0:00:33 > 0:00:35MUSIC: "Daniel" by Bat For Lashes
0:00:39 > 0:00:42# Daniel, when I first... #
0:00:42 > 0:00:43KNOCKING
0:00:43 > 0:00:44# ..Saw you... #
0:00:45 > 0:00:48Your mum says to come down for some breakfast.
0:00:50 > 0:00:51I'm not hungry.
0:00:52 > 0:00:56# And under our blue sky
0:00:56 > 0:01:00# Marble movie skies
0:01:00 > 0:01:02# I found a home in your eyes
0:01:02 > 0:01:05# We'll never be apart. #
0:01:19 > 0:01:22PHONE RINGS WITH BRASS BAND VERSION OF THE SWEENEY THEME
0:01:27 > 0:01:28Immie.
0:01:29 > 0:01:34Yeah, sorry. I know I said I was going to call you.
0:01:34 > 0:01:36No, no, she's fine.
0:01:38 > 0:01:43She's finally got her head round the fact she's got kids.
0:01:43 > 0:01:47Not yet, no. Because it's still too soon.
0:01:50 > 0:01:55Another health and safety poster? This is Karen's brain.
0:01:55 > 0:01:56Excuse me?
0:01:56 > 0:02:00I am doing a mind map for Karen. Putting down things to do
0:02:00 > 0:02:04with work - likes, dislikes, things which will help her remember.
0:02:04 > 0:02:06So it didn't go well yesterday?
0:02:07 > 0:02:11It's going to take time. I know.
0:02:11 > 0:02:14Perhaps this will move things along.
0:02:14 > 0:02:18It was heartbreaking watching her wander around that house,
0:02:18 > 0:02:19hating everything.
0:02:19 > 0:02:21Poor Rob.
0:02:21 > 0:02:24He was staking everything on the house bringing it back to her.
0:02:24 > 0:02:27The trouble was she would just not accept that she ever
0:02:27 > 0:02:30lived in such a house. Oh, dear.
0:02:30 > 0:02:34Every time she dismissed something it was like an arrow through
0:02:34 > 0:02:36Sergeant Hollins's heart. It is almost worse for him,
0:02:36 > 0:02:39at least Karen doesn't know what she has forgotten.
0:02:39 > 0:02:42No, Dr Carter, at least he knows what year he is in.
0:02:42 > 0:02:46No. We have to hope this helps her to remember.
0:02:46 > 0:02:49Well, we all really appreciate what you're doing for Karen.
0:02:49 > 0:02:54She does not remember me, but she trusts me.
0:02:54 > 0:02:56And I will do everything to earn that trust.
0:02:58 > 0:03:04# To a place that's vast, Daniel
0:03:04 > 0:03:05# Under a sheet of rain... #
0:03:05 > 0:03:07You haven't disappeared, you know?
0:03:09 > 0:03:12Here's your tea.
0:03:12 > 0:03:13# I... #
0:03:13 > 0:03:14MUSIC STOPS
0:03:15 > 0:03:18Breakfast is waiting for you downstairs.
0:03:25 > 0:03:27Leave me alone.
0:03:27 > 0:03:29So you can fester all day?
0:03:29 > 0:03:30I'm thinking.
0:03:30 > 0:03:33No, you're drowning in melancholy.
0:03:36 > 0:03:42Come on, Rose. Make an effort. This is making Bruno feel uncomfortable.
0:03:42 > 0:03:43It's not my fault.
0:03:47 > 0:03:50It's been so much nicer since he moved in, hasn't it?
0:03:52 > 0:03:54We don't want him to leave, do we?
0:03:56 > 0:03:58What's going on?
0:03:58 > 0:04:00Hey. We were just talking about you.
0:04:00 > 0:04:02Oh, yeah?
0:04:02 > 0:04:05Saying how nice it is having you around, weren't we, sweetie?
0:04:06 > 0:04:09I thought you were cooking me some breakfast?
0:04:09 > 0:04:10I'll be down in a minute.
0:04:10 > 0:04:14I'm just trying to persuade this silly girl to buck her ideas up.
0:04:16 > 0:04:18Tell her to leave me be.
