 0:19:41Gillyflowertown?
0:19:41 > 0:19:43Gillyflowerland! You could have roller-coasters.
0:19:43 > 0:19:46It is named in tribute to my partner.
0:19:46 > 0:19:47Your late partner?
0:19:47 > 0:19:52No. My...silent partner. Mr Sweet likes to keep himself to himself.
0:19:52 > 0:19:54Shall we move on?
0:19:54 > 0:19:56Who lives here?
0:19:56 > 0:19:58Oh, names don't matter here.
0:19:58 > 0:20:02All you need to know is that we only recruit the brightest and the best.
0:20:19 > 0:20:21HE GASPS
0:20:23 > 0:20:26Like pretty maids all in a row.
0:20:26 > 0:20:28The process improves with every attempt!
0:20:28 > 0:20:31Mr Sweet is such a clever old thing.
0:20:31 > 0:20:36Oh, into the canal with the rejects, Ada.
0:20:36 > 0:20:38Yes.
0:20:45 > 0:20:47Ma...
0:20:54 > 0:20:59Sometimes, the preservation process goes wrong. Only Mr Sweet knows why.
0:20:59 > 0:21:02And only Mama is allowed to talk to Mr Sweet.
0:21:02 > 0:21:06But if you're very good, you can stay here.
0:21:06 > 0:21:08You'll be my secret.
0:21:09 > 0:21:12My special monster.
0:21:19 > 0:21:21HE GRUNTS AND MOANS
0:21:25 > 0:21:27HE SCREAMS
0:21:32 > 0:21:34HE SCREAMS
0:21:44 > 0:21:46Poor Edmund must have come looking for us.
0:21:46 > 0:21:49And then fallen into a vat of the pure venom.
0:21:49 > 0:21:53Or was pushed. Didn't stand a chance.
0:21:53 > 0:21:55What is that stuff, though?
0:21:55 > 0:21:56Deadly poison.
0:21:56 > 0:21:59And Mrs Gillyflower's dipping her Pilgrims in a dilute form
0:21:59 > 0:22:01to protect them. Preserve them.
0:22:01 > 0:22:04Process didn't work on me. Maybe because I'm not human.
0:22:04 > 0:22:06I ended up on the reject pile.
0:22:06 > 0:22:08Preserve them against what?
0:22:08 > 0:22:11Well, according to her, the coming apocalypse!
0:22:11 > 0:22:12HE WHISTLES
0:22:12 > 0:22:17"When the End of Days is come and judgement rains down upon us all..."
0:22:17 > 0:22:20- What?- Nothing.- No, what?
0:22:20 > 0:22:24Something Mrs Gillyflower said. One of her sermons.
0:22:24 > 0:22:27Madame will come looking for me. We'd best get on.
0:22:27 > 0:22:29- Yes! Clara, got to find Clara. - But, Doctor...
0:22:31 > 0:22:32..Clara's dead.
0:22:33 > 0:22:35Isn't she?
0:22:36 > 0:22:38It's complicated.
0:22:44 > 0:22:48Horse! You have failed in your mission.
0:22:48 > 0:22:50We are lost, with no sign of Sweetville.
0:22:50 > 0:22:54Do you have any final words, before your summary execution?
0:22:56 > 0:23:03The usual story. Fourth one this week, and I'm not even hungry.
0:23:03 > 0:23:04Sweetville, sir?
0:23:04 > 0:23:06Do you know it?
0:23:06 > 0:23:08Turn around when possible.
0:23:08 > 0:23:11- Then, at the end of the road, turn right.- What?
0:23:11 > 0:23:13Bear left for a quarter of a mile
0:23:13 > 0:23:16and you will have reached your destination.
0:23:23 > 0:23:25Thank you. What is your name?
0:23:25 > 0:23:27Thomas, sir. Thomas Thomas.
0:23:27 > 0:23:30I think you will do well, Thomas Thomas.
0:23:34 > 0:23:38Are we talking about the same person? About that Clara?
