0:00:45 > 0:00:46No.
0:00:46 > 0:00:47Not here!
0:00:48 > 0:00:49Not here!
0:01:06 > 0:01:08Patrick? It's Viv.
0:01:08 > 0:01:09Are you OK?
0:01:13 > 0:01:15Is there anything I can do? Patrick?
0:01:15 > 0:01:17Stop using my name.
0:01:17 > 0:01:19What's wrong?
0:01:19 > 0:01:22Don't shout my name, he'll hear you. Can't know I'm here.
0:01:22 > 0:01:24Who can't?
0:01:25 > 0:01:28Is this the one you talked about before? Has he been here?
0:01:33 > 0:01:37He can't know I'm here even if he knows where I live.
0:01:37 > 0:01:39- Do you want me to get someone? - Don't use my name. Go away.
0:01:39 > 0:01:41You don't know me. You don't know me!
0:01:44 > 0:01:49Doctor Clay, I've got someone insisting she sees you.
0:01:49 > 0:01:51It must be today, and no-one else will do.
0:01:51 > 0:01:54You've got a full list, so...
0:01:54 > 0:01:56- Who is it?- Deborah Leigh.
0:01:56 > 0:01:58Oh, right, er, yeah. Stick her in this afternoon.
0:01:59 > 0:02:02Are you sure?
0:02:02 > 0:02:05- You're very chirpy.- Am I?
0:02:05 > 0:02:07Yeah, I noticed it the minute you came in.
0:02:07 > 0:02:10I said to myself, he has got a definite spring
0:02:10 > 0:02:13- and it's nothing to do with the weather.- Can't think why.
0:02:13 > 0:02:16Maybe you do know why but you're keeping it to yourself!
0:02:17 > 0:02:19Have you met that special someone?
0:02:19 > 0:02:22- Nope.- Hmm. I understand!
0:02:22 > 0:02:24Yeah. You want to...
0:02:24 > 0:02:28First flush, you want to keep it quiet till you're quite sure.
0:02:28 > 0:02:32- On the down-low.- So you'll put Deborah Leigh in at two o'clock?
0:02:32 > 0:02:35Is it her? Is that why she won't see anyone else?
0:02:35 > 0:02:40- She only has eyes for you? - She's just a patient!
0:02:40 > 0:02:42So it's some other lucky lady?
0:02:42 > 0:02:44Excuse me.
0:02:46 > 0:02:50So, what brings you here? Finally?
0:02:50 > 0:02:51Erm, I was doing a home visit.
0:02:51 > 0:02:54I've got a patient nearby who's bedridden.
0:02:54 > 0:02:58I never get a cup of tea unless the home help's there.
0:02:58 > 0:02:59Some people are so lazy(!)
0:03:01 > 0:03:03Right, now then.
0:03:03 > 0:03:04I'm talking about you!
0:03:04 > 0:03:07Where were you and your big muscles when I was moving?
0:03:07 > 0:03:11Well, you're all settled now. How's work?
0:03:12 > 0:03:15Between the move and the Crohn's, a bit quiet.
0:03:15 > 0:03:18- Sold a couple of pieces to a woman's mag.- Nice one.
0:03:20 > 0:03:22NOISES FROM BELOW
0:03:22 > 0:03:24Ooh! Got someone moving in?
0:03:26 > 0:03:28That's Patrick. Poor guy.
0:03:28 > 0:03:31He's virtually shut in, like, disturbed.
0:03:31 > 0:03:35I did wonder if he was one of yours? Patrick Borley?
0:03:35 > 0:03:36No. Doesn't ring a bell.
0:03:37 > 0:03:39I think he's on medication.
0:03:39 > 0:03:40MORE MOVEMENT FROM BELOW
0:03:40 > 0:03:42Something's upset him.
0:03:42 > 0:03:46We were getting along, neighbours stuff, chatting, you know,
0:03:46 > 0:03:47and then...
0:03:51 > 0:03:52What?
0:03:52 > 0:03:54I don't know, it's weird.
0:03:54 > 0:03:57He barely talks to me now, and when he does he keeps saying
0:03:57 > 0:03:59that he doesn't want someone to know he's here.
