0:00:33 > 0:00:36A new mop.
0:00:36 > 0:00:39I clean wore the old one out, along with my knee.
0:00:39 > 0:00:41Mary's got one, I'm sure,
0:00:41 > 0:00:44but I don't want her to think I'm taking advantage.
0:00:45 > 0:00:49Her sister's garden hasn't got much going for it, has it?
0:00:49 > 0:00:53Could have done with you, a bit of strong arm to dig it over.
0:00:53 > 0:00:58And this would've been so much easier with your help. But...
0:00:58 > 0:01:03if you'd been here, then I wouldn't have to move, would I?
0:01:08 > 0:01:10- Thanks.- Want me to take your bag?
0:01:10 > 0:01:11If you can manage.
0:01:11 > 0:01:14Morning. Do you need a hand?
0:01:14 > 0:01:16I've got it covered, thanks.
0:01:16 > 0:01:17Morning.
0:01:19 > 0:01:21Hello.
0:01:22 > 0:01:24Hello!
0:01:24 > 0:01:26You just said that.
0:01:26 > 0:01:29No, the second one is, "Hello, is that a new shirt?"
0:01:29 > 0:01:30Yes, it is.
0:01:30 > 0:01:33Hmm. Colours and stripes, quite a departure.
0:01:33 > 0:01:34It's not quite right, is it?
0:01:34 > 0:01:38On the contrary, I think it suits you perfectly.
0:01:38 > 0:01:41And it steals Heston's thunder into the bargain.
0:01:43 > 0:01:48You're supposed to be taking it easy. We've had this talk.
0:01:48 > 0:01:50There's no time for "easy".
0:01:50 > 0:01:54The contracts are being exchanged. I have to leave here tomorrow,
0:01:54 > 0:01:56and there's still arrangements to make.
0:01:56 > 0:01:58Hasn't your sister been helping?
0:01:58 > 0:02:02Oh, she's been coming over when she can, but she still works.
0:02:02 > 0:02:05Pearl, it's going to take you longer to recover from your operation
0:02:05 > 0:02:07if you overdo it. You're setting yourself back.
0:02:07 > 0:02:09I should've postponed it,
0:02:09 > 0:02:12but it was all so fast, I had no way of knowing.
0:02:12 > 0:02:15Well, I'm here now, so you'll have to sit down. Come on.
0:02:15 > 0:02:17Hey, do you want some side plates?
0:02:17 > 0:02:19Sorry?
0:02:19 > 0:02:20Or a cake dish?
0:02:20 > 0:02:24I've got all this crockery, it's all going to goodwill.
0:02:24 > 0:02:27They're things we used to keep for Sunday tea.
0:02:27 > 0:02:29Knee first, Pearl.
0:02:29 > 0:02:32Oh, the old crock before the old crockery. Right.
0:02:33 > 0:02:35She's back.
0:02:35 > 0:02:37No? Beryl the Peril?
0:02:37 > 0:02:42Oh, yes. I've just checked my patient list for this afternoon.
0:02:42 > 0:02:46But she was only here Thursday, Friday?
0:02:46 > 0:02:47Friday?!
0:02:47 > 0:02:52Goodness, she's back as fast as her restless leg syndrome will carry her.
0:02:52 > 0:02:56"Oh, Doctor, it's like Riverdance are in my bed!
0:02:56 > 0:02:59- "The cat runs for the hills!" - We shouldn't!
0:02:59 > 0:03:01"Last week it was all down this side,
0:03:01 > 0:03:03"this week it's all down this side."
0:03:03 > 0:03:07I felt like saying, "I bet you can't wait for next week."
0:03:07 > 0:03:09THEY LAUGH
0:03:09 > 0:03:14Do you think she can get Irish dance lessons on the NHS?
0:03:14 > 0:03:15Like tigers.
0:03:15 > 0:03:20- Sorry?- Best viewed from a distance. That way you avoid a mauling.
0:03:20 > 0:03:23I like to see my colleagues happy at work. Nothing wrong with that.
0:03:23 > 0:03:27Oh, no. Too late with the warning, I see.
