0:00:25 > 0:00:29It's only a matter of time till the trial.
0:00:29 > 0:00:31I'm going to be called, aren't I?
0:00:31 > 0:00:34If you don't want to run from him, find out what he wants.
0:00:42 > 0:00:45PHONE VIBRATES
0:00:48 > 0:00:50Yeah, I've never had a chance to explain what happened.
0:00:50 > 0:00:52I'll call the prison tomorrow.
0:00:54 > 0:00:56OK, I can't wait to see you.
0:01:16 > 0:01:18ALL CHANT: Do it. Do it Do It.
0:01:18 > 0:01:20BOY GROANS
0:01:40 > 0:01:42HE STIRS
0:01:43 > 0:01:46HE SNORES
0:02:02 > 0:02:05Good morning, ghost boy.
0:02:14 > 0:02:16Where do I come to?
0:02:18 > 0:02:20Thank you.
0:02:22 > 0:02:24I've got that, thank you.
0:02:24 > 0:02:25KNOCK ON DOOR
0:02:27 > 0:02:28You OK?
0:02:28 > 0:02:30I've taken your advice.
0:02:30 > 0:02:33Er... Which was?
0:02:33 > 0:02:37To face my demons. I'm going to the prison this afternoon.
0:02:37 > 0:02:39I didn't advise you to do that.
0:02:39 > 0:02:42You told me to deal with things head on.
0:02:42 > 0:02:43Yeah, I know but...
0:02:43 > 0:02:45It's the only way I'm going to get my life back.
0:02:45 > 0:02:48OK, but just remember how manipulative he is.
0:02:48 > 0:02:50He's going try to get inside your head.
0:02:50 > 0:02:54He's already there. Facing up to him, getting answers,
0:02:54 > 0:02:56is the only way I'm going to stop this.
0:02:58 > 0:02:59Help! Help!
0:03:08 > 0:03:10Come back! Come back!
0:03:10 > 0:03:13I'm not afraid of you, I've never been afraid of you!
0:03:13 > 0:03:17Come back... I don't want to die alone.
0:03:29 > 0:03:32Love the post-coital getting breakfast ritual.
0:03:33 > 0:03:35Is there any cereal?
0:03:37 > 0:03:39I always used to let King make the breakfast.
0:03:41 > 0:03:43You and Kingsley?
0:03:43 > 0:03:47Oh, sorry, didn't he tell you? I wouldn't have said anything.
0:03:47 > 0:03:48It's fine, I just didn't know.
0:03:48 > 0:03:51It was ages ago, no big deal.
0:03:51 > 0:03:52It's cool.
0:03:52 > 0:03:54Bet he loves it this way round, though.
0:03:54 > 0:03:57Someone looking after him, much more his style.
0:04:00 > 0:04:02You moving in, then?
0:04:02 > 0:04:05No, I'm going off to Art School in a few days.
0:04:05 > 0:04:06Of course.
0:04:06 > 0:04:08Did Kingsley tell you?
0:04:08 > 0:04:11- Everything about you says "art student".- Does it?
0:04:11 > 0:04:14The clothes, the hair, the shiny, happy look.
0:04:14 > 0:04:16Shiny?
0:04:16 > 0:04:20You look so optimistic, like life hasn't knocked off many edges.
0:04:20 > 0:04:22I've had my fair share of knocks.
0:04:22 > 0:04:25I love that sort of energy, it's so...cute.
0:04:25 > 0:04:27Thanks.
0:04:28 > 0:04:31So what's made you decide to hide away in an ivory tower
0:04:31 > 0:04:32for three years, then?
0:04:32 > 0:04:35To be an artist, I need to learn about materials and techniques,
0:04:35 > 0:04:37- and that sort of stuff. - BEX LAUGHS
0:04:37 > 0:04:40Yeah, of course you do. It sounds good.
0:04:40 > 0:04:42Sorry,
0:04:42 > 0:04:43I don't even know your name.
0:04:43 > 0:04:46I'm Bex, unofficial boss of this place.
0:04:46 > 0:04:48I'm Immie, short for Imogen.
0:04:48 > 0:04:50Welcome aboard, Immie.
0:05:07 > 0:05:09- We could do with you when we start the cafe.- Cafe?
0:05:09 > 0:05:11Profit share community cafe.
