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0:00:30 > 0:00:31I'm just heading off.

0:00:31 > 0:00:33Yes, I know it's a 2½ hour drive.

0:00:35 > 0:00:38Yes. I've got everything I need.

0:00:38 > 0:00:42OK, see you about 10:30. Bye.

0:00:42 > 0:00:45- Sure you want to spend the night? - He'll have to. It's a 2½ hour drive.

0:00:45 > 0:00:50"The brilliant, incisive and dashingly handsome King's Counsel, Oliver Nash..."

0:00:50 > 0:00:52Sound like anyone you know?

0:00:52 > 0:00:55- Someone die?- No such luck.

0:00:55 > 0:00:56He's staying at Auntie Ag's tonight.

0:00:56 > 0:00:59Give her my love.

0:00:59 > 0:01:01- Bye, then.- Bye.

0:01:01 > 0:01:03Can't wait to get rid of me, can she?

0:01:03 > 0:01:05Bye-bye.

0:01:05 > 0:01:07And good luck.

0:01:11 > 0:01:14- How do you feel about someone staying the night tonight?- A boyfriend?

0:01:14 > 0:01:17- Friend.- Male or female?- Male.

0:01:17 > 0:01:20- But a friend?- Yes.- Who?- Perry Ace.

0:01:20 > 0:01:24- Oh! That lovely lad you went to infants school with?- Yeah.

0:01:24 > 0:01:27When did you get back in touch with him?

0:01:29 > 0:01:30When is Mummy coming back?

0:01:34 > 0:01:36Community payback? You said he was lovely.

0:01:36 > 0:01:39YOU said he was lovely.

0:01:39 > 0:01:42- When he was five. - He just needs somewhere to stay.

0:01:42 > 0:01:44Why can't he stop at his mum and dad's?

0:01:44 > 0:01:46Cos they're the problem. His dad's a nutter.

0:01:46 > 0:01:52- Beats them. Now he says Perry attacked him.- Why can't his mum tell them what happened?- She's gone AWOL.

0:01:52 > 0:01:55- What do you mean AWOL? - She goes off sometimes.

0:01:55 > 0:01:58You know, with other blokes.

0:01:58 > 0:02:00- Really?- All he needs is another address to be bailed to.

0:02:00 > 0:02:05- Bailed?!- Not money, just someone who'll vouch for him.

0:02:05 > 0:02:08Based on what - that he was quite helpful when he was five?

0:02:08 > 0:02:13Based on if you don't, they'll lock him up till his mum gets back, on remand, in prison.

0:02:13 > 0:02:17- What will your dad say? - Perry'll be gone by the time he gets back.- How do you know that?

0:02:17 > 0:02:22- His mum only ever stays away one night.- Why can't he go and stay in prison for one night?

0:02:22 > 0:02:26- Do you know what it's like in there? - Do YOU?

0:02:26 > 0:02:31- No. I'm not having him stop the night.- But he's scared and he's sensitive.

0:02:31 > 0:02:33If they lock him up in prison...

0:02:33 > 0:02:35who knows what'll happen.

0:02:35 > 0:02:37No. I'm sorry, I'm going to say no.

0:02:37 > 0:02:40- You can't.- Excuse me?

0:02:40 > 0:02:45- Someone came round from the police station yesterday to check it was OK. - Who?- A new PC.

0:02:45 > 0:02:47- You don't know him.- And?

0:02:47 > 0:02:50And I told him we'd look after Perry.

0:02:50 > 0:02:53And I'm telling you we won't.

0:02:53 > 0:02:55DOORBELL RINGS I told him that I was you.

0:02:55 > 0:02:57You what?!

0:02:57 > 0:02:59I said I was Mrs Hollins.

0:03:02 > 0:03:06Ladies and gentlemen of the jury...

0:03:14 > 0:03:18Killing her own child, how could she do that?

0:03:18 > 0:03:23- Maybe he deserved it?- Perry?- Yeah. - What you doing here?

0:03:23 > 0:03:27You're not going to tell Dad, are you?

0:03:27 > 0:03:29Mum? Perry needs us.

0:03:33 > 0:03:36He's not stopping here the night.

0:03:36 > 0:03:37What if his mum doesn't turn up?

