0:00:28 > 0:00:30MAN BREATHES DEEPLY
0:00:52 > 0:00:53SHE SIGHS
0:01:28 > 0:01:29MOBILE PHONE RINGS
0:01:34 > 0:01:35Hello?
0:01:35 > 0:01:36Speaking.
0:01:38 > 0:01:40Really?
0:01:40 > 0:01:41Yes - I am still interested!
0:01:42 > 0:01:44When would I need to start?
0:01:47 > 0:01:50I'm afraid I can't get away that soon.
0:01:50 > 0:01:51Is there any chance...?
0:01:53 > 0:01:54I see.
0:01:56 > 0:01:58Thanks anyway. Goodbye.
0:02:23 > 0:02:24What are you doing here?
0:02:31 > 0:02:32MOBILE PHONE RINGS
0:02:35 > 0:02:37What, you can't even give me one minute?
0:02:37 > 0:02:39- Haven't you done enough damage? - Look, I just need to...
0:02:39 > 0:02:41We do have specially trained officers, you know.
0:02:41 > 0:02:43We spend all day online tracking people down.
0:02:43 > 0:02:46But they don't care one way or another about Doctor Khella.
0:02:46 > 0:02:48They won't let their personal feelings cloud their judgment.
0:02:48 > 0:02:50I have a name and a clear trail.
0:02:50 > 0:02:52I think you've been watching too much telly, mate.
0:02:52 > 0:02:53I know my stuff.
0:02:53 > 0:02:55Are you really prepared to ignore this?
0:02:58 > 0:03:01Three late payments, surely that's not...
0:03:01 > 0:03:02Well, I understand that.
0:03:05 > 0:03:07Can you at least ask your manager if...?
0:03:08 > 0:03:10Thanks for nothing!
0:03:10 > 0:03:11I'm sorry. I overslept.
0:03:11 > 0:03:13Look at the state of you, Ellie!
0:03:13 > 0:03:15You're supposed to be representing the agency.
0:03:15 > 0:03:17- I'm not sleeping. - That's half an hour lost.
0:03:17 > 0:03:19You could have been out there finding people.
0:03:19 > 0:03:21I'm really not sure people like being approached
0:03:21 > 0:03:24- this early in the morning... - Oh, is that right?
0:03:24 > 0:03:26So my 30 years in the business count for nothing?
0:03:26 > 0:03:27I didn't mean...
0:03:27 > 0:03:29The talent we've had in this room - the people!
0:03:29 > 0:03:33Fay Floyd's still working, you know - she's in her 50s now.
0:03:33 > 0:03:35Pinched by that London shower, years ago.
0:03:38 > 0:03:40Anna thought the world of you, you know.
0:03:40 > 0:03:43Said I should always ask you if I was in a tight spot.
0:03:45 > 0:03:46I don't know what she'd say.
0:03:46 > 0:03:49- Barely six months after she's died... - OK, OK, I'm sorry!
0:03:49 > 0:03:52What's the point? You couldn't find a peacock in a pigsty!
0:03:52 > 0:03:53What do you want me to do?
0:03:54 > 0:03:56Find me a man.
0:03:56 > 0:04:00Jake's just called in sick and the client needs somebody by 4 o'clock.
0:04:00 > 0:04:03Our one chance of a job and there's nobody else suitable on the books.
0:04:03 > 0:04:05I'll find someone. What should he look like?
0:04:06 > 0:04:10Like Jake! 40s, handsome, looks good in a suit!
0:04:10 > 0:04:11Right.
0:04:15 > 0:04:17Oh, Anna, what am I going to do?
0:04:19 > 0:04:22So this one name kept coming up - Steve Grahams.
0:04:22 > 0:04:24He's a patient at the Mill.
0:04:24 > 0:04:26Last night I was convinced that it was him.
0:04:26 > 0:04:28But...the more research I did, the more it didn't add up,
0:04:28 > 0:04:31you see, Steve Grahams - he's travelling in the Far East.
0:04:31 > 0:04:33Where did you get all this stuff?
0:04:33 > 0:04:35Actually, don't tell me. I don't want to know.
