0:00:25 > 0:00:27What's the matter with you?
0:00:27 > 0:00:31You know I think about her every day, every minute.
0:00:31 > 0:00:34You really think I can let this drop, ever?
0:00:34 > 0:00:35How did you get in?
0:00:35 > 0:00:37Do you know Donna?
0:00:37 > 0:00:41- Do you still want to go through with this?- What's it to you?
0:00:41 > 0:00:44Seeing where you're from, there's no need.
0:00:44 > 0:00:47Don't ever talk to me about that place again, understand?
0:00:47 > 0:00:50The chances are she's just shacked up with some bloke.
0:00:50 > 0:00:52What if this was Immie?
0:00:52 > 0:00:55It's not. If I brought my family into every case,
0:00:55 > 0:01:00I'd be unprofessional. Maybe you should take a step back from this.
0:01:00 > 0:01:02Could she stay all night? Right through to the morning?
0:01:02 > 0:01:05- Got a bit of a marathon, eh?- No.
0:01:06 > 0:01:07Hi there.
0:01:07 > 0:01:11Come in, come in.
0:01:11 > 0:01:13It's only a matter of time, Graham.
0:01:13 > 0:01:16This girl knows where she is, I'm convinced.
0:01:16 > 0:01:18Tomorrow I'll take you somewhere safe.
0:01:18 > 0:01:20I'm going to get you away from all this.
0:01:20 > 0:01:24Thank you for everything.
0:01:40 > 0:01:42I've got to go now, OK?
0:01:44 > 0:01:46Hey, I've got to get back, so...
0:01:48 > 0:01:50Hey! Wake up!
0:01:50 > 0:01:52Wake...
0:02:05 > 0:02:06He's dead!
0:02:06 > 0:02:08'What time is it?'
0:02:08 > 0:02:13The man. I can't wake him! He's dead, unconscious... I don't know. I don't know what to do!
0:02:13 > 0:02:16'Get out of there right now! D'you hear me?'
0:02:16 > 0:02:20- I can't - what if he's still alive?- 'Forget about him. He doesn't matter. Just get out!'
0:02:20 > 0:02:23Can I ring for a doctor, tell the hotel?
0:02:23 > 0:02:25'Are you stupid or something?!'
0:02:39 > 0:02:40Good morning.
0:03:14 > 0:03:17Graham!
0:03:27 > 0:03:31He's been dead for at least three hours.
0:03:31 > 0:03:33There's evidence of sexual activity.
0:03:33 > 0:03:37Yeah, I heard the note mentioned a prostitute.
0:03:37 > 0:03:41- It looks like suicide. - Maybe couldn't live with himself afterwards.
0:03:41 > 0:03:43We need to find the girl.
0:03:45 > 0:03:47What if I could have saved him?
0:03:47 > 0:03:50It was his choice. He wanted to top himself.
0:03:50 > 0:03:53Maybe you gave him a good last night.
0:03:53 > 0:03:57- Is Alice awake? I haven't heard her since I got in.- She's fine.
0:03:57 > 0:03:58- I want to hold her.- No!
0:03:58 > 0:04:00What's wrong?
0:04:00 > 0:04:01I've taken her somewhere safe.
0:04:01 > 0:04:05- What?- Last night, Mick was mouthing off. She shouldn't have to hear it.
0:04:05 > 0:04:08- What have you done with her? - She's fine. I left her at your mum and dad's.
0:04:08 > 0:04:11- What?!- Your mum found her. I know she's all right.
0:04:11 > 0:04:14You stupid cow! You don't know what you've done!
0:04:14 > 0:04:17How am I going to get her back?
0:04:17 > 0:04:20- Well, she's better off where she is. - Mick!
0:04:25 > 0:04:29Oh, Jimmi, I thought you'd like to know...
0:04:29 > 0:04:33- the hotel girl we're looking for, it could have been Donna Bancroft. - What? The prostitute?
0:04:33 > 0:04:36The chambermaid gave a description and we've got her on CCTV.
0:04:36 > 0:04:39- The quality's poor, but... - Have you told the Bancrofts?
