0:00:25 > 0:00:29- You been to see the paedo, then? - The what?- He's a nonce, isn't he?
0:00:29 > 0:00:31- Goes after kids. - Don't know where you get that from.
0:00:31 > 0:00:35- It's him next door, he's beginning to get to me.- What's he done?
0:00:35 > 0:00:37It's what he did do.
0:00:37 > 0:00:39They think I hurt a child.
0:00:39 > 0:00:41But it wasn't me, they've got the wrong man.
0:00:41 > 0:00:43He's my son.
0:00:43 > 0:00:48I hurt my child. They want to hurt me.
0:00:48 > 0:00:49I'm not going to stop them.
0:00:49 > 0:00:51SOMBRE CHORAL MUSIC
0:01:05 > 0:01:08Oh, Mrs Tembe, these macaroons are to die for.
0:01:08 > 0:01:10Yes, yes, please help yourself.
0:01:10 > 0:01:12Still no sign of Karen?
0:01:12 > 0:01:15- She has not arrived yet. - It's a big day for her though.
0:01:15 > 0:01:17She's got an interview to be a hairdryer.
0:01:17 > 0:01:19I mean, hairdresser.
0:01:19 > 0:01:21Yes, well, I'm going to have to start without her.
0:01:21 > 0:01:24Unfortunately, Howard can't be here because of food poisoning.
0:01:24 > 0:01:26Oh, that is most unfortunate.
0:01:26 > 0:01:29Yes, it is, but he's asked me to say a few words about time management.
0:01:29 > 0:01:32- PHONE RINGS - Oh, hang on.
0:01:32 > 0:01:34Yes, Howard?
0:01:34 > 0:01:35I'm doing it right now...
0:01:35 > 0:01:37Yep, right this minute.
0:01:37 > 0:01:40No, I've no idea where Kevin is.
0:01:40 > 0:01:43I'll pass the message on as soon as I do. Bye.
0:01:43 > 0:01:45Sorry about that. Where was I?
0:01:45 > 0:01:47- Time management.- Time management.
0:01:47 > 0:01:51Now, Howard feels that people are far too inclined
0:01:51 > 0:01:54to just rush off on any old mercy mission
0:01:54 > 0:01:57paying scant regard to its impact on the timetable.
0:01:57 > 0:02:01- To be frank... - Hi, everybody, sorry I'm late.
0:02:01 > 0:02:05Oh, Karen. Ooh! Your hair is just...
0:02:05 > 0:02:10- out of this world.- Do you think so? Mrs Tembe, what do you think?
0:02:12 > 0:02:16Uh... Oh, yes, well, it is...from another world.
0:02:16 > 0:02:18Ladies, can we get on, please?
0:02:18 > 0:02:20Thank you. Where was I?
0:02:20 > 0:02:22Mercy mission.
0:02:22 > 0:02:24- PHONE RINGS - Mercy mission! ..Oh, sorry.
0:02:24 > 0:02:25Daniel?
0:02:25 > 0:02:28I have no idea where Kevin is.
0:02:28 > 0:02:30Why don't you have him electronically tagged?!
0:02:30 > 0:02:33- Now I've run out of time. - What's all this about Kevin?
0:02:33 > 0:02:35I have no idea. For some reason,
0:02:35 > 0:02:37Daniel and Howard want to speak to him.
0:02:37 > 0:02:39It's just, I was at campus yesterday,
0:02:39 > 0:02:41and he never came back from home visits.
0:02:41 > 0:02:46Well, it is not unusual for Dr Tyler to change his timetable
0:02:46 > 0:02:47without consulting anyone.
0:02:47 > 0:02:50And I'm sure Howard will have something to say about that.
0:02:50 > 0:02:54- PHONE RINGS - Oh, for heaven's sake! ..Yes!
0:03:00 > 0:03:02PHONE RINGS
0:03:06 > 0:03:08Howard?
0:03:09 > 0:03:13No... Everyone seems to be looking for Kevin at the moment.
0:03:20 > 0:03:22HE MOANS SOFTLY
0:03:28 > 0:03:31HE GRUNTS IN PANIC
0:03:31 > 0:03:33I've never been so nervous in all my life.