0:05:11 > 0:05:14- Here? - Got to start somewhere.
0:05:15 > 0:05:18- It's going to take a lot of work. - Tell me about it!
0:05:18 > 0:05:22But capitalism is dying. We need to replace the greedy banking systems
0:05:22 > 0:05:24- with ethically sound businesses.- How?
0:05:24 > 0:05:28A cafe that works on the principle of profit share is a small step,
0:05:28 > 0:05:29but it's a step.
0:05:29 > 0:05:31It sounds cool.
0:05:31 > 0:05:34We can all dig away in our own selfish little burrows,
0:05:34 > 0:05:36or we can engage in the real world.
0:05:36 > 0:05:40It'll make a lot more difference than running up debts in some privileged, out-of-date institution.
0:05:40 > 0:05:43It's a good school and it's neither of those things.
0:05:43 > 0:05:46I guess, for me, engaging in the real world makes more sense.
0:05:46 > 0:05:48DOOR CLATTERS Whoa! Whoa!
0:05:48 > 0:05:51- I need some help! - Are you all right, Dr Clay?
0:05:51 > 0:05:54- Are you a doctor? - And-And you are?
0:05:54 > 0:05:56- She's dying. - Have you called an ambulance?
0:05:56 > 0:05:57They'd never find her.
0:05:57 > 0:05:59- Find who?- The old bird.
0:05:59 > 0:06:02- Is she registered here? - You coming?
0:06:02 > 0:06:04- That is not how it works. - Where is she?
0:06:04 > 0:06:06- In the lounge. - So what is her name?
0:06:06 > 0:06:08- I don't know. - What is your name?
0:06:08 > 0:06:09Wolfe. You coming?
0:06:09 > 0:06:13You cannot expect a doctor to run off with you
0:06:13 > 0:06:16- to goodness knows where. - It'll be OK, Mrs Tembe.
0:06:16 > 0:06:20We need more information. Maybe this woman is one of our patients.
0:06:20 > 0:06:23- Are you going to let her die? - No, of course not. But we have to...
0:06:23 > 0:06:26Where is she? It'll be fine, OK?
0:06:28 > 0:06:31But maybe I don't want you to go out.
0:06:31 > 0:06:32I'm not going to be long.
0:06:32 > 0:06:37You should just stay here, make the most of your last few days.
0:06:37 > 0:06:39I could teach you things you won't learn at art school.
0:06:39 > 0:06:41Well, Bex said I wouldn't learn much there, anyway.
0:06:41 > 0:06:44Bex has big ideas.
0:06:44 > 0:06:46Bex said you two were a couple.
0:06:46 > 0:06:47That's history, babes.
0:06:47 > 0:06:49I'm not so sure she thinks the same.
0:06:49 > 0:06:51You know how much I need you.
0:06:53 > 0:06:55I'm being serious.
0:06:55 > 0:06:57Maybe I should stay.
0:06:57 > 0:06:59You said that I really helped with your project,
0:06:59 > 0:07:01and that I helped to light its fire for you.
0:07:01 > 0:07:05The soul shines out of everything you've done for me.
0:07:05 > 0:07:09You know how I feel. The connection you've made with my work, with me.
0:07:11 > 0:07:12But I can't make the decision for you.
0:07:13 > 0:07:15But you do think it makes sense?
0:07:15 > 0:07:19I don't want to influence you, but we can discuss it in here!
0:07:20 > 0:07:21We can discuss it over dinner.
0:07:21 > 0:07:24There's nothing in the way of food, here.
0:07:24 > 0:07:25Yeah, I noticed.
0:07:25 > 0:07:28That's why I'm going to go shopping and cook us a meal.
0:07:28 > 0:07:31If your plan is to make me miss you before you've even gone,
0:07:31 > 0:07:33it's working.
0:07:38 > 0:07:39Hey! Whoa! Hang on.
0:07:39 > 0:07:43- What?- The gate's padlocked, the house is clearly derelict.
0:07:43 > 0:07:45- I won't go anywhere till you tell me...- She needs your help.
0:07:45 > 0:07:48- There's obviously no-one living there.- I swear she does.
0:07:48 > 0:07:52Look, I'm not out to mug you. Come on. She could be dead by now.
0:07:57 > 0:07:59DOOR SLAMS
0:08:00 > 0:08:02Hello? Hi, love, hey...
