Deep Breath

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0:00:09 > 0:00:13BIG BEN CHIMES

0:00:21 > 0:00:24Come on, out of the way. Move yourself, please.

0:00:24 > 0:00:25Coming through. WOMAN SCREAMS

0:00:25 > 0:00:27That's it. Excuse me, sir.

0:00:27 > 0:00:28CROWD SHOUTS

0:00:35 > 0:00:37Madame Vastra, thank God.

0:00:38 > 0:00:41- I'll wager you've not seen anything like this before.- Well...

0:00:43 > 0:00:46- ..not since I was a little girl. - Big fella, isn't he?

0:00:46 > 0:00:51Dinosaurs were mostly this size. I do believe it's a "she".

0:00:51 > 0:00:55- No, they weren't, I've seen fossils. - I was there.

0:00:55 > 0:00:57Well, that's all well and good,

0:00:57 > 0:01:00but what's this dinosaur fellow doing in the Thames?

0:01:00 > 0:01:01CROWD SCREAMS

0:01:01 > 0:01:04It must have time travelled. Jenny?

0:01:07 > 0:01:08Time travelled?

0:01:10 > 0:01:13- DINOSAUR RETCHES - Is it choking?

0:01:13 > 0:01:15There seems to be something lodged in its throat.

0:01:15 > 0:01:18- How could it time travel? - I don't know.

0:01:18 > 0:01:20Perhaps it was something it ate.

0:01:28 > 0:01:29CROWD SHOUTS

0:01:31 > 0:01:33Stand back. Stand back, stand back.

0:01:36 > 0:01:38Well, it's just laid an egg.

0:01:38 > 0:01:42It's dropped a blue box marked "Police" out of its mouth.

0:01:42 > 0:01:45Your grasp of biology troubles me.

0:01:47 > 0:01:48It's the TARDIS.

0:01:48 > 0:01:50It would seem so.

0:01:50 > 0:01:52We'll take care of this, Inspector.

0:01:52 > 0:01:55But what if that thing goes on the rampage?

0:01:55 > 0:01:58Place these lanterns on the shoreline and bridges,

0:01:58 > 0:02:02encircling the creature at 20-foot intervals.

0:02:02 > 0:02:03What will they do?

0:02:03 > 0:02:07They will emit a signal that will incline it to remain

0:02:07 > 0:02:08within their circumference.

0:02:08 > 0:02:10Jenny, Strax...

0:02:12 > 0:02:13..with me.

0:02:15 > 0:02:17So it's him, then, the Doctor?

0:02:17 > 0:02:21A giant dinosaur from the distant past has just vomited a blue box

0:02:21 > 0:02:26from outer space - this is not a day for jumping to conclusions.

0:02:26 > 0:02:28Strax, if you wouldn't mind?

0:02:37 > 0:02:43Hello? Exit the box, and surrender to the glory of the Sontaran empire.

0:02:44 > 0:02:45Shush!

0:02:47 > 0:02:48Doctor?

0:02:50 > 0:02:51I was being chased by a giant dinosaur,

0:02:51 > 0:02:54but I think I managed to give it the slip.

0:03:09 > 0:03:10Sleepy?

0:03:10 > 0:03:11Sir?

0:03:14 > 0:03:16Bashful? Sneezy? Dopey?

0:03:19 > 0:03:20Grumpy!

0:03:23 > 0:03:25Oh, you two!

0:03:26 > 0:03:30The green one... and the not-green one.

0:03:30 > 0:03:33Or it could be the other way round, I mustn't prejudge!

0:03:33 > 0:03:35Oh, you remember, er...

0:03:41 > 0:03:46..thingy, the, er, the not-me one, the asking-questions one?

0:03:46 > 0:03:49Names - not my area.

0:03:50 > 0:03:54- Clara!- Well, it might be Clara, might not be - it's a lottery.

0:03:54 > 0:03:56- It is Clara. - Well, I'm not ruling it out!

0:03:56 > 0:03:58- DINOSAUR ROARS - Oi, big man, shut it!

0:04:00 > 0:04:03Oh, you've got a dinosaur too!

0:04:05 > 0:04:07Big woman, sorry.

0:04:07 > 0:04:11Doctor, listen to me. You...you need to calm down.

0:04:11 > 0:04:13I'm not flirting, by the way.

0:04:13 > 0:04:15I think something's gone wrong.

0:04:17 > 0:04:22Wrong? What's gone wrong? Have you regenerated?

0:04:23 > 0:04:24I remember you.

0:04:26 > 0:04:27You're Handles!

0:04:27 > 0:04:32You used to be a little... a little robot head, and now you...

0:04:33 > 0:04:35..you've really let yourself go.

0:04:36 > 0:04:38DINOSAUR ROARS

0:04:40 > 0:04:42Reduce the frequency.

0:04:43 > 0:04:45- I'm sorry?- Your sonic lanterns, turn them down.

0:04:47 > 0:04:49- You're giving her a headache. - Giving who a headache?

0:04:49 > 0:04:52My lady friend!

0:04:52 > 0:04:55- Just an expression, don't get any ideas.- How do you know?

0:04:55 > 0:04:58Come on, Clara! You know that I speak dinosaur.

0:04:58 > 0:05:00He's not Clara. I'm Clara.

0:05:01 > 0:05:06Well, you're very similar heights. Maybe you should wear labels.

0:05:09 > 0:05:13Why...why are you all doing that? Why are you...

0:05:13 > 0:05:16You're all going dark...

0:05:17 > 0:05:19..and wobbly - stop that.

0:05:19 > 0:05:21I don't think we are.

0:05:21 > 0:05:25Never mind! Everyone...take five.

0:05:32 > 0:05:33What do we do?

0:05:33 > 0:05:37I don't understand, who is he? Where's the Doctor?

0:05:37 > 0:05:38Right here.

0:05:40 > 0:05:41That's him.

0:05:44 > 0:05:45That's the Doctor.

0:05:47 > 0:05:49Well then, here we go again.

0:06:35 > 0:06:36DINOSAUR ROARS

0:06:39 > 0:06:43It's simply misunderstandable to me. I don't know what it is.

0:06:43 > 0:06:45Who invented this room?

0:06:45 > 0:06:48Doctor, please, you have to lie down.

0:06:48 > 0:06:51It doesn't make sense. Look, it's only got a bed in it.

0:06:51 > 0:06:53Why is there only a bed in it?

0:06:53 > 0:06:56Because it's a bed-ROOM, it's for sleeping in.

0:06:58 > 0:07:00OK, what do you do when you're awake?

0:07:00 > 0:07:01You leave the room.

0:07:03 > 0:07:05So you've got a whole room for not being awake in?

0:07:05 > 0:07:08But what's the point? You're just missing the room!

0:07:08 > 0:07:11And don't look in that mirror - it's absolutely furious.

0:07:11 > 0:07:15Doctor, please, you have to lie down, you keep passing out.

0:07:15 > 0:07:18Well, of course I keep passing out, there's all these beds!

0:07:18 > 0:07:20Why do you keep talking like that?

0:07:20 > 0:07:22What's gone wrong with your accent?

0:07:22 > 0:07:24Nothing's wrong with her accent.

0:07:24 > 0:07:26You sound the same. It's spreading.

0:07:26 > 0:07:29You all sound all...English.

0:07:29 > 0:07:32Now you've all developed a fault!

0:07:32 > 0:07:35- SCOTTISH ACCENT:- Doctor, I need your help with something.

0:07:35 > 0:07:38Finally, someone who can talk properly.

0:07:39 > 0:07:42- I'm having difficulty sleeping.- Oh?

0:07:42 > 0:07:45Oh, well, I wouldn't bother with that, I never bother with sleep,

0:07:45 > 0:07:49- and I just do standy-up-catnaps. - Oh, really, how interesting.

0:07:49 > 0:07:51And when do you do those?

0:07:51 > 0:07:53Well, generally whenever anyone else starts talking.

0:07:53 > 0:07:56I like to skip ahead to my bits, it saves time.

0:07:56 > 0:07:57Save me time, Doctor.

0:07:57 > 0:08:03Project an image of perfect sleep into the centre of my mind.

0:08:03 > 0:08:06What, do you want a psychic link with me?

0:08:06 > 0:08:08The size of my brain, it would be like dropping a piano on you.

0:08:09 > 0:08:11Be gentle, then.

0:08:11 > 0:08:14I'll try. Brace yourself!

0:08:15 > 0:08:16Piano.

0:08:17 > 0:08:19THWACK!

0:08:19 > 0:08:21- ENGLISH ACCENT:- I love monkeys, they're so funny.

0:08:21 > 0:08:26- Oh, I see! So people are monkeys now, are they?- No, dear.

0:08:26 > 0:08:28People are apes.

0:08:28 > 0:08:31Men are monkeys.

0:08:31 > 0:08:34- So what now?- He needs rest.

0:08:34 > 0:08:35So what do we do? How do we fix him?

0:08:35 > 0:08:37- Fix him?- How do we change him back?

0:08:40 > 0:08:43Jenny...I will be in my chamber.

0:08:43 > 0:08:45Would you be kind enough to fetch my veil?

0:08:45 > 0:08:48Why, are we expecting strangers?

0:08:48 > 0:08:50It would seem...

0:08:50 > 0:08:52there's already one here.

0:08:58 > 0:08:59What have I done wrong?

0:08:59 > 0:09:02DINOSAUR MURMURS MOURNFULLY

0:09:02 > 0:09:05The dinosaur doesn't seem very happy.

0:09:05 > 0:09:06What's wrong with it?

