0:00:42 > 0:00:45MRS TEMBE: Well, I have found great comfort in the church
0:00:45 > 0:00:46in situations like this.
0:00:46 > 0:00:49What? When your girlfriends attack?
0:00:49 > 0:00:50Is there a psalm for that?
0:00:50 > 0:00:51Al.
0:00:51 > 0:00:54She was only bluffing. Mandy was never in any real danger.
0:00:54 > 0:00:56- But she thought she was. - Yes.
0:00:56 > 0:00:58Poor thing. - She must have been terrified.
0:00:58 > 0:01:00Well, she's not turned up for work again
0:01:00 > 0:01:01and she's not picking her phone up.
0:01:01 > 0:01:03We have to do something.
0:01:03 > 0:01:06- Maybe we should go round there. - I don't think so.
0:01:06 > 0:01:08- You think it's too soon? - We could call her.
0:01:08 > 0:01:10- She's not answering her phone. - How do you know?
0:01:10 > 0:01:11Howard just said.
0:01:11 > 0:01:13Has Dr Tyler spoken to her?
0:01:13 > 0:01:14He couldn't get through either.
0:01:14 > 0:01:16I think Heston's right. We should leave her alone.
0:01:16 > 0:01:18No. We need to keep a tight rein on this.
0:01:18 > 0:01:20So you think we should go round there?
0:01:20 > 0:01:23Well, we don't want her to know we've been talking about her.
0:01:23 > 0:01:25Right, so you're giving us a definite maybe?
0:01:25 > 0:01:28There is no harm in giving her some more time.
0:01:28 > 0:01:31She's a strong girl, she'll be fine in a couple of days.
0:01:32 > 0:01:34- Where are you going? - I left something in the car.
0:01:35 > 0:01:38So, what are we going to do?
0:01:38 > 0:01:39Absolutely nothing, apparently.
0:01:39 > 0:01:40Alistair.
0:01:40 > 0:01:43I can ask the reverend to speak to her.
0:01:43 > 0:01:45That's a great idea.
0:01:45 > 0:01:48I think we should take a professional approach.
0:01:48 > 0:01:50Maybe we could ask Oliver?
0:01:50 > 0:01:52Daniel's therapist, he could talk to her.
0:01:52 > 0:01:54- I think Eva Shepherd would be better.- Who?
0:01:54 > 0:01:57She specialises in complicated grief therapy.
0:01:58 > 0:02:00She's cutting edge.
0:02:00 > 0:02:02Do we need to go that far?
0:02:02 > 0:02:03We need to do something.
0:02:03 > 0:02:04Yes, but it has to be right.
0:02:04 > 0:02:06We can't just go rushing in.
0:02:07 > 0:02:08Apparently not.
0:02:10 > 0:02:12Denman Pharmaceuticals?
0:02:12 > 0:02:13We're a new firm.
0:02:13 > 0:02:16You're sure the appointment was today?
0:02:16 > 0:02:17I think so.
0:02:17 > 0:02:19Reverend Viv is very professional.
0:02:19 > 0:02:21I'm sure she is but Mandy doesn't need people
0:02:21 > 0:02:22turning up on her doorstep.
0:02:24 > 0:02:26Oh, no, it's next week.
0:02:26 > 0:02:28I'm supposed to be in Wolverhampton today.
0:02:28 > 0:02:31- Well, that explains it. - I'll never get there.
0:02:31 > 0:02:33You couldn't give me twenty minutes, could you?
0:02:33 > 0:02:34Sorry.
0:02:35 > 0:02:37- Wait.- Do you mind?
0:02:37 > 0:02:40Fifteen minutes. I really need this.
0:02:40 > 0:02:42I've only just started.
0:02:42 > 0:02:43Ten.
0:02:43 > 0:02:45You won't regret it.
0:02:51 > 0:02:53- Sorry.- That's all right.
0:02:55 > 0:02:58- You've really never heard of us? - No.
0:02:58 > 0:02:59We're going to be huge.
0:02:59 > 0:03:02We made a killing from the health reforms.
0:03:02 > 0:03:05- I probably shouldn't say that, should I?- Probably not.
0:03:05 > 0:03:06All the things I'm supposed to say.
0:03:06 > 0:03:09The things I'm not supposed to say. It's a nightmare.
0:03:11 > 0:03:12It's all in here.
0:03:13 > 0:03:14Farm machinery?
0:03:15 > 0:03:17What?
