0:00:35 > 0:00:39KNOCK ON DOOR Are you decent?
0:00:39 > 0:00:40Graham?
0:00:43 > 0:00:44Not quite.
0:00:47 > 0:00:49Come in, Mother.
0:00:51 > 0:00:56I hereby call to order the first official meeting of The Bucket List Club.
0:00:56 > 0:00:58Life drawing. Hurrah!
0:00:58 > 0:01:02An evening of staring at men's danglies.
0:01:02 > 0:01:06Female models, tonight. We're reproducing Raphael's Three Graces.
0:01:06 > 0:01:10The most I've painted is a fingernail. I can't draw that!.
0:01:10 > 0:01:13It's a bit of a tall order.
0:01:14 > 0:01:18Still. Er...we'll have a go.
0:01:18 > 0:01:24- What's the worst that can happen? - We make complete fools of ourselves and get ridiculed in public.
0:01:24 > 0:01:28This is item one on the bucket list. Are we going to falter at the first hurdle?
0:01:28 > 0:01:34We have to strike while the iron's hot, not analyse everything to death.
0:01:34 > 0:01:37Unite in this together. Like...
0:01:37 > 0:01:40- like The Three Musketeers, - The Three Stooges(!)
0:01:40 > 0:01:45All for one and one for all. Moments like this only come once. We have to grasp them
0:01:45 > 0:01:49or they vanish forever. Seize the day.
0:01:49 > 0:01:52Carpe diem. In fact, I think that should be our motto.
0:01:52 > 0:01:54Carpe diem.
0:01:55 > 0:01:58- Carpe diem.- Carpe diem.
0:02:03 > 0:02:07This used to be a quality newspaper.
0:02:07 > 0:02:09Daily News?!
0:02:09 > 0:02:11Daily Sleaze, more like.
0:02:11 > 0:02:15I've a good mind to cancel my subscription.
0:02:15 > 0:02:17Morning, Mother.
0:02:21 > 0:02:22Bowels?
0:02:24 > 0:02:26All present and correct.
0:02:31 > 0:02:32Ears?
0:02:35 > 0:02:38Can't have you seeing the nurse with dirty ears.
0:02:39 > 0:02:44Wear your jacket. Then afterwards...
0:02:44 > 0:02:46What day is it?
0:02:48 > 0:02:51- Wednesday.- Meaning?
0:02:51 > 0:02:53I get to choose.
0:02:59 > 0:03:02- Good, well, I think that's everything. - PHONE RINGS
0:03:02 > 0:03:05Sorry, I forgot to switch it off.
0:03:05 > 0:03:07It's all right. We're done here.
0:03:07 > 0:03:09Don't mind me.
0:03:11 > 0:03:13- Hi.- Hi, it's Eva.
0:03:13 > 0:03:16- 'Hi.'- Can you talk?
0:03:16 > 0:03:19- Er, yeah.- 'Still on for tonight?' - Yeah.
0:03:21 > 0:03:227:30, Icon bar?
0:03:22 > 0:03:24'For old times sake?'
0:03:24 > 0:03:26Er, yeah, sounds good.
0:03:26 > 0:03:27Great. Oh, and, Jimmi?
0:03:27 > 0:03:32- Yeah.- It's been three years but I hope your conversation skills have come back by then.
0:03:32 > 0:03:36- I'll see you later.- Bye then.- 'Bye.'
0:03:39 > 0:03:41Right...
0:03:43 > 0:03:44Let's get this lot started.
0:03:54 > 0:03:59- What do you do for a living? - I'm...needed at home.- Angina.
0:03:59 > 0:04:03I'm a martyr to it. And he's always been on the sickly side.
0:04:03 > 0:04:07- What is it I say, Graham? - We look after each other.
0:04:07 > 0:04:12And we do every Tuesday in the charity shop. For the cripples.
0:04:12 > 0:04:13They aren't called that any more.
0:04:13 > 0:04:18I don't see why not. It was always good enough for them before.
0:04:18 > 0:04:22Ahem. Just your bloods to do.
0:04:22 > 0:04:25Did you remember to bring your urine sample?
0:04:25 > 0:04:27First tinkle of the day.
0:04:27 > 0:04:307:15 this morning.
0:04:30 > 0:04:34Oh! It must be in the car.
0:04:34 > 0:04:35I won't be a minute.
0:04:41 > 0:04:43Behave yourself while I'm gone.
0:04:46 > 0:04:51- Mothers.- You seem...very close.
