0:00:33 > 0:00:37Seth! I wasn't expecting an early morning visit.
0:00:37 > 0:00:40This ain't early, Mr B, just haven't been to bed yet.
0:00:40 > 0:00:42Have you been home at all?
0:00:42 > 0:00:45Doesn't matter, it's not like I'm missed.
0:00:45 > 0:00:47Well, stay and have some breakfast.
0:00:49 > 0:00:52Come on, when was the last time you ate?
0:01:00 > 0:01:04What about eggs on toast? Fuel for school.
0:01:04 > 0:01:09Eggs, yeah, school, no.
0:01:09 > 0:01:15Ah, now the War Poets, interesting choice. Read me a line.
0:01:15 > 0:01:22"What passing bells for these who die as cattle." Yeah, I like it.
0:01:22 > 0:01:25Good, and what do you think it means, Seth?
0:01:26 > 0:01:28Nobody gives a monkey about soldiers?
0:01:28 > 0:01:30Very candid.
0:01:30 > 0:01:32Is there a tap running?
0:01:32 > 0:01:34Oh, yeah. Is it all right if I have a bath?
0:01:34 > 0:01:36I suppose so, but...
0:01:37 > 0:01:41Just a minute, has the bath been running all this time?
0:01:42 > 0:01:44Oh, Seth, not again.
0:02:07 > 0:02:09Hey, Cherry, come on, we've got to go!
0:02:09 > 0:02:13OK. I'm coming. You can start the engine.
0:02:18 > 0:02:23- Seth, I'm not cross with you, but... - Meaning you are.
0:02:23 > 0:02:26I just wish you'd ask me first before you...
0:02:26 > 0:02:29"Come whenever you like", you said.
0:02:29 > 0:02:32"Somewhere I could feel safe." You don't want me either.
0:02:32 > 0:02:35That's simply not true, Seth.
0:02:35 > 0:02:37PHONE RINGS
0:02:37 > 0:02:41I just hate to see you wasting your life like this.
0:02:41 > 0:02:44OK, you can't change your family.
0:02:44 > 0:02:47We have to manage the cards we've been dealt,
0:02:47 > 0:02:49but you have such promise, Seth...
0:02:49 > 0:02:52'Jonathan, please say you haven't forgotten
0:02:52 > 0:02:53'your book signing this morning.
0:02:53 > 0:02:56'I hope the fact I'm speaking to your answer machine
0:02:56 > 0:02:58'means you're there already.'
0:03:09 > 0:03:13Well, that's very kind of you to say. I'm very flattered.
0:03:16 > 0:03:20Sorry, any of you good people have a pen?
0:03:20 > 0:03:23Please judge by thy works and not the man.
0:03:24 > 0:03:25Thank you.
0:03:25 > 0:03:29Mr Bennett, you probably don't remember me.
0:03:29 > 0:03:33Howard Bellamy, Cardale Secondary, 1982.
0:03:34 > 0:03:38Bellamy, the tall lad, of course I remember you...
0:03:38 > 0:03:41What a lovely pleasure after all these years.
0:03:41 > 0:03:44I saw you in the paper, I thought I'd swing by and say hello.
0:03:44 > 0:03:46You were always a firm favourite at school.
0:03:46 > 0:03:48Nice of you to take the trouble to say hello.
0:03:50 > 0:03:53Here, a gift from me.
0:04:01 > 0:04:04Thank you, you shouldn't have...
0:04:04 > 0:04:07Hardly a star pupil.
0:04:07 > 0:04:09Do you fancy a coffee afterwards?
0:04:09 > 0:04:13If you don't mind waiting, that would be delightful.
0:04:13 > 0:04:14My pleasure, Mr Bennett.
0:04:14 > 0:04:18Oh, and I think it's time you call me Jonathan, don't you?
0:04:18 > 0:04:22We left the classroom a long time ago.
0:04:24 > 0:04:27Thank you.
0:04:29 > 0:04:30Morning.
0:04:30 > 0:04:35Airport parking fees! I could buy another plane ticket for this.
