0:00:48 > 0:00:50Hello!
0:00:50 > 0:00:51What you listening to?
0:00:52 > 0:00:56You can put that away! I'm not interested!
0:01:06 > 0:01:08Are you stopping in tonight?
0:01:08 > 0:01:10I don't know. Why?
0:01:10 > 0:01:11No reason!
0:01:11 > 0:01:15It's just...not always good to go out on a week night.
0:01:15 > 0:01:19Sometimes it's nice to stop in and put your feet up.
0:01:19 > 0:01:22Anyway, I'd better get on.
0:01:22 > 0:01:24See you!
0:01:24 > 0:01:26Jimmi. Just the person I needed...
0:01:26 > 0:01:29Can't it wait? I'm late for a meeting then I've got to go down the station.
0:01:29 > 0:01:31It's important and you'll know what to do.
0:01:31 > 0:01:33- Karen, I'm really sorry, I can't, sorry.- Oh.
0:01:38 > 0:01:40What's up?
0:01:40 > 0:01:43Oh. Nothing.
0:01:48 > 0:01:49OK.
0:01:49 > 0:01:51It'll be fine.
0:01:51 > 0:01:53Jenna, stop mothering me.
0:01:53 > 0:01:56I can't help it. You're such a baby.
0:01:56 > 0:01:57Alex Gleeson?
0:02:06 > 0:02:08Sorry. Um...
0:02:08 > 0:02:11Do you think the vice-chancellor will visit again?
0:02:11 > 0:02:12I'm not sure.
0:02:12 > 0:02:15But if he does, the place is looking good.
0:02:15 > 0:02:17Excellent standard of cleanliness, Mrs Tembe. Well done.
0:02:17 > 0:02:19And busy, too.
0:02:19 > 0:02:24Those students? I am sorry to disappoint you, Mr Bellamy.
0:02:24 > 0:02:30But they are not "customers". They are here to see the defaced sign.
0:02:30 > 0:02:33They do not see it as vandalism.
0:02:33 > 0:02:35They see it as art.
0:02:35 > 0:02:37What, a random piece of graffiti?
0:02:37 > 0:02:41Graffito. No-one uses the singular form correctly.
0:02:41 > 0:02:43One graffito.
0:02:43 > 0:02:45Many graffiti.
0:02:45 > 0:02:48Where would I be without you to correct my grammar, Mrs Tembe?
0:02:48 > 0:02:51If you need to register, you come here and do that with Mrs Tembe.
0:02:51 > 0:02:54- Whoever this graffiti artist is, we should thank him.- Really?
0:02:54 > 0:02:56Yep. It is great for business.
0:03:06 > 0:03:11Nurse...Marquez. Can I talk to you? It's confidential.
0:03:11 > 0:03:14You don't have an appointment and I have got patients.
0:03:14 > 0:03:18No, you haven't. Mrs Ives has cancelled.
0:03:18 > 0:03:21Well, I think you should see a male nurse.
0:03:21 > 0:03:23Chris is tied up with Mrs Worricker.
0:03:23 > 0:03:25Not literally, I hope.
0:03:25 > 0:03:27Go on, Mand.
0:03:27 > 0:03:28You could use Jimmi's room.
0:03:30 > 0:03:32Five minutes.
0:03:33 > 0:03:35Thanks. I appreciate...
0:03:35 > 0:03:36This way.
0:03:45 > 0:03:48Just so you know, there are lots of other staff around,
0:03:48 > 0:03:49so if you try anything...
0:03:49 > 0:03:51I'm not going to harm you.
0:03:51 > 0:03:52What do you want?
0:03:52 > 0:03:55I'm sorry. I'm so sorry.
0:03:57 > 0:04:00I hate doing it. It's stupid.
0:04:00 > 0:04:02But there are reasons...
0:04:02 > 0:04:04I don't care why you do it.
0:04:04 > 0:04:05If it's cos of your childhood,
0:04:05 > 0:04:08or because you got sent to the wrong public school
0:04:08 > 0:04:09or because Daddy didn't love you enough...
0:04:09 > 0:04:11How about all of the above?
0:04:13 > 0:04:16If I'd known you were a nurse... You didn't deserve that.
0:04:16 > 0:04:18What - so some women do?
0:04:18 > 0:04:20No, I just...
0:04:20 > 0:04:22Have you been to the police?
0:04:22 > 0:04:23Please don't.
