0:00:29 > 0:00:30'Good morning.'
0:00:30 > 0:00:32Morning.
0:00:32 > 0:00:33'Oh, darling.
0:00:33 > 0:00:36'When will you learn to hang your clothes up properly?'
0:00:36 > 0:00:38I'm sorry.
0:00:44 > 0:00:48It's so nice that you still keep an eye on me.
0:00:48 > 0:00:50'Well, someone had to.
0:00:50 > 0:00:53'I don't think you can be trusted on your own.
0:00:53 > 0:00:57'How is the garden looking?'
0:00:57 > 0:00:59Oh, it's going so well.
0:00:59 > 0:01:03We've got crocuses, and snowdrops, and...
0:01:03 > 0:01:06- CHAINSAW BUZZES - 'What is that noise?'
0:01:09 > 0:01:13It's him. He's cut down the laburnum tree.
0:01:13 > 0:01:17'Oh, dear. He's such a dreadful man.
0:01:17 > 0:01:19'But you mustn't upset yourself.'
0:01:19 > 0:01:24It's so hard. When you see beautiful things being destroyed.
0:01:25 > 0:01:27And you can put that there.
0:01:34 > 0:01:36Actually, over here.
0:01:36 > 0:01:40Yes, Your Majesty.
0:01:40 > 0:01:42You don't half carry a lot of stuff.
0:01:42 > 0:01:48I didn't know which media to use - ink, watercolour, charcoal, Polaroid.
0:01:48 > 0:01:52Seems like a hell of a palaver for a blooming picture.
0:01:52 > 0:01:56- Would you say that if I was a civil engineer or an architect? - No, maybe not.
0:01:56 > 0:01:58So this is about my career choice then is it?
0:01:58 > 0:02:01- Who said that?- You did.
0:02:01 > 0:02:04You've always seen art as airy-fairy.
0:02:04 > 0:02:08- Much less important than science or technology.- I worry. Not everyone can be Andy Warhol.
0:02:08 > 0:02:12I'm not doing this cos I want to be famous. I'm doing it because this is who I am.
0:02:12 > 0:02:16- Don't let me stop you.- I won't. - I'll pick you up at six.
0:02:21 > 0:02:23Aw!
0:02:32 > 0:02:36'Who is that girl? She's not from round here.
0:02:36 > 0:02:39'Do something, Albert. Do something.'
0:02:40 > 0:02:44Hello. Who's there?
0:02:46 > 0:02:48Hello?
0:02:48 > 0:02:52How's daddy's beautiful boy, his brave boy?
0:02:52 > 0:02:56Don't boost his ego too much. He'll start turning into you.
0:02:56 > 0:02:58Worse things he could be.
0:02:58 > 0:03:02Daddy's perfect, precious little paragon.
0:03:02 > 0:03:04You're starting to sound predictable.
0:03:04 > 0:03:10- Who is the cleverest boy in the whole wide world?- Let me see, is it world chess champion Garry Kasparov?
0:03:10 > 0:03:12Or theoretical physicist Stephen Hawking?
0:03:12 > 0:03:16No, it's Joseph Granger Carmichael.
0:03:16 > 0:03:18You amaze me.
0:03:18 > 0:03:20I am going to ring my dad,
0:03:20 > 0:03:24see if he has any insight into Joe's super-powers.
0:03:25 > 0:03:28I'll leave you boys to bond.
0:03:29 > 0:03:32Right, that's enough, I'm going to call the police.
0:03:32 > 0:03:35No, don't do that.
0:03:35 > 0:03:36Who are you?
0:03:36 > 0:03:39Well, who are you? You don't live here.
0:03:39 > 0:03:42I think I do, actually. My family are about to move in.
0:03:42 > 0:03:47Of course. You must be Violet's niece.
0:03:47 > 0:03:50I'm her great-great-niece.
0:03:50 > 0:03:53Yes, I can certainly see the resemblance.
0:03:53 > 0:03:54And you are?
0:03:54 > 0:03:56Bilberry. Albert Bilberry.
0:03:56 > 0:04:00I live just over the road, I like to keep an eye on this place.
0:04:00 > 0:04:01Imogen.