0:03:33 > 0:03:37- Aw, you'll be fine! - All you can hope to do is your best.
0:03:37 > 0:03:39That's right, but I just know you'll succeed.
0:03:39 > 0:03:41- Yeah?- Yeah. I'm a little bit psychic.
0:03:41 > 0:03:44- I have the power to read people's auras.- Really?- Yeah.
0:03:44 > 0:03:46Oh...come here.
0:03:48 > 0:03:50Oh, yeah, yeah.
0:03:50 > 0:03:53Mmm. I can tell you've got a very positive aura.
0:03:53 > 0:03:58Yeah. I can see you're going on a long journey.
0:03:58 > 0:04:01I see...blue skies,
0:04:01 > 0:04:04and palm trees.
0:04:04 > 0:04:05And the letter H.
0:04:05 > 0:04:07For hairdresser?
0:04:07 > 0:04:11No, there's an H and an O, and...
0:04:12 > 0:04:16Oh... Oh, my word. It's the Hollywood sign!
0:04:16 > 0:04:20I don't believe it! That's what I've always wanted to do.
0:04:20 > 0:04:21I don't want to stay in some salon,
0:04:21 > 0:04:25- I want to be a hairdresser for pop stars and film stars.- Hang on!
0:04:25 > 0:04:28Whoa, whoa. Let's just keep our feet on the ground here, eh?
0:04:28 > 0:04:30Why should she? If you believe in yourself,
0:04:30 > 0:04:34- you can be anything you want to be. - Look at the time.
0:04:34 > 0:04:36I think we should all be getting back to work.
0:04:37 > 0:04:39And I've got to go for my interview!
0:04:39 > 0:04:41- Wish me luck!- Good luck!
0:04:43 > 0:04:47- Oi, I want a word with you.- Oh.
0:04:47 > 0:04:49MAN GASPS FOR BREATH
0:04:51 > 0:04:54Hello? Hello?
0:04:58 > 0:05:01Good morning. How are you?
0:05:03 > 0:05:06Oh, I'm so glad you didn't die in the night.
0:05:06 > 0:05:09We need you to be alive and fully conscious.
0:05:09 > 0:05:11Where are my manners?
0:05:11 > 0:05:13I forgot to offer you a cup of tea.
0:05:13 > 0:05:16PHONE RINGS WITH NOVELTY RINGTONE I told you to turn that thing off!
0:05:16 > 0:05:18Sorry, boss.
0:05:19 > 0:05:22That's better. Now, where was I?
0:05:22 > 0:05:25Oh, yeah. A cup of tea.
0:05:27 > 0:05:29HE SPITS
0:05:29 > 0:05:30THEY CHUCKLE
0:05:36 > 0:05:38Oh, come on, Kevin, come on.
0:05:49 > 0:05:50Rob, it's Emma.
0:05:52 > 0:05:54What you are doing is cruel!
0:05:54 > 0:05:55No, it isn't.
0:05:55 > 0:05:57Karen has had a serious accident,
0:05:57 > 0:05:59and she's trying to rebuild her life.
0:05:59 > 0:06:02What's cruel about encouraging somebody to follow their dream?
0:06:02 > 0:06:05Have you even seen this salon she's applying for?
0:06:05 > 0:06:08I've been past it on the bus.
0:06:08 > 0:06:12Valerie, it's the trendiest place in the West Midlands.
0:06:12 > 0:06:15It's where all the footballers' ex-wives go to spend their alimony.
0:06:15 > 0:06:18Are you saying Karen's not good enough?
0:06:18 > 0:06:22No, I am saying she is fragile, and she's been through a lot,
0:06:22 > 0:06:24and you're setting her up for a fall.
0:06:24 > 0:06:27Maybe I can see something in Karen that no-one else can.
0:06:27 > 0:06:30- Oh... I know what you can see.- What?
0:06:30 > 0:06:34A permanent position if Karen gets that job at the salon!
0:06:36 > 0:06:37I hadn't thought of that.
0:06:39 > 0:06:41But now you've given me that idea...