0:03:27 > 0:03:31Still, Dr Reid is very, er, "kitten with a whip", isn't she?
0:03:31 > 0:03:35- Haven't you got patients to see, Dr Haskey?- Absolutely.
0:03:35 > 0:03:39Only, er, do what you can to avoid becoming one of them, eh?
0:03:39 > 0:03:41You look like a bleeder to me.
0:03:43 > 0:03:45Mr Deakins?
0:03:48 > 0:03:52Mrs Hollins, what's Dr Reid's schedule like for today?
0:03:52 > 0:03:54- It's full, why?- Would you mind...?
0:03:58 > 0:04:01It was orange and brown when we first moved in.
0:04:01 > 0:04:04- In here?- Very '70s.
0:04:04 > 0:04:09You had to be here, I suppose. I wasn't keen, it was so gloomy.
0:04:09 > 0:04:12- I can imagine.- We couldn't afford to decorate all at once,
0:04:12 > 0:04:16so we did this room first. Earnest used to come back from the barber's,
0:04:16 > 0:04:20barely stop for his tea and he'd be up a ladder.
0:04:20 > 0:04:26Everything's healing OK, but you have got to stop overdoing it, Pearl.
0:04:26 > 0:04:29A whole lifetime of memories.
0:04:29 > 0:04:31I'm the only one that remembers.
0:04:31 > 0:04:33What's it matter?
0:04:33 > 0:04:36There's cold comfort in that.
0:04:36 > 0:04:39How does that feel? OK?
0:04:39 > 0:04:41Mmm.
0:04:41 > 0:04:43When did he go?
0:04:43 > 0:04:45Who? Earnest?
0:04:45 > 0:04:49He's still here. They're coming for him soon.
0:04:49 > 0:04:51Aren't they, love?
0:04:51 > 0:04:53Why don't you come in and say hello?
0:04:57 > 0:04:58Hello, Earnest.
0:05:00 > 0:05:05Oh, it's yes/no questions these days, if you can even get an answer.
0:05:05 > 0:05:08Most days he doesn't seem to know who I am.
0:05:08 > 0:05:11- When did that start? - It was quite sudden.
0:05:11 > 0:05:14I went in for my operation and he was in respite.
0:05:14 > 0:05:18- He had a seizure. - Oh, Pearl, I'm so sorry.
0:05:18 > 0:05:20Well, I've just had to accept it.
0:05:20 > 0:05:23Even with the care workers visiting every day,
0:05:23 > 0:05:27it's just got beyond me to cope.
0:05:27 > 0:05:29Much as I try.
0:05:31 > 0:05:35- Bye, now.- Thank you.- Take care.
0:05:37 > 0:05:39Hiya.
0:05:39 > 0:05:42Back again? I've barely touched my coffee.
0:05:42 > 0:05:44I meant to ask you what you wanted for lunch.
0:05:44 > 0:05:46Don't worry about it, I'll sort myself out.
0:05:46 > 0:05:49- I can get it.- I can manage. - Why, when you don't have to?
0:05:49 > 0:05:52Because I want to. I'd quite like the exercise.
0:05:52 > 0:05:54If I go, you can't break the other one, can you?
0:05:54 > 0:05:56Daniel.
0:05:56 > 0:05:57Daniel!
0:06:02 > 0:06:04I'm not holding you up, am I?
0:06:04 > 0:06:05No, no. I'm OK for time.
0:06:05 > 0:06:08There's a special cup for Earnest.
0:06:08 > 0:06:10It should be me doing that.
0:06:10 > 0:06:11Er, not on my watch.
0:06:11 > 0:06:14You can't take on the whole world all of the time.
0:06:14 > 0:06:16Earnest is going to need you fighting fit.
0:06:16 > 0:06:20I need him more than he needs me.
0:06:20 > 0:06:22He's gone, for all intents and purposes.
0:06:22 > 0:06:24You mustn't think like that.
0:06:24 > 0:06:28Well, I can't help it, sometimes.
0:06:28 > 0:06:33Everything's gone with him. Our marriage, our home.
0:06:33 > 0:06:36- Care like that costs.- I know.