0:04:39 > 0:04:45- Not yet. We want to wait till we're certain. Under the circumstances. - Yes, sure.
0:04:46 > 0:04:50- Are you sure you didn't leave anything behind? - Yes! I told you. I'm sure!
0:04:50 > 0:04:54It's quite a night you gave your first customer, eh?
0:04:54 > 0:04:56Oh, please, Mick!
0:04:56 > 0:04:58He must have thought he'd been a really bad boy.
0:04:58 > 0:04:59Leave her alone.
0:04:59 > 0:05:01Shut up!
0:05:02 > 0:05:06I might be moving back to London.
0:05:06 > 0:05:07An opportunity's come up.
0:05:07 > 0:05:11It might be an idea to leave your folks to look after the kid.
0:05:11 > 0:05:13Leave you free.
0:05:15 > 0:05:20I don't want to be free. I want my baby back.
0:05:20 > 0:05:22How could you do this?
0:05:24 > 0:05:27She must have been pregnant when she left but she never even...
0:05:27 > 0:05:32- She must have had a boyfriend. - Without telling me? What if...?- Bea.
0:05:34 > 0:05:39She went through all this without me. She must be alive though?
0:05:39 > 0:05:41She's fallen on hard times, that's all,
0:05:41 > 0:05:44and she needs us to look after this little one.
0:05:44 > 0:05:47We still don't know it's hers, Bea.
0:05:47 > 0:05:48But the note says so.
0:05:48 > 0:05:51It's not her writing.
0:05:51 > 0:05:53What if she belongs to that girl who broke in
0:05:53 > 0:05:55and she's just looking to offload her on us?
0:05:55 > 0:05:57Look at her, Graham... Look.
0:05:57 > 0:06:00- She's Donna's.- I'm sorry but we have to take her to the police.
0:06:00 > 0:06:03- We can't just keep her. - But she's my flesh and blood.
0:06:03 > 0:06:05We've got to do things properly.
0:06:05 > 0:06:08Please, Graham, don't make me.
0:06:09 > 0:06:12Maybe we could take her to The Mill.
0:06:12 > 0:06:16Then Doctor Clay can look her over. He'll know what to do.
0:06:16 > 0:06:20OK. But let me have a little bit longer with her.
0:06:20 > 0:06:26Eh? Oooh. Who's a lovely...?
0:06:53 > 0:06:56- Sorry I'm late, I had a call-out. - What was it?
0:06:56 > 0:06:59Looks like a suicide. Took a pile of pills.
0:07:05 > 0:07:08She's fine. She's in good health.
0:07:10 > 0:07:12I agree with Graham though,
0:07:12 > 0:07:15cos, er, the identity isn't absolutely certain.
0:07:15 > 0:07:17- I think the police should be involved.- I told you, Bea.
0:07:17 > 0:07:22But I've already lost a daughter. Do I have to lose a granddaughter, too?
0:07:22 > 0:07:25Look, I'm sorry, but you need to follow the correct procedure.
0:07:25 > 0:07:28You can't go hiding the baby at home.
0:07:28 > 0:07:30What's the matter? Has something happened?
0:07:31 > 0:07:32Just talk to the police.
0:07:34 > 0:07:37- What's happened? What is it? - Maybe he can't say, love.
0:07:37 > 0:07:41- You're just like them. You want to keep me in the dark. - Talk to Sergeant Hollins.
0:07:43 > 0:07:47Let's go, Graham. Whatever it is, I'll be the last to know.
0:07:47 > 0:07:49After all, I'm only her mother.
0:07:58 > 0:08:00KNOCK AT DOOR
0:08:02 > 0:08:05- What?!- It's OK. I told the receptionist I was a friend.
0:08:05 > 0:08:07She said you had a cancellation.
0:08:07 > 0:08:10How dare you come here. How dare you.
0:08:10 > 0:08:11This is my work.
0:08:11 > 0:08:15- I needed to see you, Elaine. - Why?- You know why.
0:08:15 > 0:08:18My colleagues are outside. This is my private business.
