Virtuous Reality

Download Subtitles

Transcript

0:00:32 > 0:00:34You're unbelievable!

0:00:34 > 0:00:36Yeah, well, you're the one who slept with my best mate!

0:00:36 > 0:00:38Rico was consoling me!

0:00:38 > 0:00:39What, by getting jiggy?

0:00:39 > 0:00:42He was consoling me after I found them photos on your phone,

0:00:42 > 0:00:43with that girl.

0:00:43 > 0:00:45- Doesn't mean we had sex.- Well, you weren't giving her a pedicure!

0:00:45 > 0:00:48- She threw herself at me!- In a hot tub?!

0:00:48 > 0:00:51Yeah, there was a lot of soap. She must have slipped.

0:00:51 > 0:00:54You're the one that slipped! You can't help yourself with girls.

0:00:54 > 0:00:55Whoa, cut, cut, cut.

0:00:55 > 0:01:00OK, Vicki, Diana would like you to say

0:01:00 > 0:01:04"You're a tart...you're a male tart...

0:01:04 > 0:01:09"You're the biggest male slapper in Letherbridge...that's what you are."

0:01:09 > 0:01:11- OK?- That's a bit harsh.

0:01:11 > 0:01:12Well, you are a slapper.

0:01:12 > 0:01:14Well, the public don't think so.

0:01:14 > 0:01:16No, they know you're a slapper, love you for it

0:01:16 > 0:01:18and will delight in seeing you get your comeuppance.

0:01:18 > 0:01:22Right, first positions and we'll take it from Vicki's line,

0:01:22 > 0:01:24"You can't help yourself."

0:01:27 > 0:01:31But I'm not meant to be doing home visits today.

0:01:31 > 0:01:35No-one else is free. It is only a flu jab.

0:01:35 > 0:01:38Sorry for stressing the financial, but we do get paid for those.

0:01:38 > 0:01:41OK. Who's the patient?

0:01:41 > 0:01:43Victoria Masterson.

0:01:44 > 0:01:47THE Vicki Masterson? Let me see!

0:01:48 > 0:01:50Oh, no way. It is her!

0:01:50 > 0:01:52Should her name be of note?

0:01:52 > 0:01:53Yeah! Oh, come on!

0:01:53 > 0:01:59- SHE SINGS:- Been around, seen a bit. Lost in Letherbridge!

0:01:59 > 0:02:02At this moment, I am indeed Lost in Letherbridge.

0:02:02 > 0:02:04It's essential TV viewing.

0:02:04 > 0:02:08It's like a documentary, only with real people acting out stories.

0:02:08 > 0:02:09It's their real lives.

0:02:09 > 0:02:13Well, I prefer my dramas to be done by real actors and writers,

0:02:13 > 0:02:16who have spent years honing their craft.

0:02:16 > 0:02:19Well, say what you like but it's bold and it's brash,

0:02:19 > 0:02:20and I've got a ringside seat!

0:02:20 > 0:02:24Watch out for that Troy. He's one for the ladies.

0:02:24 > 0:02:27- Ah, so am I.- Good point.

0:02:27 > 0:02:29Harrison, he's changed his plea.

0:02:29 > 0:02:31What do you mean, changed?

0:02:31 > 0:02:34He's pleading not guilty for Lauren and attempted manslaughter for Jack.

0:02:39 > 0:02:42# I found your hairband on my bedroom floor

0:02:42 > 0:02:46# The only evidence that you've been here before

0:02:46 > 0:02:48# And I don't get waves of missing you any more

0:02:48 > 0:02:51# They're more like tsunami tides in my eyes

0:02:51 > 0:02:52# Never getting dry, so I get high

0:02:52 > 0:02:55# Smoke away the days then I sleep with the light on

0:02:55 > 0:02:56# Weeks pass in the blink of an eye

0:02:56 > 0:02:58# And I'm still drunk at the end of the night

0:02:58 > 0:02:59# I don't drink like everybody else

0:02:59 > 0:03:03# I do it to forget things about myself, stumble and fall... #

0:03:03 > 0:03:05His legal team must feel they're on strong ground.

0:03:05 > 0:03:07But Rob caught him trying to suffocate Jack.

0:03:07 > 0:03:10And I'm sure he did kill Miss Porter.

0:03:10 > 0:03:11There's no evidence.

0:03:11 > 0:03:12No evidence?

0:03:12 > 0:03:14They couldn't find any forensics,

0:03:14 > 0:03:17and Harrison is saying he was bullied into a confession.