0:03:17 > 0:03:19Sorry. That's from my last job.
0:03:20 > 0:03:22Why don't I show you what I've got?
0:03:22 > 0:03:23Why don't you do that?
0:03:33 > 0:03:37Oh, no! Wrong case.
0:03:37 > 0:03:39Let's do this another time.
0:03:39 > 0:03:43I'll get the right one. Won't take a minute.
0:03:43 > 0:03:44Are you all right?
0:03:44 > 0:03:46It's my back.
0:03:46 > 0:03:47You should get that looked at.
0:03:47 > 0:03:50These stupid cases. Give me a minute.
0:03:50 > 0:03:51I'll get the right one.
0:03:51 > 0:03:52I really am very busy.
0:03:54 > 0:03:56I'm sure I can sell you something.
0:03:56 > 0:03:57No.
0:03:59 > 0:04:01You couldn't carry these to the van for me, could you?
0:04:02 > 0:04:04My back is killing me.
0:04:04 > 0:04:06Mine isn't that great either.
0:04:06 > 0:04:08Please? Then I promise I'll leave you alone.
0:04:11 > 0:04:14My father's lost his job, my mother's left us.
0:04:14 > 0:04:17I'm the only breadwinner. I have to make this sale.
0:04:17 > 0:04:20Well you won't be making any sales if you don't get your back fixed.
0:04:20 > 0:04:21I know.
0:04:21 > 0:04:23Get some painkillers. Talk to your GP.
0:04:24 > 0:04:26See if he can arrange some physio.
0:04:28 > 0:04:29I will.
0:04:32 > 0:04:33KNOCK AT DOOR
0:04:35 > 0:04:36KNOCK AT DOOR
0:04:42 > 0:04:44What do you want?
0:04:44 > 0:04:45I've bought cake.
0:04:45 > 0:04:47It will go really nicely with a cup of coffee.
0:04:47 > 0:04:49I'll put the kettle on while you get dressed.
0:04:49 > 0:04:51I'm not getting dressed.
0:04:51 > 0:04:53You want the whole neighbourhood to see you dressed like that.
0:04:53 > 0:04:55Why are you here?
0:04:55 > 0:04:56I'm here to help.
0:04:57 > 0:05:00Come on, Marquez, just give me five minutes?
0:05:07 > 0:05:08PHONE RINGS
0:05:11 > 0:05:13Who is that?
0:05:13 > 0:05:15I don't know.
0:05:15 > 0:05:16What do you mean?
0:05:16 > 0:05:18I can't answer the phone. You tied me up.
0:05:20 > 0:05:24It's probably one of my colleagues wondering where I am.
0:05:24 > 0:05:27You've not really thought this through, have you?
0:05:28 > 0:05:29It's got a Find My Phone app.
0:05:29 > 0:05:33Once that's activated the police will be here in minutes.
0:05:33 > 0:05:35So, come on, what are you going to do?
0:05:49 > 0:05:50Right.
0:05:50 > 0:05:54# I'll know when my love comes alone
0:05:54 > 0:05:58# I'll know then and there
0:05:58 > 0:06:02# I'll know at the sight of her face
0:06:02 > 0:06:04# How I care
0:06:04 > 0:06:07# How I care, how I care... #
0:06:07 > 0:06:08I can do this all day.
0:06:11 > 0:06:14Do you mind telling me why I'm here?
0:06:14 > 0:06:16You wrote a review of my father's restaurant.
0:06:18 > 0:06:20That's it?
0:06:20 > 0:06:21That's what this is about?
0:06:21 > 0:06:22It ruined his business.
0:06:24 > 0:06:25That's ridiculous.
0:06:25 > 0:06:29After that recession we were just about hanging on.
0:06:29 > 0:06:32Then you wrote that review and my father had to sell up.
0:06:32 > 0:06:34Because of my review?!
0:06:34 > 0:06:35He hasn't worked since.
0:06:37 > 0:06:39Well, I'm sorry. Honestly, I really am.
0:06:39 > 0:06:42But that's no excuse for assault and battery.
0:06:44 > 0:06:45Battery?
0:06:45 > 0:06:47Yeah, you hitting me.
0:06:47 > 0:06:49You're lucky it wasn't my father.
0:06:49 > 0:06:51- He said he wanted to kill you. - Did he?
0:06:53 > 0:06:54But I've got a better idea.
0:06:54 > 0:06:56I'm sure he was speaking metaphorically.
0:06:56 > 0:06:58He wasn't speaking for anyone.