0:04:20 > 0:04:22Come on, love.
0:04:22 > 0:04:24I just want her to be part of this family
0:04:24 > 0:04:26instead of daydreaming in her room.
0:04:26 > 0:04:30She's fine. And I'm starving.
0:04:30 > 0:04:31I'll be two minutes.
0:04:38 > 0:04:41You can at least get dressed.
0:04:41 > 0:04:43You can't spend your life moping up here.
0:04:43 > 0:04:46The school are asking questions now too.
0:04:46 > 0:04:47Ow!
0:04:47 > 0:04:50What's that? Nothing.
0:04:50 > 0:04:52Rose?
0:04:52 > 0:04:55I fell on broken glass. How?
0:04:55 > 0:04:56I dropped it. Mum!
0:04:56 > 0:04:58It's really inflamed. It's fine.
0:04:58 > 0:05:00No, it's not. It's infected.
0:05:04 > 0:05:07Why do I always get dodgy Derek?
0:05:07 > 0:05:09He insists on seeing a woman doctor.
0:05:09 > 0:05:10No reason why he should get one.
0:05:10 > 0:05:15Mrs Tembe says we don't need to worry about you.
0:05:15 > 0:05:18She says one look from you would turn the devil to stone.
0:05:21 > 0:05:24Dr Carmichael, what I meant was you can... It's OK.
0:05:24 > 0:05:25It's fine.
0:05:29 > 0:05:30I'm giving you all fair warning,
0:05:30 > 0:05:34there will be another brown bag lunch meeting in the next week.
0:05:34 > 0:05:37Got some staff room issues I need to address. Why?
0:05:37 > 0:05:40What have we done now? Staff room hygiene.
0:05:40 > 0:05:43Don't know why you don't just talk to Al one-to-one?
0:05:44 > 0:05:47I don't like to point fingers, just issue gentle reminders.
0:05:47 > 0:05:49PHONE RINGS
0:05:49 > 0:05:51The Mill Health Centre. How may I help you?
0:05:51 > 0:05:53You all right?
0:05:53 > 0:05:54Fine.
0:05:56 > 0:05:59I will pass your details on to the doctor on call.
0:05:59 > 0:06:02Dr Carmichael? Goodbye.
0:06:02 > 0:06:05There is another patient to add to your list.
0:06:05 > 0:06:08Imagine my surprise(!)
0:06:08 > 0:06:11The mother insists the daughter will not leave the house.
0:06:11 > 0:06:14Why would she, when there is a doctor on call?
0:06:16 > 0:06:21Hi. How are you? Yeah, I'm fine thanks.
0:06:23 > 0:06:27Hello, Rob. Are you all right?
0:06:29 > 0:06:30Sorry. I was miles away.
0:06:30 > 0:06:34I could see that. Yeah. Is Heston in?
0:06:34 > 0:06:36He's in the middle of clinic.
0:06:36 > 0:06:40That's all right. I'll call back later.
0:06:40 > 0:06:41Is it permanent?
0:06:43 > 0:06:44Sorry?
0:06:44 > 0:06:47Well, Mrs Tembe says it's like a time warp thing,
0:06:47 > 0:06:49like Back To The Future, but the other way round.
0:06:49 > 0:06:54I am so sorry, Sergeant Hollins, I was just trying to explain.
0:06:54 > 0:06:55No, I was just wondering...
0:06:55 > 0:06:58There is a time and a place for questions.
0:07:00 > 0:07:04Hi, Rob. I was just going to have some coffee. Do you fancy one?
0:07:04 > 0:07:08Yeah. Come through? Thanks.
0:07:13 > 0:07:17What is the matter with you? I was just showing my concern.
0:07:17 > 0:07:21If something is said to you, it is not your place to repeat it.
0:07:21 > 0:07:23Please, just think before you speak.
0:07:26 > 0:07:28There you go. Thanks.
0:07:32 > 0:07:34Karen's brain! What's all that about?
0:07:34 > 0:07:37Mrs Tembe thought it would be a good idea.
0:07:37 > 0:07:39What, putting my wife's life on a board?