0:04:35 > 0:04:36Please just hear me out.
0:04:36 > 0:04:38The same time last week that Steve Grahams had an appointment
0:04:38 > 0:04:40with Doctor Khella at the Mill,
0:04:40 > 0:04:44he signed in online at the Kicking Fish in Siem Reap.
0:04:44 > 0:04:45The what?
0:04:45 > 0:04:48It's an internet cafe in Cambodia.
0:04:48 > 0:04:50But there was another name - Gus Harper.
0:04:50 > 0:04:52Now, he is a patient at the Mill, he's registered,
0:04:52 > 0:04:54but he has never had an appointment.
0:04:54 > 0:04:56Now, I kept seeing connections between Steve Grahams
0:04:56 > 0:04:59and Gus Harper, like they buy the same things online,
0:04:59 > 0:05:02- they make the same complaints to the same seller on eBay.- So what?
0:05:02 > 0:05:04Using exactly the same spelling mistakes?
0:05:04 > 0:05:06What was the purchase?
0:05:06 > 0:05:07Binoculars.
0:05:07 > 0:05:10Right, so you're saying that Gus Harper has stolen
0:05:10 > 0:05:13Steve Grahams' identity while he was away?
0:05:13 > 0:05:16Yes, and used it as cover to terrorise Doctor Khella.
0:05:18 > 0:05:20You are going to do something about this? You're going to cover it?
0:05:20 > 0:05:23You're going to speak to him the way that you spoke to me?
0:05:23 > 0:05:25- We'll look into it. - I'm handing this to you on a plate.
0:05:25 > 0:05:27- All you have to do... - Thank you for that,
0:05:27 > 0:05:29but just leave it with us now, OK?
0:05:33 > 0:05:35You will let me know what happens?
0:05:36 > 0:05:37Yeah.
0:05:45 > 0:05:48OK, well...thanks for the call, mate. Cheers.
0:05:49 > 0:05:50Bad news?
0:05:50 > 0:05:53Yeah. They're going to have to close the youth club down.
0:05:53 > 0:05:56- The budget's been cut. - Huh, another casualty.
0:05:56 > 0:05:57Sorry.
0:05:57 > 0:05:59Emma, have you seen the CBT audit?
0:05:59 > 0:06:01Oh, yes, I wanted to talk to you about that...
0:06:01 > 0:06:04What? That...that... that's it? That's all you've got to say?
0:06:04 > 0:06:06I'll catch you later.
0:06:08 > 0:06:11Well, maybe it's a chance for you to move on, you know?
0:06:11 > 0:06:12Do something different?
0:06:12 > 0:06:15Right, well, what about the kids? What do they move on to?
0:06:15 > 0:06:17I don't know.
0:06:17 > 0:06:20Look, I'm sorry, I know how much it meant to you.
0:06:20 > 0:06:21You really have no idea, do you?
0:06:25 > 0:06:27Is there anything in it, do you think?
0:06:27 > 0:06:28Hard to tell.
0:06:28 > 0:06:30I've done some digging. I've been on to the DVLA,
0:06:30 > 0:06:33but Harper's still got the old licence, so there's no photograph.
0:06:33 > 0:06:35I'm going to go round to his place now,
0:06:35 > 0:06:37even if it's just to count him out.
0:06:37 > 0:06:38- OK - well, keep me informed. - Will do.
0:06:44 > 0:06:46Excuse me, would you mind if I gave you a business card?
0:06:46 > 0:06:47I'm looking for a model.
0:06:47 > 0:06:49You wouldn't mind if I just took a...
0:06:49 > 0:06:52Oh, excuse me, have you ever done any modelling before?
0:06:52 > 0:06:53Can I take your picture, please?
0:06:53 > 0:06:55I'm looking for a model for a campaign.
0:06:55 > 0:06:56Hiya.
0:07:02 > 0:07:04Hiya, hi.
0:07:04 > 0:07:07I need to take a photo of somebody for a campaign later on,
0:07:07 > 0:07:10I think you'd be perfect. You're very good looking...
0:07:17 > 0:07:18MOBILE PHONE RINGS
0:07:26 > 0:07:27Hi, Queenie.
