0:00:43 > 0:00:45SHOWER RUNS
0:01:00 > 0:01:02Em!
0:01:08 > 0:01:13I will take very good care of her, I promise, Mary.
0:01:13 > 0:01:16OK, bye.
0:01:16 > 0:01:18- Bye, bye, bye. - Good morning. Are these mine?
0:01:19 > 0:01:20Oh, sorry.
0:01:22 > 0:01:24Morning all.
0:01:24 > 0:01:28Just to remind you both that I'm off this afternoon?
0:01:28 > 0:01:30I'm taking my goddaughter round the campus.
0:01:30 > 0:01:34She's up for the Ravenscroft Theatre Design Scholarship.
0:01:34 > 0:01:36Sounds impressive.
0:01:36 > 0:01:40She's only here for a few hours so I really want to make the
0:01:40 > 0:01:44absolute most of it by taking off an extra ten minutes, if that's OK?
0:01:44 > 0:01:46It's a very busy day, Karen.
0:01:46 > 0:01:48It's only ten minutes, and it's in a good cause.
0:01:48 > 0:01:50The future of British theatre design.
0:01:50 > 0:01:52Pretty please?
0:01:52 > 0:01:55Oh, all right. I am such a soft touch.
0:01:55 > 0:01:58- Yeah. But we love you for it. Don't we, Daniel? - I wouldn't go that far.
0:02:01 > 0:02:02Bet she's still asleep.
0:02:06 > 0:02:08Hi, Tilly.
0:02:08 > 0:02:09It's Karen again.
0:02:09 > 0:02:13Just to remind you that we're taking Sasha round the university this afternoon.
0:02:13 > 0:02:16Meet you at the top of the steps, yes?
0:02:21 > 0:02:23Good morning. Sleep OK?
0:02:27 > 0:02:28Where are you going?
0:02:28 > 0:02:29Nowhere.
0:02:30 > 0:02:33I've sent Martha home so we can have the day to ourselves.
0:02:35 > 0:02:40And there's me thinking, "One look at me will transport him back to Tuscany, 1989."
0:02:40 > 0:02:42I'm so sorry.
0:02:42 > 0:02:46- I forgot, love.- Don't be silly. - Let me ring a florist.
0:02:46 > 0:02:50No. I have got the perfect anniversary gift for us both.
0:02:52 > 0:02:54It's the old recipe from the old Signora.
0:02:54 > 0:02:56Wow, carpaccio...
0:02:56 > 0:03:00..di tonno exactly. So that's lunch, if you fancy it?
0:03:03 > 0:03:04- Any itches?- Shoulder.
0:03:07 > 0:03:08Bit lower.
0:03:11 > 0:03:13Bingo. Thanks, love
0:03:13 > 0:03:17All part of the service. Happy anniversary.
0:03:17 > 0:03:19Happy anniversary, you.
0:03:26 > 0:03:29ITALIAN MUSIC PLAYS
0:03:35 > 0:03:37Tell him I'll see him really soon.
0:03:37 > 0:03:40And I've got another session with Oliver today which is positive.
0:03:40 > 0:03:42Give me a call. Bye.
0:03:42 > 0:03:45Is that Zara?
0:03:45 > 0:03:48Zara's voicemail. I'm seeing Joe at the weekend.
0:03:48 > 0:03:51- Ah, I bet he's gorgeous now. - Want to see him?
0:03:51 > 0:03:56- A proper little smiler. - Yeah. I can't wait to see him.
0:03:56 > 0:04:01- Oh, here she is! - Hello, Auntie Karen.
0:04:01 > 0:04:05Doctor Granger. This is my ever so talented goddaughter Sasha.
0:04:05 > 0:04:08- Hello.- Me and her mum used to go to school together,
0:04:08 > 0:04:12best mates until she moved to the sticks. How're your mom and dad? Still keeping goats?
0:04:12 > 0:04:15- Karen says you're trying for a scholarship here. - And she'll get it.
0:04:15 > 0:04:17I really hope so.
0:04:18 > 0:04:20So this is the next John Ravenscourt?
0:04:21 > 0:04:23Dr Carter, this is Sasha.
