The Official Line

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0:00:32 > 0:00:36# Let me know when we get there, if we get there

0:00:43 > 0:00:51# Let me know when we get there, if we get there

0:00:58 > 0:01:06# In the dark it feels so real

0:01:11 > 0:01:16# And all this time, we've been sleeping on it

0:01:23 > 0:01:31# And who we are, and what we're going through... #

0:01:31 > 0:01:38TELEVISION CHATTER

0:01:38 > 0:01:44# All this time, spent saving for it

0:01:49 > 0:01:57# Umh, come so far

0:02:03 > 0:02:10# Umh, come so far, yeah

0:02:14 > 0:02:21# So let me know when we get there, if we get there... #

0:02:27 > 0:02:29I'll see you later.

0:02:29 > 0:02:36# Let me know when we get there, if we get there

0:02:43 > 0:02:52# Come so far, there's no going back. #

0:02:55 > 0:02:59You can't watch him 24/7 you know.

0:02:59 > 0:03:02He's hardly going to hang himself from the wardrobe.

0:03:02 > 0:03:06- Has he taken his pills? - We're fine. Go to work.

0:03:07 > 0:03:11- I can stay.- I don't want you anywhere near him.

0:03:11 > 0:03:16Fine. He's all yours. You see if you can make him see sense.

0:03:16 > 0:03:20You think he's weak. That's always been your problem.

0:03:37 > 0:03:40You're late, Cassidy.

0:03:43 > 0:03:45All right, that's you on a warning then.

0:03:54 > 0:03:56Hello?

0:03:56 > 0:04:00- It's Karen Hollins from the Mill Surgery.- I know who you are.

0:04:01 > 0:04:06Dr Carter asked me to drop by. You missed your last appointment.

0:04:06 > 0:04:09- I've been busy. - He wants me to give you this.

0:04:11 > 0:04:16More diazepam. To keep me calm? To keep me quiet?

0:04:16 > 0:04:21Simone, he's concerned about you. We all are. We just want to help.

0:04:21 > 0:04:22I asked your practice manager

0:04:22 > 0:04:25could I leave one of these on his notice board?

0:04:26 > 0:04:28He told me it wouldn't be appropriate.

0:04:30 > 0:04:32You want to help?

0:04:33 > 0:04:37Door to door mail drop. We keep up the pressure.

0:04:39 > 0:04:40We keep Mickey alive.

0:04:40 > 0:04:43- I know how you must feel. - My son is dead.

0:04:44 > 0:04:46How could you possibly know how I feel?

0:04:48 > 0:04:50This is going to destroy you.

0:04:50 > 0:04:53The people at that factory.

0:04:53 > 0:04:56They carry on as if nothing ever happened.

0:04:56 > 0:04:59The people who killed my Mickey.

0:04:59 > 0:05:01Just go. Please.

0:05:03 > 0:05:05- I didn't mean to upset you. - Just go!

0:05:06 > 0:05:10Take your pills, and your good intentions, and leave me alone.

0:05:20 > 0:05:22Oih! Careful!

0:05:23 > 0:05:26BROKEN GLASS AND SCREAMING

0:05:29 > 0:05:31I'm fine.

0:05:50 > 0:05:52KNOCK ON THE DOOR

0:05:52 > 0:05:54Come in.

0:05:54 > 0:05:57Kevin, what can I do for you?

0:05:57 > 0:05:59I wanted to ask your advice.

0:05:59 > 0:06:02- Fire away.- OK, well, I've been doing some thinking.

0:06:02 > 0:06:03Don't wear yourself out.

0:06:04 > 0:06:07I'd like to develop a special interest.

0:06:07 > 0:06:10Right. Well, it's nice to see some ambition.

0:06:10 > 0:06:13I think it would benefit the practice.

0:06:13 > 0:06:15We'd be offering an enhanced GP service,

0:06:15 > 0:06:17a better standard of patient care...

