0:00:31 > 0:00:33PIANO MUSIC PLAYS
0:00:47 > 0:00:49MUSIC STOPS
0:01:12 > 0:01:13She'll miss you.
0:01:14 > 0:01:16I'll miss her.
0:01:18 > 0:01:19Will you?
0:01:19 > 0:01:21Of course.
0:01:37 > 0:01:38Goodbye, then.
0:01:50 > 0:01:51Thank you.
0:02:27 > 0:02:28Fancy a biscuit?
0:02:28 > 0:02:30There's a Garibaldi in there somewhere.
0:02:30 > 0:02:32It's probably the last one.
0:02:43 > 0:02:44Fine.
0:02:50 > 0:02:52- ANSWERPHONE:- Hi, this is Zara Carmichael.
0:02:52 > 0:02:54Leave a message and I'll get back to you.
0:02:54 > 0:02:56Hi, er...it's me.
0:02:58 > 0:02:59Come home,
0:02:59 > 0:03:02your things are all there...
0:03:04 > 0:03:05Your music and your clothes...
0:03:07 > 0:03:08and...and our photos.
0:03:11 > 0:03:13I miss you.
0:03:24 > 0:03:26PIANO MUSIC PLAYS
0:03:34 > 0:03:37KNOCK ON WINDOW
0:03:37 > 0:03:39Jack Hollins. You called me.
0:03:49 > 0:03:51So, this is it, then?
0:03:51 > 0:03:53I didn't see a van outside. You said you had wheels...
0:03:53 > 0:03:55Yes. I do.
0:03:57 > 0:04:00You're joking.
0:04:00 > 0:04:03You want this pushed across Letherbridge on those?
0:04:03 > 0:04:06Sorry... You are Jack Hollins?
0:04:06 > 0:04:09Your leaflet expressly states that no job is too big or too small.
0:04:09 > 0:04:11I have engaged you to move this piano
0:04:11 > 0:04:13and you agreed a verbal contract on the telephone...
0:04:13 > 0:04:15And you said you had wheels.
0:04:15 > 0:04:16I have wheels.
0:04:18 > 0:04:21I have a plan, a timetable, a route...
0:04:21 > 0:04:23Good. I hope all that works out for you.
0:04:23 > 0:04:26Look, I'm sorry, you're going to have to find someone else.
0:04:29 > 0:04:30PHONE BEEPS
0:04:32 > 0:04:34No way!
0:04:34 > 0:04:35Problem?
0:04:35 > 0:04:38Yeah, my mate. He's let me down, he wants an early night.
0:04:38 > 0:04:40- You were going out?- Yeah, out out.
0:04:40 > 0:04:42Chasing some tail. What an idiot!
0:04:44 > 0:04:45Kevin...er...
0:04:45 > 0:04:47I don't have any plans.
0:04:47 > 0:04:48You and me?
0:04:48 > 0:04:50Yeah, I could teach you a few tricks.
0:04:50 > 0:04:52It'd be like going out with my dad.
0:04:52 > 0:04:55- Your dad?- Yeah.- I think you're confusing age with experience.
0:04:57 > 0:05:00OK, yeah, OK, if you're up for it, what with Zara...
0:05:00 > 0:05:02I am a free agent.
0:05:02 > 0:05:03In that case it would be my honour
0:05:03 > 0:05:06to see the great Daniel Granger in action!
0:05:06 > 0:05:08You'd better believe it!
0:05:13 > 0:05:15PHONE RINGS
0:05:15 > 0:05:17Mate!
0:05:17 > 0:05:20No, it's not looking good...
0:05:20 > 0:05:23What do you mean, you've got the tickets?...
0:05:23 > 0:05:25I don't have the cash...
0:05:25 > 0:05:27Yeah, I know what I said...
0:05:30 > 0:05:33OK, look, I'll get the money...
0:05:33 > 0:05:34What time?
0:05:34 > 0:05:36Yeah, it'll be a good night.
0:05:36 > 0:05:38All right then, see you later.
0:05:45 > 0:05:47- Go away.- I thought you wanted a helping hand.
0:05:47 > 0:05:50I don't want your help. I don't need anybody's help.
0:05:50 > 0:05:51I...
0:05:52 > 0:05:55I just require you to honour your contractual obligations.
0:05:55 > 0:05:56Fine. I just need the money.
