0:00:26 > 0:00:30# Everybody's gonna love today Gonna love today, gonna love today
0:00:30 > 0:00:33# Everybody's gonna love today Gonna love today... #
0:00:35 > 0:00:37CAR HORN BLARES
0:00:43 > 0:00:46Yes, I know, he will be here in a moment. Please!
0:00:49 > 0:00:51Oh, sorry, everyone. Two ticks.
0:00:51 > 0:00:54- Are you all right?- I'm fine. It's my bike that's knackered.
0:00:54 > 0:00:56We should get someone to have a look at you.
0:00:56 > 0:00:58No, it's fine, honestly.
0:00:58 > 0:01:00Will you put my bloods back half an hour, please?
0:01:00 > 0:01:03- Yes, of course.- I just don't want to keep them hanging around.
0:01:03 > 0:01:05- Should I tell Dr Reid?- No! No.
0:01:05 > 0:01:07- Morning.- Hi.
0:01:07 > 0:01:12- All right?- Uh-huh. - Listen, you know we talked about that training day?- Sorry?
0:01:12 > 0:01:16You said you might be interested. It was a few weeks ago.
0:01:16 > 0:01:18- Well, I'm not. - Well, I've booked you in.
0:01:18 > 0:01:22Well, booked us both in, actually. For today.
0:01:22 > 0:01:25Howard, I'm up to my eyes in patients all day.
0:01:25 > 0:01:28- Precisely. It'll give you a break. - Doing what?
0:01:31 > 0:01:34Learning the art of difficult conversation.
0:01:34 > 0:01:36I don't think so, do you?
0:01:36 > 0:01:37I don't know, you might like it.
0:01:37 > 0:01:39What, all that soul searching and role play?
0:01:39 > 0:01:42- It isn't like that. - And team bonding.
0:01:42 > 0:01:44It is rather a nice hotel.
0:01:44 > 0:01:46Oh, well! Why didn't you say?
0:01:46 > 0:01:52I mean, if you just wanted to get me into a hotel...
0:01:52 > 0:01:54I'm sorry?
0:01:54 > 0:01:57You needn't have gone to the bother of booking a training day, I mean...
0:01:57 > 0:01:58Emma!
0:01:59 > 0:02:00Sorry.
0:02:00 > 0:02:04Oh, forget it. I'll ask someone else. I'll ask Heston.
0:02:04 > 0:02:06- No, I'll go.- Not on my account.
0:02:06 > 0:02:10Look, as long as there is no prancing about or dressing up,
0:02:10 > 0:02:11or one group hug!
0:02:12 > 0:02:15I am very sorry, Mr Treadwell.
0:02:15 > 0:02:16I should think you are.
0:02:16 > 0:02:19But it really could not be helped.
0:02:19 > 0:02:21This is very inconvenient.
0:02:21 > 0:02:24We will see you at 11.30.
0:02:24 > 0:02:25Goodbye.
0:02:28 > 0:02:30Typical!
0:02:30 > 0:02:32What now?
0:02:32 > 0:02:33People messing me about.
0:02:33 > 0:02:34Who is it?
0:02:34 > 0:02:37Oh, Kayley at the salon.
0:02:37 > 0:02:39Not another late night?
0:02:39 > 0:02:43Do you know, there are some mornings when she can hardly hold the scissors.
0:02:44 > 0:02:48Er... Where's my new shirt?
0:02:48 > 0:02:49In the wardrobe.
0:02:49 > 0:02:53- Where? - You need some new glasses, you do.
0:02:58 > 0:02:59Hi, Angie.
0:02:59 > 0:03:01'Morning.'
0:03:01 > 0:03:04- Is this a bad time?- No, that's all right. You just caught me.
0:03:04 > 0:03:06Are we still on for this morning?
0:03:06 > 0:03:10- Of course.- Good. Do you mind if we make it one instead?
0:03:10 > 0:03:12- At the flat?- Perfect.
0:03:12 > 0:03:14Thanks, Brian.
0:03:16 > 0:03:18- It was right in front of you. - Ta.
0:03:29 > 0:03:31Well...?
0:03:32 > 0:03:34Hi!
0:03:34 > 0:03:36- Rowena?- And you must be Howard.
0:03:36 > 0:03:38Nice to meet you.
0:03:38 > 0:03:40And Dr Reid?