0:06:17 > 0:06:18KNOCK AT DOOR

0:06:18 > 0:06:21I'm sorry to interrupt.

0:06:21 > 0:06:24- I wanted to bring you the morning post.- Ah.

0:06:24 > 0:06:28I've looked into various frameworks. Priority areas...

0:06:28 > 0:06:31There is one of particular interest.

0:06:31 > 0:06:34It has a postmark from North Wales.

0:06:34 > 0:06:37I thought it might be from Mrs Parsons.

0:06:37 > 0:06:40We send each other the occasional email.

0:06:40 > 0:06:43But it is always nice to get a handwritten letter,

0:06:43 > 0:06:44much more personal.

0:06:48 > 0:06:49SHE MUMBLES HER GOODBYES

0:06:53 > 0:06:56If I apply for accreditation, I'll need the Mill to pay for it.

0:06:56 > 0:06:59Well, what area were you thinking of specialising in?

0:06:59 > 0:07:04- Cardiology.- OK, well, it's a lot longer hours? Visiting clinics.

0:07:04 > 0:07:07More than happy to put in the work.

0:07:07 > 0:07:10I'll give it some thought. Talk to the partners.

0:07:12 > 0:07:14Great.

0:07:21 > 0:07:23You've been threatened before?

0:07:23 > 0:07:27Verbal abuse. Anonymous emails. Nothing like this.

0:07:27 > 0:07:30- You should have called us. - And what would you have done?

0:07:30 > 0:07:34- Not one arrest.- There was a thorough investigation.

0:07:34 > 0:07:37- There was a cover up. - No evidence to support that.

0:07:37 > 0:07:39Maybe you didn't look hard enough.

0:07:39 > 0:07:42Have you got an idea who might have done this?

0:07:42 > 0:07:45Could be anyone on the Churchill Estate.

0:07:45 > 0:07:46Factory pays their wages.

0:07:46 > 0:07:49We've got a description. We'll follow it up.

0:07:49 > 0:07:51You know I won't stop,

0:07:51 > 0:07:53not until they strike that verdict down.

0:07:55 > 0:07:57I'm not worth the paperwork.

0:07:57 > 0:08:00He's a good copper. I should know, I married him.

0:08:05 > 0:08:09Eh, she could have been seriously hurt.

0:08:09 > 0:08:10Luckily she wasn't.

0:08:10 > 0:08:12Clearly someone wants to keep her quiet.

0:08:12 > 0:08:15- You don't know the facts, Karen. - Well, so enlighten me.

0:08:15 > 0:08:18The inquest recorded death by misadventure.

0:08:18 > 0:08:21It's driven her half mad, losing her son.

0:08:21 > 0:08:25- Deluded hysterical woman? - Mickey Garvey had been drinking.

0:08:25 > 0:08:27Turned up for his shift half cut.

0:08:27 > 0:08:32If you must get involved, why don't you take her home?

0:08:39 > 0:08:42- Shouldn't you be at work? - I'm not in until this afternoon.

0:08:42 > 0:08:45You know, Martha ought to be doing this.

0:08:46 > 0:08:50- You're my son, not my nurse. - Well, she'll be here later.

0:08:52 > 0:08:56Anyway I thought we could spend a bit of time together.

0:08:57 > 0:08:59We might not have much left.

0:09:02 > 0:09:04Your mother's told you,

0:09:10 > 0:09:12I asked her to wait.

0:09:12 > 0:09:17Sorry, I wanted you to hear it from me.

0:09:18 > 0:09:20I'm all ears, Dad.

0:09:20 > 0:09:22Why don't you give it your best shot?

0:09:29 > 0:09:33You didn't have to drive me. You've had a nasty shock.

0:09:33 > 0:09:37- What happened?- Nothing.

0:09:37 > 0:09:40Some thugs threw a brick through her window.

0:09:40 > 0:09:42I warned you. I told you this would happen.