0:06:03 > 0:06:05Night, Jim.
0:06:05 > 0:06:06See you.
0:06:06 > 0:06:09Kevin! The Blue Lagoon, yeah?
0:06:09 > 0:06:11Still time to back out, Grandad.
0:06:11 > 0:06:13The masterclass starts at seven.
0:06:13 > 0:06:14You're the boss.
0:06:21 > 0:06:22What's for tea?
0:06:22 > 0:06:23Cheese on toast.
0:06:23 > 0:06:24What? Where's Mum?
0:06:24 > 0:06:26She's out.
0:06:27 > 0:06:30Haven't you got some homework to do or something?
0:06:30 > 0:06:30Homework?
0:06:30 > 0:06:32Or whatever.
0:06:32 > 0:06:34You're going to art college in a couple of weeks -
0:06:34 > 0:06:35go and draw something!
0:06:52 > 0:06:54The route avoids all significant hills,
0:06:54 > 0:06:57kerbs and areas of rough ground.
0:06:58 > 0:07:00That looks significant.
0:07:01 > 0:07:02Look out!
0:07:05 > 0:07:06That was your responsibility!
0:07:06 > 0:07:08This is stupid.
0:07:08 > 0:07:11- The plan is robust. - The plan is ridiculous.
0:07:11 > 0:07:12We're behind schedule.
0:07:16 > 0:07:18That is ridiculous.
0:07:19 > 0:07:22The 338 goes in completely the wrong direction.
0:07:22 > 0:07:26Fine. Follow the fluorescent pink line but I haven't got all night.
0:07:26 > 0:07:27I've got places to be.
0:07:31 > 0:07:34MUSIC - "River" by Emili Sande
0:07:34 > 0:07:35# Follow me
0:07:37 > 0:07:39# I'll be your river, river
0:07:39 > 0:07:44# I'll do the running for you
0:07:44 > 0:07:46# Follow me
0:07:46 > 0:07:49# I'll be your river, river
0:07:49 > 0:07:52# I'll move the mountains for you
0:07:52 > 0:07:55# Follow me
0:07:55 > 0:07:59# I'll be your river, river
0:07:59 > 0:08:03# I'm here to keep you floating
0:08:03 > 0:08:05# Follow me
0:08:05 > 0:08:08# I'll be your river, river
0:08:08 > 0:08:10# River, river... #
0:08:16 > 0:08:17Look out!
0:08:17 > 0:08:19PIANO KEYS CLATTER
0:08:23 > 0:08:25Stop!
0:08:28 > 0:08:30Do you think you could...
0:08:30 > 0:08:33Oh, sorry.
0:08:33 > 0:08:34That's OK.
0:08:36 > 0:08:37Cheers.
0:08:38 > 0:08:39So, where do we start?
0:08:40 > 0:08:43We start with clear strategic objectives.
0:08:43 > 0:08:45What do we want to achieve?
0:08:45 > 0:08:47I just want to get laid.
0:08:47 > 0:08:49Anything beyond that?
0:08:49 > 0:08:50No, nothing beyond that.
0:08:50 > 0:08:53Look, the last three women I got involved with all...
0:08:53 > 0:08:57Let's not go there. I just want some action.
0:08:57 > 0:08:59OK, so that is your strategic objective,
0:08:59 > 0:09:02and we will lower the quality threshold accordingly.
0:09:02 > 0:09:04Right. And you?
0:09:04 > 0:09:07Me, I never lower the threshold.
0:09:07 > 0:09:10It's a bit thin on the ground.
0:09:10 > 0:09:11Early birds.
0:09:11 > 0:09:14Just out for a couple of beers with their mates after work.
0:09:14 > 0:09:17Not really in the market, and too sober to do anything silly.
0:09:17 > 0:09:19So, why are we here?
0:09:19 > 0:09:20We're easing ourselves in.
0:09:20 > 0:09:22And you never know...
0:09:22 > 0:09:24Problem is they're all in pairs or groups,
0:09:24 > 0:09:27they're difficult to split up...
0:09:27 > 0:09:28but...
0:09:28 > 0:09:29What about her?
0:09:29 > 0:09:32Yeah, maybe. She's vulnerable.
0:09:32 > 0:09:33But look how she's knocking them back.
