Future Perfect

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0:00:25 > 0:00:29# Three little speckled frogs

0:00:29 > 0:00:31# Sat on a speckled log

0:00:31 > 0:00:35# Eating some most delicious bugs. #

0:00:35 > 0:00:37Sorry. I'm sorry.

0:00:37 > 0:00:39Hong Kong wanted to speak to me.

0:00:39 > 0:00:43- Their site's still not working properly.- That's fine.

0:00:43 > 0:00:47Traffic was a nightmare. Hello, my darling little girl.

0:00:47 > 0:00:50Are ready for your first ever holiday, sweetheart?

0:00:50 > 0:00:54- Edinburgh seems a bit far away now. - Don't worry, we'll Skype you.

0:00:54 > 0:00:57I, um, I've packed her raincoat,

0:00:57 > 0:00:59her wellies, her sunhat, just in case.

0:00:59 > 0:01:01That's fine.

0:01:01 > 0:01:04Oh! And, um, don't forget the...

0:01:04 > 0:01:06Baby monitor and the glass bottle. I've got it.

0:01:07 > 0:01:09OK.

0:01:09 > 0:01:11Everything's going to be all right.

0:01:13 > 0:01:16Um...Jenny's coming, too.

0:01:16 > 0:01:19- Come on, sweetheart.- What?- Come on.

0:01:19 > 0:01:22She didn't think she could get time off. She just got the all clear.

0:01:22 > 0:01:24Oh.

0:01:25 > 0:01:27Honestly, she's great with Lola.

0:01:27 > 0:01:31- They get on like a house on fire. Don't you, eh?- Do they?

0:01:31 > 0:01:34Be more fun, won't it, Lola, eh? Someone else to play with.

0:01:35 > 0:01:39- Sorry, I couldn't tell you before. We didn't know for sure.- No.

0:01:39 > 0:01:41No, it's fine.

0:01:41 > 0:01:46- I've got to spend some time at Mum's before we go, so...- Of course.

0:01:53 > 0:01:54I love you, darling.

0:01:57 > 0:02:00We'll see you in a couple of days.

0:02:00 > 0:02:05- What are you going to be doing while we're away?- Oh, you know. Things.

0:02:05 > 0:02:06OK.

0:02:07 > 0:02:09Bye, then.

0:02:09 > 0:02:11(Bye.)

0:02:56 > 0:02:57PHONE BLEEPS

0:03:09 > 0:03:10Come on in. Have a seat.

0:03:12 > 0:03:14Still keeping up with your woodland therapy?

0:03:14 > 0:03:16- What?- Come here.

0:03:18 > 0:03:20There we go. All done.

0:03:21 > 0:03:24Thanks. I try to get to the park every day.

0:03:24 > 0:03:26That's good. Sit down.

0:03:26 > 0:03:27Thanks.

0:03:29 > 0:03:32So, how have you been?

0:03:32 > 0:03:33Fine.

0:03:33 > 0:03:36Just fine?

0:03:36 > 0:03:37Good.

0:03:37 > 0:03:40The anti-depressants have really helped and...

0:03:40 > 0:03:42I'm beginning to see the wood for the trees.

0:03:43 > 0:03:46Really?

0:03:48 > 0:03:50Actually, I think they've been too good.

0:03:50 > 0:03:52What do you mean?

0:03:53 > 0:03:58I wanted to stop feeling, and I have. I'm...totally numb.

0:04:00 > 0:04:02That loss of feeling,

0:04:02 > 0:04:05it could be a side effect from the medication,

0:04:05 > 0:04:06but it's more than likely

0:04:06 > 0:04:09that it's just your depression pushing through again.

0:04:10 > 0:04:13We can adjust your prescription.

0:04:13 > 0:04:16It can take a few weeks to find the right balance.

0:04:16 > 0:04:20Two years is a little late for post-natal depression.

0:04:20 > 0:04:22There's no time limit.

0:04:23 > 0:04:25Having a baby, that's life-changing.

0:04:27 > 0:04:29And to become a single parent so soon...

0:04:29 > 0:04:31No. It's no excuse.

0:04:31 > 0:04:33Be gentle with yourself, Colette.

0:04:35 > 0:04:39You will get through this. And the anti-depressants, they are just there to help you.