0:03:17 > 0:03:18I don't believe it!

0:03:18 > 0:03:22With DCI Driver? They'll drill me on that, when we're called.

0:03:22 > 0:03:23What do you mean, "called?"

0:03:23 > 0:03:26His lawyers will be calling us as witnesses, mostly to discredit us.

0:03:27 > 0:03:32If the jury believe him and not you...he could be released?

0:03:32 > 0:03:36Guilt or innocence. Just a matter of opinion.

0:03:49 > 0:03:51Oh, my...

0:03:51 > 0:03:52It really is you!

0:03:52 > 0:03:54Sorry?

0:03:54 > 0:03:58Oh, sorry...I watch the show.

0:03:58 > 0:04:01- OK.- But obviously I'm here as your nurse.

0:04:01 > 0:04:05So, erm...you want a flu jab?

0:04:05 > 0:04:06Oh, yeah.

0:04:06 > 0:04:09Erm...you want to come in?

0:04:09 > 0:04:12Yeah, course.

0:04:20 > 0:04:23Imogen! I'm so sorry.

0:04:23 > 0:04:25Interview with an American arts programme,

0:04:25 > 0:04:27would not get off the idea that I was Stuckist,

0:04:27 > 0:04:31said, "Could've been a Stuckist, but stuck to what he was brilliant at."

0:04:31 > 0:04:32- You've had tea?- No.

0:04:32 > 0:04:34Coffee? Champagne?

0:04:34 > 0:04:37People, come on, what you playing at?

0:04:37 > 0:04:39The lady must be dying of thirst!

0:04:39 > 0:04:41It's good to see you.

0:04:41 > 0:04:42You too.

0:04:42 > 0:04:44I must show you everything, introduce you to all.

0:04:46 > 0:04:47Stuckist!

0:04:47 > 0:04:50That's like asking Corbusier if he did half-timbered.

0:04:50 > 0:04:51Right.

0:04:51 > 0:04:54Now, this piece is beyond conception,

0:04:54 > 0:04:57it's a corporate commission.

0:04:57 > 0:05:00We're giving them refracted light, shades of Platonism,

0:05:00 > 0:05:02a comment on deviation from purity.

0:05:02 > 0:05:04It's a critique of capitalism, natch,

0:05:04 > 0:05:08but they'll never get the irony.

0:05:08 > 0:05:11Like a little art bomb under the establishment.

0:05:11 > 0:05:13Come on, lots to see.

0:05:13 > 0:05:14Chop chop.

0:05:18 > 0:05:20You want to film me?

0:05:20 > 0:05:22You are our Deus ex Machina.

0:05:22 > 0:05:25- Eh?- You've come to give me a message.

0:05:25 > 0:05:27I've come to give you your flu jab.

0:05:27 > 0:05:30That's the motivation, but the message is other.

0:05:30 > 0:05:32Here.

0:05:32 > 0:05:34- What's this?- A disclaimer.

0:05:34 > 0:05:37It gives them permission to film you and put it on the telly.

0:05:37 > 0:05:39Oh, you know, I really don't think my surgery would...

0:05:39 > 0:05:41Yeah, it's the nurse, she's quibbling.

0:05:41 > 0:05:43- No, no, no, I'm not, I just...- It's just one scene.

0:05:43 > 0:05:47If not fifteen minutes of fame, certainly five.

0:05:47 > 0:05:50Your chance to be part of Lost in Letherbridge.

0:05:53 > 0:05:54OK.

0:05:54 > 0:05:56No fee, unfortunately.

0:05:56 > 0:05:58Right, let's crack on.

0:05:58 > 0:06:01So, it's Vicki's revelation scene, with Nurse X.

0:06:01 > 0:06:02Oh...it's, erm, erm...it's Mandy.

0:06:02 > 0:06:03Sorry?

0:06:03 > 0:06:05My name, it's Mandy.

0:06:05 > 0:06:10Sure. OK, it's Vicki's revelation scene, with the lovely Nurse Mandy.

0:06:15 > 0:06:16KNOCK ON DOOR

0:06:16 > 0:06:17Just a moment.

0:06:24 > 0:06:25I'm pregnant.

0:06:25 > 0:06:29No, really? Oh, congratulations!

0:06:29 > 0:06:31Too effusive!

0:06:31 > 0:06:32What?

0:06:32 > 0:06:35You're not a fan, girl, you're a nurse.

0:06:35 > 0:06:37Yeah, but, I'd still say "congratulations."