0:03:59 > 0:04:03Whether that someone is real or not...
0:04:03 > 0:04:04Are you sure he's not with the Mill?
0:04:07 > 0:04:08Maybe I should check.
0:04:16 > 0:04:17Hello?
0:04:21 > 0:04:23My name's Chris, I'm a nurse.
0:04:23 > 0:04:26Your neighbour sent me down, she's worried about you.
0:04:27 > 0:04:29KEY RATTLES IN LOCK
0:04:30 > 0:04:32Stand back.
0:04:32 > 0:04:34Over there, where I can see you.
0:04:37 > 0:04:38That cut looks nasty.
0:04:40 > 0:04:41Who sent you?
0:04:41 > 0:04:43Your neighbour upstairs - Viv.
0:04:43 > 0:04:47Big mouth, nosy, worried about you.
0:04:47 > 0:04:49- She should worry about the van. You both should.- What van?
0:04:49 > 0:04:52- It's still there, the white van! - Is it?
0:04:54 > 0:04:57Why don't you tell me about it while I have a look at that?
0:05:01 > 0:05:03It'd be easier to do if you let me inside.
0:05:06 > 0:05:08Way too young. You can't be him.
0:05:24 > 0:05:25- Rob! Hello.- Hi.
0:05:26 > 0:05:29- You all right?- Y-Yeah!
0:05:29 > 0:05:32Don't worry, I am here on official business
0:05:32 > 0:05:37but it's more to do with... Well, to be honest, Louis sent me an email,
0:05:37 > 0:05:40and he wants me to come and check the house, and make sure it's safe.
0:05:40 > 0:05:43- Give it the once-over. - You must think I'm crazy!
0:05:43 > 0:05:45No, no, no, of course I don't.
0:05:45 > 0:05:47He just wants to make sure that you're safe.
0:05:50 > 0:05:52Right, where shall we start?
0:05:52 > 0:05:53Come in.
0:05:58 > 0:06:01I don't think that needs stitches.
0:06:01 > 0:06:02Who's your doctor?
0:06:03 > 0:06:04You're good looking.
0:06:06 > 0:06:09Are you on any medication?
0:06:09 > 0:06:11Not because you said that!
0:06:11 > 0:06:13I used to be good looking.
0:06:13 > 0:06:1560, in-call; 75, out.
0:06:17 > 0:06:19Does anyone ever come and see you?
0:06:19 > 0:06:21Friends or a social worker?
0:06:21 > 0:06:23Police.
0:06:23 > 0:06:25The police visit? What, often?
0:06:25 > 0:06:27You need to get them.
0:06:28 > 0:06:29Now?
0:06:29 > 0:06:32- Why?- The white van.
0:06:33 > 0:06:36Oh, what, to come and get you in a van? Is that what you mean?
0:06:39 > 0:06:42- It's outside. He's out there.- Who?
0:06:42 > 0:06:46In the white van. It can't be here.
0:06:46 > 0:06:47Get the police. Take it away.
0:06:51 > 0:06:53No! No!
0:06:53 > 0:06:55Just through the gap.
0:06:57 > 0:06:59That one right there?
0:06:59 > 0:07:02Shouldn't it be parked there? Do you want it towed?
0:07:03 > 0:07:06You're good looking. 60, in-call, easy.
0:07:08 > 0:07:11Don't let him see you leave here.
0:07:11 > 0:07:13I'll be careful.
0:07:13 > 0:07:14He's a ghost.
0:07:18 > 0:07:21It all looks pretty secure to me.
0:07:21 > 0:07:24Where do you keep your gardening equipment?
0:07:24 > 0:07:26- It's inside. I'll show you. - There's no need.
0:07:26 > 0:07:30If it's inside, it can't be used to prise open doors and windows.
0:07:30 > 0:07:32Same with stepladders.
0:07:32 > 0:07:37You know, Louis sent me a really well-thought out email.
0:07:37 > 0:07:38He's the smart one in the family.
0:07:38 > 0:07:41Don't know where he gets it from.