0:06:58 > 0:07:00When people say they're going to kill someone,
0:07:00 > 0:07:01they don't mean it literally.
0:07:01 > 0:07:03He was in the Bulgarian mafia.
0:07:03 > 0:07:05They don't say things they don't mean.
0:07:05 > 0:07:08Fine. Whatever. So what is this brilliant idea?
0:07:10 > 0:07:12I'm going to film you cooking.
0:07:12 > 0:07:16I'm going to make it just like a real restaurant kitchen in here.
0:07:16 > 0:07:17Why?
0:07:17 > 0:07:20All the pressure, all the noise.
0:07:20 > 0:07:21And when you screw it all up,
0:07:21 > 0:07:24I'll send the video to the Letherbridge Gazette.
0:07:24 > 0:07:26See how you feel, losing a job you love.
0:07:26 > 0:07:29I don't work for them any more.
0:07:29 > 0:07:30You what?
0:07:30 > 0:07:31I gave it up last year. Sorry.
0:07:34 > 0:07:38Doesn't matter. I'll put it on the internet.
0:07:38 > 0:07:40Every restaurant review site I can find.
0:07:42 > 0:07:44And then everyone will see what a fraud you are.
0:07:44 > 0:07:47This is absurd. I'm a critic, not a cook.
0:07:47 > 0:07:50Critics aren't expected to cook.
0:07:50 > 0:07:52I don't care.
0:07:52 > 0:07:53I'm going to do it anyway.
0:07:54 > 0:08:00I'm going to untie you now, but I'm not afraid of using this.
0:08:00 > 0:08:02I've hit people before.
0:08:02 > 0:08:03I know.
0:08:04 > 0:08:06How?
0:08:06 > 0:08:07I'm one of them.
0:08:08 > 0:08:10Oh, yeah.
0:08:19 > 0:08:21Al, if you don't go, I'll call the police.
0:08:21 > 0:08:23Go for it.
0:08:23 > 0:08:24I mean it.
0:08:24 > 0:08:25It's 999.
0:08:34 > 0:08:36Yeah, hello, Police, please.
0:08:37 > 0:08:39I've got an intruder in my garden.
0:08:40 > 0:08:42No, I want him arrested.
0:08:43 > 0:08:45Yeah.
0:08:45 > 0:08:46Thanks.
0:08:48 > 0:08:50They're on their way.
0:08:50 > 0:08:51You didn't call the police.
0:08:53 > 0:08:55Stop being so childish.
0:08:55 > 0:08:58You're the one being childish.
0:08:58 > 0:08:59Go away.
0:09:01 > 0:09:04Can I at least have a cup of tea? That cake was really dry.
0:09:05 > 0:09:07You ate the whole thing?
0:09:07 > 0:09:08Just the chocolate.
0:09:14 > 0:09:15Star anise.
0:09:17 > 0:09:18Coriander seeds.
0:09:21 > 0:09:22Szechuan pepper.
0:09:23 > 0:09:26You have a very well-stocked kitchen.
0:09:26 > 0:09:27Wait a minute.
0:09:28 > 0:09:36Pepper, coriander seeds, cinnamon, star anise, cloves, fenugreek.
0:09:36 > 0:09:38It's supposed to be a five-spice mix.
0:09:38 > 0:09:42- And?- That's six. Six spices.
0:09:42 > 0:09:44Well, the fenugreek was my idea.
0:09:44 > 0:09:46The key is to lightly toast them before crushing.
0:09:46 > 0:09:48You sure you never worked in a restaurant?
0:09:48 > 0:09:50A friend of mine has one.
0:09:50 > 0:09:51Does he let you in his kitchen?
0:09:51 > 0:09:53Once or twice.
0:09:53 > 0:09:55I've only ever worked in my dad's kitchen.
0:09:55 > 0:09:56Do you cook?
0:09:56 > 0:09:59I've always wondered what other kitchens are like.
0:09:59 > 0:10:01I should get my friend to show you around?
0:10:02 > 0:10:04You'd do that?
0:10:04 > 0:10:08Yeah. Maybe we should film this there in a real restaurant.
0:10:08 > 0:10:09- Would he let us? - He might.
0:10:10 > 0:10:13You could get the other chefs, to say what they think of me.
0:10:13 > 0:10:14Yeah.
0:10:17 > 0:10:19Give me your phone and I'll ring him.
0:10:20 > 0:10:21Eh!