0:07:39 > 0:07:41She's really concerned about Karen
0:07:41 > 0:07:43and they've formed quite a bond recently.
0:07:43 > 0:07:47As opposed to forming one with her husband of nearly 25 years?
0:07:47 > 0:07:51I know this looks crude, but in a way Mrs Tembe has got a point.
0:07:51 > 0:07:53It's a bit like Al's wiki site.
0:07:53 > 0:07:56Both of them were done with the best of intentions, Rob.
0:07:56 > 0:07:58Yeah. Yeah. Of course they were.
0:08:01 > 0:08:05I'm finding it really hard to face the fact I might lose her.
0:08:08 > 0:08:10Sorry, I don't mean it's the same as losing...
0:08:10 > 0:08:12Oh, no. Don't be silly. It's fine.
0:08:14 > 0:08:18She makes me feel like I'm a dirty old man trying it on.
0:08:18 > 0:08:21And I don't know what to tell the kids.
0:08:21 > 0:08:24Karen would know - she'd hold it all together.
0:08:24 > 0:08:26She'd be able to handle it all.
0:08:26 > 0:08:30But I just keep saying the wrong things to everyone.
0:08:31 > 0:08:34Hi, Rob. You all right?
0:08:36 > 0:08:37Not really.
0:08:38 > 0:08:42I'm sorry to hear about Karen. It must be hard on you.
0:08:42 > 0:08:45And Karen. Yes, of course.
0:08:49 > 0:08:51Hope things get better soon.
0:08:51 > 0:08:54So do I, mate. So do I.
0:08:55 > 0:08:57The doctor has come to see you, sweetie.
0:08:58 > 0:09:00She's a bit nervous.
0:09:00 > 0:09:02I promise I won't upset your daughter.
0:09:02 > 0:09:04She's not my daughter.
0:09:04 > 0:09:06He's my boyfriend.
0:09:06 > 0:09:08So if I could see her on my own?
0:09:08 > 0:09:09She asked me to stay.
0:09:11 > 0:09:12If you don't mind?
0:09:18 > 0:09:21Now then, Rose, what's this all about?
0:09:25 > 0:09:28I'm sorry, Doctor, she's like this all the time.
0:09:28 > 0:09:30Hello, Rose.
0:09:31 > 0:09:33Come on, sweetie. Say hello.
0:09:36 > 0:09:38I don't know what to do about it.
0:09:38 > 0:09:40She barely leaves the room these days.
0:09:40 > 0:09:44Come on, sweetie. Show the doctor your cut.
0:09:44 > 0:09:46She's come specially to see you.
0:09:46 > 0:09:48I didn't ask her to.
0:09:48 > 0:09:51Don't show us up, sweetheart. Sit up.
0:09:53 > 0:09:55It's on her right arm. it's really swollen.
0:09:55 > 0:09:57I think it might be infected.
0:09:59 > 0:10:02If I could just take a quick look at your cut, Rose?
0:10:05 > 0:10:08I do not find talking to duvets very informative.
0:10:08 > 0:10:10Rose, come out from under there.
0:10:14 > 0:10:16How long has it been inflamed?
0:10:16 > 0:10:19I only noticed it this morning so it can't have been long.
0:10:19 > 0:10:21What did you cut it on? Broken glass.
0:10:21 > 0:10:24If Rose perhaps could be allowed to answer for herself.
0:10:24 > 0:10:27She barely talks to anyone.
0:10:27 > 0:10:29She barely leaves the room. She just sits here moping.
0:10:29 > 0:10:33I think...you should leave us to it.
0:10:33 > 0:10:35It'd be better if I stay.
0:10:35 > 0:10:38You won't get any sense out of her if I'm not here.
0:10:38 > 0:10:40I'm perfectly capable of communicating with my patients.
0:10:40 > 0:10:44And I think Rose might find it easier if it was just the two of us.
0:10:44 > 0:10:47Fine. I'll be downstairs.
0:10:53 > 0:10:56So, am I just going to stand here all day?
0:10:56 > 0:10:58You could always go.
0:10:58 > 0:11:02And you could always die of blood poisoning. But let's compromise.