0:08:18 > 0:08:21I won't talk about this here. I want you to leave, now.
0:08:28 > 0:08:32- Has Doctor Clay been talking to you? - He hasn't told us anything. - He didn't need to.
0:08:32 > 0:08:36- I could tell he was keeping something from us. - There HAS been a development.
0:08:36 > 0:08:40- I knew it.- But that doesn't mean it's got anything to do with your daughter.
0:08:40 > 0:08:43And, in the meantime...
0:08:43 > 0:08:46- Mrs Nichols will have to take the baby into care.- But she's Donna's.
0:08:46 > 0:08:50It's just for the time being, while they straighten things out.
0:08:56 > 0:08:58Careful.
0:09:00 > 0:09:02Thanks.
0:09:04 > 0:09:07She's dead, isn't she? That's what you think.
0:09:07 > 0:09:10That's what you're not telling me. That's why the baby was left with us.
0:09:10 > 0:09:13- You're jumping to conclusions. - Have you got children?
0:09:13 > 0:09:18- That's got nothing to do with it. - We're meant to protect them. I tried. I tried my very best
0:09:18 > 0:09:21- and I failed her. - As parents, we can't do everything.
0:09:21 > 0:09:23We can't be there every minute.
0:09:23 > 0:09:28Maybe...a year ago... if you'd listened to me.
0:09:28 > 0:09:30I promise you, Mrs Bancroft, we did all we could.
0:09:30 > 0:09:33Come on, love, let's go home. Thanks.
0:09:39 > 0:09:42- Is Doctor Clay in? - I haven't seen him yet.
0:09:42 > 0:09:45Well, if you do see him, tell him I'm looking for him.
0:09:45 > 0:09:48You're twisting my words. I never said I was dependent.
0:09:48 > 0:09:52- That makes me sound like a junkie. - If patients are put at risk,
0:09:52 > 0:09:56- if someone was harmed because your judgment was impaired... - There is no risk.
0:09:57 > 0:09:58It's under control.
0:09:58 > 0:10:02- I'd never put people in my care at risk. That would be...- What?
0:10:02 > 0:10:05Selfish? Absolutely unforgivable?
0:10:06 > 0:10:10Look, Elaine, I'm not here to criticise you.
0:10:10 > 0:10:12I just want to help you...
0:10:12 > 0:10:17before...something happens that you'll regret.
0:10:18 > 0:10:21Please let me help you?
0:10:23 > 0:10:24I've been so worried.
0:10:24 > 0:10:27I don't understand what's happening.
0:10:30 > 0:10:32I tried to blank it all out.
0:10:42 > 0:10:43Here.
0:10:43 > 0:10:45That's the lot, I promise.
0:10:47 > 0:10:50You don't keep any at home?
0:10:50 > 0:10:51No.
0:10:51 > 0:10:54- You've done the right thing, Elaine. - Yeah.
0:10:54 > 0:10:58I'm glad...and relieved.
0:11:00 > 0:11:03Now, let's talk about what happens next.
0:11:20 > 0:11:23PHONE RINGS
0:11:23 > 0:11:25It's lunch time!
0:11:25 > 0:11:27Mill Health Centre.
0:11:27 > 0:11:30- 'I need to speak to Doctor Clay.' - Can I have a name, please?
0:11:30 > 0:11:31Donna Bancroft.
0:11:31 > 0:11:35One second. Donna Bancroft. Sounds desperate.
0:11:35 > 0:11:36Hello, Donna?
0:11:36 > 0:11:39Do you remember me? I broke my leg when I was younger...
0:11:39 > 0:11:41Yeah, I remember. How are you?
0:11:41 > 0:11:44I'm still on your books, right?
0:11:44 > 0:11:46I've still got patient confidentiality?
0:11:46 > 0:11:48What can I do for you?
0:11:48 > 0:11:52They've taken my daughter. I need to get her back.
0:11:52 > 0:11:55I need your help. I've got no-one else.
0:11:55 > 0:11:57Yeah it's OK, Donna. OK, calm down.
0:11:57 > 0:11:58Er, can we meet up?