0:03:37 > 0:03:39He'll have to go back inside.

0:03:39 > 0:03:42Mum!

0:03:42 > 0:03:44And I don't want him here on his own.

0:03:44 > 0:03:48- You going to take him to work?- No. You're going to take him with you.

0:03:48 > 0:03:50What about my presentation?

0:03:50 > 0:03:53Don't tell Dad.

0:03:57 > 0:04:00I'm not going to tell your dad.

0:04:02 > 0:04:04You are...Mrs Hollins.

0:04:09 > 0:04:11It was a breath of fresh air.

0:04:11 > 0:04:13Batteries recharged. Enthusiasm.

0:04:13 > 0:04:14You look fantastic on it.

0:04:14 > 0:04:16- Doesn't she?- Yeah, brilliant.

0:04:16 > 0:04:19It wasn't all work. I did go to the hotel gym.

0:04:19 > 0:04:23Treat myself to a couple of massages. You have no idea how guilty I feel.

0:04:23 > 0:04:28But...maybe feeling re-invigorated worked.

0:04:28 > 0:04:34I got taken aside by the Birmingham head of education. He definitely wants me to apply.

0:04:34 > 0:04:38- Getting a job here, moving - it's all starting to feel real. - It's perfect for the whole family.

0:04:38 > 0:04:43She hasn't even applied yet, let alone got it.

0:04:43 > 0:04:44But she will. And she will.

0:04:44 > 0:04:48- And we're all 100% behind her, aren't we?- Yeah!

0:04:52 > 0:04:54- Jack thinks I'm mad.- That's good.

0:04:54 > 0:04:59But after everything he's been through, it's probably the last thing he needs.

0:04:59 > 0:05:04- This lad's mum just up and left him. What else could I do?- What indeed?

0:05:04 > 0:05:10Hopefully it won't effect him too much. He can just throw his energy into this court case thing.

0:05:10 > 0:05:14- What court case?- Something that health visitor's come up with, Marina what's-her-face.

0:05:14 > 0:05:20- Marina Bonnaire?- Been here five minutes and she's got him involved in some nutty reconstruction.

0:05:20 > 0:05:27He was up all last night studying the papers. Might not be that bad cos at least he's going to win.

0:05:29 > 0:05:31What are you going to do for money?

0:05:31 > 0:05:35- Just what I get, and what my dad gives me.- Your dad gives you money?

0:05:35 > 0:05:37He gives me a kicking,

0:05:37 > 0:05:41- then gives me money when he's sobered up.- That's awful.

0:05:41 > 0:05:43Are you doing art?

0:05:43 > 0:05:48- Yeah. I've got a presentation this afternoon. - What on?- I'll think of something.

0:05:48 > 0:05:51Don't think about it too much, cos sometimes when you do

0:05:51 > 0:05:54- you won't be able to figure out how to finish it off.- I know.

0:05:54 > 0:05:58You shouldn't be getting locked up because your dad's beating you.

0:05:58 > 0:05:59That's what they don't get.

0:05:59 > 0:06:02Once they put you inside, it makes you a criminal.

0:06:02 > 0:06:05I appreciate it, honestly. Especially with your dad...

0:06:05 > 0:06:08- I haven't told him. - Really?- Why should I?

0:06:08 > 0:06:11We paid for what we did.

0:06:11 > 0:06:15Why should we be picked on for it afterwards? One mistake. That's all.

0:06:15 > 0:06:18Thing is... I might have made more than one.

0:06:40 > 0:06:43He's right. I'm obsessed.

0:06:43 > 0:06:45He didn't actually say that.

0:06:45 > 0:06:48Maybe I am just thinking of myself, not them.

0:06:48 > 0:06:51Sally, come on, you know that's not true.

0:06:51 > 0:06:55It's easy to be selfish though, forget what's important.

0:06:55 > 0:06:58The course was great. The job.

0:06:58 > 0:07:01Possibility of a job.

0:07:01 > 0:07:05But being away from Patrick and Chloe...

0:07:05 > 0:07:08I don't know, family first.

0:07:09 > 0:07:11Then career.

0:07:13 > 0:07:16Sorry. It's Patrick I should be apologising to.

0:07:19 > 0:07:22So, what did I miss?

0:07:22 > 0:07:25- Sorry?- While I was gone.