0:06:36 > 0:06:38I've had to sell all his things,
0:06:38 > 0:06:40all the old stuff he'd collected over the years.
0:06:40 > 0:06:44- Like what?- His old jazz records.
0:06:44 > 0:06:46"It's my only other love," he used to say,
0:06:46 > 0:06:49but I knew it was his first love.
0:06:49 > 0:06:53You could put me in a room with Louis Armstrong,
0:06:53 > 0:06:56he'd tear himself in two to know who to go to.
0:06:56 > 0:06:59Oh, Louis Armstrong. Now you're talking.
0:06:59 > 0:07:02Oh, I used to pretend I liked all that old stuff.
0:07:02 > 0:07:06Now I don't have to bother. Small compensation.
0:07:06 > 0:07:10And I kept the most important thing.
0:07:10 > 0:07:12DOORBELL RINGS
0:07:12 > 0:07:16- Oh, that'll be them.- Oh, no, no, no. You take your time. I'll get it.
0:07:23 > 0:07:25Mandy?
0:07:25 > 0:07:28- Russell.- Can't think why you'd be needed for an official handover.
0:07:28 > 0:07:30Is there something I should know?
0:07:30 > 0:07:33No, no, I'm just taking care of Mrs Pike.
0:07:33 > 0:07:35Anyway, is Earnest all ready?
0:07:38 > 0:07:41Here we are now, all set? We can do that, Pearl.
0:07:41 > 0:07:43How's the knee holding up?
0:07:43 > 0:07:45Oh, it's fine, Russell. Is his room ready?
0:07:45 > 0:07:49Absolutely. We're looking forward to having him. Hello, Earnest.
0:07:49 > 0:07:50Yes.
0:07:50 > 0:07:54- He's taking you on a little trip, all right?- Yes.
0:07:54 > 0:07:57Hey, hey, hey! Careful, you'll have his arm off.
0:07:57 > 0:08:01- Have you got his medication?- Oh, yes. Mandy, it's on the table there.
0:08:01 > 0:08:03Potato head.
0:08:03 > 0:08:05What's that now, Earnest?
0:08:05 > 0:08:07Sounded like "potato head" to me.
0:08:07 > 0:08:09Yes, he's said that a couple of times before.
0:08:09 > 0:08:12New one on me. Mind you, I've been called a few things in my time.
0:08:12 > 0:08:14Where would he have got that from?
0:08:14 > 0:08:17What, what do you mean?
0:08:17 > 0:08:20Has somebody called him that at the home? Russell?
0:08:20 > 0:08:23Look, my staff know better than that. We run a nice place.
0:08:23 > 0:08:27- I should hope so.- If I thought somebody had called him that...
0:08:27 > 0:08:29Well, somebody hasn't, OK? I promise.
0:08:29 > 0:08:31Righto, wagons roll.
0:08:31 > 0:08:34Because if somebody had called him that, I'd have their job.
0:08:34 > 0:08:37Hasn't he been robbed of his dignity enough as it is?
0:08:37 > 0:08:39If I caught anyone saying anything like that,
0:08:39 > 0:08:41they'd have me to answer to, before they were sacked.
0:08:41 > 0:08:45- Better keep your ears open then, eh? - This isn't helping Pearl.
0:08:45 > 0:08:48- Potato head! - You're going to your nice room.
0:08:48 > 0:08:50You know, the lovely one where the...
0:08:50 > 0:08:53Where the sun shines and all your friends are there.
0:08:53 > 0:08:56Oh, Mandy, there's a photo on the dining room wall...
0:08:56 > 0:08:58I'll get it.
0:09:00 > 0:09:03I'll be following right after.
0:09:03 > 0:09:06Why don't you give us a couple of hours, let us get him settled?
0:09:06 > 0:09:08Come for lunch, we'll have the kettle on.
0:09:08 > 0:09:10Well, if you think that's for the best...
0:09:10 > 0:09:12I'm thinking of what's best for you as well as Earnest.
0:09:12 > 0:09:15He's not being mistreated, I swear on my life.
0:09:15 > 0:09:17There you go.
0:09:17 > 0:09:19Well, would you look at that, eh? The man himself.