0:06:37 > 0:06:40More professional. Something like, "Well done.

0:06:40 > 0:06:42"I'll take your blood pressure."

0:06:42 > 0:06:44OK, but I've not got my sphygmomanometer.

0:06:44 > 0:06:45A what?

0:06:45 > 0:06:47It's what we use to take blood pressure.

0:06:49 > 0:06:51Improvise.

0:06:51 > 0:06:53Ready, here we go.

0:06:53 > 0:06:57And...action!

0:06:57 > 0:06:59I'm pregnant.

0:07:00 > 0:07:02Aww, well done. I'll, erm...

0:07:05 > 0:07:07..listen to your heart!

0:07:07 > 0:07:10Actually, I was wondering how to get a DNA test.

0:07:10 > 0:07:12DNA?

0:07:12 > 0:07:15You see, I don't know if the baby's Troy's or...

0:07:15 > 0:07:17if it's his best friend's.

0:07:17 > 0:07:20- SHE GASPS - Rico! You slept with Rico?!

0:07:20 > 0:07:22Cut!

0:07:23 > 0:07:24Too much?

0:07:27 > 0:07:31So, you'd say in general you enjoy a good standard of health?

0:07:31 > 0:07:33Pretty much.

0:07:33 > 0:07:36Get a bit down, now and then.

0:07:36 > 0:07:39Had a serious relationship that broke up.

0:07:39 > 0:07:42Break-ups are difficult.

0:07:42 > 0:07:44As you know.

0:07:44 > 0:07:45Sorry?

0:07:45 > 0:07:48Like your relationship with Harrison Keller.

0:07:48 > 0:07:49How did you...?

0:07:49 > 0:07:52Recent developments slant things in his favour.

0:07:52 > 0:07:54How do you feel about the possibility he may be released?

0:07:54 > 0:07:55I don't...

0:07:55 > 0:07:57Does the prospect alarm you?

0:07:57 > 0:08:00- Look, I don't... - Or are you still in love with him?

0:08:00 > 0:08:02You're a journalist!

0:08:02 > 0:08:05Elaine, you have a story.

0:08:05 > 0:08:08Unless there's a medical reason for you being here, I have to ask you to leave.

0:08:08 > 0:08:11But this is a chance for you to get your side across.

0:08:11 > 0:08:14I don't want to get my side across. Look, please...

0:08:14 > 0:08:17I can see the strain you're under.

0:08:17 > 0:08:18Sharing will help.

0:08:20 > 0:08:23So, sleeping with Rico was revenge for what Troy did?

0:08:23 > 0:08:25Well, sort of.

0:08:25 > 0:08:27Troy's always played away, hasn't he?

0:08:27 > 0:08:29It must be even worse now he's famous.

0:08:29 > 0:08:31I do not know why you even take him back.

0:08:31 > 0:08:33We've been together a long time.

0:08:33 > 0:08:36You still love him?

0:08:36 > 0:08:38He's the person I know best. But the thing is...

0:08:38 > 0:08:40Yeah, but there's a baby now.

0:08:40 > 0:08:43So, even if it isn't his, he's going to have to grow up.

0:08:43 > 0:08:46Right. First positions, please.

0:08:46 > 0:08:51So, Vicki has told Minxy Mandy about the sprog.

0:08:51 > 0:08:54Rico's away in Faliraki, spinning the wheels of steel

0:08:54 > 0:09:00and Troy Division returns to find out he may have passed his DNA down to the next generation.

0:09:00 > 0:09:05A scary thought for us all, unless it's Rico's, which is even scarier.

0:09:05 > 0:09:11Not too much slap, she's far more beautiful au naturel.

0:09:11 > 0:09:12In my opinion.

0:09:14 > 0:09:16Right, let's go for one.

0:09:16 > 0:09:18Just a moment. I...I just need a moment.

0:09:18 > 0:09:20Troy Boy's on his way.

0:09:20 > 0:09:22I just feel a bit...

0:09:22 > 0:09:23I won't be long.

0:09:27 > 0:09:30You were involved with a man who's accused of murder.

0:09:30 > 0:09:33That must be a burden. By talking about it...

0:09:33 > 0:09:35I don't want to talk about it. Now, please leave!

0:09:35 > 0:09:36What's going on?

0:09:36 > 0:09:40This is a reporter, who registered as a patient.

0:09:40 > 0:09:41Feeling better?

0:09:41 > 0:09:42I'm just asking some questions.