0:04:51 > 0:04:55My father died before I was born, so it's just the two of us.
0:04:57 > 0:04:59Want to have a look?
0:05:02 > 0:05:04I'm not being dirty-minded.
0:05:08 > 0:05:12It's only a few pencil strokes, and yet they seem so alive.
0:05:14 > 0:05:15Do you draw?
0:05:15 > 0:05:18Oh, no...not really.
0:05:18 > 0:05:22I copy pictures from postcards. This is art.
0:05:22 > 0:05:26Copying pictures sounds like art in my book.
0:05:26 > 0:05:30Artists paint what they see. I only paint what someone else has seen.
0:05:30 > 0:05:33Mainly cottages.
0:05:33 > 0:05:36And kittens. Mother's very fond of kittens.
0:05:37 > 0:05:40You should come. It's tonight, and it's open to everyone.
0:05:40 > 0:05:43It's out of the question.
0:05:54 > 0:05:56Thank you.
0:05:56 > 0:05:58I know what you're going to say.
0:05:58 > 0:06:01Let me get this straight. Eva's back
0:06:01 > 0:06:06and you're giving Jimmi permission to choose between the two of you?!
0:06:06 > 0:06:08You think I'm mad.
0:06:08 > 0:06:11I think you should go out there and fight for your man.
0:06:11 > 0:06:13Not hand him over gift-wrapped.
0:06:13 > 0:06:17- I've thought it through. - Was that in a blonde moment?
0:06:17 > 0:06:20I need to know, Julia. I need to know if I'm second best.
0:06:20 > 0:06:22And this is the only way to do it.
0:06:27 > 0:06:29I've never been to an art class.
0:06:29 > 0:06:33Mother said it was a girl's subject so I did woodwork instead.
0:06:33 > 0:06:35My mum made me do home ec.
0:06:35 > 0:06:39I'm saying, I don't know one end of a paintbrush from the other.
0:06:39 > 0:06:41But I'm going.
0:06:41 > 0:06:43It's impossible.
0:06:43 > 0:06:46It's an opportunity.
0:06:46 > 0:06:47Don't analyse it.
0:06:47 > 0:06:51Just do it. Seize the moment before it vanishes forever.
0:06:55 > 0:06:56She'd never approve.
0:06:57 > 0:06:59Mothers don't always know best.
0:06:59 > 0:07:02You've got to spread your wings, fly the nest.
0:07:03 > 0:07:07- I wouldn't know anyone.- You know me.
0:07:07 > 0:07:11I don't know about you, but I'm thinking it looks a bit cloudy.
0:07:34 > 0:07:37How about a nice walk in the park?
0:07:37 > 0:07:42We can feed the ducks and walk off some of those biscuits.
0:07:42 > 0:07:45I'd like to go to an art gallery.
0:07:45 > 0:07:48What do you want to do that for? Seatbelt.
0:07:48 > 0:07:53Stuck in on a lovely day, looking at a load of pictures.
0:07:53 > 0:07:58Art. Not pictures. It's my turn to choose.
0:07:58 > 0:08:01And I want to go to an art gallery.
0:08:01 > 0:08:05My! Someone's Mr Feisty today.
0:08:06 > 0:08:10All that sugar, I shouldn't wonder.
0:08:15 > 0:08:16SHARP KNOCK
0:08:22 > 0:08:24Are you sure you know what you're doing?
0:08:25 > 0:08:27Eva's here for the Harcourt debrief.
0:08:29 > 0:08:32A fiancee back from the dead. How romantic(!)
0:08:32 > 0:08:35- I guess being with Cherry seems very tame after all that.- Julia...
0:08:35 > 0:08:38Honestly, Jimmi, I've got to say this to you.
0:08:38 > 0:08:44- I think over the last year I've never seen you look so relaxed and happy in your own skin.- Julia...
0:08:44 > 0:08:47- I know you'll say I should mind my own business...- Julia!
0:08:47 > 0:08:49You should mind your own business.
0:08:51 > 0:08:54But I forgive you, because you're right.
0:08:56 > 0:08:59Good. I'm glad to hear it.
0:08:59 > 0:09:03I'm doing this for Cherry. Going through the motions, otherwise she won't be convinced.
0:09:04 > 0:09:08- And that's all?- It's closure. Trust me. Nothing's going to happen.
0:09:35 > 0:09:38I need to find a ladies.