0:09:33 > 0:09:35You'd start with tears on your shoulder,
0:09:35 > 0:09:37and end up with vomit in your lap.
0:09:39 > 0:09:42Now, that one.
0:09:42 > 0:09:44She's only come here to show willing.
0:09:44 > 0:09:46Doesn't really like her mates from work.
0:09:46 > 0:09:50- She's looking for someone a bit more grown-up.- Definitely.
0:09:50 > 0:09:52Woah woah woah! What's your angle?
0:09:53 > 0:09:55Buy her a drink?
0:09:55 > 0:09:57- She's drinking mineral water. - So she needs a drink...
0:09:57 > 0:09:59She doesn't like drink.
0:09:59 > 0:10:01Maybe she's pregnant.
0:10:01 > 0:10:03Yeah, that's a possibility.
0:10:03 > 0:10:05Too late, man! She's leaving.
0:10:05 > 0:10:08Leave her, leave her. There'll be better pickings.
0:10:08 > 0:10:11My friend, the night is still young.
0:10:11 > 0:10:12Woohoo!
0:10:23 > 0:10:25Why don't you go out?
0:10:25 > 0:10:28Isn't Jack going to a concert or something?
0:10:28 > 0:10:31What, some crappy student band, and my brother? No, thanks.
0:10:32 > 0:10:34Call your mates.
0:10:34 > 0:10:35Nah. They're all just a bit...
0:10:37 > 0:10:39Just a bit what?
0:10:39 > 0:10:40A bit too immature.
0:10:41 > 0:10:43Don't start getting all hoity-toity,
0:10:43 > 0:10:47you're only going to an art college and London's not everything.
0:10:47 > 0:10:48PHONE BEEPS
0:10:48 > 0:10:51Be one of your immature mates.
0:10:53 > 0:10:56Well, I suppose you can always stay in with your old dad.
0:10:56 > 0:11:00We've got that Juliet Bravo box set, that we haven't touched really.
0:11:00 > 0:11:01It's from Mr Dean.
0:11:01 > 0:11:03Oh, yeah, what does he want?
0:11:03 > 0:11:05He says he wants me to go meet him in half an hour
0:11:05 > 0:11:08because he's got a surprise for me.
0:11:08 > 0:11:10I don't think you should go.
0:11:10 > 0:11:11Dad! He's not like that.
0:11:11 > 0:11:14- He's a teacher, you're a student. - Not any more.
0:11:14 > 0:11:16- I'll come with you. - No, you won't.
0:11:20 > 0:11:24OK, here we go. The "walk past" with the sympathetic smile.
0:11:24 > 0:11:27- Timing is everything.- I'm watching.
0:11:27 > 0:11:29Wait for it...
0:11:29 > 0:11:30And now.
0:11:51 > 0:11:53She must be short-sighted.
0:11:53 > 0:11:54Yeah, she's not wearing her glasses.
0:11:54 > 0:11:57- So, what do we do?- Regroup, retarget...
0:11:57 > 0:11:59And never surrender.
0:11:59 > 0:12:01Her. The "little boy lost" routine?
0:12:02 > 0:12:04Good call.
0:12:21 > 0:12:24He's very tense, your friend.
0:12:24 > 0:12:25He's not...my friend.
0:12:27 > 0:12:31He has a plan and it never involved drinking tea in a florist en route.
0:12:34 > 0:12:35We are actually late now.
0:12:37 > 0:12:39For what?
0:12:39 > 0:12:41We should be there already. We have to go.
0:12:41 > 0:12:44No. I'm sorry. It's too dangerous.
0:12:44 > 0:12:46We could have put Maggie in hospital or worse.
0:12:46 > 0:12:48I'm fine. I'm Maggie!
0:12:48 > 0:12:50Don't worry about me.
0:12:50 > 0:12:52That's not the point.
0:12:52 > 0:12:55Oh, but look at him. This really matters.
0:12:56 > 0:12:58Maybe I can help. Can I help?
0:12:59 > 0:13:02Not unless you've got a nice big van with real wheels.
0:13:02 > 0:13:03Hmmm.
0:13:03 > 0:13:08How about a medium-sized van? Would that do?
0:13:09 > 0:13:12The plan specifies a pedestrian route.
0:13:12 > 0:13:15That would be great. Thank you.
0:13:15 > 0:13:17Isn't this fun?