0:07:25 > 0:07:26Did I miss anything?

0:07:26 > 0:07:29No.

0:07:29 > 0:07:31What about the car crash, Daddy?

0:07:35 > 0:07:38- Ah, the esteemed Mr Templeton.- Sorry?

0:07:38 > 0:07:41- Counsel for the defence. - I wanted to have a word with you.

0:07:41 > 0:07:42Be quick. I'm off on a visit.

0:07:42 > 0:07:47- You didn't tell me I was going to lose.- I gave you the brief. - I thought that was for show.

0:07:47 > 0:07:51- No, it's got all the details of the case in it.- Yes, but I lose?

0:07:51 > 0:07:52Not necessarily.

0:07:52 > 0:07:55There's going to be a jury.

0:07:55 > 0:08:00- In the original trial... - Yes, in the original trial, the defence fails.

0:08:00 > 0:08:04But they were very different times. That's the whole point of the experiment.

0:08:04 > 0:08:10- So I'm supposed to succeed where the esteemed Mr Templeton failed?- That's the idea.- Up against Jack Hollins?

0:08:10 > 0:08:15- What difference does that make?- He's a law student and local celebrity. Everyone will be on his side.

0:08:15 > 0:08:18To be an advocate requires intellect and theatre.

0:08:18 > 0:08:20And knowing the law.

0:08:20 > 0:08:22But you look like a barrister.

0:08:22 > 0:08:26Heston, you've got such presence and you command real respect.

0:08:26 > 0:08:28In my own field of expertise, of course.

0:08:28 > 0:08:32- What are you doing for lunch?- Don't know, I hadn't thought about that.

0:08:32 > 0:08:36- Meet me at 2:10pm. Give you chance to go through all the papers.- Marina?

0:08:36 > 0:08:38Then we can decide whether you're up to it or not.

0:08:41 > 0:08:44- You were in a car crash? - I just ran into someone.

0:08:44 > 0:08:45And had to go to hospital?

0:08:45 > 0:08:48- It was a precaution. - When were you going to tell me?

0:08:48 > 0:08:52- When we were on our own. - Why didn't you just say?

0:08:52 > 0:08:54I feel stupid.

0:08:54 > 0:08:58- But the car... I was bound to find out.- I know.

0:08:58 > 0:09:00Where were you going?

0:09:00 > 0:09:03- Just for a drive.- A drive. Where to?

0:09:03 > 0:09:05Nowhere, really.

0:09:06 > 0:09:09Is everything all right?

0:09:09 > 0:09:12Yeah, fine. Everything's fine.

0:09:12 > 0:09:14Maybe it's knocked some sense into me.

0:09:14 > 0:09:16Why do you need sense knocking into you?

0:09:16 > 0:09:20I still don't understand why you didn't tell me.

0:09:20 > 0:09:23Yeah, I agree with you. I told him to.

0:09:23 > 0:09:25But you know the male pride thing.

0:09:28 > 0:09:30- You sure you're OK?- Yeah, fine.

0:09:31 > 0:09:35You can tell me anything.

0:09:35 > 0:09:36You know that.

0:09:39 > 0:09:42Thanks a lot. Bye.

0:09:43 > 0:09:46- So you've already been to prison? - Just on remand.

0:09:46 > 0:09:50- Longest two week of my life. - Two weeks?- I can't go back.

0:09:50 > 0:09:54- Why were you there that long on remand?- Same thing.

0:09:54 > 0:09:58- Scrap with my dad. Mum ran off. - Your mum and dad left you there? - Teach me a lesson, I suppose.

0:09:58 > 0:10:00What was it like?

0:10:00 > 0:10:02- In prison?- Yeah.

0:10:02 > 0:10:05- You really want to know? - TELEPHONE RINGS

0:10:05 > 0:10:06Campus Health Centre.

0:10:06 > 0:10:10Yeah, sure, I'll just have a look.

0:10:11 > 0:10:13What are you doing?

0:10:15 > 0:10:17The judge is going to be sitting up there.

0:10:17 > 0:10:19I thought we were going for lunch.

0:10:19 > 0:10:22You can pick up a sandwich at the supermarket.

0:10:22 > 0:10:24And you're going to be down here.