0:04:01 > 0:04:03- Sorry?- Imogen.
0:04:03 > 0:04:06Millicent? What a lovely name.
0:04:06 > 0:04:07Yes. It is.
0:04:07 > 0:04:11And you're moving into a wonderful house,
0:04:11 > 0:04:13with a marvellous garden,
0:04:13 > 0:04:15but I expect you'll want to tear it all up.
0:04:15 > 0:04:21- Put down some decking, or a patio, or a swimming pool. - No way. I love this garden.
0:04:21 > 0:04:24I've just been sketching it, actually.
0:04:31 > 0:04:34Oh, Millicent, you really do have an eye.
0:04:34 > 0:04:37Thank you. It's for an art project.
0:04:37 > 0:04:41The theme is actually Home Sweet Home, and as we're about to move in here...
0:04:41 > 0:04:43My daughter's an artist.
0:04:43 > 0:04:45Is she? Anyone I would have heard of?
0:04:45 > 0:04:48- Emma Titchborne. - What sort of stuff does she do?
0:04:48 > 0:04:52Oh, she does all sorts. Portraits, landscapes...
0:04:52 > 0:04:55I think she's done a few of this house actually.
0:04:55 > 0:04:56Really?
0:04:56 > 0:05:01Yes, come over and see them. I've got quite a collection.
0:05:01 > 0:05:03All right.
0:05:03 > 0:05:06I'm off for a coffee. So can I...
0:05:08 > 0:05:09Hello.
0:05:09 > 0:05:12You said do some bonding.
0:05:12 > 0:05:15They say skin-to-skin is the best way.
0:05:15 > 0:05:17Don't let me stop you.
0:05:17 > 0:05:21Although he is looking rather interested in your left nipple.
0:05:23 > 0:05:27He's doing really well, isn't he?
0:05:27 > 0:05:29And we seem to have recovered.
0:05:30 > 0:05:33So maybe we can take him home tomorrow.
0:05:35 > 0:05:40Zara, we've been through all of this. He's just not ready.
0:05:45 > 0:05:48I, er, like the colours.
0:05:48 > 0:05:50Mmm, yes.
0:05:50 > 0:05:54Does she always do her work in just acrylic?
0:05:54 > 0:05:57Goodness me, no, they take more than just a minute.
0:05:57 > 0:06:02She sometimes spends half an hour to an hour on one of these paintings.
0:06:02 > 0:06:06I know they're a bit old-fashioned, but she lives down in Cornwall,
0:06:06 > 0:06:10and they sell like hot cakes in all the tourist shops.
0:06:10 > 0:06:12I've always wanted to go to Cornwall.
0:06:12 > 0:06:15You know loads of artists live there because of the light quality.
0:06:15 > 0:06:19Emma sometimes says I should move down, but...
0:06:19 > 0:06:21I love this place.
0:06:21 > 0:06:26I lived here with my parents, and I moved back with my wife.
0:06:26 > 0:06:30If I moved away, it would be like losing my life story.
0:06:30 > 0:06:32Is that your wife?
0:06:32 > 0:06:33Yeah.
0:06:35 > 0:06:37Ann.
0:06:37 > 0:06:39She passed away last year.
0:06:39 > 0:06:41Oh, I'm sorry.
0:06:41 > 0:06:44Oh, don't be. We had many happy years together.
0:06:44 > 0:06:48And I do still hear her talking to me.
0:06:48 > 0:06:53- Are you there, darling?- 'Of course I'm here. Where else would I be?'
0:06:53 > 0:06:55You don't think I'm mad, do you?
0:06:55 > 0:06:59'Who's the mad one? Have you seen the state of her hair?'
0:06:59 > 0:07:02I don't, actually. Loads of great artists heard voices.
0:07:02 > 0:07:06And I always feel she's a part of this house.
0:07:06 > 0:07:11It's a precious, peaceful place, and I look after it for her.
0:07:11 > 0:07:16- We still have a couple of hives out in the garden. Would you like to see them?- Yeah.
0:07:16 > 0:07:18Good.
0:07:18 > 0:07:20CHAINSAW BUZZES
0:07:20 > 0:07:22What's that noise?
0:07:22 > 0:07:23That...