0:03:40 > 0:03:42Rowena Cork.
0:03:42 > 0:03:44Emma's fine.
0:03:44 > 0:03:46Would you mind just...?
0:03:46 > 0:03:51- Thank you.- Right, now, let me get this right, and don't help me.
0:03:51 > 0:03:55- This is Nigel and he's in finance. - How do you do?
0:03:55 > 0:03:57Sanjeev, local government.
0:03:57 > 0:04:01- Ow!- And Colin does...recycling!
0:04:03 > 0:04:05He opens the door, and bam!
0:04:05 > 0:04:10- Yeah, well, people do, don't they? - Then he's off like a shot. - Typical, eh?
0:04:10 > 0:04:14Everyone blames the cyclists but it's the drivers half the time.
0:04:14 > 0:04:19- Sorry, mate. Could you hurry it up a bit? I'm late.- Yeah.
0:04:19 > 0:04:21Roll up your sleeve for me, please.
0:04:26 > 0:04:29I'm surprised you didn't come in last week.
0:04:29 > 0:04:33- Dr Carter was asking for you. - Yeah, well, I had to sort things out.
0:04:34 > 0:04:36Surely this is a bit more important?
0:04:37 > 0:04:41I've got a business to run, what can I say?
0:04:42 > 0:04:45How long before you get the results?
0:04:45 > 0:04:49About four to five days. We'll ring you straightaway.
0:04:49 > 0:04:52On the mobile, yeah? Not at home.
0:04:52 > 0:04:54Yeah, no problem.
0:04:54 > 0:04:59Difficult conversations. We have them all the time...
0:04:59 > 0:05:02with clients and colleagues and families and friends,
0:05:02 > 0:05:07because everything we say is in some way a negotiation, bargaining.
0:05:07 > 0:05:09Stating our position.
0:05:09 > 0:05:11Stating the obvious, more like.
0:05:11 > 0:05:14But, of course, some are more difficult than others.
0:05:14 > 0:05:18So here's what I call the six degrees.
0:05:18 > 0:05:24From "easy" to "traumatic", but not, you'll notice, "impossible",
0:05:24 > 0:05:28because I don't believe that anything is. OK, guys?
0:05:29 > 0:05:31Now let's start with work.
0:05:31 > 0:05:35What would you call a difficult conversation? Emma?
0:05:38 > 0:05:41Oh, I don't know, let me see.
0:05:42 > 0:05:47Telling somebody they have cancer? Or that their mother has died?
0:05:48 > 0:05:50Or that their child has leukaemia?
0:05:50 > 0:05:51Traumatic, then. Howard?
0:05:51 > 0:05:54Well, I'm only a manager, of course.
0:05:54 > 0:05:56Oh, but I'm sure there's something.
0:05:56 > 0:05:59Asking someone to come on a training day?
0:06:01 > 0:06:04- Easy, then.- Oh, I don't know.
0:06:26 > 0:06:28Oh!
0:06:33 > 0:06:34HE SIGHS
0:06:34 > 0:06:36HE SNIFFS
0:06:45 > 0:06:47KEYPAD BEEPS
0:06:54 > 0:06:56But it's not just degree.
0:06:56 > 0:06:59There are different types of difficulty we need to overcome,
0:06:59 > 0:07:04perhaps the most common being anger which arises from conflict.
0:07:04 > 0:07:07So, who is feeling angry today?
0:07:09 > 0:07:11- Emma?- Sorry?
0:07:11 > 0:07:14Would you mind stepping up, please? Thanks a lot.
0:07:16 > 0:07:22So, I will be the traffic warden, and you will be the driver.
0:07:23 > 0:07:27Now, she has parked on a double-yellow line.
0:07:27 > 0:07:31- But for a very good reason. What would that be? - A patient's had a heart attack?
0:07:31 > 0:07:36Perfect. Lovely. Now, you stand over there... Excellent, OK. So...
0:07:46 > 0:07:48Oh...
0:07:51 > 0:07:53Oh!
0:07:58 > 0:08:01There! You can stick it.
0:08:01 > 0:08:05Mm, perhaps a little too angry. That was borderline violence. Emma, OK!
0:08:09 > 0:08:13Now I think we can all agree that that was a complete disaster.
0:08:13 > 0:08:15And we don't want those to happen, do we?