0:09:06 > 0:09:10I dunno. The Doctor's the one that speaks dinosaur.

0:09:13 > 0:09:17Excuse me, ma'am, the wife doesn't like to be kept waiting.

0:09:19 > 0:09:20Where did he get that face?

0:09:21 > 0:09:24Why's it got lines on it? It's brand-new.

0:09:24 > 0:09:27How can his hair be all grey? He only just got it.

0:09:28 > 0:09:32It's still him, ma'am, you saw him change.

0:09:33 > 0:09:36- I know. I do, I... I know that.- Good.

0:09:36 > 0:09:37- It's just...- What?

0:09:37 > 0:09:39Nothing.

0:09:41 > 0:09:45If... If Vastra changed, if she was different,

0:09:45 > 0:09:49if she wasn't the person that you liked...

0:09:51 > 0:09:53I don't like her, ma'am,

0:09:53 > 0:09:54I love her.

0:09:56 > 0:10:00And as to different, well, she's a lizard.

0:10:10 > 0:10:12DINOSAUR MURMURS MOURNFULLY

0:10:29 > 0:10:31I am alone.

0:10:32 > 0:10:37The world which...shook at my feet,

0:10:37 > 0:10:39and the trees...

0:10:41 > 0:10:45..and the sky, have gone...

0:10:47 > 0:10:49..and I am alone now...

0:10:51 > 0:10:53..alone.

0:10:53 > 0:10:55Are you translating?

0:10:55 > 0:10:57The wind bites now...

0:10:59 > 0:11:01..and the world is grey...

0:11:03 > 0:11:05..and I am alone here.

0:11:07 > 0:11:08Can't see me.

0:11:10 > 0:11:11Doesn't see me.

0:11:13 > 0:11:16Can't...see me.

0:11:16 > 0:11:19Who can't see it? I think all of London can see it.

0:11:20 > 0:11:23Boy? Madame Vastra is waiting.

0:11:25 > 0:11:26OK, whatever.

0:11:26 > 0:11:31I will convey you to her chamber. May I take your coat?

0:11:32 > 0:11:34Not wearing a coat.

0:11:34 > 0:11:36- What's all that?- Clothes.

0:11:36 > 0:11:38May I take your clothes?

0:11:38 > 0:11:40(Probably not.)

0:11:40 > 0:11:42- Are you wearing a hat?- It's hair.

0:11:42 > 0:11:44No, I think it's a hat, would you like me to check?

0:11:44 > 0:11:46DINOSAUR MURMURS MOURNFULLY

0:11:47 > 0:11:49PEOPLE CHAT EXCITEDLY

0:11:55 > 0:11:57- It's not real, of course. - What is it, then?

0:11:57 > 0:11:59- The government.- The government?

0:11:59 > 0:12:01Yeah, up to their usual tricks.

0:12:01 > 0:12:05It's a dinosaur, Alf. A real dinosaur.

0:12:05 > 0:12:06I wouldn't put it past them.

0:12:06 > 0:12:09You don't half talk a lot of rubbish, Alfie.

0:12:09 > 0:12:11See you don't stay out too late now.

0:12:11 > 0:12:13- You know me.- Yes. I do!

0:12:22 > 0:12:24DINOSAUR MURMURS

0:12:24 > 0:12:27It's the neck, that's what's wrong with it.

0:12:27 > 0:12:29Just don't look realistic.

0:12:29 > 0:12:31You have good eyes.

0:12:31 > 0:12:34Oh, I do, as it happens, very good eyes.

0:12:34 > 0:12:35They're my greatest gift.

0:12:37 > 0:12:38I accept.

0:12:38 > 0:12:39What's that for?

0:12:40 > 0:12:42Your gift.

0:12:42 > 0:12:45- I have bad eyes. - HE SCREAMS

0:12:45 > 0:12:47And then?

0:12:49 > 0:12:52- Why are you wearing your veil? - And then?

0:12:52 > 0:12:57And then we got swallowed by a big dinosaur. You probably noticed.

0:12:57 > 0:12:59How did it happen?

0:12:59 > 0:13:04I don't know, I don't know, we were...crashing about everywhere.

0:13:04 > 0:13:06The Doctor was gone, the TARDIS went haywire.

0:13:06 > 0:13:09He's not gone. He's upstairs.

0:13:12 > 0:13:14OK, he changed.

0:13:14 > 0:13:16He regenerated, renewed himself.

0:13:16 > 0:13:18Renewed, fine.

0:13:20 > 0:13:21Such a cynical smile.

0:13:23 > 0:13:24I'm not smiling.

0:13:24 > 0:13:29Not outwardly, but I'm accustomed to seeing through a veil.

0:13:29 > 0:13:31How have I amused you?

0:13:31 > 0:13:33You said renewed. He doesn't...

0:13:34 > 0:13:37He doesn't look renewed, he looks...older.

0:13:37 > 0:13:39You thought he was young?

0:13:39 > 0:13:41He looked young.

0:13:41 > 0:13:45He looked like your dashing young gentleman friend, your lover, even.

0:13:45 > 0:13:46Shut up!

0:13:46 > 0:13:48But he is the Doctor.

0:13:48 > 0:13:52He has walked this universe for centuries untold,

0:13:52 > 0:13:54he has seen stars fall to dust.

0:13:54 > 0:13:57You might as well flirt with a mountain range.

0:13:57 > 0:13:59I did not flirt with him.

0:13:59 > 0:14:00He flirted with you.

0:14:02 > 0:14:06- How?- He looked young. Who do you think that was for?

0:14:08 > 0:14:09Me?

0:14:09 > 0:14:11Everyone.

0:14:11 > 0:14:15I wear a veil as he wore a face - for the same reason.

0:14:15 > 0:14:17What reason?

0:14:17 > 0:14:20The oldest reason there is for anything...

0:14:20 > 0:14:22to be accepted.

0:14:24 > 0:14:26HE SNIFFS

0:14:29 > 0:14:31HE SNIFFS INTENSELY

0:14:44 > 0:14:46HE CONTINUES TO SNIFF

0:14:50 > 0:14:52HE RUMMAGES

0:14:55 > 0:14:57HE SNIFFS DEEPLY

0:15:01 > 0:15:05Jenny and I are married, yet for appearance's sake,

0:15:05 > 0:15:09we maintain a pretence, in public, that she is my maid.

0:15:09 > 0:15:13Doesn't exactly explain why I'm pouring tea in private.

0:15:13 > 0:15:16- Hush now. - Good pretence, isn't it?

0:15:16 > 0:15:18I wear a veil to keep from view

0:15:18 > 0:15:21what many are pleased to call my disfigurement.

0:15:23 > 0:15:26I do not wear it as a courtesy to such people,

0:15:26 > 0:15:30but as a judgment on the quality of their hearts.

0:15:32 > 0:15:33Are you judging me?

0:15:35 > 0:15:38The Doctor regenerated in your presence.

0:15:38 > 0:15:43The young man disappeared, the veil lifted. He trusted you.

0:15:43 > 0:15:45Are you judging him?

0:15:45 > 0:15:47SHE GASPS

0:15:53 > 0:15:55How dare you?

0:15:55 > 0:15:57How dare you?

0:16:01 > 0:16:02DINOSAUR MURMURS

0:16:14 > 0:16:17Door. Boring. Not me.

0:16:23 > 0:16:24Me!

0:16:24 > 0:16:26Marcus Aurelius, Roman Emperor,

0:16:26 > 0:16:28last of the five good'uns, stoic philosopher.

0:16:28 > 0:16:31Superlative bass guitarist - the Doctor really knows how to put

0:16:31 > 0:16:34- a band together.- And the only pin-up I ever had on my wall when I was 15,

0:16:34 > 0:16:35the only one I ever had.

0:16:35 > 0:16:38I am not sure who you think you're talking to right now, Madam Vastra,

0:16:38 > 0:16:41but I have never had the slightest interest in pretty young men.

0:16:41 > 0:16:43And for the record, if there ever was anybody who could flirt

0:16:43 > 0:16:47with a mountain range, she's probably standing in front of you right now!

0:16:47 > 0:16:49Just because my pretty face has turned your head,

0:16:49 > 0:16:51do not assume that I am so easily distracted.

0:16:53 > 0:16:55Whoo!

0:16:55 > 0:16:56Woo-hoo!

0:16:59 > 0:17:00Sorry!

0:17:02 > 0:17:04- Well... - SHE CHUCKLES

0:17:04 > 0:17:05..goodness me!

0:17:05 > 0:17:06The lake is ruffled at last.

0:17:06 > 0:17:09I often wondered what you'd be like when you lost your temper.

0:17:09 > 0:17:10- Oi! - SHE HISSES

0:17:10 > 0:17:11Married.

0:17:14 > 0:17:17The Doctor needs us, you more than anyone.

0:17:17 > 0:17:20He is lost in the ruin of himself, and we must bring him home.

0:17:25 > 0:17:26When did you stop wearing your veil?

0:17:28 > 0:17:30When you stopped seeing it.

0:17:33 > 0:17:36Oi! Oi!

0:17:36 > 0:17:40Oi, big, sexy woman!

0:17:40 > 0:17:41Oi!

0:17:43 > 0:17:46Sorry. Sorry, it's all my fault.

0:17:46 > 0:17:49My time machine got stuck in your throat. It happens.

0:17:49 > 0:17:52I brought you along by accident, that's mostly how I meet girls,

0:17:52 > 0:17:57but don't worry, I promise I will get you home.

0:17:57 > 0:17:59- DINOSAUR ROARS - I swear, whatever it takes,

0:17:59 > 0:18:04I will keep you safe.