0:07:27 > 0:07:29'I've just had a prize pig trotting up my stairs.
0:07:29 > 0:07:31- 'What are you doing, Ellie?' - I am trying, but...
0:07:31 > 0:07:32DIAL TONE
0:07:35 > 0:07:36SHE SIGHS
0:07:56 > 0:07:57MOBILE PHONE DINGS
0:08:13 > 0:08:16Jas? Hiya, it's Rob Hollins.
0:08:16 > 0:08:19Did you say you'd just moved house recently?
0:08:19 > 0:08:21Yeah. What was the name of the letting agency?
0:08:24 > 0:08:25OK, thanks.
0:08:28 > 0:08:29Oh, excuse me, madam.
0:08:29 > 0:08:31Have you seen the guy who lives here?
0:08:31 > 0:08:34- No, sorry. - OK, it's all right.
0:08:34 > 0:08:36- ON RADIO:- 'Control to 7244?'
0:08:36 > 0:08:37Yeah, go ahead, I'm receiving.
0:08:37 > 0:08:40'They've found two more traces on the PNC for your suspect.'
0:08:40 > 0:08:42Four names? You're joking?
0:08:42 > 0:08:43'Is the suspect there?'
0:08:43 > 0:08:45No, no, he's not here.
0:08:45 > 0:08:48So I'm going to go to his workplace, then push for a warrant,
0:08:48 > 0:08:49come back and take a look around.
0:08:49 > 0:08:51- 'Received.'- OK, thanks.
0:08:54 > 0:08:55And you've cut out caffeine?
0:08:55 > 0:08:57- Yeah.- Set bedtime routines?
0:08:58 > 0:09:02But I still wake up in the middle of the night and just lie there.
0:09:02 > 0:09:05What about your job? Are things any better with your boss?
0:09:05 > 0:09:06Not really.
0:09:06 > 0:09:08I know I said I didn't want to take any pills,
0:09:08 > 0:09:09Doctor Granger, but now...
0:09:09 > 0:09:12I still think that we should try and find the root cause first.
0:09:13 > 0:09:17So...is there anything in particular that's worrying you?
0:09:22 > 0:09:23I am under a lot of pressure at work.
0:09:24 > 0:09:26Like today, for example...
0:09:28 > 0:09:29Yes?
0:09:30 > 0:09:33Have you ever thought about modelling, Doctor Granger?
0:09:33 > 0:09:34HE SCOFFS
0:09:34 > 0:09:37I'm looking for a particular type of man and you really fit the bill.
0:09:37 > 0:09:39You wouldn't mind if I just...?
0:09:39 > 0:09:41Erm, Ellie, stop.
0:09:41 > 0:09:43You're....you're really handsome, you see.
0:09:43 > 0:09:44Ellie, stop now.
0:09:44 > 0:09:47Please, Doctor Granger. We've got this special job on this afternoon.
0:09:48 > 0:09:51This is ridiculous. I'm your GP.
0:09:51 > 0:09:54But you'd fit right in - it's nothing tacky.
0:09:54 > 0:09:57I'm going to get into so much trouble if I don't find someone.
0:09:57 > 0:10:00Well, I'm sorry, Ellie, but that someone isn't going to be me.
0:10:00 > 0:10:01And for another thing...
0:10:04 > 0:10:05Ellie?
0:10:08 > 0:10:09Ellie?
0:10:12 > 0:10:15Yeah, they're dropping like flies here. Some virus.
0:10:15 > 0:10:18Oh, dear. So did he phone in sick?
0:10:18 > 0:10:22No. Not seen sight nor sound of him since last Thursday.
0:10:22 > 0:10:24Boss gave him a roasting.
0:10:24 > 0:10:25What was that for?
0:10:25 > 0:10:28Skiving off, I think. Here they are.
0:10:28 > 0:10:29So what's up? Is he in trouble?
0:10:29 > 0:10:32- He seems to have gone missing. - Really?
0:10:32 > 0:10:34Yeah. Can you describe Mr Harper for me?
0:10:36 > 0:10:38Dunno... Brown hair, 30s.
0:10:40 > 0:10:41Early or late?