0:08:15 > 0:08:20So, let's take one of the biggest disasters of all time.
0:08:21 > 0:08:25The Titanic. Where did it all go wrong?
0:08:27 > 0:08:31Well, first of all, it didn't break the ice, did it?
0:08:31 > 0:08:36And why? Because it was going too fast. OK, guys?
0:08:36 > 0:08:38Right, so you're about to start.
0:08:38 > 0:08:41And this could get nasty, even dangerous.
0:08:41 > 0:08:45It's like being on the deck in the cold, about to jump.
0:08:45 > 0:08:48And what do you need? Firstly...
0:08:49 > 0:08:50..one of these.
0:08:50 > 0:08:54What I like to call the lifejacket of hope.
0:08:57 > 0:09:02Hope floats, and we're going to get there... OK, guys?
0:09:02 > 0:09:04..whatever happens.
0:09:08 > 0:09:09I'm sure I would have seen it.
0:09:09 > 0:09:13It's red, it's about this size.
0:09:13 > 0:09:14Why don't we try ringing it?
0:09:14 > 0:09:16- No. Don't do that.- Why not?
0:09:16 > 0:09:19It's switched off.
0:09:19 > 0:09:23Well, maybe you've just left it at home.
0:09:23 > 0:09:26- This is all your fault. - I'm sorry?
0:09:26 > 0:09:29- Mucking me about. Changing the time. - What?!
0:09:29 > 0:09:31It's always the same. You're useless!
0:09:36 > 0:09:40- Can I help you?- Er, yeah. Can I have a dry white wine, please?- Yep.
0:09:42 > 0:09:44KEYPAD BEEPS
0:09:48 > 0:09:50PHONE RINGS
0:09:50 > 0:09:51Thank you.
0:10:06 > 0:10:09- Well, that was...- Painful?
0:10:09 > 0:10:11Sorry.
0:10:12 > 0:10:16- Ah, it could've been worse. - Could it? I thought you were going to lamp her at one point.
0:10:16 > 0:10:17SHE LAUGHS
0:10:17 > 0:10:20I was, but... Oh, that looks nice.
0:10:23 > 0:10:26So, how are you and Sam?
0:10:26 > 0:10:29- How are you coping?- You know me.
0:10:30 > 0:10:34- To tell you the truth, I don't think it's really sunk in yet.- What?
0:10:36 > 0:10:39How close he came to dying. How bad he still is.
0:10:40 > 0:10:42In what way?
0:10:42 > 0:10:45He's devastated.
0:10:45 > 0:10:49Totally depressed. And I'm the one who has to get him out of it.
0:10:49 > 0:10:51Well, if anyone can, you can.
0:10:51 > 0:10:55You say that. It's not that easy being Mrs Positive all day
0:10:55 > 0:10:57with someone who just wishes they were dead.
0:10:57 > 0:11:04You know, I have to say, I can never understand anyone who can just... throw the towel in.
0:11:04 > 0:11:07Well, not everybody has your military backbone, Howard.
0:11:07 > 0:11:10No, I've seen soldiers who've been devastated, too,
0:11:10 > 0:11:14in one way or another, and some give up, and some don't.
0:11:15 > 0:11:21- Why is that?- Support. And in that respect, Sam's a very lucky man,
0:11:21 > 0:11:25whether he knows it or not. Very lucky.
0:11:25 > 0:11:27Hi! Ohh!
0:11:39 > 0:11:42I'm sorry, I'm waiting for someone.
0:11:42 > 0:11:45Yeah. My husband.
0:11:45 > 0:11:50- Leo Treadwell. - Oh, hello! I'm Angela Brackley.
0:11:50 > 0:11:52Oh, don't give me all that "Angie"!
0:11:52 > 0:11:55- Sorry?- I should knock your bloody block off right here and now!
0:11:55 > 0:11:59- What?- Look at you, you tart! Man of his age?
0:11:59 > 0:12:01I beg your pardon!
0:12:01 > 0:12:04So, what, does your hair for you, does he? Yeah!
0:12:04 > 0:12:06Hasn't made much of a job of it.
0:12:06 > 0:12:10- That's quite enough, thank you! - You wait while I get hold of him. I'll wring his bloody neck!
0:12:10 > 0:12:12Look, I've got nothing to do with your husband
0:12:12 > 0:12:14outside of a business relationship.
0:12:14 > 0:12:16Ah!