0:04:23 > 0:04:25I'm begging you. Please.
0:04:25 > 0:04:26So that's why you came to see me -
0:04:26 > 0:04:29not to apologise, but to get yourself out of trouble.
0:04:29 > 0:04:31C'mon. It's not exactly crime of the century.
0:04:31 > 0:04:35First you flash your tackle at me, then you tell me I shouldn't mind!
0:04:35 > 0:04:37Time's up.
0:04:37 > 0:04:38Wait!
0:04:38 > 0:04:42No. If you do not leave, I am calling the police right now.
0:04:42 > 0:04:43I was going to call them anyway.
0:04:51 > 0:04:53Yes, everything seems to be back in order.
0:04:53 > 0:04:55Ship-shape and Bristol fashion, eh?
0:04:55 > 0:04:57Good job, good man.
0:04:57 > 0:04:59Right, better get back to the Mill.
0:04:59 > 0:05:02Any more graffiti, I'll deal with it.
0:05:02 > 0:05:05You've got to stamp on something like that straightaway.
0:05:05 > 0:05:07Well, you're the man for the job.
0:05:13 > 0:05:15Don't send my next patient through yet, Karen.
0:05:15 > 0:05:17I need to make a phone call.
0:05:18 > 0:05:19Can I talk to you?
0:05:19 > 0:05:21What about?
0:05:21 > 0:05:23In private.
0:05:23 > 0:05:25You as well.
0:05:25 > 0:05:27Please.
0:05:27 > 0:05:29Follow me.
0:05:30 > 0:05:32And you, stay there.
0:05:38 > 0:05:41Alex exposed himself to you, didn't he?
0:05:41 > 0:05:45- I...- I know he's a flasher. I've known for ages.
0:05:45 > 0:05:48How did you find out?
0:05:49 > 0:05:53I came home one day and he was...harming himself.
0:05:54 > 0:05:59He hates himself for doing it. Don't report him.
0:05:59 > 0:06:01Please.
0:06:01 > 0:06:03You're a right double act, you two.
0:06:03 > 0:06:06If Alex got sent to prison, it'd destroy him.
0:06:06 > 0:06:08He'd be put in with the sex offenders.
0:06:08 > 0:06:10That's where he belongs!
0:06:10 > 0:06:11No.
0:06:13 > 0:06:15OK.
0:06:15 > 0:06:20Um... Suppose you go to the police, what do you think'll happen?
0:06:20 > 0:06:24He might go to court, he might even be convicted.
0:06:24 > 0:06:27You don't get long sentences for indecent exposure.
0:06:27 > 0:06:29Six months, maximum.
0:06:29 > 0:06:34Just long enough for him to lose his job, and be brutalised.
0:06:34 > 0:06:38Not enough for him to get any kind of therapy that might make him stop.
0:06:38 > 0:06:40You know a lot about it.
0:06:41 > 0:06:45I'm a probation officer. I deal with criminals all the time.
0:06:45 > 0:06:47Then you should know a creep when you see one.
0:06:49 > 0:06:52Not all criminals are evil psychopaths.
0:06:53 > 0:07:00They're lost, damaged, addicted, mentally ill.
0:07:01 > 0:07:03They're not dangerous.
0:07:03 > 0:07:08They get locked up because nobody knows what else to do with them.
0:07:08 > 0:07:13And prison doesn't help them. Often, it just makes them worse.
0:07:13 > 0:07:16Alex doesn't need prison. He needs help.
0:07:25 > 0:07:27He's got you exactly.
0:07:27 > 0:07:31When did he do that? It wasn't there an hour ago!
0:07:31 > 0:07:33They work fast.
0:07:33 > 0:07:35I'm not having it.
0:07:35 > 0:07:38If he thinks he can get away with this sort of thing,
0:07:38 > 0:07:39he's got another thing coming!
0:07:39 > 0:07:44It's not even just vandalism. This is a vendetta!
0:07:49 > 0:07:52I can't stop you going to the police,
0:07:52 > 0:07:55but I can suggest an alternative.
0:07:57 > 0:07:59Well?
0:07:59 > 0:08:03I've done restorative justice. You know what that is?
0:08:03 > 0:08:07Yeah, it's where offenders meet the victims and they talk.
0:08:09 > 0:08:11You want me to meet Alex?
0:08:11 > 0:08:13On neutral ground, obviously.