0:07:25 > 0:07:27..is the enemy.
0:07:27 > 0:07:29He'll be fine. We're both doctors.
0:07:29 > 0:07:31Look at him, he's tiny.
0:07:31 > 0:07:34He's a baby. He WILL get bigger.
0:07:34 > 0:07:37And what if something goes wrong?
0:07:37 > 0:07:40You are turning into such a new man. You're practically an old woman.
0:07:40 > 0:07:43Because I care about the welfare of our child?
0:07:53 > 0:07:56We'll just let Daddy COOL OFF for a bit, shall we?
0:07:57 > 0:08:00- CHAINSAW BUZZES - Excuse me.
0:08:00 > 0:08:02Excuse me!
0:08:02 > 0:08:04- HE TURNS CHAINSAW OFF - Yes?
0:08:04 > 0:08:05What are you doing?
0:08:05 > 0:08:07What does it look like?
0:08:07 > 0:08:11How can you cut down a living thing that's been there for 100 years?
0:08:11 > 0:08:14Well, why don't you stick around and I will show you.
0:08:14 > 0:08:16You're a barbarian.
0:08:16 > 0:08:17Mr Bilberry,
0:08:17 > 0:08:20I have told you a thousand times why the tree has to go.
0:08:20 > 0:08:23And I've got full permission from the council.
0:08:23 > 0:08:26Just cos you've got permission doesn't make it right.
0:08:26 > 0:08:28Oh, look who it is - Swampy.
0:08:28 > 0:08:31How can you cut down a tree he's seen since he was a boy?
0:08:31 > 0:08:35Because it's MY house. I can do what I like.
0:08:35 > 0:08:40But if you want to buy it, and turn it into a nature reserve, then go ahead make me an offer.
0:08:40 > 0:08:42Don't worry, Millicent.
0:08:42 > 0:08:44CHAINSAW BUZZES
0:08:44 > 0:08:47I've tried and I've tried. There's nothing we can do.
0:08:48 > 0:08:52Oh, Freya, I'm so glad you got my text.
0:08:52 > 0:08:53What text?
0:08:53 > 0:08:56You know, about not wearing anything too smart.
0:08:56 > 0:08:59Oh, yeah, I got your text. I was going to wear something else
0:08:59 > 0:09:03but then I thought I'd just put this old thing on.
0:09:03 > 0:09:05Well, you look great.
0:09:05 > 0:09:07Thanks.
0:09:07 > 0:09:09So, come on, where we going?
0:09:11 > 0:09:13A ceramic cafe.
0:09:13 > 0:09:15A ceramic... A what?
0:09:16 > 0:09:21What did he mean when he said he'd told you a thousand times why it had to go?
0:09:21 > 0:09:24He said his wife was something with the council,
0:09:24 > 0:09:27and he needed the space to get her wheels in.
0:09:27 > 0:09:28Great(!)
0:09:28 > 0:09:31Because she's a some big cheese with a four-by-four,
0:09:31 > 0:09:33we've got to ruin the environment.
0:09:34 > 0:09:40I feel so helpless. I wonder what Ann would say.
0:09:40 > 0:09:42'Feed the bees.'
0:09:42 > 0:09:43What?!
0:09:43 > 0:09:46'Feed the bees.'
0:09:46 > 0:09:49Oh, my word. I forgot.
0:09:50 > 0:09:51What is it?
0:09:51 > 0:09:52I must feed the bees.
0:09:52 > 0:09:55They find it so hard to survive at this time of year.
0:09:55 > 0:09:57Do you want some help?
0:09:57 > 0:10:00Of course, I'll...
0:10:00 > 0:10:01I'll find you a veil.
0:10:04 > 0:10:06So what am I meant to do exactly?
0:10:06 > 0:10:10It's very simple. You just paint a plate.
0:10:10 > 0:10:13Any particular colour?
0:10:13 > 0:10:17No, an actual painting.
0:10:18 > 0:10:22Just let your creative spirit run free, yeah?
0:10:22 > 0:10:25Well that's going to be a bit of a problem.
0:10:25 > 0:10:27I'm not very creative on Fridays.
0:10:27 > 0:10:32Tuesday's normally my muse day. Wednesday...