0:06:46 > 0:06:47Come in!
0:06:50 > 0:06:51Ah, Mrs Tembe.
0:06:51 > 0:06:54I see you've come to tempt me with your macaroons.
0:06:54 > 0:06:57Well, I was in rather a restless mood last night,
0:06:57 > 0:07:01so I made some macaroons and some banana bread.
0:07:01 > 0:07:05Oh, I see. And what put you in this agitated state?
0:07:08 > 0:07:12Dr Granger has asked me to be Joe's godmother.
0:07:12 > 0:07:15Well, that's good news, isn't it?
0:07:15 > 0:07:18No, it is not, and I told him I refuse.
0:07:18 > 0:07:21I think being a godparent is a wonderful thing.
0:07:21 > 0:07:24When I was at boarding school, my father used to write to me,
0:07:24 > 0:07:28asking if I was studying hard and doing well at rugby.
0:07:28 > 0:07:32But my godfather would ask if I'd played any practical jokes,
0:07:32 > 0:07:34and was watching Monty Python.
0:07:34 > 0:07:36Well, I do not think it is wonderful.
0:07:36 > 0:07:40The only reason they are asking me is because I have connections
0:07:40 > 0:07:43in the church and they want Joe to go to Heathdean School.
0:07:43 > 0:07:48It is the epitome of hypocrisy, and I will not be used in this way!
0:07:56 > 0:07:58Hello?
0:08:01 > 0:08:03Kevin?
0:08:03 > 0:08:05< Kevin!
0:08:05 > 0:08:08MUFFLED SHOUTS
0:08:10 > 0:08:11Kevin!
0:08:14 > 0:08:16You know...
0:08:16 > 0:08:19I think you're missing a trick here.
0:08:21 > 0:08:22What do you mean?
0:08:22 > 0:08:26The chance to save a very tiny soul.
0:08:28 > 0:08:31Isn't it good that they want Joe to be part of the Church?
0:08:31 > 0:08:33Dr Carter,
0:08:33 > 0:08:37they are using the Church to save on school fees.
0:08:37 > 0:08:41Think of what Joe stands to lose. The best godmother in the world.
0:08:41 > 0:08:45I've always thought you were marvellous with children.
0:08:45 > 0:08:48You would have been my dream godmother.
0:08:48 > 0:08:52Yes, well, I think I would have found you quite a handful.
0:08:52 > 0:08:55Think about it.
0:08:55 > 0:08:57The chance to influence Joe's life for the better.
0:08:59 > 0:09:01There's more than one way to skin a cat.
0:09:06 > 0:09:11You see, it's not true that there's no such thing as society.
0:09:11 > 0:09:16Because on this estate, we look after each other.
0:09:16 > 0:09:17Especially our kids.
0:09:19 > 0:09:21Which is why we got very concerned
0:09:21 > 0:09:25when this was sent through everyone's letterbox.
0:09:27 > 0:09:31"Police are searching for a convicted child abuser
0:09:31 > 0:09:33"who escaped their custody."
0:09:33 > 0:09:35Look at me.
0:09:36 > 0:09:38Look at me!
0:09:40 > 0:09:42But you're not going to escape this time, are you?
0:09:42 > 0:09:45- Eh?! OTHERS:- No!
0:09:47 > 0:09:50"He left his 12-year-old victim fighting for her life
0:09:50 > 0:09:54"in an area of remote woodland.
0:09:54 > 0:09:56"The girl's mother...
0:09:56 > 0:09:59"said that, 'There are no words to describe the pain
0:09:59 > 0:10:02"'this man has put on our family.'"
0:10:02 > 0:10:05No. There are no words.
0:10:05 > 0:10:09Sometimes, you just have to use actions.
0:10:09 > 0:10:11Prisoner in the dock,
0:10:11 > 0:10:15you stand accused of being the lowest form of life on the planet.
0:10:15 > 0:10:18Of being every parent's worst nightmare.
0:10:18 > 0:10:21A vile piece of scum,
0:10:21 > 0:10:25not worthy of life, or food, or oxygen.
0:10:25 > 0:10:27How do you plead?
0:10:29 > 0:10:31Guilty.