0:04:23 > 0:04:27Karen's been telling us all about your Egyptian masks.
0:04:28 > 0:04:31- I really need the toilet. - Downstairs on the left.
0:04:34 > 0:04:36Was it me or is she a tad shy?
0:04:36 > 0:04:38Teenagers. She never used to be like that.
0:04:38 > 0:04:43- Out of her comfort zone, I expect. University will toughen her up. - If she survives it.
0:04:43 > 0:04:44She'll be fine.
0:04:49 > 0:04:51SHE LAUGHS
0:04:51 > 0:04:55Look at those stilettos what was I thinking?
0:04:55 > 0:04:57I'm having to hang on to you.
0:04:57 > 0:05:00No, you just liked to hang on to me.
0:05:06 > 0:05:09Oh! Oh, well.
0:05:09 > 0:05:12She'll be here in a bit.
0:05:12 > 0:05:16Your mum said you wanted to see the university theatre, so we'll do that.
0:05:16 > 0:05:19- I don't know what's on at the minute. - A Streetcar Named Desire. - Oh, is it?
0:05:21 > 0:05:23Oh, it's voicemail. I'll try again.
0:05:23 > 0:05:26Anything else you want to see, just let me know and I'll sort it.
0:05:26 > 0:05:28Or I can ask myself.
0:05:28 > 0:05:31Course you can, that's why you're here.
0:05:31 > 0:05:32Hark at me, gassing on.
0:05:32 > 0:05:34Mum said you probably would.
0:05:35 > 0:05:39Oh... Come on, answer your phone.
0:05:39 > 0:05:41Ah, there's Tilly.
0:05:42 > 0:05:43Cheek!
0:05:46 > 0:05:47This is for you.
0:06:04 > 0:06:07This is the first year I wouldn't have got you roses.
0:06:07 > 0:06:10A card is fine.
0:06:10 > 0:06:13And it just so happens, here's one I bought earlier.
0:06:21 > 0:06:22Nice.
0:06:43 > 0:06:46"To Emma, love Sam."
0:06:47 > 0:06:48Short and sweet.
0:06:50 > 0:06:52Well, the card says it all.
0:06:55 > 0:06:56Yes, it does.
0:07:03 > 0:07:04Tilly!
0:07:05 > 0:07:07We said by the steps, didn't we?
0:07:07 > 0:07:10No, we said here. I've been waiting ages.
0:07:10 > 0:07:13Really? Anyway, this is Sasha.
0:07:13 > 0:07:15- Hello.- All right?
0:07:15 > 0:07:16This is very kind of you.
0:07:16 > 0:07:19Immie said you may be able to show us the department,
0:07:19 > 0:07:21the workshop, the campus and..
0:07:21 > 0:07:24I'm really busy, Karen. I've only got half an hour.
0:07:24 > 0:07:28- You said an hour. - You can show her round yourself. You've been here longer than me.
0:07:28 > 0:07:31I'm not a student, though, am I?
0:07:31 > 0:07:33Immie thought you might have some time for us.
0:07:33 > 0:07:37How is Immie? I bet she's busy too.
0:07:37 > 0:07:39- She is but... - Is this your design, Tilly?
0:07:39 > 0:07:42Yeah and I made it.
0:07:42 > 0:07:45Wow. It's so in your face.
0:07:45 > 0:07:46Yeah?
0:07:46 > 0:07:49It's wicked. Are you going to sell them?
0:07:49 > 0:07:51Maybe I will.
0:07:51 > 0:07:54Well, since we're here I suppose this is Theatre and Design.
0:07:54 > 0:07:56We've got two floors.
0:08:10 > 0:08:12Coffee.
0:08:12 > 0:08:14Oh. There you go.
0:08:14 > 0:08:17Ooh, I've forgotten to put the champagne in the fridge.
0:08:23 > 0:08:25Tilly, would it be all right
0:08:25 > 0:08:28if we saw the sets for Streets Of Desire or whatever it's...?
0:08:28 > 0:08:29The theatre's over the other side.
0:08:29 > 0:08:32It's five minutes away. She's dying to see it.