0:10:32 > 0:10:36It's meant to be fun. I'm in a craft group too.
0:10:36 > 0:10:41- OK.- Oi! It's just to, like, escape from the stresses of the day.
0:10:43 > 0:10:47Just move your brush, and see where it takes you.
0:10:49 > 0:10:51All right, you're on.
0:10:55 > 0:10:56What are you doing?.
0:10:56 > 0:10:59I'm not letting you see till it's finished.
0:10:59 > 0:11:01That's a bit mean.
0:11:01 > 0:11:05- I don't think Picasso had people poking their noses in.- Ah, OK.
0:11:05 > 0:11:07Go, Pablo.
0:11:21 > 0:11:24No, don't. Don't.
0:11:24 > 0:11:27SHE LAUGHS
0:11:27 > 0:11:30- Where is the beehive?- Follow me.
0:11:36 > 0:11:38It's like a picture book.
0:11:38 > 0:11:41Is it all right if I go and get my camera?
0:11:41 > 0:11:45Of course. I feel sorry for young people nowadays.
0:11:45 > 0:11:49They spend all their lives in front of one box or another.
0:11:49 > 0:11:53But a beehive is a true box of delights.
0:11:56 > 0:11:57Right, time's up.
0:11:57 > 0:12:00Put your brush down.
0:12:02 > 0:12:05You show me yours, I'll show mine.
0:12:05 > 0:12:07Nn-nn. After you.
0:12:07 > 0:12:09No, you go first.
0:12:14 > 0:12:16You did that on your own?
0:12:16 > 0:12:18I did.
0:12:18 > 0:12:21It's like you've taken a photo and put it on there.
0:12:21 > 0:12:24It's all mine. Right. Let's see yours, then.
0:12:25 > 0:12:29No. I don't think that the world is ready for my masterpiece.
0:12:29 > 0:12:31SHE LAUGHS: Come on.
0:12:33 > 0:12:34OK.
0:12:36 > 0:12:38Ta-da!
0:12:38 > 0:12:39SHE LAUGHS
0:12:39 > 0:12:42Who is that?!
0:12:42 > 0:12:44It's meant to be you!
0:12:44 > 0:12:49Aw, sorry. No, I can see the resemblance now.
0:12:49 > 0:12:53A nose in the middle. An eye on either side.
0:12:53 > 0:12:54I'm sorry.
0:12:54 > 0:12:56Aw. No.
0:12:56 > 0:12:59At least you had a go at it.
0:12:59 > 0:13:03At this time of year, the queen should be laying her eggs,
0:13:03 > 0:13:05but there's very little food around.
0:13:05 > 0:13:09So we like to put down some sugar solution.
0:13:13 > 0:13:17- Oh, that's very good. - It's just for reference.
0:13:17 > 0:13:20Come a little closer, you can listen to the bees.
0:13:23 > 0:13:25I can't hear anything.
0:13:25 > 0:13:27You can always hear something.
0:13:27 > 0:13:31In the summer, the hive seems to hum as they beat their wings
0:13:31 > 0:13:33to provide air conditioning.
0:13:33 > 0:13:36And this time of year, they're having a spring clean
0:13:36 > 0:13:39and they fly forth with their droppings.
0:13:40 > 0:13:44Good morning, ladies. And drones.
0:13:48 > 0:13:51Where are they?
0:13:51 > 0:13:52I don't know.
0:13:53 > 0:13:59They're gone. They've all gone.
0:14:10 > 0:14:14I read an article once about bees disappearing.
0:14:14 > 0:14:20Some people blamed intensive agriculture and other people said it was mobile phone masts.
0:14:20 > 0:14:23- Well, I know who I blame.- Who?
0:14:23 > 0:14:26- That maniac next door. The tree murderer. - You don't think he actually...?
0:14:26 > 0:14:30I don't think he came in and poisoned them.
0:14:30 > 0:14:33But all he's ever done is cut down trees.
0:14:33 > 0:14:37He's ripped out the heart of his own garden.
0:14:37 > 0:14:39So the bees have nowhere to forage,
0:14:39 > 0:14:41and they take their colony elsewhere.
0:14:43 > 0:14:45Do you want a glass of water?