0:09:42 > 0:09:44If one of them's "Where's the door?"

0:09:44 > 0:09:48- SHE KNOCKS - I'm not leaving until I've got my story.

0:09:48 > 0:09:54Here's a story. My husband, a policeman, is on the other end of this.

0:09:54 > 0:09:56You could report on how fast he gets here.

0:09:56 > 0:09:57I'm calling my editor.

0:09:57 > 0:10:00Oh, has he got a car with blue flashing lights?

0:10:00 > 0:10:02OK.

0:10:02 > 0:10:04- But just for the record... - PHONE CAMERA CLICKS

0:10:04 > 0:10:06- Hey!- Right, come on.

0:10:06 > 0:10:08There is such a thing as assault.

0:10:08 > 0:10:09Oh, don't tempt me!

0:10:14 > 0:10:19So, this whole pregnancy thing...it's made up?

0:10:19 > 0:10:22Diana thought it would add controversy.

0:10:22 > 0:10:24Is it Troy's or is it Rico's?

0:10:24 > 0:10:27Get loads of publicity for the next series.

0:10:27 > 0:10:30But Troy knows it isn't for real?

0:10:31 > 0:10:33He's supposed to think it's real.

0:10:34 > 0:10:36He finds out that I never really slept with Rico,

0:10:36 > 0:10:40and that I just said that to wind him up and the baby's really his.

0:10:40 > 0:10:41But there is no baby.

0:10:42 > 0:10:45The story is that I lose it.

0:10:45 > 0:10:49Tell Troy that I've had a miscarriage.

0:10:49 > 0:10:52They want his reactions to be real.

0:10:52 > 0:10:53That is cruel.

0:10:53 > 0:10:55I know. I've been dreading today.

0:10:55 > 0:10:57Then why are you going along with it?

0:10:57 > 0:10:59I have to do it. It's in my contract.

0:10:59 > 0:11:01Oh, tear it up!

0:11:01 > 0:11:03Before this, I was running a salon that was going out of business,

0:11:03 > 0:11:06the bank refused a loan, Troy was a promoter,

0:11:06 > 0:11:07in debt up to his eyeballs.

0:11:07 > 0:11:09So, this is about money?

0:11:09 > 0:11:11It's about being someone.

0:11:11 > 0:11:13You ARE someone.

0:11:13 > 0:11:15It's about being somebody people notice.

0:11:15 > 0:11:17Not just some stupid hairdresser.

0:11:17 > 0:11:19You are far from stupid.

0:11:19 > 0:11:21Then how come I really am pregnant?

0:11:23 > 0:11:27What, if you didn't sleep with Rico, then the baby's...

0:11:27 > 0:11:28Tim's.

0:11:28 > 0:11:30The director's?!

0:11:34 > 0:11:36Have you told him?

0:11:36 > 0:11:38I don't know what he's going to say.

0:11:38 > 0:11:42Well, he'll be pleased, hopefully.

0:11:42 > 0:11:46Could you stay? Just till I've told him?

0:11:48 > 0:11:50Yeah, course.

0:11:53 > 0:11:56Behold the All-Seeing Eye.

0:11:56 > 0:11:58Inspired by the Eye of Providence.

0:11:58 > 0:12:04Sometimes interpreted as the Eye of God, all-watchful,

0:12:04 > 0:12:07missing nothing, looking down on us.

0:12:07 > 0:12:10It has its origins in the Egyptian Eye of Horus.

0:12:10 > 0:12:15And in Hinduism, Lord Shiva has the all-seeing third eye in his forehead.

0:12:15 > 0:12:18It's on the front cover of The Declaration of Human Rights

0:12:18 > 0:12:22and on the Great Seal of the United States of America.

0:12:22 > 0:12:26All-seeing, all-powerful, a statement of global reach,

0:12:26 > 0:12:28or so they would like us to think.

0:12:28 > 0:12:30So, it's political?

0:12:30 > 0:12:33It's our existence. Do we exist if we aren't being observed?

0:12:35 > 0:12:36Stand closer.

0:12:40 > 0:12:43We are the observers and the observed.

0:12:45 > 0:12:47In being observed, we are made real.

0:12:49 > 0:12:52And we make others real by observing them.

0:12:52 > 0:12:54Thus the All-Seeing Eye.

0:12:55 > 0:12:57I'd like you to finish it.

0:12:58 > 0:13:01- Me?- Mm-hm.

0:13:01 > 0:13:04I'd like you to imbue it with your own spirit.