0:09:40 > 0:09:43Do you need to spend a penny, Graham? LAUGHTER
0:09:43 > 0:09:44No.
0:09:47 > 0:09:49Can I go to the gift shop?
0:10:00 > 0:10:02Thank you.
0:10:02 > 0:10:04Don't spend it all at once.
0:10:32 > 0:10:35CLASSICAL MUSIC PLAYS THROUGH EARPHONES
0:10:38 > 0:10:40KNOCK ON DOOR
0:10:42 > 0:10:44KNOCK ON DOOR
0:10:47 > 0:10:49KNOCK ON DOOR
0:10:51 > 0:10:53KNOCK ON DOOR Graham?
0:11:00 > 0:11:04- Cutting it fine, ladies! - Er, the Three Graces?
0:11:05 > 0:11:10- That was the original intention. - Is something the matter?
0:11:10 > 0:11:12I specified early 30s.
0:11:12 > 0:11:18Either there's been a crossed wire or the years have been unusually harsh.
0:11:18 > 0:11:21We weren't aware the class had an age limit.
0:11:21 > 0:11:27- I'm doing the Three Graces, not growing older gracefully. - Is this a joke?
0:11:27 > 0:11:29Not unless it's a parody.
0:11:32 > 0:11:34Or...irony.
0:11:36 > 0:11:37Yes!
0:11:37 > 0:11:43Yes. Your maturity would add freshness and piquancy.
0:11:43 > 0:11:47- Along a theme of decay.- Does anyone know what he's talking about?
0:11:47 > 0:11:50It's brilliant. If I say so myself.
0:11:54 > 0:11:55So...
0:11:57 > 0:11:58Clothes?
0:11:58 > 0:12:03The sooner you get them off, the sooner we can work through the pose.
0:12:04 > 0:12:07Dirty boy!
0:12:07 > 0:12:09I'm just drawing.
0:12:09 > 0:12:12Drooling. Over naked women.
0:12:12 > 0:12:15- It's art.- It's pornography!
0:12:15 > 0:12:17As good as.
0:12:17 > 0:12:21And she's no more than a two-bit strumpet.
0:12:21 > 0:12:25Flashing her bits and bobs to some bloke with a brush.
0:12:25 > 0:12:27I've only done an arm.
0:12:27 > 0:12:30Saving the best till last, eh?
0:12:30 > 0:12:33I'll show you what I think of this.
0:12:40 > 0:12:42And there'll be no more visits to art galleries
0:12:42 > 0:12:45if this is the kind of ideas you'll be getting.
0:12:46 > 0:12:49I haven't done anything wrong.
0:12:49 > 0:12:51What was that?
0:12:51 > 0:12:53Nothing.
0:12:53 > 0:12:57I'm going round to Viv's for a cup of tea and a calm down.
0:12:57 > 0:13:01You, young man, can use the time to reflect on what you've done
0:13:01 > 0:13:04and write me a letter of apology.
0:13:05 > 0:13:07Did you hear me, Graham?
0:13:07 > 0:13:09Yes.
0:13:27 > 0:13:31- You set this up.- I did no such thing!- No, course she didn't.
0:13:31 > 0:13:33- Did you?- No!
0:13:33 > 0:13:35But I think this could be karma.
0:13:35 > 0:13:39I mean, we could look back on this and be proud we did it.
0:13:39 > 0:13:44- Proud of standing in a room full of strangers wearing an apple? - I say yes.
0:13:44 > 0:13:48All for one, one for all. What about it? Are you with me?
0:14:00 > 0:14:02- Hi.- Hey.
0:14:05 > 0:14:07Sorry.
0:14:15 > 0:14:17We'd be immortalised.
0:14:17 > 0:14:23"Art cannot exist without naked beauty displayed." William Blake.
0:14:23 > 0:14:24How true.
0:14:24 > 0:14:30THAT'S naked beauty. We are three middle aged women with wobbly bits. Karen Hollins.
0:14:30 > 0:14:34Think of yourselves as nude.
0:14:34 > 0:14:38- Not naked.- There's a difference? - There's no shame in nudity.
0:14:38 > 0:14:43Whilst a naked body is exposed and vulnerable and embarrassed,
0:14:43 > 0:14:48the nude isn't hunched or defensive,
0:14:48 > 0:14:51but proud, confident
0:14:51 > 0:14:56- and wonderfully free. - I think it's very tasteful.
0:14:57 > 0:15:04Excuse me. You're saying that we wouldn't actually be showing anything?