0:11:02 > 0:11:05I stay, and you show me your cut,
0:11:05 > 0:11:08and I check that it's not filled with bacteria.
0:11:08 > 0:11:12Even the Lady of Shalott wouldn't have fancied dying of blood poisoning.
0:11:12 > 0:11:14Terribly unromantic.
0:11:21 > 0:11:22ROSE YELPS
0:11:24 > 0:11:26Mrs Tembe said it didn't go very well yesterday?
0:11:26 > 0:11:28You could say that.
0:11:28 > 0:11:31I had to watch her completely deny our lives together,
0:11:31 > 0:11:33hating being anywhere near me.
0:11:33 > 0:11:34Rob, all this can change.
0:11:34 > 0:11:36But what do I do in the meantime?
0:11:36 > 0:11:38What do I tell the kids, or her dad?
0:11:38 > 0:11:40Well, I know it's difficult.
0:11:40 > 0:11:42Oh, I just want to take care of her.
0:11:42 > 0:11:44I just want to make things better.
0:11:44 > 0:11:47How do I do that? Well... You see, before long,
0:11:47 > 0:11:50hospital's not going to be the right place for her,
0:11:50 > 0:11:53because, as far as I can see, she's physically mended.
0:11:53 > 0:11:57And she's made it perfectly clear that she does not like the house. So what happens then?
0:11:57 > 0:11:59Did you broach the subject of her coming home permanently?
0:11:59 > 0:12:01She wants to live in a flat, that's what she says.
0:12:01 > 0:12:03That's not a good idea. No, it's not,
0:12:03 > 0:12:06because she's got no idea how the world works in 2013.
0:12:06 > 0:12:07She wouldn't be safe.
0:12:07 > 0:12:10All right, give me a few hours, I'll talk to Mr O'Gorman
0:12:10 > 0:12:13and a few other people, and...we'll see what we can do.
0:12:16 > 0:12:18On either side the river lie
0:12:18 > 0:12:20Long fields of barley and of rye
0:12:20 > 0:12:23That clothe the wold and meet the sky
0:12:23 > 0:12:26And thro' the field the river runs by...
0:12:26 > 0:12:30And thro' the field the ROAD runs by...
0:12:30 > 0:12:33To many-tower'd Camelot.
0:12:33 > 0:12:35Hmm.
0:12:35 > 0:12:37I loved that poem.
0:12:37 > 0:12:39I do.
0:12:39 > 0:12:42It does seem to sum up exactly what it's like to be 15.
0:12:44 > 0:12:46So you know then?
0:12:46 > 0:12:48What it's like to be 15?
0:12:48 > 0:12:50It wasn't that long ago!
0:12:50 > 0:12:52About the curse?
0:12:53 > 0:12:55Does this hurt? Yes.
0:12:58 > 0:13:00You know about the curse?
0:13:00 > 0:13:02And this? Ow!
0:13:07 > 0:13:10A curse is on her if she stay To...
0:13:11 > 0:13:14If I leave the house, I'll die.
0:13:17 > 0:13:19You don't believe me.
0:13:21 > 0:13:23No-one believes me.
0:13:24 > 0:13:26Just let me get this cleaned up.
0:13:29 > 0:13:31Is this to do with the curse?
0:13:31 > 0:13:33I can't talk about it.
0:13:34 > 0:13:37Problems at school? I don't go to school.
0:13:39 > 0:13:43Is that because you were being bullied? It's because I can't leave the house.
0:13:43 > 0:13:45Right.
0:13:45 > 0:13:48Does your mother know about this curse?
0:13:49 > 0:13:51Don't say anything to her.
0:13:51 > 0:13:53Promise you won't?
0:13:53 > 0:13:55I promise.
0:13:55 > 0:13:58But you really should talk to someone about this.
0:14:01 > 0:14:02I'm sorting it.
0:14:06 > 0:14:07I'm sorry she was so difficult.
0:14:07 > 0:14:09She's just sensitive.
0:14:09 > 0:14:11We were all 15 once.
0:14:11 > 0:14:14I think she just needs a bit of TLC at the moment.