0:10:41 > 0:10:42Mid, I should think.
0:10:43 > 0:10:45Build?
0:10:45 > 0:10:46Average.
0:10:46 > 0:10:48I'm sorry, I'm not being much help, am I?
0:10:48 > 0:10:49That's OK.
0:10:49 > 0:10:51Any distinguishing features?
0:10:51 > 0:10:53Anything that you would notice him by?
0:10:53 > 0:10:54He's just one of those people.
0:10:54 > 0:10:57I mean, I see him most days, but...
0:10:57 > 0:10:59- What sort of bloke would you say he is?- How do you mean?
0:10:59 > 0:11:00Well, is he a joker, is he quiet?
0:11:02 > 0:11:03He keeps himself to himself.
0:11:04 > 0:11:07Does he ever mention his family or his friends?
0:11:07 > 0:11:09Gus?
0:11:09 > 0:11:10Spends most of his breaks online.
0:11:10 > 0:11:14He's... Well, he's a bit of a nerd, if you know what I mean.
0:11:14 > 0:11:16And you try and talk at him, and he comes back at you.
0:11:16 > 0:11:20- In what way?- Well, he's a bit sharp. Thinks he's clever.
0:11:20 > 0:11:21Oh, does he?
0:11:22 > 0:11:25Has he got his own desk or a drawer?
0:11:25 > 0:11:27- Yep.- That one?- Yep.
0:11:33 > 0:11:35- You won't find him on there. - No?
0:11:35 > 0:11:37No, he never comes out with us.
0:11:39 > 0:11:41Have you got a staff's Who's Who?
0:11:41 > 0:11:44Yeah, but if you work in the back room, you don't need ID,
0:11:44 > 0:11:45so photos are optional.
0:11:45 > 0:11:47And...well, Gus opted out.
0:11:47 > 0:11:50OK. Just one more thing.
0:11:50 > 0:11:53Have you ever heard of the name Steve Grahams?
0:11:53 > 0:11:55Yeah. Nice bloke. Did some work for us.
0:11:55 > 0:11:59Used to do repairs on the houses, then he went off travelling.
0:11:59 > 0:12:02Right, well. Thanks very much.
0:12:02 > 0:12:03- Is that it?- Yeah.
0:12:03 > 0:12:04If he turns up...
0:12:06 > 0:12:08..give us a bell at the station.
0:12:08 > 0:12:09- Will do.- Thanks.
0:12:22 > 0:12:23MACHINE BEEPS
0:12:24 > 0:12:25Hello?
0:12:25 > 0:12:28Anybody home? It's the police.
0:13:37 > 0:13:38DOOR CLOSES
0:13:46 > 0:13:49Hello, Sergeant. Is he here, then?
0:13:50 > 0:13:51Does it look like it?
0:13:51 > 0:13:53What do you want?
0:13:53 > 0:13:55You know, just taking an interest.
0:13:55 > 0:13:57Is he dead, do you think?
0:14:04 > 0:14:05Well, where is he?
0:14:05 > 0:14:07Sorry, Queenie, but I couldn't find anyone.
0:14:07 > 0:14:09What have you been doing all morning?
0:14:11 > 0:14:12What is this junk?!
0:14:12 > 0:14:13It's what I'm good at.
0:14:13 > 0:14:15Oh... Now, him, I like.
0:14:15 > 0:14:17Why didn't you say?
0:14:17 > 0:14:19He's a GP at the campus surgery.
0:14:19 > 0:14:21Nice grooming - good bones.
0:14:21 > 0:14:22When's he coming in?
0:14:22 > 0:14:24He's not. I tried, but...
0:14:24 > 0:14:27You've absolutely no go in you!
0:14:27 > 0:14:30Remember Anna getting that footballer into the Speedos?
0:14:30 > 0:14:33People love to be told how good they look - how hard can it be?
0:14:33 > 0:14:34He won't do it.
0:14:34 > 0:14:35Oh, yes?
0:14:35 > 0:14:37Where are you going?
0:14:37 > 0:14:39Come on, girl. Watch and learn.
0:14:39 > 0:14:40No, Queenie, wait.