0:04:40 > 0:04:44No. I want to stop taking them.

0:04:46 > 0:04:49I feel...that if I don't stop,

0:04:49 > 0:04:51I'm... I'm going to disappear.

0:04:53 > 0:04:55HESTON HUMS A TUNE

0:04:58 > 0:05:01Welcome, my very own queen of the night!

0:05:01 > 0:05:02All right?

0:05:09 > 0:05:12- Have you talked to Marcus about how you're feeling?- No.

0:05:12 > 0:05:14Marcus is moving on.

0:05:14 > 0:05:16I should be, too.

0:05:16 > 0:05:18Is Lola with him today?

0:05:18 > 0:05:19Yes.

0:05:19 > 0:05:21All weekend.

0:05:21 > 0:05:23In Scotland.

0:05:23 > 0:05:27She's going on her first holiday. With Marcus and his new partner.

0:05:28 > 0:05:30How does that make you feel?

0:05:31 > 0:05:33Glad.

0:05:34 > 0:05:38Glad she'll be with someone who'll make her happy.

0:05:38 > 0:05:40You make her happy, too, Colette.

0:05:40 > 0:05:42It's just you can't see that at the moment.

0:05:42 > 0:05:45Maybe.

0:05:45 > 0:05:48It'll be a while before I can afford to take her on holiday, though.

0:05:48 > 0:05:52I think every day's a holiday when you're Lola's age.

0:05:53 > 0:05:56Colette, I really think it would help you

0:05:56 > 0:05:58to talk about what you're going through.

0:05:59 > 0:06:02Have you had a chance to contact any of the support groups?

0:06:03 > 0:06:06I tried, but I couldn't go through with it.

0:06:06 > 0:06:08That's OK.

0:06:08 > 0:06:11If you stay on the anti-depressants,

0:06:11 > 0:06:15they'll give you the confidence to face talking to people.

0:06:15 > 0:06:18- But I want to feel normal again. - And you will.

0:06:18 > 0:06:21We can adjust the level of anti-depressants that you're on

0:06:21 > 0:06:24so it's right for you, but...

0:06:24 > 0:06:27if you come off them now,

0:06:27 > 0:06:30I-I think it'll make you feel worse.

0:06:33 > 0:06:35- OK.- Great.

0:06:38 > 0:06:41Ah! So...

0:06:41 > 0:06:44have you got any plans for the weekend?

0:06:45 > 0:06:47Yes, I have.

0:06:47 > 0:06:50Girls' night out?

0:06:52 > 0:06:54You know, maybe now's the perfect time

0:06:54 > 0:06:56for you to contact one of those groups I recommended.

0:06:56 > 0:06:59Yes. Good idea.

0:07:00 > 0:07:01There you go.

0:07:05 > 0:07:09- Thanks for being so patient with me. - Not at all.

0:07:10 > 0:07:13Thanks.

0:07:13 > 0:07:14Goodbye.

0:07:21 > 0:07:24It's tricky getting hold of you because I've got patients...

0:07:24 > 0:07:26I'll speak to you later. Yeah. Bye.

0:07:27 > 0:07:31- Everything OK?- Yep. Er, just, er,

0:07:31 > 0:07:33upgrading our home broadband.

0:07:33 > 0:07:36- What?- Yeah. We live fast-paced lives,

0:07:36 > 0:07:38so I thought I'd get go-faster broadband.

0:07:38 > 0:07:41Once the baby comes, I won't be able to sort it out.

0:07:42 > 0:07:43You OK?

0:07:43 > 0:07:46Well, I'm 19 weeks

0:07:46 > 0:07:49and I still haven't felt the baby move. Look, you feel.

0:07:50 > 0:07:53Zara, you know more than anyone,

0:07:53 > 0:07:56first-time mothers are the last to feel their babies kicking.

0:07:56 > 0:07:59It's different when it's YOUR baby that isn't moving.

0:07:59 > 0:08:03- You worry too much.- You can't just fob me off with doctor-speak.

0:08:03 > 0:08:06All right. Look, if you're that worried,

0:08:06 > 0:08:08we can get you another scan.

0:08:08 > 0:08:10No, it's all right.

0:08:10 > 0:08:13I don't want to join the ranks of neurotic first-timers.

0:08:17 > 0:08:18I've got to get on.