0:08:04 > 0:08:06Could you get...
0:08:07 > 0:08:08Hi.
0:08:08 > 0:08:11Hi. What's your name?
0:08:11 > 0:08:15- Pearl.- Pearl. Hello, Pearl. Do you remember what happened here?
0:08:15 > 0:08:19I...felt dizzy. Who are you?
0:08:19 > 0:08:22I'm Dr Clay from The Mill Surgery.
0:08:23 > 0:08:26Do you remember if you hit your head?
0:08:27 > 0:08:29No. No, I don't think so.
0:08:29 > 0:08:30SHE GROANS
0:08:30 > 0:08:32Looks like you've a nasty cut there.
0:08:32 > 0:08:35Maybe we should get you to the hospital so they can check you over.
0:08:35 > 0:08:37No! No! You mustn't, I don't want to go.
0:08:37 > 0:08:40- Yeah. He said you wouldn't want to go.- Ghost boy?
0:08:40 > 0:08:43Wolfe? He came to fetch me from the surgery.
0:08:44 > 0:08:47- So you can see him, too? - Well, yeah, he brought me here.
0:08:49 > 0:08:51I didn't know ghosts could be that practical.
0:08:52 > 0:08:56He's a little on the thin side, but he's definitely not a ghost.
0:08:56 > 0:08:58He's definitely real, flesh and blood.
0:08:58 > 0:09:01He can't be, he was murdered outside this house -
0:09:01 > 0:09:02I remember it happening.
0:09:02 > 0:09:08OK, do you mind if I just check this? Does any of this hurt? No?
0:09:12 > 0:09:14What's all of this?
0:09:14 > 0:09:17- Ha! It's food parcels. - Oh, Mum!
0:09:17 > 0:09:21- I can feel your ribs already! - I've only been gone for one day.
0:09:21 > 0:09:23Exactly, so...
0:09:24 > 0:09:26..eat that. Do you want a coffee?
0:09:26 > 0:09:28Yeah, please.
0:09:28 > 0:09:30So what's this squat place like?
0:09:30 > 0:09:33Mum, it's amazing. All these people are just
0:09:33 > 0:09:37so committed to changing things and they all get on so well.
0:09:37 > 0:09:40Oh, see, I thought it would be all mouldy washing up
0:09:40 > 0:09:44and hairy naked men who smoked too much pot.
0:09:45 > 0:09:47This fresh parsley?
0:09:47 > 0:09:49Yeah, it's a good source of vitamin C.
0:09:50 > 0:09:52Mum, listen, I think we better stagger this.
0:09:52 > 0:09:55Let Jack go first, me go a little bit later,
0:09:55 > 0:09:57so that you don't go into complete shock.
0:09:57 > 0:10:01You don't have to worry about me. You are going to have a ball,
0:10:01 > 0:10:03and your silly old mum is going to be fine.
0:10:09 > 0:10:11She all right?
0:10:11 > 0:10:13Yeah, thanks to you.
0:10:13 > 0:10:16She seems to think you've been haunting this house for years.
0:10:16 > 0:10:17Suits me.
0:10:17 > 0:10:19Given you're not a ghost, what are you doing here?
0:10:19 > 0:10:24- It doesn't matter. - Haven't you got any family?
0:10:24 > 0:10:27- Not worth having. - It's that bad, is it?
0:10:27 > 0:10:29You've no idea.
0:10:29 > 0:10:31More than you think, mate.
0:10:34 > 0:10:39Thing is...we need to move Pearl to some secure accommodation.
0:10:39 > 0:10:41This is her home, she won't want to go any...
0:10:41 > 0:10:43If you hadn't been here this morning...
0:10:43 > 0:10:45- You can't stuff her in a home. - I'm not suggesting that, necessarily.
0:10:45 > 0:10:48So leave us be and things can go back to the way they were.
0:10:50 > 0:10:52- She wants to talk to you. - You told her I'm alive?
0:10:52 > 0:10:54Of course I did. Why do you want her to think you're dead?
0:10:54 > 0:10:56She won't let me live here if she thinks I'm real.
0:10:56 > 0:11:00Right. Well, you can start off by introducing yourself - properly.
0:11:18 > 0:11:22Cold hands, but flesh and blood.