0:14:45 > 0:14:47So he's got an air rifle?
0:14:47 > 0:14:50I mean, I might not trust him round my cat, but...
0:14:50 > 0:14:53Yeah, I'll admit - there's nothing really concrete, but...
0:14:53 > 0:14:55But you have a hunch he's the man?
0:14:56 > 0:14:57I think he spotted Doctor Khella
0:14:57 > 0:14:59when she was looking to rent a house
0:14:59 > 0:15:01and he's been following her ever since.
0:15:01 > 0:15:03And your evidence?
0:15:03 > 0:15:04I found this in his house.
0:15:05 > 0:15:07Well, he could have printed it off the internet.
0:15:07 > 0:15:09Plenty to choose from on there.
0:15:09 > 0:15:10I don't think he has.
0:15:10 > 0:15:13I've checked all the social network pages and I can't see it.
0:15:13 > 0:15:15It's taken outside the Mill.
0:15:18 > 0:15:19Where is she now?
0:15:19 > 0:15:20At the Mill.
0:15:20 > 0:15:23- What? She's still going to work?- Mm.
0:15:23 > 0:15:25And although she doesn't know it yet,
0:15:25 > 0:15:28this Gus Harper made an appointment and saw her last week.
0:15:30 > 0:15:32Right. Let's get down there.
0:15:39 > 0:15:42Oh, I...I am so sorry, Doctor Granger.
0:15:42 > 0:15:44- Ellie?- Even better in the flesh.
0:15:48 > 0:15:50Dr Granger, Queenie - Q & A Models.
0:15:50 > 0:15:54You can't hide that light under a bushel, Doctor Granger.
0:15:54 > 0:15:56- Ellie, I told you this morning... - I know, I'm sorry.
0:15:56 > 0:16:00Those eyes, that chin - you're perfect for my client.
0:16:00 > 0:16:03I'm not interested. And I have patients to see...
0:16:03 > 0:16:05Executive fashion. High-end watch company.
0:16:05 > 0:16:10- Not going to happen. - Sharp suit, plate glass, big desk.
0:16:10 > 0:16:13- Please leave?- I'll make sure you're well remunerated.
0:16:13 > 0:16:15Look, I don't know what kind of an outfit you think you're
0:16:15 > 0:16:17- running here... - We're a very high class agency.
0:16:17 > 0:16:19Then perhaps you'll take no for an answer
0:16:19 > 0:16:21and leave my consulting room?
0:16:21 > 0:16:23Unless, of course, you'd like me to call security?
0:16:23 > 0:16:26- SHE SCOFFS - I thought you said he was charming?
0:16:26 > 0:16:28You need personality too in this game, you know,
0:16:28 > 0:16:31and that's something you clearly haven't got.
0:16:31 > 0:16:32Come on, Ellie.
0:16:34 > 0:16:35SHE MOUTHS
0:16:36 > 0:16:38You were hopeless in there.
0:16:38 > 0:16:39I tried to tell you.
0:16:39 > 0:16:41I need to fix my face. Where's the ladies?
0:16:41 > 0:16:43Just down the stairs.
0:16:43 > 0:16:45I just... I need to get a prescription.
0:16:45 > 0:16:46Well, hurry up!
0:16:46 > 0:16:49You've got half an hour to find somebody else.
0:16:49 > 0:16:50Excuse me!
0:16:50 > 0:16:51Please?
0:16:55 > 0:16:56Ellie, you heard what I said.
0:16:58 > 0:17:00I wanted to apologise for my...
0:17:00 > 0:17:01Fine, now go.
0:17:01 > 0:17:03..mother.
0:17:03 > 0:17:04That woman was your mother?
0:17:06 > 0:17:08Take a seat.
0:17:14 > 0:17:16Aunt Anna, Mum's sister, died six months ago.
0:17:17 > 0:17:20I'd just got a photography internship at Country Lens.
0:17:21 > 0:17:23It's a nature magazine.
0:17:23 > 0:17:26Mum made me give it up to come back and work for her.
0:17:26 > 0:17:28She made you?
0:17:28 > 0:17:30You've seen how...insistent she can be.