0:04:35 > 0:04:36All right for some.
0:04:36 > 0:04:39Are you all right? You haven't seemed yourself lately.
0:04:39 > 0:04:42Yeah, I've been a bit under the weather but I'm better now.
0:04:42 > 0:04:44Well, you should have a holiday as well.
0:04:44 > 0:04:46Why don't the two of you get away?
0:04:46 > 0:04:49- We haven't got anything planned. - Go on. Bit of late Autumn sun.
0:04:49 > 0:04:52Many a baby's been conceived on holiday.
0:04:52 > 0:04:54Really?
0:04:54 > 0:04:57Parents are relaxed or drunk.
0:04:57 > 0:04:59Jack, I know for a fact, was Tenerife.
0:04:59 > 0:05:03Immie was Weston Super Mare.
0:05:03 > 0:05:04That's what we'll do, then.
0:05:11 > 0:05:14I think that went OK, don't you?
0:05:17 > 0:05:19Jonathan, how did the signing go?
0:05:19 > 0:05:21Very well, thank you.
0:05:21 > 0:05:24I nearly made it, but as I've already got my copy...
0:05:24 > 0:05:27Well, that's gratifying anyway.
0:05:27 > 0:05:30I hope you were equipped today.
0:05:30 > 0:05:34The last signing I went to, I had to give him my biro.
0:05:34 > 0:05:35I don't recall that.
0:05:35 > 0:05:38I promised to keep schtum.
0:05:38 > 0:05:40Well, I clearly haven't learnt my lesson.
0:05:40 > 0:05:44- Do you have your copy with you? - Of course, I wouldn't be without it.
0:05:44 > 0:05:48Wonderful. Well, I'm very happy to sign it, if you like?
0:05:48 > 0:05:54- No!- No...it's...fine.
0:05:59 > 0:06:01- Who was that?- No idea.
0:06:01 > 0:06:05But you've probably noticed I seem to have a fan base
0:06:05 > 0:06:08of the mature-lady variety.
0:06:13 > 0:06:18- I booked it. - Wow! There's no stopping you. Where?
0:06:18 > 0:06:20Majorca. Don't mention it to Cherry - it's a surprise.
0:06:20 > 0:06:23Oh, no, I promise. She's going to be dead chuffed.
0:06:23 > 0:06:27I'm going to pop home on my house calls, get her passport number
0:06:27 > 0:06:31for the ticket details, then I'll surprise her tonight.
0:06:31 > 0:06:36Oh, it's going to work wonders.
0:06:36 > 0:06:39You see, they're rather a rough, abusive family.
0:06:39 > 0:06:42Heaven knows how they fetched up next door.
0:06:43 > 0:06:45But Seth, the son, he's quite extraordinary.
0:06:45 > 0:06:47In what way?
0:06:47 > 0:06:51Well, the boy's virtually feral but he has great intelligence.
0:06:51 > 0:06:54Course he's never in school so I took him under my wing.
0:06:55 > 0:06:57Maybe that harks back to my teaching days...
0:06:57 > 0:07:02There's always some poor lad with promise but no advantages.
0:07:02 > 0:07:04So you're a mentor to him.
0:07:04 > 0:07:06I lend Seth books and help him out...
0:07:06 > 0:07:11You know, with the odd fiver and meal.
0:07:11 > 0:07:13That's all very kind, Mr Bennett,
0:07:13 > 0:07:15but if you don't mind me saying, you have to be careful.
0:07:15 > 0:07:18This kind of charity can leave you open to abuse.
0:07:18 > 0:07:20Maybe you're right there.
0:07:20 > 0:07:24Seth does let himself into my flat whenever.
0:07:24 > 0:07:25How?
0:07:26 > 0:07:27I gave him a key.
0:07:29 > 0:07:32It's taken its toll, if I'm honest.
0:07:32 > 0:07:37I can't sleep, can't concentrate, even get the odd shakes.
0:07:39 > 0:07:44Anyway, I really feel Seth's moving beyond my help.