0:11:22 > 0:11:23Yeah.
0:11:23 > 0:11:24- Are you a burglar? - No.
0:11:24 > 0:11:26So what are you doing here?
0:11:26 > 0:11:31I needed somewhere to crash. This house looked empty. I thought YOU were a ghost, to start with.
0:11:31 > 0:11:33I might as well be.
0:11:35 > 0:11:36Do you want me to go?
0:11:37 > 0:11:40I've got used to having a pet ghost around.
0:11:41 > 0:11:42But you don't even know who he is.
0:11:43 > 0:11:47We've been sharing this house for two years already.
0:11:48 > 0:11:51OK. How about I leave you two to exchange ghost stories,
0:11:51 > 0:11:54and I'll see if I can find something to dress that cut?
0:11:54 > 0:11:57Are you registered with The Mill?
0:11:57 > 0:11:59- 100 years ago. - We'll still have your notes, then.
0:12:01 > 0:12:06Maybe you're one of those angels in disguise, rather than a ghost?
0:12:13 > 0:12:17Can I scrounge some more ingredients? I'm cooking for Kingsley tonight.
0:12:17 > 0:12:19I wooed your dad with Coq au Vin.
0:12:19 > 0:12:23Too much information! Have you got any millet?
0:12:23 > 0:12:25What is he, a man or a budgie?
0:12:25 > 0:12:27Mum, you know very well he's macrobiotic.
0:12:27 > 0:12:29He managed to eat my sausages.
0:12:29 > 0:12:30Yeah. He was being polite.
0:12:30 > 0:12:32Oh, really?
0:12:32 > 0:12:36Well, I've got some lentils somewhere I bought by mistake.
0:12:36 > 0:12:37Here, you can have them.
0:12:37 > 0:12:41And...that should liven it up.
0:12:41 > 0:12:44He doesn't eat anything from the nightshade family.
0:12:44 > 0:12:46- That man needs to eat a steak.- Mum!
0:12:46 > 0:12:48Have a look at that.
0:12:48 > 0:12:50Your dad calls it, "The Food For Rabbits book."
0:12:50 > 0:12:53There might be something that Kingsley can eat.
0:12:53 > 0:12:55- That? - Ewww!
0:12:55 > 0:12:57Even worse than one of your attempts.
0:12:57 > 0:12:58Hey, you cheeky mare!
0:12:58 > 0:13:00SHE LAUGHS
0:13:02 > 0:13:04I am so going to miss this.
0:13:04 > 0:13:06Me, too.
0:13:08 > 0:13:11But, just because I don't want my little girl to grow up
0:13:11 > 0:13:14and I think that she might be a bit little bit nervous,
0:13:14 > 0:13:18I am not going to let her put her exciting future on hold.
0:13:18 > 0:13:22Anyway, I fully intend to come to that Art School on frequent occasions
0:13:22 > 0:13:24and feed you,
0:13:24 > 0:13:26and embarrass you in front of your new arty farty friends.
0:13:29 > 0:13:30I can believe that.
0:13:33 > 0:13:36She has low blood pressure and a nasty cut,
0:13:36 > 0:13:39- which we can keep an eye on. - And Mr Wolfe?
0:13:39 > 0:13:42At least we know that someone's keeping an eye on her.
0:13:42 > 0:13:44Sounds like a weird fairy-tale, the wolf boy,
0:13:44 > 0:13:47the witch and the haunted house.
0:13:47 > 0:13:50I do not mean to be unhelpful, Dr Clay, but you know
0:13:50 > 0:13:53nothing about this boy. I'm not sure we should leave her alone with him.
0:13:53 > 0:13:54They've been OK until now,
0:13:54 > 0:13:56and he came to get help when she needed it.
0:13:56 > 0:13:58Maybe she has dementia.
0:13:58 > 0:14:00That's why she's letting all these unknown children live in her house.
0:14:00 > 0:14:02She thought he was a ghost.
0:14:02 > 0:14:06I do not think that makes it any better.
0:14:06 > 0:14:08So when was this boy stabbed?
0:14:08 > 0:14:10Two years ago - Sexton Street.
0:14:10 > 0:14:14You're thinking that he was stabbed and was healed by some miracle?
0:14:14 > 0:14:16I didn't say that.