0:17:33 > 0:17:36Anna was always the creative force behind the business -
0:17:36 > 0:17:38Queenie was more of an administrator.
0:17:39 > 0:17:41She's got no idea!
0:17:41 > 0:17:44Her idea of style is stuck somewhere around Princess Grace
0:17:44 > 0:17:47and you've seen what she's like with people.
0:17:47 > 0:17:49Not that I'm any better myself.
0:17:52 > 0:17:55I love photography, but I know my limitations.
0:17:55 > 0:17:58I can't take pictures of people - I haven't got the confidence.
0:17:58 > 0:18:01I can't sweet talk them - do the patter.
0:18:01 > 0:18:03Just walk away, then.
0:18:03 > 0:18:04How can I?
0:18:04 > 0:18:07I know how lonely she is - underneath it all.
0:18:07 > 0:18:09How much she misses Anna.
0:18:09 > 0:18:11Yeah, but neither of you are any good at the business.
0:18:11 > 0:18:13I know - it's hopeless.
0:18:15 > 0:18:18And the magazine called today. They still want me.
0:18:18 > 0:18:19Have you told your mum?
0:18:20 > 0:18:24She's never valued my work and I can't leave her.
0:18:26 > 0:18:28She's under so much strain - I'm worried about her health.
0:18:32 > 0:18:34Thanks for listening, Doctor Granger.
0:18:34 > 0:18:37I just needed to get it all off my chest.
0:18:37 > 0:18:38I feel better now.
0:18:42 > 0:18:44You know, keeping your mother in the dark
0:18:44 > 0:18:47isn't going to help either of you.
0:18:47 > 0:18:48It's for the best.
0:18:55 > 0:18:59Well, when I say I haven't got anybody, what I mean is...
0:18:59 > 0:19:02I see. Well, that's your choice...
0:19:02 > 0:19:04If you change...
0:19:04 > 0:19:06Fine!
0:19:06 > 0:19:08I've never felt so humiliated in my life.
0:19:08 > 0:19:09I'm sorry.
0:19:09 > 0:19:10Just look at you, Ellie.
0:19:10 > 0:19:12Maybe I'm not cut out for this.
0:19:12 > 0:19:13Where did you get that rag from?
0:19:13 > 0:19:14I just had to grab something...
0:19:14 > 0:19:17Have you taken a look at yourself in the mirror this morning?
0:19:17 > 0:19:18Anna used to...
0:19:18 > 0:19:20I'm not Anna, Mum. And neither are you.
0:19:20 > 0:19:22What?
0:19:22 > 0:19:23Nothing.
0:19:23 > 0:19:26And why have you always got that ugly monstrosity clutched to
0:19:26 > 0:19:28yourself like some comfort blankie?
0:19:28 > 0:19:30What is it? Let me have a look.
0:19:30 > 0:19:31Mum, please.
0:19:31 > 0:19:33Have you used the agency's printer for this?
0:19:33 > 0:19:37Flowers and little birds and fluffy bunnies!
0:19:37 > 0:19:38Stop it! Stop it!
0:19:38 > 0:19:41You're behaving like a lunatic!
0:19:41 > 0:19:43Anna was the one who made the business -
0:19:43 > 0:19:46she was the only one with any flair and you know it!
0:19:46 > 0:19:48You were just a...just a glorified pen-pusher -
0:19:48 > 0:19:50the Rottweiler she'd set on late-payers.
0:19:52 > 0:19:55You haven't got a clue about fashion, about people.
0:19:55 > 0:19:59And you're hiding behind me because you're terrified of facing up to it!
0:19:59 > 0:20:00Well, I've had enough.
0:20:00 > 0:20:03The magazine still wants me and I'm going.
0:20:03 > 0:20:05Q & A Models can go to hell for all I care!
0:20:09 > 0:20:11Mum? Mum?
0:20:11 > 0:20:12Help!
0:20:13 > 0:20:15Steve Grahams?
0:20:15 > 0:20:16Yeah. We just need to check his records?
0:20:18 > 0:20:20He had backache.
0:20:20 > 0:20:22Can you tell us anything about his appearance?
0:20:22 > 0:20:24And did he ask you anything personal?