0:14:14 > 0:14:16Did she say anything to you?
0:14:16 > 0:14:17I'm sorry?
0:14:17 > 0:14:21She's, er, having a hard time having Bruno move in.
0:14:21 > 0:14:23We've been on our own since her dad left,
0:14:23 > 0:14:25and I guess she just can't deal with sharing me.
0:14:25 > 0:14:28Have you thought about her seeing a counsellor?
0:14:28 > 0:14:29It's just teenage silliness!
0:14:29 > 0:14:31I wouldn't call agoraphobia silliness.
0:14:31 > 0:14:34If it were my daughter, I'd want to get to the bottom of it.
0:14:34 > 0:14:37Think about it. I can recommend someone.
0:14:37 > 0:14:39Come on.
0:14:58 > 0:15:00Thanks.
0:15:00 > 0:15:02Hectic morning.
0:15:05 > 0:15:08"There she weaves by night and day
0:15:08 > 0:15:11"A magic web with colours gay
0:15:11 > 0:15:12"She has heard a whisper say
0:15:12 > 0:15:14"A curse is on her if she stay..."
0:15:14 > 0:15:18To look down to Camelot.
0:15:18 > 0:15:21"She knows not what the curse may be
0:15:21 > 0:15:23"And so she weaveth steadily..."
0:15:23 > 0:15:25And little other care hath she,
0:15:25 > 0:15:27BOTH: The Lady of Shallot.
0:15:27 > 0:15:29Tennyson in the morning?
0:15:29 > 0:15:32Teenage girls.
0:15:32 > 0:15:34I had a house call this morning,
0:15:34 > 0:15:37it was all floating white nightdresses,
0:15:37 > 0:15:40angst-ridden and ghostly pale, surrounded by pre-Raphaelite posters.
0:15:40 > 0:15:42Perfectly normal for her age.
0:15:42 > 0:15:44All a bit pretentious, if you ask me.
0:15:44 > 0:15:46Ooh, you're a hard woman, Zara Carmichael.
0:15:46 > 0:15:48Still, it is a bit extreme.
0:15:48 > 0:15:52Actually, there's new research which proves that the emotional side
0:15:52 > 0:15:54of teenagers' brains are overdeveloped
0:15:54 > 0:15:58which is why they're so angst-ridden and ruled by their emotions.
0:15:58 > 0:16:01Researchers stating the blatantly obvious. How refreshing(!)
0:16:03 > 0:16:06Her mother's got this sleazy boyfriend hanging around,
0:16:06 > 0:16:08dodgy and too interested by half.
0:16:08 > 0:16:11So no "red-cross knight for ever kneel'd", then?
0:16:11 > 0:16:13Definitely not.
0:16:13 > 0:16:14You could refer her.
0:16:14 > 0:16:17That's what I suggested, but the mother was adamant that I didn't.
0:16:17 > 0:16:18There's not much else I can do.
0:16:18 > 0:16:23"She left the web she left the loom."
0:16:23 > 0:16:25Of course!
0:16:25 > 0:16:27It's not just about wandering around being pale and cursed,
0:16:27 > 0:16:30she drowns herself. Not the stuff of happy endings.
0:16:30 > 0:16:33Oh, no...
0:16:33 > 0:16:35She's self-harming.
0:16:35 > 0:16:38She said that she'd cut her arm on a glass, and I didn't realise.
0:16:38 > 0:16:39What is wrong with me?!
0:16:39 > 0:16:42Hectic morning? That is no excuse.
0:16:53 > 0:16:55HE SIGHS
0:17:01 > 0:17:03HE EXHALES SLOWLY
0:17:06 > 0:17:07KNOCKING AT DOOR
0:17:07 > 0:17:09Rose!
0:17:09 > 0:17:11KNOCKING CONTINUES
0:17:11 > 0:17:13Rose, open the door!
0:17:15 > 0:17:18I'm serious, young lady. Stop messing about.
0:17:18 > 0:17:21Have you said something to upset her? This isn't about me.
0:17:21 > 0:17:24Look, let's just leave her to it, she's probably sulking.