0:18:04 > 0:18:08You will be at home again.

0:18:09 > 0:18:11DINOSAUR ROARS FEROCIOUSLY

0:18:16 > 0:18:17Stop that.

0:18:17 > 0:18:20Who's doing that? No, don't do that.

0:18:21 > 0:18:23That came from the river!

0:18:23 > 0:18:25The dinosaur!

0:18:25 > 0:18:27Strax, bring the carriage, now!

0:18:30 > 0:18:31Arrggh!

0:18:33 > 0:18:35BRANCH CREAKS

0:18:35 > 0:18:36Arrggh! Arrggh!

0:18:36 > 0:18:38Arrggh!

0:18:38 > 0:18:39Oh!

0:18:43 > 0:18:44Halt!

0:18:44 > 0:18:47Sorry, I'm going to have to relieve you of your pet!

0:18:47 > 0:18:49You're what?

0:18:49 > 0:18:50Shut up, I was talking to the horse!

0:18:50 > 0:18:52HORSE WHINNIES

0:18:52 > 0:18:53HE GROAN

0:18:57 > 0:18:59- What are you doing?- Forwards!

0:19:03 > 0:19:05Out of the way, human scum! Hyya!

0:19:07 > 0:19:08Jurassic emergency!

0:19:09 > 0:19:11Hyya!

0:19:16 > 0:19:18HORSE WHINNIES

0:19:18 > 0:19:19Left!

0:19:19 > 0:19:22No, no! Right, right, right, right!

0:19:22 > 0:19:25Sorry, it's my new hands, I can't tell them apart.

0:19:32 > 0:19:34What do you think's happened?

0:19:34 > 0:19:36I don't know, but I fear devilment.

0:19:36 > 0:19:38Should we not have told the Doctor?

0:19:38 > 0:19:40He's not ready to leave his bed.

0:19:43 > 0:19:45Watch it on the corners, it's a bit slippery up here!

0:19:46 > 0:19:49- Strax!- Hyya!- Come on, Strax!- Hyya!

0:19:49 > 0:19:51- Hyya, hyya!- That's better!

0:19:58 > 0:20:00(Sorry, sorry.)

0:20:00 > 0:20:01(I'm sorry, sorry, sorry.)

0:20:03 > 0:20:05Whoa.

0:20:11 > 0:20:13The Doctor! What's he doing here?

0:20:13 > 0:20:15CAR ALARM CHIRPS

0:20:15 > 0:20:18There is trouble - where else would he be?

0:20:18 > 0:20:20She was scared.

0:20:21 > 0:20:22She was scared and alone.

0:20:25 > 0:20:27I brought her here and look what they did.

0:20:29 > 0:20:30Who or what could have done this thing?

0:20:34 > 0:20:35No.

0:20:35 > 0:20:37I'm sorry?

0:20:37 > 0:20:44No. That is not the question, that is not where we start.

0:20:44 > 0:20:46The question is how.

0:20:46 > 0:20:48The flesh itself has been combusted...

0:20:48 > 0:20:50No, no, shut up!

0:20:50 > 0:20:53What do you all have for brains - pudding?

0:20:53 > 0:20:54Look at you.

0:20:56 > 0:21:01Why can't I meet a decent species? Planet of the pudding-brains!

0:21:01 > 0:21:02Doctor...

0:21:03 > 0:21:07..I know you're upset, but you need to calm down and talk to us.

0:21:07 > 0:21:08What is the question?

0:21:08 > 0:21:13A dinosaur is burning in the heart of London.

0:21:13 > 0:21:15Nothing left but smoke and flame.

0:21:18 > 0:21:19The question is...

0:21:21 > 0:21:23..have there been any similar murders?

0:21:26 > 0:21:29Yes! Yes, by the Goddess, there have!

0:21:31 > 0:21:33Look at them all - gawking!

0:21:34 > 0:21:35CROWD MURMURS

0:21:38 > 0:21:39Question two.

0:21:41 > 0:21:43If all the pudding-brains are gawking...

0:21:44 > 0:21:46..then what is he?

0:21:51 > 0:21:54He seems remarkably unmoved by the available spectacle.

0:21:54 > 0:21:57Do you think that's whoever...?

0:21:57 > 0:21:58HEAVY SPLASH

0:21:59 > 0:22:02- What he's doing? He'll drown! - I very much doubt it.

0:22:02 > 0:22:05- Why?- There has been a murder.

0:22:05 > 0:22:08The Doctor has taken up the case.

0:22:08 > 0:22:10If we are to see him again, we must do the same.

0:22:24 > 0:22:28Come on, Earthling scum! Position it here. Easy now!

0:22:28 > 0:22:30That's it. Careful.

0:22:30 > 0:22:33Don't get it scratched or you and all your bloodline

0:22:33 > 0:22:35- will be obliterated from time and space.- Very good, sir.

0:22:35 > 0:22:37Strax!

0:22:37 > 0:22:40Ah, morning, Miss Clara. You're awake at last.

0:22:40 > 0:22:42You got the TARDIS, then?

0:22:42 > 0:22:45Military tactics. The Doctor is still missing,

0:22:45 > 0:22:48but he will always come looking for his box.

0:22:48 > 0:22:50By bringing it here, he will be lured from the dangers

0:22:50 > 0:22:52of London to this place of safety,

0:22:52 > 0:22:55and we will melt him with acid.

0:22:55 > 0:22:56OK, that last part?

0:22:56 > 0:23:02And we will not melt him with acid. Old habits.

0:23:04 > 0:23:06- The Times. Shall I send it up? - Yeah, why not?

0:23:07 > 0:23:09Hyya!

0:23:21 > 0:23:24- Jenny!- Ah, good morning, Clara. - Morning.

0:23:24 > 0:23:27Erm, so what are we going to do? Are we looking for the Doctor?

0:23:27 > 0:23:30We've got the Paternoster Irregulars out in force.

0:23:30 > 0:23:33If anyone can find him, they can.

0:23:33 > 0:23:36Meanwhile, Madam Vastra is slightly occupied

0:23:36 > 0:23:38by the Conk-Singleton forgery case.

0:23:38 > 0:23:41and is having the Camberwell child-poisoner for dinner...

0:23:41 > 0:23:42For dinner?

0:23:42 > 0:23:45..after she's finished interrogating him.

0:23:45 > 0:23:48Probably best to stay out the larder.

0:23:48 > 0:23:50It'll get a bit noisy in there later.

0:23:50 > 0:23:51Erm...

0:24:01 > 0:24:03Ah, Miss Clara!

0:24:04 > 0:24:06You look better now you're up.

0:24:06 > 0:24:08Thank you, Strax!

0:24:08 > 0:24:11Oh, sorry, trick of the light. You still look terrible.

0:24:11 > 0:24:13Can I get you anything?

0:24:13 > 0:24:15Er, no, thanks. Maybe just some water.

0:24:15 > 0:24:16Of course.

0:24:24 > 0:24:26Well, don't hold back, I've nearly finished anyway.

0:24:26 > 0:24:28Um...

0:24:28 > 0:24:31It's perfectly all right. I washed in it myself.

0:24:31 > 0:24:33All of a sudden, I'm not very thirsty.

0:24:33 > 0:24:35Really?

0:24:35 > 0:24:38Perhaps it is time then...

0:24:38 > 0:24:40DEVICE WHIRS

0:24:41 > 0:24:44..for your mandatory medical examination.

0:24:47 > 0:24:49Say, "Ah."

0:24:49 > 0:24:50Ah.

0:24:50 > 0:24:51You didn't move your lips.

0:24:51 > 0:24:53You're looking at my eye.

0:24:53 > 0:24:55Oh, yes, there we are.

0:24:55 > 0:24:57Easy mistake.

0:24:57 > 0:24:59- Ah-h! - DEVICE BEEPS

0:24:59 > 0:25:01Now that's interesting.

0:25:01 > 0:25:02What? What's interesting?

0:25:02 > 0:25:07Deflected narcissism, traces of passive aggressive,

0:25:07 > 0:25:11and a lot of muscular young men doing sport.

0:25:11 > 0:25:13What are you looking at?

0:25:13 > 0:25:16Your subconscious. Is that sport?

0:25:16 > 0:25:17It could be sport.

0:25:17 > 0:25:20Well, stop looking.

0:25:20 > 0:25:22Moving onto the thorax, such as it is...

0:25:24 > 0:25:26Ah, excellent.

0:25:26 > 0:25:29Enviable spleen! Well done.

0:25:29 > 0:25:3427 years old, with a projected lifespan of exactly...

0:25:34 > 0:25:35Stop...right there.

0:25:35 > 0:25:37Oh, you're going to do quite well.

0:25:37 > 0:25:41But watch out for fluid retention later, it's going to be spectacular.

0:25:42 > 0:25:45- Well, put your clothes back on. - They are on!

0:25:45 > 0:25:47Oh, yes, so they are.

0:25:48 > 0:25:50Why are you doing this?

0:25:50 > 0:25:54If we are to serve together, I need you in peak physical prowess.

0:25:54 > 0:25:55- Eh?- Ow!

0:25:55 > 0:25:57Why would we be serving together?

0:25:57 > 0:26:00- The Doctor's going to come back, isn't he?- It is to be hoped.

0:26:00 > 0:26:03He's not just going to abandon me here.

0:26:03 > 0:26:06You must stop worrying about him, my boy.

0:26:06 > 0:26:11By now, he's almost certainly had his throat cut by the violent poor.