0:08:13 > 0:08:15And you'd mediate?
0:08:15 > 0:08:17Since you're so unbiased.
0:08:17 > 0:08:18I can be objective.
0:08:21 > 0:08:26I know you're angry. You've got every right to be.
0:08:26 > 0:08:28But maybe he needs to hear that.
0:08:28 > 0:08:31He needs to see the impact that his behaviour has on women.
0:08:33 > 0:08:36I've never met one of his victims before.
0:08:36 > 0:08:39This is an opportunity.
0:08:39 > 0:08:44If you do this, maybe we can help him stop.
0:08:50 > 0:08:53PHONE CHIRPS
0:09:13 > 0:09:15Mamma mia!
0:09:20 > 0:09:21We're rich!
0:09:21 > 0:09:23Are we?
0:09:23 > 0:09:25Well, the practice is. We are sitting on a gold mine.
0:09:25 > 0:09:27This one of your wind-ups?
0:09:27 > 0:09:29No. I'm talking about graffiti.
0:09:29 > 0:09:31Jimmi just texted me the latest image.
0:09:31 > 0:09:33What do you mean, latest? Has he done it again?
0:09:33 > 0:09:37Chill out. I went on the internet and did a little bit of research.
0:09:37 > 0:09:39And look what I found. Kapow!
0:09:41 > 0:09:42What am I looking at?
0:09:42 > 0:09:44Let me enlarge it for you.
0:09:44 > 0:09:46You see in the bottom right-hand corner?
0:09:46 > 0:09:50The "B"? Like all great artists, he signs his work.
0:09:50 > 0:09:51I don't get it.
0:09:51 > 0:09:54The "B" for Brummski.
0:09:54 > 0:09:56He is the hottest graffiti artist on the scene right now.
0:09:56 > 0:10:00He just had an exhibition at the Dernham Gallery in town.
0:10:00 > 0:10:02What, you mean people pay good money for this stuff?
0:10:02 > 0:10:04You've heard of Banksy, right?
0:10:06 > 0:10:08You mean it could be worth thousands?
0:10:08 > 0:10:09Kerching!
0:10:09 > 0:10:11Of course, as the creator,
0:10:11 > 0:10:13- Brummski would be entitled to some of the profits.- Oh, no!
0:10:13 > 0:10:15He defaced campus property! It's ours.
0:10:15 > 0:10:16He's not getting a penny.
0:10:16 > 0:10:20Of course, all profits would go back into the practice, and benefit the patients.
0:10:20 > 0:10:22It's a shame that Bigalow got rid of the other one.
0:10:22 > 0:10:24We're lucky that he tagged us again.
0:10:26 > 0:10:28I told Barry to get rid of any graffiti.
0:10:28 > 0:10:30What?! I'll leave you to it.
0:10:35 > 0:10:39"You've reached the voicemail of Barry Norman Bigalow.
0:10:39 > 0:10:43"Third head in charge of security at Letherbridge University.
0:10:43 > 0:10:46"Please leave a message after the tone.
0:10:46 > 0:10:50"Alternatively, you can visit the Campus Security Office
0:10:50 > 0:10:54"which is open from 9-5 Monday to Friday,
0:10:54 > 0:10:58"10-4 on Saturday and closed on Sunday."
0:11:10 > 0:11:13I'm really worried about Chris.
0:11:13 > 0:11:14What's up?
0:11:14 > 0:11:16Yesterday, he got in this massive row.
0:11:16 > 0:11:18It was really kicking off.
0:11:18 > 0:11:21I had to step in and break them up.
0:11:21 > 0:11:22So?
0:11:24 > 0:11:29He was really aggressive. It was like he really wanted a fight.
0:11:29 > 0:11:31Well, that's what it looked like, anyway.
0:11:31 > 0:11:34He's having a rough time. Him and Emma.
0:11:34 > 0:11:37I know, cos it's the anniversary of Sam...
0:11:37 > 0:11:39So I'd leave him alone.
0:11:39 > 0:11:43- Really?- He's a grown-up. He's dealing with things in his own way.
0:11:43 > 0:11:45If he wants help, he'll ask for it.
0:11:45 > 0:11:49If he doesn't, I wouldn't go steaming in.
0:11:49 > 0:11:51Yeah, OK. I suppose.
0:11:51 > 0:11:55Anyway, that's enough about Chris. What's going on with you and Rob?