0:13:04 > 0:13:06I don't think that I can.

0:13:06 > 0:13:08But I say you will.

0:13:11 > 0:13:12It can't be mine.

0:13:12 > 0:13:13Tim!

0:13:13 > 0:13:14We were using protection.

0:13:14 > 0:13:16Well, condoms aren't always 100% safe.

0:13:16 > 0:13:18It's got to be Troy's.

0:13:18 > 0:13:20I haven't slept with Troy in five months.

0:13:20 > 0:13:22And she's three months pregnant.

0:13:22 > 0:13:25OK. If you want to go private, I'll pay.

0:13:25 > 0:13:27I haven't thought about where I'm going to have it.

0:13:27 > 0:13:29I mean an abortion.

0:13:30 > 0:13:31You said you loved me.

0:13:31 > 0:13:32You knew I was married.

0:13:32 > 0:13:34You said you were going to leave her.

0:13:34 > 0:13:36Vicki, this makes things very difficult.

0:13:36 > 0:13:38For who?

0:13:38 > 0:13:41If you insist on having this baby, you'll lose everything you've gained from the series.

0:13:41 > 0:13:43The profile, the money.

0:13:43 > 0:13:45What, and that's more important than a child?

0:13:45 > 0:13:47- Are you her spokeswoman?- No, but...

0:13:47 > 0:13:49I can speak for myself.

0:13:49 > 0:13:51And what are you going to tell Troy?

0:13:51 > 0:13:53That you were sleeping with me?

0:13:55 > 0:13:57There's a way forward.

0:13:57 > 0:14:00If you're so determined to have this baby, you can say it's Troy's.

0:14:00 > 0:14:03- But I can't...- We'll just have to tell Diana and the broadcaster

0:14:03 > 0:14:06that the pregnancy is for real.

0:14:06 > 0:14:08I don't think they'll be very happy about it

0:14:08 > 0:14:09but I'm sure they'll see the mileage.

0:14:09 > 0:14:13A baby is the new accessory. You'll be right up there with Jordan

0:14:13 > 0:14:16and that Beckham woman. The serious big time.

0:14:16 > 0:14:18Are you going to buy that?

0:14:20 > 0:14:22Nothing has ever given me chances like the show.

0:14:22 > 0:14:25Oh, come on, but lying to Troy? To your baby?

0:14:25 > 0:14:27What do you want me to do, walk away?

0:14:27 > 0:14:29Yes!

0:14:29 > 0:14:32This is about maximising my situation.

0:14:32 > 0:14:35No, it's about exploiting it.

0:14:36 > 0:14:38Mind you, that's what all this is about.

0:14:43 > 0:14:46The eye is the bloodshot sentinel...

0:14:47 > 0:14:50..and the red is the pain

0:14:50 > 0:14:54and the stain of ceaseless observation.

0:14:58 > 0:15:02And now...you continue.

0:15:04 > 0:15:06Are you leaving?

0:15:06 > 0:15:09Meetings. The bane of success.

0:15:09 > 0:15:11But as someone once said...

0:15:11 > 0:15:12I'll be back.

0:15:20 > 0:15:21You're pregnant?!

0:15:21 > 0:15:22Yeah.

0:15:22 > 0:15:26Oh, woah! So, I'm going to be a dad?!

0:15:26 > 0:15:28Is it a boy?

0:15:28 > 0:15:29I haven't had a scan.

0:15:29 > 0:15:30I'm sure it'll be a boy.

0:15:30 > 0:15:33We can name him after my favourite DJ.

0:15:33 > 0:15:34What? Fatboy Slim?

0:15:34 > 0:15:36Nah! Armand Van Helden.

0:15:36 > 0:15:38Armand's a nice name.

0:15:38 > 0:15:41Van Helden. Van Helden Parker.

0:15:41 > 0:15:43You don't mess with a name like that.

0:15:43 > 0:15:45Hold on a minute, what about Rico? You said...

0:15:45 > 0:15:48I only said I'd slept with Rico to wind you up.

0:15:48 > 0:15:52Oh, yes! So, I get a son and my best mate back!

0:15:52 > 0:15:54Oh! You're fantastic.

0:15:55 > 0:15:59Look, I know I haven't been Mr Perfect, but that's all over.

0:15:59 > 0:16:01From now on, it's about you and the baby.

0:16:01 > 0:16:03- Troy...- I'm going to give him everything.

0:16:03 > 0:16:05All the trips, all the treats,

0:16:05 > 0:16:09- everything my old man didn't give to me.- Troy!