0:26:11 > 0:26:12BINS CLANG

0:26:12 > 0:26:14DOGS BARK

0:26:14 > 0:26:15Oh-h!

0:26:24 > 0:26:26THE DOCTOR MUMBLES

0:26:37 > 0:26:38CLANGING

0:26:41 > 0:26:44- Bitey.- Bitey?

0:26:44 > 0:26:45The air...

0:26:46 > 0:26:49..it's bitey, it's wet and bitey.

0:26:49 > 0:26:51Oh, it's cold!

0:26:51 > 0:26:54That's right. It's cold! It's cold, I knew it was a thing.

0:26:55 > 0:26:56I need, um...

0:26:57 > 0:26:59I need clothes.

0:26:59 > 0:27:03I need clothes, that's what I need. And a big, long scarf.

0:27:04 > 0:27:08No, no, move on from that, looked stupid.

0:27:09 > 0:27:10Um...

0:27:10 > 0:27:12Have you seen this face before?

0:27:13 > 0:27:14No.

0:27:14 > 0:27:15Are you sure?

0:27:16 > 0:27:19Sir, I have never seen that face.

0:27:21 > 0:27:24It's funny, because... I'm sure that I have.

0:27:25 > 0:27:28You know, I never know where the faces come from.

0:27:28 > 0:27:31They just pop up. Zap! Faces like this one.

0:27:31 > 0:27:34Come on, look at it, have a look, come on, look, look, look.

0:27:34 > 0:27:38Look, it's covered in lines, but I didn't do the frowning.

0:27:39 > 0:27:41Who frowned me this face?

0:27:43 > 0:27:46Do you ever look in the mirror and think, "I've seen that face before"?

0:27:46 > 0:27:47Yes.

0:27:47 > 0:27:49Really? When?

0:27:49 > 0:27:51Well, every time I look in the mirror.

0:27:52 > 0:27:55Oh, yes, yes, yes, fair enough.

0:27:55 > 0:27:58Good point. My face is fresh on, though.

0:28:00 > 0:28:01Er...

0:28:01 > 0:28:02Why this one?

0:28:03 > 0:28:07Why did I choose...this face?

0:28:10 > 0:28:12It's like I'm trying to tell myself something,

0:28:13 > 0:28:16like I'm trying to make a point. But what is so important

0:28:16 > 0:28:19that I can't just tell myself what I'm thinking?

0:28:19 > 0:28:21Er...

0:28:21 > 0:28:24I'm not just being rhetorical here, you can join in.

0:28:24 > 0:28:27- I don't like it.- What?- Your face.

0:28:27 > 0:28:29Well, I don't like it either.

0:28:29 > 0:28:31Well, it's all right up until the eyebrows.

0:28:31 > 0:28:34Then it just goes haywire. Look at the eyebrows!

0:28:34 > 0:28:36These are attack eyebrows.

0:28:36 > 0:28:38You could take bottle tops off with these!

0:28:38 > 0:28:40They are mighty eyebrows indeed, sir.

0:28:40 > 0:28:45They're cross! They're crosser than the rest of my face.

0:28:45 > 0:28:46They're independently cross.

0:28:46 > 0:28:50They probably want to cede from the rest of my face

0:28:50 > 0:28:52and set up their own independent state of eyebrows.

0:28:52 > 0:28:55That's Scot... I am Scottish. I've gone Scottish?

0:28:55 > 0:28:59Oh, yes, you are. You are definitely Scots, sir.

0:28:59 > 0:29:01I... I 'ear it in your voice.

0:29:01 > 0:29:02Oh, no, that's good.

0:29:02 > 0:29:06Oh-h! Oh-h!

0:29:06 > 0:29:09It's good I'm Scottish, I'm Scottish.

0:29:09 > 0:29:12I am Scottish.

0:29:12 > 0:29:15I can complain about things, I can really complain about things now.

0:29:15 > 0:29:18- Give me your coat.- No.

0:29:18 > 0:29:19I'm cold.

0:29:19 > 0:29:20I'm cold.

0:29:20 > 0:29:22I'm cold.

0:29:22 > 0:29:24Well, there's no point in us both being cold, give me your coat.

0:29:24 > 0:29:26Give me your coat!

0:29:26 > 0:29:29No, wait. Shut up, shut up!

0:29:29 > 0:29:30Shut up!

0:29:31 > 0:29:34I missed something, It was here, it was here. It was...

0:29:34 > 0:29:36What was it I saw, what did I see?

0:29:40 > 0:29:41This is what I saw!

0:29:46 > 0:29:49Spontaneous combustion!

0:29:49 > 0:29:51What devilry is this, sir?

0:29:52 > 0:29:55I don't know, but I probably blame the English.

0:30:01 > 0:30:04Hmm! Spontaneous combustion!

0:30:04 > 0:30:07- Is that like love at first sight? - Huh! A little.

0:30:07 > 0:30:09It is the theory that human beings can,

0:30:09 > 0:30:12with little or no inducement, simply explode.

0:30:12 > 0:30:15You don't need to flirt with me, we're already married.

0:30:15 > 0:30:18It's scientific nonsense, of course.

0:30:18 > 0:30:19Marriage?

0:30:19 > 0:30:21Hush!

0:30:21 > 0:30:23There have been nine reported incidents

0:30:23 > 0:30:26of people apparently exploding in the last month.

0:30:26 > 0:30:28And you think they weren't spontaneous.

0:30:28 > 0:30:34I think whoever killed the dinosaur had at least nine previous victims -

0:30:34 > 0:30:37all of these perished in the same spectacular fashion.

0:30:38 > 0:30:40I thought you were painting me!

0:30:40 > 0:30:41I was working.

0:30:41 > 0:30:43Well, why am I posing then?

0:30:43 > 0:30:47Well, you brighten the room tremendously. Chin up a little.

0:30:47 > 0:30:49Oh, I don't understand why I'm doing this!

0:30:50 > 0:30:52Art?

0:30:54 > 0:30:57Now, why destroy the victims so completely?

0:30:57 > 0:31:01It's difficult, it draws attention - what advantage is to be gained?

0:31:01 > 0:31:02Well, tell us, then.

0:31:04 > 0:31:05Concealment, perhaps.

0:31:05 > 0:31:07Concealment?

0:31:07 > 0:31:10It's a fanciful theory, but it fits the facts.

0:31:10 > 0:31:13By destroying the body so completely,

0:31:13 > 0:31:16you conceal what is missing from it.

0:31:16 > 0:31:17Missing from the body?

0:31:17 > 0:31:19CLARA: Madame Vastra!

0:31:20 > 0:31:23Clara, excellent. Pop your clothes on that chair there.

0:31:23 > 0:31:25Look!

0:31:25 > 0:31:29Advertisements, yes - so many, it's a distressing modern trend.

0:31:29 > 0:31:31No, look!

0:31:34 > 0:31:35Look.

0:31:38 > 0:31:39SHE GASPS

0:31:40 > 0:31:41Ma'am?

0:31:41 > 0:31:44The game is afoot. We're going to need a lot of tea.

0:31:44 > 0:31:45BELL RINGS

0:31:48 > 0:31:50There appears to be nothing of significance

0:31:50 > 0:31:52in the rest of the newspaper,

0:31:52 > 0:31:54not even in the agony column.

0:31:54 > 0:31:56We can't know it's from the Doctor.

0:31:56 > 0:31:58Of course it's from the Doctor.

0:31:58 > 0:32:00The Impossible Girl, that's what he calls me!

0:32:00 > 0:32:02He says lunch, but not when or where?

0:32:02 > 0:32:06"On the other side?" The other side of London? Bit vague.

0:32:06 > 0:32:09The other side of regeneration, perhaps, once he's recovered?

0:32:09 > 0:32:11So what am I supposed to do - guess where we're meeting?

0:32:13 > 0:32:14Perhaps that's the point.

0:32:14 > 0:32:18Perhaps you're supposed to prove that you still know him.

0:32:18 > 0:32:21Think what that must mean for a man who barely knows himself.

0:32:21 > 0:32:24It doesn't makes sense. He doesn't do puzzles.

0:32:24 > 0:32:27He isn't complicated, really doesn't have the attention span.

0:32:29 > 0:32:30So...

0:32:37 > 0:32:38..keeping it dead simple...

0:32:40 > 0:32:41"..on the other side."

0:33:11 > 0:33:13CUTLERY CLINKS

0:33:17 > 0:33:19CLARA SNIFFS

0:33:28 > 0:33:29SHE COUGHS

0:33:32 > 0:33:35- What's wrong? - I don't know! Maybe the smell?

0:33:35 > 0:33:37I know, it's everywhere.

0:33:39 > 0:33:40Where did you get that coat?

0:33:42 > 0:33:44Er...

0:33:44 > 0:33:46I bought it.

0:33:46 > 0:33:47From where?

0:33:47 > 0:33:48- Er, a shop.- No.

0:33:51 > 0:33:53Might have been a tramp.

0:33:53 > 0:33:54You don't have any money.

0:33:54 > 0:33:55Er...

0:33:56 > 0:33:57..I had a watch!

0:33:57 > 0:34:00No! That watch was beautiful.

0:34:00 > 0:34:01It was my favourite.

0:34:01 > 0:34:04You swapped your favourite watch for that coat -

0:34:04 > 0:34:05that's maybe not a good deal.

0:34:05 > 0:34:08- Well, I was in a hurry, there was a terrible smell.- OK.

0:34:09 > 0:34:11HE LAUGHS

0:34:11 > 0:34:13No, no. Don't, don't...

0:34:13 > 0:34:15Don't, don't smile.