0:17:24 > 0:17:28No, look, I think that Rose is self-harming.
0:17:28 > 0:17:29ALICE SCOFFS
0:17:29 > 0:17:31That's nonsense!
0:17:31 > 0:17:34I hope I'm wrong, but we can't just ignore this.
0:17:34 > 0:17:36Rose?
0:17:38 > 0:17:39Out the way.
0:17:41 > 0:17:43Rose?
0:17:43 > 0:17:46Rose, come on, love, open the door.
0:17:49 > 0:17:53Rose, open the door. Let us in, it'll be all right...
0:17:53 > 0:17:56Do you think she's done something stupid?
0:17:56 > 0:17:57What do you think?!
0:17:58 > 0:18:00ROSE!
0:18:00 > 0:18:02HE YELLS
0:18:02 > 0:18:03ROSE SCREAMS
0:18:03 > 0:18:06Rose?! Are you all right?
0:18:06 > 0:18:08It's Bruno you should be looking at.
0:18:08 > 0:18:10I'm so sorry! I didn't mean to...
0:18:10 > 0:18:12This is your fault.
0:18:12 > 0:18:13Oh, I think I've broken my arm.
0:18:13 > 0:18:16Try moving it. I'm so sorry!
0:18:16 > 0:18:19It's a bit late for sorry now after all the trouble you've caused.
0:18:19 > 0:18:22ROSE SOBS
0:18:23 > 0:18:25I didn't mean for this to happen!
0:18:29 > 0:18:30KNOCK AT DOOR
0:18:30 > 0:18:32Lunch?
0:18:32 > 0:18:33I'm snowed under.
0:18:33 > 0:18:35Oh, come on, you deserve a break.
0:18:35 > 0:18:37Try telling the committee waiting for this report.
0:18:37 > 0:18:40My treat. What, so you can keep your eye on what I'm eating?
0:18:40 > 0:18:42No. If you say so.
0:18:42 > 0:18:45No, I...I just thought it would be nice to...
0:18:45 > 0:18:48Look, I'm fine, all right?
0:18:49 > 0:18:50Fine.
0:18:55 > 0:18:57You said it wasn't broken.
0:18:57 > 0:19:00I know, but best to let A take a look, just in case.
0:19:00 > 0:19:03I'll stay here. She hardly knows you. She should be with us.
0:19:03 > 0:19:06It'll be fine. I'll just have a chat with her.
0:19:06 > 0:19:07Come on.
0:19:07 > 0:19:10Don't upset her. She's sensitive.
0:19:10 > 0:19:12I have no intention of doing that.
0:19:12 > 0:19:14Come on, love. Thank you, Doctor.
0:19:16 > 0:19:18We'll be back soon.
0:19:26 > 0:19:28Rose?
0:19:44 > 0:19:46On either side the river lie
0:19:46 > 0:19:48Long fields of barley and of rye,
0:19:48 > 0:19:51That clothe the wold and meet the sky...
0:19:51 > 0:19:54ROSE: 'And thro' the field the road runs by
0:19:54 > 0:19:56'To many-tower'd Camelot.'
0:20:02 > 0:20:04Hello, Rose.
0:20:04 > 0:20:06Leave me alone.
0:20:06 > 0:20:09Down she came to find a boat.
0:20:11 > 0:20:12Is that what you're doing?
0:20:12 > 0:20:14Were you going to float down to Camelot?
0:20:14 > 0:20:16Don't laugh at me.
0:20:16 > 0:20:18You know I told you I loved that poem?
0:20:18 > 0:20:20Well, I lied.
0:20:20 > 0:20:22I used to love it, when I was 15,
0:20:22 > 0:20:25but, as I got older, I realised that it was...
0:20:25 > 0:20:27condemning a young women to death.
0:20:27 > 0:20:28It was the curse.
0:20:28 > 0:20:33The curse is an idea put in her head by the poet.
0:20:33 > 0:20:35The relentless rhythm of the verse
0:20:35 > 0:20:38forcing her on to an unnecessary death.
0:20:38 > 0:20:42No, he was writing about what has to happen when there's no other choice.