0:11:58 > 0:12:01Can you come to The Mill in half an hour?
0:12:01 > 0:12:02I'll come round the back.
0:12:02 > 0:12:03No problem.
0:12:03 > 0:12:06- I can trust you, right? - Yeah, of course you can.
0:12:12 > 0:12:15Was that who I think it was?
0:12:16 > 0:12:17She wants her baby back.
0:12:17 > 0:12:20It is hers, then? She could be the last person
0:12:20 > 0:12:23to have seen Bob Peterman alive. I need to speak to her.
0:12:23 > 0:12:26- I'd like to be present at the meeting.- Can't I talk to her first?
0:12:26 > 0:12:28She trusts me. She's really distressed.
0:12:28 > 0:12:32- We've got a body. I need to question her. - Is that the bloke from this morning?
0:12:32 > 0:12:34I thought he committed suicide.
0:12:34 > 0:12:37Look, maybe I can persuade her to come in of her own accord.
0:12:37 > 0:12:40- She's desperate to see the baby. - And I've got a death to clear up.
0:12:40 > 0:12:43Eh, Rob! Stop being so heartless.
0:12:43 > 0:12:46Let Jimmi talk to her. She's probably frantic.
0:12:48 > 0:12:50Will you put the kettle on?
0:12:50 > 0:12:52OK.
0:12:52 > 0:12:54Will you take a seat?
0:13:02 > 0:13:04You're going to help me?
0:13:04 > 0:13:06Donna, it's OK, I know what happened.
0:13:06 > 0:13:08How? Is my mother here? Have you told her I...?
0:13:08 > 0:13:13- Of course I haven't. But can't you talk to her or let her see you? She misses you.- You weren't there.
0:13:13 > 0:13:17- You don't know what she was like. - I know she cares about you. - I couldn't move.
0:13:17 > 0:13:19She wouldn't let me have a boyfriend or let me go out.
0:13:19 > 0:13:24Every time I did something, she'd clutch her chest, say I was bringing on an attack.
0:13:24 > 0:13:27The thought of her cooing over Alice, smothering her...
0:13:27 > 0:13:30You've got to help me.
0:13:30 > 0:13:34Your parents brought Alice in to the police station. She's with social services.
0:13:34 > 0:13:36At least she's not with them.
0:13:36 > 0:13:39And the police want to talk to you. About a suspicious death.
0:13:39 > 0:13:42What? You mean the guy in the hotel?
0:13:42 > 0:13:45You... You said I could trust you!
0:13:45 > 0:13:47No, he just needs to eliminate you from...
0:13:49 > 0:13:53- Couldn't you have stopped her? - I thought you were going to give me five minutes?
0:13:53 > 0:13:57Yeah, well, a call came in. I need to be back at the station.
0:13:57 > 0:14:01Oh, well, I'm going to tell the Bancrofts their daughter's alive and well.
0:14:06 > 0:14:08Why can't I come to London with you?
0:14:08 > 0:14:13- Who's going to pay to have you? Look at the state of you. - You weren't saying that last night.
0:14:13 > 0:14:18It didn't mean anything, Donna. It's just what's in your head, remember?
0:14:18 > 0:14:23- How long has this been going on?- Ah, listen to you. Bet you sound like your mother.- The man is dead!
0:14:23 > 0:14:27- I'm going to the police to tell them I had nothing to do with it. - Don't be stupid.
0:14:27 > 0:14:31- You'll ruin everything. - I want to get Alice back. - You are going nowhere, love!
0:14:35 > 0:14:37Get out! Move it!
0:14:38 > 0:14:42- What are you doing? You can't leave her there. - No. Let me out! Open the door!
0:14:42 > 0:14:45Give me your key. Now!
0:14:45 > 0:14:47He's taken the key. I'm going to get help.
0:14:47 > 0:14:50- Where?- Your mum and dad. - No, Cal, please. You can't.
0:14:50 > 0:14:53- They'll know what to do. - They've put Alice in care!
0:14:56 > 0:14:58What?
0:14:58 > 0:15:02I don't believe you, Donna. You're lying.