0:34:15 > 0:34:19I will smile first and then you know it's safe to smile.

0:34:19 > 0:34:21- Are you cross with me? - I am not cross,

0:34:21 > 0:34:24but if I was cross it would be your fault and...

0:34:25 > 0:34:27- ..yes, I am cross.- I guessed that.

0:34:27 > 0:34:29- I am extremely cross. - And if I hadn't changed my face,

0:34:29 > 0:34:30would you be cross?

0:34:30 > 0:34:32- I would be cross if I wasn't cross!- Why?

0:34:32 > 0:34:33Why?

0:34:36 > 0:34:38An ordinary person wants to meet someone

0:34:38 > 0:34:41that they know very well for lunch, what do they do?

0:34:41 > 0:34:46- Well, they probably...get in touch and suggest lunch.- Mm-hm.

0:34:46 > 0:34:50OK, so what sort of person would put a cryptic note in...

0:34:50 > 0:34:51in a newspaper advert?

0:34:51 > 0:34:53Well, I wouldn't like to say.

0:34:53 > 0:34:54Oh, go on, do, say.

0:34:54 > 0:34:57Well, I would say that that person would be

0:34:57 > 0:35:00an egomaniac, needy, game-player sort of person.

0:35:00 > 0:35:02SHE SIGHS CONTENTEDLY Thank you.

0:35:02 > 0:35:05SHE CHUCKLES Well, at least that hasn't changed.

0:35:06 > 0:35:09- And I don't suppose it ever will. - No, I don't suppose it will either.

0:35:09 > 0:35:11Clara, honestly...

0:35:13 > 0:35:14..I don't want you to change.

0:35:16 > 0:35:18It was no bother, really.

0:35:18 > 0:35:22I saw your advert, I figured it out - happy to play your game.

0:35:22 > 0:35:23No.

0:35:23 > 0:35:26No...no, I didn't place the ad. You placed the ad.

0:35:26 > 0:35:28- No, I didn't.- Yes, you placed the ad, I figured it out!

0:35:28 > 0:35:30Impossible Girl, see, lunch?

0:35:30 > 0:35:34No, look, the Impossible... That is a message FROM the Impossible Girl.

0:35:34 > 0:35:37FOR the Impossible...Girl.

0:35:40 > 0:35:42- Oh?- Oh?

0:35:42 > 0:35:43Hmm.

0:35:43 > 0:35:49Well, if neither of us placed that ad, who placed...that ad?

0:35:49 > 0:35:53Hang on. "Egomaniac, needy, game-player"?

0:35:53 > 0:35:56- This could be a trap.- That was me? - Never mind that.

0:35:56 > 0:35:57- Yes, I am minding that! - Clara....

0:35:57 > 0:35:59You were talking about me?

0:35:59 > 0:36:02Clara, what is happening right now

0:36:02 > 0:36:05in this restaurant to you and me is more important than your egomania.

0:36:05 > 0:36:07Nothing is more important than my egomania!

0:36:07 > 0:36:10- Right, you actually said that. - You never mention that again!

0:36:11 > 0:36:14It's...it's a vanity trap.

0:36:14 > 0:36:17You're so busy congratulating yourself on solving the puzzle,

0:36:17 > 0:36:20you don't notice that you're sticking your head in a noose.

0:36:20 > 0:36:21What are you doing?

0:36:21 > 0:36:24And that isn't the only grey one, if you are, erm, having a cull.

0:36:24 > 0:36:26What, do you have a problem with the grey ones?

0:36:26 > 0:36:29If I got new hair, and it was grey, I would have a problem.

0:36:29 > 0:36:30- Yeah, I bet you would.- Meaning?

0:36:31 > 0:36:32It's too short.

0:36:33 > 0:36:35- Ow!- Sorry, it was the only one out of place,

0:36:35 > 0:36:37I'm sure that you would want it killed.

0:36:37 > 0:36:40Oooh, are you trying to tell me something?

0:36:40 > 0:36:42I'm trying to measure the air disturbance in the room.

0:36:42 > 0:36:45Right, moments when you know you are boring.

0:36:47 > 0:36:48SLIGHT WHOOSH

0:36:55 > 0:36:58There is something extremely wrong with everybody else in this room.

0:36:58 > 0:37:01- Mmm, basically, don't you always think that?- Look at them.

0:37:01 > 0:37:03- Don't look!- You just said to look!

0:37:04 > 0:37:06Look without looking!

0:37:09 > 0:37:11CUTLERY CLINKS

0:37:13 > 0:37:16They look fine to me. They're just eating.

0:37:17 > 0:37:18Are they?

0:37:30 > 0:37:33OK, no. No, they're not eating.

0:37:33 > 0:37:35Something else they're not doing.

0:37:40 > 0:37:41(Breathing.)

0:37:48 > 0:37:49What do we do?

0:37:52 > 0:37:53What, you don't want to eat, do you?

0:37:53 > 0:37:56Hmm! Slightly lost my appetite. SHE CLEARS HER THROAT

0:37:56 > 0:37:58- How long before they notice that we're different?- Not long.

0:37:58 > 0:38:00Anything we can do?

0:38:02 > 0:38:03How long can you hold your breath?

0:38:05 > 0:38:08We could just casually stroll out of here, like we've changed our minds.

0:38:08 > 0:38:10- Happens all the time. - Ha! Course it does.

0:38:12 > 0:38:14DINERS RATTLE

0:38:25 > 0:38:26DINERS RATTLE

0:38:32 > 0:38:33DINERS RATTLE

0:38:36 > 0:38:38We could...take another look at the menu.

0:38:40 > 0:38:43DINERS RATTLE

0:38:48 > 0:38:50What are they?

0:38:50 > 0:38:53I don't know. But don't worry, because that's not the question.

0:38:53 > 0:38:55The question is, what is this restaurant?

0:38:55 > 0:38:57OK, what is this restaurant?

0:38:57 > 0:38:59I don't know.

0:39:08 > 0:39:10Er...no sausages?

0:39:11 > 0:39:12Do you...

0:39:12 > 0:39:15And there's no pictures either. Do you have a children's menu?

0:39:17 > 0:39:18BEEPING

0:39:18 > 0:39:20Any specials?

0:39:20 > 0:39:22Liver.

0:39:22 > 0:39:24I don't like liver.

0:39:24 > 0:39:27Spleen. Brain stem. Eyes.

0:39:27 > 0:39:31Mm. Is there a lot of demand for those?

0:39:31 > 0:39:33I don't think that's what's on the menu.

0:39:35 > 0:39:37I think we are the menu.

0:39:37 > 0:39:40Lungs. Skin.

0:39:42 > 0:39:43Excuse me.

0:39:46 > 0:39:49OK. Robot in a mask.

0:39:49 > 0:39:50It's a face.

0:39:50 > 0:39:53Yeah, it's very convincing.

0:39:54 > 0:39:56No, it's a face.

0:39:56 > 0:39:58Oh!

0:39:58 > 0:39:59Yes.

0:39:59 > 0:40:03- Yes, what? - Yes, we have a children's menu.

0:40:07 > 0:40:09You've got to admire their efficiency.

0:40:11 > 0:40:12Is it OK if I don't?

0:40:14 > 0:40:15THEY SCREAM

0:40:23 > 0:40:24CLARA GASPS

0:40:24 > 0:40:25Hello?

0:40:25 > 0:40:27Hello, are you the manager?

0:40:27 > 0:40:29I demand to speak to the manager.

0:40:31 > 0:40:33This is not a real restaurant, is it?

0:40:34 > 0:40:36Well...

0:40:36 > 0:40:39it's more a sort of automated organ collection station

0:40:39 > 0:40:42for the unwary diner. Sweeney Todd without the pies.

0:40:42 > 0:40:43So, where are we now?

0:40:43 > 0:40:47Factually, an ancient spaceship, probably buried for centuries,

0:40:47 > 0:40:50functionally...a larder.

0:40:51 > 0:40:52So why hasn't somebody come for us?

0:40:52 > 0:40:54We're alive.

0:40:54 > 0:40:55We're alive in a larder.

0:40:55 > 0:40:58Exactly. It's cheaper than freezing us.

0:40:58 > 0:41:00OK.

0:41:00 > 0:41:03- Are you ready? - Go for it.

0:41:03 > 0:41:06- Don't let it roll away. - No.

0:41:06 > 0:41:07We've got one shot at this.

0:41:07 > 0:41:10Next time, make one that doesn't roll.

0:41:10 > 0:41:11Go!

0:41:14 > 0:41:17- Got it?- I can only just about reach.

0:41:19 > 0:41:22- Oh, it's at times like this I miss Amy.- Who?- Nothing.

0:41:25 > 0:41:27- Ready? - Don't miss!

0:41:28 > 0:41:30Oh-h!

0:41:30 > 0:41:32Oh.

0:41:34 > 0:41:36Sorry, did I hit...something?

0:41:36 > 0:41:38Oh, the symbolism!

0:41:45 > 0:41:47You should make that thing voice-activated.

0:41:47 > 0:41:50- Oh, for God's sake, it is, isn't it?- I don't want to talk about it.

0:41:50 > 0:41:51Doctor?

0:41:58 > 0:41:59Dormant.

0:42:00 > 0:42:02- How do you know? - I don't. I'm just hoping.

0:42:07 > 0:42:09So...is it these guys that killed the dinosaur?

0:42:09 > 0:42:12Well, if they're harvesting organs,

0:42:12 > 0:42:15a dinosaur would have some great stuff.