0:14:45 > 0:14:48I want that man to go back where he came from.
0:14:48 > 0:14:50He's a waste of space!
0:14:52 > 0:14:56This used to be a very nice road, and he's destroying it.
0:14:57 > 0:14:59Would you like to say that to my face?
0:15:06 > 0:15:09- Nardee!- My baby! Oh, look at you.
0:15:23 > 0:15:25Come on then, little one.
0:15:29 > 0:15:33I'm not afraid of you. It's time someone stood up to you.
0:15:33 > 0:15:37Mr Bilberry, I have tried to be a good neighbour.
0:15:37 > 0:15:41Good neighbour?! You've done nothing but destroy the neighbourhood.
0:15:41 > 0:15:45- Just like you destroy everything else.- What?
0:15:45 > 0:15:49You bring women home at all hours of the day and night.
0:15:49 > 0:15:52Heaven knows what your wife must think about it.
0:15:52 > 0:15:56You're a completely immoral, work-shy layabout.
0:15:56 > 0:15:58What do you mean "work-shy"?
0:15:58 > 0:16:00You told me you didn't work.
0:16:00 > 0:16:04You said your wife was something with the council,
0:16:04 > 0:16:06and you were lived off her.
0:16:06 > 0:16:09OK. Let me tell you again.
0:16:09 > 0:16:14I did not say my wife was something with the council,
0:16:14 > 0:16:16I said she was suffering with cancer.
0:16:16 > 0:16:21Which is why I had to cut down that tree, to give her wheelchair access.
0:16:22 > 0:16:25That's why I don't work because I'm looking after her.
0:16:25 > 0:16:30And, yes, there are women visiting at all hours of the night.
0:16:30 > 0:16:32They're Macmillan nurses.
0:16:32 > 0:16:35'Oh, Albert.
0:16:35 > 0:16:40'When will you ever learn to think first and speak later?'
0:16:40 > 0:16:41I'm sorry. I'm so sorry.
0:16:45 > 0:16:46What's the matter with him?
0:16:46 > 0:16:49- I don't know - Help me, Millicent, help me.
0:17:00 > 0:17:04You recovered from your little moment of madness?
0:17:04 > 0:17:08There is no way that we can think about taking him home right now.
0:17:08 > 0:17:13Joe is fine. He's getting stronger every day.
0:17:13 > 0:17:18And what if something does go wrong do you want to be miles away from a dedicated baby unit? No.
0:17:20 > 0:17:24We'll keep on bringing him in every day.
0:17:24 > 0:17:30And he'll keep having checks and tests we'll cope.
0:17:30 > 0:17:34- Have you got a phone on you? - I must have left it somewhere
0:17:34 > 0:17:36He's probably got one.
0:17:38 > 0:17:41- What's this? - It's a glucose meter. He's diabetic.
0:17:41 > 0:17:43Well, what do we do?
0:17:43 > 0:17:46He might have had a hypo which means he needs some sugar.
0:17:50 > 0:17:54Don't worry, Mr Bilberry, you're going to be all right.
0:17:59 > 0:18:04- What...? What's happening? - Everything's going to be fine.
0:18:05 > 0:18:10For the past few days, I've... been trying to keep it together,
0:18:10 > 0:18:13and I'm finding it so hard.
0:18:13 > 0:18:15I had no idea.
0:18:16 > 0:18:20Got to stop thinking how we nearly lost him.
0:18:20 > 0:18:22But the point is we didn't.
0:18:22 > 0:18:24We came really close though.
0:18:25 > 0:18:29When I found out you'd gone into labour so early,
0:18:29 > 0:18:32I thought that I might lose both of you.
0:18:32 > 0:18:36Daniel, I'm fine. Joe is fine.
0:18:41 > 0:18:45I wanted everything to be perfect, you know?
0:18:45 > 0:18:47And then I came in...
0:18:50 > 0:18:54..and I saw you lying there
0:18:57 > 0:18:58I know.
0:19:02 > 0:19:07And now I look at him and I think, what if he falls ill
0:19:07 > 0:19:10and there's nothing I can do for him?
0:19:13 > 0:19:14How was it for you?