0:23:38 > 0:23:39Doctor!
0:23:43 > 0:23:44Couldn't see much from where I was,
0:23:44 > 0:23:47but I think she survived the process.
0:23:47 > 0:23:49She must be here somewhere.
0:23:49 > 0:23:51But Clara died. The Ice Lady...
0:23:51 > 0:23:52Doctor?
0:23:52 > 0:23:55Well...it's...er...
0:23:55 > 0:23:57It's complicated.
0:24:12 > 0:24:14SHE SOBS
0:24:17 > 0:24:20What is the meaning of this?
0:24:20 > 0:24:24Oh, Mama, I have been foolish.
0:24:26 > 0:24:30I have formed a...a sentimental attachment.
0:24:31 > 0:24:33An attachment? To whom?
0:24:33 > 0:24:38A young man. Unlike the others, he survived rejection.
0:24:38 > 0:24:42He must be strong. Worthy of salvation.
0:24:42 > 0:24:46Wrecker! Berserker! You have loosed a reject onto the outside world!
0:24:46 > 0:24:48I have disappointed you.
0:24:48 > 0:24:50My plans must be accelerated.
0:24:50 > 0:24:52Nothing must interfere with the Great Work!
0:24:52 > 0:24:56But please say there is still room for me in your new Eden, Mama!
0:24:56 > 0:24:57Promise me that!
0:24:57 > 0:25:00- I will set my Pilgrims onto him.- No!
0:25:00 > 0:25:04Kindly do not paw and slobber at my crinolines.
0:25:04 > 0:25:07You know I cannot bear to look at sick people.
0:25:07 > 0:25:11Promise you will not abandon me, Mama, promise me that!
0:25:11 > 0:25:15Do you not yet understand that there can be no place
0:25:15 > 0:25:17for people such as you?
0:25:17 > 0:25:21That only perfection is good enough for myself and for Mr Sweet.
0:25:24 > 0:25:28The bright day is done, child, and you are for the dark.
0:25:32 > 0:25:34SHE SOBS
0:25:37 > 0:25:39Can she be revived, like you were?
0:25:39 > 0:25:40I hope so.
0:25:47 > 0:25:48Doctor.
0:25:48 > 0:25:51Oh. Great. Great. Attack of the supermodels.
0:25:51 > 0:25:54Time for a plan.
0:25:54 > 0:25:56Nah, Doctor. This one's on me.
0:26:06 > 0:26:08GRUNTING AND GROANING
0:26:10 > 0:26:13That is a plan!
0:26:14 > 0:26:17OK. Time for a new plan.
0:26:18 > 0:26:21STRAX LAUGHS MANIACALLY
0:26:26 > 0:26:28- Quickly! Let's go!- No!
0:26:28 > 0:26:29No, ma'am! We're not escaping!
0:26:29 > 0:26:32We've got to help the Doctor with Clara!
0:26:35 > 0:26:37Long story.
0:26:37 > 0:26:39What now, Madame? We could lay mimetic cluster mines.
0:26:39 > 0:26:42- Strax.- Or dig trenches and fill them with acid.
0:26:42 > 0:26:44Strax! You're overexcited.
0:26:44 > 0:26:47Have you been eating Miss Jenny's sherbet fancies again?
0:26:48 > 0:26:51- No.- Go outside and wait for me until I call for you.
0:26:51 > 0:26:53- But, Madame...- Go!
0:26:55 > 0:26:58I'm going to go and play with my grenades.
0:26:59 > 0:27:02OK, I think she's about done.
0:27:05 > 0:27:09I know who you think she is, but she isn't.
0:27:09 > 0:27:11She can't be.
0:27:11 > 0:27:14I was right, then. You and Clara have unfinished business.
0:27:18 > 0:27:19Hello, stranger.
0:27:19 > 0:27:21Doctor?
0:27:21 > 0:27:23Uh-huh.
0:27:23 > 0:27:25Hi.
0:27:27 > 0:27:30What's going on?