0:14:16 > 0:14:19Pearl made the connection, Wolfe didn't even mention it.
0:14:19 > 0:14:20Sexton Street.
0:14:20 > 0:14:23I do not like any of it.
0:14:23 > 0:14:25Here it is, "Boy Stabbed".
0:14:25 > 0:14:27It definitely says he was killed, though.
0:14:29 > 0:14:31Scroll down a bit.
0:14:33 > 0:14:36- I think we should call the police. - What?
0:14:36 > 0:14:38- No. I'll go and talk to him. - What's happened?
0:14:38 > 0:14:41- You cannot go back there. - I can't just leave it, can I?
0:14:41 > 0:14:43Anyway, I have to go and dress the lady's leg.
0:14:43 > 0:14:45- Jas, could you...? - Cover your patients?
0:14:45 > 0:14:46Thank you. Mrs Tembe, I'll sort it.
0:14:46 > 0:14:49I'm sure there's a rational explanation for all of this.
0:14:53 > 0:14:54DOOR OPENS
0:14:54 > 0:14:56Elaine.
0:14:56 > 0:14:58I'd let you in, it's just...
0:14:58 > 0:15:00The house is a mess, you know.
0:15:00 > 0:15:02Since Kate, I haven't...
0:15:02 > 0:15:03It's fine. I just wanted you to know
0:15:03 > 0:15:05I'm on my way to the prison to see Harrison.
0:15:05 > 0:15:08- Really? - You were right,
0:15:08 > 0:15:12- we need answers. None of us can move forward until we've got them. - You want me to come with you?
0:15:12 > 0:15:15No, I'd rather do this on my own.
0:15:15 > 0:15:19I just need to know what he did and where she is.
0:15:19 > 0:15:20I'll be in touch.
0:15:20 > 0:15:22Thank you...
0:15:23 > 0:15:24Thank you.
0:15:29 > 0:15:32If you've come to shuffle me off to some mortuary for the living dead,
0:15:32 > 0:15:37- you can forget it. - I just want to dress that leg of yours and have a word with...
0:15:37 > 0:15:41I won't go. I've been here for ever. This place is my life.
0:15:42 > 0:15:45I'm pretty sure that all you have is a tendency for low blood pressure,
0:15:45 > 0:15:48so with careful monitoring you should be fine.
0:15:48 > 0:15:51You just need someone to keep an eye on you.
0:15:51 > 0:15:54Ghost boy and I are getting along just fine. I don't need anyone else.
0:15:54 > 0:15:57- Can I have a word with you? - What about?
0:15:57 > 0:15:58I think we should go outside.
0:15:58 > 0:16:02Anything you have to say, you can say in front of me.
0:16:02 > 0:16:04- Yeah, right.- You sure?
0:16:04 > 0:16:06Of course he is.
0:16:06 > 0:16:07Yeah.
0:16:07 > 0:16:10- Have you told Pearl why you started haunting the house?- What?
0:16:10 > 0:16:13- I know.- It's not what you think. - So tell us.
0:16:13 > 0:16:16He's never been any trouble, living upstairs.
0:16:16 > 0:16:18It's not as if I can even get up there.
0:16:18 > 0:16:20And what happened outside the gates?
0:16:20 > 0:16:23Nothing, nothing happened, it was all just a game.
0:16:23 > 0:16:26I'm sorry, mate, it looks like the real world's just come crashing in.
0:16:26 > 0:16:29What would you know about the real world?
0:16:48 > 0:16:52ALL CHANT: Do it. Do it. Do it. Do it
0:16:55 > 0:16:57BOY GROANS
0:17:22 > 0:17:25- So was it self-defence?- No.
0:17:27 > 0:17:29No reason?
0:17:29 > 0:17:32- It was my turn.- And that's it?
0:17:32 > 0:17:37You do what you have to, to be part of the pack, to be safe.
0:17:37 > 0:17:40- Like the boy you killed? - It's what I do -
0:17:40 > 0:17:41survive.
0:17:43 > 0:17:45Except once I'd done it, it wasn't what I thought.
0:17:47 > 0:17:48I thought I'd like it.
0:17:50 > 0:17:52I thought I'd feel buzzy...
0:17:54 > 0:17:56..but I felt sick.
0:17:58 > 0:18:00And he looked like my brother...
0:18:02 > 0:18:03..except he was dead.