0:20:42 > 0:20:44I'm trying to explain to you that the poem
0:20:44 > 0:20:47makes suicide seem painless and beautiful, but it's not.
0:20:47 > 0:20:50But if there's no other choice...
0:20:50 > 0:20:52There's always a choice.
0:20:52 > 0:20:54She didn't have one!
0:20:55 > 0:20:57She's young...
0:20:57 > 0:21:00vulnerable, impressionable,
0:21:00 > 0:21:01struggling with life.
0:21:01 > 0:21:05A bit out of her depth, not sure who she is yet.
0:21:05 > 0:21:07I'm sure she's got a lot of stuff going on,
0:21:07 > 0:21:09stuff that she's finding it difficult to cope with,
0:21:09 > 0:21:13and so she fixes everything on this knight.
0:21:15 > 0:21:17What the poem should be about is a young woman
0:21:17 > 0:21:19stealing the knight's armour and running off into the world.
0:21:19 > 0:21:20stealing the knight's armour and running off into the world.
0:21:20 > 0:21:23How can she do that if she's trapped?
0:21:23 > 0:21:26I mean, REALLY trapped?
0:21:26 > 0:21:29She's only trapped because she's afraid of reality.
0:21:29 > 0:21:33She is stuck seeing the world in reflection,
0:21:33 > 0:21:35"half sick of shadows."
0:21:36 > 0:21:39But what if reality doesn't make sense?
0:21:44 > 0:21:46KNOCK AT DOOR Come in.
0:21:53 > 0:21:55Peace offering.
0:21:56 > 0:21:58When was the war?
0:21:58 > 0:22:00I shouldn't have bitten your head off.
0:22:00 > 0:22:02Well, I've had worse.
0:22:02 > 0:22:05That last bout was a bad one.
0:22:05 > 0:22:07I know I've got you to thank for getting me out of this.
0:22:07 > 0:22:10As long as you're...all right.
0:22:10 > 0:22:12I just wish you didn't know my dirty, sordid secret.
0:22:12 > 0:22:14Howard...
0:22:14 > 0:22:17I don't think any the less of you because of it.
0:22:17 > 0:22:20Well, in future, please let me deal with it on my own.
0:22:20 > 0:22:22Right.
0:22:22 > 0:22:24Of course.
0:22:30 > 0:22:33Bruno!
0:22:33 > 0:22:36It's all right, I'm here. I won't let him near you.
0:22:36 > 0:22:38What? You don't have to go back to him.
0:22:38 > 0:22:40But I texted him.
0:22:40 > 0:22:42You don't have to be scared of him any more.
0:22:42 > 0:22:45I'm not. He's wonderful.
0:22:45 > 0:22:46Maybe you think you're in love with him...
0:22:46 > 0:22:49You've got it all wrong. He's made everything better.
0:22:49 > 0:22:52No, Rose. He's the only one that's ever been there for me.
0:22:52 > 0:22:54That's what he wants you to think. He rescued me.
0:22:54 > 0:22:57This is no knight in shining armour, Rose.
0:22:57 > 0:22:59I am sorry, but what he's been doing is grooming you.
0:22:59 > 0:23:00That's not true.
0:23:00 > 0:23:03He's never taken advantage of me.
0:23:03 > 0:23:06Even when I wanted him to...
0:23:06 > 0:23:08When I tried to, he wouldn't.
0:23:08 > 0:23:10He just looks out for me.
0:23:11 > 0:23:15He's the only one that could have helped me break the curse.
0:23:15 > 0:23:17And now it's too late.
0:23:23 > 0:23:25Well, we were right, Mr O'Gorman agrees
0:23:25 > 0:23:28that hospital is not the best place for Karen.
0:23:28 > 0:23:29It was only a matter of time.
0:23:29 > 0:23:33They'll continue to give her psychological support as an outpatient,
0:23:33 > 0:23:36but she needs a home environment in order to make the next step.
0:23:36 > 0:23:38Exactly. So, will they help to convince her to come home then?
0:23:38 > 0:23:40I don't think it's going to be that easy.
0:23:40 > 0:23:43Because I'm sure, in time, she would get used to the house...