0:10:31 > 0:10:34Well, I'm sorry, officer, but I didn't hear a thing.
0:10:34 > 0:10:39Really? Because somebody has smashed down your neighbour's door.
0:10:39 > 0:10:42Oh, well, there was some sort of kerfuffle.
0:10:42 > 0:10:44I just turned the telly up.
0:10:44 > 0:10:46OK, just so you know,
0:10:46 > 0:10:49whilst you were watching TV, those guys knocked me unconscious,
0:10:49 > 0:10:52tied me up, and left me for dead in the flat next door.
0:10:52 > 0:10:55- No?!- Yes.
0:10:55 > 0:10:58Well, I don't know why you're looking at me.
0:10:58 > 0:11:01I don't know anybody who could do such a thing.
0:11:01 > 0:11:04Yes. Why don't we all just calm down?
0:11:04 > 0:11:08- Can I get you a drink of water? - Yes, please. I've gone all funny.
0:11:10 > 0:11:12You need to tell us everything that you know.
0:11:12 > 0:11:14I don't know anything.
0:11:14 > 0:11:16I'm just so shocked.
0:11:16 > 0:11:19I mean, this used to be a nice neighbourhood.
0:11:19 > 0:11:23Well, that's what happens when people turn a blind eye, or turn up the TV.
0:11:23 > 0:11:26- Mrs Molloy?- Yes?
0:11:26 > 0:11:28What's this?
0:11:28 > 0:11:34Oh, that's a notice about the creature next door.
0:11:34 > 0:11:36Everyone got sent one.
0:11:36 > 0:11:39Yes, but who sent them?
0:11:39 > 0:11:41Because this very much looks like the original.
0:11:44 > 0:11:46MUSIC: "Poker Face" by Lady Gaga
0:11:46 > 0:11:52Calvin! Shift your morbidly obese backside, please! Thank you.
0:11:52 > 0:11:53Sweep this mess off the floor!
0:11:59 > 0:12:05- Hello. Yes?- Er... Hi, I'm Karen.- You're what?
0:12:05 > 0:12:06I'm Karen.
0:12:06 > 0:12:09Sorry, I couldn't make out what you were saying for a moment.
0:12:09 > 0:12:12I was meant to be here at 9:45, but I got off at the wrong stop.
0:12:12 > 0:12:15Oh, right.
0:12:15 > 0:12:17No, I can't seem to find you.
0:12:17 > 0:12:21I suppose you want us to fix that weird hairdo of yours!
0:12:21 > 0:12:23Where did you have it done?!
0:12:23 > 0:12:25No, I, um...
0:12:25 > 0:12:27I'm here for the interview.
0:12:28 > 0:12:29What?!
0:12:29 > 0:12:32The person who lives next door has done nothing wrong.
0:12:32 > 0:12:34Yes, there was a sex offender in the building,
0:12:34 > 0:12:38but he's gone, he's moved away. In fact, he's left the country.
0:12:38 > 0:12:40It was him. I read it in the paper.
0:12:40 > 0:12:42Do you really think this is the guy who lives next door?
0:12:42 > 0:12:45- I know it is. I'm not senile. - No, we know you're not.
0:12:45 > 0:12:49You were very selective about what information you used.
0:12:49 > 0:12:51There's no mention of his age.
0:12:51 > 0:12:52The guy who did this was 22.
0:12:52 > 0:12:54This guy has left the country.
0:12:54 > 0:12:56The guy who lives next door is his dad.
0:12:56 > 0:12:59Oh, really? Well, you know what they say.
0:12:59 > 0:13:01The apple never falls far from the tree.
0:13:01 > 0:13:05Queenie, you could have messed up a police investigation.
0:13:05 > 0:13:08The only chance we had of catching Shaun Miles
0:13:08 > 0:13:10was if he came home to visit his family.
0:13:10 > 0:13:12Now his family don't have a home, so he could go anywhere.
0:13:12 > 0:13:16- And that's down to you.- Well, he's not living next door to me any more,
0:13:16 > 0:13:18and he's not chasing the kids in my building.