0:09:45 > 0:09:49So, from now on in, I'm on suicide watch, is that it?

0:09:49 > 0:09:51If that's what it takes.

0:09:51 > 0:09:53Your mother wouldn't contemplate the idea.

0:09:53 > 0:09:56It was mum who put this sick idea into your head in the first place.

0:09:56 > 0:09:59I do have a mind of my own, you know.

0:10:01 > 0:10:05Your mother thought it would destroy you.

0:10:05 > 0:10:07I think you're stronger than that.

0:10:07 > 0:10:10- She wants you out of the way, Dad.- No.

0:10:10 > 0:10:12She sits in this house.

0:10:12 > 0:10:15She discusses the options with a "facilitator" from Clemence.

0:10:15 > 0:10:16I didn't give her much of a choice.

0:10:16 > 0:10:19She heads off to work. Not a care in the world.

0:10:19 > 0:10:20Just watch your mouth.

0:10:20 > 0:10:24She walks all over you, Dad, and she always has done.

0:10:24 > 0:10:27You have absolutely no idea what goes on inside our marriage.

0:10:27 > 0:10:30Your marriage is a sham, Dad. All right, it's a joke.

0:10:34 > 0:10:37The only person Mum cares about is herself.

0:10:39 > 0:10:44Don't you ever talk about your mother like that again!

0:10:47 > 0:10:51Now this is my decision, Chris. You may not respect it.

0:10:52 > 0:10:54But YOU won't change my mind.

0:10:57 > 0:11:01If it happened to me, my son,

0:11:01 > 0:11:03I don't know how I would cope.

0:11:03 > 0:11:04That's my card.

0:11:04 > 0:11:06You don't have to deal with this on your own.

0:11:06 > 0:11:10I'm not on my own. I've got Mickey.

0:11:10 > 0:11:11He's up there looking down on me.

0:11:15 > 0:11:17That copper husband of yours...

0:11:18 > 0:11:22..you tell him to talk to Karl. Karl knows the truth.

0:11:22 > 0:11:24When's it going to end, Sim?

0:11:26 > 0:11:28At least I'm out there, doing something.

0:11:28 > 0:11:30You're making a fool of yourself.

0:11:30 > 0:11:35I'm fighting for Mickey, for justice. Someone has to.

0:11:35 > 0:11:37This vendetta is not going to bring him back.

0:11:37 > 0:11:41And sat in this house will? Full of beer and self-pity!

0:11:41 > 0:11:43Ray, I need you.

0:11:44 > 0:11:47I feel like I've lost you both. Ray!

0:12:02 > 0:12:04You never give up, do you?

0:12:04 > 0:12:06That's not a very nice welcome, is it?

0:12:06 > 0:12:08From a man who's got nothing to hide.

0:12:08 > 0:12:10In case you'd forgotten, they dropped the case.

0:12:10 > 0:12:14No, I hadn't forgotten. I'm here about a different incident.

0:12:14 > 0:12:18Apparently there was a fight in your factory canteen.

0:12:18 > 0:12:20- News to me. - Yesterday afternoon.

0:12:20 > 0:12:22I'm the foreman. I'd have heard.

0:12:22 > 0:12:26Course you would. Nothing gets past you, does it, Tony?

0:12:26 > 0:12:28But I would like to speak to Karl Cassidy, please.

0:12:28 > 0:12:30Won't take a long.

0:12:33 > 0:12:36Cassidy, get in here!

0:12:37 > 0:12:40Yeah, the factory's in the running for a major new contract.

0:12:40 > 0:12:42Good, I'm glad to hear it.

0:12:42 > 0:12:46Safeguarding Letherbridge jobs, after months of uncertainty.

0:12:46 > 0:12:50We wouldn't want that threatened by a woman with a grudge, would we?

0:12:50 > 0:12:52Is that the official line?

0:12:52 > 0:12:54I'll try not to keep him.

0:13:00 > 0:13:01Close the door, Karl.