0:08:32 > 0:08:35I read a review. "Moody and mesmerising", one said.
0:08:35 > 0:08:38You need special permission, which is impossible to get.
0:08:38 > 0:08:39Oh, is it?
0:08:39 > 0:08:41Surely you can sneak us in.
0:08:41 > 0:08:44It's a working theatre, Karen, they can't just let anyone in.
0:08:44 > 0:08:46But she's come all this way.
0:08:46 > 0:08:47Morning.
0:08:47 > 0:08:49Hi, Paul.
0:08:49 > 0:08:50Hi, Tina.
0:08:50 > 0:08:52Tilly.
0:08:52 > 0:08:54Are these for Streetcar?
0:08:54 > 0:08:56No, they're prototypes for the next production
0:08:56 > 0:09:01They're great. Although I would have used a foam core.
0:09:02 > 0:09:06I agree. Dr Paul Fox, visiting lecturer.
0:09:08 > 0:09:09I'm Karen Hollins...
0:09:09 > 0:09:10Oh, dear!
0:09:11 > 0:09:13Bull in a china shop!
0:09:13 > 0:09:15I'm Karen Hollins, I work at the Campus Surgery.
0:09:16 > 0:09:18You've got a bit of lipstick.
0:09:20 > 0:09:21Sorry. My wife.
0:09:23 > 0:09:25This is Sasha my goddaughter,
0:09:25 > 0:09:28she's here for the Ravenscourt Scholarship.
0:09:28 > 0:09:29She was asked to apply.
0:09:29 > 0:09:30Was she?
0:09:30 > 0:09:33You've certainly caught someone's eye.
0:09:33 > 0:09:36She's got some questions about the course.
0:09:36 > 0:09:38Excellent. Fire away.
0:09:38 > 0:09:41I had a list....somewhere
0:09:42 > 0:09:46If you could spare some time for a proper chat?
0:09:46 > 0:09:49Why not? Always glad to help young talent.
0:09:49 > 0:09:51I'm free after lunch.
0:09:51 > 0:09:54Why don't we go for a drink at the Union.
0:09:54 > 0:09:56I thought you were busy?
0:09:56 > 0:09:58No, of course not.
0:09:58 > 0:10:01I'm always happy to help new students.
0:10:01 > 0:10:03Besides, Karen's buying.
0:10:03 > 0:10:05OK. See you at half one.
0:10:07 > 0:10:09Thanks so much, Tilly.
0:10:09 > 0:10:11No problem. Meet you there.
0:10:13 > 0:10:17Paul Fox is like the megastar of theatre design, Auntie Karen.
0:10:17 > 0:10:19That was so nice of Tilly.
0:10:19 > 0:10:22Perhaps we should have some lunch first?
0:10:22 > 0:10:25Mum sent goat's cheese sandwiches.
0:10:25 > 0:10:28Maybe I should save my money for the bar.
0:10:28 > 0:10:30Apparently I'm buying.
0:11:02 > 0:11:04Ta-dah!
0:11:05 > 0:11:07You didn't drink your coffee.
0:11:07 > 0:11:08I couldn't reach it.
0:11:08 > 0:11:11I'm so sorry. How stupid of me.
0:11:11 > 0:11:14Anyway, this should cheer you up.
0:11:17 > 0:11:20Marks out of ten for the carpaccio?
0:11:20 > 0:11:22I think I may have put too much lemon juice in it.
0:11:22 > 0:11:24See what you think.
0:11:27 > 0:11:29Hang on.
0:11:31 > 0:11:33There you go.
0:11:33 > 0:11:36OK, try this.
0:11:37 > 0:11:39No, I'm fine.
0:11:44 > 0:11:46Maybe I'll just have a drink first, I think.
0:11:46 > 0:11:48Right. OK.
0:11:57 > 0:12:01- Oh, OK. Hang on. - For goodness sake!
0:12:01 > 0:12:02- Do you want a straw?- No!
0:12:04 > 0:12:07Oh, for heaven's sake, Emma, just take it away.
0:12:10 > 0:12:13- But it's our anniversary. - Please!
0:12:14 > 0:12:15It's a celebration.