0:10:21 > 0:10:22Wait a minute.
0:10:23 > 0:10:25I know what you're doing.
0:10:26 > 0:10:28I'm not stupid.
0:10:28 > 0:10:29No?
0:10:30 > 0:10:31Just cook.
0:10:50 > 0:10:52What are you doing?
0:10:52 > 0:10:54What happened here?
0:10:54 > 0:10:55None of your business.
0:10:57 > 0:10:59You're not going to clean it up?
0:10:59 > 0:11:01No, I haven't had time.
0:11:03 > 0:11:05Or maybe you just don't want to.
0:11:05 > 0:11:09Maybe if you did that, you'd have to move on and start your life again.
0:11:13 > 0:11:15But, no...
0:11:15 > 0:11:18it's much more fun just to wallow in all of this grief...
0:11:19 > 0:11:20..isn't it?
0:11:28 > 0:11:29Faster! Faster!
0:11:29 > 0:11:32I've got 16 covers waiting for fried seaweed!
0:11:32 > 0:11:34- What? - Don't talk!
0:11:34 > 0:11:36Are you searing those breasts or making love to them?!
0:11:36 > 0:11:37If you give me a chance.
0:11:37 > 0:11:39You idiot! What do you think you're doing?
0:11:39 > 0:11:40We haven't got all night.
0:11:40 > 0:11:45This is ridiculous. People only do this in bad cookery programmes.
0:11:45 > 0:11:48How would you know? You've never worked in a restaurant.
0:11:48 > 0:11:50Real chefs work under massive pressure.
0:11:50 > 0:11:53Dozens of covers who all want perfect dishes, right away.
0:11:53 > 0:11:55- You think that's easy? - No.
0:11:55 > 0:11:57- And they have to make money doing it. - I am aware of that.
0:11:57 > 0:11:59You wouldn't make anything the way you cook.
0:11:59 > 0:12:01Call yourself a chef?!
0:12:01 > 0:12:04A two-year old could do better with a set of spoons and a teapot!
0:12:12 > 0:12:13I know you don't want me here,
0:12:13 > 0:12:16but dealing with me is going to be a lot easier
0:12:16 > 0:12:18than what the others are cooking up.
0:12:18 > 0:12:20What others?
0:12:20 > 0:12:22Everyone at work. Everyone.
0:12:23 > 0:12:25People are talking about me?
0:12:25 > 0:12:28Strictly speaking it's more bickering than talking.
0:12:28 > 0:12:30What are they saying?
0:12:30 > 0:12:32Kevin is just really worried about you.
0:12:32 > 0:12:35Howard's concerned that you're going to top yourself,
0:12:35 > 0:12:37which means that he'll have to find a replacement.
0:12:37 > 0:12:40Naturally Mrs Tembe thinks you need God.
0:12:40 > 0:12:41It's none of their business.
0:12:43 > 0:12:44Hey, come on...
0:12:46 > 0:12:48It's really impressive, the way you're doing this dignified
0:12:48 > 0:12:52suffering-in-silence victim thing,
0:12:52 > 0:12:56but Mandy we both know you are loving it being the centre of attention.
0:12:56 > 0:12:58It's really impressive the way that you're doing it.
0:12:58 > 0:13:01It's very, very sweet, it just seems a bit passive aggressive for you.
0:13:01 > 0:13:06I am not passive aggressive and I am not wallowing in grief.
0:13:06 > 0:13:08You define yourself by grief.
0:13:08 > 0:13:10You'd be lost without it.
0:13:10 > 0:13:12Will you just go, please?
0:13:12 > 0:13:15The others have got these theories about impacted grief,
0:13:15 > 0:13:17chronic depression, yadda, yadda, yadda.
0:13:17 > 0:13:20- Do you want to know what I think? - No, Al, I don't care what you think.
0:13:20 > 0:13:22I think you're emotionally stunted
0:13:22 > 0:13:25and this is you taking the coward's way out.
0:13:25 > 0:13:26DOOR SLAMS
0:13:32 > 0:13:34This isn't bad.
0:13:34 > 0:13:36I can really taste the coriander seeds.
0:13:36 > 0:13:38You like it?
0:13:38 > 0:13:39Mmm.
0:13:40 > 0:13:43You realise the camera is still running.
0:13:43 > 0:13:45This isn't quite what you had planned?
0:13:47 > 0:13:48Doesn't matter.
0:13:48 > 0:13:51I'll just edit out the good bits. Still make you look like a prat.