0:13:06 > 0:13:10Apparently, you were involved in an altercation yesterday.

0:13:10 > 0:13:13- No, I don't know what you're talking about.- Really?

0:13:13 > 0:13:14How did you get those injuries then?

0:13:14 > 0:13:17Tripped. Happens a lot in this place.

0:13:17 > 0:13:19- What's that supposed to mean? - Nothing.

0:13:21 > 0:13:24Come on Karl, you're wasting my time here.

0:13:24 > 0:13:25Well, no-one's keeping you.

0:13:25 > 0:13:28We can always do it down the station.

0:13:30 > 0:13:31Look...

0:13:32 > 0:13:35..some guy said some things about Mickey.

0:13:35 > 0:13:39I lost my temper. I lashed out.

0:13:39 > 0:13:41It looks like you came off second best.

0:13:41 > 0:13:43Yeah, well, he was bigger than me.

0:13:45 > 0:13:49Simone Garvey's campaign office got vandalised this morning.

0:13:49 > 0:13:52- Any idea who did it? - What you asking me for?

0:13:52 > 0:13:56Anything that might have slipped your mind at the inquest.

0:13:56 > 0:13:58It was all in my statement.

0:13:58 > 0:14:00OK, Karl.

0:14:11 > 0:14:13What did he ask you?

0:14:13 > 0:14:16- Scared I'll drop you in it? - Don't get smart with me, son.

0:14:16 > 0:14:18I didn't say anything.

0:14:18 > 0:14:22I'm up for early retirement, you know? Golf, garden,

0:14:22 > 0:14:24bit more time with the family.

0:14:24 > 0:14:28And what about Mickey? Huh? What about his family?

0:14:29 > 0:14:33Unblemished safety record. You'd better make sure it stays that way,

0:14:33 > 0:14:36or you'll have more to contend with than a fat lip.

0:14:39 > 0:14:42- They've offered you a bonus, the suits upstairs.- What?

0:14:42 > 0:14:45Yeah, loyalty bonus, I think that's what they called it.

0:14:45 > 0:14:48- What? A bribe?- Ooh, that's not very charitable, Karl.

0:14:48 > 0:14:50You think I'd touch their dirty money?

0:14:50 > 0:14:52Yeah, you'll take it.

0:14:52 > 0:14:54Cos you're a spineless coward who needs a job.

0:14:55 > 0:14:58You should go on holiday, son.

0:14:58 > 0:14:59You could do with a holiday.

0:15:02 > 0:15:05You've been signed off for three months.

0:15:05 > 0:15:08I just need another doctor's letter.

0:15:08 > 0:15:10It's a lengthy absence for compassionate leave.

0:15:10 > 0:15:14I get anxious. Palpitations.

0:15:14 > 0:15:17Unless I can see that you're incapacitated...

0:15:17 > 0:15:19Headaches, blinding headaches.

0:15:19 > 0:15:21I can't sign you off indefinitely.

0:15:21 > 0:15:22How can I go back there?

0:15:24 > 0:15:27Surely it's better than sitting at home dwelling on things.

0:15:27 > 0:15:32He was chock-full of grand ideas. Football.

0:15:33 > 0:15:35Bigger things.

0:15:36 > 0:15:39I told him to get over himself.

0:15:39 > 0:15:41If that factory was good enough for me...

0:15:42 > 0:15:45Guilt is a common reaction with family bereavement.

0:15:45 > 0:15:49You were at Hanshaws, day Mickey died.

0:15:49 > 0:15:52I saw you at the inquest.

0:15:52 > 0:15:56- I registered the death. - How did he look?

0:15:56 > 0:15:59- This isn't appropriate... - Did he bleed when he bashed his head? Was there blood?

0:15:59 > 0:16:02- Mr Garvey... - Were his eyes open? Did he speak?

0:16:02 > 0:16:03Cry out?

0:16:03 > 0:16:08Michael died from his injuries sustained from the fall.