0:12:16 > 0:12:20Why on earth would we be celebrating?
0:12:20 > 0:12:21Hmm?
0:12:26 > 0:12:30- So what d'you think of the university? - The workshop was awesome.
0:12:30 > 0:12:32Jack says it's a really friendly place.
0:12:32 > 0:12:34I gather that not all universities are like that.
0:12:34 > 0:12:36It's so expensive.
0:12:36 > 0:12:37True, but...
0:12:37 > 0:12:39I think I'm only going to go if I get the scholarship.
0:12:39 > 0:12:41Does your mum know that?
0:12:41 > 0:12:43I just think that if I can get a job in the theatre,
0:12:43 > 0:12:47I can be learning things without having to pay out thousands.
0:12:47 > 0:12:50John Ravenscourt never went to uni.
0:12:50 > 0:12:53That's ironic. But how many theatre design jobs are there?
0:12:55 > 0:13:00We'd better make the most of this afternoon's chat with Paul Fox.
0:13:00 > 0:13:02Actually, about this afternoon...
0:13:02 > 0:13:06That was so nice of Tilly to organise, cos she's so busy.
0:13:06 > 0:13:08I mean, Paul Fox.
0:13:08 > 0:13:12People still talk about his multimedia exhibitions, even though they were years ago.
0:13:12 > 0:13:17I think she's more interested in him than the work. Him as a man.
0:13:18 > 0:13:22She's sharing her contacts, Auntie Karen, which is so generous.
0:13:22 > 0:13:24She'll be sharing something...
0:13:24 > 0:13:27I just wanted to say, be careful of Tilly.
0:13:29 > 0:13:31Sorry, love.
0:13:33 > 0:13:37My appetite's all over the place.
0:13:37 > 0:13:39And I'm not exactly the best company, am I?
0:13:41 > 0:13:45Look, I know you're feeling terrible
0:13:45 > 0:13:48and you probably think that nothing
0:13:48 > 0:13:51is worth anything anymore, but maybe...
0:13:51 > 0:13:53We should count our blessings?
0:13:53 > 0:13:55No. I wasn't going to say that.
0:13:55 > 0:13:59Maybe this will bring us closer together.
0:14:01 > 0:14:02We've got a second chance.
0:14:04 > 0:14:07What, so it was a good thing that this happened to me?!
0:14:07 > 0:14:09No obviously not. Don't be stupid.
0:14:11 > 0:14:13There are no positives here, Emma.
0:14:20 > 0:14:23That was me.
0:14:24 > 0:14:25That was Sam Reid.
0:14:25 > 0:14:27That was your husband.
0:14:29 > 0:14:32God knows who this is, cos I don't.
0:14:33 > 0:14:35You are the man I married,
0:14:35 > 0:14:39the man I loved, the man I still love.
0:14:41 > 0:14:44Please, you need to stop fooling yourself.
0:14:56 > 0:14:58Tilly.
0:14:58 > 0:14:59Strewth, look at you!
0:14:59 > 0:15:01- You look amazing. - I'm going out later so...
0:15:01 > 0:15:03Thanks again for organising this.
0:15:03 > 0:15:08Sure. Paul's great. He's so passionate.
0:15:08 > 0:15:11And he's good-looking. Shame he's married. Don't you think, Tilly?
0:15:11 > 0:15:12He's a free agent.
0:15:12 > 0:15:14Not with a wife, he's not.
0:15:14 > 0:15:17- Grow up, Karen.- Hey, watch the attitude, you little madam.
0:15:17 > 0:15:19Auntie Karen, please?
0:15:25 > 0:15:26Paul. Hi.
0:15:26 > 0:15:28Hey, hey, hey!
0:15:28 > 0:15:29Hello again.
0:15:34 > 0:15:36So...
0:15:36 > 0:15:38What does everyone want?
0:15:38 > 0:15:39Vodka and tonic for me.
0:15:39 > 0:15:41You sit down. Make the most of Paul.
0:15:41 > 0:15:47I probably shouldn't tell you this, but our head of department's just been singing your praises.
0:15:47 > 0:15:48You're Sasha Millican?