0:07:41 > 0:07:43Yeah. He's come up with some really good ideas.
0:07:43 > 0:07:47He seems to be doing really well, considering what he's been through.
0:07:47 > 0:07:49Yeah, he is.
0:07:49 > 0:07:52He's got a really practical mind.
0:07:52 > 0:07:55He's sorting out an appeal against my back-to-work ruling, too.
0:07:55 > 0:07:57They've passed you fit to work?
0:07:57 > 0:08:00Yeah. The doctor say's I'm fine, apparently.
0:08:00 > 0:08:02This is what Louis has written.
0:08:07 > 0:08:09Doctor Tyler.
0:08:09 > 0:08:10Do you know him?
0:08:11 > 0:08:13Our paths have crossed.
0:08:18 > 0:08:21- Excuse me, mate, is this your van? - No, it's not mine.
0:08:37 > 0:08:38Patrick?
0:08:38 > 0:08:40It's only me.
0:08:43 > 0:08:46Why don't you come up to mine for a coffee?
0:08:50 > 0:08:54Valerie, my printer's getting really low on ink
0:08:54 > 0:08:56and there's no new ink cartridges in the store cupboard
0:08:56 > 0:08:59so could you tell Mrs Tembe to order some new ones, please?
0:08:59 > 0:09:00I can do that.
0:09:01 > 0:09:04Of course, it reminds me of all those happy memories of when Ashley
0:09:04 > 0:09:06and I were getting together.
0:09:07 > 0:09:08Ink cartridges?
0:09:08 > 0:09:12No, what I was telling you about Jimmi finding his great love.
0:09:12 > 0:09:15Loneliness is now a thing of the past for me.
0:09:15 > 0:09:17Is that right?
0:09:17 > 0:09:19Yeah, Ashley has completely changed my life.
0:09:19 > 0:09:23Until then, I thought only Jeffery could fill that void.
0:09:23 > 0:09:24My cat.
0:09:25 > 0:09:28At least Ashley can change his own litter tray.
0:09:28 > 0:09:30Isn't that what everyone wants, Al?
0:09:30 > 0:09:32Someone strong, and independent?
0:09:33 > 0:09:37I can only wish Jimmi the same happy ending.
0:09:37 > 0:09:38Yeah.
0:09:38 > 0:09:39Me too.
0:09:39 > 0:09:41I bet they met in a supermarket.
0:09:41 > 0:09:44They both reached for the last meal for one in the chiller cabinet,
0:09:44 > 0:09:49their eyes met. They will still be eating the same chicken carbonara
0:09:49 > 0:09:51every Friday night, but it won't be for one anymore.
0:09:53 > 0:09:55Oh.
0:09:58 > 0:10:00What is it Jack's doing again?
0:10:00 > 0:10:02He's finishing his law training.
0:10:02 > 0:10:04Law, eh? Like father, like son?
0:10:04 > 0:10:07No. Completely his own decision.
0:10:07 > 0:10:09He's up there in the north east.
0:10:09 > 0:10:11Immie's at art college in London.
0:10:11 > 0:10:13We'd like them to be...
0:10:14 > 0:10:17I'd, er, I'd like them to be a bit closer,
0:10:17 > 0:10:19but you can't have everything, can you?
0:10:19 > 0:10:22I bet Karen would like that too. Any mother would.
0:10:22 > 0:10:24Yeah, well, er...
0:10:25 > 0:10:29Karen's been through a lot of...
0:10:29 > 0:10:31really heavy stuff recently.
0:10:34 > 0:10:36Grab a seat, tell me what's up.
0:10:36 > 0:10:38Well, I'm not sure anything is.
0:10:38 > 0:10:42I was doing a home visit out by Broadside, and I'd swung
0:10:42 > 0:10:46by another patient's flat, and she's got this bloke living downstairs.
0:10:46 > 0:10:47Noisy neighbour?
0:10:47 > 0:10:52Well, yeah, but he's on meds, a little bit disconnected
0:10:52 > 0:10:55and there's this...he wants the police to come and move this van
0:10:55 > 0:10:57from outside the front of his house.
0:10:57 > 0:11:00He's getting really worked up about it.