0:13:53 > 0:13:56Isn't that what you did with your review?
0:13:56 > 0:13:58I may have been a bit...selective.
0:14:00 > 0:14:03You know what would go really well with this?
0:14:03 > 0:14:04Apricot teriyaki sauce.
0:14:05 > 0:14:07Unfortunately I left mine at home.
0:14:09 > 0:14:11I made some yesterday. It's in the fridge.
0:14:30 > 0:14:32What are you doing?
0:14:32 > 0:14:33You!
0:14:37 > 0:14:40Mandy If you're there, can you pick up?
0:14:40 > 0:14:43Or just give me a call when you get this?
0:14:45 > 0:14:48Just wondering how you are. I hope everything's OK.
0:14:49 > 0:14:53I'm stuck at work all day so ring me if you need me.
0:14:59 > 0:15:01What did you think you were doing?
0:15:01 > 0:15:03You said you wanted to kill him.
0:15:03 > 0:15:04I told you he didn't mean it.
0:15:04 > 0:15:06What do you know?
0:15:06 > 0:15:08After what you did, you deserve to die.
0:15:08 > 0:15:11Your son has told me what happened to your business.
0:15:11 > 0:15:15I completely understand why you're so upset.
0:15:15 > 0:15:18It's a horrible thing and I am very sorry.
0:15:18 > 0:15:20No, you're not.
0:15:20 > 0:15:23- But it can't just be my review. - No?
0:15:23 > 0:15:26I am prepared to write a retraction.
0:15:26 > 0:15:28Will that bring my restaurant back?
0:15:28 > 0:15:30You said you don't work there any more.
0:15:30 > 0:15:32Well, I don't, so it'll be a sort of op-ed piece.
0:15:32 > 0:15:35Everything that comes out of your mouth is lies.
0:15:37 > 0:15:38You don't speak.
0:15:40 > 0:15:43Do you know what the penalty for kidnapping is?
0:15:43 > 0:15:47If they catch you they will send you to prison for 10-15 years.
0:15:47 > 0:15:49Do you want that?
0:15:49 > 0:15:51- No.- You didn't think about that, did you?
0:15:51 > 0:15:53It's like all your stupid plans.
0:15:53 > 0:15:55I'm not stupid.
0:15:55 > 0:15:57No? What are you going to do then?
0:15:57 > 0:15:59You are going to kill him?
0:15:59 > 0:16:01- What?- Because you can't let him go.
0:16:01 > 0:16:04No, no, no, no. I think we can come to some sort of agreement here.
0:16:04 > 0:16:05He's seen your face.
0:16:06 > 0:16:08And mine.
0:16:11 > 0:16:14Mand, I'm sorry about what I said.
0:16:15 > 0:16:17I was just trying to get a reaction.
0:16:20 > 0:16:22I do understand what you're going through.
0:16:22 > 0:16:23You don't understand anything.
0:16:25 > 0:16:26You need to move on.
0:16:27 > 0:16:31Go out, get drunk, pull some girl, get your leg over.
0:16:31 > 0:16:33What? You're giving me dating advice?
0:16:34 > 0:16:37What was so special about Freya, anyway?
0:16:37 > 0:16:38You were only together about three weeks.
0:16:38 > 0:16:42From what I hear she was a bit of a scruff bag.
0:16:42 > 0:16:44How dare you?!
0:16:44 > 0:16:46If anyone needs dating advice, it's you.
0:16:47 > 0:16:50It's a fair point. Shall we talk about it?
0:16:54 > 0:16:57You can't kill a man for writing a bad review.
0:16:57 > 0:17:00Why not? You killed my business.
0:17:00 > 0:17:03You ruined my life.
0:17:03 > 0:17:04So maybe I ruin yours.
0:17:04 > 0:17:07I'm sorry for what I did, I really am.
0:17:07 > 0:17:08More lies.
0:17:08 > 0:17:10I should never have written that review.
0:17:10 > 0:17:12I shouldn't have written any reviews.
0:17:12 > 0:17:14I was a terrible food critic.
0:17:14 > 0:17:16And that makes it all right?
0:17:16 > 0:17:20No, but I can help you. I know people. Influential people,
0:17:20 > 0:17:23who can invest in a new restaurant.
0:17:23 > 0:17:25I wouldn't touch your money.
0:17:25 > 0:17:27Why not?
0:17:27 > 0:17:28I don't need him.
0:17:28 > 0:17:29Dad, we could start over.