0:09:19 > 0:09:22Always took pride of place in his shop.
0:09:22 > 0:09:24Well that's what we'll give it in his room.
0:09:24 > 0:09:26All right. We'll see you later.
0:09:32 > 0:09:34I won't be long.
0:09:38 > 0:09:41That cup of tea you made will be getting cold.
0:09:41 > 0:09:44SHE SOBS
0:09:50 > 0:09:51Whoa, whoa, whoa!
0:09:51 > 0:09:54What? I'm not a complete invalid.
0:09:54 > 0:09:58I'm not saying you are, it's just your crutches are there, and you're here.
0:09:58 > 0:10:00I've been sitting down for the best part of five hours.
0:10:00 > 0:10:04If I don't get some exercise I'll have a whole different set of problems.
0:10:04 > 0:10:06Just as well I bought you a Greek salad, then.
0:10:06 > 0:10:09I told you I wanted to get some exercise.
0:10:09 > 0:10:12OK, if it's a little light stretching you want,
0:10:12 > 0:10:14I can go and see if the store cupboard's free...
0:10:15 > 0:10:18OK. Compromise. Hotel?
0:10:18 > 0:10:25A hotel room booked for the hour under the name Mr and Mrs Smith?
0:10:25 > 0:10:28Not appropriate any more.
0:10:28 > 0:10:30I meant what I said last week.
0:10:30 > 0:10:32It was a joke.
0:10:32 > 0:10:36Although I do think "appropriate" should mean whatever we want it to.
0:10:37 > 0:10:40Thanks for my salad.
0:10:48 > 0:10:50It was total waterworks.
0:10:50 > 0:10:54Pearl crying her eyes out, me trying not to join in.
0:10:54 > 0:10:56I had her in with me just before her op.
0:10:56 > 0:11:00She really didn't want to go through with it. Poor thing.
0:11:00 > 0:11:02- Which one has he gone to?- Kingsvale.
0:11:02 > 0:11:05- Oh, that's near me. It's nice. - It's one of the best.
0:11:05 > 0:11:08Yeah, well, they're only as good as their staff, aren't they?
0:11:08 > 0:11:10I've come across his main carer before,
0:11:10 > 0:11:12and there's just something I do not like about him.
0:11:12 > 0:11:15You know, calls his patients "units", that sort of thing.
0:11:15 > 0:11:17Yeah, I know the sort.
0:11:17 > 0:11:19I mean, I'm sure he's good with Earnest, but...
0:11:19 > 0:11:21How bad's his Alzheimer's?
0:11:21 > 0:11:22Oh, it's pretty bad.
0:11:22 > 0:11:24It's terrifying.
0:11:24 > 0:11:29Can you imagine what it must be like to be there and not "be there"?
0:11:29 > 0:11:32Which is worse, going through it yourself,
0:11:32 > 0:11:35or watching somebody you love go through it? If it was Rob...
0:11:35 > 0:11:38Oh, don't. Poor Pearl.
0:11:38 > 0:11:41I did some of my training with Alzheimer's patients
0:11:41 > 0:11:45and it's really interesting to see the cognitive therapy.
0:11:45 > 0:11:47- They use music with some of them. - Oh, right.
0:11:47 > 0:11:49The music taps into long-term memory or something?
0:11:49 > 0:11:53Yeah. It's more miss than hit, but it makes a big difference
0:11:53 > 0:11:56with the patients that have no interaction.
0:11:56 > 0:11:58Mmm. I don't know if that would work with him.
0:11:58 > 0:12:03He's quite far down the road, he's almost totally dependent.
0:12:03 > 0:12:06With music, I mean, sometimes it's so vivid,
0:12:06 > 0:12:09it can take you right back.
0:12:09 > 0:12:13For me, it's school days and David Essex.
0:12:13 > 0:12:15Who?
0:12:15 > 0:12:19Back in the dark ages when records were records
0:12:19 > 0:12:22and they had different speeds, 33 and 45.
0:12:22 > 0:12:25- 78...- Oi! I'm not that old!
0:12:26 > 0:12:28David Essex?
0:12:28 > 0:12:32Yeah! Gorgeous. I used to kiss his poster every night.