0:12:16 > 0:12:19Ah, it's like that, is it? Yeah.
0:12:19 > 0:12:23- I should have known, you look the type. - I'm an estate agent!
0:12:23 > 0:12:25Yeah, well, they're just as bad.
0:12:25 > 0:12:31- What?- So what, is he setting you up somewhere? All nice and cosy?
0:12:31 > 0:12:34- Of course not. - Or says he is. You must be stupid!
0:12:34 > 0:12:37I'm married with three children.
0:12:37 > 0:12:38That's disgusting!
0:12:38 > 0:12:43Look, will you please understand? I am not having an affair with your husband.
0:12:43 > 0:12:46So why is he ringing you all the time on the sly?
0:12:46 > 0:12:49- About the flat. - What flat?- In Mersham Street.
0:12:51 > 0:12:54What does he want a flat for? You tell me!
0:12:54 > 0:12:57He's not buying. He's selling it.
0:13:00 > 0:13:04- You must be exhausted. I don't know how you do it. - I don't have any choice.
0:13:04 > 0:13:06- You're doing a fantastic job. - Am I?
0:13:06 > 0:13:09Of course you are. You must be proud.
0:13:09 > 0:13:12- Quite the opposite.- Why's that?
0:13:12 > 0:13:13Hi, guys.
0:13:13 > 0:13:15Oops!
0:13:15 > 0:13:17Hmm.
0:13:17 > 0:13:19So, how do you think it's going?
0:13:19 > 0:13:23Well, I would usually get to "assumptions" by now and then "blockage" after lunch.
0:13:23 > 0:13:25Could be a long afternoon, then.
0:13:25 > 0:13:28- CUTLERY CLATTERS - Oh... I do this every time.
0:13:28 > 0:13:30- Can I get you anything?- Every time!
0:13:33 > 0:13:36So what have you got to be so ashamed about?
0:13:36 > 0:13:39- I'm a fraud.- And how's that?
0:13:39 > 0:13:41I have a husband who nearly died.
0:13:41 > 0:13:43Who's paralysed.
0:13:44 > 0:13:48But most of the time... all I can think about is you.
0:13:50 > 0:13:54For two pins, I would go out into reception and book us a room.
0:13:54 > 0:13:56Right now.
0:13:56 > 0:13:58Ahh!
0:13:58 > 0:14:00Sauce?
0:14:05 > 0:14:06Janette?
0:14:09 > 0:14:11Where are you, love?
0:14:19 > 0:14:22I'm sorry. I shouldn't have said anything.
0:14:22 > 0:14:25No, you just took me by surprise, that's all.
0:14:25 > 0:14:27He wants me to have a life.
0:14:28 > 0:14:30I don't follow you.
0:14:31 > 0:14:36Well, not everybody is as... traditional as you, Howard.
0:14:36 > 0:14:38But there are solutions.
0:14:38 > 0:14:41Come on, then, guys. Time for "blockages".
0:14:55 > 0:14:57I knew there was something,
0:14:57 > 0:15:00the way he's been creeping about, shifty all the time.
0:15:00 > 0:15:02I had no idea.
0:15:02 > 0:15:05No, I apologise. I'm sorry.
0:15:06 > 0:15:10Yeah. Ten years we've been married. Never a word about this.
0:15:10 > 0:15:14But it's not to say there was anything...going on.
0:15:14 > 0:15:16I find that hard to believe, don't you?
0:15:16 > 0:15:19Look at the place. Talk about tacky.
0:15:19 > 0:15:23Well, the area's come up quite a lot.
0:15:23 > 0:15:26Oh, it's horrible!
0:15:26 > 0:15:28He did say it hadn't been used in a long time.
0:15:38 > 0:15:39Perhaps we should go.
0:15:40 > 0:15:43So - that's "embarrassment".
0:15:45 > 0:15:50Right! Now, what about the trickiest of them all - "dilemma"?
0:15:52 > 0:15:57Now, I know that you're just going to love this one. It's always everybody's favourite.
0:15:57 > 0:15:58Ta-da!
0:15:58 > 0:16:02Casablanca. That famous final scene.
0:16:02 > 0:16:04Now...
0:16:04 > 0:16:08Emma, I know you want to play Ilsa, our glamorous love-torn heroine.
0:16:08 > 0:16:10Thank you.