0:10:25 > 0:10:29You don't believe she deserves a second crack of the whip, do you?

0:10:29 > 0:10:34- No, of course. She was absurdly treated.- Exactly.

0:10:34 > 0:10:37I just don't think I'm the right man to present the case.

0:10:37 > 0:10:39Heston, it's about handling the emotions.

0:10:39 > 0:10:42And I'm best suited to do that?

0:10:42 > 0:10:47Yes, you're a man of the world, you won't personalise the proceedings.

0:10:47 > 0:10:50Bring all my buttoned-up repression to bear?

0:10:50 > 0:10:53I don't know you very well but that's not how I'd describe you.

0:10:53 > 0:10:55I don't know YOU very well.

0:10:55 > 0:11:00I thought it was going to be a bit of fun, centenary celebrations, a performance.

0:11:03 > 0:11:05Who is the judge?

0:11:05 > 0:11:09The Head of Law. Allan Dorman.

0:11:09 > 0:11:10Sir Allan Dorman?

0:11:10 > 0:11:13Yes, don't let that intimidate you.

0:11:13 > 0:11:17As far as I can see, all the evidence points one way.

0:11:17 > 0:11:20Oh, you've roped Jack in as well.

0:11:20 > 0:11:22A mother killing her baby.

0:11:22 > 0:11:25Who's to say what happened?

0:11:25 > 0:11:29- The jury did.- Social mores of the day.- Right and wrong doesn't change.

0:11:29 > 0:11:30But attitudes can.

0:11:30 > 0:11:32Not to murder. Murder's murder.

0:11:32 > 0:11:36Let's not use our big guns in rehearsal, eh?

0:11:36 > 0:11:38I thought we were going to get some lunch?

0:11:38 > 0:11:41I agree, let's get out of here.

0:11:41 > 0:11:45Can all be a bit daunting when you're not used to it.

0:11:45 > 0:11:46Oh, I don't think so.

0:11:46 > 0:11:52- When you've performed life-saving surgery on the Head of Law.- Really?

0:11:52 > 0:11:58Allan did say, if there was ever anything he could do to help... Come on, Jack.

0:12:00 > 0:12:04Why? If your parents were the reason you were in there in the first place?

0:12:04 > 0:12:09- You still love 'em, no matter what they do. - What about that one?- That's Sanskrit.

0:12:09 > 0:12:12- What's it mean?- "First love".

0:12:12 > 0:12:16- Why not just write her name? - Have you got any?

0:12:16 > 0:12:18- I wouldn't do that to myself. - Why not?

0:12:18 > 0:12:22- Why would I?- Cos we're different. - I don't need to write it on my skin.

0:12:22 > 0:12:25You know it's going to last.

0:12:25 > 0:12:28My mum and dad are going to be there for me anyway.

0:12:28 > 0:12:31Lucky you. I want people to know who I am.

0:12:31 > 0:12:34- So do I, but through my art. - What do you think these are?

0:12:34 > 0:12:37- Yeah, but you didn't do them. - I did these.- In prison?- Yeah.

0:12:37 > 0:12:39Why? If you were only in two weeks.

0:12:39 > 0:12:42It makes you realise what's important.

0:12:42 > 0:12:46- I thought you were from Letherbridge 8?- Bit posh for prison.

0:12:46 > 0:12:48So you did it to fit in?

0:12:48 > 0:12:51More to belong. Say, "This is what I am."

0:12:51 > 0:12:56- I'm not going to hide away cos I'm some criminal.- You're not a criminal.- I've got a record.

0:12:56 > 0:13:00- So have I.- But you're trying to hide it.- Cos I don't have a tattoo?

0:13:00 > 0:13:03- Do you tell people? - The people who need to already know.

0:13:03 > 0:13:05- What about the rest? - It's none of their business.

0:13:05 > 0:13:10- I thought being an artist was about being honest.- Telling people I got caught shoplifting?

0:13:10 > 0:13:15- No, being honest to yourself. Why are you denying it? - I'm not denying anything.

0:13:15 > 0:13:17Sorry. Is Cherry around?

0:13:17 > 0:13:20- On a house visit.- Right.

0:13:21 > 0:13:27And yet I've still got to keep my head down? Not walk too close lest anyone sees?