0:08:20 > 0:08:22- Right.- So, catch you later, yeah?

0:08:24 > 0:08:25Sure.

0:08:27 > 0:08:29PHONE BLEEPS

0:08:33 > 0:08:34HORN BLASTS

0:08:46 > 0:08:48PHONE RINGS

0:08:48 > 0:08:51Aren't you going to answer that?

0:08:55 > 0:08:56No.

0:08:56 > 0:08:58Who are you trying to avoid?

0:08:58 > 0:09:01Believe it or not, my own son.

0:09:01 > 0:09:04- Patrick? Must be serious.- Yes, it is.

0:09:04 > 0:09:07- I've found out that he's having an affair.- Not that serious.

0:09:08 > 0:09:12Well, not for you maybe, but I'm used to being the wronged wife,

0:09:12 > 0:09:15not the one that's involved in all the duplicity.

0:09:17 > 0:09:20How would you cope with all the lies, the sneaking around and...?

0:09:21 > 0:09:23Sorry. Nothing personal.

0:09:24 > 0:09:26Well, in my experience,

0:09:26 > 0:09:29it's usually the man making all the sneaky phone calls,

0:09:29 > 0:09:31doing all the lying.

0:09:31 > 0:09:34He's involved me in the subterfuge. I don't want anything to do with it!

0:09:34 > 0:09:36Tell him you're not having it.

0:09:36 > 0:09:38I would, if I could get him to listen to me.

0:09:38 > 0:09:41I can't have a proper conversation with him.

0:09:41 > 0:09:44He's so distracted, nothing I say goes in.

0:09:44 > 0:09:45Right.

0:09:46 > 0:09:48He's so secretive, as well.

0:09:48 > 0:09:52I mean, that's when he's not actually lying to me, that is, or...

0:09:52 > 0:09:57telling me one thing and doing something completely different.

0:09:57 > 0:09:59I know exactly what you mean.

0:10:01 > 0:10:05I'm trying to understand him, I really am.

0:10:05 > 0:10:08I'm trying to see his point of view.

0:10:08 > 0:10:10But all I can think about is...

0:10:10 > 0:10:13what is going to happen to Sally and Chloe if this carries on?

0:10:13 > 0:10:16The whole thing just explodes in his face?!

0:10:20 > 0:10:24What do you think? Am I being a stupid idiot?

0:10:24 > 0:10:27No. He is the stupid, selfish idiot.

0:10:27 > 0:10:30He's the one betraying her trust and love in him.

0:10:30 > 0:10:34He's the one jeopardising their future together.

0:10:39 > 0:10:41CLASSICAL MUSIC

0:10:42 > 0:10:44Oh!

0:10:51 > 0:10:52UPBEAT MUSIC

0:10:52 > 0:10:55Ooo! Takes me back.

0:10:55 > 0:10:58Discos. Spiky hair.

0:10:58 > 0:11:02- # Doo-doo-doo-doo-doo. # - I'm afraid punk rather passed me by.

0:11:02 > 0:11:04- Is she always like this?- Dunno.

0:11:04 > 0:11:08Oh. That goes upstairs, to our bedroom.

0:11:08 > 0:11:10Oh, I'll take that.

0:11:10 > 0:11:12No, you're all right.

0:11:12 > 0:11:15Um, might I suggest a tea break?

0:11:15 > 0:11:17Builder's for me, Choo-Choo.

0:11:17 > 0:11:19- Coffee.- As luck would have it,

0:11:19 > 0:11:22- your mother and I brought back wonderful coffee from a bar... - Instant will do.

0:11:25 > 0:11:28- Not on the piano!- Oh.

0:11:28 > 0:11:30You were right.

0:11:31 > 0:11:34- What about? - Patrick's not the only one.

0:11:34 > 0:11:36I think Daniel's having an affair.

0:11:36 > 0:11:38What?!

0:11:38 > 0:11:40He's behaving just like your son. It's obvious!

0:11:40 > 0:11:42Oh, Zara.

0:11:42 > 0:11:44For once in my life, I'm relying on a man.

0:11:44 > 0:11:48- For once in my life, I needed someone that I can rely on.- Zara?

0:11:48 > 0:11:51- I am going to kill him. This is not the hormones talking.- Zara?

0:11:51 > 0:11:54Daniel is not having an affair!