0:11:00 > 0:11:01Near Broadside?
0:11:01 > 0:11:04That'll be a white van then, will it?
0:11:04 > 0:11:06Yeah, how did you know?
0:11:06 > 0:11:08Front desk told me you were here.
0:11:08 > 0:11:09Come to take me out for lunch?
0:11:09 > 0:11:12Yeah, I just needed some advice.
0:11:12 > 0:11:14Chris met Patrick Borley this morning.
0:11:15 > 0:11:17I see.
0:11:17 > 0:11:19Can you tell me who is he, please?
0:11:19 > 0:11:22Cos I haven't got a clue what to make of him.
0:11:22 > 0:11:24Patrick, as far as we know,
0:11:24 > 0:11:28is the only surviving victim of a killer who targeted male sex workers
0:11:28 > 0:11:30around Birmingham, a few years ago.
0:11:34 > 0:11:37She doesn't want to see Jack or Immie either.
0:11:38 > 0:11:39There's...
0:11:39 > 0:11:42There's been no contact between them.
0:11:43 > 0:11:44That's terrible.
0:11:46 > 0:11:49I mean, for all of you, but for you to...
0:11:49 > 0:11:51to just be shut out like that.
0:11:51 > 0:11:54It is complicated.
0:11:54 > 0:11:55But to lose her like that...
0:11:57 > 0:12:00I feel like I've lost half of myself.
0:12:01 > 0:12:02I can imagine.
0:12:03 > 0:12:05It's just totally blindsided me.
0:12:08 > 0:12:11Since the accident, she's changed completely.
0:12:13 > 0:12:15She's moved on now.
0:12:16 > 0:12:18She's found somebody else.
0:12:18 > 0:12:20No? Already?
0:12:23 > 0:12:25When exactly did this happen?
0:12:25 > 0:12:27Nine years ago?
0:12:27 > 0:12:32I can vaguely remember something when I was at school.
0:12:32 > 0:12:35We had bog-all to go on, near enough.
0:12:35 > 0:12:37Men just vanished without a trace.
0:12:37 > 0:12:38How many were there?
0:12:38 > 0:12:41Difficult to say, given what they did for a living.
0:12:41 > 0:12:44Prostitution's an itinerate profession.
0:12:44 > 0:12:47Some lose their looks, others just move on.
0:12:47 > 0:12:49And some completely disappeared?
0:12:49 > 0:12:51We reckon at least five.
0:12:52 > 0:12:56Body parts were identified from one victim, dug up by a farmer.
0:12:56 > 0:12:58I was the police surgeon on call.
0:12:58 > 0:13:01We think the killings might have happened in the back of this van.
0:13:01 > 0:13:03No scene of crime for us to discover.
0:13:03 > 0:13:08Patrick's the only one that got away. Physically, anyway.
0:13:08 > 0:13:10And he couldn't tell you anything?
0:13:10 > 0:13:13The killer had given him a massive dose of GHB.
0:13:14 > 0:13:16Effectively, it fried his brain.
0:13:16 > 0:13:19The only thing he could say coherently was,
0:13:19 > 0:13:22"The ghost man in his ghost-white van."
0:13:24 > 0:13:29Rob, I know this is difficult for you to talk about, and you must
0:13:29 > 0:13:34still care about Karen, but when do you start thinking about yourself?
0:13:36 > 0:13:37I really don't know.
0:13:39 > 0:13:42I look at you and see someone who's in pain.
0:13:42 > 0:13:44I know what that's like.
0:13:44 > 0:13:48And how much I stood my ground when everyone told me to move on.
0:13:48 > 0:13:50Yeah. Not quite the same.
0:13:52 > 0:13:55I kept telling myself it would be all right.
0:13:57 > 0:14:00But it took someone else...
0:14:00 > 0:14:02it took someone else to put me straight,
0:14:04 > 0:14:06and to save my life.
0:14:08 > 0:14:09Sian.
0:14:12 > 0:14:14I was just doing my job.
0:14:17 > 0:14:20Karen's new behaviour is because of a freak accident.