0:13:27 > 0:13:31- What about your college friends, your lecturer, do they know?- No.

0:13:31 > 0:13:33But maybe you're right...

0:13:33 > 0:13:35Maybe it's about time they did know.

0:13:37 > 0:13:40- What do you think? - It's a great opportunity.

0:13:40 > 0:13:42I'm going to apply.

0:13:42 > 0:13:44See what happens. Even if nothing comes of it.

0:13:44 > 0:13:47- Nothing ventured, nothing gained. - Exactly.

0:13:47 > 0:13:50But if I do get it, we're going to need somewhere to live.

0:13:50 > 0:13:52You can stay here, you know that.

0:13:52 > 0:13:54Which will be lovely, but long term...

0:13:54 > 0:13:58I just thought if anyone would know about property round here.

0:13:58 > 0:14:05Well, there is one website which I've been keeping an eye on for Jimmi and Cherry at the Mill.

0:14:07 > 0:14:09Oh, that looks nice.

0:14:09 > 0:14:11It's got a swimming pool.

0:14:11 > 0:14:13Think of the money you'd save on the gym.

0:14:17 > 0:14:19What about that one?

0:14:19 > 0:14:21I could walk to work from there.

0:14:21 > 0:14:23Sounds great.

0:14:23 > 0:14:25What about my work?

0:14:25 > 0:14:29- You've wanted to leave for years. - Yeah, but not move.

0:14:29 > 0:14:34- Don't you think we're getting a bit carried away? - It could be just what we need.

0:14:36 > 0:14:38Don't you think we should discuss this first?

0:14:38 > 0:14:40I'm going to leave you to it.

0:14:47 > 0:14:50Everyone is branded by society.

0:14:52 > 0:14:54Whether it's a criminal record -

0:14:54 > 0:14:56like me and Perry -

0:14:56 > 0:14:59or a list of qualifications...

0:14:59 > 0:15:01or tattoos...

0:15:01 > 0:15:02done in prison...

0:15:02 > 0:15:04or in a parlour.

0:15:04 > 0:15:10Art...or telling the world who you really are?

0:15:10 > 0:15:15Because it's not just the world putting its mark on you,

0:15:15 > 0:15:18it's about you showing the world what you believe.

0:15:18 > 0:15:20Some of it's allegiance -

0:15:20 > 0:15:25your football team, family, fitting in.

0:15:25 > 0:15:30But at the same time, it's about individuality, defiance.

0:15:30 > 0:15:34The world disapproves, but it's your body and you'll do what you want with it.

0:15:37 > 0:15:40You think that I'm damaged.

0:15:40 > 0:15:44Well, I'm going to turn that damage into art.

0:15:44 > 0:15:47Perry's body is his own canvas,

0:15:47 > 0:15:50he's his own walking art installation.

0:15:51 > 0:15:56LB7 - not one of the nicer postcodes.

0:15:56 > 0:15:59"ACAB" - Always Carry A Bible.

0:15:59 > 0:16:02And this one...

0:16:02 > 0:16:04is Sanskrit...

0:16:04 > 0:16:07For Imogen.

0:16:07 > 0:16:10Ladies and gentlemen of the jury...

0:16:10 > 0:16:12I'm just a student. He's mates with the judge.

0:16:12 > 0:16:15- And you're a lawyer.- Cold feet?

0:16:15 > 0:16:20- No.- I think a modern jury will think my client is a scapegoat.

0:16:20 > 0:16:22That's not what the facts say.

0:16:22 > 0:16:27- But are they the facts?- From what I've read. And I'm a lawyer.

0:16:27 > 0:16:29You'll both be fine.

0:16:29 > 0:16:32The witnesses and evidence are the same as the original,

0:16:32 > 0:16:36- it's just up to you how you present it.- And all this is going to be on camera?

0:16:36 > 0:16:38So the jury can view it online.

0:16:38 > 0:16:41If the jury can see it, does that mean anybody can?

0:16:41 > 0:16:45- I suppose so. If they wanted to. - Cold feet?

0:16:45 > 0:16:51- We could just call it quits? - Honours even? - You can't just leave me in the lurch.

0:16:51 > 0:16:53Dinner tonight.

0:16:53 > 0:16:55Let me change your minds.