0:20:26 > 0:20:30So when I was seeing Steve Grahams...
0:20:33 > 0:20:36I...I asked him to take his shirt off.
0:20:36 > 0:20:38Do you remember what he looked like?
0:20:40 > 0:20:43I...I don't know. He was just another patient.
0:20:44 > 0:20:47I examined him, I touched him!
0:20:47 > 0:20:49It's OK.
0:20:52 > 0:20:54It was all false, wasn't it?
0:20:54 > 0:20:56There was no pain.
0:20:56 > 0:20:58Try and put that out of your mind for the moment, think back.
0:21:00 > 0:21:01We need all the information we can get
0:21:01 > 0:21:03if we're going to catch this man.
0:21:07 > 0:21:0830s, I think.
0:21:08 > 0:21:10Maybe....brown hair.
0:21:10 > 0:21:12I don't know.
0:21:12 > 0:21:14It's OK, Jas, it really will be OK.
0:21:14 > 0:21:17- Are you still at 22 Sandford Drive? - Yeah.
0:21:17 > 0:21:20Well, I strongly advise you to go and stay with friends,
0:21:20 > 0:21:21at least for the time being.
0:21:21 > 0:21:24No. Running away isn't going to help.
0:21:24 > 0:21:26Neither is putting yourself at risk.
0:21:26 > 0:21:27KNOCK ON DOOR
0:21:27 > 0:21:30You said to let you know if a Steve Grahams makes contact.
0:21:30 > 0:21:31Yes?
0:21:31 > 0:21:34He's made an appointment for tomorrow afternoon.
0:21:34 > 0:21:36Perfect. Thank you, Mr Bellamy.
0:21:39 > 0:21:41I won't have to see him, will I?
0:21:41 > 0:21:43This is our chance to get hold of him,
0:21:43 > 0:21:44so if you can come in as normal,
0:21:44 > 0:21:47we'll be here and we promise he won't get anywhere near you.
0:21:49 > 0:21:51Do you think you can you do that for us?
0:21:51 > 0:21:52Yeah.
0:21:52 > 0:21:55Let's have a look around. See what we need.
0:21:59 > 0:22:02Right, so there'll be me and Sergeant Hollins
0:22:02 > 0:22:04and a couple of other officers inside,
0:22:04 > 0:22:05all posing as patients.
0:22:05 > 0:22:07And there'll be more officers outside.
0:22:07 > 0:22:09Right, so you are going to be here, Boss?
0:22:09 > 0:22:11Yeah, gets me out of the office for a couple of hours.
0:22:11 > 0:22:15You could pose as the cleaner? We've got a new mop and bucket.
0:22:15 > 0:22:17How would you like me to position my staff?
0:22:17 > 0:22:18Everybody is at your disposal
0:22:18 > 0:22:21apart from Doctor Carmichael, whose father is ill.
0:22:21 > 0:22:22Well, just carry on as normal.
0:22:22 > 0:22:23Right you are, ma'am.
0:22:23 > 0:22:25Believe me, you couldn't have a better man in place
0:22:25 > 0:22:27for an operation like this.
0:22:27 > 0:22:29Mr Bellamy's ex-military.
0:22:29 > 0:22:31Very good. But this is a police matter.
0:22:31 > 0:22:35Yes, but there may be more cross-fertilisation
0:22:35 > 0:22:37going on than you think.
0:22:37 > 0:22:41And you'll be on reception, so that everything looks as usual?
0:22:41 > 0:22:42Why wouldn't I be?
0:22:43 > 0:22:44Thanks.
0:22:45 > 0:22:47And it's not her heart?
0:22:47 > 0:22:48Her heart seems fine.
0:22:51 > 0:22:53It's all my fault.
0:22:53 > 0:22:56She seems to have been stressed for quite a while.
0:22:57 > 0:22:58I said some terrible things.
0:23:00 > 0:23:03Well, maybe she needed to hear them.
0:23:03 > 0:23:06Sometimes, the kindest thing you can do for someone is to tell them
0:23:06 > 0:23:08when to throw in the towel in.
0:23:08 > 0:23:10I know you're right.