0:07:46 > 0:07:50Hi, Howard. It's my day off, that's why I'm here.
0:07:50 > 0:07:52Well, I wouldn't expect you here during work time.
0:07:55 > 0:07:57Member of staff.
0:07:57 > 0:07:59I have a man who can sort out the locks for you.
0:07:59 > 0:08:02If you can be home in half an hour, I'll make the call.
0:08:02 > 0:08:05Good. Listen, why don't you pop by the surgery afterwards?
0:08:05 > 0:08:08I'll organise an appointment with the doctor for you.
0:08:08 > 0:08:10OK.
0:08:12 > 0:08:15You always were a star pupil.
0:08:15 > 0:08:16I'll see you later.
0:08:23 > 0:08:27Shouldn't you be wearing a flower in your buttonhole, or is that the man?
0:08:30 > 0:08:34Johnno, Captain Bellamy. Got a little locksmith job for you.
0:08:37 > 0:08:38Seth, what do you think you're doing?
0:08:38 > 0:08:41There's only rubbish to eat...
0:08:41 > 0:08:44Stop that, please. Look at the mess you're making. Seth!
0:08:44 > 0:08:46So what?
0:08:46 > 0:08:48If you're hungry, simply ask,
0:08:48 > 0:08:50but I'd rather you didn't intrude in my home.
0:08:50 > 0:08:54It's OK if you're boring me with stupid poetry.
0:08:54 > 0:08:58Anyway, you said open invite. You gave me a key.
0:08:59 > 0:09:02Actually, I've been thinking about that and I'd like it back, please.
0:09:02 > 0:09:05Or what? You'll chuck me out?
0:09:05 > 0:09:07- DOORBELL RINGS - Stupid old git.
0:09:08 > 0:09:13Right, we'll fix this once and for all.
0:09:13 > 0:09:15You haven't left me any choice.
0:09:15 > 0:09:18I was trying to be kind.
0:09:18 > 0:09:20- Locksmith. - Ah, good, hello, yes, please come in.
0:09:22 > 0:09:24Stupid old git, am I?
0:09:24 > 0:09:27I warned you, Seth. Now you're for...
0:09:37 > 0:09:38Hi
0:09:38 > 0:09:39You all right?
0:09:43 > 0:09:45- Didn't get lost finding this place? - No, why would I?
0:09:47 > 0:09:49You've grown your hair - suits you.
0:09:51 > 0:09:54I've brought some number crunching we need to go through.
0:09:54 > 0:09:56I'd like another cappuccino please,
0:09:56 > 0:09:59and he'll have an Americano with cold milk on the side.
0:09:59 > 0:10:01No, make mine a latte, thanks.
0:10:06 > 0:10:08Ah, good timing.
0:10:08 > 0:10:09If you say so.
0:10:09 > 0:10:11Are you OK? Did the locksmith come?
0:10:11 > 0:10:13Oh, yes, that was done, thank you.
0:10:13 > 0:10:15I've arranged for you to see Dr Reid.
0:10:15 > 0:10:18- Hello.- I'm very grateful.
0:10:18 > 0:10:20When Howard asked me if I could fit in THE Jonathan Bennett,
0:10:20 > 0:10:24the local prize-winning poet...
0:10:24 > 0:10:26Well, the pleasure's all mine.
0:10:26 > 0:10:28Well, thank you.
0:10:28 > 0:10:31I was young Bellamy's English teacher in an earlier life.
0:10:31 > 0:10:33Howard, you are a dark horse.
0:10:33 > 0:10:36I would have been shamelessly name dropping.
0:10:36 > 0:10:38- You've guessed, I'm a fan. - I'm flattered.
0:10:38 > 0:10:41Anyway, back to business. Shall we?
0:10:44 > 0:10:48I didn't realise you were a poetry buff, Dr Reid.
0:10:48 > 0:10:51Don't flatter yourself, "young Bellamy".
0:10:51 > 0:10:53There's still a lot you don't know - yet.