0:16:55 > 0:16:58All too big or needed too much work.

0:16:59 > 0:17:05- A project'll keep Patrick busy. - Is he not going to get a job up here?- I don't know.

0:17:05 > 0:17:07I don't even know if they're even going to do it.

0:17:07 > 0:17:10Well, wish them luck. We can't find anything we like.

0:17:10 > 0:17:13We're beginning to wonder if it's ever going to happen.

0:17:16 > 0:17:19Imogen? Wait, wait! I made it up. It means "first love", the tattoo.

0:17:19 > 0:17:22Then why did you say it's my name?

0:17:22 > 0:17:25Because it's you. My first love. Ever since we first met.

0:17:25 > 0:17:29- But nothing has ever happened. - It could have. - No. Why would you say that?

0:17:29 > 0:17:33- Because we're the same.- Because we've both done community payback?

0:17:33 > 0:17:37- No, because we both know how each other feel.- I don't know how you feel.- You do.- Well, I don't.

0:17:37 > 0:17:40- Imogen, what you hiding from? - I'm not hiding from anything.

0:17:40 > 0:17:45- You're saying there's nothing between us?- No, nothing at all.

0:17:45 > 0:17:46- OK, I'll go.- Go where?

0:17:46 > 0:17:51- Anywhere.- You can't.- Why? - Because you're my responsibility. - What's the point in me staying?

0:17:51 > 0:17:54Because I'll get in trouble if you don't. And so will my family.

0:17:54 > 0:17:56- Your dad doesn't know I'm here. - My mum.

0:17:56 > 0:18:01- You're trying to make me feel sorry for your parents.- No, I'm trying to make you do what's right.

0:18:01 > 0:18:06Your dad doesn't beat you up, and your mum doesn't go running off with other blokes, so don't start.

0:18:06 > 0:18:11I told my mum that I would look after you, so that's what I'll do. And as for my dad...

0:18:16 > 0:18:17Hello, love. Hang on.

0:18:21 > 0:18:25- How are you?- Yeah, good. You? - Yeah, I'm good, thanks.

0:18:25 > 0:18:29Listen, I've got Perry Ace here and I'm bringing him home.

0:18:29 > 0:18:31Imogen...

0:18:31 > 0:18:33Immie?

0:18:35 > 0:18:38You going to make me a liar?

0:18:39 > 0:18:41MUFFLED: I'll put the application in.

0:18:41 > 0:18:47- What happens when you get the job? - Fine, we won't change anything. We'll stay as we are.

0:18:49 > 0:18:51Patrick doesn't want to move?

0:18:51 > 0:18:54I don't know what he wants.

0:18:54 > 0:18:57- I don't think he does.- Would it help if you talked to somebody?

0:18:57 > 0:19:00Like who, a marriage guidance counsellor?

0:19:00 > 0:19:02Sorry.

0:19:02 > 0:19:06Actually, no. I was thinking more along the lines of a house-hunter.

0:19:06 > 0:19:08I found this woman on the internet.

0:19:08 > 0:19:12- Mum?- Excuse me.

0:19:12 > 0:19:13Hey.

0:19:16 > 0:19:19- I'm not comfortable with all this. - Please don't start.

0:19:19 > 0:19:23If I was going to start, Patrick,

0:19:23 > 0:19:24I'd tell her the truth.

0:19:31 > 0:19:33In there.

0:19:36 > 0:19:38Then I'll deal with you.

0:19:52 > 0:19:56- Where's Imogen?- She's in there.

0:20:03 > 0:20:07- Who's she?- I have no idea.

0:20:07 > 0:20:09My husband's driven back from Harrogate?

0:20:09 > 0:20:13- Imogen phoned him.- Why?- She said she didn't want to lie to him.

0:20:13 > 0:20:15Where did you get those done?

0:20:15 > 0:20:18- Where do you think? - You've been in prison before?

0:20:18 > 0:20:22- Would that have made any difference? - I wouldn't have had you here anyway.

0:20:22 > 0:20:27- More sense than your daughter. - Older and wiser.- That's what I've got to look forward to?- Eh?

0:20:27 > 0:20:32- If me and Immie get together.- That's not going to be happening.- Says who?

0:20:32 > 0:20:35- She doesn't see you like that. - How do you know?- She told me.