0:11:54 > 0:11:58I mean, it's obvious to everybody he's completely smitten with you.

0:11:59 > 0:12:02None of us have seen him like this before, believe you me.

0:12:02 > 0:12:06- Yeah, right(!)- Well, it's not just because of the baby either.

0:12:06 > 0:12:08Have you got any proof he's having an affair?

0:12:08 > 0:12:10No, but look at the way he's behaving.

0:12:10 > 0:12:13He usually tells me everything, now it's all secrets and lies!

0:12:13 > 0:12:16There is no way that Daniel

0:12:16 > 0:12:18is going to jeopardise what he's got with you.

0:12:18 > 0:12:19He's up to something.

0:12:19 > 0:12:23It's probably some medical stuff he doesn't want to bore you with.

0:12:25 > 0:12:27You two were made for each other. You know that!

0:12:27 > 0:12:29We'll see.

0:12:39 > 0:12:41'I want to thank you.

0:12:46 > 0:12:48'I want to thank you for trying to help.

0:12:48 > 0:12:51'But medication won't make me a good mother.

0:12:55 > 0:12:56'What good is a miserable mum?

0:12:57 > 0:13:01LULLABY PLAYS 'I know she'll be better off without me.

0:13:02 > 0:13:04'People think you're being selfish.

0:13:04 > 0:13:06'But you're not.

0:13:07 > 0:13:08'It's the opposite.

0:13:09 > 0:13:12'You don't want to inflict the pain.

0:13:12 > 0:13:15'All the excruciating pain,

0:13:15 > 0:13:16'onto anybody else.

0:13:18 > 0:13:19'Say goodbye to Lola for me.

0:13:19 > 0:13:21'Give her a big hug.

0:13:21 > 0:13:24'Tell her her mummy loved her...

0:13:24 > 0:13:26'and always will.

0:13:28 > 0:13:30'Colette.'

0:13:42 > 0:13:44- KNOCK AT DOOR - Come in.

0:13:44 > 0:13:47Only me. Er, Mrs Jarvis. House call.

0:13:47 > 0:13:49Sorry. I'm on my way.

0:14:39 > 0:14:41Choo-choo!

0:14:41 > 0:14:45Hang on. I don't think the living room can take any more furniture.

0:14:45 > 0:14:48Course it can. Every home needs a nest of tables.

0:14:48 > 0:14:52- It's a bit of a '50s throwback. - Are you suggesting that I'm a '50s throwback?

0:14:52 > 0:14:54No, no. It just reminds me of my mother.

0:14:54 > 0:14:57Cocktails at six, Valium at midnight.

0:14:57 > 0:14:59Oh. So now I'm your mother.

0:14:59 > 0:15:03Ah! Now, that would look fabulous over the fireplace.

0:15:03 > 0:15:05Look, I hate to say it, Heston, but, er,

0:15:05 > 0:15:08I think it'll be an awful lot better than what's there already.

0:15:08 > 0:15:12I'm not sure I've had my taste in art questioned before, but for you...

0:15:12 > 0:15:15- Ah!- Do you like it?

0:15:15 > 0:15:18I think it would really bring the whole of that wall to life.

0:15:18 > 0:15:23I'm not sure the wall needs livening up. What do you think, Ian?

0:15:23 > 0:15:25You don't like it.

0:15:25 > 0:15:27Well, I mean, it's striking. Um...

0:15:27 > 0:15:30You think it's common, don't you?

0:15:30 > 0:15:32Er, well, no, not exactly common.

0:15:32 > 0:15:33Then what exactly?

0:15:33 > 0:15:37I had no idea I was moving in with such a snob!

0:15:37 > 0:15:42- I didn't think I'd be living with an arriviste.- I don't know what that means.- Exactly.

0:15:43 > 0:15:45'What's happened to me?

0:15:47 > 0:15:50'My face feels funny. W-Why can't I move?

0:15:54 > 0:15:55'I wanted to die.

0:15:57 > 0:16:00'Looks like I'm going to get what I wanted.

0:16:02 > 0:16:04'At least it's not hurting.

0:16:05 > 0:16:07'I didn't want any more pain.

0:16:11 > 0:16:13'I wonder how long it will take.

0:16:15 > 0:16:17'It doesn't matter.