0:14:22 > 0:14:26I don't have the same excuse, no matter how tempted I am.
0:14:28 > 0:14:30No, of course not.
0:14:34 > 0:14:37I've just had a phone call from Hermione.
0:14:37 > 0:14:40- She said she'll meet you at lunchtime.- Hermione?
0:14:40 > 0:14:43His secret love! Well, not so secret anymore,
0:14:43 > 0:14:46- it goes without saying. - But you said it anyway.
0:14:46 > 0:14:48- We're all happy for you. - Hold up. Hermione?
0:14:48 > 0:14:50I know! Isn't it wonderful?
0:14:50 > 0:14:53Our Jimmi has got himself caught up in his own Harry Potter romance.
0:14:53 > 0:14:56- That'll do, thank you. - Has she got you spellbound?
0:14:56 > 0:14:58Yeah, have you shown her your wand yet?
0:14:58 > 0:15:00No, no! She's the enchantress.
0:15:00 > 0:15:03Jimmi's just the helpless mortal under her influence.
0:15:03 > 0:15:05Ooh! Lucky Jimmi.
0:15:06 > 0:15:07She's just a friend.
0:15:07 > 0:15:10We could do a Hogwarts thing for Valentine's Day.
0:15:10 > 0:15:13Love potions, costumes... I'll make cupcakes.
0:15:15 > 0:15:18Has she invited you into her Chamber of Secrets yet?
0:15:18 > 0:15:20- Valerie!- Ooh!
0:15:24 > 0:15:28So you're back to work properly now then, are you?
0:15:28 > 0:15:29Well, I never left really.
0:15:31 > 0:15:34I'd better start thinking about that - a job.
0:15:34 > 0:15:35What can I do, though?
0:15:35 > 0:15:38Why don't you just wait and see how the appeal goes?
0:15:38 > 0:15:39Oh, it could take ages.
0:15:41 > 0:15:44Tell you what, why don't you let me
0:15:44 > 0:15:46have a word with Doctor Tyler.
0:15:46 > 0:15:48Rob, I couldn't ask you to do that.
0:15:48 > 0:15:52- You've done so much already. - No, no, it's all right. It's fine.
0:15:52 > 0:15:54You don't want to be going back to work yet.
0:15:54 > 0:15:56With me and Louis fighting your corner,
0:15:56 > 0:15:58we might just get the right result.
0:16:03 > 0:16:05Patrick, it's Chris, remember?
0:16:05 > 0:16:09I've just spoken to Sergeant Briggs, he says he knows you.
0:16:10 > 0:16:12Can't keep you away.
0:16:12 > 0:16:14- Is he in?- He's always in.
0:16:14 > 0:16:17I just popped out to get some air, have a break from his noise.
0:16:20 > 0:16:22- Go away!- It's only me, mate.
0:16:22 > 0:16:25Look, did you hear what I said about Sergeant Briggs?
0:16:25 > 0:16:28He's going to swing by and have a chat with you about the van.
0:16:28 > 0:16:30I've just passed it. There's someone there now.
0:16:32 > 0:16:33He's here?
0:16:34 > 0:16:36He was putting something in the back.
0:16:36 > 0:16:38It's him, he's found me. You've got to hide.
0:16:38 > 0:16:41Or I could go and talk to him and ask him to move it.
0:16:41 > 0:16:42No, no, go and hide.
0:16:42 > 0:16:45Patrick, right, it is not the ghost man.
0:16:45 > 0:16:47- OK? I'll be back in a sec. - No, no, no!
0:16:47 > 0:16:51Can I get you something? Let me help.
0:16:51 > 0:16:53Patrick, who's the ghost man?
0:17:17 > 0:17:18All right?
0:17:20 > 0:17:23This is Pavel, our man with a van.
0:17:23 > 0:17:25He's been doing a loft conversion up the road.
0:17:25 > 0:17:28- This is the closest place he could park.- Hardly a ghost.
0:17:28 > 0:17:31Well no, but look at what he's wearing. He's got white overalls on.
0:17:31 > 0:17:34That might have been what Patrick saw that night.
0:17:34 > 0:17:35Could be.