0:13:18 > 0:13:20But where's Steve? Where have they taken him?
0:13:20 > 0:13:22How should I know? He's no friend of mine.
0:13:22 > 0:13:26The people who have got Steve also beat up Dr Tyler,
0:13:26 > 0:13:29tied him up and left him in Steve's flat all night.
0:13:29 > 0:13:32We need to catch them, before they do something very serious.
0:13:32 > 0:13:36I don't know where they took him, but I know a man who might know.
0:13:38 > 0:13:40So have you anything to say before sentence is passed?
0:13:42 > 0:13:44What's that? Eh?
0:13:45 > 0:13:47Oh, you can't speak?
0:13:47 > 0:13:50But then, you put tape over that girl's mouth
0:13:50 > 0:13:52so no-one could hear her scream.
0:13:52 > 0:13:57You have been found guilty of being a disgusting paedo.
0:13:57 > 0:14:00The jury will pass their sentences on you one at a time,
0:14:00 > 0:14:02and you will say goodbye to the neighbourhood.
0:14:02 > 0:14:05We won't be seeing you round here again.
0:14:05 > 0:14:07Juror number one, please.
0:14:13 > 0:14:15So you realise you've just applied for
0:14:15 > 0:14:18- the job of Junior Stylist? - That's right.
0:14:18 > 0:14:23To join a team of young, dynamic innovators,
0:14:23 > 0:14:27- offering fresh, new ideas for creative cuts.- Yeah!
0:14:27 > 0:14:32What makes you think you are right for such a role?
0:14:32 > 0:14:35Well, if you think about it, you can't really change your face,
0:14:35 > 0:14:36but with just a pair of scissors,
0:14:36 > 0:14:38you can change your whole physical appearance.
0:14:38 > 0:14:44Mmm. And what would you say your current...hairstyle says about you?
0:14:44 > 0:14:48Um, I think that it says that I'm a fun person.
0:14:48 > 0:14:53Very creative. Young at heart.
0:14:53 > 0:14:55Is that what you were trying to say?
0:14:55 > 0:14:58Now, I see that for the past five years,
0:14:58 > 0:15:01you've been working at the Mill.
0:15:01 > 0:15:02I'm not familiar with that salon.
0:15:02 > 0:15:04Is it a Vidal Sassoon affiliate?
0:15:06 > 0:15:07It's not a...
0:15:07 > 0:15:11not a hairdressers. It's a doctors' surgery.
0:15:12 > 0:15:16So for the past five years, you've been working at a health centre?
0:15:16 > 0:15:18Yes.
0:15:18 > 0:15:21What makes you think you're even qualified?
0:15:23 > 0:15:26FAINT MOANING
0:15:30 > 0:15:32"The girl's mother said,
0:15:32 > 0:15:36"'My daughter was a normal, fun-loving 12 year old,
0:15:36 > 0:15:39"'and now she's too scared to leave the house.'"
0:15:39 > 0:15:41You make me sick.
0:15:42 > 0:15:44Juror number three, please.
0:15:44 > 0:15:45Yeah!
0:15:48 > 0:15:53I know I've not done it before, but I'll give it 110%.
0:15:53 > 0:15:56I can work really hard, and I really believe that
0:15:56 > 0:16:00if you truly believe in yourself, you can be anything you want.
0:16:00 > 0:16:02No. No, you cannot.
0:16:02 > 0:16:06A slug might want to be a beautiful peacock,
0:16:06 > 0:16:09but at the end of the day, it is still a slug.
0:16:12 > 0:16:15Are you still with us, nonce? Don't you close your eyes.
0:16:15 > 0:16:18We've got plenty more surprises for you.
0:16:25 > 0:16:27When do you think I might hear?
0:16:27 > 0:16:31What? Oh, um... in a couple of weeks.
0:16:31 > 0:16:33- Right.- But if you don't hear,
0:16:33 > 0:16:35don't worry.
0:16:35 > 0:16:38We're looking for a very...special sort of person.
0:16:38 > 0:16:42Oh. OK. Bye-bye!
0:17:01 > 0:17:03KNOCKING
0:17:07 > 0:17:09There's no sign of him.