0:15:48 > 0:15:50- That's right. - Egyptian masks?
0:15:50 > 0:15:53Wow, Sasha, they know your name.
0:15:53 > 0:15:56- What would you like to drink? - I'll have another G&T, thanks.
0:15:56 > 0:16:00- Sasha?- Orange juice, please. - So what's on your list?
0:16:00 > 0:16:03Ah, well, the first thing is work placements.
0:16:03 > 0:16:07You won't know this, Sasha, cos you're still at school,
0:16:07 > 0:16:10but Paul's a respected artist in his own right.
0:16:10 > 0:16:12I've had my share of success.
0:16:12 > 0:16:15I loved your article on surround video techniques.
0:16:15 > 0:16:17His what?
0:16:17 > 0:16:20That was pretty controversial.
0:16:20 > 0:16:22Tilly, come and give me a hand with the drinks.
0:16:22 > 0:16:25It's true. I thought it was quite interesting...
0:16:25 > 0:16:28Hey I love your earring, is it new?!
0:16:28 > 0:16:29- Yeah.- Oh!
0:16:37 > 0:16:39I daren't ask.
0:16:41 > 0:16:44Foxes? Squirrels? Wombles?
0:16:44 > 0:16:50- They're rabbits.- Oh, yeah, so they are.- You've got one orange leg.
0:16:51 > 0:16:54Is that part of the Tuscan look?
0:16:54 > 0:16:59I ran out of fake tan. You weren't supposed to notice.
0:17:03 > 0:17:05I always notice.
0:17:09 > 0:17:10I was a grumpy git before, Em.
0:17:10 > 0:17:13I'm not going to get any cheerier now.
0:17:16 > 0:17:18You were never grumpy.
0:17:25 > 0:17:28Are there modules on lighting design?
0:17:28 > 0:17:31That shirt is amazing, Paul.
0:17:31 > 0:17:33It really suits your physique.
0:17:34 > 0:17:35So does yours.
0:17:39 > 0:17:44Sorry, I should have held off on the G&Ts, but my wife...
0:17:46 > 0:17:49Your wife? You were saying about your wife?
0:17:51 > 0:17:54I think she's...
0:17:55 > 0:17:56Between you and me,
0:17:56 > 0:18:01I think my wife Marianne is maybe having an affair.
0:18:01 > 0:18:03Oh dear.
0:18:03 > 0:18:06I can't lose her. It's devastating.
0:18:06 > 0:18:08Devastating, yes.
0:18:08 > 0:18:12Paul, I was really hoping to see inside the theatre.
0:18:12 > 0:18:14- You need permission, I'm afraid. - Told you.
0:18:15 > 0:18:19Paul, have you and Marianne, was it? Have you got kids?
0:18:19 > 0:18:24Oh, yeah, five and three.
0:18:24 > 0:18:27Awh.
0:18:27 > 0:18:28They're great.
0:18:28 > 0:18:32- So, she was asking...? - Yes, sorry, what were you asking? - I was...
0:18:32 > 0:18:36Is it silk-based? It feels great.
0:18:37 > 0:18:41- Oops. I am so sorry. - Karen! For goodness sake I'm soaked!
0:18:41 > 0:18:45I'll just help her out.
0:18:47 > 0:18:50Paul. The lighting design modules?
0:18:50 > 0:18:57Yeah, we look at visual composition, relationship with performance...
0:19:00 > 0:19:02What's going on with you, sweetheart?
0:19:02 > 0:19:08Immie says that you are always all about the work and you were great.
0:19:08 > 0:19:10- That's a lie. - One of the best in college.
0:19:11 > 0:19:15Maybe there. But out there we're average.
0:19:15 > 0:19:18Not rubbish, but not great either.
0:19:19 > 0:19:22It's actually quite hard being average.
0:19:22 > 0:19:26Immie's at the Slade, I'd say she's managing.
0:19:26 > 0:19:28I'm managing.
0:19:28 > 0:19:32What, like this? Throwing yourself at a lecturer twice your age?
0:19:32 > 0:19:34Yes. Like this.