0:16:19 > 0:16:21'Nothing matters any more, as long as it's the end.

0:16:21 > 0:16:23DOORBELL RINGS

0:16:32 > 0:16:36Marina, don't be ridiculous! Ian, take that back inside.

0:16:36 > 0:16:40Why? I know when I'm not wanted. Ian? Put it back in there.

0:16:40 > 0:16:41Oh, Ian, hang on.

0:16:41 > 0:16:45I said I didn't like the painting, not I didn't like you.

0:16:45 > 0:16:47I should have known, with all your airs and graces.

0:16:47 > 0:16:49Your Tuscan this and your Tuscan that.

0:16:49 > 0:16:52I was never going to be good enough for you.

0:16:52 > 0:16:55- Come on, you're being childish. - No. You're the one being childish.

0:16:55 > 0:16:58I'll be all right. I've been on my own before.

0:16:58 > 0:17:00What doesn't kill you makes you stronger.

0:17:00 > 0:17:02Oh, so now I'm trying to kill you?!

0:17:06 > 0:17:08Oh! I'm sorry, Heston.

0:17:08 > 0:17:10Me, too. Come here.

0:17:10 > 0:17:14I'm sorry. It's just a painting.

0:17:14 > 0:17:17- No, no. Now, hang on, Ian. - So, is it in or out?

0:17:19 > 0:17:22- I think I could get used to it.- No, no, no. We'll put it in the attic.

0:17:22 > 0:17:25You've already got a great picture.

0:17:25 > 0:17:28Yes, but it's your home, too, now. So, Ian...

0:17:31 > 0:17:33..it'll go nicely in the spare room.

0:17:33 > 0:17:35First door on the left, top of the stairs.

0:17:38 > 0:17:40Oh!

0:17:41 > 0:17:45- Over there. - You're right! You're right!

0:17:46 > 0:17:48Well done, sweetheart. Well done.

0:17:48 > 0:17:50Come on, then. Come on, then.

0:17:50 > 0:17:53- Come on, then, darling.- Mummy?

0:17:53 > 0:17:55- Mummy?- Colette?

0:17:55 > 0:17:59'Oh, no. I forgot he was coming.

0:17:59 > 0:18:00'The rabbit!'

0:18:00 > 0:18:03There, sweetheart. Come here, then.

0:18:05 > 0:18:07There you go, darling.

0:18:07 > 0:18:09- Alright?- Where's Mummy?

0:18:09 > 0:18:12'I want them to get out of here. They can't see me like this!'

0:18:12 > 0:18:16- We'll just see if Mummy's in, OK? There you go.- Mummy?

0:18:16 > 0:18:19'No! She can't see me like this!'

0:18:20 > 0:18:23- Mummy? Mummy?- Colette?

0:18:23 > 0:18:26'Just go!' PHONE RINGS

0:18:28 > 0:18:29Hiya, Jenny.

0:18:31 > 0:18:33Yeah, yeah. I'm at Colette's. She forgot Lola's...

0:18:33 > 0:18:36'No, Lola, stay away! Don't come any closer!'

0:18:36 > 0:18:39I know, darling. When Lola's living with us, we won't have all this.

0:18:39 > 0:18:42'What does he mean, living with them?'

0:18:42 > 0:18:45Hold on, darling. I've got a client on the other line.

0:18:45 > 0:18:47'They're going to take Lola away from me!

0:18:47 > 0:18:50'She can't see me like this. It'll frighten her.

0:18:50 > 0:18:54'No, Lola! Mummy doesn't want you to see her like this.

0:18:55 > 0:18:59'Lola...your lovely face.'

0:18:59 > 0:19:01I don't want... I want Mummy!

0:19:01 > 0:19:04'It's OK, Lola. Mummy's just had an accident.

0:19:05 > 0:19:06'Don't be scared.'

0:19:10 > 0:19:13Come on, then, little 'un. Jenny is all packed

0:19:13 > 0:19:16and Granny's got some lovely lemon cake waiting for us.

0:19:16 > 0:19:17Come on. Shall we go?

0:19:17 > 0:19:20'No, Marcus! Bring her back!

0:19:20 > 0:19:21- Mummy?- Mummy's not here...

0:19:21 > 0:19:24'I won't let them take her away from me.

0:19:25 > 0:19:27'I've got to get out of this!