0:16:08 > 0:16:10I don't think he suffered.

0:16:16 > 0:16:19Have you thought about bereavement counselling?

0:16:19 > 0:16:22I wouldn't share this pain with anyone

0:16:25 > 0:16:29- I'm so sorry.- I don't want your sympathy. I just need a sick note.

0:16:31 > 0:16:34You know, my missus, she's out there fighting...

0:16:35 > 0:16:38..while I sit at home, dwelling on things.

0:16:40 > 0:16:44If I start to shout for justice, I wouldn't be able to stop.

0:16:53 > 0:16:55Cardiology consultants.

0:16:55 > 0:16:57I've marked the ones I think you should try first.

0:16:57 > 0:17:00- Are you saying you'll fund my application?- You were right.

0:17:00 > 0:17:03A GP with special interests will be good for the practice.

0:17:03 > 0:17:05I'm sure we'll see a return.

0:17:05 > 0:17:08Carpe diem, Kevin. Life is too short for regrets.

0:17:08 > 0:17:11You should talk to Heston. Take advantage of his contacts.

0:17:11 > 0:17:14- I'll make some calls. - You do that.

0:17:24 > 0:17:25I'm not hungry.

0:17:27 > 0:17:31- We could always starve you to death. - It might be an option.

0:17:31 > 0:17:34- If you cared about this family... - Of course I care.

0:17:34 > 0:17:37What it would do to us?

0:17:37 > 0:17:40You really think I haven't thought this through?

0:17:41 > 0:17:43Then why, Dad?

0:17:44 > 0:17:46Why are we even having this conversation?

0:17:46 > 0:17:48I just can't get it into my head

0:17:48 > 0:17:51why you would even think about doing this.

0:17:51 > 0:17:53Listen, I want you to promise me something.

0:17:55 > 0:17:58You promise me you'll be there for your mother.

0:17:58 > 0:18:00I don't have to listen to this.

0:18:00 > 0:18:03Oh, grow up, Chris. You're not a child any more.

0:18:03 > 0:18:07- Oh, that's rich. After what you've been contemplating.- Euthanasia.

0:18:13 > 0:18:16It's never going to happen! Not while I'm around.

0:18:20 > 0:18:23- So what was the fight about? - Nothing.

0:18:23 > 0:18:26A fight about nothing. That's a new one on me. Hold that.

0:18:28 > 0:18:31So, how long have you worked at Hanshaws?

0:18:31 > 0:18:36- Long enough.- Plenty of people with a grievance at that factory.

0:18:36 > 0:18:40- Meaning?- I spent the morning with Mickey Garvey's mum.

0:18:40 > 0:18:44- She's barely holding it together. - Look, are we done yet?

0:18:44 > 0:18:47- I've got to go.- That eye might need a couple of stitches.

0:18:47 > 0:18:50I'll take my chances.

0:18:50 > 0:18:54Karl, your best friend died.

0:18:54 > 0:18:57- And what's it got to do with you? - If it was down to negligence.

0:18:57 > 0:18:59If you know something...

0:18:59 > 0:19:01Look, if I talk, I'm done for.

0:19:01 > 0:19:07- Have they been threatening you? - Mickey's dead. Dead and buried.

0:19:08 > 0:19:11You need to tell the truth, Karl.

0:19:17 > 0:19:18There you are, Mrs Tembe.

0:19:18 > 0:19:21Prescriptions, signed, sealed and delivered.

0:19:21 > 0:19:23Thank you, Dr Carter.

0:19:23 > 0:19:26- How's Mrs Garvey? - She was angry.

0:19:26 > 0:19:27Well, she has every right to be.

0:19:29 > 0:19:32- I've had a letter from Julia. - Right.

0:19:32 > 0:19:36- How's Pontypridd? - Betws-y-Coed.

0:19:36 > 0:19:40- She's withdrawing her money from the practice.- What?