0:19:14 > 0:19:16THEY LAUGH
0:19:16 > 0:19:19It was a real eye-opener actually.
0:19:19 > 0:19:20Really?
0:19:20 > 0:19:25Mmm. I didn't know there was quite so much talent
0:19:25 > 0:19:27in these little fat fingers.
0:19:36 > 0:19:40Well you know, if you fancy, you could always come around to mine.
0:19:40 > 0:19:46I could make us some veggie lasagne, we could christen the plates.
0:19:46 > 0:19:48I do fancy.
0:19:48 > 0:19:51I would love to lick your face clean.
0:19:53 > 0:19:55I mean, oh, I'm sorry.
0:20:06 > 0:20:10I DO know how you feel.
0:20:10 > 0:20:15Believe me, the image of Princess Bubblegum in a blood-spattered wedding dress
0:20:15 > 0:20:17is going to stay with me forever.
0:20:17 > 0:20:26But Joe's birth WAS perfect it was perfect because it was HIS birth.
0:20:26 > 0:20:29The beginning of his story.
0:20:29 > 0:20:31You really think he's ready to come home?
0:20:31 > 0:20:32I don't know.
0:20:32 > 0:20:35We'll have to see what the experts have to say.
0:20:36 > 0:20:39But we can't keep him cocooned forever.
0:20:39 > 0:20:42No, I suppose not.
0:20:42 > 0:20:43He's fine.
0:20:47 > 0:20:48Thank you.
0:20:50 > 0:20:54He's OK now, Heston. Thank you.
0:20:54 > 0:20:55OK, bye.
0:20:57 > 0:20:58Oh, dear.
0:20:59 > 0:21:03I'm sorry to cause you so much trouble, but I get so confused.
0:21:04 > 0:21:08And because I can't always hear what people are saying...
0:21:08 > 0:21:11I find myself losing my temper these days as well.
0:21:11 > 0:21:14And it was such a shock to find the bees had gone.
0:21:14 > 0:21:17Mr Bilberry, you don't keep bees any more.
0:21:17 > 0:21:19What?!
0:21:19 > 0:21:23You told me, when I moved in, you stopped keeping them
0:21:23 > 0:21:24after your wife died.
0:21:26 > 0:21:29Ah, yeah. Of course.
0:21:29 > 0:21:31They swarmed.
0:21:31 > 0:21:34And they all flew away.
0:21:34 > 0:21:39Er...I have to get back to Eileen but I'll pop in later.
0:21:39 > 0:21:42Thank you so much.
0:21:42 > 0:21:44- Thanks. Bye. - Bye-bye.
0:21:47 > 0:21:49What is going to become of me?
0:21:49 > 0:21:52I seem to cause trouble wherever I go.
0:21:52 > 0:21:54I'm sure he understands.
0:21:54 > 0:22:00The problem is, I can't seem to cope without my queen.
0:22:00 > 0:22:03See some people can survive without their partner,
0:22:03 > 0:22:07but I'm like a bee.
0:22:07 > 0:22:09I need guidance.
0:22:09 > 0:22:12But you do have a daughter in Cornwall.
0:22:12 > 0:22:13I'm sure she doesn't really want me.
0:22:13 > 0:22:16But she sent you all those pictures of where she's living.
0:22:16 > 0:22:18I'm sure that's a sign.
0:22:21 > 0:22:25I couldn't leave this house
0:22:25 > 0:22:27I couldn't leave my wife.
0:22:27 > 0:22:30It's a house full of memories.
0:22:32 > 0:22:34This is where I belong.
0:22:34 > 0:22:36KNOCK AT DOOR
0:22:36 > 0:22:37Who's that?
0:22:37 > 0:22:39I'm sure that's just my dad.
0:22:43 > 0:22:46Hi. Your mum said you'd be here.
0:22:50 > 0:22:52Ah, you must be Mr Bilberry.
0:22:52 > 0:22:54That's right.
0:22:54 > 0:22:56Rob Hollins.
0:22:56 > 0:22:57Such an honour to meet you.
0:22:57 > 0:23:02You have a wonderful, kind, and talented daughter.
0:23:02 > 0:23:04And don't I just know it?
0:23:04 > 0:23:07I think you really should go now. I'll be fine.