0:11:56 > 0:11:59Oh... There is no me and Rob.
0:12:05 > 0:12:08OK. Look.
0:12:08 > 0:12:11I am sorry if bad things have happened to you,
0:12:11 > 0:12:13but that is no excuse.
0:12:13 > 0:12:14Some man abused you,
0:12:14 > 0:12:18and you're taking it out on women! At least, I hope it's women.
0:12:18 > 0:12:21Or do you expose yourself to children? Girls?
0:12:21 > 0:12:22No, I would never do that.
0:12:22 > 0:12:24How many times have you done this?
0:12:24 > 0:12:26- It's not that many. - I am asking him.
0:12:26 > 0:12:29- I've only ever done it a handful of times.- "Only"?
0:12:29 > 0:12:31I'm sorry.
0:12:31 > 0:12:35Every time you do this, you spoil some place for somebody.
0:12:35 > 0:12:37You flash at a woman in the park,
0:12:37 > 0:12:40and she will never feel safe there again.
0:12:43 > 0:12:47I know it'd be worse if you actually assaulted someone,
0:12:47 > 0:12:49but what you do is bad enough.
0:12:49 > 0:12:52What if the woman you're flashing at is a victim of rape,
0:12:52 > 0:12:53or been abused?
0:12:53 > 0:12:55I don't want to upset anyone.
0:12:55 > 0:12:57Well, don't be a flasher, then!
0:12:59 > 0:13:01It is not harmless.
0:13:01 > 0:13:02It is upsetting.
0:13:04 > 0:13:06That's all I wanted to say.
0:13:12 > 0:13:13Barry!
0:13:20 > 0:13:23I hate doing it. I just can't stop.
0:13:25 > 0:13:29It's...an addiction, a compulsion. Does that make sense?
0:13:31 > 0:13:33I don't do it all the time. Months'll go by,
0:13:33 > 0:13:36and then something triggers it.
0:13:36 > 0:13:39So you choose someone, flash at them, and then what?
0:13:39 > 0:13:41I run away.
0:13:42 > 0:13:45Go home.
0:13:45 > 0:13:46Shower.
0:13:47 > 0:13:49Sometimes I get drunk.
0:13:49 > 0:13:51Or...cut myself.
0:13:53 > 0:13:56Sometimes I just go and hide under the duvet.
0:13:58 > 0:14:01If you hate it so much, why do you do it?
0:14:05 > 0:14:09This'll sound weird... but it isn't about sex.
0:14:11 > 0:14:13It isn't. It's about power.
0:14:15 > 0:14:19When I was abused, the worst thing was being completely powerless.
0:14:21 > 0:14:25And when I expose myself, I feel this sense of power.
0:14:26 > 0:14:29A total high. Even if it doesn't last.
0:14:30 > 0:14:35I know that's horrible. I'm trying to be honest.
0:14:43 > 0:14:45HOOTS HORN
0:14:45 > 0:14:47Barry!
0:14:49 > 0:14:50Barry!
0:14:56 > 0:15:00I've never had the chance to talk to one of my victims before.
0:15:01 > 0:15:04I never thought about the impact it must have on them.
0:15:04 > 0:15:07Isn't that the point? Scaring women, threatening them?
0:15:07 > 0:15:09No. The women aren't important.
0:15:09 > 0:15:13I mean...they all sort of blend into one.
0:15:13 > 0:15:15I can't remember their faces.
0:15:15 > 0:15:20Sometimes I catch women looking at me in the supermarket,
0:15:20 > 0:15:24down the pub, and I think, did they recognise me?
0:15:24 > 0:15:26Did I do it to them?
0:15:28 > 0:15:35If it's any comfort, I spend my life feeling miserable and paranoid.
0:15:37 > 0:15:39This isn't fun.
0:15:40 > 0:15:43I've been dreading coming face-to-face with someone I'd...
0:15:43 > 0:15:45Now you have.
0:15:47 > 0:15:50You've made me see the damage that I've been doing.
0:15:50 > 0:15:54I think it really will help me to stop.
0:15:54 > 0:15:56Well, um...good.
0:15:58 > 0:16:02How do you feel, Mandy? Has this helped you?
0:16:02 > 0:16:04Um...yeah.
0:16:04 > 0:16:09I suppose I was building you up into some sort of monster.
0:16:09 > 0:16:12And you're not.