0:15:07 > 0:15:09To veil your loins.
0:15:09 > 0:15:16A veil is cover. That's about as concealing as cling film.
0:15:18 > 0:15:21Hi. Oh, hello, Graham.
0:15:23 > 0:15:25I'm taking your advice. Seizing the moment.
0:15:25 > 0:15:28Wise words.
0:15:30 > 0:15:32It's my first time.
0:15:32 > 0:15:36The class is cancelled due to shortage of life models.
0:15:36 > 0:15:39Oh, I see. That's a pity.
0:15:40 > 0:15:42Never mind. There's always next week.
0:15:42 > 0:15:47- Maybe not.- Well, no...
0:15:47 > 0:15:50You can't falter at the first hurdle.
0:15:50 > 0:15:54- I think it wasn't meant to be. Thanks anyway.- No, wait...
0:15:57 > 0:15:59OK, I'll do it.
0:15:59 > 0:16:01On condition I'm that one.
0:16:01 > 0:16:05I'm not showing my lady garden off to the public.
0:16:05 > 0:16:09Especially as the lawn hasn't been mown in weeks.
0:16:12 > 0:16:14This is weird.
0:16:14 > 0:16:18- What have you been up to the last three years?- Oh, you know...
0:16:18 > 0:16:20Debrief, safe house,
0:16:20 > 0:16:23new identity, new life in Canada.
0:16:23 > 0:16:26All the usual stuff. What about you?
0:16:28 > 0:16:31Same job. Same house. Same life.
0:16:31 > 0:16:33Well, not quite.
0:16:35 > 0:16:39- How did you meet her?- Er, at work. She's the practice nurse.
0:16:39 > 0:16:42Oh! Doctors and nurses.
0:16:42 > 0:16:45You landed on your feet there. She's a stunner.
0:16:45 > 0:16:48Cherry's not just a pretty face, she's...
0:16:48 > 0:16:52You know... You'd like her.
0:17:06 > 0:17:10- Just remind me again why we're doing this.- For posterity.
0:17:10 > 0:17:12And for Graham.
0:17:13 > 0:17:16Take your seats and we'll begin.
0:17:17 > 0:17:19If you're ready.
0:17:20 > 0:17:25Now or never. On my count. One...two...three.
0:17:27 > 0:17:30- Karen!- OK!
0:17:43 > 0:17:44How's he doing?
0:17:46 > 0:17:48Just sitting.
0:17:48 > 0:17:50- Just sitting?- Mmm.
0:17:51 > 0:17:53Thinking about it.
0:17:53 > 0:17:57He better do more than think or I'm going to wring his ruddy neck.
0:18:00 > 0:18:03He's picking up the charcoal. He's drawing.
0:18:06 > 0:18:09He's doing that measuring thing, you know, with his pencil?
0:18:09 > 0:18:11Like he knows what he's doing.
0:18:11 > 0:18:14See, it could be worse.
0:18:16 > 0:18:18Uh-oh!
0:18:24 > 0:18:26Mum!
0:18:30 > 0:18:32Oh! Karen!
0:18:32 > 0:18:34Hello, Mrs Hollins.
0:18:41 > 0:18:47Now, Graham! Come on. Nobody likes a sulker.
0:19:06 > 0:19:09Anyone feeling liberated?
0:19:09 > 0:19:14Like a piece of meat on a butcher's slab.
0:19:14 > 0:19:16It could be worse.
0:19:16 > 0:19:20Oh, speak for yourself. My daughter's sat ten feet away drawing my naked butt-cheeks!
0:19:20 > 0:19:24There are no straight lines in the human body.
0:19:24 > 0:19:26Everything curves.
0:19:26 > 0:19:28Embrace the curvaceousness.
0:19:28 > 0:19:30Who's he calling curvaceous?
0:19:30 > 0:19:34Drawing is about light and shade.
0:19:34 > 0:19:37Young skin is firm and smooth.
0:19:37 > 0:19:44Old skin has more tonal variations, subtle textual shifts.
0:19:44 > 0:19:47Old skin? Old skin?!
0:19:49 > 0:19:52So, what did you call yourself for the last three years?
0:19:52 > 0:19:55- Cos I'm assuming it wasn't Eva. - Guess.
0:19:56 > 0:20:00- Kate?- No.- Gemma?
0:20:01 > 0:20:04Tell you what. I'll bet you dinner you can't get it in ten goes.
0:20:04 > 0:20:07That sounds like a game. Nicky?