0:18:07 > 0:18:08I didn't want to do it again.
0:18:12 > 0:18:14I found this house and came in here.
0:18:16 > 0:18:17I felt safe.
0:18:20 > 0:18:22The police must have come looking.
0:18:22 > 0:18:24I hid in the roof.
0:18:24 > 0:18:27I kept thinking they'd find me, but they went away and I just stayed.
0:18:27 > 0:18:31Isn't there anyone out there that you'd like to see again?
0:18:31 > 0:18:32What about your brother?
0:18:37 > 0:18:40Why don't you come with me to the police?
0:18:40 > 0:18:42Tell them everything that happened. Just hand yourself in.
0:18:42 > 0:18:44It will look better if you hand yourself in.
0:18:45 > 0:18:47If you don't, then I will.
0:18:47 > 0:18:50I can't just walk away from this and pretend nothing happened.
0:19:12 > 0:19:14GATE SLAMS
0:19:27 > 0:19:28What is going on?
0:19:31 > 0:19:32I have to go.
0:19:33 > 0:19:35What have you done to upset him?
0:19:36 > 0:19:38I'm afraid I'm going to have to find someone else to come in
0:19:38 > 0:19:42- and check up on you. - I don't need anyone else.
0:19:42 > 0:19:45- He can't stay. - Why are you scaring him away?
0:19:48 > 0:19:52I really liked it here, but I need to sort something out.
0:19:52 > 0:19:56- Sort what? - I'm not the boy that died.
0:19:56 > 0:19:59I know that, now.
0:19:59 > 0:20:01I'm the boy who...
0:20:03 > 0:20:05What?
0:20:05 > 0:20:07..stabbed him.
0:20:10 > 0:20:13Wha... By accident?
0:20:18 > 0:20:21- You don't look like a killer to me. - I didn't want to be.
0:20:23 > 0:20:25He's going to have to turn himself in.
0:20:26 > 0:20:28Well, look after him. Whatever he's done,
0:20:28 > 0:20:31he's just a scared boy, really.
0:20:31 > 0:20:34- Anyone with half a brain can see that.- I know.
0:20:38 > 0:20:40Look after yourself.
0:20:40 > 0:20:42SHE BREATHES HEAVILY
0:20:42 > 0:20:43You too.
0:20:44 > 0:20:46I'll be back with some help for you, OK?
0:20:48 > 0:20:51It's not me you have to worry about - it's the young ones.
0:20:52 > 0:20:55What sort of future have we set up for them
0:20:55 > 0:20:59if they have to kill each other, or hide away like shades for years?
0:21:01 > 0:21:03It's a really good source of Vitamin C.
0:21:03 > 0:21:07Hmm. I'd never knew cooking could be so sexy.
0:21:07 > 0:21:09That's because you've never seen me cooking before.
0:21:10 > 0:21:13You even look irresistible in that pinny.
0:21:13 > 0:21:18Oh, because she's playing house and you love all that, "Me Tarzan, you Jane" stuff.
0:21:18 > 0:21:20Haven't you got a world to save?
0:21:20 > 0:21:24Yes, of course. The one the male ego has so successfully destroyed
0:21:24 > 0:21:25with greed and wars?
0:21:29 > 0:21:31Don't mind her, she loves a good argument.
0:21:31 > 0:21:34She's so ballsy and up for it. She makes me feel like a right air head.
0:21:34 > 0:21:37Trust me, anyone who can read so much meaning
0:21:37 > 0:21:39and truth in my work, is no air head.
0:21:39 > 0:21:43Yeah, well, I'm still not sure I want to leave you alone with her.
0:21:43 > 0:21:46Babes, I can't help it if she still has feelings for me, OK?
0:21:46 > 0:21:50But she doesn't turn me on or inspire me the way you do.
0:21:50 > 0:21:52I'm really going to miss you, babes.
0:21:54 > 0:21:56Well, I've decided that you don't have to.
0:21:56 > 0:21:58I don't have to go to Slade, just yet.
0:21:58 > 0:22:03Why hide myself away in an ivory tower when I can have all of this?
0:22:03 > 0:22:06- You sure? - I'm going to phone them tomorrow,
0:22:06 > 0:22:08and talk them into deferring my place for a year.
0:22:08 > 0:22:10I'm going to stay here with you.