0:16:09 > 0:16:10It's not your baby.

0:16:12 > 0:16:15But I thought you said you didn't with Rico.

0:16:15 > 0:16:18I didn't.

0:16:18 > 0:16:20What, so there's someone else?

0:16:32 > 0:16:34Elaine!

0:16:35 > 0:16:36Troy!

0:16:36 > 0:16:39I really do not think that is going to help!

0:16:39 > 0:16:41- Yeah, well, made me feel better. - I know Krav Maga.

0:16:41 > 0:16:44Oh, yeah, and who's that then? Some other bird you got up the duff?

0:16:44 > 0:16:45It's a lethal martial art.

0:16:45 > 0:16:49Well, I've done jujitsu, so come on then, bring it on, posh boy!

0:16:49 > 0:16:51Come on then! Ow!

0:16:51 > 0:16:53Stop it! Both of you!

0:16:53 > 0:16:54Stop it!

0:16:57 > 0:16:58Why?

0:16:59 > 0:17:00I'm sorry.

0:17:08 > 0:17:11Well, that was emotional.

0:17:11 > 0:17:14At least, in the story, we can say that Troy denies the sprog is his.

0:17:14 > 0:17:16Don't you have any feelings?

0:17:16 > 0:17:18- Where do feelings come into it? - It's your baby!

0:17:18 > 0:17:20I already have children.

0:17:20 > 0:17:22And they're more important than this one?

0:17:22 > 0:17:24- You don't think I'm going to compare...- OUT!

0:17:24 > 0:17:25Vicki...

0:17:25 > 0:17:29I'm sick of you, I'm sick of this camera, I'm sick of everything!

0:17:29 > 0:17:32And what would your life will be like without it?

0:17:32 > 0:17:34Better. Now get out!

0:17:41 > 0:17:43Oh...

0:17:46 > 0:17:47I'm ringing the editor.

0:17:47 > 0:17:50I'm also contacting the police about trespass.

0:17:50 > 0:17:53Dr Cassidy, I fully understand if you need to take some time off.

0:17:53 > 0:17:55It's fine, we're overstretched as it is.

0:17:55 > 0:17:57Well, that's very kind. I appreciate it.

0:17:57 > 0:17:59I should have grabbed her phone, the scheming...

0:17:59 > 0:18:01We are under siege from reporters!

0:18:01 > 0:18:04I have locked the door and the windows.

0:18:04 > 0:18:07This is not what is meant by freedom of the press!

0:18:07 > 0:18:10I'll shift them. But we have to be vigilant.

0:18:10 > 0:18:13This case is still sub judice so the press will have to be reminded of that.

0:18:13 > 0:18:15Let's not be intimidated.

0:18:15 > 0:18:18This is about force protection. We look after our own.

0:18:18 > 0:18:20PHONE RINGS

0:18:23 > 0:18:24Hello?

0:18:25 > 0:18:28- How did you get my number?- Give it to me.

0:18:28 > 0:18:30No, no, I don't have anything to say!

0:18:37 > 0:18:38There you are.

0:18:40 > 0:18:42You've done the right thing.

0:18:42 > 0:18:44What, getting pregnant by the director?

0:18:44 > 0:18:46Telling Troy.

0:18:46 > 0:18:48It might have been better if I'd pretended it was his.

0:18:49 > 0:18:51No, it's not you.

0:18:51 > 0:18:53KNOCK ON DOOR

0:18:53 > 0:18:54I'll get it.

0:19:08 > 0:19:10If it isn't Jackie Chan.

0:19:10 > 0:19:13Yeah, I guess I wasn't quite on the money about the jujitsu thing.

0:19:13 > 0:19:15More like a black belt in origami.

0:19:15 > 0:19:17I meant what I said, about being sorry. I...

0:19:17 > 0:19:19It's OK, I deserved it.

0:19:19 > 0:19:20I didn't do it to get back at you.

0:19:20 > 0:19:23Not even if I am the biggest slapper in Letherbridge?

0:19:25 > 0:19:27I'd better get back.

0:19:27 > 0:19:29You never did give me that flu jab.

0:19:29 > 0:19:33- Well, you can...- You'd better have it, now the baby's coming.

0:19:37 > 0:19:38OK.

0:19:39 > 0:19:43# It's OK to say you've got a weak spot

0:19:43 > 0:19:46# You don't always have to be on top

0:19:46 > 0:19:49# Better to be hated... #

0:19:49 > 0:19:52Aye, aye, what's going on here?