0:17:09 > 0:17:10There's a surprise.
0:17:10 > 0:17:13Wherever he is, I bet he's got Steve.
0:17:13 > 0:17:15Possibly.
0:17:15 > 0:17:17Do you want me to take you to St Phil's?
0:17:17 > 0:17:19No, I need to know what's happened to him.
0:17:19 > 0:17:22He's my patient, he's my responsibility.
0:17:22 > 0:17:24He could be anywhere.
0:17:24 > 0:17:27Don't worry. We'll keep looking.
0:17:31 > 0:17:34- Here, you will never guess what's happened.- What?
0:17:34 > 0:17:37- Kevin has been abducted by paedophiles.- What?!
0:17:37 > 0:17:38No, sorry, I've got that muddled.
0:17:38 > 0:17:41Kevin has been abducted by some men looking for a paedophile.
0:17:41 > 0:17:44- I just heard Jimmi on the phone with Rob.- Is he all right?
0:17:44 > 0:17:47I think so. He's with Rob now.
0:17:47 > 0:17:50But it must have been a very traumatic experience.
0:17:50 > 0:17:51I'm going to phone him.
0:17:51 > 0:17:54Look, we've got two patrol cars searching the area,
0:17:54 > 0:17:56and an ambulance on standby
0:17:56 > 0:17:58in case we need a medic, so, really...
0:17:58 > 0:18:00Rob, do you seriously think I could go back to work
0:18:00 > 0:18:02and concentrate on students with hangovers, and old dears?
0:18:02 > 0:18:05- PHONE RINGS WITH NOVELTY RINGTONE - What is it?
0:18:07 > 0:18:09- That's my phone.- What?
0:18:09 > 0:18:12One of those lads must have nicked it earlier. It's coming from in there.
0:18:13 > 0:18:177244 to control. I'm going to need back-up.
0:18:18 > 0:18:20Kevin...
0:18:20 > 0:18:22At least if he is with Sergeant Hollins,
0:18:22 > 0:18:25- we know he is in good hands. - I hope so.
0:18:25 > 0:18:28The Mill does seem to be a very dangerous place to work.
0:18:28 > 0:18:30Yes, well, it can be.
0:18:30 > 0:18:34And yet, if I was offered the chance of a permanent position,
0:18:34 > 0:18:37I would grab it in a heartbeat.
0:18:37 > 0:18:40- Mmm. I bet you would.- I've got to go to the little girls' room.
0:18:43 > 0:18:46That woman has absolutely no shame.
0:18:46 > 0:18:48Mm-hmm!
0:18:48 > 0:18:51But right now, our main focus has to be...
0:18:51 > 0:18:52Oh! Karen!
0:18:52 > 0:18:55Hiya! Hiya, Mandy.
0:18:55 > 0:18:57How did it go?
0:18:57 > 0:18:59Well, er, it went really well.
0:18:59 > 0:19:02A bit nerve-racking.
0:19:02 > 0:19:05Goodness! It looks like we might have to find ourselves
0:19:05 > 0:19:07- a new receptionist.- Oh!
0:19:09 > 0:19:11I'm not sure that, erm, it's right for me.
0:19:11 > 0:19:13They were a bit up themselves.
0:19:13 > 0:19:16What was it like inside? I've always wanted to go in there.
0:19:16 > 0:19:22Oh, it was really nice. And they all had really nice hair.
0:19:26 > 0:19:30So now do you know how it feels to be helpless, alone,
0:19:30 > 0:19:32and totally at someone else's mercy?
0:19:32 > 0:19:36Good. Because it's only just beginning.
0:19:37 > 0:19:40Police! Nobody move!
0:19:42 > 0:19:44Hello, boys!
0:19:44 > 0:19:48We've got your number-one most-wanted nonce for you.
0:19:48 > 0:19:52Don't worry, we've managed to restrain him.
0:19:52 > 0:19:53Derek Vern, I presume?
0:19:53 > 0:19:55That's me. Who wants to know?
0:19:55 > 0:19:57Get Dr Tyler.
0:20:03 > 0:20:08Oh, Karen! How did the interview go?