0:17:29 > 0:17:33So you're back to square one. No harm done.
0:17:33 > 0:17:36Today the bank said they will give me a loan.
0:17:36 > 0:17:38For a new restaurant?
0:17:38 > 0:17:41This was for you. For your future.
0:17:41 > 0:17:42That's wonderful.
0:17:42 > 0:17:45But now it's too late, because you did this.
0:17:45 > 0:17:46Because you are stupid.
0:17:46 > 0:17:48It's not too late.
0:17:48 > 0:17:49It's too late for everyone.
0:17:56 > 0:18:00You know, you have no right to talk about me or Freya.
0:18:00 > 0:18:01You don't know the first thing about us.
0:18:01 > 0:18:03So tell me.
0:18:03 > 0:18:06When it comes to inappropriate feelings you take the gold medal.
0:18:07 > 0:18:09Or have you forgotten about Jas?
0:18:09 > 0:18:11That was different.
0:18:11 > 0:18:13The only difference between you and me
0:18:13 > 0:18:16is that I'm completely normal and you're a raving maniac.
0:18:17 > 0:18:20Things with Jas were blown completely out of proportion.
0:18:20 > 0:18:22Really?
0:18:22 > 0:18:23Is that why she left so suddenly?
0:18:23 > 0:18:25Nothing to do with me.
0:18:25 > 0:18:27Are you sure?
0:18:27 > 0:18:28Yes. Cos I asked her and she told me.
0:18:30 > 0:18:31What else would she say?
0:18:32 > 0:18:34You want to know the truth, Al?
0:18:35 > 0:18:38You are an arrogant, misogynistic slob
0:18:38 > 0:18:40and no-one likes you.
0:18:40 > 0:18:43All your sarcasm and flippant comments,
0:18:43 > 0:18:46they're just a smokescreen to hide the insecure little boy
0:18:46 > 0:18:48you really are.
0:18:48 > 0:18:50Well, I think you're being a little bit harsh.
0:18:50 > 0:18:51Do you?
0:18:55 > 0:18:57I'm not stupid.
0:18:57 > 0:18:58You are an idiot.
0:18:58 > 0:19:00I kidnapped him, didn't I?
0:19:00 > 0:19:02You think it was easy finding where he worked?
0:19:02 > 0:19:04And look where that got us.
0:19:04 > 0:19:07We don't have to kill him. I'll smash his kneecaps.
0:19:07 > 0:19:08No.
0:19:08 > 0:19:10That'll keep him quiet.
0:19:10 > 0:19:11You could do that?
0:19:11 > 0:19:13Yes.
0:19:13 > 0:19:14Go on, then.
0:19:14 > 0:19:15No please, don't.
0:19:15 > 0:19:17No, don't. Don't.
0:19:19 > 0:19:20Some hard man.
0:19:22 > 0:19:24Like all your friends.
0:19:24 > 0:19:27Idiots. Crime is not for you.
0:19:28 > 0:19:30He's right.
0:19:30 > 0:19:31You don't speak.
0:19:31 > 0:19:32I'm agreeing with you.
0:19:32 > 0:19:35You are expert on crime now? Crime, cooking, what else?
0:19:35 > 0:19:37I just think he should listen to you.
0:19:37 > 0:19:39He's a good cook. He should...
0:19:39 > 0:19:42Good? He has talent. Huge talent.
0:19:42 > 0:19:44Exactly. He should be cooking.
0:19:44 > 0:19:48You hear that? It's not just me saying. Everyone saying.
0:19:49 > 0:19:51But no, my kitchen is not good enough for you.
0:19:51 > 0:19:53All you ever do is criticise me.
0:19:53 > 0:19:54I have contacts.
0:19:54 > 0:19:56A chef should have thick skin.
0:19:56 > 0:19:58A chef should work harder.
0:19:58 > 0:20:00I have a friend who could help him.
0:20:00 > 0:20:03More lies. You think I am stupid?
0:20:03 > 0:20:04No.
0:20:04 > 0:20:06Then shut up or I rip your tongue out.
0:20:07 > 0:20:10Do you really think I have got talent.
0:20:15 > 0:20:16Get the van.
0:20:23 > 0:20:26Dr Carter left the Mill this morning with a drugs rep.
0:20:26 > 0:20:27I did not think anything of it at the time,
0:20:27 > 0:20:29but he was carrying the man's bags.
0:20:29 > 0:20:34Mrs Tembe, drugs reps can be a pain but very seldom life-threatening.