0:15:02 > 0:15:06- I don't believe you!- Cal! Cal!
0:15:25 > 0:15:29There we go. How was that? Not bad, eh?
0:15:32 > 0:15:35Jack! You weren't even watching.
0:15:35 > 0:15:37I'm just texting Sarah.
0:15:37 > 0:15:42You know they actually passed each other in the street the other day? Didn't have a clue.
0:15:42 > 0:15:45I use these to wipe off all traces of perfume
0:15:45 > 0:15:47so they don't smell each other on me.
0:15:47 > 0:15:50Birdjuggler.com recommends that you buy both girls the same perfume,
0:15:50 > 0:15:52I just haven't got the cash.
0:15:52 > 0:15:56You what?! There are actually websites for slimeballs like you?
0:15:56 > 0:15:58Yeah. Good, practical advice.
0:15:58 > 0:16:00Ooh, that is disgusting.
0:16:01 > 0:16:03CAR ENGINE STARTS
0:16:03 > 0:16:05CAR STUTTERS OFF
0:16:08 > 0:16:11She, er, she looked well. A bit thin, maybe.
0:16:11 > 0:16:15- DOORBELL RINGS - Thank you, Doctor Clay. Thank you so much.
0:16:18 > 0:16:21- Is it true?- This is the girl who... - Did you put her in care?
0:16:21 > 0:16:26- It was you. You left the baby. - I thought you'd look after her. I thought you'd love her.
0:16:26 > 0:16:31- Really love her. Give her a better life.- Do you know where Donna is? - That's what they did to me.
0:16:31 > 0:16:32I never had any of this.
0:16:32 > 0:16:35Never had anyone love me. Nobody ever has, you know.
0:16:35 > 0:16:40- Ever.- I wanted to keep her, more than anything. They MADE me take her in.- You've got to get her back.
0:16:40 > 0:16:44- I'm Donna's GP. If you could take us to her...- No way.
0:16:45 > 0:16:47I trusted you.
0:16:47 > 0:16:49Donna will never forgive me for this.
0:16:49 > 0:16:53- Donna wouldn't want Alice in care. You could help us find her.- No.
0:16:53 > 0:16:56Graham, do something.
0:16:56 > 0:16:59I can't. Bea... You and Donna...
0:16:59 > 0:17:03You're no good for each other. No good's going to come of you being together again.
0:17:03 > 0:17:10- Graham!- Bea, take it easy.- Was it you who made Donna leave, then? Like you made her give Alice away?- What?
0:17:10 > 0:17:13MOBILE RINGS You don't know the half of it.
0:17:13 > 0:17:15- Rob?- 'Can you do us a favour?'
0:17:15 > 0:17:19We traced those prints and found Donna Bancroft locked in the flat.
0:17:19 > 0:17:24- She hurt her hand trying to get out. It needs looking at. - Right, I'll be right in.
0:17:24 > 0:17:27- What is it?- They've found Donna.
0:17:29 > 0:17:34- If you'll just sign here, please. - Do you... Do you know how he died?
0:17:34 > 0:17:38- We'll have to wait for the postmortem for that, I'm afraid. - KNOCK AT DOOR
0:17:38 > 0:17:40Excuse me.
0:17:45 > 0:17:47All right. OK. Thanks.
0:17:48 > 0:17:52Donna, I'm sorry about this but the information was passed on without my knowledge.
0:17:52 > 0:17:55Your mother knows where you are and she's on her way.
0:17:55 > 0:17:57- I've got to get out.- Wait. - I've got to!- Wait.
0:17:57 > 0:18:00If you really don't want to see her, talk to her face to face.
0:18:00 > 0:18:02Make it easier for everyone.
0:18:02 > 0:18:04I can't.
0:18:09 > 0:18:14- How did it go? Did you speak to her? - Get away from me. I haven't seen her and I'm not going to.
0:18:14 > 0:18:17- It'll be different when you see her. - Keep out. You've done enough damage.
0:18:17 > 0:18:20- You're not going, Donna. You've got to see her.- Let me go!