0:10:56 > 0:10:58So, this column here
0:10:58 > 0:11:02has the expenditure for overall costs, then it's broke down here...
0:11:02 > 0:11:06This other column shows what's been borrowed.
0:11:06 > 0:11:09If you look at the time graph in here...
0:11:09 > 0:11:12When you said, "We should go through all the costs..."
0:11:12 > 0:11:15- Yeah? - I didn't think you meant like this.
0:11:15 > 0:11:21Well, this way everyone knows where they stand - no surprises.
0:11:23 > 0:11:25Anyway, by these calculations,
0:11:25 > 0:11:27I reckon the amount I owe you comes to 8,000.
0:11:27 > 0:11:29Oh, that much?
0:11:29 > 0:11:32So, I figure, two grand I pay you now, the rest by instalments.
0:11:32 > 0:11:36Thanks. It'll come in handy right now.
0:11:36 > 0:11:38I'll sort the bank transfer, then.
0:11:40 > 0:11:42- KNOCK ON DOOR - Come in.
0:11:44 > 0:11:46- I'm done now.- Helpful?
0:11:46 > 0:11:49Oh, most. Dr Reid was very kind.
0:11:49 > 0:11:51She gave me something that should do the trick.
0:11:51 > 0:11:57I hadn't realised how stressed I'd felt due to this frightful business.
0:11:57 > 0:11:59I was wondering about that, to be honest.
0:11:59 > 0:12:02More pragmatism, Bellamy, let's hear it.
0:12:02 > 0:12:06I was wondering whether it may be a matter for the police.
0:12:06 > 0:12:07Call the police on Seth?
0:12:07 > 0:12:11You said yourself, the situation was getting out of hand. What if...
0:12:11 > 0:12:13No, no, no! Absolutely not.
0:12:13 > 0:12:16That's totally out of the question. He's been betrayed enough times.
0:12:16 > 0:12:22No... Seth is just a lost boy.
0:12:22 > 0:12:26He needs our compassion, not punishment.
0:12:44 > 0:12:48Here are those stats you wanted.
0:12:48 > 0:12:52Oh, Howard, cultivating your poetic side?
0:12:52 > 0:12:55Thanks for seeing him. I know you had to squeeze him in.
0:12:55 > 0:12:58All part of the service. Mind you, let's face it,
0:12:58 > 0:13:01it's not exactly a hardship spending 15 minutes
0:13:01 > 0:13:03of my day with an esteemed poet.
0:13:04 > 0:13:07Esteemed poet or not, I can't understand why he gives
0:13:07 > 0:13:10this boy the time of day when he should be involving the police.
0:13:10 > 0:13:12Did he mention anything to you?
0:13:12 > 0:13:16Mmm, he's clearly preoccupied by the boy.
0:13:16 > 0:13:20It's funny, he sounds like he's reciting even when he's complaining.
0:13:20 > 0:13:23There seems to be a lot of poetry about disenchanted youth,
0:13:23 > 0:13:25seems like a recurring...
0:13:27 > 0:13:28What?
0:13:28 > 0:13:32There's actually a poem here called The Lost Boy.
0:13:33 > 0:13:38Oh, yeah, so the presents... I've returned the last of them now.
0:13:38 > 0:13:41Thanks, have you included the costs of postage?
0:13:41 > 0:13:45Yes...in this column here.
0:13:45 > 0:13:48Oh, and that's the fee we still need to pay for the caterers.
0:13:48 > 0:13:49Wow, that much?
0:13:49 > 0:13:52Yeah, we're liable for the whole amount.
0:13:52 > 0:13:55There's a 48-hour cancellation clause.
0:14:01 > 0:14:05I want him out! He's barricaded himself in my bathroom.
0:14:05 > 0:14:07I can't get him out!
0:14:07 > 0:14:09Jonathan?
0:14:09 > 0:14:10Jonathan?
0:14:10 > 0:14:12I thought you'd had the locks changed!
0:14:12 > 0:14:13Seth.