0:20:07 > 0:20:08Nope.
0:20:09 > 0:20:12- Diana.- Now you're not even trying.
0:20:19 > 0:20:22Try to see the negative shapes.
0:20:22 > 0:20:24There...
0:20:24 > 0:20:28where the thighs make a triangle with the droop of the buttocks.
0:20:30 > 0:20:32I'm not standing here listening to this.
0:20:32 > 0:20:38- Yes, you are. You're the only thing that's preserving our modesty. - He said my backside was droopy.
0:20:38 > 0:20:41I expect he'd say the same about mine if it was visible.
0:20:41 > 0:20:43This flow is marvellous.
0:20:43 > 0:20:44You're a natural.
0:20:46 > 0:20:48- Graham's a natural.- Bully for him(!)
0:20:54 > 0:20:58And what do you call this?!
0:20:58 > 0:21:02- Juliet?- Give us a break.
0:21:03 > 0:21:07- Madam?- Oh, er, you go. I can't decide.
0:21:08 > 0:21:12Er, she'll have Caesar salad with no anchovies,
0:21:12 > 0:21:16the lamb cutlet, pink, chunky chips and a side order of spinach, please.
0:21:18 > 0:21:24And he'll have the prawns, the steak with peppercorn sauce, rare,
0:21:24 > 0:21:26and new potatoes and peas.
0:21:28 > 0:21:31- You haven't changed. - Neither have you.
0:21:32 > 0:21:34Filthy!
0:21:34 > 0:21:37Gawping at a load of naked floozies.
0:21:37 > 0:21:39I'm not! I wanted to draw from life.
0:21:39 > 0:21:43You wanted to ogle women. Shame on you.
0:21:43 > 0:21:46- Leering at strippers! - Do you mind?!
0:21:46 > 0:21:49These are profess...
0:21:49 > 0:21:51These are life models.
0:21:51 > 0:21:53Same difference.
0:21:53 > 0:21:57Flashing their bits and bobs for a few quid.
0:21:57 > 0:22:02Dropping their drawers for a few quid more, I shouldn't wonder.
0:22:02 > 0:22:03- Mother, please...- Madam.
0:22:03 > 0:22:06This is art.
0:22:06 > 0:22:07It's titillation.
0:22:09 > 0:22:13And you should be ashamed of yourselves.
0:22:13 > 0:22:14Especially at your age.
0:22:14 > 0:22:18- I've had enough of this...- You're coming home with me, young man!
0:22:19 > 0:22:22Right, now hang on a minute, lady!
0:22:22 > 0:22:24Karen! Arms, arms!
0:22:24 > 0:22:28Yes, you. Mary Whitehouse.
0:22:29 > 0:22:30For the record,
0:22:30 > 0:22:36we are not naked. We are nude. And proud of it, because this is art
0:22:36 > 0:22:41and every naked body is a thing of beauty.
0:22:41 > 0:22:44Although, I imagine we can make an exception in your case.
0:22:44 > 0:22:47How dare you!
0:22:47 > 0:22:51What's art without nudity?
0:22:51 > 0:22:53A load of landscapes and fruit bowls.
0:22:53 > 0:22:56There'd be no Venus de Milo...
0:22:56 > 0:22:58- or...?- Michelangelo's David.
0:22:58 > 0:22:59Michael's Angelo David.
0:22:59 > 0:23:01The walls of the Louvre would be bare.
0:23:01 > 0:23:03The Pope would have to get the decorators in.
0:23:03 > 0:23:06So, you can take your outrage
0:23:06 > 0:23:11and your prehistoric ideas and shove them where the sun don't shine,
0:23:11 > 0:23:14you nasty, narrow-minded old bat!
0:23:16 > 0:23:18Come on, we're leaving!
0:23:18 > 0:23:20Girls, kimonos, now.
0:23:20 > 0:23:23Graham!
0:23:25 > 0:23:28You've got one go left. Looks like dinner's going to be on you.
0:23:28 > 0:23:34I wouldn't count on it. My tenth and final guess...
0:23:34 > 0:23:35Maggie.
0:23:37 > 0:23:38How did you know?
0:23:38 > 0:23:42Because when your little brother was born, you cried for a week
0:23:42 > 0:23:46cos you wanted a baby sister called Maggie.
0:23:46 > 0:23:49- Well remembered. - I haven't forgotten anything.
0:23:49 > 0:23:52I always said you'd make a good detective.