0:20:34 > 0:20:36What if he has taken Dr Carter somewhere?
0:20:36 > 0:20:39He probably has. Swanky restaurant, all expenses paid.
0:20:39 > 0:20:42It cannot be a coincidence that Dr Carter and Dr Haskey
0:20:42 > 0:20:44have disappeared at the same time.
0:20:44 > 0:20:47Why not? That's a normal day around here. Keep calling them.
0:20:47 > 0:20:48- But... - I am not calling the police.
0:20:51 > 0:20:52Thank you.
0:20:55 > 0:20:57You're right, I do have some problems.
0:20:58 > 0:21:00Some?
0:21:00 > 0:21:01And I'm happy to talk about them.
0:21:01 > 0:21:02No, you're all right.
0:21:02 > 0:21:05But I'm not the one whose life is in crisis.
0:21:05 > 0:21:07Al, your whole life is in crisis.
0:21:07 > 0:21:09How many more people are you going to hurt
0:21:09 > 0:21:12while you indulge in this ridiculous self-pity?
0:21:12 > 0:21:14Who, exactly, have I hurt?
0:21:16 > 0:21:17Lois.
0:21:17 > 0:21:18She hurt me.
0:21:20 > 0:21:22She seduced me.
0:21:24 > 0:21:26Tell me one reason why not to kill you.
0:21:27 > 0:21:29Because I'm very sorry, for what I did.
0:21:29 > 0:21:33I should not have written those things about your restaurant.
0:21:33 > 0:21:35And?
0:21:35 > 0:21:36I don't want to die.
0:21:39 > 0:21:41You are as stupid as my son.
0:21:47 > 0:21:53When I was young I knew these people from Bulgarian mafia.
0:21:53 > 0:21:55I could have been one of them.
0:21:57 > 0:21:58That is not life.
0:22:00 > 0:22:01Not for me.
0:22:01 > 0:22:02Not for my son.
0:22:04 > 0:22:05Understand?
0:22:09 > 0:22:13Maybe, subconsciously, I wanted Lois to be Freya.
0:22:13 > 0:22:14Subconsciously?
0:22:16 > 0:22:18All right.
0:22:18 > 0:22:21Perhaps there was a part of me that knew what I was doing.
0:22:22 > 0:22:24Better.
0:22:24 > 0:22:26You don't know what it's like, Al.
0:22:26 > 0:22:30Most of the time I feel like half a person.
0:22:30 > 0:22:36My whole life is defined by Freya's absence.
0:22:37 > 0:22:38I can't get past it.
0:22:38 > 0:22:39So are you going to spend
0:22:39 > 0:22:42the whole of the rest of your life in mourning?
0:22:42 > 0:22:44No.
0:22:44 > 0:22:46Then you have to find a way to move on.
0:22:46 > 0:22:48I have tried.
0:22:49 > 0:22:51I don't want anyone else.
0:22:52 > 0:22:55I put up all these walls to keep people out.
0:22:57 > 0:22:58Then Lois came along.
0:23:00 > 0:23:02And you tried to make her into Freya.
0:23:02 > 0:23:04Which isn't exactly moving on.
0:23:06 > 0:23:07I imagine everybody's thinking
0:23:07 > 0:23:09that if I hadn't encouraged her
0:23:09 > 0:23:11then she wouldn't have tipped over the edge.
0:23:11 > 0:23:13So, yes, it's all my fault. Are you happy now?
0:23:13 > 0:23:15No, I'm not.
0:23:15 > 0:23:17But the question is - are you happy
0:23:17 > 0:23:20and what are you going to do about it?
0:23:25 > 0:23:27Why do I have to give myself up?
0:23:27 > 0:23:28Because you are not Bonnie and Clyde.
0:23:28 > 0:23:31- I'm not going to press charges. - Of course you are.
0:23:31 > 0:23:33No, seriously. I'm prepared to forget the whole thing.
0:23:33 > 0:23:36As soon as we are gone you are going to tell everyone.
0:23:36 > 0:23:38You are going to make a big story -
0:23:38 > 0:23:41how brave you are, how clever you are...
0:23:41 > 0:23:44- All lies, like your review. - Not at all.
0:23:44 > 0:23:48If you trust this man you will end up in prison for a very long time.
0:23:48 > 0:23:49I don't want to go to prison.
0:23:49 > 0:23:51You have no choice. They will catch you whatever you do.