0:17:35 > 0:17:38Anyway, he's moving it now. There's a space closer to the house.
0:17:47 > 0:17:49Ghost man has got him.
0:17:50 > 0:17:52Not again. Not again!
0:17:52 > 0:17:5560, in-call, 75 out.
0:17:57 > 0:17:58Ghost man.
0:17:58 > 0:18:00LIFT BEEPS
0:18:02 > 0:18:03Oh!
0:18:04 > 0:18:05Ghost man.
0:18:25 > 0:18:28Patrick keeps saying, "60 in-call, 75 out".
0:18:28 > 0:18:30His fee when he was on the game.
0:18:30 > 0:18:32- 60, you go to his place, 75...- Got it.
0:18:32 > 0:18:34Do you want me to come inside with you?
0:18:34 > 0:18:36No, two people turning up on his doorstep might be more
0:18:36 > 0:18:38than he can handle if he's having a bad day.
0:18:40 > 0:18:42TYRES SCREECH
0:18:47 > 0:18:49Patrick? Can you hear me?
0:18:51 > 0:18:53- 1610 to control.- 'Go ahead, 1610'.
0:18:53 > 0:18:56I'm at an RTC at Crowngate Place. I need an ambulance.
0:18:56 > 0:18:57'It's on its way.'
0:18:58 > 0:18:59A ghost man.
0:18:59 > 0:19:01Can you hear me, Patrick?
0:19:01 > 0:19:04Ghost man in his ghost white van.
0:19:04 > 0:19:05Lie still for me, mate, OK?
0:19:07 > 0:19:09Got me in the white van.
0:19:09 > 0:19:12Yeah, and you stopped him getting me, mate. You're a hero.
0:19:12 > 0:19:14Always knew he'd come back.
0:19:14 > 0:19:15- What happened?- Stand back, please.
0:19:15 > 0:19:18Patrick? Why did you think he'd come back?
0:19:18 > 0:19:19- Viv, just back off.- Is this him?
0:19:21 > 0:19:22He made me a ghost.
0:19:22 > 0:19:24He made me a ghost, too.
0:19:29 > 0:19:32I wonder if they'd go for a September wedding.
0:19:33 > 0:19:35- Who?- Jimmi and Hermione.
0:19:35 > 0:19:39Ooh, that sounds like a red-headed girl's name, doesn't it?
0:19:39 > 0:19:41You couldn't be blonde with a name like that, could you?
0:19:41 > 0:19:45You see, then they could go for autumnal colours.
0:19:45 > 0:19:47I wonder if she's taller than he is.
0:19:47 > 0:19:50Of course, she'd avoid wearing heels to play it down.
0:19:50 > 0:19:52I'm sure she's thoughtful like that.
0:19:52 > 0:19:54What do you think, Karen?
0:19:55 > 0:19:58I think that the pamphlets need straightening.
0:19:59 > 0:20:01That would be helpful, thank you.
0:20:07 > 0:20:09I was wondering if you'd be here.
0:20:09 > 0:20:11It's where I work.
0:20:11 > 0:20:12Of course it is.
0:20:12 > 0:20:15Actually I'm after Kevin. Is he in?
0:20:15 > 0:20:17Er...
0:20:17 > 0:20:19He's running a little late on morning surgery at the moment,
0:20:19 > 0:20:22but if you'd like to wait?
0:20:22 > 0:20:23Yeah, thanks.
0:20:27 > 0:20:29So, how have you been?
0:20:34 > 0:20:35I, er...
0:20:36 > 0:20:40..I saw the article in the newspaper, Sergeant Hollins.
0:20:40 > 0:20:43You looked very distinguished in your photo.
0:20:43 > 0:20:45Do you not think?
0:20:47 > 0:20:49Yeah, it was nice.
0:20:51 > 0:20:54Well, you are very much appreciated for the work you do.
0:20:54 > 0:20:57And admired too, I am sure.
0:20:59 > 0:21:01Yeah, well done. Good for you.
0:21:04 > 0:21:07Perhaps you would like to wait in the staffroom,
0:21:07 > 0:21:11- and I'll let you know when Doctor Tyler is available.- Good idea.