0:22:12 > 0:22:14Aw...
0:22:14 > 0:22:16Come here, babes.
0:22:18 > 0:22:19Get off me or I'll have you.
0:22:19 > 0:22:22- Oh, shut up. - PHONE RINGS
0:22:22 > 0:22:24I said, get off.
0:22:27 > 0:22:28Wolfe!
0:22:30 > 0:22:32DOORBELL RINGS
0:22:32 > 0:22:34Coming!
0:22:38 > 0:22:41Hello, I'm Helen from the Letherbridge News.
0:22:41 > 0:22:43Before you shut the door, please, just hear me out.
0:22:43 > 0:22:47The thing is, I can't help feeling your wife's story hasn't
0:22:47 > 0:22:49got the attention it deserves.
0:22:54 > 0:22:55Just pop your stuff in the locker.
0:23:07 > 0:23:08Just a quick search.
0:23:18 > 0:23:21I'm impressed with how closely you've been following things.
0:23:22 > 0:23:26Why wouldn't I? He murdered my wife.
0:23:26 > 0:23:27She's pretty.
0:23:27 > 0:23:29She was beautiful.
0:23:31 > 0:23:34Harrison hasn't admitted to her murder.
0:23:34 > 0:23:37Because it suits him not to.
0:23:37 > 0:23:41And she's been missing for two years now, hasn't she?
0:23:41 > 0:23:44- And no-one's listening. - That's where I thought I could help.
0:23:44 > 0:23:47If it gets the truth, I'll tell you everything that I can.
0:23:47 > 0:23:50If it's not too painful?
0:23:53 > 0:23:54I love talking about her.
0:23:55 > 0:23:56Excellent.
0:23:56 > 0:23:58Sugar?
0:24:02 > 0:24:05- Has Wolfe come back here? - Have you lost him?
0:24:05 > 0:24:08He got scared. He did a runner.
0:24:08 > 0:24:09Are you surprised?
0:24:09 > 0:24:14- I've reported him to the police they're going to come here. - He won't come back here.
0:24:14 > 0:24:17- He's got nowhere else to go. - He never did have, poor lad.
0:24:17 > 0:24:19Why did you have to report him?
0:24:19 > 0:24:23He killed a young boy, someone's son. It could have been your grandson.
0:24:23 > 0:24:27So could ghost boy. If he had been, maybe...
0:24:30 > 0:24:33Um... I've arranged for someone to come and see you
0:24:33 > 0:24:35- about some support in the home. - Thank you.
0:24:36 > 0:24:40And he can't have been all bad - he got help for me when I needed it.
0:24:47 > 0:24:50You'll have to give yourself up.
0:24:50 > 0:24:52If I do, I'm dead meat.
0:24:53 > 0:24:54What else can you do?
0:24:54 > 0:24:56Disappear.
0:24:56 > 0:24:59It seems to me you've spent your life doing that.
0:24:59 > 0:25:01I'm used to it.
0:25:03 > 0:25:06I shall miss being haunted by you.
0:25:08 > 0:25:10It wasn't bad, here.
0:25:10 > 0:25:11Bye, Pearl.
0:25:15 > 0:25:18Goodbye...ghost boy.
0:25:28 > 0:25:33This is all great, and it makes a really interesting new angle to run.
0:25:33 > 0:25:35Good.
0:25:35 > 0:25:38SHE SIGHS But there is one other thing.
0:25:39 > 0:25:42Before I came here, I did a bit of digging.
0:25:42 > 0:25:45It's important to get research right
0:25:45 > 0:25:48in the interests of credibility and truth.
0:25:48 > 0:25:51- I can imagine. - And the thing is,
0:25:51 > 0:25:55it seems to me there's an important detail that you've left out,
0:25:55 > 0:25:56isn't there?
0:26:55 > 0:26:56Hello, Elaine.
0:27:03 > 0:27:06Did you have a relationship with Kate Redmond?
0:27:08 > 0:27:12I'll tell you everything after you've stood up for me in court.
0:27:12 > 0:27:14Out of the question.
0:27:14 > 0:27:16We'd still been together I wouldn't be here.
0:27:18 > 0:27:23Let's just go away, just the two of us. We can start again.
0:27:26 > 0:27:28Subtitles by Red Bee Media Ltd