0:16:12 > 0:16:15So yeah, yeah, I'm glad I did it
0:16:15 > 0:16:17and glad you talked me into it.
0:16:20 > 0:16:23You have destroyed a piece of art! That would've been worth thousands!
0:16:23 > 0:16:26Well, it wasn't art when it was on your nice new sign!
0:16:26 > 0:16:28I was merely fulfilling my job description.
0:16:28 > 0:16:32Plus, I was prioritising this area on your direct orders.
0:16:32 > 0:16:34I can't help it if you suddenly change your mind!
0:16:34 > 0:16:39You two should be ashamed of yourselves! Behaving like children!
0:16:39 > 0:16:41Someone has already complained.
0:16:41 > 0:16:43- He started it. - Yes, well, I am finishing it.
0:16:43 > 0:16:45I am trying to register patients up there,
0:16:45 > 0:16:48and your behaviour is putting them off.
0:16:48 > 0:16:50I must say, Captain Bellamy, I'm disappointed in you.
0:16:50 > 0:16:53As a military man, I expected you to have a more mature response
0:16:53 > 0:16:55to this kind of thing.
0:16:55 > 0:16:58Yes? Speaking.
0:16:58 > 0:16:59Vice-chancellor.
0:17:02 > 0:17:05Ah. I see.
0:17:06 > 0:17:09Well, you won't even reconsider?
0:17:09 > 0:17:12OK. Thanks for letting me know.
0:17:12 > 0:17:13Goodbye.
0:17:16 > 0:17:17That scheme I had -
0:17:17 > 0:17:21all new students being automatically registered - he's not going for it.
0:17:21 > 0:17:25He says we're already attracting enough new patients as it is.
0:17:25 > 0:17:26That is a shame.
0:17:26 > 0:17:28So all this fuss has been for nothing?
0:17:28 > 0:17:30And we're not going to be able to make any more money
0:17:30 > 0:17:33from this graffiti - graffito - all because of you.
0:17:33 > 0:17:36And I'll be invoicing you for all the cleaning materials
0:17:36 > 0:17:37I've used this week!
0:17:42 > 0:17:44So what happens now?
0:17:45 > 0:17:47This is just the start,
0:17:47 > 0:17:49but I think today's been a real breakthrough.
0:17:49 > 0:17:53We'll get more help. We will beat this.
0:17:53 > 0:17:57I've got to go. I've got a case conference at work, but, Mandy,
0:17:57 > 0:18:02thank you so much. Again. See you later.
0:18:08 > 0:18:09How come you didn't go with her?
0:18:09 > 0:18:12My work's in the opposite direction.
0:18:12 > 0:18:15- Can I give you a lift? - No, no, I've got my car, so...
0:18:22 > 0:18:25I wish we'd met under different circumstances.
0:18:25 > 0:18:29Well...good luck. With everything.
0:18:54 > 0:18:55There you are.
0:18:55 > 0:18:58- Oh, I was just finished. I... - Sit. Stay.
0:18:59 > 0:19:05Now, tell me what's going on between you and Rob.
0:19:05 > 0:19:09There's nothing's going on now.
0:19:09 > 0:19:13So you are splitting up, after all that you've been through?
0:19:14 > 0:19:18He's dumped me and he's taken a job in Leamington.
0:19:18 > 0:19:22And you're not going to do anything to try and change his mind?
0:19:22 > 0:19:24Where's your fighting spirit, Karen?
0:19:24 > 0:19:27I mean, Leamington Spa! Seriously!
0:19:27 > 0:19:29It's not funny.
0:19:29 > 0:19:32It's a tragedy of epic proportions.
0:19:32 > 0:19:34You've got to try and stop him.
0:19:34 > 0:19:37You and Rob can't be finished. You always seemed so right together.
0:19:37 > 0:19:39Well, that's what everyone says!
0:19:39 > 0:19:42How great we were, you know, the perfect family.
0:19:42 > 0:19:43Well, you weren't exactly the Waltons.
0:19:43 > 0:19:46I can't remember what we were.
0:19:46 > 0:19:49OK, you can't remember.
0:19:51 > 0:19:52How do you feel about him now?
0:19:54 > 0:19:56I feel...
0:19:56 > 0:19:59I don't...
0:19:59 > 0:20:01Well, he's always been there,
0:20:01 > 0:20:04ever since I woke up from the accident, you know,
0:20:04 > 0:20:06there was this old bloke telling me he was my husband.