0:20:35 > 0:20:40- Maybe she lied. - Except like you say, she doesn't.

0:20:40 > 0:20:42I'm her mum. I'd know.

0:20:42 > 0:20:44How's your mum?

0:20:44 > 0:20:47I don't know.

0:20:47 > 0:20:50I don't even know where she is.

0:20:50 > 0:20:55- Well, wherever she is, I'm sure she's thinking of you.- While she's with one of her boyfriends?

0:20:56 > 0:21:00I went on a school trip with you once. You and your mum.

0:21:00 > 0:21:04And she would not stop talking about you.

0:21:04 > 0:21:06You were the apple of her eye.

0:21:09 > 0:21:14Bailed to a copper's house. I bet he's loving this.

0:21:14 > 0:21:18- It's not about you.- Oh, really? When the station call me back, he's out.

0:21:18 > 0:21:20His dad beat him up.

0:21:20 > 0:21:23That's what he always says. Did he tell you that it'd happened before?

0:21:23 > 0:21:27- Yes.- Did he tell you that he'd been to prison?- Yes. - Oh! What were you thinking?

0:21:27 > 0:21:32- That he needed somewhere to go. - I'm a policeman, for Pete's sake. - You weren't going to be here.

0:21:32 > 0:21:35- Does that make it any better?- No.

0:21:35 > 0:21:36But that's why I called you back.

0:21:36 > 0:21:40I didn't want to lie.

0:21:40 > 0:21:42And...he's in love with me.

0:21:44 > 0:21:46Dear God!

0:21:47 > 0:21:51Oh, dear.

0:21:51 > 0:21:54Oh, dear. Oh, dear.

0:21:54 > 0:21:57- Have you seen his tattoo? - Which one?- "A-C-A-B".

0:21:57 > 0:22:01- Always Carry A Bible. - Is that what he told you it meant?

0:22:01 > 0:22:03- Well, what does it mean? - All coppers are...

0:22:03 > 0:22:08- That's exactly the word I was going to call him when you phoned me. - Why shouldn't he hate the police?

0:22:08 > 0:22:12- Cos we stopped him beating up his dad?- I told you, it was the other way around.

0:22:12 > 0:22:14Well, maybe it was.

0:22:14 > 0:22:16- So Perry should hate him. - Well, he's not going to.

0:22:16 > 0:22:22I don't fancy him. We're not even going to be mates, but he hasn't had the chances that I've had.

0:22:22 > 0:22:25I'm lucky - I've got a dad like you.

0:22:27 > 0:22:30- Can I have that in writing? - Not everyone has.

0:22:30 > 0:22:32I do know that, remember.

0:22:32 > 0:22:34Then you should understand.

0:22:34 > 0:22:37Why do you think I've got a soft spot for your Auntie Ag?

0:22:37 > 0:22:42- Why?- Because when my dad was being violent, she was always there for me.

0:22:43 > 0:22:47- So you had someone looking out for you, in other words.- Mm-hm.

0:22:47 > 0:22:48Dinner!

0:22:48 > 0:22:52You said yourself, you think it's the dad who's to blame.

0:22:53 > 0:22:57- I still think it's too soon.- We don't want to be left high and dry.

0:22:57 > 0:22:59It's up to you,

0:22:59 > 0:23:03but I put the house-hunter in touch with Cherry and Jimmi. If you want to tag along...

0:23:03 > 0:23:06- It's a great idea. - It'll give you an idea at least.

0:23:06 > 0:23:10- She seems very nice.- Like the nice lady who took care of Daddy?

0:23:13 > 0:23:15What lady?

0:23:18 > 0:23:23I gave Patrick some house details yesterday,

0:23:23 > 0:23:25and I twisted his arm to take a look.

0:23:27 > 0:23:28- And you went?- Yes.

0:23:28 > 0:23:31- With an estate agent?- Yes.

0:23:33 > 0:23:38I felt a bit stupid so I asked Mum not to say anything. Thank you.

0:23:40 > 0:23:45- Well, the good news is you're not against the idea of moving. - That is good, isn't it?

0:23:47 > 0:23:51- To house-hunting.- To house-hunting.

0:23:51 > 0:23:52To house-hunting.