0:19:40 > 0:19:42Investing in retirement. A woman of Julia's age.

0:19:42 > 0:19:45Probably likes going on cruises, that sort of thing.

0:19:45 > 0:19:47That's all well and good. But where does it leave us?

0:19:47 > 0:19:50Well, I'll work out our shortfall and we'll reassess.

0:19:53 > 0:19:54Best kept between us for now.

0:20:17 > 0:20:20Well, well, well. The broken machine setter.

0:20:20 > 0:20:23You're ain't due back...ooh!

0:20:24 > 0:20:28They said he was drunk. I mean, yeah, we'd been celebrating.

0:20:28 > 0:20:32Mickey had this job interview. Other end of Birmingham.

0:20:33 > 0:20:36From the way he was talking - you'd have thought he'd had it in the bag.

0:20:36 > 0:20:39He was going to tell Hanshaws where to stick it.

0:20:39 > 0:20:44I tried to be happy for him, but truth be told,

0:20:44 > 0:20:49I didn't want him to go. Didn't want to lose him.

0:20:49 > 0:20:53You told the police, in your original statement,

0:20:53 > 0:20:57that Mickey Garvey tripped and fell.

0:20:57 > 0:21:00The rail was loose. A couple of bolts were missing.

0:21:00 > 0:21:03I mean, it would have taken ten minutes to fix.

0:21:03 > 0:21:07I brought it up with the foreman. He said he'd get it sorted.

0:21:07 > 0:21:11- And that was Tony Melling? - Too busy planning his retirement.

0:21:11 > 0:21:13Did you see him fall, Karl?

0:21:13 > 0:21:18No, I wanted to get on. We was behind with an order.

0:21:18 > 0:21:20And he was gassing. You know, yap, yap, yap.

0:21:20 > 0:21:22I turned around, and he was gone.

0:21:22 > 0:21:26Lying on his back on the factory floor.

0:21:26 > 0:21:28People crowded in.

0:21:29 > 0:21:32Should have seen the look of shock on his face.

0:21:32 > 0:21:35Are you saying the rail gave way?

0:21:35 > 0:21:38It was twisted, hanging.

0:21:38 > 0:21:40You're sure about that?

0:21:40 > 0:21:42Yeah.

0:21:42 > 0:21:46They cleared the floor. Got us to assemble by the gates.

0:21:46 > 0:21:50Management fixed the rail. Called the police.

0:21:50 > 0:21:53Lied to health and safety.

0:21:53 > 0:21:56A few bolts is all it needed.

0:21:56 > 0:21:59It was their fault Mickey died. Everyone knows it.

0:22:02 > 0:22:05I will be very glad to get home today.

0:22:05 > 0:22:06Back to an empty house.

0:22:08 > 0:22:11Are you all right, Mrs Hollins? You seem very distracted.

0:22:11 > 0:22:13Karl came to see you.

0:22:13 > 0:22:15Yeah, he'd been involved in a fight.

0:22:15 > 0:22:18- I've had the police on the phone. - What's he done now?

0:22:18 > 0:22:23He changed his statement. The factory was negligent. Come on.

0:22:34 > 0:22:36RINGING TONE

0:22:40 > 0:22:42RINGING TONE

0:22:47 > 0:22:48Leave that.

0:22:50 > 0:22:52Chris, please...

0:22:58 > 0:23:01Please try and understand.

0:23:01 > 0:23:04This chair. This is me.

0:23:05 > 0:23:09- Rest of my life. - Deal with it, dad. People do.

0:23:09 > 0:23:12Well, maybe they're a lot stronger than I am.

0:23:13 > 0:23:20OK. Today you want to die. Tomorrow might be different.

0:23:20 > 0:23:22It won't be.

0:23:22 > 0:23:25Just promise me that we're going to keep talking about this.

0:23:25 > 0:23:27It won't make any difference.

0:23:27 > 0:23:32Just promise me that you will listen to me and Mum,

0:23:32 > 0:23:33and everything we have to say.