0:20:08 > 0:20:10Um, it was... It...
0:20:13 > 0:20:15It was a nightmare.
0:20:15 > 0:20:17Oh, you're just saying that.
0:20:17 > 0:20:21It was like being torn apart by wolves.
0:20:22 > 0:20:26- Only, wolves with nice hair.- Really?
0:20:27 > 0:20:29So, thank you very much for your help,
0:20:29 > 0:20:33but I don't think I'm going to be going on a long journey.
0:20:33 > 0:20:35Aw...
0:20:37 > 0:20:40Why do people have to be so horrible?!
0:20:40 > 0:20:43Oh, no, no, only some people.
0:20:43 > 0:20:45Ugly people.
0:20:46 > 0:20:50Look around here, all the lovely people who are looking out for you.
0:20:52 > 0:20:55- Here's not so bad, is it?- I suppose.
0:20:55 > 0:21:01You belong here. And we all need somewhere we belong.
0:21:09 > 0:21:11Derek Vern, I'm arresting you
0:21:11 > 0:21:13- on suspicion of assault. - This is a joke!
0:21:13 > 0:21:16- You do not have to say anything, but...- I'm doing your job!
0:21:16 > 0:21:18What is wrong with this country?
0:21:18 > 0:21:20- Anything you do say may be given in evidence.- No!
0:21:20 > 0:21:22What I did was nothing, compared to that animal.
0:21:22 > 0:21:26- And are you sure that that was him, are you sure?- What?
0:21:26 > 0:21:28If you'd read the full article, not just the snippets,
0:21:28 > 0:21:32you'd have realised that Shaun Miles is in his mid-20s.
0:21:32 > 0:21:36- No...- Yes, but you don't care, do you? Cos it's all about power.
0:21:36 > 0:21:40You do not care that you're completely and utterly wrong.
0:21:40 > 0:21:44- Well, it's all over.- Is it?
0:21:44 > 0:21:45Come on. Let's get you to hospital.
0:21:45 > 0:21:47I just want to go home.
0:21:47 > 0:21:49Really? You call that place a home?
0:21:49 > 0:21:52- I do, yes.- Take Mr Vern to the station, will you?
0:21:52 > 0:21:54I'm sure you'll have a fascinating discussion
0:21:54 > 0:21:57- about what is right and what is wrong.- Yeah. We will.
0:21:57 > 0:21:59And I'd like to ask where you lot were
0:21:59 > 0:22:02when that poor girl was being abused?!
0:22:02 > 0:22:04- Kevin.- Can I take Mr Miles upstairs?
0:22:04 > 0:22:06To get some clothes and things.
0:22:06 > 0:22:09Yeah, of course you can. PC Collins, will you escort
0:22:09 > 0:22:10- these two upstairs? - No worries, boss.
0:22:10 > 0:22:13- Thank you.- You're welcome. - All right, fella?
0:22:17 > 0:22:21Oh, I need to go and sort this stationery order out.
0:22:21 > 0:22:23- Well, don't let me keep you. - Oh, have you heard?
0:22:23 > 0:22:26Daniel and Zara are having their little boy christened on Sunday.
0:22:26 > 0:22:30Yes, I am well aware. They have asked me to be godmother.
0:22:30 > 0:22:32Really? You kept that one quiet.
0:22:32 > 0:22:34I am not sure it is appropriate.
0:22:34 > 0:22:39I like to keep a line between my work life and my personal life.
0:22:39 > 0:22:41Oh, I'm not bothered about that.
0:22:41 > 0:22:43In fact, if you're not interested,
0:22:43 > 0:22:45I might go and ask Daniel if I could do it.
0:22:45 > 0:22:47What?!
0:22:47 > 0:22:50Oh, I would love to be Joe's godmother.
0:22:50 > 0:22:53I would teach him all about God,
0:22:53 > 0:22:54and the baby Jesus, and the Easter Bunny.
0:22:56 > 0:22:59And it would mean that I would always be part of the Mill family.
0:23:01 > 0:23:03Actually, I have not decided yet,
0:23:03 > 0:23:06so please do not mention it to Dr Granger.