0:23:52 > 0:23:55Maybe if you'd made a better one, we wouldn't have ended up in this mess.
0:23:56 > 0:23:59That's a bit harsh.
0:23:59 > 0:24:04Is it? Because you got a new life, a new house, a new everything.
0:24:04 > 0:24:07While I got to sit behind and mourn a woman who wasn't dead.
0:24:07 > 0:24:10It hasn't been exactly plain sailing for me.
0:24:10 > 0:24:15- Yeah, well, you signed up for it. I was just collateral damage. - You're really angry, aren't you?
0:24:15 > 0:24:19Yes. I am angry because you put yourself at risk in the first place.
0:24:19 > 0:24:23- Then you put mine and Cherry's life at risk.- I never meant that...
0:24:23 > 0:24:27Because you got to ride off into the sunset and I didn't. I had to stay here, living a lie.
0:24:27 > 0:24:31- You didn't even fight to take me with you.- Jimmi, I...
0:24:31 > 0:24:33You know that wasn't possible.
0:24:34 > 0:24:35So you said.
0:24:35 > 0:24:38You know what? Have dinner on me. We should do it again.
0:24:38 > 0:24:41It was great to catch up. Maybe in three years' time?
0:24:45 > 0:24:47Did you have to embarrass me like that?
0:24:47 > 0:24:49You're embarrassed?
0:24:49 > 0:24:53I'm the one who's raised a nasty little pervert for a son.
0:24:53 > 0:24:56I'm not a pervert, I'm an artist!
0:24:56 > 0:24:59Sketching a few postcards doesn't make you an artist,
0:24:59 > 0:25:01and if that's what you call art,
0:25:01 > 0:25:04then it's a good thing you're never going back!
0:25:04 > 0:25:08'I'm 46. You can't tell me what to do any more.'
0:25:08 > 0:25:11'Don't be silly, Graham!'
0:25:11 > 0:25:14- Mother knows best.- No, she doesn't.
0:25:14 > 0:25:16You know nothing about art.
0:25:16 > 0:25:19'But the teacher in there does, and he says I've a natural talent.'
0:25:19 > 0:25:21'So, you're wrong, Mother,'
0:25:21 > 0:25:24because I am an artist!
0:25:24 > 0:25:26You are a wicked boy!
0:25:26 > 0:25:29No, I'm not.
0:25:29 > 0:25:32I'm going to go back in there.
0:25:32 > 0:25:34And I'm going to finish the class.
0:25:34 > 0:25:36And I'm coming back next week!
0:25:36 > 0:25:41'Graham! You get yourself back here!
0:25:41 > 0:25:42'Graham!'
0:25:43 > 0:25:47APPLAUSE
0:25:49 > 0:25:52Come on then. Might as well finish what we started.
0:25:52 > 0:25:57- God bless the bucket list. Doesn't this feel amazing?- Don't push it.
0:25:57 > 0:26:01- She's not choosing the next one. - I've always fancied belly-dancing.
0:26:01 > 0:26:07Neither are you. I was thinking more along the lines of basket-weaving.
0:26:10 > 0:26:13Jimmi! Jimmi! Don't you dare walk out on me!
0:26:13 > 0:26:15How does it feel?
0:26:15 > 0:26:19Is that what this is about? I explained why.
0:26:19 > 0:26:23You loved me too much to take me. Or you didn't love me enough in the first place?
0:26:24 > 0:26:26You're wrong, Jimmi.
0:26:26 > 0:26:28Will you listen to me?
0:26:28 > 0:26:32It was the hardest decision I've ever had to make.
0:26:32 > 0:26:35And there's not a day goes by that I don't regret it.
0:26:53 > 0:26:55I'll see you tomorrow at the debrief.
0:27:03 > 0:27:05You are the only man for me.
0:27:05 > 0:27:09- Maybe I just want a little bit of interest.- But you said...
0:27:09 > 0:27:10A little bit of effort!
0:27:10 > 0:27:14Give me Mortadella and liver sausage any day.
0:27:14 > 0:27:17He's so pushing and possessive.
0:27:17 > 0:27:19Julia told me that you saw Eva last night.
0:27:19 > 0:27:23- Who are you? - I'm Rita. Reggie's wife.
0:27:23 > 0:27:25- Hi. Eva. - Pleased to meet you at last.
0:27:28 > 0:27:31Subtitles by Red Bee Media Ltd
0:27:31 > 0:27:34E-mail subtitling@bbc.co.uk