0:12:32 > 0:12:35Oh, please tell me "poster" isn't slang for something.
0:12:39 > 0:12:41Come on.
0:12:41 > 0:12:43Come on, you must be here somewhere.
0:12:46 > 0:12:48What you doing?
0:12:48 > 0:12:50Just an idea.
0:12:50 > 0:12:55All I need is a blank CD and a little Louis.
0:12:55 > 0:12:56No way!
0:12:56 > 0:12:58What?
0:13:01 > 0:13:03Oh. Room for one more?
0:13:14 > 0:13:17It can get a bit much in there, can't it?
0:13:17 > 0:13:20Like being in the bunker with Adolf and Eva.
0:13:24 > 0:13:27Course, when it really gets too much for me
0:13:27 > 0:13:31I prescribe myself a trip to the pub and get completely battered.
0:13:32 > 0:13:35There's nothing like a bit of self-prescribed single malt!
0:13:39 > 0:13:41Sometimes, you've got to cut your losses and say...
0:13:43 > 0:13:45You don't want to talk.
0:13:45 > 0:13:47It's nothing personal.
0:13:47 > 0:13:48It's OK.
0:13:49 > 0:13:51I'm used to it.
0:13:54 > 0:13:57Is it all right? They said at reception to come straight through.
0:13:57 > 0:14:00Earnest, look who's here!
0:14:00 > 0:14:02We're just finishing lunch. Is it important?
0:14:02 > 0:14:05Well, I was in work chatting with a colleague about Earnest,
0:14:05 > 0:14:10and he was telling me about music therapy he'd seen used with Alzheimer's patients...
0:14:10 > 0:14:13- We've tried that.- One of the first things we did, wasn't it, Pearl?
0:14:13 > 0:14:14We knew how much he loved his music.
0:14:14 > 0:14:17He was aware that the music was playing
0:14:17 > 0:14:19but he didn't seem to notice, not like he used to.
0:14:19 > 0:14:21But have you tried anything specific?
0:14:21 > 0:14:24Yeah. Pearl helped me draw up a whole list of things,
0:14:24 > 0:14:27his favourite songs, things they danced to at their wedding.
0:14:27 > 0:14:28We do know what we're doing.
0:14:28 > 0:14:31Look, I appreciate what you're trying to do,
0:14:31 > 0:14:33but I've stopped hoping, Mandy.
0:14:33 > 0:14:38It's hard, but I've come to realise that this isn't my Earnest now.
0:14:38 > 0:14:41Look, please, just one track. I think it's important.
0:14:41 > 0:14:45And I think you don't understand what it takes to do this job.
0:14:45 > 0:14:48You've got to be firm and unsympathetic. It doesn't mean you don't care.
0:14:48 > 0:14:51I think you'll want to hear this, too.
0:14:51 > 0:14:54JAZZ MUSIC PLAYS
0:14:57 > 0:15:00- See?- Just... Just give it a second.
0:15:00 > 0:15:02It rarely has a reaction.
0:15:02 > 0:15:04MUSIC CONTINUES
0:15:06 > 0:15:11HE TAPS THE RHYTHM
0:15:17 > 0:15:18Oh.
0:15:18 > 0:15:21You remember this one, Earnest, don't you?
0:15:23 > 0:15:28Well...I don't believe it!
0:15:28 > 0:15:31What's this one called? I don't remember this.
0:15:31 > 0:15:36It's by Louis Armstrong and it's called Potato Head Blues.
0:15:36 > 0:15:38Potato Head.
0:15:41 > 0:15:45Because she enjoys holding it over your head.
0:15:45 > 0:15:48She wants power, the cow.
0:15:49 > 0:15:51I...
0:15:51 > 0:15:54I know, love.
0:15:54 > 0:15:56I'll see you later.
0:15:57 > 0:16:01Have you had any dealings with that O'Neil woman down the station?
0:16:01 > 0:16:05- No, why?- She's just making Rob's life difficult, that's all.
0:16:08 > 0:16:10This box seems a bit light...
0:16:10 > 0:16:14In fact, I'm supposed to be seeing Beryl Hobbs this afternoon, she's not in here.