0:13:30 > 0:13:31So...
0:13:54 > 0:13:56You really got a van?
0:13:56 > 0:13:59Dad normally drives it. Mum runs the shop.
0:13:59 > 0:14:01I just help out.
0:14:01 > 0:14:03Ooh, isn't this lovely?
0:14:03 > 0:14:04Please be careful.
0:14:04 > 0:14:05You're sure they won't mind?
0:14:05 > 0:14:08- She's very delicate. - They won't mind a bit.
0:14:08 > 0:14:11Anyway, they're in the Algarve and what they don't know won't kill them.
0:14:14 > 0:14:17How dare you?! This was my mother's piano.
0:14:20 > 0:14:22Mate, it's just an off night.
0:14:22 > 0:14:26An "off night"? It's not off, it's rancid.
0:14:26 > 0:14:27- Never surrender... - Yeah, whatever.
0:14:31 > 0:14:33- Mate, two o'clock...- It's your round.
0:14:33 > 0:14:36No, seriously. A pair. Definitely interested.
0:14:36 > 0:14:39OK, regroup, retarget.
0:14:39 > 0:14:42Girls, what can we get you?
0:14:44 > 0:14:46I'm sorry, Michael.
0:14:46 > 0:14:48No, you're not. You've got nothing to apologise for.
0:14:48 > 0:14:51All he cares about is getting this piece of junk from A to B
0:14:51 > 0:14:54and he needs to learn to ask nicely, otherwise it's not going anywhere.
0:14:54 > 0:14:57You have contractual obligations. We have a verbal contract.
0:14:57 > 0:15:00I tear your verbal contract up into tiny pieces.
0:15:00 > 0:15:02- Oh, you shouldn't do that.- Yes, I should.
0:15:02 > 0:15:05A breach of good faith on the part of the party with the piano,
0:15:05 > 0:15:07not to mention a number of significant Health and Safety issues.
0:15:07 > 0:15:10We should throw him and his piano out onto the pavement,
0:15:10 > 0:15:12- and leave them there.- We shouldn't really.
0:15:12 > 0:15:14Maggie, he tried to break your fingers,
0:15:14 > 0:15:16and the piano tried to kill you.
0:15:17 > 0:15:19But they didn't really mean it.
0:15:19 > 0:15:22All I'm saying is it wouldn't hurt for him to ask nicely.
0:15:29 > 0:15:30Please.
0:15:30 > 0:15:31Sorry?
0:15:31 > 0:15:32Please!
0:15:47 > 0:15:49Can I buy you a drink?
0:15:49 > 0:15:51I don't believe this!
0:15:51 > 0:15:52Have you scared him off?
0:15:52 > 0:15:56I haven't, no, I've just had you under surveillance, that's all.
0:15:56 > 0:15:57It sounded a bit dodgy.
0:15:58 > 0:16:03- He's late, that's all. - OK. So in the meantime...
0:16:03 > 0:16:05shall we have a drink?
0:16:07 > 0:16:09I shouldn't even be here.
0:16:09 > 0:16:11Helical Flow are playing at the Union.
0:16:11 > 0:16:12I should have been there half an hour ago.
0:16:12 > 0:16:15That was MY schedule, it's the only reason I took this job.
0:16:15 > 0:16:17But I need you to help me unload at the other end.
0:16:17 > 0:16:19- I'll miss the whole set. - He did say please.
0:16:19 > 0:16:21He hasn't said sorry.
0:16:22 > 0:16:25- But he is. - I have to get there, Jack.
0:16:25 > 0:16:26I have to play the piano.
0:16:27 > 0:16:29I have to play this piano, or it'll be too late.
0:16:31 > 0:16:33I am sorry.
0:16:33 > 0:16:37He said sorry. Now get in the van. You're up front.
0:16:37 > 0:16:39Fingers, please!
0:16:46 > 0:16:47Where to?
0:16:47 > 0:16:48It's that way, I think.
0:16:52 > 0:16:53ENGINE CHOKES
0:16:57 > 0:16:59ENGINE STOPS
0:17:00 > 0:17:02How much do you think a piano weighs?
0:17:02 > 0:17:04Dad's going to kill me.
0:17:05 > 0:17:07Now these hands...
0:17:07 > 0:17:09Healing hands. And those...
0:17:10 > 0:17:12Magic hands.