0:18:20 > 0:18:23- You've got a mother who loves you. I'm not going to let you throw that away.- Leave me alone!
0:18:23 > 0:18:27Mrs Bancroft, where are ya? Quick!
0:18:27 > 0:18:32- Mrs Bancroft! Where are you? Quick! Donna's here. - OK, OK, what's going on?
0:18:32 > 0:18:34Cal, please!
0:18:34 > 0:18:35Donna.
0:18:38 > 0:18:40- Let's find an interview room. - I'm going nowhere!
0:18:40 > 0:18:43Think about Alice.
0:18:43 > 0:18:46You should get her back but displaying a mature attitude would help.
0:18:46 > 0:18:48This needs sorting out, Donna.
0:19:00 > 0:19:03I don't know why I'm here.
0:19:03 > 0:19:05I don't want anything to do with her.
0:19:07 > 0:19:12Donna, there's...something I need to tell you.
0:19:13 > 0:19:16Something that might help you understand why I'm...
0:19:16 > 0:19:17the way I am.
0:19:20 > 0:19:21I can't.
0:19:21 > 0:19:24I can't do it.
0:19:24 > 0:19:26Please, Graham, will you...?
0:19:29 > 0:19:33When she was 21 years old, your mother was raped.
0:19:35 > 0:19:39She was terrified something like that would happen to you.
0:19:42 > 0:19:43Was he...?
0:19:45 > 0:19:47But I thought...
0:19:52 > 0:19:53Is that...
0:19:53 > 0:19:55who...my father is?
0:19:55 > 0:20:00It doesn't matter about that now. I've always loved you.
0:20:00 > 0:20:03- You were as precious to me... - And you've known about it all this time?
0:20:05 > 0:20:08- And you never told me? - I couldn't.
0:20:10 > 0:20:14I feel sorry for you. I do, but...
0:20:14 > 0:20:16I still can't come home.
0:20:16 > 0:20:17Donna...
0:20:17 > 0:20:22You don't know what a sad, narrow little life I had.
0:20:22 > 0:20:25When she brought me to see you, it was all hidden.
0:20:25 > 0:20:29Do you know how strange I was?
0:20:29 > 0:20:31I never had a friend.
0:20:31 > 0:20:33Not one.
0:20:33 > 0:20:37She made me too scared to talk to other children.
0:20:37 > 0:20:41I didn't speak at all, not one word, for a whole year.
0:20:42 > 0:20:44She never took me near a doctor then.
0:20:45 > 0:20:47She made me wear little girl clothes -
0:20:47 > 0:20:49pretty dresses, ankle socks -
0:20:49 > 0:20:51right up until I was 15.
0:20:53 > 0:20:56I couldn't so much as walk from one room to another
0:20:56 > 0:20:58without being asked what I was doing.
0:20:58 > 0:21:02- I loved you. I cared about you. - She locked me in my room so I couldn't go out at night.
0:21:04 > 0:21:05I'm a mess.
0:21:07 > 0:21:09And you did it.
0:21:12 > 0:21:14I couldn't judge people properly.
0:21:15 > 0:21:19You know...you made the world MORE dangerous for me.
0:21:19 > 0:21:22I couldn't tell what was good from what was bad.
0:21:23 > 0:21:28- Do you know what I did last night? Have they told you?- Yes.
0:21:28 > 0:21:30The irony.
0:21:32 > 0:21:34You must understand. You must understand now.
0:21:34 > 0:21:36I could understand.
0:21:39 > 0:21:42But it wouldn't give me my childhood back.
0:21:45 > 0:21:47I won't let the same happen to Alice.
0:21:47 > 0:21:51But it wouldn't be the same. It would all be different.
0:21:52 > 0:21:57Please, darling, come home. Let me make it nice for you.
0:21:57 > 0:21:58For you both.
0:22:00 > 0:22:01I've got to go.
0:22:03 > 0:22:04Maybe, er...
0:22:06 > 0:22:08Maybe she should have some space.
0:22:21 > 0:22:23I can't.
0:22:24 > 0:22:25Before you go...