0:16:10 > 0:16:13And Victor Laszlo, the hero of the Resistance.
0:16:13 > 0:16:16Nigel, would you... ?
0:16:17 > 0:16:21Now, who looks good in a trench coat?
0:16:21 > 0:16:25- Colin, would you mind? - Actually, I think that should be me.
0:16:25 > 0:16:27- Excuse me? - I haven't had a go yet.
0:16:27 > 0:16:32- It's your turn next.- He's had two goes already!- Sorry, Colin.
0:16:32 > 0:16:35Actually, I do quite a good Bogey.
0:16:35 > 0:16:37How long have you been here?
0:16:38 > 0:16:40I've been meaning to tell you for a long time.
0:16:40 > 0:16:42Oh, don't give me that.
0:16:42 > 0:16:44For years, to be honest.
0:16:44 > 0:16:46You're pathetic.
0:16:46 > 0:16:50Please, Janette. Just hear me out, will you?
0:16:52 > 0:16:54It's not what you think.
0:16:54 > 0:16:58Love, I haven't been here for ages. Come inside.
0:17:12 > 0:17:14I cleaned all this up this morning.
0:17:16 > 0:17:19- You should've seen the muck. - Yes, muck's the word.
0:17:19 > 0:17:21It took me hours.
0:17:21 > 0:17:25Filthy. Because that's what you are. You make me sick!
0:17:25 > 0:17:29Look, I am trying to tell you, aren't I?
0:17:29 > 0:17:32Oh, no, you're not going to worm your way out of this one.
0:17:32 > 0:17:35Please give me a chance, Janette!
0:17:40 > 0:17:43We used to have this salon downstairs, when me and Margaret married.
0:17:43 > 0:17:46And we lived up here for a bit.
0:17:46 > 0:17:49And then I suppose I just kept it on.
0:17:49 > 0:17:52Oh, why's that?
0:17:52 > 0:17:53Sentimental value?
0:17:53 > 0:17:55You know what happened to Margaret.
0:17:55 > 0:17:59Yeah - she found you with one of the customers.
0:17:59 > 0:18:04Up here, was it? Drinking champagne in your lovely black sheets?
0:18:07 > 0:18:10- You know all that's in the past. - Oh, was it?
0:18:10 > 0:18:14Yeah. I was in my 30s, 40s.
0:18:16 > 0:18:18All right, 50s, but...
0:18:20 > 0:18:25..you know I love you now. You KNOW that!
0:18:25 > 0:18:27So why's this still here, then?
0:18:28 > 0:18:31It's probably turned to vinegar by now.
0:18:31 > 0:18:34Anyway, you know it gives me heartburn.
0:18:34 > 0:18:39- And where have you been all day? - Here mostly.- And...?
0:18:39 > 0:18:40Work.
0:18:40 > 0:18:42No.
0:18:42 > 0:18:45Because Kayley's been ringing you on this.
0:18:45 > 0:18:47She hasn't seen you all morning.
0:18:47 > 0:18:51- You really are the most...- Janette! - ..disgusting, despicable liar.
0:18:51 > 0:18:53All right, I'll tell you what happened!
0:18:53 > 0:18:56The fog is swirling, those propellers start up
0:18:56 > 0:19:00and that last flight to freedom is about to leave.
0:19:00 > 0:19:04- But who is going to be on that plane?- I should have a gun.
0:19:04 > 0:19:05Yep.
0:19:05 > 0:19:08Emma's feelings for...Nigel...
0:19:08 > 0:19:10are noble and true,
0:19:10 > 0:19:14but platonic, whereas in Paris with Howard,
0:19:14 > 0:19:16it was all laughter and passion.
0:19:16 > 0:19:20So which should she choose? Her duty? Or her heart?
0:19:20 > 0:19:22OK?
0:19:22 > 0:19:25So, perhaps, Emma, you could start by telling Nigel how you feel.
0:19:25 > 0:19:27Pretty silly is actually how I feel.
0:19:27 > 0:19:31- AS HUMPHREY BOGART:- OK, sweetheart, stop fooling around.- Sorry?
0:19:31 > 0:19:33The plane's on its way,
0:19:33 > 0:19:38the Germans are coming, and I made a deal with Louis.
0:19:38 > 0:19:43- OK, actually, I think we don't need to take it quite that far. - You think you got problems?