0:23:43 > 0:23:45Not really an option, but I have a proposition.
0:23:45 > 0:23:50Go on? I've spoken to Mrs Tembe, because Karen seems to trust her,
0:23:50 > 0:23:53so what I propose is, for the short-term,
0:23:53 > 0:23:56is that Karen moves in with her.
0:23:59 > 0:24:01You, stay back.
0:24:01 > 0:24:02What do you think I'm going to do?
0:24:02 > 0:24:05I've called the police. The police?! I'm sorry, Rose.
0:24:05 > 0:24:07You've got it all wrong!
0:24:07 > 0:24:09You can't take him away.
0:24:25 > 0:24:29This is what he was protecting me from. What? Who?
0:24:35 > 0:24:37Alice?
0:24:37 > 0:24:39Don't be melodramatic, Rose.
0:24:39 > 0:24:43No way is Bruno getting the blame for something you've done.
0:24:43 > 0:24:46I've told you what she's like before.
0:24:46 > 0:24:50When she was a kid, she used to do things to herself.
0:24:50 > 0:24:52She used to make things up.
0:24:52 > 0:24:55Nothing I do helps.
0:24:55 > 0:24:58There's no way that Rose has done all these things to herself.
0:24:58 > 0:25:02And some of them have been there a long time.
0:25:02 > 0:25:04It started when my dad left.
0:25:04 > 0:25:06You helped.
0:25:06 > 0:25:08When you came, she stopped.
0:25:08 > 0:25:10Rose...
0:25:10 > 0:25:11stop.
0:25:14 > 0:25:15Come on, love.
0:25:15 > 0:25:18You know what a drama queen she can be.
0:25:18 > 0:25:21She'd do anything to split us up!
0:25:22 > 0:25:25She kept me so tight, I couldn't breathe.
0:25:25 > 0:25:28I couldn't cope.
0:25:28 > 0:25:30But now...
0:25:33 > 0:25:36Come on. Rose...
0:25:39 > 0:25:42Rose, come back!
0:25:42 > 0:25:43Rose!
0:25:43 > 0:25:45Don't be ridiculous!
0:25:45 > 0:25:47SIRENS WAIL
0:25:47 > 0:25:49Rose!
0:25:52 > 0:25:54This is just until her memories return.
0:25:54 > 0:25:56How long's that going to take?
0:25:56 > 0:25:57Well, that's anybody's guess.
0:25:57 > 0:26:01But once they do, we can start re-introducing her to her old life.
0:26:01 > 0:26:03And what if she starts a new life without me?
0:26:03 > 0:26:06Maybe she'll never remember who I am. You're painting a bleak picture.
0:26:06 > 0:26:09It's a delicate situation, but, at the moment,
0:26:09 > 0:26:12Karen has bonded with Mrs Tembe, and that counts for a lot.
0:26:12 > 0:26:14And I'm just supposed to be all right with this?
0:26:14 > 0:26:17Well, you have to be all right with more than that, I'm afraid.
0:26:17 > 0:26:19Meaning?
0:26:19 > 0:26:22Another thing O'Gorman said was...
0:26:22 > 0:26:25What? What did he say?
0:26:25 > 0:26:29..you should completely stay away from Karen for a while,
0:26:29 > 0:26:33to allow her memory to return naturally.
0:26:33 > 0:26:34Are you for real?!
0:26:34 > 0:26:37We have to do what's best for Karen.
0:26:39 > 0:26:43I don't really have any choice, do I?
0:26:47 > 0:26:49You rock, Mrs T! Thank you...
0:26:49 > 0:26:51I think.
0:26:51 > 0:26:52Where are you meeting him?
0:26:52 > 0:26:54What difference does that make?
0:26:54 > 0:26:57I used to watch you every morning as you came into the office.
0:26:57 > 0:26:58Then, I saw your advert...
0:26:58 > 0:27:02If that man lays a hand on my wife, I'll kill him. Dennis...
0:27:02 > 0:27:04It's important for you to try new things,
0:27:04 > 0:27:08even if they are strange at first.
0:27:30 > 0:27:33Subtitles by Red Bee Media Ltd