0:23:55 > 0:23:58As you say, Jack's a local celebrity.

0:23:58 > 0:24:01Is that the sort of adulation I can expect?

0:24:01 > 0:24:05If you choose to appear on behalf of the defence, yes.

0:24:05 > 0:24:07Only if I win.

0:24:07 > 0:24:09Who's to say you won't?

0:24:09 > 0:24:11You don't give up, do you?

0:24:11 > 0:24:13No, I don't.

0:24:15 > 0:24:18Sorry, I know it's my treat but would you mind ordering?

0:24:18 > 0:24:21- I'm not really that bothered about food.- I've noticed.

0:24:21 > 0:24:27I don't mind watching other people enjoy themselves. So, will you?

0:24:27 > 0:24:30- I'm just...- Appear for the defence?

0:24:33 > 0:24:36So have you thought about what you're going to do for a career, Perry?

0:24:36 > 0:24:39- I was thinking of an NVQ.- What in?

0:24:39 > 0:24:41- Don't know.- How about needlework?

0:24:43 > 0:24:45TELEPHONE RINGS

0:24:46 > 0:24:51- Aren't you going to get that?- Me? - You're the lady of the house.

0:24:55 > 0:24:57Hello?

0:25:00 > 0:25:02It's the station.

0:25:08 > 0:25:11Rob Hollins.

0:25:11 > 0:25:12Thank you very much.

0:25:15 > 0:25:18Your dad's dropped the charges.

0:25:18 > 0:25:20- What about my mum?- Don't know.

0:25:20 > 0:25:24- You're not going to go and stay with your dad, are you?- Don't know.

0:25:24 > 0:25:28You can't stay here. I'm sorry, it wouldn't be appropriate.

0:25:28 > 0:25:30That's right, isn't it?

0:25:32 > 0:25:34What do you think?

0:25:36 > 0:25:39- What?- What do you think we should do?

0:25:39 > 0:25:41Look, I'll just go.

0:25:41 > 0:25:44For what? To have another fight with your old man?

0:25:44 > 0:25:48Maybe you should wait till your mum gets back,

0:25:48 > 0:25:51then talk it through the three of you.

0:25:52 > 0:25:55I'll give you a lift in the morning.

0:25:56 > 0:25:59I'll make a spare bed up in the living room.

0:25:59 > 0:26:01- Thank you, Mr and Mrs Hollins. - TELEPHONE RINGS

0:26:01 > 0:26:03Oh, no.

0:26:03 > 0:26:08Auntie Ag. I'm so sorry. Something came up, an emergency.

0:26:08 > 0:26:10I know, I'm sorry.

0:26:11 > 0:26:14- You wash, I'll dry.- OK.

0:26:22 > 0:26:24Food just doesn't do much for me, I'm afraid.

0:26:24 > 0:26:27Posset is a pleasure of the flesh.

0:26:27 > 0:26:30Not of this flesh.

0:26:30 > 0:26:33You found my weakness, too.

0:26:33 > 0:26:37- It would mean a lot if you could do this for me.- I know it would.

0:26:37 > 0:26:40- I'll give you all the help I can. - Like you need any more.

0:26:40 > 0:26:42- I beg your pardon? - Your friend, the judge.

0:26:42 > 0:26:47- I don't know what you mean. - The surgery you did on the judge. - Oh, I wouldn't count on that.

0:26:47 > 0:26:50- But you told me...- You shouldn't believe everything you hear.

0:26:50 > 0:26:52You made it up?

0:26:52 > 0:26:55- Would I?- That's terrible.

0:26:57 > 0:27:00This is going to be so exciting!

0:27:06 > 0:27:07Can I help you, mate?

0:27:07 > 0:27:11I hear you're prosecuting the Watson re-enactment.

0:27:11 > 0:27:14Actually, I'm glad I've got you on your own.

0:27:14 > 0:27:17I will... improvise.

0:27:17 > 0:27:20Well, I'm glad you are not representing me.

0:27:20 > 0:27:22You being all clever is giving me the raging horn.

0:27:22 > 0:27:25Our relationship's purely professional!

0:27:25 > 0:27:28- You sound just like you father. - I should've known you'd get that in.

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0:27:49 > 0:27:52Email subtitling@bbc.co.uk