0:14:13 > 0:14:16- 'Jonathan.'- Seth, what are you doing?- 'Can you hear me?
0:14:16 > 0:14:17'Jonathan?'
0:14:19 > 0:14:21Seth.
0:14:21 > 0:14:22Jonathan!
0:14:35 > 0:14:37So, that's us sorted then.
0:14:37 > 0:14:39OK.
0:14:40 > 0:14:43Do you want to see where I work? It's not far.
0:14:43 > 0:14:45No, thanks. I need to get back.
0:14:45 > 0:14:53We should do this again. I mean, meet up, maybe to review everything.
0:14:53 > 0:14:55Just text if there's a problem.
0:14:55 > 0:15:02And I'll get that bank transfer sorted out pronto, OK? So that's it.
0:15:02 > 0:15:05Shouldn't be any need for us to see each other again after this.
0:15:27 > 0:15:29You were in the wine bar earlier.
0:15:29 > 0:15:31You mean my awful meeting with Jonathan?
0:15:31 > 0:15:35There was a problem... signing your book.
0:15:35 > 0:15:38Yes. It was very embarrassing, actually.
0:15:38 > 0:15:42I don't want to appear rude but...who are you exactly?
0:15:42 > 0:15:43Sorry?
0:15:43 > 0:15:46Are you following Jonathan? How did you know...?
0:15:46 > 0:15:49No, I am not following him, for heaven's sake. I'm Isobel...
0:15:49 > 0:15:51I'm his girlfriend,
0:15:51 > 0:15:54we've been seeing each other for a few months now.
0:15:54 > 0:15:57SHE PRESSES BUZZER
0:15:58 > 0:16:01He led me to believe you were a fan.
0:16:01 > 0:16:03No, that's...typical!
0:16:24 > 0:16:26Karen, have you heard from Jimmi? He's not picking up his phone.
0:16:26 > 0:16:29He's gone to try and find your passport.
0:16:31 > 0:16:34He said he'd pop in home after house calls.
0:16:48 > 0:16:51There's something not right here. He called me in a very bad way.
0:16:51 > 0:16:53HE KNOCKS DOOR
0:16:53 > 0:16:56Jonathan! Mr Bennett!
0:16:58 > 0:17:03Bellamy, thank goodness! Seth's barricaded himself in my bathroom.
0:17:03 > 0:17:06He refuses to come out.
0:17:06 > 0:17:08Seth!
0:17:08 > 0:17:09HE KNOCKS ON DOOR
0:17:09 > 0:17:13Seth! I'm going to count to three then I'm calling the police.
0:17:14 > 0:17:15One...
0:17:35 > 0:17:41He was here. This dreadful mess is due to him, I told you.
0:17:41 > 0:17:42The boy's like a powder keg...
0:17:42 > 0:17:46he just explodes and leaves mayhem in his wake.
0:17:46 > 0:17:49He has no grain of responsibility - he's rudderless.
0:17:49 > 0:17:53A fatherless child...
0:17:53 > 0:17:55"A fatherless child With no kith or kin
0:17:55 > 0:17:59"A lost boy struggling to moor himself
0:17:59 > 0:18:01"When land or island is illusory."
0:18:01 > 0:18:05Why are you quoting from my poetry like that?
0:18:05 > 0:18:07I've been reading it,
0:18:07 > 0:18:11especially The Lost Boy. It sounds a lot like Seth.
0:18:12 > 0:18:15Mr Bennett, I think you're imagining him.
0:18:15 > 0:18:18Don't speak to me that way, you insolent boy!
0:18:18 > 0:18:19I'm your teacher.
0:18:19 > 0:18:21Seth is a hallucination.
0:18:21 > 0:18:24How dare you insinuate...
0:18:24 > 0:18:29Jonathan, it's perfectly understandable that your characters
0:18:29 > 0:18:34are alive in your mind - that's what makes your poetry so vivid.
0:18:34 > 0:18:35Good of you to say.
0:18:35 > 0:18:38At least here's someone who understands my work.