0:27:30 > 0:27:32- IN YORKSHIRE ACCENT: - Haven't you heard, love?
0:27:32 > 0:27:34There's trouble at t'mill!
0:27:35 > 0:27:37She's a lizard.
0:27:39 > 0:27:42My people once ruled this world, as well you know.
0:27:42 > 0:27:43But we did not rule it alone.
0:27:43 > 0:27:47Just as humanity fights a daily battle against nature, so did we.
0:27:47 > 0:27:48And our greatest plague,
0:27:48 > 0:27:53the most virulent enemy was the repulsive red leech.
0:27:53 > 0:27:55Ooh! The repulsive red leech!
0:27:55 > 0:27:58Nah. On balance, I think I prefer the Crimson Horror.
0:27:58 > 0:27:59What was it exactly?
0:27:59 > 0:28:02A tiny parasite. It infected our drinking water.
0:28:02 > 0:28:05And once in our systems, it secreted a fatal poison.
0:28:05 > 0:28:06If it's been hanging around,
0:28:06 > 0:28:10lurking in the shadows, maybe it's evolved.
0:28:10 > 0:28:13Or maybe it's had help.
0:28:13 > 0:28:15Doctor, I've been thinking, the chimney...
0:28:15 > 0:28:16Yeah, yeah, yeah. Way past that now!
0:28:16 > 0:28:19Yucky red parasite from the time of the dinosaurs
0:28:19 > 0:28:21pitches up in Victorian Yorkshire. Didn't see that one coming!
0:28:21 > 0:28:23Yeah, but the chimney...
0:28:23 > 0:28:25But what's the connection to Mrs Gillyflower?
0:28:25 > 0:28:27"Judgement will rain down on us all..."
0:28:30 > 0:28:32An empty mill.
0:28:34 > 0:28:37A chimney that doesn't blow smoke.
0:28:41 > 0:28:44- Clever clogs.- Missed me? - Yeah, lots!
0:28:50 > 0:28:52She's going to poison the air!
0:28:52 > 0:28:54How?
0:28:54 > 0:28:56MACHINERY GRINDS
0:29:04 > 0:29:07With that, I should think.
0:29:10 > 0:29:13And there's the poison.
0:29:13 > 0:29:15All right, gang, I've got a plan.
0:29:17 > 0:29:18METAL CLINKS
0:29:19 > 0:29:20Shh!
0:29:22 > 0:29:24OK.
0:29:48 > 0:29:50SHE SOBS
0:29:55 > 0:29:58Who's that? Who is there?
0:30:07 > 0:30:11You. It's you! My monster.
0:30:11 > 0:30:16- You've come back! But you're... - Warm. And alive. Thanks to you, Ada.
0:30:16 > 0:30:21You saved me from your mother's human rubbish tip.
0:30:21 > 0:30:23Now, what's wrong?
0:30:23 > 0:30:28She does not want me, monster! I am not to be chosen.
0:30:29 > 0:30:32Perhaps it was my own sin, the blackness in my heart,
0:30:32 > 0:30:34that my father saw in me.
0:30:34 > 0:30:37Ada, no. That's nonsense.
0:30:37 > 0:30:40Stupid, backwards nonsense, and you know it!
0:30:41 > 0:30:43You know it.
0:30:46 > 0:30:48CLARA: What is it?
0:30:48 > 0:30:50Who is that?
0:30:50 > 0:30:56I'm... I'm a friend, a friend of his.
0:30:56 > 0:31:00Then you are fortunate, indeed. It isn't good to be alone.
0:31:02 > 0:31:09Now, Ada, I need you tell me something - who is Mr Sweet?
0:31:11 > 0:31:12Ada?
0:31:12 > 0:31:14- Oh, dear monster...- Please. Tell me.
0:31:14 > 0:31:18I cannot! Even now, I cannot! I cannot betray Mama.
0:31:23 > 0:31:28Well, come with us, then. There's something you need to know.
0:31:46 > 0:31:48SHE CHUCKLES
0:31:48 > 0:31:51You do seem to keep turning up like a bad penny, young man.