0:22:26 > 0:22:29I've got someone you might like to see.
0:22:42 > 0:22:46- Alice!- We'll look after her together. We'll both get jobs.
0:22:46 > 0:22:49We'll take turns looking after her.
0:23:10 > 0:23:14We've got to look forward, Bea, hmm? Find some time for us.
0:23:16 > 0:23:17I know.
0:23:29 > 0:23:33She might get in touch though, mightn't she?
0:23:33 > 0:23:36Once she's thought things through.
0:23:50 > 0:23:53Word from social services. They need to run some checks
0:23:53 > 0:23:56- but I think they're going to give the baby back to Donna.- Oh, thanks.
0:23:56 > 0:23:59- It was good the way you got them to sit down and talk.- Families, eh?
0:23:59 > 0:24:01They're good when they work.
0:24:01 > 0:24:04Yeah...I wouldn't know.
0:24:12 > 0:24:14I shopped him.
0:24:14 > 0:24:16I'll get you...
0:24:16 > 0:24:18- you stupid tarts.- What?
0:24:18 > 0:24:21We meant to be scared or something? You'd better watch yourself.
0:24:21 > 0:24:24I know a lot more about you than you think.
0:24:31 > 0:24:34Oh. I got a present...for Alice.
0:24:34 > 0:24:38Cal! She's only six months old. And anyway...
0:24:38 > 0:24:40- I can't stand that story. - Ah, it's lovely.
0:24:40 > 0:24:43They used to have it in one of the children's homes.
0:24:43 > 0:24:44She can look at the pictures.
0:24:44 > 0:24:47- Oh, can I?- Sure.
0:24:48 > 0:24:50I'm gasping for a fag.
0:24:52 > 0:24:56And they all lived happily ever after.
0:24:58 > 0:25:01- PHONE RINGS - What a fat lot of good you were.
0:25:01 > 0:25:04I think I was pretty decent anyway.
0:25:04 > 0:25:05Hi, Grace.
0:25:07 > 0:25:09Yeah...me too.
0:25:09 > 0:25:12Yeah, that's right. Seven o'clock at the Icon.
0:25:12 > 0:25:15SHE MOUTHS
0:25:15 > 0:25:16Hold on a sec, er...
0:25:16 > 0:25:20I've got a call coming through from my tutor. Can I put you on hold?
0:25:20 > 0:25:21OK.
0:25:21 > 0:25:23What?
0:25:23 > 0:25:25You've got it the wrong way round.
0:25:25 > 0:25:28- You're meeting Sarah at seven and then Grace...- No, I'm not.
0:25:32 > 0:25:33Back again.
0:25:33 > 0:25:37Is there any chance we can make it ten o'clock at the Union Bar?
0:25:37 > 0:25:38Sinnott's on my back.
0:25:38 > 0:25:41I've got this essay to finish and it's nearer the library.
0:25:41 > 0:25:43Great, I'll see you then.
0:25:44 > 0:25:47Well remembered. You, Imogen Hollins, are a lifesaver.
0:25:47 > 0:25:51And you, Jack Hollins, are disgusting. I don't know why I bother.
0:25:51 > 0:25:54Because you want me to take you out in the car again?
0:25:54 > 0:25:56THAT is the last help that you get from me.
0:25:56 > 0:26:00I'm not getting involved in your sordid affairs again, you understand?
0:26:02 > 0:26:05And driving lesson number two is tomorrow.
0:26:16 > 0:26:18No rest for the wicked. Time to get up.
0:26:18 > 0:26:20Hi, Grace.
0:26:20 > 0:26:23Sarah! Sarah, of course it's you.
0:26:25 > 0:26:27- Oi!- You're twisted!
0:26:27 > 0:26:30I don't drink Chardonnay, Patrick.
0:26:30 > 0:26:33Andy, no!
0:26:33 > 0:26:36He's not breathing. Help me, Josh. What do I do?
0:26:40 > 0:26:44Subtitles by Red Bee Media Ltd
0:26:44 > 0:26:47E-mail subtitling@bbc.co.uk