0:19:42 > 0:19:46They've gone. You did that on purpose.
0:19:46 > 0:19:48Ring Sasha, find out where they are.
0:19:48 > 0:19:49I'm not taking orders from you.
0:19:51 > 0:19:54I get it. You haven't got Paul's number yet, have you?
0:19:59 > 0:20:00Sorry.
0:20:03 > 0:20:04Wow!
0:20:06 > 0:20:09I can't show you the lighting, unfortunately,
0:20:09 > 0:20:12but it really emphasises the harshness of the play.
0:20:14 > 0:20:15I've got goose bumps.
0:20:15 > 0:20:17Have you?
0:20:17 > 0:20:22It's great seeing a young artist so engaged with other people's work.
0:20:22 > 0:20:24Thank you so much for showing me.
0:20:25 > 0:20:29Can I see the other props? Are they backstage?
0:20:29 > 0:20:31That's right. After you.
0:20:40 > 0:20:44After our last session, I was trying to think about the initial triggers.
0:20:45 > 0:20:48Mmm-hmm. And?
0:20:48 > 0:20:52How could I be jealous? I love my son, I honestly do.
0:20:53 > 0:20:55So?
0:20:55 > 0:20:58But I was. Not of him himself.
0:20:59 > 0:21:04But of how he became the absolute centre of Zara's life.
0:21:05 > 0:21:07Where I used to be.
0:21:09 > 0:21:10That's pathetic, isn't it?
0:21:12 > 0:21:15What do you mean by "the centre of her life"?
0:21:19 > 0:21:22That she loved him unconditionally.
0:21:22 > 0:21:24There was no room for anyone else.
0:21:25 > 0:21:27For you?
0:21:27 > 0:21:32That's what I thought, initially. But then I realised she's never loved me that way.
0:21:34 > 0:21:36I love her unconditionally.
0:21:38 > 0:21:40Zara has got a lot of barriers up.
0:21:40 > 0:21:43I've never been able to get through them all.
0:21:45 > 0:21:46And Joe?
0:21:46 > 0:21:50He broke through them just like that.
0:21:51 > 0:21:54I'm not sure where the working lights are.
0:21:54 > 0:21:56It totally captures the despair of the play.
0:21:58 > 0:21:59The images look amazing.
0:22:01 > 0:22:02So do you.
0:22:05 > 0:22:10I know I shouldn't, but I'm going to help you get on this course.
0:22:10 > 0:22:14Cos we could do some fantastic work together.
0:22:14 > 0:22:15Sorry?
0:22:16 > 0:22:18Don't be.
0:22:26 > 0:22:30I'm sorry. I don't know what came over me.
0:22:30 > 0:22:36That was totally unprofessional, I should never have kissed you back.
0:22:36 > 0:22:38I apologise profusely.
0:22:41 > 0:22:44She's that way.
0:22:45 > 0:22:49She's been let down by people all her life including by me.
0:22:52 > 0:22:55No wonder she's wary. Self preservation.
0:22:57 > 0:22:59As is maternal instinct.
0:23:03 > 0:23:04Yeah.
0:23:11 > 0:23:13As I said, she took me by surprise.
0:23:13 > 0:23:14She's 17.
0:23:14 > 0:23:17I should've read the signals better. I wasn't expecting her to...
0:23:17 > 0:23:19Sorry, but you kissed me!
0:23:19 > 0:23:21This is so lame.
0:23:21 > 0:23:22I'm a happily married man.
0:23:22 > 0:23:24Happily married. You're a dirty...
0:23:24 > 0:23:27I open up the theatre out of the goodness of my heart...
0:23:27 > 0:23:29Nothing to do with the four gin and tonics.
0:23:29 > 0:23:34..for the benefit of a potential student and this is what happens.
0:23:35 > 0:23:38- Now if you don't mind... - Why are you lying?
0:23:38 > 0:23:40- Lying?!- Yeah.
0:23:40 > 0:23:42I think your young friend needs to grow up
0:23:42 > 0:23:44a little before she applies here.
0:23:44 > 0:23:46- What? - We're looking for talent, yes,
0:23:46 > 0:23:51but equally crucial is the maturity to use that talent.