0:23:35 > 0:23:37DOORBELL

0:23:37 > 0:23:38That will be Martha.

0:23:39 > 0:23:41You owe me that much.

0:23:41 > 0:23:43- She should have keys.- Dad.

0:23:48 > 0:23:51Yeah, OK, I promise.

0:23:53 > 0:23:58All right. I got to go to work. See you later.

0:24:01 > 0:24:04- That foreman was lying. - Please don't get your hopes up.

0:24:04 > 0:24:06We don't know what Karl's told the police yet.

0:24:06 > 0:24:09I can't get hold of Ray. He's probably in the pub.

0:24:09 > 0:24:11There's been another incident. At the factory.

0:24:11 > 0:24:12- What's happened?- Karl?

0:24:12 > 0:24:15I'll fill you in on the way. Not you, Karen.

0:24:15 > 0:24:17Oh, good luck.

0:24:21 > 0:24:23Is this where he fell? Tell me!

0:24:23 > 0:24:26He was drunk. Waste of space.

0:24:26 > 0:24:28My son was twice the man you are.

0:24:28 > 0:24:30He was just like his dad - a useless Garvey.

0:24:30 > 0:24:33Can't even control that wife of yours.

0:24:33 > 0:24:37All right. All right. All right. OK. You win. You win.

0:24:37 > 0:24:41Let's just go to the office, and let's just talk about it.

0:24:41 > 0:24:43You all stood by at his funeral,

0:24:43 > 0:24:46worried about your jobs, too frightened to speak up.

0:24:47 > 0:24:50Now, you tell me what happened - the truth -

0:24:50 > 0:24:53or I swear to God that you'll be the next man to fall.

0:24:53 > 0:24:59All right. All right, I was acting for Hanshaws. For the workers.

0:24:59 > 0:25:01This isn't the answer, Ray.

0:25:01 > 0:25:04- You keep back. - Let me talk to him.- Yeah, go on.

0:25:04 > 0:25:06Ask the management. They'll tell you.

0:25:06 > 0:25:10- They just wanted it tidied up. - And you were just the man to do it.

0:25:10 > 0:25:13- Let him go, love. - Isn't this what you wanted?

0:25:13 > 0:25:15For your pathetic excuse for a husband to grow some balls.

0:25:15 > 0:25:18Karl's changed his statement. You don't have to do this.

0:25:18 > 0:25:20Ray, let go of the man.

0:25:20 > 0:25:23They'll reopen the inquest. They'll all know the truth.

0:25:25 > 0:25:28It's over, Ray. It's finished.

0:25:38 > 0:25:40I miss him, Sim.

0:25:40 > 0:25:42I miss him too, love.

0:25:52 > 0:25:55I've been ringing you.

0:25:55 > 0:25:58I've been busy discussing my father's suicide.

0:25:58 > 0:26:00Don't be facetious, Chris.

0:26:02 > 0:26:05He hasn't changed his mind, then.

0:26:05 > 0:26:07I've bought us some time.

0:26:08 > 0:26:11- If you really want dad to see sense...- Of course I do.

0:26:11 > 0:26:14..then you're the only one who can talk him out of this.

0:26:14 > 0:26:16And if I can't?

0:26:17 > 0:26:19Well, then you're dead to me too.

0:26:36 > 0:26:39Are you absolutely sure the bag we're looking for is in this room?

0:26:39 > 0:26:42Don't worry I know exactly where it is.

0:26:42 > 0:26:44Have you tried turning it off and on again?

0:26:44 > 0:26:47I can't understand that. I like clean and tidy and organised.

0:26:47 > 0:26:49That's just dust and grime and dirt.

0:26:50 > 0:26:53If you were terminally ill, then we could cope with that.

0:26:53 > 0:26:57But you're not. You are choosing to leave us.

0:27:24 > 0:27:26Subtitles by Red Bee Media Ltd