0:23:10 > 0:23:13I feel like I've just been just been helping her fail.
0:23:16 > 0:23:19I've been doing that quite well without your help, Ellie.
0:23:19 > 0:23:21We're broke.
0:23:21 > 0:23:23Q & A Models has pretty much had it.
0:23:23 > 0:23:24Why didn't you tell me?
0:23:26 > 0:23:27I'm a very selfish woman...
0:23:27 > 0:23:31and if I lost the agency, I'd lose you.
0:23:31 > 0:23:34- But you...- I know I...treated you very badly.
0:23:35 > 0:23:36It's not an excuse...
0:23:37 > 0:23:40..but maybe grief comes out in strange ways.
0:23:41 > 0:23:43Right.
0:23:43 > 0:23:44Now, I want you to phone that editor,
0:23:44 > 0:23:48the one who wants to speak to you, and go.
0:23:48 > 0:23:49And leave you on your own?
0:23:49 > 0:23:50Don't worry. I'll cope.
0:23:50 > 0:23:52What will you do?
0:23:52 > 0:23:55Sell up, go abroad, top up my tan.
0:23:55 > 0:23:56You'll still visit me?
0:23:56 > 0:23:58Maybe. If you'll have me.
0:23:59 > 0:24:00Oh, come on.
0:24:00 > 0:24:02Let's get out of here, makes me feel old.
0:24:09 > 0:24:10Thank you, Doctor Granger.
0:24:18 > 0:24:20Well, it certainly is a good cause,
0:24:20 > 0:24:23but I think we should switch things round now and then.
0:24:23 > 0:24:27It's going to take a shed-load of spare change to save the youth club.
0:24:27 > 0:24:30I just keep picturing it all boarded up.
0:24:30 > 0:24:33Men in suits. What do they know? And then there's the kids.
0:24:33 > 0:24:35And I'm just...I'm just gutted for them.
0:24:35 > 0:24:38Some of them are coming on so well lately.
0:24:38 > 0:24:40Cometh the hour, cometh the man.
0:24:41 > 0:24:42What's that mean?
0:24:44 > 0:24:46Your youth club needs saving.
0:24:47 > 0:24:50Then stop moaning about it and get out there and save it!
0:24:51 > 0:24:52Me?
0:25:02 > 0:25:05'You've got through to Sergeant Hollins at Letherbridge police.
0:25:05 > 0:25:07'Please leave a message. Thank you.'
0:25:12 > 0:25:15'Hi, it's Rob Hollins, please leave a message, thanks.'
0:25:15 > 0:25:18Hello, Sergeant Hollins. It's Al again...
0:25:18 > 0:25:22'I would just love it if you could tell me what's going on?
0:25:23 > 0:25:25'This guy is a serious head-case.
0:25:26 > 0:25:29'So I really hope that you are doing something.
0:25:29 > 0:25:30'Please give me a call.'
0:25:32 > 0:25:33- Ooh, sorry. - Sorry.
0:25:37 > 0:25:39You all set for tomorrow?
0:25:39 > 0:25:40Yeah. Of course.
0:25:53 > 0:25:55All sorted?
0:25:55 > 0:25:58Yeah, although Doctor Khella is a bit jumpy.
0:25:58 > 0:25:59She'll hold it together.
0:25:59 > 0:26:00Oh, and thanks, by the way.
0:26:00 > 0:26:02- What for? - For trusting me on this.
0:26:02 > 0:26:04Good old-fashioned police work, eh?
0:26:16 > 0:26:18We carry on as normal.
0:26:18 > 0:26:21Only until the suspect arrives do the undercover 'patients'
0:26:21 > 0:26:22spring into action and arrest him.
0:26:22 > 0:26:26What if he suddenly flips his lid and decides to attack me?
0:26:26 > 0:26:28Why would anyone want to do that to you?
0:26:28 > 0:26:30I want a stab vest or something for protection.
0:26:30 > 0:26:33Just wondering how Doctor Khella is, really.
0:26:33 > 0:26:37She's...everything's under control. She's being very brave.
0:26:39 > 0:26:42Subtitles by Red Bee Media Ltd