0:19:52 > 0:19:54This is Kingsley's most personal piece.

0:19:54 > 0:19:56It's a critique of perception.

0:19:56 > 0:20:00We only perceive ourselves to be real when we're being observed.

0:20:00 > 0:20:03I perceive that Kingsley is nowhere to be seen.

0:20:03 > 0:20:05He's got meetings.

0:20:05 > 0:20:07So, even though it's his most personal piece,

0:20:07 > 0:20:09he's not working on it himself?

0:20:09 > 0:20:11It's his concept and he's...

0:20:11 > 0:20:12Got you doing all the donkey work.

0:20:12 > 0:20:13It's not donkey work.

0:20:13 > 0:20:16All the masters of Renaissance all had apprentices.

0:20:16 > 0:20:18And how much were they paid?

0:20:18 > 0:20:19You are getting paid?

0:20:19 > 0:20:21We haven't talked about money yet.

0:20:21 > 0:20:23That would have been my first conversation.

0:20:23 > 0:20:25Well, things are different in art.

0:20:25 > 0:20:28What, like artists don't need to eat?

0:20:28 > 0:20:30Did Dad send you here to check up on me?

0:20:30 > 0:20:32No.

0:20:32 > 0:20:35It's Harrison. He's changed his plea.

0:20:35 > 0:20:38Attempted manslaughter.

0:20:38 > 0:20:41Jack, he tried to kill you to get you out of the way.

0:20:41 > 0:20:42Mum and Dad are bouncing off the walls.

0:20:42 > 0:20:45Mum wants to go to the prison and throttle him herself.

0:20:45 > 0:20:46What's he saying about Lauren?

0:20:46 > 0:20:48Saying he's not guilty.

0:20:48 > 0:20:50He could end up getting off both charges.

0:20:50 > 0:20:52What, that's just...

0:20:52 > 0:20:53Oh, no!

0:20:53 > 0:20:56It's just paint.

0:20:56 > 0:20:57It's ruined!

0:20:57 > 0:20:59- Just touch it up.- Kingsley's going to go nuts.

0:20:59 > 0:21:02This is my big chance and I've blown it on the first day!

0:21:02 > 0:21:03Let's try and fix it.

0:21:03 > 0:21:04Jack!

0:21:04 > 0:21:06- Come on, I'll give you a hand.- You?

0:21:06 > 0:21:09I'm not that much of a numpty. I'm more use than that lot out there.

0:21:11 > 0:21:14We can have a normal life together.

0:21:14 > 0:21:16- We're debt-free, the salon's doing better, I could get a job.- Troy...

0:21:16 > 0:21:20It can be like it used to, going down your mum's on Sundays,

0:21:20 > 0:21:22staying at that old mill place in Devon, where we always used to.

0:21:22 > 0:21:26- Troy, look...- I know I'm not the baby's father, the real father, but...

0:21:26 > 0:21:28Troy, we're just friends.

0:21:28 > 0:21:30That's all we've been for while now.

0:21:31 > 0:21:33Really good friends, but...

0:21:34 > 0:21:36Just friends.

0:21:38 > 0:21:40Yeah...

0:21:40 > 0:21:41I know.

0:21:41 > 0:21:44I just...I just want to help.

0:21:45 > 0:21:47You can.

0:21:48 > 0:21:50Who's that on the cover?

0:21:50 > 0:21:52You.

0:21:52 > 0:21:53It's us.

0:21:53 > 0:21:57Lost in Letherbridge was about us. Except it wasn't.

0:21:57 > 0:21:58No?

0:21:58 > 0:22:00It was about how Tim wanted people to see us,

0:22:00 > 0:22:03how the producers wanted people to see us.

0:22:03 > 0:22:08Why not show the audience the real, real us?

0:22:08 > 0:22:10What, like our own show?

0:22:10 > 0:22:12Carpe diem.

0:22:12 > 0:22:14Is it about fishing?

0:22:14 > 0:22:16Let's build on what we've got. We're the stars.

0:22:16 > 0:22:18If we're going to sell ourselves, let's do it on our own terms.

0:22:20 > 0:22:22Does Rico have to be in it?

0:22:22 > 0:22:24Hmm...

0:22:24 > 0:22:25No.

0:22:30 > 0:22:33Remember when I chipped the dining room table with that cricket bat?

0:22:33 > 0:22:35And gluing that chunk back on?

0:22:35 > 0:22:38You did it so well, they never noticed for years.