0:23:51 > 0:23:53Don't you think, Tilly?
0:23:54 > 0:23:57Maturity is crucial.
0:23:57 > 0:24:00Hang on, you're going to make her pay for your seedy little mistake?
0:24:00 > 0:24:03It's about maturity, Karen, weren't you listening?
0:24:03 > 0:24:06John Ravenscourt was younger than me when he started his career.
0:24:06 > 0:24:08This scholarship's about raw talent.
0:24:08 > 0:24:10I'm afraid to say,
0:24:10 > 0:24:14creative success is as much about your personality as your talent.
0:24:14 > 0:24:16Tough but true.
0:24:16 > 0:24:22- Sorry, hon, but he's right. - Walk with me to the office.
0:24:25 > 0:24:28Sweetheart, are you OK? Yes?
0:24:28 > 0:24:30Oh!
0:24:33 > 0:24:36He needs her to love him unconditionally.
0:24:36 > 0:24:39I get that, every child needs that.
0:24:39 > 0:24:43Everybody wants to be loved as much as they love others.
0:24:43 > 0:24:47But even when I've done my best to be trustworthy and a good partner,
0:24:47 > 0:24:50if she could just have a little bit more faith in me.
0:24:50 > 0:24:53Maybe I should talk to her about couples therapy again.
0:24:53 > 0:24:54What do you think?
0:24:54 > 0:24:59Daniel, for now we need to focus on your issues.
0:25:00 > 0:25:04It's more important we understand how you got to where you did...
0:25:05 > 0:25:06..with Joe.
0:25:10 > 0:25:13I'm going to report him for this, don't you worry.
0:25:13 > 0:25:15I am so sorry.
0:25:17 > 0:25:19What are you doing?
0:25:19 > 0:25:22"Pick me up urgently. My office."
0:25:22 > 0:25:25Who are you sending that to?
0:25:25 > 0:25:26Um Marianne, wasn't it?
0:25:26 > 0:25:28His wife?
0:25:30 > 0:25:31Message sent.
0:25:31 > 0:25:34That'll sort him out.
0:25:34 > 0:25:36You don't have to worry about me,
0:25:36 > 0:25:38Auntie Karen, I can look after myself.
0:25:38 > 0:25:40I can see that.
0:25:44 > 0:25:47This hasn't put you off university, has it?
0:25:47 > 0:25:51I have had an awesome day, thanks.
0:25:51 > 0:25:54I'm definitely going to go to university, scholarship or not.
0:25:54 > 0:25:59I'm dead chuffed. And your mum will be really happy,
0:25:59 > 0:26:01which makes me happy.
0:26:01 > 0:26:03Can you imagine her face
0:26:03 > 0:26:05when I tell her a middle-aged lecturer kissed me?
0:26:08 > 0:26:11You might want more from life.
0:26:11 > 0:26:12What more could I want?
0:26:14 > 0:26:18You've been there for me every day since I was 16 years old.
0:26:18 > 0:26:20I couldn't have done any of it without you.
0:26:20 > 0:26:23I'd have never become a doctor.
0:26:23 > 0:26:25You worked hard. You earned it.
0:26:25 > 0:26:30Sam, the happiest days of my life are when I'm with you.
0:26:32 > 0:26:36How many couples can say that, that they're happy?
0:26:38 > 0:26:39Not many.
0:26:41 > 0:26:43We like each other.
0:26:46 > 0:26:47No, we love each other.
0:26:52 > 0:26:57We managed before, we'll manage now.
0:27:07 > 0:27:09And Isabella's pregnant!
0:27:09 > 0:27:12Ah. Who's Isabella, have I met her?
0:27:12 > 0:27:14- Is she hot?- She's a pig.
0:27:17 > 0:27:19Scientific studies have proven
0:27:19 > 0:27:24that my treatment will reduce the risk of cancer by up to 50%.
0:27:24 > 0:27:26There's a fox so keep an eye on the chickens.
0:27:26 > 0:27:29- And the septic tank'll need emptying.- What?!
0:27:37 > 0:27:40Subtitles by Red Bee Media Ltd