0:17:12 > 0:17:15You would not believe what these hands can achieve.
0:17:15 > 0:17:17I taught him that. The old "healing hands" line.
0:17:17 > 0:17:18Works every time.
0:17:21 > 0:17:23Mate! There for the taking.
0:17:23 > 0:17:25Below the quality threshold.
0:17:25 > 0:17:28- I'm going home.- Fine.
0:17:28 > 0:17:29You should call it a night.
0:17:30 > 0:17:32Whatever.
0:17:32 > 0:17:34Lightweight!
0:17:34 > 0:17:36Leave him.
0:17:36 > 0:17:37He's a boy.
0:17:39 > 0:17:40What does he know?
0:17:40 > 0:17:41About anything?
0:17:51 > 0:17:53He's very quiet.
0:17:53 > 0:17:55Michael?
0:17:55 > 0:17:58Michael? Are you all right?
0:17:58 > 0:18:00We'll never get there in time. It's over.
0:18:00 > 0:18:02- I've got an idea...- It won't work.
0:18:02 > 0:18:04- The fire brigade! - My life is over.
0:18:04 > 0:18:06Or we could take it apart, transport it bit by bit,
0:18:06 > 0:18:08and rebuild it once we get there.
0:18:08 > 0:18:09Nothing matters any more.
0:18:09 > 0:18:13Or a forklift truck? Do you know anyone with a forklift truck?
0:18:13 > 0:18:14I will never play again...
0:18:14 > 0:18:16Will you both just put a sock in it!
0:18:17 > 0:18:18Explain it to me.
0:18:18 > 0:18:21Explain to me why the world is going to end because you
0:18:21 > 0:18:24and this piano are stuck in the back of a broken-down van.
0:18:27 > 0:18:28I'd just about given up.
0:18:30 > 0:18:34A man. It's not much to ask for, is it?
0:18:34 > 0:18:38All these boys. All these charmless morons.
0:18:38 > 0:18:43I was about to take myself home. Make my own entertainment.
0:18:43 > 0:18:45Well, there is no need for that.
0:18:45 > 0:18:48No. Not any more.
0:18:52 > 0:18:54She used to walk down my street.
0:18:55 > 0:18:58Every morning I'd see her, while I was playing.
0:18:58 > 0:19:01And one day she stopped to listen.
0:19:01 > 0:19:04Who are we talking about?
0:19:04 > 0:19:06She walked up to my window and asked me to teach her.
0:19:07 > 0:19:09That's lovely.
0:19:10 > 0:19:12Her name is Jill Emery.
0:19:12 > 0:19:15- We're taking the piano to Jill.- Why?
0:19:15 > 0:19:17Because she's leaving.
0:19:19 > 0:19:23Her father is ill, and she's leaving Letherbridge to be with him.
0:19:23 > 0:19:25And you haven't told her?
0:19:26 > 0:19:28I've never told her.
0:19:28 > 0:19:30He has to tell her!
0:19:30 > 0:19:31Tell her what?
0:19:31 > 0:19:34Were you listening to a word he just said?!
0:19:34 > 0:19:35What are you waiting for?!
0:19:41 > 0:19:43Are you sure that this is art?
0:19:43 > 0:19:45Dad you're trying too hard. Just relax.
0:19:45 > 0:19:49Is it good? Just tell me, tell me if it's good cos if it is
0:19:49 > 0:19:51I shall work harder on the relaxation.
0:19:53 > 0:19:55I mean, what is it?
0:20:02 > 0:20:04It's...you.
0:20:04 > 0:20:08So it is. And you must be the great Imogen Hollins.
0:20:08 > 0:20:10I was told I might find you here.
0:20:11 > 0:20:12And you are...?
0:20:12 > 0:20:14It's Kingsley Apollo.
0:20:14 > 0:20:17- Kingsley Apollo...who?- Dad!
0:20:18 > 0:20:20My dad.
0:20:20 > 0:20:21Well, that's a relief!
0:20:21 > 0:20:24Delighted to meet you, sir. You must be very proud.
0:20:30 > 0:20:32That's not fair. You've got more than me.
0:20:32 > 0:20:34I'm saving myself.
0:20:34 > 0:20:37- We could always get another bottle. - Or you could take me home.
0:20:37 > 0:20:39I...er...
0:20:40 > 0:20:42I thought we understood each other.