0:20:06 > 0:20:09It was really scary at first,
0:20:09 > 0:20:12but he stuck around, whether I wanted him to or not.
0:20:13 > 0:20:15And now he's finally given up on me.
0:20:17 > 0:20:21Brass tacks. What do you want?
0:20:21 > 0:20:23I don't know!
0:20:23 > 0:20:28I mean, if he took me back, it would be really easy.
0:20:28 > 0:20:31It's all there, ready made.
0:20:31 > 0:20:35The house, the kids, the life.
0:20:35 > 0:20:38So do you want to be with him because it's easier,
0:20:38 > 0:20:40or because you love him?
0:20:45 > 0:20:48I feel like I need him.
0:20:51 > 0:20:53There's your answer.
0:20:53 > 0:20:56It doesn't matter how much brain tissue you've lost.
0:20:56 > 0:20:59And there wasn't much there in the first place, was there?
0:20:59 > 0:21:01It's guts that count.
0:21:17 > 0:21:19Argh!
0:21:19 > 0:21:22Stop, you pervert! What the hell's wrong with you?
0:21:22 > 0:21:24- Stop!- You're filthy, you weirdo!
0:21:24 > 0:21:27- Dirty beggar! He flashed at us. - Yeah, I know.
0:21:27 > 0:21:28Who are you, his girlfriend?
0:21:28 > 0:21:31- They attacked me. - You deserve it, you pervert!
0:21:31 > 0:21:34Don't. Do you want to be done for assault?
0:21:34 > 0:21:35He is not worth it.
0:21:35 > 0:21:38Alex. I'm going to get you some help.
0:21:38 > 0:21:39Look, your daughters are upset.
0:21:39 > 0:21:42Take them for an ice cream.
0:21:42 > 0:21:43Why are you helping him?
0:21:43 > 0:21:45Because I'm a nurse. He needs medical attention.
0:21:45 > 0:21:47He needs castrating!
0:21:47 > 0:21:50Right, hold that, apply some pressure. That'll stop the bleeding.
0:21:55 > 0:22:00Hello, ambulance. Yeah - and the police.
0:22:00 > 0:22:02You said you wouldn't call the police!
0:22:02 > 0:22:05You said you didn't expose yourself to kids.
0:22:05 > 0:22:10Yeah, yeah, I can stay on the line. No, he is not going anywhere.
0:22:10 > 0:22:11Argh!
0:22:11 > 0:22:13Keep still, it'll hurt less.
0:22:13 > 0:22:15It was all lies, wasn't it?
0:22:15 > 0:22:18All that stuff you said in the cafe!
0:22:19 > 0:22:21Have you got the search warrant?
0:22:21 > 0:22:23Right.
0:22:24 > 0:22:27Yeah, well, I'll see you there, then. OK.
0:22:28 > 0:22:30Karen? What are you doing here?
0:22:30 > 0:22:33I came to see if Rob was around, but he's busy.
0:22:33 > 0:22:35- OK, well, you know that chat you wanted earlier?- Yeah.
0:22:35 > 0:22:37I'm free now if you want to grab a cup of tea.
0:22:37 > 0:22:39OK. Who's that woman?
0:22:39 > 0:22:41DCI Driver.
0:22:44 > 0:22:49Maybe it's my fault. I pushed him too hard, too soon.
0:22:49 > 0:22:51Oh, for goodness' sake!
0:22:51 > 0:22:54It's not your fault! He's screwed up, he's manipulative.
0:22:54 > 0:22:56Alex isn't manipulative.
0:22:56 > 0:23:00Stop deluding yourself! Can't you see he's just using you?
0:23:00 > 0:23:02No.
0:23:02 > 0:23:03He loves me.
0:23:03 > 0:23:05I love him.
0:23:05 > 0:23:08And when you love someone, you don't run away because they've got problems.
0:23:08 > 0:23:11You stick with it. I can change him.
0:23:11 > 0:23:15He is not going to stop. And he doesn't have to, while he's with you.
0:23:15 > 0:23:18Cos you are going to carry on protecting him
0:23:18 > 0:23:19no matter what he does.
0:23:21 > 0:23:25Just tell me, what's in it for you?
0:23:25 > 0:23:27Do you get some sort of weird kick out of it?
0:23:27 > 0:23:29Don't be ridiculous! Of course I don't!