0:42:15 > 0:42:18Why would robots need organs? Burke and Hare from space?

0:42:18 > 0:42:20No, but that's a good theory.

0:42:22 > 0:42:26Droids harvesting spare parts. That rings a bell.

0:42:34 > 0:42:36Captain, my Captain.

0:42:39 > 0:42:40Can he see us?

0:42:40 > 0:42:42- Dormant.- Hoping?

0:42:42 > 0:42:43Yep. Oh, look!

0:42:44 > 0:42:47He's recharging. He's asleep.

0:42:48 > 0:42:50- Doesn't even know we're here. - Are you sure?

0:42:50 > 0:42:52Sure, not sure - one or the other.

0:42:53 > 0:42:56OK, so half-man, half-robot. a cyborg, yeah?

0:42:58 > 0:42:59- Oh.- Oh?

0:43:00 > 0:43:02- Oh-h.- Oh?

0:43:02 > 0:43:04Look at the hands.

0:43:04 > 0:43:05What about them?

0:43:05 > 0:43:07- Look at them.- I'm looking.

0:43:15 > 0:43:19They don't match. These hands don't belong to the same body.

0:43:22 > 0:43:23I don't understand.

0:43:23 > 0:43:25I don't blame you.

0:43:26 > 0:43:29See, this... this is not your normal cyborg.

0:43:29 > 0:43:33This isn't a man turning himself into a robot.

0:43:33 > 0:43:36This is a robot turning himself...

0:43:36 > 0:43:38into a man, piece by piece.

0:43:38 > 0:43:41That's what the restaurant's for.

0:43:41 > 0:43:43Well, it would need a constant supply of spare parts.

0:43:43 > 0:43:46You can tan skin, but organs rot.

0:43:46 > 0:43:48Some of that metalwork looks Roman.

0:43:51 > 0:43:53Wonder how long it's been around,

0:43:53 > 0:43:56how much of the original is even left.

0:43:56 > 0:43:58- The eyeballs look very fresh, though.- Eugh!

0:44:00 > 0:44:01ARM CLICKS Aggh!

0:44:02 > 0:44:04WHIRRING

0:44:09 > 0:44:10(Is it awake?)

0:44:13 > 0:44:15It's waking up...I think.

0:44:19 > 0:44:20OK, let's go.

0:44:30 > 0:44:32HE PANTS

0:44:32 > 0:44:35I've seen this before. I'm missing something!

0:44:36 > 0:44:39- Doctor!- It's the brand-new head, rebooting!

0:44:39 > 0:44:40Come on!

0:44:40 > 0:44:42I've seen this before!

0:44:42 > 0:44:44Oh, hurry up, get out.

0:44:48 > 0:44:50DOOR CLANGS Doctor!

0:44:52 > 0:44:53Quickly!

0:44:58 > 0:45:01Sorry, too slow. There's no point in them catching us both.

0:45:01 > 0:45:03Well, give me the screwdriver!

0:45:08 > 0:45:09I might need it.

0:45:19 > 0:45:21SHE GASPS Doctor?

0:45:24 > 0:45:26FOOTSTEPS

0:45:30 > 0:45:32Oh! SHE SOBS

0:45:57 > 0:45:59HE RATTLES

0:46:08 > 0:46:10'Something else they're not doing.'

0:46:11 > 0:46:12Breathing.

0:46:19 > 0:46:21How long can you hold your breath?

0:46:32 > 0:46:34HE WHIRS MECHANICALLY

0:47:45 > 0:47:47CLANGING

0:48:06 > 0:48:07SHE EXHALES DEEPLY

0:48:12 > 0:48:13Bring her.

0:48:16 > 0:48:17DREAMY ECHOING

0:48:27 > 0:48:28CHILDREN LAUGH

0:48:31 > 0:48:35All right, stop. Stop it, all of you, now.

0:48:35 > 0:48:36Ha-ha! It's her first day.

0:48:36 > 0:48:38CHILDREN CONTINUE TO LAUGH

0:48:40 > 0:48:41If you don't stop it,

0:48:41 > 0:48:43I'm going to have each and every single one of you

0:48:43 > 0:48:45kicked out of this school!

0:48:45 > 0:48:47Go on, then. Do it!

0:48:47 > 0:48:48SPEECH ECHOES

0:49:00 > 0:49:01Where is the other one?

0:49:08 > 0:49:11There was another. Where is he?

0:49:11 > 0:49:12Where is the other?

0:49:15 > 0:49:16You will tell us...

0:49:18 > 0:49:20..or you will be destroyed.

0:49:22 > 0:49:24(What did you say?)

0:49:24 > 0:49:25You will tell us.

0:49:26 > 0:49:30- Yeah, I know, or what? - You will die.

0:49:31 > 0:49:32'Go on, then.'

0:49:32 > 0:49:34Do it.

0:49:43 > 0:49:44Go on, then.

0:49:46 > 0:49:47Do it.

0:49:51 > 0:49:53I'm not going to answer any of your questions,

0:49:53 > 0:49:56so you have to do it. You have to kill me.

0:49:57 > 0:50:00Threats don't work unless you deliver.

0:50:04 > 0:50:07- You will tell us where the other one is.- Nope.

0:50:07 > 0:50:10- You will be destroyed. - Destroy me, then.

0:50:10 > 0:50:12And if you don't, then...

0:50:12 > 0:50:14I not going to believe a single threat you make from now on.

0:50:16 > 0:50:19Of course, if I'm dead, then...

0:50:19 > 0:50:22I can't tell you where the other one went, then...

0:50:22 > 0:50:25You need to keep this place down here a secret, don't you?

0:50:26 > 0:50:29Never start with your final sanction.

0:50:29 > 0:50:31You've got nowhere to go but backwards.

0:50:35 > 0:50:37Humans feel pain.

0:50:38 > 0:50:41Bigger threat to smaller threat - see what I mean? Backwards.

0:50:42 > 0:50:46The information can be extracted by means of your suffering.

0:50:47 > 0:50:49Are you trying to scare me?

0:50:49 > 0:50:52Well, cos I'm already bloody terrified of dying...

0:50:52 > 0:50:54and I'll endure a lot of pain

0:50:54 > 0:50:56for a very long time before I give up the information

0:50:56 > 0:50:58that's keeping me alive. How long have you got?

0:50:58 > 0:51:00MECHANICAL WHIRRING

0:51:08 > 0:51:11All you can offer me is my life - what you can't do is threaten it.

0:51:11 > 0:51:13You can negotiate.

0:51:14 > 0:51:17OK, OK, OK! OK, yes,

0:51:17 > 0:51:19yes, yes, I'm crying

0:51:19 > 0:51:23and it's just because I am very frightened of you.

0:51:23 > 0:51:24If you know anything about human beings,

0:51:24 > 0:51:27that means you... you're in a lot trouble.

0:51:29 > 0:51:31We will not negotiate.

0:51:31 > 0:51:33You don't have a choice.

0:51:33 > 0:51:37I tell you what, I'll answer your questions if you answer mine.

0:51:37 > 0:51:40We will not answer questions.

0:51:40 > 0:51:42We'll take turns, I'll go first. Why did you kill the dinosaur?

0:51:42 > 0:51:45- We will not answer questions. - Why did you kill the dinosaur?

0:51:45 > 0:51:48- We will not answer questions! - Then you might as well kill me,

0:51:48 > 0:51:50because I'm not talking again till you do.

0:51:52 > 0:51:53SHE EXHALES

0:52:02 > 0:52:05Within the optic nerve of the dinosaur is material of use

0:52:05 > 0:52:07to our computer systems.

0:52:07 > 0:52:10You burned a whole dinosaur for a spare part?

0:52:11 > 0:52:13No, no, hang on.

0:52:15 > 0:52:17You know what's in a dinosaur's optic nerve,

0:52:17 > 0:52:18which means you've seen them before.

0:52:20 > 0:52:21Where is the other one?

0:52:21 > 0:52:24How long have you been rebuilding yourselves?

0:52:24 > 0:52:27Look at the state of you! Is there any real you left? What's the point?

0:52:33 > 0:52:35We will reach the promised land.

0:52:38 > 0:52:40The what, the promised land? What's that?

0:52:40 > 0:52:42Where is the other one?

0:52:46 > 0:52:47I don't know.

0:52:50 > 0:52:54But I know where he will be... where he will always be.

0:52:56 > 0:52:59If the Doctor is still the Doctor...

0:53:01 > 0:53:03..he will have my back.

0:53:08 > 0:53:10SHE GASPS

0:53:10 > 0:53:14I'm right, aren't I? Go on. Please, please, God, say I'm right.

0:53:21 > 0:53:25Hello, hello, rubbish robots from the dawn of time,

0:53:25 > 0:53:28thank you for all the gratuitous information.

0:53:28 > 0:53:32Five foot one and crying - you never stood a chance.

0:53:32 > 0:53:33Stop it!

0:53:36 > 0:53:39This is your power source, and feeble though it is,

0:53:39 > 0:53:41I can use it to blow this whole room

0:53:41 > 0:53:43if I see one thing that I don't like,

0:53:43 > 0:53:46and that includes karaoke and mime, so take no chances.

0:53:46 > 0:53:47See, Clara?

0:53:47 > 0:53:50That's how you disguise yourself as a Droid.

0:53:50 > 0:53:53Yeah, well, I didn't have a lot of time, I'd been suddenly abandoned.

0:53:53 > 0:53:56Sorry. Well, no, actually I'm not, you're brilliant on adrenaline.

0:53:56 > 0:53:57And you were out of your depth, sir.