0:31:51 > 0:31:52Force of habit.
0:31:52 > 0:31:55Can I offer you something? Tea? Seed cake?
0:31:55 > 0:31:57A glass of Amontillado?
0:31:57 > 0:32:00No, thanks. We've had a skinful already, as you might say.
0:32:00 > 0:32:02Ha! Very funny.
0:32:02 > 0:32:06I'm the Doctor, you're nuts, and I'm going to stop you.
0:32:06 > 0:32:09I'm afraid Mr Sweet and I cannot allow that.
0:32:09 > 0:32:13Oh, yes. Would it be impolite to ask why you and Mr Sweet are petrifying
0:32:13 > 0:32:16your workforce with diluted prehistoric leech venom?
0:32:16 > 0:32:18So when do we get to meet him,
0:32:18 > 0:32:21this silent partner of yours? Why's he so shy?
0:32:21 > 0:32:23Mr Sweet is always with us.
0:32:23 > 0:32:26You seem to have a very close relationship, you and your pal.
0:32:26 > 0:32:28Oh, yes, Doctor. Exceedingly close.
0:32:31 > 0:32:33Symbiotic, you might say.
0:32:49 > 0:32:52Doctor... What is it?
0:32:52 > 0:32:53A survivor!
0:32:53 > 0:32:58He has grown fat on the filth humanity has pumped into the rivers.
0:32:58 > 0:33:00That's where I found him.
0:33:00 > 0:33:01Very enterprising.
0:33:01 > 0:33:05His needs are simple. And in return, he gives me his nectar.
0:33:05 > 0:33:09Mrs Gillyflower, you have no idea what you're dealing with!
0:33:09 > 0:33:14In the wrong hands, that venom could wipe out all life on this planet!
0:33:14 > 0:33:16Do you know what these are?
0:33:17 > 0:33:20SHE LAUGHS The wrong hands!
0:33:36 > 0:33:38Planning a little fireworks party, are we?
0:33:38 > 0:33:42You've forced me to advance the Great Work somewhat, Doctor.
0:33:42 > 0:33:45But my colossal scheme remains as it was.
0:33:45 > 0:33:49My rocket will explode high in the atmosphere,
0:33:49 > 0:33:54raining down Mr Sweet's beneficence onto all humanity.
0:33:54 > 0:33:55And wiping us all out! You can't!
0:33:55 > 0:33:58My new Adam and Eves will sleep for but a few months
0:33:58 > 0:34:02before stepping out into a golden dawn.
0:34:02 > 0:34:04Is it not beautiful, Doctor?
0:34:08 > 0:34:11Tell us about Ada, Mrs Gillyflower.
0:34:11 > 0:34:12What?
0:34:12 > 0:34:14Your daughter. You do remember your daughter?
0:34:14 > 0:34:16Tell us about your daughter.
0:34:16 > 0:34:20How can you speak of such trivia when my hour is at hand?
0:34:20 > 0:34:24- The child is of no consequence. - Is that why you experimented on her?
0:34:24 > 0:34:25Experimented?
0:34:25 > 0:34:27The signs are all there. The pattern of scarring.
0:34:27 > 0:34:31You used her as a guinea pig, didn't you?
0:34:31 > 0:34:32God!
0:34:32 > 0:34:34Sometimes, sacrifices must be made.
0:34:36 > 0:34:37Sacrifices?
0:34:37 > 0:34:39It was necessary!
0:34:39 > 0:34:43I had to find out how much of the venom would produce an anti-toxin.
0:34:43 > 0:34:47To immunise myself! Don't you see? It was necessary!
0:34:47 > 0:34:48Mama?
0:34:48 > 0:34:51Is it... Is it true?
0:34:51 > 0:34:53Ada.
0:34:53 > 0:34:56It is. It's true. True.
0:34:56 > 0:34:59Ada, listen to me.
0:34:59 > 0:35:06You hag! You perfidious hag! You virago! You harpy!