0:23:29 > 0:23:32And getting me to be part of it! To collude in...
0:23:32 > 0:23:36I know a collusive relationship when I see one.
0:23:38 > 0:23:40How do you know?
0:23:40 > 0:23:43Look, I know what it's like,
0:23:43 > 0:23:48to do something that you know is wrong, because you love somebody.
0:23:49 > 0:23:51Then you understand.
0:23:51 > 0:23:54He can't go to prison. I need him.
0:23:55 > 0:23:58That's what this is about.
0:24:02 > 0:24:04What's going to happen to you?
0:24:04 > 0:24:07When your bosses find out you've been protecting a criminal.
0:24:08 > 0:24:10I don't know.
0:24:12 > 0:24:14I could lose my job.
0:24:14 > 0:24:17You probably think I deserve to.
0:24:17 > 0:24:21I hope he does go to prison, even if it's not for very long.
0:24:21 > 0:24:23And I hope he gets some help.
0:24:24 > 0:24:26But he's not going to get it from you.
0:24:48 > 0:24:50So Chris got in a fight?
0:24:50 > 0:24:52Blokes get stupid, they knock ten bells out of each other.
0:24:52 > 0:24:54It's not very mature, but...
0:24:54 > 0:24:56Chris isn't like that, though, is he?
0:24:56 > 0:24:59He's young. He'll grow up, eventually. Most of us do.
0:24:59 > 0:25:01So you think I'm making too much of it?
0:25:01 > 0:25:04Maybe. Have you tried talking to him?
0:25:04 > 0:25:08Will you talk to him? Man to man.
0:25:08 > 0:25:11I'll try. I don't know when I'll get the time, though.
0:25:11 > 0:25:14Now you're here, are you going to talk to Rob?
0:25:14 > 0:25:17What's the point? He doesn't want to see me.
0:25:17 > 0:25:19I'm sorry to hear...
0:25:19 > 0:25:22- PHONE RINGS - I'm sorry.
0:25:25 > 0:25:28- Dr Clay speaking. - I should go. I'm sorry.
0:25:30 > 0:25:31Ah-ha.
0:25:44 > 0:25:45It's not her fault.
0:25:45 > 0:25:48It's nobody's fault. It's just a horrible situation.
0:25:54 > 0:25:56I do feel better now I've decided to leave.
0:25:56 > 0:25:59Yeah. It'll be a fresh start.
0:25:59 > 0:26:01You'll like Leamington. It's a good team.
0:26:01 > 0:26:04Good DCI, too. I know him.
0:26:04 > 0:26:06I could put in a word for you if you like.
0:26:06 > 0:26:10And there was me thinking my own brilliance would speak for itself.
0:26:10 > 0:26:13- And it's only just down the road. I'll still see you.- Yeah.
0:26:13 > 0:26:16We could go for a drink, maybe.
0:26:16 > 0:26:19- Yeah. I am single now.- Mm.
0:26:19 > 0:26:21Rob, um...
0:26:21 > 0:26:24I need to talk to you. It's important.
0:26:24 > 0:26:27PHONE RINGS Karen, I've got to take this.
0:26:27 > 0:26:28Sergeant Hollins.
0:26:31 > 0:26:35You always fancied him! Always trying to get him to yourself.
0:26:35 > 0:26:38Well, me and him are still together, so back off.
0:26:38 > 0:26:41That's not what he's saying.
0:26:41 > 0:26:43I'm his boss. We're at work.
0:26:43 > 0:26:46Do you think you should go home? Do you need someone to take you?
0:26:46 > 0:26:49I can manage, thank you. I'm not senile.
0:26:50 > 0:26:52OK, boss, we're on.
0:26:52 > 0:26:55I'll, er... I'll call you later.
0:26:55 > 0:26:57We have to go, now.
0:27:08 > 0:27:10Hello, lover boy.
0:27:10 > 0:27:12At least you don't have to deal with the motorists.
0:27:12 > 0:27:15They're a lot more unpredictable than trees.
0:27:16 > 0:27:18Karen.
0:27:18 > 0:27:20What was that about?
0:27:20 > 0:27:22I'd have thought it was blooming obvious.
0:27:22 > 0:27:24I'm not hiding anything!
0:27:24 > 0:27:27You can't kid a kidder. I've been there.
0:27:27 > 0:27:28I know what it's like.