0:16:14 > 0:16:17- Karen, have I got more notes to come?- No.
0:16:17 > 0:16:19Is there something wrong, Karen?
0:16:19 > 0:16:21Not that I'm aware of.
0:16:21 > 0:16:23Karen, what's going on?
0:16:23 > 0:16:25Nothing. Really.
0:16:25 > 0:16:30OK. Howard has been asking us to lighten your load a bit.
0:16:30 > 0:16:31Since when?
0:16:31 > 0:16:34It's been going on for a while now. Howard's orders.
0:16:34 > 0:16:37- Right, well, we'll see about that. - He's not back from lunch yet.
0:16:37 > 0:16:40But I can tell him that you want to see him when he's back in.
0:16:40 > 0:16:43No, don't. Why ruin the surprise?
0:16:45 > 0:16:47MUSIC: "Potato Head Blues" by Louis Armstrong
0:16:47 > 0:16:50'56.
0:16:50 > 0:16:54- What?- Don't forget, yes/no questions.
0:16:54 > 0:16:57Louis. I saw Louis.
0:16:58 > 0:17:01I think he means 1956.
0:17:01 > 0:17:05Earnest, yes, that's when you got this photo signed!
0:17:05 > 0:17:08I snuck out. I was ten.
0:17:08 > 0:17:10And he played this, didn't he?
0:17:10 > 0:17:13Potato Head Blues.
0:17:13 > 0:17:16Louis, at Birmingham.
0:17:16 > 0:17:18Yeah.
0:17:18 > 0:17:20# I got the heebie jeebies... #
0:17:20 > 0:17:23Oh, that's another track I found!
0:17:23 > 0:17:25# I got the heebie jeebie blues... #
0:17:27 > 0:17:29'56.
0:17:32 > 0:17:34'56.
0:17:34 > 0:17:36Me...
0:17:36 > 0:17:37and Louis!
0:17:37 > 0:17:39What else did he play?
0:17:41 > 0:17:45# When you're...smiling. #
0:17:46 > 0:17:48I snuck out.
0:17:48 > 0:17:52This is best he's been for ages! I didn't think...
0:17:52 > 0:17:54Don't get emotionally involved, eh?
0:17:54 > 0:17:56Thank you for giving him back to me.
0:17:56 > 0:17:58Oh, this means everything!
0:17:58 > 0:18:01Now we can have some kind of life together.
0:18:01 > 0:18:05- Well, yeah, but...- That's not how Alzheimer's works, Pearl.
0:18:05 > 0:18:08But look at him. I mean, it's nothing short of incredible.
0:18:08 > 0:18:12Don't get me wrong, this is brilliant and it really will help,
0:18:12 > 0:18:14but Earnest will have days when it won't.
0:18:14 > 0:18:19Music's a therapy, Pearl, it's not a cure.
0:18:19 > 0:18:21It's just one of these things.
0:18:21 > 0:18:23- But look at him!- Pearl, look...
0:18:23 > 0:18:26No! You've given me hope
0:18:26 > 0:18:30- but now you're trying to snatch it away!- It's not like that.
0:18:30 > 0:18:34To see him like this after all that time, and then you say that?
0:18:34 > 0:18:35What's the point?!
0:18:35 > 0:18:40Pearl, you can't get upset. Seeing you upset can upset him. Look.
0:18:43 > 0:18:46Play it again for him. Please.
0:18:49 > 0:18:50MUSIC RESUMES
0:18:50 > 0:18:54I think this is my favourite, too, Earnest.
0:18:54 > 0:18:56Here we go.
0:18:59 > 0:19:01I've really messed up, haven't I?
0:19:02 > 0:19:05Look, everybody wants miracles with Alzheimer's
0:19:05 > 0:19:07when there are none, you know that.
0:19:07 > 0:19:10This is what I mean about being unsentimental.
0:19:10 > 0:19:14MUSIC CONTINUES
0:19:17 > 0:19:20HE WHISTLES
0:19:29 > 0:19:31MUSIC: "La Vie en Rose" by Louis Armstrong
0:19:31 > 0:19:33Oh, careful.