0:23:07 > 0:23:10- Are you sure?- Of course.
0:23:10 > 0:23:14- I'll come and see you tomorrow. - Oh, thank you.
0:23:14 > 0:23:17Goodbye, Millicent.
0:23:17 > 0:23:18Bye.
0:23:25 > 0:23:29Now then, madam, can I tempt you to anything else?
0:23:29 > 0:23:31No, thank you, Nardee, I'm full up.
0:23:31 > 0:23:33OK, well, in that case
0:23:33 > 0:23:37there is a very special surprise for you up in your bedroom.
0:23:37 > 0:23:40- Really?- You go up and I'll be up in a minute.
0:23:40 > 0:23:42I'm just going to tidy up.
0:23:49 > 0:23:52I thought you were going to photograph this place?
0:23:52 > 0:23:57Yeah, but the theme is Home Sweet Home and what house is sweeter than a beehive?
0:23:57 > 0:24:00- Dad?- Mmm?
0:24:00 > 0:24:04Imagine if something happened to mum, but she carried on talking to you,
0:24:04 > 0:24:08like, giving you instructions from the other side.
0:24:08 > 0:24:11Yeah, I'm sure that death won't stop your mother talking.
0:24:11 > 0:24:14Mr Bilberry's wife talks to him.
0:24:14 > 0:24:16But I just don't understand
0:24:16 > 0:24:19why would she tell him to go and feed the bees
0:24:19 > 0:24:22if they flew off months ago?
0:24:24 > 0:24:28That will remain one of life's great mysteries.
0:24:30 > 0:24:33They're dead.
0:24:33 > 0:24:36They're all dead.
0:24:36 > 0:24:39'No darling. They flew away.
0:24:40 > 0:24:45'When I said feed the bees, I meant feed yourself.
0:24:45 > 0:24:48'My little worker bee needs his honey.'
0:24:50 > 0:24:52You always look after me.
0:24:53 > 0:24:55I miss you so much.
0:24:55 > 0:24:59'I know. And I'll always be with you.
0:24:59 > 0:25:03'But you need to listen to her.'
0:25:03 > 0:25:04Who?
0:25:04 > 0:25:07'The girl. She's right, you know.
0:25:07 > 0:25:12'You need to follow the bees, and fly south to live with Emma.'
0:25:12 > 0:25:15I... I couldn't leave our house.
0:25:15 > 0:25:21'Of course you can. And I'll be with you.'
0:25:21 > 0:25:23I love you.
0:25:23 > 0:25:25'I love you too.'
0:25:25 > 0:25:27BEES BUZZING
0:25:30 > 0:25:32Chloe?
0:25:33 > 0:25:34Sweetie, what are you up to?
0:25:34 > 0:25:38I'm looking for my surprise.
0:25:38 > 0:25:42It's here, sweetheart. It's that pussy cat.
0:25:43 > 0:25:46Hey, what's the matter?
0:25:46 > 0:25:50Please don't tell me you've grown out of them?
0:25:50 > 0:25:54I'm so sorry, it's just that I haven't seen you for such a long time.
0:25:54 > 0:25:56No. I thought my surprise was Daddy.
0:25:59 > 0:26:01Oh, sweetie, I'm sorry.
0:26:01 > 0:26:03I haven't seen him for weeks.
0:26:03 > 0:26:05I know.
0:26:06 > 0:26:08You know something?
0:26:09 > 0:26:11Your daddy really loves you.
0:26:13 > 0:26:15And no matter where he is,
0:26:15 > 0:26:18he loves you very, very much.
0:26:18 > 0:26:25Hmm? Yes. Come here. There's a good girl.
0:26:31 > 0:26:35- Chloe did mention.- What? - That she's missing her dad
0:26:38 > 0:26:40Bravo. Bravo!
0:26:41 > 0:26:44I thought you were going to open the Sancerre?
0:26:44 > 0:26:47Yes, but with the red meat, I thought...
0:26:47 > 0:26:51I'm sorry, what has this got to do with your wife's first husband?
0:26:51 > 0:26:53I know he's not real.
0:27:02 > 0:27:06Subtitles by Red Bee Media Ltd