0:22:38 > 0:22:41Maybe I should have a sideline in furniture repairs.

0:22:41 > 0:22:43You'll have to if Kingsley isn't paying you.

0:22:46 > 0:22:47You looking forward to London?

0:22:47 > 0:22:50Yeah, course.

0:22:50 > 0:22:53It's going to be a bit strange not being around everyone.

0:22:54 > 0:22:56Yeah, it will.

0:22:59 > 0:23:01See? Doesn't look too bad.

0:23:01 > 0:23:03I'm sure he'll notice.

0:23:03 > 0:23:05If he does, just bill him for the extra work.

0:23:05 > 0:23:07You so sound like a lawyer.

0:23:07 > 0:23:09I mean it, Im, don't work for free.

0:23:11 > 0:23:12Thanks.

0:23:13 > 0:23:15What's a brother for?

0:23:20 > 0:23:22PHONE RINGS

0:23:24 > 0:23:26Look, I've told you once...

0:23:26 > 0:23:28LINE BEEPS

0:23:28 > 0:23:30- LINE GOES DEAD - Hello?

0:23:38 > 0:23:39HE WHISTLES

0:23:39 > 0:23:40Wow!

0:23:40 > 0:23:42Sorry.

0:23:42 > 0:23:46You've really caught the motion, the intensity of the gaze.

0:23:47 > 0:23:50Great technique on the montage, too.

0:23:54 > 0:23:57Seamless application...

0:23:59 > 0:24:01What's this?

0:24:01 > 0:24:02I can explain.

0:24:02 > 0:24:04I don't require an explanation.

0:24:07 > 0:24:09I can see for myself.

0:24:10 > 0:24:11It's a tear.

0:24:11 > 0:24:16A tear we all shed for our being under relentless scrutiny.

0:24:16 > 0:24:19The private sorrow of the publicly observed.

0:24:21 > 0:24:23Kingsley?

0:24:23 > 0:24:23Hm?

0:24:23 > 0:24:29Erm...I was just wondering if I, erm...might get paid?

0:24:30 > 0:24:32Rewards will come.

0:24:32 > 0:24:33But...

0:24:33 > 0:24:36Intellectually and spiritually.

0:24:37 > 0:24:38Artistically.

0:24:41 > 0:24:42And bodily.

0:24:48 > 0:24:49So, it's a double celebration.

0:24:49 > 0:24:54Not just for the much anticipated new cast member

0:24:54 > 0:24:58but also for the announcement of our new series - Our Real Lives.

0:24:58 > 0:25:00Made directly through the broadcaster,

0:25:00 > 0:25:04- with our own production company, - VicTroy Films.

0:25:04 > 0:25:10This time, it will be our real, real lives. Complete, uncut.

0:25:10 > 0:25:13In the raw. Grrrr!

0:25:13 > 0:25:15(Not too much, Troy.)

0:25:15 > 0:25:16(Sorry.)

0:25:17 > 0:25:22# Hold me in your arms

0:25:24 > 0:25:28# And your heart's against my chest

0:25:28 > 0:25:31# Lips pressed to my neck

0:25:31 > 0:25:34# I'm falling for your eyes

0:25:34 > 0:25:38# But they don't know me yet

0:25:38 > 0:25:40# And with a feeling I'll forget

0:25:40 > 0:25:43# I'm in love now

0:25:43 > 0:25:47# Kiss me like you want to be loved

0:25:48 > 0:25:51# You want to be loved

0:25:51 > 0:25:54# You want to be loved

0:25:56 > 0:26:00# This feels like falling in love... #

0:26:03 > 0:26:05PHONE RINGS

0:26:08 > 0:26:10Look, I've had just about enough...

0:26:10 > 0:26:12Elaine?

0:26:15 > 0:26:17Elaine?

0:26:21 > 0:26:23Elaine?

0:26:29 > 0:26:30Elaine..?

0:26:31 > 0:26:33Can you hear me?

0:26:34 > 0:26:36Can I have a few minutes?

0:26:36 > 0:26:37Have you been following me?

0:26:37 > 0:26:40Sorry, I saw the article, can we talk?

0:26:40 > 0:26:42Harrison had an affair with Kate.

0:26:42 > 0:26:44My wife.

0:26:44 > 0:26:46Right.

0:26:46 > 0:26:48Dr Cassidy, I need to know what he did!

0:26:48 > 0:26:49With the body, I mean.

0:26:52 > 0:26:54Subtitles by Red Bee Media Ltd