0:53:57 > 0:53:59Never try and control a control freak.

0:53:59 > 0:54:01I am not a control freak!

0:54:01 > 0:54:04- Yes, ma'am. - Oh!

0:54:04 > 0:54:05Why are you here?

0:54:05 > 0:54:07Why did you invite us?

0:54:08 > 0:54:10The message, in the paper...

0:54:12 > 0:54:13..that was you, wasn't it?

0:54:19 > 0:54:23Oh. I hate being wrong in public. Everybody forget that happened.

0:54:23 > 0:54:25Clara, say the word.

0:54:25 > 0:54:27- What word?- They never sent you in here without a word.

0:54:27 > 0:54:29- I don't want to say it. - I've guessed already.

0:54:29 > 0:54:31BOTH: Geronimo!

0:54:42 > 0:54:44Remain still and lay down your weapons,

0:54:44 > 0:54:46in the name of the British Empire!

0:54:46 > 0:54:47Argh!

0:54:48 > 0:54:50- Strax!- Sorry.

0:54:50 > 0:54:53I've told you before - take the stairs.

0:54:53 > 0:54:54Oh, look. The cavalry.

0:54:54 > 0:54:56I burned an ancient, beautiful creature

0:54:56 > 0:54:58for one inch of optic nerve.

0:54:58 > 0:55:00What do you think you can accomplish, little man?

0:55:00 > 0:55:01What do you? Vastra?

0:55:03 > 0:55:07The establishment upstairs has been disabled with maximum prejudice,

0:55:07 > 0:55:10- and the authorities summoned. - Hang on, she called the police?

0:55:10 > 0:55:13- We never do that, we should start. - You see?

0:55:13 > 0:55:14Destroy us if you will,

0:55:14 > 0:55:17they're still going to close your restaurant.

0:55:18 > 0:55:20That was going to sound better.

0:55:20 > 0:55:21Then we will destroy you.

0:55:32 > 0:55:33No, you won't.

0:55:35 > 0:55:36You're logical. You have restraint.

0:55:36 > 0:55:38You kill to survive - you're not a murderer.

0:55:38 > 0:55:40He's not a what? This is a slaughterhouse.

0:55:40 > 0:55:43And how does that make it different from any other restaurant?

0:55:43 > 0:55:45You weren't vegetarian the last time I checked. This is over.

0:55:45 > 0:55:47Killing us won't change that.

0:55:47 > 0:55:49- What would be the point? - To find the promised land.

0:55:49 > 0:55:52You're millions of years old, it's time you knew - there isn't one.

0:55:52 > 0:55:54I am in search of paradise.

0:55:54 > 0:55:57Yeah, well, me too. I'm not going to make it either.

0:55:59 > 0:56:01Doctor!

0:56:01 > 0:56:04I will leave in the escape capsule. Destroy where necessary.

0:56:04 > 0:56:05Escape capsule?

0:56:05 > 0:56:08This ship is millions of years old, it'll never fly.

0:56:08 > 0:56:10It has been repaired.

0:56:10 > 0:56:12What with?

0:56:12 > 0:56:13You.

0:56:13 > 0:56:15Defensive positions everyone.

0:56:17 > 0:56:20Doctor! He's getting away!

0:56:20 > 0:56:23Your friend is intelligent. He'll know better than to follow me.

0:56:30 > 0:56:31HE GROANS

0:56:34 > 0:56:37Right, here we are, this is the place, come with me.

0:56:39 > 0:56:41It is our intent to leave.

0:56:41 > 0:56:43If it is your intent to stop us,

0:56:43 > 0:56:45perhaps we should get down to business.

0:56:50 > 0:56:53Dear Lord, what has she landed us with this time?

0:56:53 > 0:56:54MECHANICAL WHIRRING

0:56:58 > 0:57:00The restaurant is closed.

0:57:09 > 0:57:12Keep everyone out. No-one goes in there!

0:57:23 > 0:57:24What are you doing?

0:57:24 > 0:57:27I've got the horrible feeling I'm going to have to kill you.

0:57:29 > 0:57:31I thought you might appreciate a drink first.

0:57:31 > 0:57:33I know I would.

0:57:39 > 0:57:40RUMBLING

0:57:43 > 0:57:45Watch out!

0:57:53 > 0:57:5851st century, right? Time travelling spaceship, crashed in the past.

0:57:58 > 0:58:01You're trying to get home the long way round.

0:58:02 > 0:58:03I go to the promised land.

0:58:03 > 0:58:05So you keep saying.

0:58:07 > 0:58:11OK, so your restaurant is made out of your old ship,

0:58:11 > 0:58:16but you're wasting your time, it can't ever fly.

0:58:16 > 0:58:18The escape pod is viable.

0:58:18 > 0:58:22How? You can't patch up a spaceship with human remains.

0:58:22 > 0:58:24You know, this really is ringing a bell.

0:58:28 > 0:58:33OK, that's clever. How are you powering it?

0:58:34 > 0:58:35Skin.

0:58:45 > 0:58:48Get to the station! We need more men!

0:58:49 > 0:58:52What shall I tell them is happening?

0:58:52 > 0:58:54Go!

0:58:54 > 0:58:55How many do you estimate, my dear?

0:58:55 > 0:58:59More than upstairs, about 20, 30?

0:58:59 > 0:59:01The ones upstairs were mere decoys.

0:59:01 > 0:59:05These are battle-ready. I anticipate a challenge.

0:59:06 > 0:59:09Don't worry, my boy, we shall die in glory!

0:59:09 > 0:59:12OK. Good-o!

0:59:22 > 0:59:23"SS Marie Antoinette."

0:59:25 > 0:59:29Out-of-control repair Droids, cannibalising human beings.

0:59:29 > 0:59:33I know that this is familiar, but I just can't seem to place it.

0:59:33 > 0:59:34How would you kill me?

0:59:34 > 0:59:37"Sister ship of the Madame De Pompadour."

0:59:41 > 0:59:42Nope, not getting it.

0:59:43 > 0:59:45How would you kill me?

0:59:45 > 0:59:48Why don't you have a drink first? It's only human.

0:59:49 > 0:59:50I am not human.

0:59:50 > 0:59:51Neither am I.

0:59:53 > 0:59:55Why can't you stay dead, coward!

0:59:55 > 0:59:56SWORDS CLASH

1:00:08 > 1:00:10What do you think of the view?

1:00:15 > 1:00:17- I do not think of it. - I don't think of it. I don't.

1:00:18 > 1:00:20Droids and apostrophes, I could write a book,

1:00:20 > 1:00:24except you are...barely a Droid any more.

1:00:26 > 1:00:28There's more human in you than machine.

1:00:31 > 1:00:35So tell me... what do you think of the view?

1:00:47 > 1:00:49It is beautiful.

1:00:49 > 1:00:53No, it isn't. It's just far away. Everything looks too small.

1:00:53 > 1:00:59I prefer it down there. Everything is huge. Everything is so important.

1:00:59 > 1:01:04Every detail, every moment, every life clung to.

1:01:04 > 1:01:07- How could you kill me?- For the same reason that you're asking me

1:01:07 > 1:01:10that question - because you don't really want to carry on.

1:01:14 > 1:01:16What'll happen to the other Droids when you die?

1:01:16 > 1:01:19You're the control node, aren't you? Presumably they'll deactivate.

1:01:20 > 1:01:23I will not die. I will reach the promised land.

1:01:23 > 1:01:25There isn't any promised land.

1:01:25 > 1:01:29This is just... It's a superstition that you have picked up

1:01:29 > 1:01:31from all the humanity you've stuffed inside yourself.

1:01:31 > 1:01:32I am not dead.

1:01:35 > 1:01:36You are a broom.

1:01:38 > 1:01:39Question -

1:01:39 > 1:01:43you take a broom, you replace the handle,

1:01:43 > 1:01:45and then later you replace the brush

1:01:45 > 1:01:49and you do that over and over again. Is it still the same broom?

1:01:49 > 1:01:53Answer - no, of course it isn't. But you can still sweep the floor.

1:01:53 > 1:01:55Which is not strictly relevant, skip that last part.

1:01:55 > 1:01:57You have replaced every piece of yourself,

1:01:57 > 1:02:00mechanical and organic, time and time again -

1:02:00 > 1:02:03there's not a trace of the original you left.

1:02:04 > 1:02:08You probably can't even remember where you got that face from.

1:02:16 > 1:02:17It cannot end.

1:02:18 > 1:02:22It has to. You know it does. And there's only one way out.

1:02:22 > 1:02:25Self-destruction is against my basic program.

1:02:25 > 1:02:27And murder is against mine!

1:02:38 > 1:02:40Jenny!

1:02:41 > 1:02:44Hold your breath! They're stupid. Everybody hold their breath.

1:03:03 > 1:03:06'I can't do it. I can't.'

1:03:06 > 1:03:10'Be brave, my love. I can store oxygen in my lungs.'

1:03:11 > 1:03:12'Share with me!'

1:03:21 > 1:03:25- You are stronger than you look. - And I'm hoping you are too.

1:03:25 > 1:03:28This...is over.

1:03:29 > 1:03:32Are you capable of admitting that?

1:03:33 > 1:03:35Do you have it in you to murder me?

1:03:35 > 1:03:39Those people down there. They're never small to me.

1:03:40 > 1:03:44Don't make assumptions about how far I will go to protect them,

1:03:44 > 1:03:46because I've already come a very long way.

1:03:46 > 1:03:49And unlike you, I don't expect to reach the promised land.

1:03:56 > 1:04:02You realise, of course, one of us is lying about our basic programming.