0:19:33 > 0:19:36- Russell?- Here we go, here we go.
0:19:40 > 0:19:45# Hold me close and hold me fast
0:19:45 > 0:19:48# The magic spells you cast
0:19:48 > 0:19:54# This is la vie en rose
0:19:54 > 0:19:59# When you kiss me heaven sighs
0:19:59 > 0:20:02# And though I close my eyes... #
0:20:02 > 0:20:05- What's the matter? Do you want to stop?- No.
0:20:05 > 0:20:08HE HUMS ALONG
0:20:08 > 0:20:12# When you press me to your heart
0:20:12 > 0:20:16# I'm in a world apart. #
0:20:16 > 0:20:17I believe it was me...
0:20:17 > 0:20:19DOOR SLAMS
0:20:19 > 0:20:22- Do I look like I'm made of china? - One moment, I'm just on...
0:20:22 > 0:20:24He'll call you back.
0:20:24 > 0:20:26- What are you playing at? - My point exactly.
0:20:26 > 0:20:29What do you think you're doing, taking my patients away?
0:20:29 > 0:20:32As manager, I have the welfare of my staff to consider.
0:20:32 > 0:20:35We both know why you're doing it, and why you wouldn't do it for anybody else.
0:20:35 > 0:20:38- That's not true. - You've made me look ridiculous!
0:20:38 > 0:20:43I don't know why you don't get the fainting couch into my consulting room and be done with it!
0:20:43 > 0:20:46- Now, wait...- Not to mention acting like a hypocrite!
0:20:46 > 0:20:49If anyone else had done this, you'd come down on them like a ton of bricks!
0:20:49 > 0:20:54If anybody else had gone through what you have, they might accept help when it was offered!
0:20:54 > 0:20:56I am not a charity case!
0:20:56 > 0:21:00I don't need your help. Now, back off and let me do my job!
0:21:03 > 0:21:05- Everything all right?- Fine.
0:21:05 > 0:21:06SHE SIGHS
0:21:06 > 0:21:09Karen, could you do me a favour, please?
0:21:09 > 0:21:13Could you put my patient list back to how it was, please,
0:21:13 > 0:21:17with the full knowledge and consent of Mr Bellamy?
0:21:17 > 0:21:19Yeah.
0:21:19 > 0:21:21Thank you.
0:21:21 > 0:21:23I appreciate YOUR help.
0:21:27 > 0:21:29Oh, Mandy.
0:21:29 > 0:21:31I'm sorry.
0:21:31 > 0:21:34I was rude and ungrateful, and I had no right.
0:21:34 > 0:21:36Just...forget about it.
0:21:36 > 0:21:38Thank you for what you did.
0:21:38 > 0:21:43He's happy, I think, and that's all down to you.
0:21:44 > 0:21:46Well, I've got more of him now than I've had for ages.
0:21:46 > 0:21:49Today's an extra day I didn't think I'd have.
0:21:49 > 0:21:52Well, there'll be plenty more of those, I'm sure.
0:21:52 > 0:21:55You just have to treasure them when they come along.
0:21:57 > 0:21:59Bye, Pearl.
0:22:04 > 0:22:07Here's the rest of your workload, save Karen bringing them in.
0:22:07 > 0:22:10- Thank you.- Anything else, you can go through her or Mrs Tembe.
0:22:10 > 0:22:13As far as I'm concerned, you can do what you like.
0:22:13 > 0:22:16It's not a case of doing what I like, it's a case of doing what I'm here for.
0:22:16 > 0:22:18All I've done is be supportive.
0:22:18 > 0:22:21Yes, I care for you, I admit it.
0:22:21 > 0:22:23You don't want that? That's your choice.
0:22:23 > 0:22:25Find yourself another kicking post.
0:22:33 > 0:22:35You all right?
0:22:35 > 0:22:37Yeah.
0:22:37 > 0:22:40Oh, no. Just thinking about Pearl.
0:22:40 > 0:22:42Sounds like you did a great job to me.
0:22:42 > 0:22:47Not that. It's... If you had one more day with someone, what would you do?
0:22:47 > 0:22:51It depends. Would I know I had one more day with them?