0:23:51 > 0:23:53This way, they may go easy.
0:23:53 > 0:23:54Can't you do something?
0:23:54 > 0:23:56No. Not this time.
0:23:56 > 0:23:57But you are my only son.
0:23:59 > 0:24:02Whatever happens, the restaurant will be there for you.
0:24:08 > 0:24:09I suppose you want a lift?
0:24:09 > 0:24:11- I can walk. - Get in.
0:24:20 > 0:24:22So I can tell them you'll be coming in on Monday morning?
0:24:22 > 0:24:24You can tell them what you like.
0:24:24 > 0:24:25But you will be coming in.
0:24:26 > 0:24:28Come on, Marquez, positivity.
0:24:29 > 0:24:31Tell me you will be at work on Monday.
0:24:31 > 0:24:34If I am, I am. If I'm not, I'm not.
0:24:34 > 0:24:35All right.
0:24:35 > 0:24:38I'm going to take that as a yes, yes?
0:24:39 > 0:24:42Look, I understand that your pride won't let you admit...
0:24:42 > 0:24:43Al.
0:24:43 > 0:24:45All right, until Monday.
0:24:46 > 0:24:48I will...
0:24:48 > 0:24:49I'll bring cake.
0:24:57 > 0:24:59Where on earth have you been?
0:24:59 > 0:25:02I have been trying to call you all morning.
0:25:02 > 0:25:03My phone was broken.
0:25:03 > 0:25:05You could have let us know where you were.
0:25:05 > 0:25:06Actually I couldn't.
0:25:06 > 0:25:09We've got a backlog of patients, half the doctors have gone AWOL.
0:25:09 > 0:25:11- What happened to you? - It's a long story.
0:25:11 > 0:25:12Oh, I'm sure it is, Heston,
0:25:12 > 0:25:14and no doubt you'll keep us entertained for hours
0:25:14 > 0:25:17with your clever, witty antics, but right now we have got a crisis.
0:25:17 > 0:25:18Is that what I do?
0:25:18 > 0:25:20Sergeant Hollins?
0:25:21 > 0:25:23Heston, I've just had a call from the station.
0:25:23 > 0:25:26They want to be absolutely sure that you won't make that statement?
0:25:27 > 0:25:28Statement?
0:25:28 > 0:25:30The kid's going to be let go if you don't.
0:25:30 > 0:25:31What kid?
0:25:31 > 0:25:33He is insisting he kidnapped you.
0:25:34 > 0:25:36- Kidnapped? - He exaggerates.
0:25:36 > 0:25:38It was that drugs rep. I knew it.
0:25:38 > 0:25:41He didn't tie you up, then?
0:25:41 > 0:25:42Sort of.
0:25:44 > 0:25:45Did he interfere with you?
0:25:45 > 0:25:47No, it was nothing like that.
0:25:47 > 0:25:49- Wasn't like what? - What were you doing with him anyway?
0:25:49 > 0:25:52It was a kind of cookery lesson.
0:25:53 > 0:25:56- Cookery lesson? - I don't want to talk about it.
0:25:56 > 0:25:59Will somebody please tell me what's going on?
0:25:59 > 0:26:01Maybe later.
0:26:01 > 0:26:03Everything all right?
0:26:03 > 0:26:04Where have you been?
0:26:05 > 0:26:08I specifically said for nobody to upset Mandy.
0:26:08 > 0:26:10Hey, I did not upset her.
0:26:11 > 0:26:13I find that hard to believe.
0:26:13 > 0:26:14I sorted her out.
0:26:14 > 0:26:15How?
0:26:15 > 0:26:18Well, the doctor has his methods.
0:26:18 > 0:26:20We talked it through and she'll be moving on.
0:26:20 > 0:26:21Moving on? Where?
0:26:21 > 0:26:22Chill out, Howard.
0:26:22 > 0:26:25Mandy Marquez will be back at work Monday morning.
0:26:25 > 0:26:28She will be bright and she will be chirpy.
0:26:53 > 0:26:56Will you make me the happiest man?
0:26:56 > 0:26:57Will you marry me?
0:27:00 > 0:27:04It's good, really, isn't it? You can sit in silence with someone.
0:27:04 > 0:27:07Although that's a first, coming from motor mouth Karen.
0:27:07 > 0:27:09People will be asking questions.
0:27:09 > 0:27:10No!
0:27:10 > 0:27:13I can't drive the car. I need you with me.
0:27:13 > 0:27:14Let's see what you've got.