0:21:22 > 0:21:23- Thank you very much.- How bad is it?
0:21:23 > 0:21:25He's being assessed by the trauma team.
0:21:25 > 0:21:29What was with all the questions? What's this about?
0:21:29 > 0:21:33I was just trying to help him, draw him out.
0:21:33 > 0:21:34Why?
0:21:35 > 0:21:36Viv?
0:21:38 > 0:21:40I've been working on a book about the killings.
0:21:40 > 0:21:43I've spent months trying to find what little there is.
0:21:43 > 0:21:47When the flat above Patrick's became available, I had to have it.
0:21:47 > 0:21:48Your chance to cash in?
0:21:48 > 0:21:51I saw that he was starting to remember more.
0:21:51 > 0:21:53This is what he drew - his "ghost man".
0:21:53 > 0:21:55No-one has seen that before.
0:21:55 > 0:21:57So you've been pestering him?
0:21:57 > 0:22:00Trying to force a memory so horrifying that it has left him in that state?
0:22:00 > 0:22:02It wasn't like that.
0:22:02 > 0:22:05Books about unsolved crimes sell by the bucket load.
0:22:05 > 0:22:07I can establish myself,
0:22:07 > 0:22:10and help the police.
0:22:10 > 0:22:12Getting the whole story out there might jog some memories.
0:22:12 > 0:22:16All you have done, right, is traumatise him even more.
0:22:26 > 0:22:28Kevin, Sergeant Hollins is waiting for you.
0:22:28 > 0:22:32- Er, yeah, I just need some pens. I'm running low.- Right.
0:22:33 > 0:22:35Thought you had to rush off for lunch?
0:22:35 > 0:22:38Yeah, I do, I've just got some, erm...filing to do.
0:22:39 > 0:22:41- Have you locked the doors? - Er, no, you see Doctor Clay...
0:22:41 > 0:22:43- What's going on?- Not a clue.
0:22:47 > 0:22:49Sorry, we're closed for lunch.
0:22:49 > 0:22:50No, she's with me.
0:22:51 > 0:22:53Hello.
0:22:53 > 0:22:54- ALL:- Hello.
0:22:54 > 0:22:55Hi.
0:22:57 > 0:23:00Hermione, this is everyone. Everyone, this is Hermione.
0:23:00 > 0:23:04Welcome to the Mill. I'm sure Jimmi's told you what a happy,
0:23:04 > 0:23:07close-knit family we are. I'm Valerie.
0:23:07 > 0:23:10- You didn't say there'd be an audience?- I didn't know.
0:23:10 > 0:23:11Oh, well.
0:23:11 > 0:23:14Jimmi's about to ravage me on the bonnet of his car,
0:23:14 > 0:23:15if anyone wants to watch?
0:23:20 > 0:23:21Is that my phone?
0:23:24 > 0:23:27If a white van goes kerb crawling in the red light district,
0:23:27 > 0:23:29it clears the streets in seconds flat.
0:23:29 > 0:23:33It's become an urban myth - the ghost man in his ghost white van.
0:23:34 > 0:23:36He's still out there.
0:23:36 > 0:23:40And you played on that with Patrick, stoking his paranoia.
0:23:41 > 0:23:44- You caused this.- You can't blame me!
0:23:45 > 0:23:48If he makes it through today, you leave him alone.
0:23:49 > 0:23:51He was doing fine before you moved in.
0:23:54 > 0:23:56Patrick, how are you?
0:23:56 > 0:23:57It hurts.
0:23:57 > 0:23:59Wait! I'll be here when you get back from surgery.
0:23:59 > 0:24:01There's nothing to be afraid of.
0:24:01 > 0:24:03It's you he needs to be scared of, not the van.
0:24:03 > 0:24:05I'll always be scared of that. He's found me.
0:24:05 > 0:24:07No, no, he hasn't, but if you tell me about this -
0:24:07 > 0:24:10- is this him with the green eyes? - It's not him. It's nothing.
0:24:10 > 0:24:12The police will want to see that. It's new information.