0:19:43 > 0:19:45The whole world's got problems!
0:19:45 > 0:19:46Thank you, Humphrey!
0:19:46 > 0:19:49- NORMAL VOICE: - I thought I was doing quite well.
0:19:49 > 0:19:52OK. Perhaps you should tell Nigel how you feel.
0:19:54 > 0:19:56Nigel...
0:19:57 > 0:19:59..I love you so much.
0:19:59 > 0:20:01Why?
0:20:01 > 0:20:06Because you are a fine...
0:20:07 > 0:20:10..strong, courageous man.
0:20:10 > 0:20:11But?
0:20:11 > 0:20:14I'm in love with someone else.
0:20:15 > 0:20:17And I have been for some time now.
0:20:17 > 0:20:21I feel for them in a way I never felt for you.
0:20:21 > 0:20:23But you have to make a choice.
0:20:23 > 0:20:25- Do I?- Yes, it's in the film.
0:20:27 > 0:20:29Oh, erm...
0:20:29 > 0:20:34Yes, but surely if Nigel is such a kind, caring,
0:20:34 > 0:20:39compassionate man, wouldn't he let me be with who I'd want to be with?
0:20:39 > 0:20:42Yes, but there are only two letters of transit.
0:20:42 > 0:20:44So, is that a problem?
0:20:44 > 0:20:50Sam has said that he would be fine about me being with other men.
0:20:50 > 0:20:52You're kidding?
0:20:52 > 0:20:54Sorry, who?
0:20:54 > 0:20:56Sam actually lets you sleep with other men?
0:20:56 > 0:20:59No, no, no, no. Sam's the piano player.
0:20:59 > 0:21:02Yes, he does.
0:21:02 > 0:21:05What...? Really?
0:21:06 > 0:21:08Yes, really.
0:21:08 > 0:21:10OK, I think we should all sit down.
0:21:13 > 0:21:16Are you sure about this? What with me being so useless?
0:21:17 > 0:21:20I'm sorry about that. It was the stress talking.
0:21:20 > 0:21:22So, what can I do for you?
0:21:24 > 0:21:27- I want you to speak to my wife. - Sorry?
0:21:27 > 0:21:29Give her a quick ring, yeah?
0:21:29 > 0:21:31About what?
0:21:31 > 0:21:34- What d'you think? - Why can't you talk to her?
0:21:34 > 0:21:38- Cos she probably wouldn't believe me if I did.- Why not?
0:21:38 > 0:21:40I've been trying to keep this quiet, haven't I?
0:21:41 > 0:21:45And now she thinks I'm up to all sorts.
0:21:46 > 0:21:48Why would she think that?
0:21:48 > 0:21:51You probably don't know the hairdressing game,
0:21:51 > 0:21:56but in the old days, it used to offer certain opportunities.
0:21:56 > 0:21:59There was something about it, you know...
0:21:59 > 0:22:03- A sort of glamour, I suppose. - Yeah, I get the picture.
0:22:03 > 0:22:07And what with me having a flat above the salon...
0:22:07 > 0:22:10let's say it came in handy now and then.
0:22:10 > 0:22:15- And she just found out about it? - No, she just found the flat.
0:22:17 > 0:22:21I did try and sell it, but it was so terrible round here then.
0:22:21 > 0:22:25Buttons they were offering, so I just put it to the back of my mind.
0:22:25 > 0:22:27For how long?
0:22:27 > 0:22:31Ten years. That's not saying I did anything in...
0:22:31 > 0:22:32you know?
0:22:32 > 0:22:35Not THAT, not since I met HER.
0:22:35 > 0:22:37I swear.
0:22:38 > 0:22:43- Well, then it's her you need to be swearing to, not me. - Don't you think I haven't tried?
0:22:43 > 0:22:47- And tell her about the blood test while you're at it. - Look, mate, I love her to bits.
0:22:50 > 0:22:52It's going to break her heart.
0:22:53 > 0:22:56What kind of weird arrangement is that?
0:22:56 > 0:22:58He just lets you sleep with anybody who you want?
0:22:58 > 0:23:02I'm sorry. I knew you wouldn't be able to handle it, Howard.
0:23:02 > 0:23:06No... Just confused, that's all.
0:23:06 > 0:23:11If it is some kind of open relationship, then what's stopping us?