0:19:27 > 0:19:29- I've got to get help!' - Where's Mummy?

0:19:29 > 0:19:32- We'll see her in a couple of days. - 'Marcus...!

0:19:34 > 0:19:36'Come back!

0:19:37 > 0:19:38'I need help!'

0:19:42 > 0:19:44That is such good news.

0:19:44 > 0:19:47Thank you. Bye. Bye-bye. Result!

0:19:47 > 0:19:50- Survey came through.- Yes!- Completion should be in a few days.

0:19:50 > 0:19:52I think a few celebratory drinks are on.

0:19:52 > 0:19:55Too right. Just as soon as I can give Zara the slip.

0:19:56 > 0:19:58Right! Jimmi, out!

0:20:00 > 0:20:04You are up to something, Daniel. The last time I saw you being this cloak and dagger,

0:20:04 > 0:20:07you were pulling the wool over Lisa's eyes with me!

0:20:07 > 0:20:10- What?- It is pathetic! The subterfuge, the feeble excuses!

0:20:10 > 0:20:12Whoa-whoa! Hold on, hold on.

0:20:12 > 0:20:16No. All right? I wanted it to be a surprise.

0:20:16 > 0:20:17What?!

0:20:17 > 0:20:19OK. Um,...

0:20:21 > 0:20:25How would you like to spend a few days at the Fernley Hall Spa

0:20:25 > 0:20:27on a mother-to-be pamper weekend?

0:20:32 > 0:20:35TEARFUL: Is that what all the... subterfuge has been about?

0:20:35 > 0:20:39Yes. Look, I wanted it to be a surprise.

0:20:39 > 0:20:41Jimmi was passing on ideas from Cherry,

0:20:41 > 0:20:43I was looking at prices, venues.

0:20:43 > 0:20:47- So, no super-fast broadband? - No.

0:20:47 > 0:20:49So, come on, how about it?

0:20:49 > 0:20:52Massage, manicures, fluffy towels, uggy puggy.

0:20:55 > 0:20:59Well, take away the mothers-to-be...and I'd love it!

0:20:59 > 0:21:02- Yeah?- Oh, thank you!

0:21:02 > 0:21:05- OK.- That is so thoughtful!

0:21:05 > 0:21:08Oh! My hormones!

0:21:08 > 0:21:11I'm so sorry. They're turning me into a jealous monster!

0:21:11 > 0:21:15You don't need to be jealous, OK? I'm your man.

0:21:18 > 0:21:20- I'll see you this evening, then. - Yeah.

0:21:20 > 0:21:24We can start...the pampering...then.

0:21:24 > 0:21:26Ooh!

0:21:36 > 0:21:38Fernley Hall Spa, please.

0:21:38 > 0:21:40'I'm tired.

0:21:42 > 0:21:44'It feels like everything's shutting down.

0:21:45 > 0:21:46'Stay awake.

0:21:48 > 0:21:50'That's what they say, isn't it?

0:21:50 > 0:21:52'When you're hurt.

0:21:52 > 0:21:54'Don't fall asleep.

0:21:56 > 0:21:58'It's hard, though.

0:22:00 > 0:22:01'I can't hear anything.

0:22:03 > 0:22:06'No traffic, nothing.

0:22:06 > 0:22:07'Stay awake, Colette.

0:22:10 > 0:22:13'Think of all the things you'd like to do.

0:22:14 > 0:22:16'Think of the future.

0:22:18 > 0:22:22TEARFUL: 'I want to take Lola to the park again. Sing to her.'

0:22:24 > 0:22:25INDISTINCT CHATTER

0:22:25 > 0:22:28# Four little speckled frogs

0:22:28 > 0:22:30# Sat on a speckled log

0:22:30 > 0:22:33# Eating some most delicious bugs

0:22:33 > 0:22:35# Yum, yum. #

0:22:35 > 0:22:38LULLABY PLAYS

0:23:16 > 0:23:19PHONE RINGS

0:23:25 > 0:23:27LANDLINE PHONE RINGS

0:23:30 > 0:23:31PHONE RINGS

0:23:32 > 0:23:34Hello?

0:23:34 > 0:23:38Mr Coleman, it's Dr Wilson. I'm trying to get hold of Colette.

0:23:38 > 0:23:41Do you know where she is? It's... It's quite urgent.