0:18:38 > 0:18:39I love your work -
0:18:39 > 0:18:42that's what drew me to you in the first place.
0:18:42 > 0:18:47But all this simply... doesn't make sense.
0:18:47 > 0:18:51Your face is familiar. Weren't you at my signing this morning?
0:18:52 > 0:18:58No...but I'm a regular, you could say.
0:18:59 > 0:19:04I must apologise to you, finding me in this mess.
0:19:04 > 0:19:06Hopefully this business with Seth...
0:19:06 > 0:19:08How did Seth escape from the bathroom?
0:19:10 > 0:19:12Must have been through the window, of course
0:19:12 > 0:19:14There is no window.
0:19:19 > 0:19:20Jimmi?
0:19:23 > 0:19:25Jimmi?
0:19:42 > 0:19:46Mr Bennett, I think it's best if you come back to the surgery with me.
0:19:46 > 0:19:48We really do need to get you some help.
0:19:48 > 0:19:52How often do I have to say, there is nothing wrong with me?
0:19:52 > 0:19:57Jonathan, you're not all right. I've been so worried about you.
0:19:57 > 0:20:00- I'm sorry, I don't think we've... - You see?!
0:20:00 > 0:20:04You don't remember who I am from one minute to the next.
0:20:04 > 0:20:06Just like this morning at the wine bar.
0:20:06 > 0:20:07Are you sure?
0:20:07 > 0:20:13I mean, I speak to so many people - my publishers, my readers...
0:20:13 > 0:20:15Didn't you say you attended my readings?
0:20:15 > 0:20:22Yes, but I was by your side. Look... See?
0:20:25 > 0:20:29"To my darling Izzy, and many more memories - Jonathan."
0:20:31 > 0:20:32Izzy.
0:20:34 > 0:20:36I'm so sorry.
0:20:38 > 0:20:42I just can't tell sometimes. It's all a blur.
0:20:44 > 0:20:46Bellamy, am I going mad?
0:20:46 > 0:20:51No, you wouldn't be able to write such brilliant poetry if you were.
0:20:51 > 0:20:53You need to be assessed.
0:20:53 > 0:20:55It's essential we get to the bottom of it
0:20:55 > 0:20:57so you receive the correct treatment.
0:20:57 > 0:21:01Ever the pragmatist.
0:21:01 > 0:21:07Oh, dear, Izzy, I'm looking less of a catch.
0:21:07 > 0:21:12Jonathan, I don't know if I can do this again.
0:21:12 > 0:21:17I...nursed my parents for years and...
0:21:17 > 0:21:19I just...
0:21:20 > 0:21:23We've only been...a few months.
0:21:26 > 0:21:31With a poet losing his marbles, better get out while you can.
0:21:31 > 0:21:40Jonathan, I'm sorry for misjudging everything.
0:21:40 > 0:21:45I better go, but please ring me any time.
0:21:47 > 0:21:48Goodbye.
0:21:50 > 0:21:55Well, Bellamy, that's the trouble with mature female fans...
0:21:57 > 0:21:59They're a fickle bunch.
0:22:05 > 0:22:07Jimmi, can we talk about this, please?
0:22:07 > 0:22:08Can you just let me explain?
0:22:08 > 0:22:10No need, I already know everything.
0:22:12 > 0:22:14I know it must have been a shock finding the pill.
0:22:14 > 0:22:16I know that I should have told you about it.
0:22:16 > 0:22:22Cherry, I said, "I know everything." I know about you and Daniel.
0:22:26 > 0:22:28I might have been able to overlook that,
0:22:28 > 0:22:30despite the fact that it was my best mate,
0:22:30 > 0:22:32despite the fact we haven't been married long.
0:22:32 > 0:22:35In fact, I think that we're still technically newlyweds.
0:22:35 > 0:22:38Not the best way to start a marriage, is it?
0:22:38 > 0:22:40But, hey, nothing's perfect.
0:22:41 > 0:22:43I might have been able to live with that one...
0:22:48 > 0:22:49Not this.
0:22:53 > 0:22:55Better take those.