0:35:06 > 0:35:10All these years, I have helped you, served you.
0:35:10 > 0:35:14Looked out for you. Does it count for nothing? Nothing at all?
0:35:14 > 0:35:17Stop, stop.
0:35:18 > 0:35:20Hang on, I've got the sonic screwdriver!
0:35:20 > 0:35:22Yeah? I've got a chair!
0:35:22 > 0:35:24No!
0:35:28 > 0:35:35Yeah. That worked. I'm afraid your rocket isn't going anywhere, Mrs G.
0:35:50 > 0:35:53Please, come to me, Ada.
0:35:56 > 0:35:58SHE SOBS
0:35:58 > 0:36:00My child.
0:36:00 > 0:36:05You have always been so very...
0:36:05 > 0:36:07useful.
0:36:07 > 0:36:09No, Mrs Gillyflower.
0:36:09 > 0:36:12Please, Mama. No more. No more.
0:36:12 > 0:36:16And now, if you'll please forgive us, we must be going.
0:36:16 > 0:36:21It is long past Ada's bedtime!
0:36:21 > 0:36:22No... No, Clara.
0:36:22 > 0:36:25If we follow straight after her, she'll shoot Ada on the spot.
0:36:25 > 0:36:27- She wouldn't!- She would!
0:36:30 > 0:36:32Chairs are useful!
0:36:35 > 0:36:37GLASS SHATTERS
0:36:37 > 0:36:39- Come, Ada. Don't dawdle. - Please, Mama, stop.
0:36:39 > 0:36:41Has the venom been loaded?
0:36:41 > 0:36:44- Yes, ma'am.- Then heaven awaits ya'!
0:37:04 > 0:37:06- ADA:- Stop!
0:37:11 > 0:37:15Just let her go, Mrs Gillyflower. Let Ada go!
0:37:15 > 0:37:17Secondary firing mechanism, Doctor!
0:37:17 > 0:37:20Mr Sweet and I are too smart for you, after all.
0:37:20 > 0:37:23Just let your daughter go, Mrs Gillyflower.
0:37:27 > 0:37:31Shoot, if you wish, Mama. It is of no matter,
0:37:31 > 0:37:33for you killed me a long time ago.
0:37:39 > 0:37:41# I'll labour night and day
0:37:41 > 0:37:44# To be a pilgrim! #
0:37:44 > 0:37:46ROCKET ENGINE THUNDERS
0:38:02 > 0:38:08Now, Mr Sweet, now the whole world will taste your lethal kiss!
0:38:09 > 0:38:12I don't think so, Mrs Gillyflower.
0:38:12 > 0:38:14HE SNAPS FINGERS
0:38:18 > 0:38:20Very well, then.
0:38:20 > 0:38:25If I can't take the world with me, you will have to do.
0:38:25 > 0:38:29Die, you freaks! Die!
0:38:29 > 0:38:31Die!
0:38:31 > 0:38:33Put down your weapon, human female!
0:38:33 > 0:38:35SHE GASPS
0:38:35 > 0:38:37HE LAUGHS
0:38:37 > 0:38:40SHOT FIRED
0:38:40 > 0:38:42SHE SCREAMS
0:38:45 > 0:38:46Ouch!
0:38:57 > 0:39:01No... No!
0:39:01 > 0:39:05Mr Sweet? Where are you going?
0:39:05 > 0:39:10You can't leave me now, Mr Sweet.
0:39:10 > 0:39:11What's it doing?
0:39:11 > 0:39:14It knows she's dying. She's no longer any use to it.
0:39:14 > 0:39:15Mr Sweet!
0:39:18 > 0:39:19Ada?
0:39:21 > 0:39:23Ada.
0:39:25 > 0:39:27Are you there?
0:39:29 > 0:39:31I'm here, Mama.
0:39:31 > 0:39:36Forgive me, my child. Forgive me.
0:39:40 > 0:39:42Never.
0:39:42 > 0:39:45That's...my...girl.
0:39:50 > 0:39:51EXPLOSION
0:39:58 > 0:40:01What will you do with that thing?