0:22:51 > 0:22:52Oh, sorry, I didn't mean...
0:22:52 > 0:22:55It's all right, you can say it. "If I had one more day with Dad..."
0:22:55 > 0:22:57Cos that's who I'd choose.
0:22:57 > 0:22:59I'd be the same with Freya.
0:22:59 > 0:23:03You think you'd be like, OK, all-night dancing, partying,
0:23:03 > 0:23:08drinking, but...it's the things you wish you'd found out before.
0:23:09 > 0:23:12The things you've never had the answers to.
0:23:14 > 0:23:17You never know how much time you've got.
0:23:22 > 0:23:25Your chariot awaits, milady, whenever you want.
0:23:25 > 0:23:27I thought we could get a takeaway or something.
0:23:29 > 0:23:31Shut the door.
0:23:33 > 0:23:35Sit down.
0:23:36 > 0:23:39You changed your mind about stretching?
0:23:42 > 0:23:43I...
0:23:46 > 0:23:51I've been thinking, and I think that coming back to Letherbridge...
0:23:53 > 0:23:55..was not a great idea after all.
0:23:55 > 0:23:57In what way?
0:23:57 > 0:23:59In practically every way.
0:23:59 > 0:24:02A clean break might have been the kindest thing for both of us.
0:24:02 > 0:24:04I disagree.
0:24:04 > 0:24:05I'm sorry.
0:24:05 > 0:24:07What brought this on?
0:24:07 > 0:24:10Are you serious? After everything I said about not being able to trust you?
0:24:10 > 0:24:13We talked that through. You just need more time.
0:24:13 > 0:24:15No.
0:24:15 > 0:24:20Look, I'm really grateful for all the help you've given me over this whole stupid ankle thing,
0:24:20 > 0:24:25but I think that it has created a renewed level of intimacy that...
0:24:25 > 0:24:28That you think I've read too much into? I haven't.
0:24:28 > 0:24:33Regardless, I have decided that, once I've recovered, I'm going to leave the practice. For good.
0:24:33 > 0:24:35OK, right.
0:24:35 > 0:24:40So, forget the partnership that you fought for, all the extra money that you put in.
0:24:40 > 0:24:44- You'll walk away from all of that, and from us?- There is no "us"!
0:24:44 > 0:24:47And if it means walking away from the partnership,
0:24:47 > 0:24:51- then I'm prepared to do that then, yeah.- No discussion, nothing?
0:24:51 > 0:24:53What good would that do?
0:24:56 > 0:24:59I'm sure that, when you think about it,
0:24:59 > 0:25:01you'll have to agree it's for the best.
0:25:03 > 0:25:08# Oh, when you're smilin'
0:25:10 > 0:25:14# When you're smilin'
0:25:17 > 0:25:25# The whole world smiles with you
0:25:27 > 0:25:31# Yes, when you're laughin'
0:25:34 > 0:25:38# When you're laughin'
0:25:40 > 0:25:47# Yes, the sun comes shinin' through
0:25:50 > 0:25:55# But when you're cryin'
0:25:56 > 0:26:01# You bring on the rain
0:26:03 > 0:26:07# So stop your sighin', baby
0:26:09 > 0:26:13# And be happy again
0:26:13 > 0:26:18# Yes, and keep on smilin'
0:26:20 > 0:26:25# Keep on smilin', baby
0:26:28 > 0:26:36# And the whole world smiles with you. #
0:26:43 > 0:26:47- Call me Emma.- Emma Reid? Has the investigation been reopened?
0:26:47 > 0:26:50It's not paranoia, is it, if something's actually going on?
0:26:50 > 0:26:52- Nothing's going on. - What's going on, Anya?!
0:26:52 > 0:26:55Hopefully we can get her in the refuge before this one gets home.
0:26:55 > 0:26:57I wasn't going to hit her.
0:26:57 > 0:26:59She was going to leave, take my little girl away.
0:26:59 > 0:27:02Check this one out. This guy thinks you've got a sexy voice.
0:27:02 > 0:27:06'And she's going to take you all the way.'
0:27:27 > 0:27:30Subtitles by Red Bee Media Ltd