0:23:07 > 0:23:08OK.
0:23:10 > 0:23:12- I'll just slip away, then. - You do that.
0:23:14 > 0:23:16Easter bunny...
0:23:23 > 0:23:25They've done a nice job on this place.
0:23:26 > 0:23:28Are you going to move out now?
0:23:28 > 0:23:30- I can't.- Why not?
0:23:30 > 0:23:33It's the only address I've got for Shaun.
0:23:33 > 0:23:35A place he might come back to.
0:23:37 > 0:23:39When's the last time you saw him?
0:23:43 > 0:23:44When he was ten.
0:23:47 > 0:23:49- Do you know why we called him Shaun? - No.
0:23:52 > 0:23:56S Miles. It stands for smiles.
0:23:56 > 0:23:59It's a family tradition.
0:23:59 > 0:24:02There were lots of smiles in those first few years.
0:24:02 > 0:24:05Just walking in the rain, jumping in puddles.
0:24:05 > 0:24:07So what happened?
0:24:09 > 0:24:10I don't know.
0:24:11 > 0:24:13Life was all about Shaun.
0:24:13 > 0:24:17Me and Christine, we never spent time together.
0:24:19 > 0:24:21I didn't feel welcome.
0:24:21 > 0:24:23And the pressure got to me.
0:24:24 > 0:24:26I walked away.
0:24:26 > 0:24:29I wasn't going to be away forever.
0:24:29 > 0:24:30I was going to come back.
0:24:32 > 0:24:34I should have been there for him
0:24:34 > 0:24:37when he started to get into trouble. When he started drugs. And...
0:24:39 > 0:24:40..the rest.
0:24:43 > 0:24:45You can't blame yourself for what he did.
0:24:45 > 0:24:49And you need to find something else to do with your life,
0:24:49 > 0:24:51instead of this constant death wish.
0:24:53 > 0:24:55You need to move on.
0:24:56 > 0:24:57I can't move on.
0:24:59 > 0:25:01I can't move.
0:25:03 > 0:25:05Come on. Let's get you to St Phil's, eh?
0:25:10 > 0:25:13- Oh, that's a shame.- What is?
0:25:13 > 0:25:15Oh, Mum can't make it on Sunday.
0:25:15 > 0:25:17She's rushed off her feet at the hotel.
0:25:17 > 0:25:19You are not still seriously thinking of going ahead with this?
0:25:19 > 0:25:22- Dr Granger. Dr Carmichael.- Hello!
0:25:22 > 0:25:24I have been considering your request
0:25:24 > 0:25:26- to become Joe's godmother... - Oh, you know,
0:25:26 > 0:25:29- that's really not necessary... - ..and I am going to accept.
0:25:30 > 0:25:35I am very fond of Joe, and I would like to do anything I can to help.
0:25:35 > 0:25:38That's wonderful news. Thank you!
0:25:38 > 0:25:40Oh! We couldn't think of anyone better.
0:25:40 > 0:25:42Mmm!
0:25:42 > 0:25:45- Now, tell me, does Joe have his own Bible?- What?!
0:25:45 > 0:25:49I know he is very young, but they have very nice illustrated versions,
0:25:49 > 0:25:53and it would be an honour if you would let me buy him his first.
0:25:53 > 0:25:56- I will go and check online. - Of course.
0:25:59 > 0:26:01- Daniel...- What?
0:26:02 > 0:26:04What have we done?!
0:26:11 > 0:26:13Thursday night is Play Dating night.
0:26:13 > 0:26:16Play Dating? That's a speed-dating event.
0:26:16 > 0:26:18I don't think that's really suitable for Joe!
0:26:18 > 0:26:20It would need to be conducted in a safe environment
0:26:20 > 0:26:22by qualified psychologists.
0:26:22 > 0:26:24I've lived with OCD my entire life.
0:26:24 > 0:26:25That makes me qualified.
0:26:25 > 0:26:27You don't want to meet a tall, dark, handsome millionaire?
0:26:27 > 0:26:31In Letherbridge? I think that is very unlikely.
0:26:31 > 0:26:33Oh! Excuse me, ladies.