0:23:41 > 0:23:45No. Er, I saw her this morning, but not since then. What's up?

0:23:45 > 0:23:46Um, I'm afraid I can't say.

0:23:46 > 0:23:49It's... It's just really important that I speak to her.

0:23:49 > 0:23:52She's not answering her mobile or picking up the landline.

0:23:52 > 0:23:54I was at the house earlier. She wasn't there.

0:23:54 > 0:23:57Are you sure she wasn't there? Did you try upstairs?

0:23:57 > 0:24:00Yeah. She wasn't in. Has something happened?

0:24:00 > 0:24:02I...can't say.

0:24:02 > 0:24:05But i-if you do hear from her, will you please get her to ring me?

0:24:05 > 0:24:06- 'Right.'- Thank you.

0:24:08 > 0:24:09You ready?

0:24:23 > 0:24:25- 'Dr Wilson.' - Yeah. Dr Wilson, it's Marcus.

0:24:25 > 0:24:29Um, I've just remembered, Colette's handbag was on the hall table

0:24:29 > 0:24:31and the front door wasn't double locked.

0:24:31 > 0:24:34I think she might be at the house.

0:24:34 > 0:24:38- FRANTIC KNOCKING - Colette? Colette! It's Dr Wilson!

0:24:38 > 0:24:40I've left Lola with her grandma.

0:24:44 > 0:24:47- All right. OK. You check upstairs.- OK.

0:24:47 > 0:24:49Colette?

0:24:59 > 0:25:03Oh, no! Marcus, you need to phone an ambulance now!

0:25:03 > 0:25:05OK. Colette...?

0:25:09 > 0:25:12Colette? Can you hear me, sweetheart?

0:25:13 > 0:25:16Colette? Wake up, Colette.

0:25:16 > 0:25:19- Have you taken anything? - As quick as you can.

0:25:19 > 0:25:22Blink once for yes, twice for no.

0:25:28 > 0:25:32Good girl. I think you might have suffered from a stroke, Colette.

0:25:32 > 0:25:34'I'm alive.'

0:25:34 > 0:25:36But the ambulance is on its way.

0:25:36 > 0:25:39- We're going to do everything we can to help you.- Hang in there, Col.

0:25:39 > 0:25:41'I've got another chance!'

0:25:41 > 0:25:44Lola's with Grandma. I'll bring her to see you soon.

0:25:44 > 0:25:46'I'm not going to lose her now.'

0:25:46 > 0:25:48It's all right, darling. It's OK.

0:25:52 > 0:25:57A word of advice. A good argument clears the air.

0:25:57 > 0:26:00Your relationship will be all the better for it.

0:26:00 > 0:26:04Your mother and I had a few on holiday. All now forgotten.

0:26:04 > 0:26:06More than forgotten. Come here, you.

0:26:08 > 0:26:10It makes the making up so much sweeter.

0:26:12 > 0:26:14Pity Lily and Christine couldn't understand that.

0:26:14 > 0:26:17Ancient history, Choo-Choo.

0:26:17 > 0:26:20I suggest we do a bit more making up, Chee-Chee.

0:26:23 > 0:26:25Sorry.

0:26:31 > 0:26:33Yeah, well, I've got to go now.

0:26:33 > 0:26:35Oh! Don't.

0:26:35 > 0:26:38Ian, I can't thank you enough for today.

0:26:38 > 0:26:41It's so much nicer to have a friendly face than a stranger.

0:26:43 > 0:26:44Right.

0:26:45 > 0:26:48He doesn't like conflict.

0:26:48 > 0:26:50Just like his dad.

0:26:58 > 0:27:02About, um, Saturday. It's just, you know, I've got these tickets.

0:27:02 > 0:27:04I'm busy.

0:27:04 > 0:27:05That doesn't stop you going.

0:27:05 > 0:27:09Go on my own to choose my wedding dress? How sad is that?

0:27:09 > 0:27:13- Give it back!- What's in the bag, Esme?- Give it back! Give it back!

0:27:13 > 0:27:17- Come on, Esme, it's only a bit of teasing.- You think that's funny?

0:27:37 > 0:27:40Subtitles by Red Bee Media Ltd

0:27:40 > 0:27:43E-mail subtitling@bbc.co.uk