0:24:12 > 0:24:13You must tell someone.
0:24:13 > 0:24:16I've got to get away. No stories. No stories.
0:24:24 > 0:24:26Let him stay lost, Viv.
0:24:28 > 0:24:30Who? Patrick or the killer?
0:24:30 > 0:24:32Both. For Patrick's sake.
0:24:38 > 0:24:39Rob? What can I do for you?
0:24:41 > 0:24:44It's about a fit-for-work case.
0:24:44 > 0:24:45Sian Marden.
0:24:45 > 0:24:47Sorry, you know I can't discuss that.
0:24:47 > 0:24:50No, I know. I'm here on her behalf.
0:24:50 > 0:24:53I'm just trying to work out if you're aware that she still carries
0:24:53 > 0:24:56physical and mental scars from when her husband tortured her
0:24:56 > 0:24:58- with a branding iron? - I know her full history.
0:24:58 > 0:25:01You do, and you still passed her?
0:25:01 > 0:25:03Really? What - that's it?
0:25:03 > 0:25:07Have you taken enough time to find out what she really went through?
0:25:07 > 0:25:11Everything in the consultation pointed to her being fit for work.
0:25:11 > 0:25:13Fit for work? How can she be fit for work
0:25:13 > 0:25:15when she can hardly leave the house?
0:25:15 > 0:25:17She needs support.
0:25:17 > 0:25:19You're supposed to be in a caring profession.
0:25:19 > 0:25:22And I think you're using your profession to lean on me
0:25:22 > 0:25:25- for what sound like personal reasons.- Oh, yeah?
0:25:25 > 0:25:28- Well she's still going to appeal. - That's her right.
0:25:29 > 0:25:33Just how long did your consultation take?
0:25:33 > 0:25:36Are you implying that I didn't do my job properly?
0:25:36 > 0:25:39I'm implying that you should take a closer look.
0:25:39 > 0:25:43Her husband was a sadistic animal who robbed her of her dignity,
0:25:43 > 0:25:45and her peace of mind. She's suffering.
0:25:45 > 0:25:48It's still nothing to do with how I conducted myself.
0:25:48 > 0:25:50Oh, I get it. Just tick all the right boxes, eh?
0:25:52 > 0:25:54Do you know what?
0:25:54 > 0:25:58Your attitude is everything that's wrong with the world these days.
0:25:58 > 0:26:01Then your problem is with how the world works, not with me.
0:26:01 > 0:26:03And if you think you can fix that,
0:26:03 > 0:26:06then winning some award has gone right to your head.
0:26:09 > 0:26:10Rob?
0:26:12 > 0:26:13Yeah?
0:26:14 > 0:26:18I just wanted to say that I'm sorry for what I said before.
0:26:18 > 0:26:20- What?- I'm sorry.
0:26:20 > 0:26:23- Has Mrs Tembe put you up to this? - No.
0:26:23 > 0:26:27I don't want to be somebody who disappoints people all the time.
0:26:27 > 0:26:29You're not.
0:26:29 > 0:26:31I am.
0:26:31 > 0:26:32I'm not who you want me to be.
0:26:32 > 0:26:37I'm not her, I'm not this wonder Karen.
0:26:37 > 0:26:39She's not in here.
0:26:39 > 0:26:41She is. You just don't know it.
0:26:43 > 0:26:46- You seem like a decent bloke. - Yeah, I am.
0:26:47 > 0:26:50I think we should get a divorce.
0:26:50 > 0:26:53That way you would be free to find somebody else
0:26:53 > 0:26:55who really appreciates you. Sorry.
0:27:05 > 0:27:07Go on then, seeing as everybody thinks
0:27:07 > 0:27:09I've done the worst thing since Hitler.
0:27:09 > 0:27:11I'm not going into work today.
0:27:11 > 0:27:14- Yeah, we'll see about that.- Oi!
0:27:14 > 0:27:16No one is judging you.
0:27:16 > 0:27:17Yeah, right.
0:27:17 > 0:27:19I'll spell it out for you.
0:27:19 > 0:27:21We are stuck.
0:27:22 > 0:27:24Sorry, Howard.