0:22:55 > 0:22:57Jimmi, can you just stop doing that for a minute, please?
0:22:57 > 0:23:00Do you know the one thing that's the hardest thing to deal
0:23:00 > 0:23:02with in all this crap?
0:23:02 > 0:23:06It's the fact that for all this time you've been so deceptive.
0:23:08 > 0:23:13Jimmi, I am so, so sorry. I wanted to tell you,
0:23:13 > 0:23:15I really, really wanted to tell you,
0:23:15 > 0:23:17I tried to tell you.
0:23:17 > 0:23:18I've hated lying to you.
0:23:18 > 0:23:22I've hated all of this pretending and trying to make it work...
0:23:23 > 0:23:24It hasn't, has it?
0:23:31 > 0:23:34I'll leave...
0:23:36 > 0:23:38And I'll leave the Mill, too.
0:23:43 > 0:23:47Yeah, you should.
0:23:53 > 0:23:58This is a fine ending, eh, Bellamy, for your old teacher?
0:23:58 > 0:24:01These tests you talk about, what did you say they were for?
0:24:01 > 0:24:04I didn't, but it's best you talk them through with the doctor.
0:24:04 > 0:24:06But if there is something wrong?
0:24:06 > 0:24:08Then you cross that bridge when you come to it.
0:24:08 > 0:24:11I'm finished as a poet.
0:24:11 > 0:24:14You know, when I popped along to see you today, it wasn't just
0:24:14 > 0:24:19because I was in the area, it was because I remembered you.
0:24:19 > 0:24:22I may not have been the sharpest pebble in your class as far as
0:24:22 > 0:24:25poetry was concerned, but I learnt something important...
0:24:25 > 0:24:28To find your purpose and give it 100%.
0:24:28 > 0:24:32And you learnt that from my class...
0:24:32 > 0:24:33I learnt that from you.
0:24:36 > 0:24:42And don't forget - this is for future generations.
0:24:42 > 0:24:46What scares me is the thought of bearing this alone...
0:24:46 > 0:24:48Life will be different.
0:24:48 > 0:24:54Things will change but, as your poetry says, "Life goes on".
0:24:55 > 0:25:01Human beings are made of stern stuff - isn't that the message?
0:25:13 > 0:25:15You can keep the wedding presents.
0:25:18 > 0:25:20- They were for both of us. - They're all yours.
0:25:20 > 0:25:21Glad to see the back of them
0:25:24 > 0:25:25How many times?
0:25:28 > 0:25:30It was just once.
0:25:33 > 0:25:34Do you love him?
0:25:35 > 0:25:36Jimmi, no.
0:25:38 > 0:25:40This was never about Daniel...
0:25:43 > 0:25:47It was about me...it was about us.
0:25:47 > 0:25:50Do you know what the most galling thing is in all of this?
0:25:50 > 0:25:53You always professed to hate liars.
0:25:53 > 0:25:56Cherry Malone, honest, faithful, true...
0:25:58 > 0:26:01That's the line you like to spin about yourself.
0:26:01 > 0:26:03Do you remember all the flak you gave me over Eva?
0:26:03 > 0:26:05You're the biggest hypocrite.
0:26:08 > 0:26:13Maybe we were just kidding ourselves all along, eh?
0:26:13 > 0:26:15It was never really right between us, was it?
0:27:04 > 0:27:06You look terrible.
0:27:08 > 0:27:10Don't worry. I'm going to go straight to Howard.
0:27:10 > 0:27:12The meeting with Ray came up last minute.
0:27:12 > 0:27:14It was completely unavoidable.
0:27:14 > 0:27:16Seems to be a lot of that nowadays.
0:27:16 > 0:27:19I owe it to the partners to be professional.
0:27:19 > 0:27:21It's simply not good business practice...
0:27:21 > 0:27:23You and your bloomin' business!
0:27:23 > 0:27:26I don't even want to stay here, the way this place is going.
0:27:37 > 0:27:44Subtitles By Red Bee Media Ltd