0:23:11 > 0:23:15I don't know. It was fine when it was just sex.
0:23:15 > 0:23:17But with you it's different.
0:23:21 > 0:23:22How are you doing?
0:23:27 > 0:23:29Look, love, I know I've been stupid.
0:23:29 > 0:23:35- I tried to keep something from you which I should've just told you about from the start.- Hmph!
0:23:35 > 0:23:39But believe me when I say I did it for your sake.
0:23:39 > 0:23:42Oh, well, I've heard it all now!
0:23:42 > 0:23:44I'm not talking about the rotten flat.
0:23:44 > 0:23:48- I'm talking about where I was today. - Well, go on, then.
0:23:48 > 0:23:54Well, you know that we haven't been together in bed lately?
0:23:54 > 0:23:58No. Well, I expect you're very busy
0:23:58 > 0:24:00in that bachelor pad of yours.
0:24:00 > 0:24:04No. It's because I've been getting bad signs.
0:24:05 > 0:24:07Blood, and what have you.
0:24:07 > 0:24:11And I keep on running in and out of the loo all night.
0:24:11 > 0:24:13Yes, I've noticed.
0:24:13 > 0:24:18Well, they're checking me for...prostate.
0:24:18 > 0:24:20Cancer?
0:24:20 > 0:24:25I think my dad had trouble with his, but they didn't talk about it in those days.
0:24:27 > 0:24:30They probably didn't know what a prostate was.
0:24:30 > 0:24:33But why didn't you tell me in the first place?
0:24:33 > 0:24:35I was going to tell you when I got the results,
0:24:35 > 0:24:38but I kept on putting it off.
0:24:38 > 0:24:42- I'm warning you, Leo...- Because I wanted to get it all sorted out.
0:24:44 > 0:24:46A will and whatever.
0:24:46 > 0:24:48If this is another one of your stories...
0:24:48 > 0:24:50Including that flat.
0:24:52 > 0:24:54That's what that place is for.
0:24:54 > 0:24:58So you wouldn't go short if anything happened to me.
0:24:59 > 0:25:03Anyway, you know what I'm like,
0:25:03 > 0:25:07- we'd have spent it all by now. - Are you really that worried?
0:25:11 > 0:25:13I'm worried sick.
0:25:15 > 0:25:17Terrified, to tell you the truth.
0:25:20 > 0:25:23You stupid, stupid man!
0:25:24 > 0:25:27Well, that was enlightening.
0:25:27 > 0:25:30Thank you, Rowena, you've been great.
0:25:30 > 0:25:31Yes, you really have.
0:25:31 > 0:25:34Well, I'm not sure you two were really concentrating!
0:25:34 > 0:25:37- No, you've helped us both a lot. Really. Thank you.- Good. Bye.
0:25:40 > 0:25:41So...
0:25:41 > 0:25:46- So, what?- So why don't we go straight upstairs? If that's what we all want?
0:25:46 > 0:25:49Emma, you're the only person I want to be with,
0:25:49 > 0:25:53and if it means that I have to share you for now, then so be it.
0:25:55 > 0:25:58- I'm sorry if that sounded a little cold.- No, it doesn't.
0:26:00 > 0:26:03Howard, it would be absolutely wonderful.
0:26:06 > 0:26:09And I'm so tired of fighting it, it's almost painful.
0:26:10 > 0:26:13- But...? - I'm all that Sam has now.
0:26:16 > 0:26:18I owe him that much at least.
0:26:18 > 0:26:20The lifejacket of hope.
0:26:20 > 0:26:23- Something like that.- Hmm.
0:26:25 > 0:26:28Just for the record...
0:26:28 > 0:26:30there hasn't been anyone for a year.
0:26:31 > 0:26:33Not since the accident.
0:26:35 > 0:26:37Not since you.
0:26:51 > 0:26:54- Where would you like to sit? - I can manage, thank you.
0:26:54 > 0:26:57What do you know about art? Or typing, for that matter?
0:26:57 > 0:27:01Dead ten years and the old goat still wouldn't leave me alone.
0:27:01 > 0:27:04My life - it's yours now...
0:27:04 > 0:27:08I made my prison when I broke a promise a long time ago...
0:27:08 > 0:27:10I'm not sick.
0:27:10 > 0:27:12I'm in love.
0:27:33 > 0:27:36Subtitles by Red Bee Media Ltd