1:04:04 > 1:04:05Yes.

1:04:05 > 1:04:08And I think we both know who that is.

1:04:21 > 1:04:22Stop!

1:04:22 > 1:04:24THEY EXHALE

1:05:05 > 1:05:06Whoa.

1:05:13 > 1:05:15You're sure he'd come back here?

1:05:15 > 1:05:17There was no trace of him in the wreckage,

1:05:17 > 1:05:19they searched all Parliament Hill.

1:05:19 > 1:05:21Where else would he go?

1:05:26 > 1:05:27I fear we have missed him.

1:05:38 > 1:05:39Please come in.

1:05:42 > 1:05:46- I'm not interrupting? - I should be glad of your company.

1:05:46 > 1:05:47What can I do for you?

1:05:47 > 1:05:49Ah, well, that's exactly what I was going to ask you.

1:05:49 > 1:05:53Seems like I'm stuck here now. Got a vacancy?

1:05:55 > 1:05:58You would be very welcome to join our little household,

1:05:58 > 1:06:02but I have it on the highest authority

1:06:02 > 1:06:05that the Doctor will be returning for you very soon.

1:06:05 > 1:06:06Whose authority?

1:06:07 > 1:06:11Well, the person who knows him best in all the universe.

1:06:11 > 1:06:12And who's that?

1:06:14 > 1:06:15Miss Clara Oswald...

1:06:18 > 1:06:22..who perhaps has, by instinct, already dressed to leave.

1:06:22 > 1:06:24I just wanted a change of clothes.

1:06:28 > 1:06:31I don't think I know who the Doctor is any more.

1:06:32 > 1:06:36METALLIC THRUMMING

1:06:36 > 1:06:38It would seem, my dear, you are very wrong about that.

1:06:39 > 1:06:40Clara!

1:06:42 > 1:06:44Give him hell. He'll always need it.

1:07:05 > 1:07:08- You've redecorated.- Yes. - I don't like it.

1:07:08 > 1:07:10Not completely entirely convinced myself.

1:07:10 > 1:07:13I think there should be more round things on the walls.

1:07:13 > 1:07:15I used to have lots of round things. I wonder where I put them.

1:07:29 > 1:07:31I'm the Doctor.

1:07:31 > 1:07:35I've lived for over 2,000 years and not all of them were good.

1:07:37 > 1:07:39I've made many mistakes,

1:07:39 > 1:07:42and it's about time that I did something about that.

1:07:47 > 1:07:49Clara, I'm not your boyfriend.

1:07:49 > 1:07:51I never thought you were.

1:07:53 > 1:07:54I never said it was your mistake.

1:07:57 > 1:07:59METALLIC THRUMMING

1:08:01 > 1:08:02What do you think?

1:08:13 > 1:08:16- Who put that advert in the paper? - Who gave you my number?

1:08:16 > 1:08:18A long time ago, remember?

1:08:18 > 1:08:20You were given the number of a computer helpline,

1:08:20 > 1:08:22and you ended up phoning the TARDIS. Who gave you that number?

1:08:22 > 1:08:24The woman. The woman in the shop.

1:08:24 > 1:08:27Then there's a woman out there who's very keen that we stay together.

1:08:34 > 1:08:35How do you feel on the subject?

1:08:38 > 1:08:39Am I home?

1:08:40 > 1:08:42If you want to be.

1:08:47 > 1:08:49I'm sorry.

1:08:50 > 1:08:52I'm... I'm so, so sorry...

1:08:54 > 1:08:57..but I don't think I know who you are any more.

1:08:59 > 1:09:02MOBILE PHONE RINGS

1:09:04 > 1:09:06You'd better get that. It might be your boyfriend.

1:09:08 > 1:09:10Shut up.

1:09:10 > 1:09:11I don't have a boyfriend.

1:09:21 > 1:09:22Hello!

1:09:25 > 1:09:26Hello?

1:09:26 > 1:09:29- 'It's me.' - Yes, it's you, who's this?

1:09:29 > 1:09:32'It's me, Clara.

1:09:32 > 1:09:33'The Doctor.'

1:09:39 > 1:09:41What do you mean, the Doctor?

1:09:41 > 1:09:44I'm phoning you from Trenzalore...

1:09:44 > 1:09:48- I don't... - '..from before I changed.

1:09:48 > 1:09:51'I mean it's all still to happen for me, it's coming.

1:09:51 > 1:09:53'Oh, it's a-coming...'

1:09:53 > 1:09:54DIALLING TONE

1:10:00 > 1:10:01'Not long now.'

1:10:01 > 1:10:05I can...feel it.

1:10:13 > 1:10:16Why? Why would you do this?

1:10:16 > 1:10:19'Because I think it's going to be a whopper...'

1:10:20 > 1:10:23..and I think you might be scared.

1:10:23 > 1:10:28'And however scared you are, Clara, the man you are with right now...'

1:10:28 > 1:10:32the man I hope you are with, believe me,

1:10:32 > 1:10:37he is more scared than anything you can imagine right now

1:10:37 > 1:10:39'and he...

1:10:39 > 1:10:41'he needs you.'

1:10:44 > 1:10:45So who is it?

1:10:45 > 1:10:47'Is that the Doctor?'

1:10:47 > 1:10:49Is that the Doctor?

1:10:50 > 1:10:52Yes.

1:10:52 > 1:10:53'He sounds old.'

1:10:53 > 1:10:56Please tell me I didn't get old. Anything but old!

1:10:58 > 1:10:59'I was young.'

1:11:00 > 1:11:03Oh... Is he grey?

1:11:05 > 1:11:06Yes.

1:11:08 > 1:11:13Clara, please, eh, for me, help him.

1:11:15 > 1:11:16'Go on...'

1:11:18 > 1:11:20..and don't be afraid.

1:11:31 > 1:11:33Goodbye, Clara.

1:11:37 > 1:11:38Miss you.

1:11:49 > 1:11:50Well?

1:11:53 > 1:11:54Well, what?

1:11:55 > 1:11:58He asked you a question.

1:11:58 > 1:12:00Will you help me?

1:12:00 > 1:12:02You shouldn't have been listening.

1:12:03 > 1:12:06I wasn't. I didn't need to. That was me talking.

1:12:12 > 1:12:13You can't see me, can you?

1:12:13 > 1:12:15You look at me, and you can't see me.

1:12:17 > 1:12:19Have you any idea what that's like?

1:12:23 > 1:12:25I'm not on the phone, I'm right here...

1:12:27 > 1:12:29..standing in front of you.

1:12:32 > 1:12:34Please, just...

1:12:36 > 1:12:37..just see me.

1:13:01 > 1:13:02Thank you.

1:13:02 > 1:13:04For what?

1:13:04 > 1:13:06Phoning.

1:13:12 > 1:13:16I... I don't think that I'm a hugging person now.

1:13:16 > 1:13:18I'm not sure you get a vote.

1:13:20 > 1:13:21Whatever you say.

1:13:22 > 1:13:24This isn't my home, by the way.

1:13:24 > 1:13:28Sorry, I'm sorry about that, I missed.

1:13:30 > 1:13:31Where are we?

1:13:31 > 1:13:33Glasgow, I think.

1:13:33 > 1:13:34Ah! You'll fit right in.

1:13:34 > 1:13:36SCOTTISH ACCENT: Scottish.

1:13:38 > 1:13:40Right, shall we, er...

1:13:42 > 1:13:45Do you want to go and get some coffee or...

1:13:45 > 1:13:47chips or...something,

1:13:47 > 1:13:48or chips and coffee?

1:13:48 > 1:13:53Coffee. Coffee would be great. You're buying!

1:13:53 > 1:13:55- I don't have any money. - You're fetching, then.

1:13:57 > 1:13:59I'm not sure that I'm the fetching sort...

1:13:59 > 1:14:02Yeah, still not sure you get a vote.

1:14:09 > 1:14:11MECHANICAL WHIRRING

1:14:18 > 1:14:19Hello!

1:14:22 > 1:14:25I'm Missy. You made it.

1:14:25 > 1:14:29I hope my boyfriend wasn't too mean to you.

1:14:31 > 1:14:33Boy...friend?

1:14:33 > 1:14:37Now did he push you out of that thing, or did you fall?

1:14:37 > 1:14:38Couldn't really tell.

1:14:38 > 1:14:42He can be very mean sometimes,

1:14:42 > 1:14:46except to me, of course, because he...loves me so much.

1:14:47 > 1:14:51I do like his new accent, though. Think I might keep it.

1:14:54 > 1:14:55Where am I?

1:14:55 > 1:14:58Well, where do you think you are?

1:14:58 > 1:15:02Look around you, you made it.

1:15:02 > 1:15:03The promised land.

1:15:04 > 1:15:06Paradise!

1:15:08 > 1:15:10Welcome...

1:15:11 > 1:15:12..to heaven.

1:15:15 > 1:15:16SHE CRUNCHES

1:15:29 > 1:15:30Where the hell have you been?

1:15:30 > 1:15:33- It's not my fault, I got distracted. - By what?

1:15:33 > 1:15:35You can always find something. Come on!

1:15:35 > 1:15:37Where are we going?

1:15:37 > 1:15:38Into darkness.

1:15:38 > 1:15:41Welcome to the most dangerous place in the universe.

1:15:45 > 1:15:47They're coming! They're coming!

1:15:47 > 1:15:48Aristotle!

1:15:48 > 1:15:51The enemy are right on top of us!

1:15:51 > 1:15:53I'm sorry.

1:15:53 > 1:15:56Exterminate...Doctor!