0:20:42 > 0:20:44Yes but...
0:20:44 > 0:20:45Is it the drink?
0:20:45 > 0:20:49- No.- If you're... If you have a problem...
0:20:49 > 0:20:50I don't have a problem.
0:20:50 > 0:20:52Well, then...
0:21:02 > 0:21:03I mean, he has absolutely no idea.
0:21:03 > 0:21:06He gets Damien Hirst confused with Banksy.
0:21:06 > 0:21:08I am still here, you know?
0:21:08 > 0:21:11I'm sorry, Mr Hollins, we've been ignoring you.
0:21:11 > 0:21:13I've been quite dazzled by your daughter.
0:21:14 > 0:21:17I'm sorry but someone's going to have to treat me like
0:21:17 > 0:21:19a complete idiot and tell me exactly who you are.
0:21:19 > 0:21:22Oh! I'm an artist. Like Imogen.
0:21:22 > 0:21:25He's nothing like me. Dad, this is Kingsley Apollo,
0:21:25 > 0:21:27he had that exhibition at the MAC last year
0:21:27 > 0:21:29and I've got the poster in my room...
0:21:30 > 0:21:31The red squares?
0:21:31 > 0:21:34The red squares! That's me!
0:21:34 > 0:21:37Kingsley is probably the biggest name in contemporary art...
0:21:37 > 0:21:40- Only "probably"?- So what's he doing here, talking to you?
0:21:40 > 0:21:43I wrote to him last term. I sent him some photos of my work.
0:21:43 > 0:21:45Mr Dean knows him. I knew it was a long shot, but...
0:21:45 > 0:21:47I have never seen a student with such promise.
0:21:48 > 0:21:51Did you send him that self-portrait?
0:21:51 > 0:21:52She did.
0:21:54 > 0:21:59Did she? Yeah, that showed a lot of promise.
0:21:59 > 0:22:01It shows a lot more besides.
0:22:01 > 0:22:03Your daughter has talent, Mr Hollins.
0:22:03 > 0:22:08Which is why I would like her to come and work with me.
0:22:10 > 0:22:12OMG!
0:22:12 > 0:22:15There's an internship opening up. If you're interested.
0:22:15 > 0:22:17Oh, no. No, no, no.
0:22:17 > 0:22:20She's got a place at The Slade School of Fine Art.
0:22:20 > 0:22:22When do you want me to start?
0:22:30 > 0:22:32HE RINGS DOORBELL
0:22:38 > 0:22:39Hello?
0:22:40 > 0:22:41Who is it?
0:22:48 > 0:22:51PIANO MUSIC PLAYS
0:22:55 > 0:22:57Michael?
0:23:20 > 0:23:21Nice!
0:23:23 > 0:23:25I'm almost tempted.
0:23:26 > 0:23:27A freebie.
0:23:30 > 0:23:32It's tempting.
0:23:32 > 0:23:34But a girl's got to earn a living.
0:23:47 > 0:23:48It's beautiful.
0:24:04 > 0:24:05I shall miss you.
0:24:07 > 0:24:08It's not that far.
0:24:09 > 0:24:11And it won't be forever.
0:24:39 > 0:24:40Stay?
0:24:43 > 0:24:45Please, er...
0:24:45 > 0:24:46I'll pay.
0:24:53 > 0:24:54You could wear this.
0:24:57 > 0:24:58What's her name?
0:25:00 > 0:25:01It doesn't matter.
0:25:07 > 0:25:09# Wherever you're standing
0:25:09 > 0:25:12# I will be by your side
0:25:15 > 0:25:19# Through the good Through the bad
0:25:19 > 0:25:23# I'll never be hard to find... #
0:25:30 > 0:25:33I'm really sorry. Please don't call the police.
0:25:33 > 0:25:35Arghhhh!
0:25:35 > 0:25:37If anything happened to Cherry I'd be devastated.
0:25:37 > 0:25:40Don't compare Cherry to Zara. OK, Zara is a woman,
0:25:40 > 0:25:43Princess Pinky is an inflatable doll!
0:25:43 > 0:25:47Promise me you'll never give up your dream.
0:25:47 > 0:25:49Is that what I think it is?
0:25:50 > 0:25:52I don't know.
0:25:52 > 0:25:53Subtitles by Red Bee Media Ltd