0:40:01 > 0:40:05Take it back to the Jurassic era, maybe. Out of harm's way.
0:40:16 > 0:40:18On the other hand...
0:40:18 > 0:40:20HE STUTTERS, THEN SIGHS
0:40:20 > 0:40:24Right, London. We were heading for London, weren't we?
0:40:24 > 0:40:26Was there any particular reason?
0:40:26 > 0:40:30No. Thought you might...like it.
0:40:30 > 0:40:34Yeah. Maybe had enough Victorian values for a bit.
0:40:34 > 0:40:35You're the boss.
0:40:35 > 0:40:37Am I?
0:40:37 > 0:40:40No. No... Get in.
0:40:45 > 0:40:48Now, Ada, I'd love to stay and clear up the mess, but...
0:40:48 > 0:40:50I know, dear monster, you have things to do.
0:40:50 > 0:40:51And what about you?
0:40:51 > 0:40:54Oh, there are many things a bright young lady can do
0:40:54 > 0:40:56to occupy her time.
0:40:56 > 0:40:59It's time I stepped out of the darkness and into the light.
0:40:59 > 0:41:04Good luck, Ada. You know, I think you'll be just...
0:41:08 > 0:41:10..splendid.
0:41:14 > 0:41:19Well, thanks a million, you three, as ever.
0:41:19 > 0:41:22Have some Pontefract cakes on me. I love Pontefract cakes!
0:41:24 > 0:41:27See you around, eh? I shouldn't wonder.
0:41:27 > 0:41:33But, Doctor, that girl - Clara. You haven't explained.
0:41:42 > 0:41:44No. I haven't.
0:41:49 > 0:41:52Ah, look at the muck in here! Right!
0:41:54 > 0:41:57Another one for the vault.
0:41:57 > 0:41:59Ah! There you are.
0:41:59 > 0:42:02I called to see whether there had been any progress.
0:42:02 > 0:42:03METALLIC THRUMMING
0:42:15 > 0:42:18The boss, yep, that's me!
0:42:26 > 0:42:28I am the boss.
0:42:41 > 0:42:47It's you, isn't it? It's from the '70s, but it's definitely you.
0:42:47 > 0:42:48Of course it's not.
0:42:48 > 0:42:54And that's you too, from 1983, I found it at school.
0:42:55 > 0:42:58No, it's just someone who looks like me.
0:42:58 > 0:43:00And that's someone that looks like your boyfriend?
0:43:00 > 0:43:02Is he an alien?
0:43:02 > 0:43:04Why would he be an alien?
0:43:04 > 0:43:05The chin.
0:43:05 > 0:43:07And the time travel?
0:43:10 > 0:43:12That's not right.
0:43:12 > 0:43:15- You were in Victorian London. - No, I was in Victorian Yorkshire.
0:43:18 > 0:43:21- How come you didn't tell us? - Time travel, that's so cool!
0:43:21 > 0:43:23- Can we have a go? - Can you have a what?!
0:43:23 > 0:43:26- We want a shot at the time machine! - No, no, no! Listen...
0:43:26 > 0:43:32OK, or we'll have to tell Dad that our nanny's a time traveller!
0:43:40 > 0:43:41Hedgewick's World,
0:43:41 > 0:43:45the biggest and best amusement park there will ever be!
0:43:45 > 0:43:48Yeah, it's closed down, reports of people just vanishing.
0:43:48 > 0:43:50No need to panic, my young friends.
0:43:50 > 0:43:52We all know there are no more living Cybermen.
0:43:52 > 0:43:54Attack formation, quickly!
0:43:54 > 0:43:56Don't wander off!
0:43:58 > 0:43:59SCREAMING
0:43:59 > 0:44:02Take defensive positions!
0:44:02 > 0:44:06They're here!
0:44:06 > 0:44:09Hail to you, the Doctor! Saviour of the Cybermen!
0:44:29 > 0:44:34Subtitles by Red Bee Media Ltd